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Rochester is a town and historic city in the unitary authority of Medway in Kent, England. It is situated at the lowest bridging point of the River Medway about 30 miles (50 km) from London.
Rochester was for many years a favourite of Charles Dickens, who owned nearby Gads Hill Place, Higham,[1] basing many of his novels on the area. The Diocese of Rochester, the second oldest in England, is based at Rochester Cathedral and was responsible for the founding of a school, now The King's School in 604 AD,[2] which is recognised as being the second oldest continuously running school in the world. Rochester Castle, built by Bishop Gundulf of Rochester, has one of the best preserved keepsin either England or France, and during the First Barons' War (1215–1217) in King John's reign, baronial forces captured the castle from Archbishop Stephen Langton and held it against the king, who then besieged it.[3]
Neighbouring Chatham, Gillingham, Strood and a number of outlying villages, together with Rochester, nowadays make up the MedwayUnitary Authority area. It was, until 1998,[4]under the control of Kent County Council and is still part of the ceremonial county of Kent, under the latest Lieutenancies Act.[5]
Toponymy[edit]
The Romano-British name for Rochester was Durobrivae, later Durobrivis c. 730 and Dorobrevis in 844. The two commonly cited origins of this name are that it either came from "stronghold by the bridge(s)",[6] or is the latinisation of the British word Dourbruf meaning "swiftstream".[7]Durobrivis was pronounced 'Robrivis. Bede copied down this name, c. 730, mistaking its meaning as Hrofi's fortified camp (OE Hrofes cæster). From this we get c. 730 Hrofæscæstre, 811 Hrofescester, 1086 Rovescester, 1610 Rochester.[6] The Latinised adjective 'Roffensis' refers to Rochester.[7]
Neolithic remains have been found in the vicinity of Rochester; over time it has been variously occupied by Celts, Romans, Jutes and/or Saxons. During the Celtic period it was one of the two administrative centres of the Cantiaci tribe. During the Roman conquest of Britain a decisive battle was fought at the Medway somewhere near Rochester. The first bridge was subsequently constructed early in the Roman period. During the later Roman period the settlement was walled in stone. King Ethelbert of Kent(560–616) established a legal system which has been preserved in the 12th century Textus Roffensis. In AD 604 the bishopric and cathedral were founded. During this period, from the recall of the legions until the Norman conquest, Rochester was sacked at least twice and besieged on another occasion.
The medieval period saw the building of the current cathedral (1080–1130, 1227 and 1343), the building of two castles and the establishment of a significant town. Rochester Castle saw action in the sieges of 1215 and 1264. Its basic street plan was set out, constrained by the river, Watling Street, Rochester Priory and the castle.
Rochester has produced two martyrs: St John Fisher, executed by Henry VIII for refusing to sanction the divorce of Catherine of Aragon; and Bishop Nicholas Ridley, executed by Queen Mary for being an English Reformation protestant.
The city was raided by the Dutch as part of the Second Anglo-Dutch War. The Dutch, commanded by Admiral de Ruijter, broke through the chain at Upnor[8] and sailed to Rochester Bridge capturing part of the English fleet and burning it.[9]
The ancient City of Rochester merged with the Borough of Chatham and part of the Strood Rural District in 1974 to form the Borough of Medway. It was later renamed Rochester-upon-Medway, and its City status transferred to the entire borough. In 1998 another merger with the rest of the Medway Towns created the Medway Unitary Authority. The outgoing council neglected to appoint ceremonial "Charter Trustees" to continue to represent the historic Rochester area, causing Rochester to lose its City status – an error not even noticed by council officers for four years, until 2002.[10][11]
Military History
Rochester has for centuries been of great strategic importance through its position near the confluence of the Thames and the Medway. Rochester Castle was built to guard the river crossing, and the Royal Dockyard's establishment at Chatham witnessed the beginning of the Royal Navy's long period of supremacy. The town, as part of Medway, is surrounded by two circles of fortresses; the inner line built during the Napoleonic warsconsists of Fort Clarence, Fort Pitt, Fort Amherst and Fort Gillingham. The outer line of Palmerston Forts was built during the 1860s in light of the report by the Royal Commission on the Defence of the United Kingdomand consists of Fort Borstal, Fort Bridgewood, Fort Luton, and the Twydall Redoubts, with two additional forts on islands in the Medway, namely Fort Hoo and Fort Darnet.
During the First World War the Short Brothers' aircraft manufacturing company developed the first plane to launch a torpedo, the Short Admiralty Type 184, at its seaplane factory on the River Medway not far from Rochester Castle. In the intervening period between the 20th century World Wars the company established a world-wide reputation as a constructor of flying boats with aircraft such as the Singapore, Empire 'C'-Class and Sunderland. During the Second World War, Shorts also designed and manufactured the first four-engined bomber, the Stirling.
The UK's decline in naval power and shipbuilding competitiveness led to the government decommissioning the RN Shipyard at Chatham in 1984, which led to the subsequent demise of much local maritime industry. Rochester and its neighbouring communities were hit hard by this and have experienced a painful adjustment to a post-industrial economy, with much social deprivation and unemployment resulting. On the closure of Chatham Dockyard the area experienced an unprecedented surge in unemployment to 24%; this had dropped to 2.4% of the local population by 2014.[12]
Former City of Rochester[edit]
Rochester was recognised as a City from 1211 to 1998. The City of Rochester's ancient status was unique, as it had no formal council or Charter Trustees nor a Mayor, instead having the office of Admiral of the River Medway, whose incumbent acted as de facto civic leader.[13] On 1 April 1974, the City Council was abolished under the Local Government Act 1972, and the territory was merged with the District of Medway, Borough of Chatham and most of Strood Rural District to form a new a local government district called the Borough of Medway, within the county of Kent. Medway Borough Council applied to inherit Rochester's city status, but this was refused; instead letters patent were granted constituting the area of the former Rochester local government district to be the City of Rochester, to "perpetuate the ancient name" and to recall "the long history and proud heritage of the said City".[14] The Home Officesaid that the city status may be extended to the entire borough if it had "Rochester" in its name, so in 1979, Medway Borough Council renamed the borough to Borough of Rochester-upon-Medway, and in 1982, Rochester's city status was transferred to the entire borough by letters patent, with the district being called the City of Rochester-upon-Medway.[13]
On 1 April 1998, the existing local government districts of Rochester-upon-Medway and Gillingham were abolished and became the new unitary authority of Medway. The Department of Environment, Transport and the Regions informed the city council that since it was the local government district that officially held City status under the 1982 Letters Patent, the council would need to appoint charter trustees to preserve its city status, but the outgoing Labour-run council decided not to appoint charter trustees, so the city status was lost when Rochester-upon-Medway was abolished as a local government district.[15][16][17] The other local government districts with City status that were abolished around this time, Bath and Hereford, decided to appoint Charter Trustees to maintain the existence of their own cities and the mayoralties. The incoming Medway Council apparently only became aware of this when, in 2002, it was advised that Rochester was not on the Lord Chancellor's Office's list of cities.[18][19]
In 2010, Medway Council started to refer to the "City of Medway" in promotional material, but it was rebuked and instructed not to do so in future by the Advertising Standards Authority.[20]
Governance[edit]
Civic history and traditions[edit]
Rochester and its neighbours, Chatham and Gillingham, form a single large urban area known as the Medway Towns with a population of about 250,000. Since Norman times Rochester had always governed land on the other side of the Medway in Strood, which was known as Strood Intra; before 1835 it was about 100 yards (91 m) wide and stretched to Gun Lane. In the 1835 Municipal Corporations Act the boundaries were extended to include more of Strood and Frindsbury, and part of Chatham known as Chatham Intra. In 1974, Rochester City Council was abolished and superseded by Medway Borough Council, which also included the parishes of Cuxton, Halling and Cliffe, and the Hoo Peninsula. In 1979 the borough became Rochester-upon-Medway. The Admiral of the River Medway was ex-officio Mayor of Rochester and this dignity transferred to the Mayor of Medway when that unitary authority was created, along with the Admiralty Court for the River which constitutes a committee of the Council.[21]
Like many of the mediaeval towns of England, Rochester had civic Freemen whose historic duties and rights were abolished by the Municipal Corporations Act 1835. However, the Guild of Free Fishers and Dredgers continues to the present day and retains rights, duties and responsibilities on the Medway, between Sheerness and Hawkwood Stone.[22] This ancient corporate body convenes at the Admiralty Court whose Jury of Freemen is responsible for the conservancy of the River as enshrined in current legislation. The City Freedom can be obtained by residents after serving a period of "servitude", i.e. apprenticeship (traditionally seven years), before admission as a Freeman. The annual ceremonial Beating of the Boundsby the River Medway takes place after the Admiralty Court, usually on the first Saturday of July.
Rochester first obtained City status in 1211, but this was lost due to an administrative oversight when Rochester was absorbed by the Medway Unitary Authority.[10] Subsequently, the Medway Unitary Authority has applied for City status for Medway as a whole, rather than merely for Rochester. Medway applied unsuccessfully for City status in 2000 and 2002 and again in the Queen's Diamond Jubilee Year of 2012.[23] Any future bid to regain formal City status has been recommended to be made under the aegis of Rochester-upon-Medway.
Ecclesiastical parishes[edit]
There were three medieval parishes: St Nicholas', St Margaret's and St Clement's. St Clement's was in Horsewash Lane until the last vicar died in 1538 when it was joined with St Nicholas' parish; the church last remaining foundations were finally removed when the railway was being constructed in the 1850s. St Nicholas' Church was built in 1421 beside the cathedral to serve as a parish church for the citizens of Rochester. The ancient cathedral included the Benedictine monastic priory of St Andrew with greater status than the local parishes.[24] Rochester's pre-1537 diocese, under the jurisdiction of the Church of Rome, covered a vast area extending into East Anglia and included all of Essex.[25]
As a result of the restructuring of the Church during the Reformation the cathedral was reconsecrated as the Cathedral Church of Christ and the Blessed Virgin Mary without parochial responsibilities, being a diocesan church.[26] In the 19th century the parish of St Peter's was created to serve the burgeoning city with the new church being consecrated in 1859. Following demographic shifts, St Peter's and St Margaret's were recombined as a joint benefice in 1953 with the parish of St Nicholas with St Clement being absorbed in 1971.[27] The combined parish is now the "Parish of St Peter with St Margaret", centred at the new (1973) Parish Centre in The Delce (St Peter's) with St Margaret's remaining as a chapel-of-ease. Old St Peter's was demolished in 1974, while St Nicholas' Church has been converted into the diocesan offices but remains consecrated. Continued expansion south has led to the creation of an additional more recent parish of St Justus (1956) covering The Tideway estate and surrounding area.[28]
A church dedicated to St Mary the Virgin at Eastgate, which was of Anglo-Saxon foundation, is understood to have constituted a parish until the Middle Ages, but few records survive.[29]
Geography
Rochester lies within the area, known to geologists, as the London Basin. The low-lying Hoo peninsula to the north of the town consists of London Clay, and the alluvium brought down by the two rivers—the Thames and the Medway—whose confluence is in this area. The land rises from the river, and being on the dip slope of the North Downs, this consists of chalksurmounted by the Blackheath Beds of sand and gravel.
As a human settlement, Rochester became established as the lowest river crossing of the River Medway, well before the arrival of the Romans.
It is a focal point between two routes, being part of the main route connecting London with the Continent and the north-south routes following the course of the Medway connecting Maidstone and the Weald of Kent with the Thames and the North Sea. The Thames Marshes were an important source of salt. Rochester's roads follow north Kent's valleys and ridges of steep-sided chalk bournes. There are four ways out of town to the south: up Star Hill, via The Delce,[30] along the Maidstone Road or through Borstal. The town is inextricably linked with the neighbouring Medway Towns but separate from Maidstone by a protective ridge known as the Downs, a designated area of Outstanding Natural Beauty.
At its most limited geographical size, Rochester is defined as the market town within the city walls, now associated with the historic medieval city. However, Rochester historically also included the ancient wards of Strood Intra on the river's west bank, and Chatham Intra as well as the three old parishes on the Medway's east bank.
The diocese of Rochester is another geographical entity which can be referred to as Rochester.
Climate[edit]
Rochester has an oceanic climate similar to much of southern England, being accorded Köppen Climate Classification-subtype of "Cfb" (Marine West Coast Climate).[31]
On 10 August 2003, neighbouring Gravesend recorded one of the highest temperatures since meteorogical records began in the United Kingdom, with a reading of 38.1 degrees Celsius (100.6 degrees Fahrenheit),[32]only beaten by Brogdale, near Faversham, 22 miles (35 km) to the ESE.[33] The weather station at Brogdale is run by a volunteer, only reporting its data once a month, whereas Gravesend, which has an official Met Office site at the PLA pilot station,[34] reports data hourly.
Being near the mouth of the Thames Estuary with the North Sea, Rochester is relatively close to continental Europe and enjoys a somewhat less temperate climate than other parts of Kent and most of East Anglia. It is therefore less cloudy, drier and less prone to Atlanticdepressions with their associated wind and rain than western regions of Britain, as well as being hotter in summer and colder in winter. Rochester city centre's micro-climate is more accurately reflected by these officially recorded figures than by readings taken at Rochester Airport.[35]
North and North West Kent continue to record higher temperatures in summer, sometimes being the hottest area of the country, eg. on the warmest day of 2011, when temperatures reached 33.1 degrees.[36]Additionally, it holds at least two records for the year 2010, of 30.9 degrees[37] and 31.7 degrees C.[38] Another record was set during England's Indian summer of 2011 with 29.9 degrees C., the highest temperature ever recorded in the UK for October.
North and North West Kent continue to record higher temperatures in summer, sometimes being the hottest area of the country, eg. on the warmest day of 2011, when temperatures reached 33.1 degrees.[36]Additionally, it holds at least two records for the year 2010, of 30.9 degrees[37] and 31.7 degrees C.[38] Another record was set during England's Indian summer of 2011 with 29.9 degrees C., the highest temperature ever recorded in the UK for October.
Building
Rochester comprises numerous important historic buildings, the most prominent of which are the Guildhall, the Corn Exchange, Restoration House, Eastgate House, as well as Rochester Castle and Rochester Cathedral. Many of the town centre's old buildings date from as early as the 14th century up to the 18th century. The chapel of St Bartholomew's Hospital dates from the ancient priory hospital's foundation in 1078.
Economy
Thomas Aveling started a small business in 1850 producing and repairing agricultural plant equipment. In 1861 this became the firm of Aveling and Porter, which was to become the largest manufacturer of agricultural machinery and steam rollers in the country.[39] Aveling was elected Admiral of the River Medway (i.e. Mayor of Rochester) for 1869-70.
Culture[edit]
Sweeps Festival[edit]
Since 1980 the city has seen the revival of the historic Rochester Jack-in-the-Green May Day dancing chimney sweeps tradition, which had died out in the early 1900s. Though not unique to Rochester (similar sweeps' gatherings were held across southern England, notably in Bristol, Deptford, Whitstable and Hastings), its revival was directly inspired by Dickens' description of the celebration in Sketches by Boz.
The festival has since grown from a small gathering of local Morris dancesides to one of the largest in the world.[40] The festival begins with the "Awakening of Jack-in-the-Green" ceremony,[41] and continues in Rochester High Street over the May Bank Holiday weekend.
There are numerous other festivals in Rochester apart from the Sweeps Festival. The association with Dickens is the theme for Rochester's two Dickens Festivals held annually in June and December.[42] The Medway Fuse Festival[43] usually arranges performances in Rochester and the latest festival to take shape is the Rochester Literature Festival, the brainchild of three local writers.[44]
Library[edit]
A new public library was built alongside the Adult Education Centre, Eastgate. This enabled the registry office to move from Maidstone Road, Chatham into the Corn Exchange on Rochester High Street (where the library was formerly housed). As mentioned in a report presented to Medway Council's Community Services Overview and Scrutiny Committee on 28 March 2006, the new library opened in late summer (2006).[45]
Theatre[edit]
There is a small amateur theatre called Medway Little Theatre on St Margaret's Banks next to Rochester High Street near the railway station.[46] The theatre was formed out of a creative alliance with the Medway Theatre Club, managed by Marion Martin, at St Luke's Methodist Church on City Way, Rochester[47] between 1985 and 1988, since when drama and theatre studies have become well established in Rochester owing to the dedication of the Medway Theatre Club.[48]
Media[edit]
Local newspapers for Rochester include the Medway Messenger, published by the KM Group, and free newspapers such as Medway Extra(KM Group) and Yourmedway (KOS Media).
The local commercial radio station for Rochester is KMFM Medway, owned by the KM Group. Medway is also served by community radio station Radio Sunlight. The area also receives broadcasts from county-wide stations BBC Radio Kent, Heart and Gold, as well as from various Essex and Greater London radio stations.[49]
Sport[edit]
Football is played with many teams competing in Saturday and Sunday leagues.[50] The local football club is Rochester United F.C. Rochester F.C. was its old football club but has been defunct for many decades. Rugby is also played; Medway R.F.C. play their matches at Priestfields and Old Williamsonians is associated with Sir Joseph Williamson's Mathematical School.[51]
Cricket is played in the town, with teams entered in the Kent Cricket League. Holcombe Hockey Club is one of the largest in the country,[52]and is based at Holcombe Park. The men's and women's 1st XI are part of the England Hockey League.[53] Speedway was staged on a track adjacent to City Way that opened in 1932. Proposals for a revival in the early 1970s did not materialise and the Rochester Bombers became the Romford Bombers.[54]
Sailing and rowing are also popular on the River Medway with respective clubs being based in Rochester.[55][56]
Film[edit]
The 1959 James Bond Goldfinger describes Bond driving along the A2through the Medway Towns from Strood to Chatham. Of interest is the mention of "inevitable traffic jams" on the Strood side of Rochester Bridge, the novel being written some years prior to the construction of the M2 motorway Medway bypass.
Rochester is the setting of the controversial 1965 Peter Watkins television film The War Game, which depicts the town's destruction by a nuclear missile.[57] The opening sequence was shot in Chatham Town Hall, but the credits particularly thank the people of Dover, Gravesend and Tonbridge.
The 2011 adventure film Ironclad (dir. Jonathan English) is based upon the 1215 siege of Rochester Castle. There are however a few areaswhere the plot differs from accepted historical narrative.
Notable people[edit]
Charles Dickens
The historic city was for many years the favourite of Charles Dickens, who lived within the diocese at nearby Gads Hill Place, Higham, many of his novels being based on the area. Descriptions of the town appear in Pickwick Papers, Great Expectations and (lightly fictionalised as "Cloisterham") in The Mystery of Edwin Drood. Elements of two houses in Rochester, Satis House and Restoration House, are used for Miss Havisham's house in Great Expectations, Satis House.[58]
Sybil Thorndike
The actress Dame Sybil Thorndike and her brother Russell were brought up in Minor Canon Row adjacent to the cathedral; the daughter of a canon of Rochester Cathedral, she was educated at Rochester Grammar School for Girls. A local doctors' practice,[59] local dental practice[60] and a hall at Rochester Grammar School are all named after her.[61]
Peter Buck
Sir Peter Buck was Admiral of the Medway in the 17th century; knightedin 1603 he and Bishop Barlow hosted King James, the Stuart royal familyand the King of Denmark in 1606. A civil servant to The Royal Dockyardand Lord High Admiral, Buck lived at Eastgate House, Rochester.
Denis Redman
Major-General Denis Redman, a World War II veteran, was born and raised in Rochester and later became a founder member of REME, head of his Corps and a Major-General in the British Army.
Kelly Brook
The model and actress Kelly Brook went to Delce Junior School in Rochester and later the Thomas Aveling School (formerly Warren Wood Girls School).
The singer and songwriter Tara McDonald now lives in Rochester.
The Prisoners, a rock band from 1980 to 1986, were formed in Rochester. They are part of what is known as the "Medway scene".
Kelly Tolhurst MP is the current parliamentary representative for the constituency.
This papercraft is a chibi Goku Black (usually just called Black), an evil being that appears in Future Trunks' timeline, from the anime Dragon Ball Z, the paper model is created by Avshalom Gil. The size of finished model is about 380 (H) x 345 (W) x 168 (D) mm.
Goku Black is noted to be an...
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Sony RX1 User Report.
I hesitate to write about gear. Tools are tools and the bitter truth is that a great craftsman rises above his tools to create a masterpiece whereas most of us try to improve our abominations by buying better or faster hammers to hit the same nails at the same awkward angles.
The internet is fairly flooded with reviews of this tiny marvel, and it isn’t my intention to compete with those articles. If you’re looking for a full-scale review of every feature or a down-to-Earth accounting of the RX1’s strengths and weaknesses, I recommend starting here.
Instead, I’d like to provide you with a flavor of how I’ve used the camera over the last six months. In short, this is a user report. To save yourself a few thousand words: I love the thing. As we go through this article, you’ll see this is a purpose built camera. The RX1 is not for everyone, but we will get to that and on the way, I’ll share a handful of images that I made with the camera.
It should be obvious to anyone reading this that I write this independently and have absolutely no relationship with Sony (other than having exchanged a large pile of cash for this camera at a retail outlet).
Before we get to anything else, I want to clear the air about two things: Price and Features
The Price
First things first: the price. The $2800+ cost of this camera is the elephant in the room and, given I purchased the thing, you may consider me a poor critic. That in mind, I want to offer you three thoughts:
Consumer goods cost what they cost, in the absence of a competitor (the Fuji X100s being the only one worth mention) there is no comparison and you simply have to decide for yourself if you are willing to pay or not.
Normalize the price per sensor area for all 35mm f/2 lens and camera alternatives and you’ll find the RX1 is an amazing value.
You are paying for the ability to take photographs, plain and simple. Ask yourself, “what are these photographs worth to me?”
In my case, #3 is very important. I have used the RX1 to take hundreds of photographs of my family that are immensely important to me. Moreover, I have made photographs (many appearing on this page) that are moving or beautiful and only happened because I had the RX1 in my bag or my pocket. Yes, of course I could have made these or very similar photographs with another camera, but that is immaterial.
35mm by 24mm by 35mm f/2
The killer feature of this camera is simple: it is a wafer of silicon 35mm by 24mm paired to a brilliantly, ridiculously, undeniably sharp, contrasty and bokehlicious 35mm f/2 Carl Zeiss lens. Image quality is king here and all other things take a back seat. This means the following: image quality is as good or better than your DSLR, but battery life, focus speed, and responsiveness are likely not as good as your DSLR. I say likely because, if you have an entry-level DSLR, the RX1 is comparable on these dimensions. If you want to change lenses, if you want an integrated viewfinder, if you want blindingly fast phase-detect autofocus then shoot with a DSLR. If you want the absolute best image quality in the smallest size possible, you’ve got it in the RX1.
While we are on the subject of interchangeable lenses and viewfinders...
I have an interchangeable lens DSLR and I love the thing. It’s basically a medium format camera in a 35mm camera body. It’s a powerhouse and it is the first camera I reach for when the goal is photography. For a long time, however, I’ve found myself in situations where photography was not the first goal, but where I nevertheless wanted to have a camera. I’m around the table with friends or at the park with my son and the DSLR is too big, too bulky, too intimidating. It comes between you and life. In this realm, mirrorless, interchangeable lens cameras seem to be king, but they have a major flaw: they are, for all intents and purposes, just little DSLRs.
As I mentioned above, I have an interchangeable lens system, why would I want another, smaller one? Clearly, I am not alone in feeling this way, as the market has produced a number of what I would call “professional point and shoots.” Here we are talking about the Fuji X100/X100s, Sigma DPm-series and the RX100 and RX1.
Design is about making choices
When the Fuji X100 came out, I was intrigued. Here was a cheap(er), baby Leica M. Quiet, small, unobtrusive. Had I waited to buy until the X100s had come out, perhaps this would be a different report. Perhaps, but probably not. I remember thinking to myself as I was looking at the X100, “I wish there was a digital Rollei 35, something with a fixed 28mm or 35mm lens that would fit in a coat pocket or a small bag.” Now of course, there is.
So, for those of you who said, “I would buy the RX1 if it had interchangeable lenses or an integrated viewfinder or faster autofocus,” I say the following: This is a purpose built camera. You would not want it as an interchangeable system, it can’t compete with DSLR speed. A viewfinder would make the thing bigger and ruin the magic ratio of body to sensor size—further, there is a 3-inch LCD viewfinder on the back! Autofocus is super fast, you just don’t realize it because the bar has been raised impossibly high by ultra-sonic magnet focusing rings on professional DSLR lenses. There’s a fantastic balance at work here between image quality and size—great tools are about the total experience, not about one or the other specification.
In short, design is about making choices. I think Sony has made some good ones with the RX1.
In use
So I’ve just written 1,000 words of a user report without, you know, reporting on use. In many ways the images on the page are my user report. These photographs, more than my words, should give you a flavor of what the RX1 is about. But, for the sake of variety, I intend to tell you a bit about the how and the why of shooting with the RX1.
Snapshots
As a beginning enthusiast, I often sneered at the idea of a snapshot. As I’ve matured, I’ve come to appreciate what a pocket camera and a snapshot can offer. The RX1 is the ultimate photographer’s snapshot camera.
I’ll pause here to properly define snapshot as a photograph taken quickly with a handheld camera.
To quote Ferris Bueller’s Day Off, “Life moves pretty fast. If you don't stop and look around once in a while, you could miss it.” So it is with photography. Beautiful photographs happen at the decisive moment—and to paraphrase Henri Cartier-Bresson further—the world is newly made and falling to pieces every instant. I think it is no coincidence that each revolution in the steady march of photography from the tortuously slow chemistry of tin-type and daguerreotype through 120 and 35mm formats to the hyper-sensitive CMOS of today has engendered new categories and concepts of photography.
Photography is a reflexive, reactionary activity. I see beautiful light or the unusual in an every day event and my reaction is a desire to make a photograph. It’s a bit like breathing and has been since I was a kid.
Rather than sneer at snapshots, nowadays I seek them out; and when I seek them out, I do so with the Sony RX1 in my hand.
How I shoot with the RX1
Despite much bluster from commenters on other reviews as to the price point and the purpose-built nature of this camera (see above), the RX1 is incredibly flexible. Have a peek at some of the linked reviews and you’ll see handheld portraits, long exposures, images taken with off-camera flash, etc.
Yet, I mentioned earlier that I reach for the D800 when photography is the primary goal and so the RX1 has become for me a handheld camera—something I use almost exclusively at f/2 (people, objects, shallow DoF) or f/8 (landscapes in abundant light, abstracts). The Auto-ISO setting allows the camera to choose in the range from ISO 50 and 6400 to reach a proper exposure at a given aperture with a 1/80 s shutter speed. I have found this shutter speed ensures a sharp image every time (although photographers with more jittery grips may wish there was the ability to select a different default shutter speed). This strategy works because the RX1 has a delightfully clicky exposure compensation dial just under your right thumb—allowing for fine adjustment to the camera’s metering decision.
So then, if you find me out with the RX1, you’re likely to see me on aperture priority, f/2 and auto ISO. Indeed, many of the photographs on this page were taken in that mode (including lots of the landscape shots!).
Working within constraints.
The RX1 is a wonderful camera to have when you have to work within constraints. When I say this, I mean it is great for photography within two different classes of constraints: 1) physical constraints of time and space and 2) intellectual/artistic constraints.
To speak to the first, as I said earlier, many of the photographs on this page were made possible by having a camera with me at a time that I otherwise would not have been lugging around a camera. For example, some of the images from the Grand Canyon you see were made in a pinch on my way to a Christmas dinner with my family. I didn’t have the larger camera with me and I just had a minute to make the image. Truth be told, these images could have been made with my cell phone, but that I could wring such great image quality out of something not much larger than my cell phone is just gravy. Be it jacket pocket, small bag, bike bag, saddle bag, even fannie pack—you have space for this camera anywhere you go.
Earlier I alluded to the obtrusiveness of a large camera. If you want to travel lightly and make photographs without announcing your presence, it’s easier to use a smaller camera. Here the RX1 excels. Moreover, the camera’s leaf shutter is virtually silent, so you can snap away without announcing your intention. In every sense, this camera is meant to work within physical constraints.
I cut my photographic teeth on film and I will always have an affection for it. There is a sense that one is playing within the rules when he uses film. That same feeling is here in the RX1. I never thought I’d say this about a camera, but I often like the JPEG images this thing produces more than I like what I can push with a RAW. Don’t get me wrong, for a landscape or a cityscape, the RAW processed carefully is FAR, FAR better than a JPEG.
But when I am taking snapshots or photos of friends and family, I find the JPEGs the camera produces (I’m shooting in RAW + JPEG) so beautiful. The camera’s computer corrects for the lens distortion and provides the perfect balance of contrast and saturation. The JPEG engine can be further tweaked to increase the amount of contrast, saturation or dynamic range optimization (shadow boost) used in writing those files. Add in the ability to rapidly compensate exposure or activate various creative modes and you’ve got this feeling you’re shooting film again. Instant, ultra-sensitive and customizable film.
Pro Tip: Focusing
Almost all cameras come shipped with what I consider to be the worst of the worst focus configurations. Even the Nikon D800 came to my hands set to focus when the shutter button was halfway depressed. This mode will ruin almost any photograph. Why? Because it requires you to perform legerdemain to place the autofocus point, depress the shutter halfway, recompose and press the shutter fully. In addition to the chance of accidentally refocusing after composing or missing the shot—this method absolutely ensures that one must focus before every single photograph. Absolutely impossible for action or portraiture.
Sensibly, most professional or prosumer cameras come with an AF-ON button near where the shooter’s right thumb rests. This separates the task of focusing and exposing, allowing the photographer to quickly focus and to capture the image even if focus is slightly off at the focus point. For portraits, kids, action, etc the camera has to have a hair-trigger. It has to be responsive. Manufacturer’s: stop shipping your cameras with this ham-fisted autofocus arrangement.
Now, the RX1 does not have an AF-ON button, but it does have an AEL button whose function can be changed to “MF/AF Control Hold” in the menu. Further, other buttons on the rear of the camera can also be programmed to toggle between AF and MF modes. What this all means is that you can work around the RX1’s buttons to make it’s focus work like a DSLR’s. (For those of you who are RX1 shooters, set the front switch to MF, the right control wheel button to MF/AF Toggle and the AEL button to MF/AF Control Hold and voila!) The end result is that, when powered on the camera is in manual focus mode, but the autofocus can be activated by pressing AEL, no matter what, however, the shutter is tripped by the shutter release. Want to switch to AF mode? Just push a button and you’re back to the standard modality.
Carrying.
I keep mine in a small, neoprene pouch with a semi-hard LCD cover and a circular polarizing filter on the front—perfect for buttoning up and throwing into a bag on my way out of the house. I have a soft release screwed into the threaded shutter release and a custom, red twill strap to replace the horrible plastic strap Sony provided. I plan to gaffer tape the top and the orange ring around the lens. Who knows, I may find an old Voigtlander optical viewfinder in future as well.
Just a quicky while waiting for nizer to finish his part of the wall,
Definitely gonna work on letters rather than characters in future.
Shouts to everyone everywhere!
Hong Kong-made Surfer van, with Corgi Juniors Charlie's Angels van.
The green van has round windows in the side panels The Corgi has round windows in the rear doors, a feature which remained in future releases of this van, even the ambulance and similar versions. As far as I know no such vehicle appeared in the TV series; the larger scale Corgi model of the same van has roof lights to show off a detailed interior: www.flickr.com/photos/adrianz-toyz/47081000284
The last official steam train on the tracks of Jindřichohradecké místní dráhy till now was operated on the 2nd of October 2022, by locomotive U46 101. It is quite a sad story, after more than a century operations have stopped completely. The line to Nová Bystřice was opened on 1 November 1897 and the line to Obrataň followed on 24 December 1906. Hopefully there will be operations in future again!
NASA Deputy Administrator Dava Newman, left, is interviewed by Dr. Phil Plait, scientist and author of "The Bad Astronomer", right, at Smithsonian Magazine's "The Future is Here" festival at the Shakespeare Theater Company's Sidney Harman Hall on Sunday, April 24, 2016 in Washington, DC. The festival was launched in 2013 to bring together experts in technology, science, space exploration, arts, engineering, and culture. Photo Credit: (NASA/Aubrey Gemignani)
As you may notice the tails of these workinghorses are clipped. This is done for practical ways. The tail could get caught in the leading strings, which might set the horses off to bolt. And three of these the farmer never could hold...
In The Netherlands this procedure is prohibited. It could be done in Belgium, but now one has to travel to France. The owner of these lovely three told me he was retired and thinking of only putting horses before a coach. Then the clipping would not be neccesary in future.
Designer SQ Elsa and Hans boxed, with slipcover.
I have finally deboxed the Designer Fairytale Snow Queen Elsa and Hans Doll Set (2015). My set is #4597 of 6000. It was the only set that I didn't get at the Disney Store raffle, so I had to order her online. I show the set boxed, during deboxing and fully deboxed. After deboxing them, I place them back on their display stand, in a different pose.
I was a little surprised that Elsa has the body construction of the 2012 DS Classic Princess dolls, so has external hinged knee joints and ankle joints. It makes her legs a bit unsightly when they are exposed by opening the slit of the skirt. She has shiny pearlescent skin that is similar to the Harrods Elsa doll, but doesn't have the heavy blush. Her Snow Queen outfit also has embellishments that are more similar to that of the Harrods Elsa rather than that of the LE 2500 Snow Queen Elsa. But rather than the jeweled snowflakes of the 17'' LE Elsa she has single clear rhinestones throughout her braid, and a few on her head. The snowflake and icicle design in her cape are printed rather than embroidered (as in the 17'' LE Elsas) or glittered (as in the Classic Elsa). They are flat and smooth, and I don't think are as effective in depicting ice.
The major embellishments of Designer Hans over Classic Hans are the addition of white gloves, and a sword. However, It's disappointing that there is no scabbard for the sword - it is loosely sewn to his pants legs, which looks rather cheap.
I will show the dolls in side by side comparisons to other Elsa and Hans dolls in future postings.
Elsa and Hans Doll Set - Disney Fairytale Designer Collection
US Disney Store
$129.95
Item No. 6003040901259P
Released in store 2015-10-27
Released online 2015-10-28
Sold out online in less than 25 minutes
Purchased online 2015-10-28
#4597 of 6000
Is the largest country in South America and the only Portuguese-speaking country in the Americas. It is the fifth largest country by geographical area and the fifth most populous country in the world.
Bounded by the Atlantic Ocean on the east, Brazil has a coastline of over 7,491 kilometers (4,655 mi).[ It is bordered on the north by Venezuela, Guyana, Suriname and the French overseas department of French Guiana; on the northwest by Colombia; on the west by Bolivia and Peru; on the southwest by Argentina and Paraguay and on the south by Uruguay. Numerous archipelagos are part of the Brazilian territory, such as Fernando de Noronha, Rocas Atoll, Saint Peter and Paul Rocks, and Trindade and Martim Vaz.
Brazil was a colony of Portugal from the landing of Pedro Álvares Cabral in 1500 until its independence in 1822. Initially independent as the Brazilian Empire, the country has been a republic since 1889, although the bicameral legislature, now called Congress, dates back to 1824, when the first constitution was ratified. Its current Constitution defines Brazil as a Federal Republic. The Federation is formed by the union of the Federal District, the 26 States, and the 5,564 Municipalities.
Brazil is the world's eighth largest economy by nominal GDP and the ninth largest by purchasing power parity. Economic reforms have given the country new international recognition. Brazil is a founding member of the United Nations, the G20, Mercosul and the Union of South American Nations, and is one of the BRIC Countries. Brazil is also home to a diversity of wildlife, natural environments, and extensive natural resources in a variety of protected habitats
History
Portuguese colonization and territorial expansion
The land now called Brazil (the origin of whose name is disputed), was claimed by Portugal in April 1500, on the arrival of the Portuguese fleet commanded by Pedro Álvares Cabral. The Portuguese encountered stone age natives divided into several tribes, most of whom shared the same Tupi-Guarani linguistic family, and fought among themselves.
Colonization was effectively begun in 1534, when Dom João III divided the territory into twelve hereditary captaincies, but this arrangement proved problematic and in 1549 the king assigned a Governor-General to administer the entire colony. The Portuguese assimilated some of the native tribes while others were enslaved or exterminated in long wars or by European diseases to which they had no immunity. By the mid 16th century, sugar had become Brazil's most important export and the Portuguese imported African slaves to cope with the increasing international demand.
Through wars against the French, the Portuguese slowly expanded their territory to the southeast, taking Rio de Janeiro in 1567, and to the northwest, taking São Luís in 1615. They sent military expeditions to the Amazon rainforest and conquered British and Dutch strongholds, founding villages and forts from 1669. In 1680 they reached the far south and founded Sacramento on the bank of the Rio de la Plata, in the Eastern Strip region (present-day Uruguay).
At the end of the 17th century sugar exports started to decline but the discovery of gold by explorers in the region that would later be called Minas Gerais (General Mines) around 1693, and in the following decades in current Mato Grosso and Goiás, saved the colony from imminent collapse. From all over Brazil, as well as from Portugal, thousands of immigrants came to the mines.
The Spanish tried to prevent Portuguese expansion into the territory that belonged to them according to the 1494 Treaty of Tordesillas, and succeeded in conquering the Eastern Strip in 1777. However, this was in vain as the Treaty of San Ildefonso, signed in the same year, confirmed Portuguese sovereignty over all lands proceeding from its territorial expansion, thus creating most of the current Brazilian borders.
In 1808, the Portuguese royal family, fleeing the troops of the French Emperor Napoleon I that were invading Portugal and most of Central Europe, established themselves in the city of Rio de Janeiro, which thus became the seat of the entire Portuguese Empire. In 1815 Dom João VI, then regent on behalf of his incapacitated mother, elevated Brazil from colony to sovereign Kingdom united with Portugal. In 1809 the Portuguese invaded French Guiana (which was returned to France in 1817) and in 1816 the Eastern Strip, subsequently renamed Cisplatina.
Independence and empire
King João VI returned to Europe on 26 April 1821, leaving his elder son Prince Pedro de Alcântara as regent to rule Brazil. The Portuguese government attempted to turn Brazil into a colony once again, thus depriving it of its achievements since 1808. The Brazilians refused to yield and Prince Pedro stood by them declaring the country's independence from Portugal on 7 September 1822. On 12 October 1822, Pedro was declared the first Emperor of Brazil and crowned Dom Pedro I on 1 December 1822.
At that time almost all Brazilians were in favor of a monarchy and republicanism had little support. The subsequent Brazilian War of Independence spread through almost the entire territory, with battles in the northern, northeastern, and southern regions. The last Portuguese soldiers surrendered on 8 March 1824 and independence was recognized by Portugal on 29 August 1825.
The first Brazilian constitution was promulgated on 25 March 1824, after its acceptance by the municipal councils across the country. Pedro I abdicated on 7 April 1831 and went to Europe to reclaim his daughter’s crown, leaving behind his five year old son and heir, who was to become Dom Pedro II. As the new emperor could not exert his constitutional prerogatives until he reached maturity, a regency was created.
Disputes between political factions led to rebellions and an unstable, almost anarchical, regency. The rebellious factions, however, were not in revolt against the monarchy, even though some declared the secession of the provinces as independent republics, but only so long as Pedro II was a minor. Because of this, Pedro II was prematurely declared of age and "Brazil was to enjoy nearly half a century of internal peace and rapid material progress."
Brazil won three international wars during the 58-year reign of Pedro II (the Platine War, the Uruguayan War and the War of the Triple Alliance) and witnessed the consolidation of representative democracy, mainly due to successive elections and unrestricted freedom of the press. Most importantly, slavery was extinguished after a slow but steady process that began with the end of the international traffic in slaves in 1850 and ended with the complete abolition of slavery in 1888.The slave population had been in decline since Brazil's independence: in 1823, 29% of the Brazilian population were slaves but by 1887 this had fallen to 5%.
When the monarchy was overthrown on 15 November 1889 there was little desire in Brazil to change the form of government and Pedro II was at the height of his popularity among his subjects. However, he "bore prime, perhaps sole, responsibility for his own overthrow." After the death of his two sons, Pedro believed that "the imperial regime was destined to end with him." He cared little for the regime's fate and so neither did anything, nor allowed anyone else to do anything, to prevent the military coup, backed by former slave owners who resented the abolition of slavery.
States and municipalities
Brazil is a federation composed of twenty-six States, one federal district (which contains the capital city, Brasília) and municipalities. States have autonomous administrations, collect their own taxes and receive a share of taxes collected by the Federal government. They have a governor and a unicameral legislative body elected directly by their voters. They also have independent Courts of Law for common justice. Despite this, states have much less autonomy to create their own laws than in the United States. For example, criminal and civil laws can only be voted by the federal bicameral Congress and are uniform throughout the country.
The states and the federal district may be grouped into regions: Northern, Northeast, Central-West, Southeast and Southern. The Brazilian regions are merely geographical, not political or administrative divisions, and they do not have any specific form of government. Although defined by law, Brazilian regions are useful mainly for statistical purposes, and also to define the application of federal funds in development projects.
Municipalities, as the states, have autonomous administrations, collect their own taxes and receive a share of taxes collected by the Union and state government. Each has a mayor and an elected legislative body, but no separate Court of Law. Indeed, a Court of Law organized by the state can encompass many municipalities in a single justice administrative division called comarca (county).
Geography
Brazil occupies a large area along the eastern coast of South America and includes much of the continent's interior, sharing land borders with Uruguay to the south; Argentina and Paraguay to the southwest; Bolivia and Peru to the west; Colombia to the northwest; and Venezuela, Suriname, Guyana and the French overseas department of French Guiana to the north. It shares a border with every country in South America except for Ecuador and Chile. It also encompasses a number of oceanic archipelagos, such as Fernando de Noronha, Rocas Atoll, Saint Peter and Paul Rocks, and Trindade and Martim Vaz. Its size, relief, climate, and natural resources make Brazil geographically diverse.
Brazil is the fifth largest country in the world, after Russia, Canada, China and the United States, and third largest in the Americas; with a total area of 8,514,876.599 square kilometers (3,287,612 sq mi), including 55,455 square kilometers (21,411 sq mi) of water. It spans three time zones; from UTC-4 in the western states, to UTC-3 in the eastern states (and the official time of Brazil), and UTC-2 in the Atlantic islands.
Brazilian topography is also diverse and includes hills, mountains, plains, highlands, and scrublands. Much of the terrain lies between 200 metres (660 ft) and 800 metres (2,600 ft) in elevation. The main upland area occupies most of the southern half of the country. The northwestern parts of the plateau consist of broad, rolling terrain broken by low, rounded hills.
The southeastern section is more rugged, with a complex mass of ridges and mountain ranges reaching elevations of up to 1,200 metres (3,900 ft). These ranges include the Mantiqueira and Espinhaço mountains and the Serra do Mar. In the north, the Guiana Highlands form a major drainage divide, separating rivers that flow south into the Amazon Basin from rivers that empty into the Orinoco River system, in Venezuela, to the north. The highest point in Brazil is the Pico da Neblina at 3,014 metres (9,890 ft), and the lowest is the Atlantic Ocean.
Brazil has a dense and complete system of rivers, one of the world's most extensive, with eight major drainage basins, all of which drain into the Atlantic. Major rivers include the Amazon (the world's second-longest river and the largest in terms of volume of water), the Paraná and its major tributary the Iguaçu (which includes the Iguazu Falls), the Negro, São Francisco, Xingu, Madeira and Tapajós rivers.
Other Infos
Oficial name:
Republica Federativa do Brasil
Independence:
Declared September 7, 1822
- Recognized August 29, 1825
- Republic November 15, 1889
Area:
8.514.816 km2
Inhabitants:
182.670.000
Dialects:
Agavotaguerra,Amahuaca ,Amanayé ,Amapá Creole ,Amikoana ,Amundava ,Anambé ,Apalaí,Apiacá ,Apinayé ,Apurinã ,Arapaso ,Arára,Araweté ,Parakanã ,Tapirapé,Arikapú ,Aruá ,Arutani ,Ashéninka ,Asuriní ,Asuriní,Atorada ,Atruahí ,Aurá ,Avá-Canoeiro ,Awetí ,Bakairí ,Banawá ,Baniwa ,Borôro ,Brazilian Sign Language ,Cafundo Creole ,Caló ,Canela ,Carib ,Carútana ,Cashinahua ,Chiripá ,Cinta Larga ,Cocama-Cocamilla ,Cubeo ,Culina ,Curripaco ,Dâw ,Dení ,Desano ,Enawené-Nawé ,Fulniô ,Gavião do Jiparaná ,Gavião, ,Guajá ,Guajajára ,Guanano Guaraní, Mbyá ,Guarequena ,Guató ,Hixkaryána,Hupdë ,Iapama ,Ikpeng ,Ingarikó ,Ipeka-Tapuia Irántxe ,Jabutí ,Jamamadí Jaruára ,Júma ,Jurúna ,Kabixí ,Kadiwéu ,Kaingáng ,Kaiwá ,Kamayurá ,Kanamarí ,Karahawyana ,Karajá ,Karapanã ,Karipuná ,Karipúna Creole French ,Karitiâna ,Karo ,Katawixi ,Katukína ,Katukína, Panoan ,Kaxararí ,Kaxuiâna Kayabí ,Kayapó ,Kohoroxitari ,Korubo ,Krahô ,Kreen-Akarore ,Krenak ,Kreye ,Krikati-Timbira Kuikúro-Kalapálo ,Kuruáya ,Machinere ,Macuna ,Macushi ,Makuráp ,Mandahuaca ,Mapidian Maquiritari ,Marúbo ,Matipuhy ,Matís ,Matsés ,Maxakalí ,Mehináku ,Miarrã ,Miraña ,Mondé ,Morerebi ,Mundurukú ,Nadëb ,Nambikuára, Northern ,Nambikuára, Nhengatu ,Ninam ,Ofayé ,Omagua .Oro Win ,Pakaásnovos ,Palikúr ,Papavô ,Parakanã ,Parecís ,Paumarí ,Pemon ,Pirahã ,Piratapuyo,
Plautdietsch ,Pokangá ,Portuguese, Poyanáwa ,Puruborá ,Rikbaktsa, Sabanês ,Sakirabiá ,Salumá ,Sanumá ,Sateré-Mawé , Sharanahua ,Sikiana ,Siriano ,Suruahá ,Suruí ,Suruí do Pará ,Suyá ,Tapirapé ,Tariano ,Tembé, ,Tenharim ,Terêna ,Ticuna ,Torá ,Tremembé, Trumaí ,Tubarão ,Tucano ,Tuparí ,Tuyuca ,Urubú-Kaapor ,Urubú-Kaapor ,Uru-Eu-Wau-Wau ,Uru-Pa-In ,Waimaha ,Waiwai ,Wapishana ,Waurá ,Wayampi ,Wayana ,Wayoró ,Xavánte ,Xerénte ,Xetá Xipaya ,Xiriâna ,Xokleng ,Yaminahua ,Yanomámi ,Yanomamö ,Yawanawa,Yuhup ,Yurutí ,Zo'é.
Capital city:
Brasilia
Meaning of the Country name:
Named after the brazilwood tree, so-named because its reddish wood resembled the color of red-hot embers (brasil in Portuguese). In Tupi it is called "ibirapitanga", which means literally 'red wood'. The wood of the tree was used to color clothes and fabrics.
Another theory stands that the name of the country is related to the Irish myth of Hy-Brazil, a phantom island similar to St. Brendan's Island, situated southwest of Ireland. The legend was so strong that during the 15th century many expeditions tried to find it, the most important being John Cabot. As the Brazilian lands were reached by Pedro Álvares Cabral in 1500 A.D., the Irish myth would have influenced the late name given to the country (after "Island of Real Cross" and "Land of Holy Cross"). The proof that the legend was popular among Iberic people may be verified by the name of the Azorean Terceira Island, registered in the 14th century in the Atlas Catalan and around 1436 on the Venetian map of Andrea Bianco.
Description Flag:
Brazil's current flag was inspired by the flag of the former Brazilian Empire. On the imperial flag, the green represented the Imperial House of Braganza of Pedro I, the first Emperor of Brazil, and the yellow represented the Habsburg Imperial Family of Empress Leopoldina, Pedro I's first wife. Thus, green and yellow are the colours of the Families of origin of the first imperial couple, founders of the Brazilian monarchy. The centre of the old imperial flag bore the Imperial Coat of Arms.
The Empire Flag, September 18, 1822–November 15, 1889On the modern republican flag, the coat of arms has been replaced by the blue circle, which depicts the sky over Rio de Janeiro on the morning of November 15, 1889 – the day the Republic of Brazil was declared. It is shown as seen from outside of the celestial sphere (i.e. the view is mirrored).
The stars, whose position in the flag reflect the sky above Rio de Janeiro on November 15, 1889, represent the union's member-states - each star representing a specific state (which is not the case of the stars in the flag of the United States). The number of stars changes with the creation of new states and, since the early days of the republic, has risen from an original 21 stars to the current 27, standing for the 26 states and the Federal District.
The star that represents the Federal District is Sigma Octantis, a star whose position near the south celestial pole makes it visible across almost the whole country, all year round. In addition, given its polar position, all the other stars depicted on the flag trace appear to rotate around Sigma Octantis. Choosing this star to represent Brazil's capital is therefore particularly apt (although it is a much fainter star than any of the others).
The motto Ordem e Progresso ("Order and Progress") is inspired by Auguste Comte's motto of positivism: L’amour pour principe et l’ordre pour base; le progrès pour but ("Love as a principle and order as the basis; progress as the goal"). It was inserted due to the fact that several of the people involved in the military coup d'état that deposed the monarchy and proclaimed Brazil a republic were followers of the ideas of Comte's thought.
Coat of arms:
The Coat of arms of Brazil was created in November 19, 1889, 4 days after Brazil became a republic.
The coat of arms consists of the central emblem surrounded by coffee (at the left) and tobacco (at the right) branches, which are important crops in Brazil.
In the blue circle in the center, the Southern Cross (also known as Crux) can be seen. The ring of 27 stars around it represents Brazil's 26 states and 1 federal district.
The blue ribbon contains the official name of Brazil (República Federativa do Brasil — Federative Republic of Brazil) in its first line. In the second line, the date of the federative republic's establishment (November 15, 1889) is written.
Motto:
"Order and Progress"
National Anthem: Brazilian national anthem
Tupi Language
Embeyba Ypiranga sui, pitúua,
Ocendu kirimbáua sacemossú
Cuaracy picirungára, cendyua,
Retama yuakaupé, berabussú.
Cepy quá iauessáua sui ramé,
Itayiuá irumo, iraporepy,
Mumutara sáua, ne pyá upé,
I manossáua oiko iané cepy.
Iassalssú ndê,
Oh moetéua
Auê, Auê !
Brasil ker pi upé, cuaracyáua,
Caissú í saarússáua sui ouié,
Marecê, ne yuakaupé, poranga.
Ocenipuca Curussa iepé !
Turussú reikô, ara rupí, teen,
Ndê poranga, i santáua, ticikyié
Ndê cury quá mbaé-ussú omeen.
Yby moetéua,
Ndê remundú,
Reikô Brasil,
Ndê, iyaissú !
Mira quá yuy sui sy catú,
Ndê, ixaissú, Brasil!
Ienotyua catú pupé reicô,
Memê, paráteapú, quá ara upé,
Ndê recendy, potyr America sui.
I Cuaracy omucendy iané !
Inti orecó purangáua pyré
Ndê nhu soryssára omeen potyra pyré,
ìCicué pyré orecó iané caaussúî.
Iané cicué, ìndê pyá upé, saissú pyréî.
Iassalsú ndê,
Oh moetéua
Auê, Auê !
Brasil, ndê pana iacy-tatá-uára
Toicô rangáua quá caissú retê,
I quá-pana iakyra-tauá tonhee
Cuire catuana, ieorobiára kuecê.
Supí tacape repuama remé
Ne mira apgáua omaramunhã,
Iamoetê ndê, inti iacekyé.
Yby moetéua,
Ndê remundú,
Reicô Brasil,
Ndê, iyaissú !
Mira quá yuy sui sy catú,
Ndê, ixaissú,
Brasil!
Portuguese
1
Ouviram do Ipiranga as margens plácidas
De um povo heróico o brado retumbante,
E o sol da Liberdade, em raios fúlgidos,
Brilhou no céu da Pátria nesse instante.
Se o penhor dessa igualdade
Conseguimos conquistar com braço forte,
Em teu seio, ó Liberdade,
Desafia o nosso peito a própria morte!
Ó Pátria amada,
Idolatrada,
Salve! Salve!
Brasil, um sonho intenso, um raio vívido,
De amor e de esperança à terra desce,
Se em teu formoso céu, risonho e límpido,
A imagem do Cruzeiro resplandece.
Gigante pela própria natureza,
És belo, és forte, impávido colosso,
E o teu futuro espelha essa grandeza.
Terra adorada
Entre outras mil
És tu, Brasil,
Ó Pátria amada!
Dos filhos deste solo
És mãe gentil,
Pátria amada,
Brasil!
2
Deitado eternamente em berço esplêndido,
Ao som do mar e à luz do céu profundo,
Fulguras, ó Brasil, florão da América,
Iluminado ao sol do Novo Mundo!
Do que a terra mais garrida
Teus risonhos, lindos campos têm mais flores,
"Nossos bosques têm mais vida",
"Nossa vida" no teu seio "mais amores".
Ó Pátria amada,
Idolatrada,
Salve! Salve!
Brasil, de amor eterno seja símbolo
O lábaro que ostentas estrelado,
E diga o verde-louro dessa flâmula
- Paz no futuro e glória no passado.
Mas se ergues da justiça a clava forte,
Verás que um filho teu não foge à luta,
Nem teme, quem te adora, a própria morte.
Terra adorada
Entre outras mil
És tu, Brasil,
Ó Pátria amada!
Dos filhos deste solo
És mãe gentil,
Pátria amada,
Brasil!
English
The placid banks of the Ipiranga heard
the resounding cry of heroic people
and brilliant beams from the sun of liberty
shone in our homeland's skies at that very moment.
If we have fulfilled the promise
of equality by our mighty arms,
in thy bosom, O freedom,
our brave breast shall defy death itself!
O beloved,
idolized homeland,
Hail, hail!
Brazil, an intense dream, a vivid ray
of love and hope descends to earth
if in thy lovely, smiling and clear skies
the image of the (Southern) Cross shines resplendently.
A giant by thine own nature,
thou art a beautiful, strong and intrepid colossus,
and thy future mirrors thy greatness.
Beloved Land
amongst a thousand others
art thou, Brazil,
O beloved homeland!
To the sons of this land
thou art a gentle mother,
beloved homeland,
Brazil!
2
Eternally lying in a splendid cradle,
by the sound of the sea and the light of the deep sky,
thou shinest, O Brazil, garland of America,
illuminated by the sun of the New World!
Thy smiling, lovely fields have more flowers
than the most elegant land abroad,
"Our woods have more life,
"our life" in thy bosom "more love."
O beloved,
idolized homeland,
Hail, hail!
Brazil, let the star-spangled banner thou showest forth
be the symbol of eternal love,
and let the laurel-green of thy pennant proclaim
'Peace in the future and glory in the past.'
But if thou raisest the strong gavel of Justice,
thou wilt see that a son of thine flees not from battle,
nor does he who loves thee fear death itself.
Beloved Land,
amongst a thousand others
art thou, Brazil,
O beloved homeland!
To the sons of this land
thou art a gentle mother,
beloved homeland,
Brazil!
Internet Page: www.turismo.gov.br
Brazil in diferent languages
eng | bre | hau | hrv | ibo | lin | tpi: Brazil
arg | ast | cat | cor | cym | eus | glg | grn | ina | jav | lld | nor | oci | pap | por | que | sme | spa | tgl: Brasil
fao | fin | lat | roh: Brasilia
cos | ita | srd: Brasile
deu | ltz | nds: Brasilien / Braſilien
bos | crh: Brazil / Бразил
dan | swe: Brasilien
dsb | hsb: Brazilska
est | vor: Brasiilia
hun | slk: Brazília
jnf | nrm: Brési
kaa | uzb: Braziliya / Бразилия
kin | run: Brazile
lit | slv: Brazilija
ron | rup: Brazilia
sqi | swa: Brazili
tur | zza: Brezilya
afr: Brasilië
aze: Braziliya / Бразилија
bam: Berezili
ces: Brazílie
epo: Brazilo
fra: Brésil
frp: Brèsil
fry: Brazylje
fur: Brasîl
gla: Braisil; Brasil
gle: An Bhrasaíl / An Ḃrasaíl
glv: Yn Vrasseel
hat: Brezil
ind: Brasil / براسيل
isl: Brasilía
kmr: Brazîlî / Бразили / برازیلی; Brazîl / Бразил / برازیل
kur: Brazîl / برازیل
lav: Brazīlija
lim: Braziel; Brazilië
mlg: Brezila
mlt: Brażil
mol: Brazilia / Бразилия
msa: Brazil / برازيل
nld: Brazilië
pol: Brazylia
rmy: Brazil / ब्राज़िल
scn: Brasili
slo: Brazilia / Бразилиа
smg: Brazilėjė
smo: Parasili
som: Braasiil; Baraasiil
szl: Brazylijo
tet: Brazíl
ton: Palasili
tuk: Braziliýa / Бразилия
vie: Ba Tây; Bra-xin
vol: Brasilän
wln: Braezi
wol: Bereesil
alt | bul | kir | kjh | kom | krc | kum | rus | tyv | udm: Бразилия (Brazilija)
che | chv | oss: Бразили (Brazili)
mkd | mon: Бразил (Brazil)
abq: Бразилия (Braziłija)
bak: Бразилия / Braziliya
bel: Бразілія / Brazilija; Бразылія / Brazylija
chm: Бразилий (Brazilij)
kaz: Бразилия / Brazïlïya / برازيليا
kbd: Бразилие (Brazilie)
srp: Бразил / Brazil
tat: Бразилия / Braziliä
tgk: Бразилия / برزیلیه / Brazilija
ukr: Бразилія (Brazylija)
ara: البرازيل (al-Barāzīl)
fas: برزیل (Berzīl / Berezīl)
prs: برازیل (Brāzīl)
pus: برازيل (Brāzīl)
uig: برازىلىيە / Braziliye / Бразилия
urd: برازیل (Barāzīl)
div: ބްރެޒިލް (Breżil); ބުރެޒިލް (Bureżil)
heb: ברזיל (Brazîl); בראזיל (Brâzîl)
lad: בראסיל / Brasil
yid: בראַזיליע (Brazilye)
amh: ብራዚል (Brazil)
ell: Βραζιλία (Vrazilía)
hye: Բրազիլիա (Brazilia)
kat: ბრაზილია (Brazilia)
hin: ब्राज़ील (Brāzīl); ब्राजील (Brājīl); ब्राज़िल (Brāzil)
mar: ब्राजील (Brājīl)
ben: ব্রাজিল (Brājil)
guj: બ્રાજીલ (Brājīl)
pan: ਬਰਾਜ਼ੀਲ (Brāzīl)
kan: ಬ್ರಾಜಿಲ್ (Brājil)
mal: ബ്രസീല് (Brasīl)
tam: பிரேசில் (Pirēčil); பிரேஸில் (Pirēsil)
tel: బ్రెజిల్ (Brejil)
zho: 巴西 (Bāxī)
yue: 巴西 (Bāsāi)
jpn: ブラジル (Burajiru)
kor: 브라질 (Beurajil)
bod: པུ་རུ་ཟིལ་ (Pu.ru.zil.); པའ་ཤིས་ (Pa'a.šis.)
dzo: བཱརཱ་ཛིལ་ (Bārā.dzil.)
mya: ဘရာဇီး (Bʰáẏazì)
tha: บราซิล (Brāsin)
lao: ບາເລຊີນ (Bālēsīn)
khm: ប្រេស៊ីល (Bresīl); ប្រាហ៊សិល (Brāhsil)
Watching the EPCOT fireworks from Imagination Pavilion, in Future World - surprised to be able to see them this well!
Imagination Pavilion
EPCOT
Sunday
8/18/2013
The book Poetics of Architecture has an apt statement, "... fantasy with imagination and association can improve reality; it can upgrade reality...".
My camera designs dedicated to Tadao Ando are simple machines.
They shed light upon and debunk our common views of the structure as well as the function of the camera. But more importantly, at least to myself on a personal level, these cameras attempt to bring their user closer to a spiritual awareness by functioning similarly to a poem. In this way they perform a social function which is one of my main design goals.
When one looks at Tadao Ando's buildings and museums, one can't help but feel his near religious devotion to materials and natural light as well as shadow. Perhaps like Louis Kahn, he brings you to an awareness of the beauty of everything around his structures: the sky, the sea, nature and also emptiness. He is not the first architect to do this but he is one of the first to focus on the minute gradations and infinite shades of this sort of reality.
Although I would prefer my cameras to be the size of a typical Ando wall (of monumental proportions), my task is to recreate this vast scale in miniature and to re-create the important experience of a poetic moment for the camera's user.
When I made my very first notes for the Ando cameras, I thought that the lion's share of my time would be spent measuring, laying out and drawing these simple forms. I saw it as but a chore and a done deal. But I could never finish these layouts. As it turned out I constantly gave up and had to move on to other camera designs rather than spend even more time on these deceptively simple machines. Conceptualizing these camera homages to Ando was much harder than all the other designs I had done. Even writing this tiny essay has caused me to rethink, reconsider, throw up my hands in puzzlement, and look to diversions.
The above photo is some of my beginning notes.
I'm so happy to present the beginning page of a design that attempts to go in the direction of Ando's world, by way of the camera world.
I seem to have too much that I want to say regarding the ramifications of these designs. I think that these few ideas discovered from my work on the Ando homages will show up in future design drawings of mine.
Design and photo contents copyright 2013 by David Lo
So I made a flash can from an empty 'jacobs cheeselets' cylinder and made some barn doors stuck on the front using tinfoil. I used it handheld and it gave some great raking shadows but was a little hard to line up. Looking forward to trying this some more in future but on a light stand perhaps.
This build is part of a larger display I’m developing for exhibition next year, where I’ll be revisiting and expanding on the concept of Neo Fabuland—a reinterpretation of the classic Fabuland aesthetic, much like how Neo-Classic Space draws inspiration from the original Classic Space theme. If you’re curious, you can read more about the goals of the project here.
I currently have several builds in progress for this display, and this is the first one to be completed.
While not directly based on any specific Fabuland set, this watermill draws loose inspiration from 3679 Flour Mill and Shop. It features a weathered stone-and-timber structure beside a millpond, complete with a working waterwheel, lily pads, reeds, and rounded rocks. The water cascades over the rocks to form a small waterfall. I’m especially pleased with the textures throughout—the flowing water, the stonework, and the building itself—as well as a custom spreading tree technique I developed for this scene (and will likely reuse in future Neo Fabuland builds).
This build also showcases my approach to Neo Fabuland windows, using brick-built frames with vinyl-cut sticker panes to echo the distinctive charm of original Fabuland designs.
For the past year, I have posted shots of Kent churches on Twitter than on a churchcrawling group on FB, and in the course of that year, I have come to realise that some churches I recorded better than others, and some of the early one, were mostly dreadful wide angle shots.
So, one by one, I plan to go back and reshoot them.
St Mary was one. It was closed on All Hallow's Eve last year, but on Saturday last month, we dropped off some prints to be framed in the town, and a short walk along Strand Street is St Mary.
It was open for an art shot, but that was OK, as I wanted to snap the memorials and details.
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An extraordinary barn of a church - one of two in the town cared for by The Churches Conservation Trust. That it was a large Norman church is without question - see the responds at the west end of the nave. Like the other two churches in Sandwich, St Mary's probably also had a central tower, the collapse of which (like St Peter's) caused havoc to the building. Rebuilding here took a rather rare form with the building losing its south arcade; having a new north arcade built of wood; and a new roof to cover the whole! By the 20th century the church was surplus to requirements and was threatened with demolition. However local supporters, encouraged by the doyen of ecclesiologists, Ivor Bulmer-Thomas, saved it. Now used for concerts it is open to visitors and has much of interest. In the north aisle are 18th century pews saved from Gopsall Hall in Leicestershire. The chancel contains a rare banner stave locker for the poles used to carry banners in medieval street processions. Nearby is an example of two pieces of stone being joined together with a dowel made from animal bone. The glass in the east window is scratched with the names of the glaziers who have repaired it on numerous occasions!
www.kentchurches.info/church.asp?p=Sandwich+2
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THE town of Sandwich is situated on the north-east confines of this county, about two miles from the sea, and adjoining to the harbour of its own name, through which the river Stour flows northward into the sea at Pepperness. It is one of the principal cinque ports, the liberty of which extends over it, and it is within the jurisdiction of the justices of its own corporation.
Sandwich had in antient time several members appertaining to it, (fn. 1) called the antient members of the port of Sandwich; these were Fordwich, Reculver, Sarre, Stonar, and Deal; but in the later charters, the members mentioned are Fordwich incorporated, and the non-corporated members of Deal, Walmer, Ramsgate, Stonar, Sarre, all in this county, and Brightlingsea, in Sussex; but of late years, Deal, Walmer, and Stonar, have been taken from it; Deal, by having been in 1699 incorporated with the charter of a separate jurisdiction, in the bounds of which Walmer is included; and Stonar having been, by a late decision of the court of king's bench in 1773, adjudged to be within the jurisdiction of the county at large.
The first origin of this port was owing to the decay of that of Richborough, as will be further noticed hereafter. It was at first called Lundenwic, from its being the entrance to the port of London, for so it was, on the sea coast, and it retained this name until the supplanting of the Saxons by the Danes, when it acquired from its sandy situation a new name, being from thenceforward called Sandwic, in old Latin, Sabulovicum, that is, the sandy town, and in process of time, by the change of language, Sandwich.
Where this town now stands, is supposed, in the time of the Romans, and before the decay of the haven, or Portus Rutupinus, to have been covered with that water, which formed the bay of it, which was so large that it is said to have extended far beyond this place, on the one side almost to Ramsgate cliffs, and on the other near five miles in width, over the whole of that flat of land, on which Stonar and Sandwich too, were afterwards built, and extending from thence up to the æstuary, which then flowed up between the Isle of Thanet and the main land of this county.
During the time of the Saxons, the haven and port of Richborough, the most frequented of any in this part of Britain, began to decay, and swarve up, the sea by degrees entirely deserting it at this place, but still leaving sufficient to form a large and commodious one at Sandwich, which in process of time, became in like manner, the usual resort for shipping, and arose a Flourishing harbour in its stead; from which time the Saxon fleets, as well as those of the Danes, are said by the historians of those times, to sail for the port of Sandwich; and there to lie at different times, and no further mention is made of that of Richborough, which being thus destroyed, Sandwich became the port of general resort; which, as well as the building of this town, seems to have taken place, however, some while after the establishment of the Saxons in Britain, and the first time that is found of the name of Sandwich being mentioned and occurring as a port, is in the life of St. Wilfred, archbishop of York, written by Eddius Stephanus; in which it is said, he and his company, prosper in portum Sandwich, atque suaviter pervenerunt, happily and pleasantly arrived in the harbour of Sandwich, which happened about the year 665, or 666, some what more than 200 years after the arrival of the Saxons in Britain. During the time of the Danes insesting this kingdom, several of their principal transactions happened at this place, (fn. 2) and the port of it became so much frequented, that the author of queen Emma's life stiles it the most noted of all the English ports; Sandwich qui est omnium Anglorum portuum famosissimus.
FROM THE TIME of the origin of the town of Sandwich, the property of it was vested in the several kings who reigned over this country, and continued so till king Ethelred, in the year 979, gave it, as the lands of his inheritance, to Christ-church, in Canterbury, free from all secular service and fiscal tribute, except the repelling invasions, and the repairing of bridges and castles. (fn. 3) After which king Canute, having obtained the kingdom, finished the building of this town, and having all parts and places in the realm at his disposal, as coming to the possession of it by conquest, by his charter in the year 1023, gave, or rather restored the port of Sandwich, with the profits of the water of it, on both sides of the stream, for the support of that church, and the sustenance of the monks there.
Soon after this, the town of Sandwich increased greatly in size and inhabitants, and on account of the commodity and use of its haven, and the service done by the shipping belonging to it, was of such estimation, that it was made one of the principal cinque ports; and in king Edward the Confessor's days it contained three hundred and seven houses, and was an hundred within itself; and it continued increasing, as appears by the description of it, in the survey of Domesday, taken in the 15th year of the Conqueror's reign, anno 1080, in which it is thus entered, under the title of the lands of the archbishop:
Sandwice lies in its own proper hundred. This borough the archbishop holds, and it is of the clothing of the monks, and yields the like service to the king as Dover; and this the men of that borough testify, that before king Edward gave the same to the Holy Trinity, it paid to the king fisteen pounds. At the time of King Edward's death it was not put to ferme. When the archbishop received it, it paid forty pounds of ferme, and forty thousand herrings to the food of the monks. In the year in which this description was made, Sanuuic paid fifty pounds of ferme, & Herrings as above. In the time of king Edward the Confessor there were there three hundred and seven mansions tenanted, now there are seventy six more, that is together three hundred and eighty three.
And under the title of the bishop of Baieux's lands, as follows, under the description of the manor of Gollesberge:
In Estrei hundred, in Sandunic, the archbishop has thirty two houses, with plats of land belonging to this manor,(viz. Gollesberge) and they pay forty-two shil lings and eight pence, and Adeluuold has one yoke, which is worth ten shillings.
These houses, with all the liberties which the bishop of Baieux had in Sandwich, had been given by him to Christ-church, in Canterbury, and confirmed to it in the year 1075, by his brother the Conqueror. (fn. 4)
Afterwards king Henry II. granted to the monks the full enjoyment of all those liberties and customs in Sandwich, which they had in the time of king Henry his grandfather, that is, the port and toll, and all maritime customs in this port, on both sides of the water, that is, from Eadburgate unto Merksflete, and the small boat to ferry across it, and that no one should have any right there except them and their servants.
The town, by these continued privileges, and the advantages it derived from the great resort to the port, increased much in wealth and number of inhabitants; and notwithstanding, in the year 1217, anno 2 king Henry III. great part of the town was burnt by the French, yet the damage seems soon to have been recompenced by the savors bestowed on it by the several kings, in consideration of the services it had continually afforded, in the shipping of this port, to the nation. The first example of royal favor, being shewn by the last-mentioned king, was in his 11th year, who not only confirmed the customs before granted, but added the further grant of a market to this town and port, (fn. 5) and in his 13th year granted the custom of taking twopence for each cask of wine received into it.
After which, the prior and convent of Christ-church, in the 18th year of King Edward I. gave up in exchange for other lands elsewhere, to his queen Eleanor, all their rights, possessions, and privileges here, excepting their houses and keys, and a free passage in the
haven, in the small boat, called the vere boat, (fn. 6) and free liberty for themselves and their tenants to buy and sell toll free, which the king confirmed that year; and as a favor to the town, he placed the staple for wool in it for some time.
The exception above-mentioned, was afterwards found to be so very prejudicial, as well as inconvenient, that king Edward III. in his 38th year, gave them other lands in Essex, in exchange for all their rights, privileges, and possessions, in this town and port. After which king Richard II. in his first year, removed the staple for wool from Queenborough, where it had been for some time, hither.
During the whole of this period from the time of the conquest, this port continued the general rendezvous of the royal sleets, and was as constantly visted by the several monarchs, who frequently embarked and returned again hither from France; the consequence of which was, that the town became so flourishing, that it had increased to between eight and nine hundred houses inhabited, divided into three parishes; and there were of good and able mariners, belonging to the navy of it, above the number of 1500; so that when there was occasion at any time, the mayors of it, on the receipt of the king's letters, furnished, at the town's charges, to the seas, fifteen sail of armed ships of war, which were of such continued annoyance to the French, that they in return made it a constant object of their revenge. Accordingly, in the 16th year of king Henry VI. they landed here and plundered the greatest part of the inhabitants, as they did again in the 35th year of it; but but this not answering the whole of their purpose, Charles VIII. king of France, to destroy it entirely, sent hither four thousand men, who landing in the night, after a long and bloody conflict gained possession of the town, and having wasted it with fire and sword, slew the greatest part of the inhabitants; and to add to these misfortunes it was again ransacked by the earl of Warwick, in the same reign.
To preserve the town from such disasters in future, king Edward IV. new walled, ditched, and fortifield it with bulwarks, and gave besides, for the support of them, one hundred pounds yearly out of the customhouse here; which, together with the industry and efforts of the merchants, who frequented this haven, the goodness of which, in any storm or contrary wind, when they were in danger from the breakers, or the Goodwin Sands, afforded them a safe retreat; in a very short time restored it again to a flourishing state, infomuch, that before the end of that reign, the clear yearly receipt of the customs here to that king, amounted to above the sum of 16 or 17,000l. (fn. 7) and the town had ninety five ships belonging to it, and above fifteen hundred sailors.
But this sunshine of prosperity lasted no long time afterwards, for in king Henry VII.'s time, the river Stour, or as it was at this place antiently called, the Wantsume, continued to decay so fast, as to leave on each side at low water, a considerable quantity of salts, which induced cardinal archbishop Moreton, who had most part of the adjoining lands belonging to his bishopric, for his own private advantage, to inclose and wall them in, near and about Sarre; which example was followed from time to time, by several owners of the lands adjoining, by which means the water was deprived of its usual course, and the haven felt the loss of it by a hasty decay. Notwithstanding which, so late as the first year of king Richard III. ships failed up this haven as high as Richborough, for that year, as ap pears by the corporation books of Sandwich, the mayor ordered a Spanish ship, lying on the outside of Richborough, to be removed. (fn. 8)
"Leland, who wrote in the reign of Henry VIII. gives the following description of Sandwich, as it was in his time. "Sandwich, on the farther side of the ryver of Sture, is neatly welle walled, where the town stonddeth most in jeopardy of enemies. The residew of the town is diched and mudde waulled. There be yn the town iiii principal gates, iii paroche chyrches, of the which sum suppose that St. Maries was sumtyme a nunnery. Ther is a place of White Freres, and an hospistal withowt the town, fyrst ordened for maryners desesid and hurt. There is a place where monkes of Christ-church did resort, when they were lords of the towne. The caryke that was sonke in the haven, in pope Paulus tyme, did much hurt to the haven and gether a great bank. The grounde self from Sandwich to the heaven, and inward to the land, is caullid Sanded bay".
The sinking of this great ship of pope Paul IV. in the very mouth of the haven, by which the waters had not their free course as before, from the sand and mud gathering round about it, together with the innings of the lands on each side the stream, had such a fatal effect towards the decay of the haven, that in the time of king Edward VI. it was in a manner destroyed and lost, and the navy and mariners dwindled to almost nothing, and the houses then inhabited in this town did not exceed two hundred, the inhabitants of which were greatly impoverished; the yearly customs of the town, by reason of the insufficiency of the haven, were so desicient, that there was scarcely enough arising from it to satisfy the customer his fee. This occasioned two several commissions to be granted, one in the 2d year of that reign, and another in the 2d year of queen Eli zabeth, to examine the state of the haven, and make a return of it; in consequence of the first of which, a new cut was begun by one John Rogers, which, however, was soon left in an untinished state, though there are evident traces of what was done towards making this canal still remaining, on the grounds between the town and Sandowne castle; and in consequence of the second, other representations and reports were made, one of which was, that the intended cut would be useless, and of no good effect.
Whether these different reports where the occasion that no further progress was made towards this work, and the restoration of this haven, or the very great expence it was estimated at, and the great difficulty of raising so large a sum, being 10,000l which the queen at that time could no ways spare, but so it was, that nothing further was done in it.
¶The haven being thus abandoned by the queen, and becoming almost useless, excepting to vessels of the small burthen before mentioned, the town itself would before long have become impoverished and fallen wholly to decay, had it not been most singularly preserved, and raised again, in some measure, to great wealth and prosperity, occasioned by the persecution for religion in Brabant and Flanders, which communicated to all the Protestant parts of Europe, the paper, silk, woollen, and other valuable manufactures of Flanders and France, almost peculiar at that time to those countries, and till then, in vain attempted elsewhere; the manufacturers of them came in bodies up to London, and afterwards chose their situations, with great judgment, distributing themselves, with the queen's licence, through England, so as not to interfere too much with one another. The workers in sayes, baize, and flannel in particular, fixed themselves here, at Sandwich, at the mouth of a haven, by which they might have an easy communication with the metropolis, and other parts of this kingdom, and afforded them like wife an easy export to the continent. These manufacturers applied accordingly to the queen, for her protection and licence; for which purpose, in the third year of her reign, she caused letters patent to be passed, directed to the mayor, &c. to give liberty to such of them, as should be approved of by the archbishop, and bishop of London, to inhabit here for the purpose of exercising those manufactures, which had not been used before in England, or for shishing in the seas, not exceeding the number of twenty-five house holders, accounting to every household not above twelve persons, and there to exercise their trade, and have as many servants as were necessary for carrying them on, not exceeding the number above mentioned; these immediately repaired to Sandwich, to the number, men, women, and children, of four hundred and six persons; of which, eight only were masters in the trade. A body of gardeners likewife discovered the nature of the soil about Sandwich to be exceedingly favourable to the growth of all esculent plants, and fixed themselves here, to the great advantage of this town, by the increase of inhabitants, the employment of the poor, and the money which circulated; the landholders like wife had the great advantage of their rents being considerably increased, and the money paid by the town and neighbourhood for vegetables, instead of being sent from hence for the purchase of them, remained within the bounds of it. The vegetables grew here in great perfection, but much of them was conveyed at an easy expence, by water carriage, to London, and from thence dispersed over different parts of the kingdom.
These strangers, by their industry and prudent conduct, notwithstanding the obstructions they met with, from the jealousy of the native tradesmen, and the avarice of the corporation, very soon rose to a flourishing condition.
There were formerly THREE PAROCHIAL CHURCHES in this town, and a church or chapel likewise, supposed by some to have been parochial, dedicated to St. Jacob, which has been long since demolished; but the three former churches, being those of St. Mary, St. Peter, and St. Clement, Still remain; an account of all which will be given separately.
ST. MARY'S CHURCH stands in a low situation in Strand street, on the northern part of the town. The original church, built in the time of the Saxons, is said to have been demolished by the Danes, and to have been afterwards rebuilt by queen Emma, which building was burnt down by the French, and it was not long afterwards again rebuilt; notwithstanding which, it appears to have become dilapidated and in a most ruinous state in the time of king Henry VI. for in the 2d year of that reign, anno 1448, part of the steeple fell, in consequence of which it underwent a thorough repair, and then consisted of two isles and the nave; the latter was terminated by the high chancel, and the south isle by St. Laurence's chancel. It however, fell down again on April 25, 1667, and brought down with it most of the church; the western wall, portions of the south isle and its chancel only remaining; and though the church itself was soon afterwards rebuilt, as at present, yet it does not appear that any steeple was built till the year 1718, when the present low one was raised upon the south porch, and one bell put up in it. Before this, there were five small bells, which about the year 1639, had been formed out of three larger ones; the above five bells were sold, for the faculty had been obtained in 1669, to fell the useless timber and the bells, towards the rebuilding of the church, and they were sold, as it is said, to the parish of Eleham.
In an antient bead-roll of this church, there is mention made of John and William Condy, the first beginners of the foundation of the chantry of that name in this church; of Thomas Loueryk and his wife, who founded the chapel of our Lady, at the east head of it; and of the three windows of the north side of the church; of Thomas Elys and Margaret his wife, and Sir Thomas Rolling, vicar of this church, of whose goods was made the west window of it, and who made the vicarage of the parish more than it was before; and besides these, of several other benefactors to the windows and other parts of it. And there were divers other gifts made to this church, for its reparation, and for obits, and other religious services performed in it, as appears by the evidences belonging to it.
The inventory of the silver and jewels, belonging to the church before the reformation, sufficiently shew the costliness of the utensils belonging to it, and the riches of it. The silver, according to the inventory made of them, amounting to 724 ounces; and the habits of the ministers to officiate in it, the linen and books, were answerable to the rest belonging to it.
The present church of St. Mary consists of a north isle, and the nave, at the end of which is the chancel, which has an ascent of three steps on each side; between which entrances are the mayor's seat and other pews. The altar piece, table, and rails, are of wainscot and very ornamental. The sont is at the west end of the nave, it is a stone bason, having eight faces changed alternately with plain shields and roses, in quaterfoils; on the shaft are the letters cw. II. RS. DE. IC. POD. 1662.
In this church are numbers of monuments and inscriptions, all which are printed in Mr. Boys's Collections, P. 319, the whole too numerous to mention here, but among others at the west end of the nave, are memorials of the Smiths and Verriers. In the south space are memorials for the Petleys and for the Whites. In the middle space, on an old stone, are the remains of a cross story, resting on a dog or lion, and the remains of an inscription with this date, I. M. CCC. XXX. In the north isle are three grave-stones, on a rise above the pavement, with inscriptions shewing, that underneath is a vault, in which lie many of the family of Hayward, formerly mayors of this town; arms, Argent, on a pale, sable, three crescents of the field, In the chancel is a large stone, robbed of its brasses, which formerly commerated the deaths of Roger Manwood and his family; the place where it lies was formerly St. Laurence chancel. In the chancel is a monument of stone much defaced; on it are the figures of a manand woman kneeling, in a praying posture, for Abraham Rutton, formerly mayor, and Susan his wife, by whom he had seven sons and six daughters. He died in 1608; and for his descendant the Rev. John Rutton, obt. 1763, rector of this parish. Against the south wall, is a handsome monument of marble, with these arms, Argent, five chevronels, sable, and per pale, azure and gules, a lion rampant, argent; and an inscription for several of the family of Hougham. Against the same wall a tablet, for Mary, wife of Joseph Stewart, esq. obt. 1775; arms, Argent, a lion rampant, gules, over all, a bend raguled, or. Over the south door, a marble monument for Richard Solly, gent. thrice mayor, obt. 1731; and Anna his wife, daughter of John Crickett, gent, by whom he had ten sons and three daughters; arms, Azure, a chevron, party per pale, or, and gules, between three soles, naient, argent. At the west end of the nave is an altar tomb, with an inscription, shewing, that in a vault underneath, lie several of the Cricketts; another altar tomb, with an inscription, for several of the Nowells; arms, Three covered cups. By the gallery stairs, on an altar tomb, an inscription for Tho. Danson, preacher, of this town, who died 1764; on a raised monument of brick, an inscription, for several of the name of Jordan; this stands close before, and hides the altar part of a monument, under an arch in the north wall, to the memory of Sir William Loverick, of Ash, and dame Emma his wife, the daughter of Sir John Septvans, of that parish, who are said to have been the principal repairers, or builders of this church, after it had been burnt by the French, and were buried in king Henry IV.'s reign; on an adjoining tomb an inscription for the Maundys.
There are stones, pointing out the entrances into the vaults of Solly and Stewart, and there are inscriptions on a board, commemorating the benefactions of John Dekewer, esq. Solomon Hougham, gent. Sir Henry Furnese, bart. and Mr. Peter Jarvis.
Several names appear on the stones, on the outside of the east and north walls of the chancel. Sir Edward Ringely, of Knolton, was buried in Jesus chapel, in this church, on the left side of the altar. In the 35th of king Henry VIII. William, lord Clinton, is said to have been interred under a gilded arch in the south wall of this church, which arch was walled up in king Edward VI.'s reign, but it was visible some time afterwards in the church yard, perhaps it may be the same projectioin that now appears there, on the south side of the chancel. William Condie, who founded the chantry, afterwards called by his name, in this church, was likewife interred, together with his wife, in the south isle of the old church, near the lord Clinton's tomb; but there is nothing now to point out precisely the situation of their remains, nor those of Thomas Manwood, gent. who died in king Henry VIII.'s time and was buried under the belfry. Stephen Perot was buried likewise in this church in 1570.
There are several altar tombs in the church-yard, one of which is for the family of Dekewer; arms, Vert, on a cross, engrailed, or, five fleurs de lis, sable; in the first and fourth quarters, a caltrop, argent; in the second and third quarters, a lion rampant, of the last.
An anchoress had her cell at the east end of this church in the 20th year of king Henry VIII.
At a small distance south-west of St. Mary's church, was a church or chapel, dedicated to St. facob, supposed by many to have been a parochial church; there is nothing lest now to point out the situation of the building, the cemetery remains and is used occasionally as a burial place, for the use of St. Mary's parish. This church-yard seems to have got into lay hands at the suppression, for in 1578, it was enfeoffed by Edward Wood, to certain persons, for the necessary uses of the parish. The trust was renewed in 1604 and 1649. At the south-west corner was an hermitage, the residence of an hermit. The last hermit in it was John Steward, in king Henry VIII.'s reign, who was afterwards vicar of St. Mary's church, whose duty it was to minister to strangers and the poor, to bury the dead, and pray for the people in the chapel, which was destroyed, as well as others of the like sort, in the beginning of king Edward VI.'s reign. Great part of this building was standing at the latter end of Edward VI.'s reign; there was in it a brotherhood of St. Catherine, consisting of both brothers and sisters, which was benesitted by the will of John Wynchelse, of Sandwich. It appears that this church or chapel was under the management of the officers of St. Mary's parish, and that the building had been repaired in the years 1445 and 1478.
The church of St. Mary is a vicarage, the patronage of which has ever been part of the possessions of the archdeaconry of Canterbury, to whom the appropriation of the church likewise formerly belonged; it did so in the 8th year of king Richard II. anno 1384, when on the taxation of the spiritualities and temporalities ecclesiastic, in this diocese, the church of St. Mary's appropriated to the archdeacon, was valued at eight pounds, and the vicarage was valued at only four pounds, and on account of the smallness of it, was not taxed to the tenth. (fn. 47) The vicarage is valued in the king's books, in king Henry VIII.'s reign, at 8l. 1s. since which time, and it should seem during the reign of queen Elizabeth, the great tithes, or appropriate parsonage of this church, were given up by the archdeacon to the vicarage, so that the vicar has been since intitled to both great and small tithes within the bounds of this parish, which induced several of the incumbents to stile themselves rectors, but certainly wrong, for it is still a vicarage, the vicars of which are entitled to the receipt and possession of the great tithes, by grant from the appropriator.
¶In 1588 here were 385 communicants, and it was valued at forty pounds per annum. In 1640 here were the same number of communicants, and it was valued at sixty-eight pounds. It is now a discharged living, of the clear yearly value of forty pounds. It has been augmented by the governors of queen Anne's bounty, the greater part of the money from which has been laid out in the purchase of marsh land in Wood. nesborough. At present the vicar receives the tithes of about eighty-four acres of land. There were great disputes formerly, between the appropriators of Eastry and the vicars of St. Mary's, respecting the tithes of a small district of land called Puttock's downe; but the decisions were constantly against the vicars of St. Mary's, and the tithes now belong to Word, a chapel of ease to Eastry.
Besides the ordinary small tithes, the vicar of this parish, as well as the incumbents of the two other parishes in Sandwich, collect from every house a certain sum, under the denomination of dues; this payment is said to be a composition for all the house, gardens, barns, and stables, according to custom, since the 12th year of queen Elizabeth; and the vicar of St. Mary's receives besides, 6s. 8d. annually, under the denomination of tithe of the old Crane.
In 1776 there were one hundred and sixty-eight houses in this parish, and six hundred and fourteen inhabitants; and the rents of it were in 1787, according to the pound rate, at rack rents towards the poor, upwards of 3,500l. per annum.
www.british-history.ac.uk/survey-kent/vol10/pp152-216#h2-...
Marc Chagall, 1887-1985, Mutterschaft/Motherhood, 1914
Albertina - Sammlung Batliner
In spring of 2007, the Albertina also received the previously based in Salzburg "Batliner Collection" as unrestricted permanent loan. The collection of Rita and Herbert Batliner includes important works by modern masters, from French impressionism to German expressionism of the "Blue Rider" and the "bridge" to works of the Fauvist or the Russian avant-garde from Chagall to Malevich.
de.wikipedia.org / wiki / Albertina_ (Vienna)
The Albertina
The architectural history of the Palais
(Pictures you can see by clicking on the link at the end of page!)
Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869
"It is my will that the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".
This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.
Image: The Old Albertina after 1920
It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.
The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.
In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.
Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.
1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.
Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990
The era of stately representation with handing down their cultural values found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:
After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".
Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905
This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.
The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.
Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.
Image: The palace after the demolition of the entrance facade, 1948-52
Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.
Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei
This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.
Image: The restored suburb facade of the Palais Albertina suburb
The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.
Image: The new entrance area of the Albertina
64 meter long shed roof. Hans Hollein.
The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".
Christian Benedictine
Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.
Some infromation from the MBS's Website on this installation.
It took two years in the making to create this first-of-its-kind installation combining two technologies – a 4D vision light sculpture with an LED floor
The Digital Light Canvas is 20-metres high and the light sculpture alone is 14-metres tall
The light sculpture measures 7-metres in diameter and consists of 401,280 LEDs (more than twice that of our Crystal Universe exhibit in Future World: Where Art Meets Science)
image: www.marinabaysands.com/static/cnt_col_2_h.png
The LED floor has over 7.7 million individually controlled Surface Mounted Diodes (SMD) LEDs
Our LEDS are energy efficient, yet able to produce an output 3x brighter than normal LEDs to enhance its visibility throughout the day
Read more at www.marinabaysands.com/entertainment/digital-light-canvas...
File Ref - DSC01386-Panorama
Rochester is a town and historic city in the unitary authority of Medway in Kent, England. It is situated at the lowest bridging point of the River Medway about 30 miles (50 km) from London.
Rochester was for many years a favourite of Charles Dickens, who owned nearby Gads Hill Place, Higham,[1] basing many of his novels on the area. The Diocese of Rochester, the second oldest in England, is based at Rochester Cathedral and was responsible for the founding of a school, now The King's School in 604 AD,[2] which is recognised as being the second oldest continuously running school in the world. Rochester Castle, built by Bishop Gundulf of Rochester, has one of the best preserved keepsin either England or France, and during the First Barons' War (1215–1217) in King John's reign, baronial forces captured the castle from Archbishop Stephen Langton and held it against the king, who then besieged it.[3]
Neighbouring Chatham, Gillingham, Strood and a number of outlying villages, together with Rochester, nowadays make up the MedwayUnitary Authority area. It was, until 1998,[4]under the control of Kent County Council and is still part of the ceremonial county of Kent, under the latest Lieutenancies Act.[5]
Toponymy[edit]
The Romano-British name for Rochester was Durobrivae, later Durobrivis c. 730 and Dorobrevis in 844. The two commonly cited origins of this name are that it either came from "stronghold by the bridge(s)",[6] or is the latinisation of the British word Dourbruf meaning "swiftstream".[7]Durobrivis was pronounced 'Robrivis. Bede copied down this name, c. 730, mistaking its meaning as Hrofi's fortified camp (OE Hrofes cæster). From this we get c. 730 Hrofæscæstre, 811 Hrofescester, 1086 Rovescester, 1610 Rochester.[6] The Latinised adjective 'Roffensis' refers to Rochester.[7]
Neolithic remains have been found in the vicinity of Rochester; over time it has been variously occupied by Celts, Romans, Jutes and/or Saxons. During the Celtic period it was one of the two administrative centres of the Cantiaci tribe. During the Roman conquest of Britain a decisive battle was fought at the Medway somewhere near Rochester. The first bridge was subsequently constructed early in the Roman period. During the later Roman period the settlement was walled in stone. King Ethelbert of Kent(560–616) established a legal system which has been preserved in the 12th century Textus Roffensis. In AD 604 the bishopric and cathedral were founded. During this period, from the recall of the legions until the Norman conquest, Rochester was sacked at least twice and besieged on another occasion.
The medieval period saw the building of the current cathedral (1080–1130, 1227 and 1343), the building of two castles and the establishment of a significant town. Rochester Castle saw action in the sieges of 1215 and 1264. Its basic street plan was set out, constrained by the river, Watling Street, Rochester Priory and the castle.
Rochester has produced two martyrs: St John Fisher, executed by Henry VIII for refusing to sanction the divorce of Catherine of Aragon; and Bishop Nicholas Ridley, executed by Queen Mary for being an English Reformation protestant.
The city was raided by the Dutch as part of the Second Anglo-Dutch War. The Dutch, commanded by Admiral de Ruijter, broke through the chain at Upnor[8] and sailed to Rochester Bridge capturing part of the English fleet and burning it.[9]
The ancient City of Rochester merged with the Borough of Chatham and part of the Strood Rural District in 1974 to form the Borough of Medway. It was later renamed Rochester-upon-Medway, and its City status transferred to the entire borough. In 1998 another merger with the rest of the Medway Towns created the Medway Unitary Authority. The outgoing council neglected to appoint ceremonial "Charter Trustees" to continue to represent the historic Rochester area, causing Rochester to lose its City status – an error not even noticed by council officers for four years, until 2002.[10][11]
Military History
Rochester has for centuries been of great strategic importance through its position near the confluence of the Thames and the Medway. Rochester Castle was built to guard the river crossing, and the Royal Dockyard's establishment at Chatham witnessed the beginning of the Royal Navy's long period of supremacy. The town, as part of Medway, is surrounded by two circles of fortresses; the inner line built during the Napoleonic warsconsists of Fort Clarence, Fort Pitt, Fort Amherst and Fort Gillingham. The outer line of Palmerston Forts was built during the 1860s in light of the report by the Royal Commission on the Defence of the United Kingdomand consists of Fort Borstal, Fort Bridgewood, Fort Luton, and the Twydall Redoubts, with two additional forts on islands in the Medway, namely Fort Hoo and Fort Darnet.
During the First World War the Short Brothers' aircraft manufacturing company developed the first plane to launch a torpedo, the Short Admiralty Type 184, at its seaplane factory on the River Medway not far from Rochester Castle. In the intervening period between the 20th century World Wars the company established a world-wide reputation as a constructor of flying boats with aircraft such as the Singapore, Empire 'C'-Class and Sunderland. During the Second World War, Shorts also designed and manufactured the first four-engined bomber, the Stirling.
The UK's decline in naval power and shipbuilding competitiveness led to the government decommissioning the RN Shipyard at Chatham in 1984, which led to the subsequent demise of much local maritime industry. Rochester and its neighbouring communities were hit hard by this and have experienced a painful adjustment to a post-industrial economy, with much social deprivation and unemployment resulting. On the closure of Chatham Dockyard the area experienced an unprecedented surge in unemployment to 24%; this had dropped to 2.4% of the local population by 2014.[12]
Former City of Rochester[edit]
Rochester was recognised as a City from 1211 to 1998. The City of Rochester's ancient status was unique, as it had no formal council or Charter Trustees nor a Mayor, instead having the office of Admiral of the River Medway, whose incumbent acted as de facto civic leader.[13] On 1 April 1974, the City Council was abolished under the Local Government Act 1972, and the territory was merged with the District of Medway, Borough of Chatham and most of Strood Rural District to form a new a local government district called the Borough of Medway, within the county of Kent. Medway Borough Council applied to inherit Rochester's city status, but this was refused; instead letters patent were granted constituting the area of the former Rochester local government district to be the City of Rochester, to "perpetuate the ancient name" and to recall "the long history and proud heritage of the said City".[14] The Home Officesaid that the city status may be extended to the entire borough if it had "Rochester" in its name, so in 1979, Medway Borough Council renamed the borough to Borough of Rochester-upon-Medway, and in 1982, Rochester's city status was transferred to the entire borough by letters patent, with the district being called the City of Rochester-upon-Medway.[13]
On 1 April 1998, the existing local government districts of Rochester-upon-Medway and Gillingham were abolished and became the new unitary authority of Medway. The Department of Environment, Transport and the Regions informed the city council that since it was the local government district that officially held City status under the 1982 Letters Patent, the council would need to appoint charter trustees to preserve its city status, but the outgoing Labour-run council decided not to appoint charter trustees, so the city status was lost when Rochester-upon-Medway was abolished as a local government district.[15][16][17] The other local government districts with City status that were abolished around this time, Bath and Hereford, decided to appoint Charter Trustees to maintain the existence of their own cities and the mayoralties. The incoming Medway Council apparently only became aware of this when, in 2002, it was advised that Rochester was not on the Lord Chancellor's Office's list of cities.[18][19]
In 2010, Medway Council started to refer to the "City of Medway" in promotional material, but it was rebuked and instructed not to do so in future by the Advertising Standards Authority.[20]
Governance[edit]
Civic history and traditions[edit]
Rochester and its neighbours, Chatham and Gillingham, form a single large urban area known as the Medway Towns with a population of about 250,000. Since Norman times Rochester had always governed land on the other side of the Medway in Strood, which was known as Strood Intra; before 1835 it was about 100 yards (91 m) wide and stretched to Gun Lane. In the 1835 Municipal Corporations Act the boundaries were extended to include more of Strood and Frindsbury, and part of Chatham known as Chatham Intra. In 1974, Rochester City Council was abolished and superseded by Medway Borough Council, which also included the parishes of Cuxton, Halling and Cliffe, and the Hoo Peninsula. In 1979 the borough became Rochester-upon-Medway. The Admiral of the River Medway was ex-officio Mayor of Rochester and this dignity transferred to the Mayor of Medway when that unitary authority was created, along with the Admiralty Court for the River which constitutes a committee of the Council.[21]
Like many of the mediaeval towns of England, Rochester had civic Freemen whose historic duties and rights were abolished by the Municipal Corporations Act 1835. However, the Guild of Free Fishers and Dredgers continues to the present day and retains rights, duties and responsibilities on the Medway, between Sheerness and Hawkwood Stone.[22] This ancient corporate body convenes at the Admiralty Court whose Jury of Freemen is responsible for the conservancy of the River as enshrined in current legislation. The City Freedom can be obtained by residents after serving a period of "servitude", i.e. apprenticeship (traditionally seven years), before admission as a Freeman. The annual ceremonial Beating of the Boundsby the River Medway takes place after the Admiralty Court, usually on the first Saturday of July.
Rochester first obtained City status in 1211, but this was lost due to an administrative oversight when Rochester was absorbed by the Medway Unitary Authority.[10] Subsequently, the Medway Unitary Authority has applied for City status for Medway as a whole, rather than merely for Rochester. Medway applied unsuccessfully for City status in 2000 and 2002 and again in the Queen's Diamond Jubilee Year of 2012.[23] Any future bid to regain formal City status has been recommended to be made under the aegis of Rochester-upon-Medway.
Ecclesiastical parishes[edit]
There were three medieval parishes: St Nicholas', St Margaret's and St Clement's. St Clement's was in Horsewash Lane until the last vicar died in 1538 when it was joined with St Nicholas' parish; the church last remaining foundations were finally removed when the railway was being constructed in the 1850s. St Nicholas' Church was built in 1421 beside the cathedral to serve as a parish church for the citizens of Rochester. The ancient cathedral included the Benedictine monastic priory of St Andrew with greater status than the local parishes.[24] Rochester's pre-1537 diocese, under the jurisdiction of the Church of Rome, covered a vast area extending into East Anglia and included all of Essex.[25]
As a result of the restructuring of the Church during the Reformation the cathedral was reconsecrated as the Cathedral Church of Christ and the Blessed Virgin Mary without parochial responsibilities, being a diocesan church.[26] In the 19th century the parish of St Peter's was created to serve the burgeoning city with the new church being consecrated in 1859. Following demographic shifts, St Peter's and St Margaret's were recombined as a joint benefice in 1953 with the parish of St Nicholas with St Clement being absorbed in 1971.[27] The combined parish is now the "Parish of St Peter with St Margaret", centred at the new (1973) Parish Centre in The Delce (St Peter's) with St Margaret's remaining as a chapel-of-ease. Old St Peter's was demolished in 1974, while St Nicholas' Church has been converted into the diocesan offices but remains consecrated. Continued expansion south has led to the creation of an additional more recent parish of St Justus (1956) covering The Tideway estate and surrounding area.[28]
A church dedicated to St Mary the Virgin at Eastgate, which was of Anglo-Saxon foundation, is understood to have constituted a parish until the Middle Ages, but few records survive.[29]
Geography
Rochester lies within the area, known to geologists, as the London Basin. The low-lying Hoo peninsula to the north of the town consists of London Clay, and the alluvium brought down by the two rivers—the Thames and the Medway—whose confluence is in this area. The land rises from the river, and being on the dip slope of the North Downs, this consists of chalksurmounted by the Blackheath Beds of sand and gravel.
As a human settlement, Rochester became established as the lowest river crossing of the River Medway, well before the arrival of the Romans.
It is a focal point between two routes, being part of the main route connecting London with the Continent and the north-south routes following the course of the Medway connecting Maidstone and the Weald of Kent with the Thames and the North Sea. The Thames Marshes were an important source of salt. Rochester's roads follow north Kent's valleys and ridges of steep-sided chalk bournes. There are four ways out of town to the south: up Star Hill, via The Delce,[30] along the Maidstone Road or through Borstal. The town is inextricably linked with the neighbouring Medway Towns but separate from Maidstone by a protective ridge known as the Downs, a designated area of Outstanding Natural Beauty.
At its most limited geographical size, Rochester is defined as the market town within the city walls, now associated with the historic medieval city. However, Rochester historically also included the ancient wards of Strood Intra on the river's west bank, and Chatham Intra as well as the three old parishes on the Medway's east bank.
The diocese of Rochester is another geographical entity which can be referred to as Rochester.
Climate[edit]
Rochester has an oceanic climate similar to much of southern England, being accorded Köppen Climate Classification-subtype of "Cfb" (Marine West Coast Climate).[31]
On 10 August 2003, neighbouring Gravesend recorded one of the highest temperatures since meteorogical records began in the United Kingdom, with a reading of 38.1 degrees Celsius (100.6 degrees Fahrenheit),[32]only beaten by Brogdale, near Faversham, 22 miles (35 km) to the ESE.[33] The weather station at Brogdale is run by a volunteer, only reporting its data once a month, whereas Gravesend, which has an official Met Office site at the PLA pilot station,[34] reports data hourly.
Being near the mouth of the Thames Estuary with the North Sea, Rochester is relatively close to continental Europe and enjoys a somewhat less temperate climate than other parts of Kent and most of East Anglia. It is therefore less cloudy, drier and less prone to Atlanticdepressions with their associated wind and rain than western regions of Britain, as well as being hotter in summer and colder in winter. Rochester city centre's micro-climate is more accurately reflected by these officially recorded figures than by readings taken at Rochester Airport.[35]
North and North West Kent continue to record higher temperatures in summer, sometimes being the hottest area of the country, eg. on the warmest day of 2011, when temperatures reached 33.1 degrees.[36]Additionally, it holds at least two records for the year 2010, of 30.9 degrees[37] and 31.7 degrees C.[38] Another record was set during England's Indian summer of 2011 with 29.9 degrees C., the highest temperature ever recorded in the UK for October.
North and North West Kent continue to record higher temperatures in summer, sometimes being the hottest area of the country, eg. on the warmest day of 2011, when temperatures reached 33.1 degrees.[36]Additionally, it holds at least two records for the year 2010, of 30.9 degrees[37] and 31.7 degrees C.[38] Another record was set during England's Indian summer of 2011 with 29.9 degrees C., the highest temperature ever recorded in the UK for October.
Building
Rochester comprises numerous important historic buildings, the most prominent of which are the Guildhall, the Corn Exchange, Restoration House, Eastgate House, as well as Rochester Castle and Rochester Cathedral. Many of the town centre's old buildings date from as early as the 14th century up to the 18th century. The chapel of St Bartholomew's Hospital dates from the ancient priory hospital's foundation in 1078.
Economy
Thomas Aveling started a small business in 1850 producing and repairing agricultural plant equipment. In 1861 this became the firm of Aveling and Porter, which was to become the largest manufacturer of agricultural machinery and steam rollers in the country.[39] Aveling was elected Admiral of the River Medway (i.e. Mayor of Rochester) for 1869-70.
Culture[edit]
Sweeps Festival[edit]
Since 1980 the city has seen the revival of the historic Rochester Jack-in-the-Green May Day dancing chimney sweeps tradition, which had died out in the early 1900s. Though not unique to Rochester (similar sweeps' gatherings were held across southern England, notably in Bristol, Deptford, Whitstable and Hastings), its revival was directly inspired by Dickens' description of the celebration in Sketches by Boz.
The festival has since grown from a small gathering of local Morris dancesides to one of the largest in the world.[40] The festival begins with the "Awakening of Jack-in-the-Green" ceremony,[41] and continues in Rochester High Street over the May Bank Holiday weekend.
There are numerous other festivals in Rochester apart from the Sweeps Festival. The association with Dickens is the theme for Rochester's two Dickens Festivals held annually in June and December.[42] The Medway Fuse Festival[43] usually arranges performances in Rochester and the latest festival to take shape is the Rochester Literature Festival, the brainchild of three local writers.[44]
Library[edit]
A new public library was built alongside the Adult Education Centre, Eastgate. This enabled the registry office to move from Maidstone Road, Chatham into the Corn Exchange on Rochester High Street (where the library was formerly housed). As mentioned in a report presented to Medway Council's Community Services Overview and Scrutiny Committee on 28 March 2006, the new library opened in late summer (2006).[45]
Theatre[edit]
There is a small amateur theatre called Medway Little Theatre on St Margaret's Banks next to Rochester High Street near the railway station.[46] The theatre was formed out of a creative alliance with the Medway Theatre Club, managed by Marion Martin, at St Luke's Methodist Church on City Way, Rochester[47] between 1985 and 1988, since when drama and theatre studies have become well established in Rochester owing to the dedication of the Medway Theatre Club.[48]
Media[edit]
Local newspapers for Rochester include the Medway Messenger, published by the KM Group, and free newspapers such as Medway Extra(KM Group) and Yourmedway (KOS Media).
The local commercial radio station for Rochester is KMFM Medway, owned by the KM Group. Medway is also served by community radio station Radio Sunlight. The area also receives broadcasts from county-wide stations BBC Radio Kent, Heart and Gold, as well as from various Essex and Greater London radio stations.[49]
Sport[edit]
Football is played with many teams competing in Saturday and Sunday leagues.[50] The local football club is Rochester United F.C. Rochester F.C. was its old football club but has been defunct for many decades. Rugby is also played; Medway R.F.C. play their matches at Priestfields and Old Williamsonians is associated with Sir Joseph Williamson's Mathematical School.[51]
Cricket is played in the town, with teams entered in the Kent Cricket League. Holcombe Hockey Club is one of the largest in the country,[52]and is based at Holcombe Park. The men's and women's 1st XI are part of the England Hockey League.[53] Speedway was staged on a track adjacent to City Way that opened in 1932. Proposals for a revival in the early 1970s did not materialise and the Rochester Bombers became the Romford Bombers.[54]
Sailing and rowing are also popular on the River Medway with respective clubs being based in Rochester.[55][56]
Film[edit]
The 1959 James Bond Goldfinger describes Bond driving along the A2through the Medway Towns from Strood to Chatham. Of interest is the mention of "inevitable traffic jams" on the Strood side of Rochester Bridge, the novel being written some years prior to the construction of the M2 motorway Medway bypass.
Rochester is the setting of the controversial 1965 Peter Watkins television film The War Game, which depicts the town's destruction by a nuclear missile.[57] The opening sequence was shot in Chatham Town Hall, but the credits particularly thank the people of Dover, Gravesend and Tonbridge.
The 2011 adventure film Ironclad (dir. Jonathan English) is based upon the 1215 siege of Rochester Castle. There are however a few areaswhere the plot differs from accepted historical narrative.
Notable people[edit]
Charles Dickens
The historic city was for many years the favourite of Charles Dickens, who lived within the diocese at nearby Gads Hill Place, Higham, many of his novels being based on the area. Descriptions of the town appear in Pickwick Papers, Great Expectations and (lightly fictionalised as "Cloisterham") in The Mystery of Edwin Drood. Elements of two houses in Rochester, Satis House and Restoration House, are used for Miss Havisham's house in Great Expectations, Satis House.[58]
Sybil Thorndike
The actress Dame Sybil Thorndike and her brother Russell were brought up in Minor Canon Row adjacent to the cathedral; the daughter of a canon of Rochester Cathedral, she was educated at Rochester Grammar School for Girls. A local doctors' practice,[59] local dental practice[60] and a hall at Rochester Grammar School are all named after her.[61]
Peter Buck
Sir Peter Buck was Admiral of the Medway in the 17th century; knightedin 1603 he and Bishop Barlow hosted King James, the Stuart royal familyand the King of Denmark in 1606. A civil servant to The Royal Dockyardand Lord High Admiral, Buck lived at Eastgate House, Rochester.
Denis Redman
Major-General Denis Redman, a World War II veteran, was born and raised in Rochester and later became a founder member of REME, head of his Corps and a Major-General in the British Army.
Kelly Brook
The model and actress Kelly Brook went to Delce Junior School in Rochester and later the Thomas Aveling School (formerly Warren Wood Girls School).
The singer and songwriter Tara McDonald now lives in Rochester.
The Prisoners, a rock band from 1980 to 1986, were formed in Rochester. They are part of what is known as the "Medway scene".
Kelly Tolhurst MP is the current parliamentary representative for the constituency.
The results of MizzLotte98's BNTM were up last night.
The results were that Payton was eliminated (Which was quite shocking) And Alex and Alexia were the finalist's. In the end Alexia was told that she didnt have as much 'potential' as Alex did. And so Alexia lost to Alex. My fans reacted immediately and then a fight broke out between the comments. Well my thoughts were that Payton should have been in those finals not Alex. Everything was just quite shocking.
Alex (Winner) : www.flickr.com/photos/72927677@N03/with/6897052427/
Payton (Third): www.flickr.com/photos/bntm/
We caught up with the lovely Alexia!:)
TB: Me!
AL: Alexia Lorenz
TB: Hi Alexia, how have you reacted to all this?
AL: Well honestly, I've been sick all night long, the results were so shocking! I just....I just dont know what to say, I want to be happy that i came second, but I'm just not.
TB: Who did you originally think was going to win?
AL: Honestly, Paytons photo and video was one of her bestest work ever! I really thought either me or Payton.
TB: Do you and Alex Amore get along?
AL: Of course we do I mean we were Biffles but now just..Idk what to say we had a fight recently.
TB: How has this competition changed you?
AL: Haha, well I used to be a bitch and yeah I still kindof am one but the competition has taught me
to be confident and let your innerself out.
TB: Are you glad the competition is over?
AL: Haha.......No. Not with this ending at least.
TB: Will you continue modeling in future?
AL: IDK I mean Im thinking of entering MizzLotte98's BNTM cycle 3 but I dont think Im allowed haha.
TB: Well your fans must be so proud! Good luck for the future we all know your a true winner!
AL: Aaaw Thankies that means alot!<3
Dress hand made by me.
One of the island nicest waterfall, there are only few images on Internet of it in winter. We went on a trip with the goal of showing it more in winter also. We are trying to open the eyes of taking a look at it all year through. It is possible in winter on day tours from Reykjavik, for many superjeeps companies, snowmobile companies and helicopters ride is quick. Many photographers who been there say it is a magic aria. Be welcome to click on next images and tell others. See much more for example of those the Dynkur name and join the group www.facebook.com/groups/dynkur/ there are lot of images there. We would love to show it and get more people to visit it to try to save it. There is a high risk the energy company take most all the water of it. We say there is much more value in it to visit.
There were not many people few years ago visiting Gullfoss, most visited waterfall at the island today, close to a million person pr. year, those years a women called Sigridur from a farm called Brattholt was main person saying no to the energy making of that river. We believe in future, after only short time people will start visiting Dynkur and the waterfalls around it more and more. Many say it is even nicer than the king Gullfoss.
Superjeeps are getting better, helicopters also and all transportation. Who knows if we don't needs roads in future. There is about 40 min track to drive 4x4 to it in summer from the east side but a little more from the west, both are nice tracks and lots of companies can take you there all year through, ask for Dynkur and the waterfalls around it in your next trip.
It is not far from Hekla volcano and a Glacier Hofsjokull the 3th largest one. Many other nice waterfalls can been seen on the way, Hjálparfoss a canyon called Gjain and Haifoss. Viking houses etc. Countless things to take a look at in Þjorsardalur. But Dynkur waterfall is one of the nicest and well worth the short extra drive and a walk.
I know a RS5 isn't that rare but I like this picture very much. This was taken in my hometown , Mainz. I think I will be often there in future ! Hope you like it! feel free to comment and fav :)
follow me on facebook : www.facebook.com/pages/MrPorschefanatic/186667654690851
From Left to Right: Batman with Soultaker sword and Alfred with Bazooka
SPOILERS AHEAD!!!
This weeks episode started fairly quick. As Katana reappeared from her absence last week, she and Alfred confessed to Bruce about the Soultaker sword and how they hid it from him. The scene itself was a plus since we got to see the cold hard Batman accept Alfred's resignation (which was short lived). Ravencroft's employer was also revealed to be Silver Monkey, who was working to receive the Soultaker sword without Lady Shiva's consent. Bruce Wayne was used as bait, lured in by Ravencroft, for Yamashiro (Katana) to bring the Soultaker sword to Silver Monkey. He was shot and thought to be killer, but as we all know the Batman does not simply die! An epic battle ensued between the League of Shadows and Batman and Katana. Lady Shiva then finally makes her appearance and shows her true wrath by taking Ravencroft's soul and having special plans for silver monkey, which will be seen in future episodes. The episode ended with a bang with the reveal to Katana that Batman is indeed Bruce Wayne and Alfred is his sidekick/butler. This marks the beginning for extended stories now that the foundation for the show is set. Overall the episode was great and it set a high bar to beat for next weeks episode. Can't wait to see what they have planned!
Conclusion:
The episode was a big turning point in the overall story and I like how it went very much. Although, I do have some complaints. I wish that a little bit more was shown on Ravencroft and what exactly happened to her, but I'm sure we will see more later on. I'm hoping next weeks episode starts a wider story that'll hopefully begin a long story arc. I would also like to add that I am a bit surprised at how this show is classified for kids considering the suggestive themes in the show. What I mean by that is the way the camera moved up on Lady Shiva and showed her curves seemed a bit too much for me for a kids show. Also, in previous episodes, the biggest one being Magpie. Don't get me wrong, I don't mind, but I am worried about how some parents might perceive the image and not let their kids watch the show.
Final Verdict: I give this weeks episode a 9/10
I took this shot at a local gallery/fashion show which was held at Center City Galleries in my hometown of Paterson, NJ. Its one of my favorite shots of the night, the girl in the picture loved it and now many other photogs and models have viewed it on Facebook.
I was invited to display 5 of my images at the gallery on Saturday night where the fashion show was being held. Out of the five pieces I displayed on the wall, I actually sold two! It was a great night meeting and networking with other artist, photographers, and models. I printed out a bunch of my best shots on 5x7's which included my name & contact info to pass out to those who I mingled with during the night. I also had a chance to shoot a few models using studio lighting. The whole gallery experience along with the networking was the best thing I could have done for myself, walking away with new contacts was worth more than I can imagine. I now have a studio I can visit, and a handful of new model contacts to use in future shoots. I cant wait for the next oppurtunity, I look foward to making a habit out of going to galleries in the future even if its just for the purpose of networking.
Here is a series of shots I took on Saturday
How Not to Square the Circle
Nicholas of Cusa was attacking a problem dating back to the ancient Greeks. The solution would have made him famous forever...
Tony Phillips
Stony Brook University
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Introduction
In 1965 my late friend and colleague John Stallings wrote "How not to prove the Poincaré conjecture." This work appeared in the Proceedings of the Wisconsin Topology Seminar and is still available on John's Berkeley website. It begins with the declaration: "I have committed the sin of falsely proving Poincaré's Conjecture. But that was in another country; and besides, until now no one has known about it." It continues with the exposition of the main ideas relating the conjecture to statements in algebra, and is certainly what Stephen Miller had in mind when he wrote, in the AMS Notices, after John's death, "His 1960s papers on the 3-dimensional Poincaré Conjecture are both brilliant and hilarious at the same time."
In 1445 Nicholas of Cusa wrote De Geometricis Transmutationibus (On Geometric Transmutations); my account is based on a recent translation into French of all of Nicholas' mathematical works: Nicolas de Cues, Les Écrits mathématiques by Jean-Marie Nicolle (Honoré Champion, Paris, 2007). This was the first of Cusa's writings in which he addressed the problem of squaring the circle. Literally, squaring the circle means devising the straightedge-and-compass construction of a square whose area equals that of a given circle. This means a construction relating a segment of length 1 (the radius of the circle) to a segment of length π√ (the side of the square). Nicholas's plan was start from an equilateral triangle and construct an isoperimetric circle; this is the content of the First Premise in De Geometricis Transmutationibus. If the triangle had perimeter 1, the circle would have diameter 1/π. Then the composition of two more standard straightedge and compass constructions could start from that diameter and generate first a segment of length 1/π−−−√, and from that one a segment of the reciprocal length π√.
Examples of straight-edge and compass arithmetic:
Left: square root. A segment AB of length x is extended by a segment BC of length 1. Choose one of the points D where the (green) circle with diameter AC intersects the perpendicular through B. Then by plane geometry DB2=AB⋅BC=AB, so DB has length x√.
Right: reciprocal. The construction starts with a segment EF of length 2 extended by FG of length 12. A circle (green) is constructed with EG as diameter. For any x between 1/2 and 2, for example 1/π−−−√, a circle (blue) of radius x is drawn with center F. Choose one of the intersection points X of the two circles and draw the line through X and F. It will intersect the green circle at a second point Y; the length y of the segment FY will be the reciprocal of x, since by standard plane geometry XF⋅FY=EF⋅FG=1.
Other circles, lines and points used in the constructions are shown in black.
Nicholas of Cusa
Nicholas of Cusa (1401-1464) was one of the leading intellectual figures in early 15th-century Europe. He is often described as a transitional figure between the Middle Ages and the Renaissance, and in fact he was personally involved in one of the great events that mark that transition: Pope Eugene IV sent him to Constantinople in 1437 as part of a delegation to negotiate the participation of the Eastern Orthodox hierarchy in the Council of Florence. They came, with an entourage of distinguished Greek scholars who stayed, and lectured, in Florence; contributing to the surge of interest in humanistic learning which led to the new age.
Nicholas' principal occupations were ecclesiastical politics and administration (he was named Cardinal in 1449) and, relatedly, theology/philosophy. Those were tumultuous times for the Church; Nicholas was at the center both of bitter jurisdictional controversies and of intense disputation about the exact wording of dogmatic texts, where the placement of a comma could assume cosmic importance. In those days philosophy, theology and natural science were closely linked: the physical structure of the universe had deep theological implications. Nicholas' energetic and erudite mind, in a priori meditation, led him to scientific insights that turned out to be prophetic. For example, he understood that the earth, the sun and the moon were objects moving through space; and he rejected the idea that all orbits had to be circular or even that the universe had a center (De Docta Ignorantia, Book II). Here he was a predecessor of Kepler (who referred to him as "divine") and of Giordano Bruno.
Nicholas' interest in mathematics seems to have been its status as an impregnable logical system. He believed that by testing his philosophical theories in mathematics he could produce convincing evidence of their validity. He outlines the parallelism between geometry and theology in De Circuli Quadratura, dated July 1450. "Transport yourself by assimilation from these mathematics to theology. ... Just as the circle is perfection in a figure, since any perfection of figures is worked into it, its surface contains all the surface of all figures and has nothing in common with all the other figures, but is absolutely one and simple in itself; likewise absolute eternity is the form of all forms ... having nothing in common with any other form. And whatever the figure of the circle therein may be, since it has neither beginning nor end, it has resemblance with eternity ... . ... Likewise, if a triangle wanted to triangulate the circle, or a square to square it and so forth for the other polygons, thus also intellectual nature wants to understand [God]."
The First Premise and its "proof"
Nicholas of Cusa's First Premise: a is the center of the equilateral triangle bcd. "You divide the side bc into four equal parts which you mark e,f,g: I assert that, if one extends the line drawn from a to e by its fourth, which gives ah, this will be the radius of the circle whose circumference is equal to the three sides of the triangle."
One of the thought schemata Nicholas devised for use in theology was the "concidence of opposites." Here is how he applied the principle to the proof of his First Premise. The construction involves a parameter, namely the position of the point e on the line cb. Nicholas observes that when e is at the midpoint f the length of the segment ah is smaller than the desired radius, and that when e is at b the length is larger. He applies the principle: ubi est dare magis et minis, quod ibi sit dare aequale (where one can give a greater and a lesser, one can also give an equal; essentially the Intermediate Value Theorem) and concludes correctly that for some intermediate position x the length ah must be exactly equal to that radius, "and that is the point e equidistant between b and f." The last statement made with no justification.
The construction is in fact plausible: suppose the sides of the triangle have length 1. Then ef=14; similarity of triangle abf with a half-equilateral triangle, and the Pythagorean theorem, yield af=123√; so ae=748−−√, and ah=(5/4)748−−√; the First Premise states that 2π⋅ah=3, which implies π=65487−−√=3.1423... . This value, which Nicholas could have calculated but never mentions explicitly, was within the bounds [22371,227]=[3.14084...,3.14285...] established by Archimedes. Therefore, until better approximations to π were available, there was no way to prove Nicholas's construction wrong, even though there were obvious gaps in his proof.
Later developments: Things get worse
Nicholas circulated copies of his work among his friends, who included Paolo Toscanelli (1397-1482), a Florentine astronomer and physician. He had been Nicholas' classmate, and they remained good friends for life. Toscanelli wrote back with objections. To us, now, it is clear that there was no way the argument could be repaired. Nicholas' solution was to devise a different, and considerably more complicated, construction.
The diagram for Nicholas of Cusa's second quadrature construction, from Quadratura Circuli, 1450. The construction starts from a triangle cde, superimposes an isoperimetric square ilkm and yields rq as the radius of the isoperimetric circle.
Nicholas would have done better to stay with his first construction. The new one was reprinted and minutely analyzed by Regiomontanus (Johannes Müller, 1436-1476) who showed that the implied value for π was outside the Archimedean bounds (Nicolle calculates it as 3.154); this is part of a 60-odd page appendix to his De triangulis omnimodis, dated 1464, published in 1533. There Regiomontanus takes up all of Nicholas' constructions one by one and "does the math" (Nunc ad numeros descendendum), using his knowledge of trigonometry to show "that Nicholas' approximations to π were --except one-- not even within the limits established by Archimedes," according to Menso Folkerts, who characterizes Regiomontanus as "a gifted student of Archimedes," and Nicholas of Cusa as "an amateur in mathematics." The one exception is presumably the First Premise above.
The moral of the story
Nicholas of Cusa was attacking a problem dating back to the ancient Greeks. The solution would have made him famous forever, and might even have helped bolster his side in theological disputations. No one knew at the time that squaring the circle is impossible: the proof requires calculus, which was 200 years away; and even then it was not discovered until 1882.
John Stallings was also attacking a famous problem: 50 years old, a very long time in modern mathematics. In this case the problem was not impossible, but the methods that led to its solution lay far in the future. Richard Hamilton's introduction of the Ricci flow, which led to Gregory Perelman's ultimate victory, came out in 1982, some 17 years after Stallings wrote "How not to prove the Poincaré Conjecture." But Stallings discovered his error by himself, before publishing, whereas Nicholas seems to have believed until the end that he had squared the circle, but perhaps had not been able to find the right argument to substantiate his claim.
Here is how Stallings ends his story: "... I was unable to find flaws in my 'proof' for quite a while, even though the error is very obvious. It was a psychological problem, a blindness, an excitement, an inhibition of reasoning by an underlying fear of being wrong. Techniques leading to the abandonment of such inhibitions should be cultivated by every honest mathematician."
Why circle-squaring is impossible
We will see that any length occurring in a compass and straightedge construction starting from length one must be an algebraic number, i.e. it must be a root of a polynomial with integer coefficients. Considerably more intricate is the proof that π, and therefore π√, is transcendental, i.e. not algebraic. Some references are given here.
A random compass-straightedge construction: all the coordinates of the vertices produced by the construction are of a special form: they are obtained from 1 by composing a finite number of operations, which can be arithmetic (sum, product, quotient, etc.) or the extraction of a square root. For future use, let's call the set of these numbers S. In this example, the construction starts with the vertices O=(0,0) and A=(1,0); the line they span is the x-axis. The circle of center O and of radius OA intersects the circle of center A and of radius OA at B=(12,3√2), the x-axis at C=(−1,0) and the y-axis (the perpendicular bisector of AC, constructed as usual by two circles and a line) at E=(0,1). The circle of center E and radius EA intersects the line through O and B at D=(3√ 7√4,3 21√4). The circle of center A and radius AD intersects the x-axis at F=(1 AD,0)=(1 127 21−−√−3√−7√−−−−−−−−−−−−−−−−√,0). As the construction continues, the number of embeddings of radicals into radicals tends to rise, but the numbers always have this general form. They are clearly algebraic, since the radicals can be peeled off by continued squaring and rearranging. In fact these constructible numbers form a special class of algebraic numbers: those that can be reached from the rational numbers by a finite number of quadratic extensions, i.e. by arithmetic operations and taking square roots a finite number of times. To show squaring the circle is impossible, "algebraic" is sufficient; but other impossibilities (duplicating the cube, trisecting the angle) require this additional information.
To see why this works in general, note first that if points P and P′ have their coordinates in S, then by the Pythagorean theorem their distance PP′ = r must also belong to S. So the circle of radius PP′ about P, say, has the equation (x−p1)2 (y−p2)2=r2. Another circle constructed from two points with coordinates in S will have a similar equation, say (x−q1)2 (y−q2)2=s2. All these coefficients lie in S. The coordinates of the intersection points of the two circles (if they intersect) will be the pairs (x,y) satisfying both equations. From the first equation we can write y=±r2−(x−p1)2−−−−−−−−−−−√ p2. Substituting this value in the second equation yields a polynomial equation in x; it looks like it might have degree 4, but the higher powers cancel and it is a quadratic equation with coefficients in S. The quadratic formula involves arithmetic and a square root, so the solutions it produces will again belong to S. For intersections of a circle and a line no cancellation is needed; the equation is quadratic; and for the intersection of two lines it is linear.
Squaring the circle
From Wikipedia, the free encyclopedia
For other uses, see Square the Circle.
Squaring the circle: the areas of this square and this circle are equal. In 1882, it was proven that this figure cannot be constructed in a finite number of steps with an idealized compass and straightedge.
Impossibility[edit]
The solution of the problem of squaring the circle by compass and straightedge demands construction of the number , and the impossibility of this undertaking follows from the fact that pi is a transcendental (non-algebraic and therefore non-constructible) number. If the problem of the quadrature of the circle is solved using only compass and straightedge, then an algebraic value of pi would be found, which is impossible. Johann Heinrich Lambert conjectured that pi was transcendental in 1768 in the same paper in which he proved its irrationality, even before the existence of transcendental numbers was proven. It was not until 1882 that Ferdinand von Lindemann proved its transcendence.
The transcendence of pi implies the impossibility of exactly "circling" the square, as well as of squaring the circle.
It is possible to construct a square with an area arbitrarily close to that of a given circle. If a rational number is used as an approximation of pi, then squaring the circle becomes possible, depending on the values chosen. However, this is only an approximation and does not meet the constraints of the ancient rules for solving the problem. Several mathematicians have demonstrated workable procedures based on a variety of approximations.
Bending the rules by allowing an infinite number of compass-and-straightedge operations or by performing the operations on certain non-Euclidean spaces also makes squaring the circle possible. For example, although the circle cannot be squared in Euclidean space, it can be in Gauss–Bolyai–Lobachevsky space. Indeed, even the preceding phrase is overoptimistic.[7][8] There are no squares as such in the hyperbolic plane, although there are regular quadrilaterals, meaning quadrilaterals with all sides congruent and all angles congruent (but these angles are strictly smaller than right angles). There exist, in the hyperbolic plane, (countably) infinitely many pairs of constructible circles and constructible regular quadrilaterals of equal area. However, there is no method for starting with a regular quadrilateral and constructing the circle of equal area, and there is no method for starting with a circle and constructing a regular quadrilateral of equal area (even when the circle has small enough radius such that a regular quadrilateral of equal area exists).
Some apparent partial solutions gave false hope for a long time. In this figure, the shaded figure is the Lune of Hippocrates. Its area is equal to the area of the triangle ABC (found by Hippocrates of Chios).
Archimedes Liu Hui Zu Chongzhi Madhava of Sangamagrama William Jones John Machin John Wrench Ludolph van Ceulen Aryabhata
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Squaring the circle Basel problem Feynman point Other topics related to π
v t e
Squaring the circle is a problem proposed by ancient geometers. It is the challenge of constructing a square with the same area as a given circle by using only a finite number of steps with compass and straightedge. More abstractly and more precisely, it may be taken to ask whether specified axioms of Euclidean geometry concerning the existence of lines and circles entail the existence of such a square.
In 1882, the task was proven to be impossible, as a consequence of the Lindemann–Weierstrass theorem which proves that pi (π) is a transcendental, rather than an algebraic irrational number; that is, it is not the root of any polynomial with rational coefficients. It had been known for some decades before then that the construction would be impossible if pi were transcendental, but pi was not proven transcendental until 1882. Approximate squaring to any given non-perfect accuracy, in contrast, is possible in a finite number of steps, since there are rational numbers arbitrarily close to π.
The expression "squaring the circle" is sometimes used as a metaphor for trying to do the impossible.[1]
The term quadrature of the circle is sometimes used synonymously or may refer to approximate or numerical methods for finding the area of a circle.
Liu Hui
Mathematical work[edit]
Along with Zu Chongzhi (429–500), Liu Hui was known as one of the greatest mathematicians of ancient China.[1] Liu Hui expressed all of his mathematical results in the form of decimal fractions (using metrological units), yet the later Yang Hui (c. 1238-1298 AD) expressed his mathematical results in full decimal expressions.[2][3]
Liu provided commentary on a mathematical proof identical to the Pythagorean theorem.[4] Liu called the figure of the drawn diagram for the theorem the "diagram giving the relations between the hypotenuse and the sum and difference of the other two sides whereby one can find the unknown from the known".[5]
In the field of plane areas and solid figures, Liu Hui was one of the greatest contributors to empirical solid geometry. For example, he found that a wedge with rectangular base and both sides sloping could be broken down into a pyramid and a tetrahedral wedge.[6] He also found that a wedge with trapezoid base and both sides sloping could be made to give two tetrahedral wedges separated by a pyramid. In his commentaries on the Nine Chapters, he presented:
An algorithm for calculation of pi (π) in the comments to chapter 1.[7] He calculated pi to with a 192 (= 64 × 3) sided polygon. Archimedes used a circumscribed 96-polygon to obtain the inequality , and then used an inscribed 96-gon to obtain the inequality . Liu Hui used only one inscribed 96-gon to obtain his π inequalily, and his results were a bit more accurate than Archimedes'.[8] But he commented that 3.142074 was too large, and picked the first three digits of π = 3.141024 ~3.14 and put it in fraction form . He later invented a quick method and obtained , which he checked with a 3072-gon(3072 = 512 × 6). Nine Chapters had used the value 3 for π, but Zhang Heng (78-139 AD) had previously estimated pi to the square root of 10.
Gaussian elimination.
Cavalieri's principle to find the volume of a cylinder,[9] although this work was only finished by Zu Gengzhi. Liu's commentaries often include explanations why some methods work and why others do not. Although his commentary was a great contribution, some answers had slight errors which was later corrected by the Tang mathematician and Taoist believer Li Chunfeng.
Survey of sea island
Liu Hui also presented, in a separate appendix of 263 AD called Haidao suanjing or The Sea Island Mathematical Manual, several problems related to surveying. This book contained many practical problems of geometry, including the measurement of the heights of Chinese pagoda towers.[10] This smaller work outlined instructions on how to measure distances and heights with "tall surveyor's poles and horizontal bars fixed at right angles to them".[11] With this, the following cases are considered in his work:
The measurement of the height of an island opposed to its sea level and viewed from the sea
The height of a tree on a hill
The size of a city wall viewed at a long distance
The depth of a ravine (using hence-forward cross-bars)
The height of a tower on a plain seen from a hill
The breadth of a river-mouth seen from a distance on land
The depth of a transparent pool
The width of a river as seen from a hill
The size of a city seen from a mountain.
Liu Hui's information about surveying was known to his contemporaries as well. The cartographer and state minister Pei Xiu (224–271) outlined the advancements of cartography, surveying, and mathematics up until his time. This included the first use of a rectangular grid and graduated scale for accurate measurement of distances on representative terrain maps.[12] Liu Hui provided commentary on the Nine Chapter's problems involving building canal and river dykes, giving results for total amount of materials used, the amount of labor needed, the amount of time needed for construction, etc.[13]
Although translated into English long beforehand, Liu's work was translated into French by Guo Shuchun, a professor from the Chinese Academy of Sciences, who began in 1985 and took twenty years to complete his translation.
Zu Chongzhi
The majority of Zu's great mathematical works are recorded in his lost text the Zhui Shu. Most scholars argue about his complexity since traditionally the Chinese had developed mathematics as algebraic and equational. Logically, scholars assume that the Zhui Shu yields methods of cubic equations. His works on the accurate value of pi describe the lengthy calculations involved. Zu used the Liu Hui's π algorithm described earlier by Liu Hui to inscribe a 12,288-gon. Zu's value of pi is precise to six decimal places and for a thousand years thereafter no subsequent mathematician computed a value this precise. Zu also worked on deducing the formula for the volume of a sphere.
BLOGGED: 07 Oct. 2008: www.counterspinyc.blogspot.com/\
New Yorkers Protest the US$850 BILLION Wall Street BAILOUT: Wall Street, NYC - September 25, 2008
Phototgrapher: a. golden, eyewash design - c. 2008.
This is actually a GOOD guy. See: billionairesforbush.com/index.php for more information.
Friends,
The richest 400 Americans -- that's right, just four-hundred people -- own MORE than the bottom 150 million Americans COMBINED! 400 of the wealthiest Americans have got more stashed away than half the entire country! Their combined net worth is $1.6 trillion. During the eight years of the Bush Administration, their wealth has increased by nearly $700 billion -- the same amount that they were demanding We give to them for the "bailout." Why don't they just spend the money they made under Bush to bail themselves out? They'd still have nearly a trillion dollars left over to spread amongst themselves!
Of course, they are not going to do that -- at least not voluntarily. George W. Bush was handed a $127 billion surplus when Bill Clinton left office. Because that money was OUR money and not HIS, he did what the rich prefer to do -- spend it and never look back. Now we have a $9.5 trillion debt that will take seven generations from which to recover. Why -- on --earth – did -- our -- "representatives" -- give -- these -- robber -- barons -- $US850 BILLION -- of – OUR -- money?
Last week, proposed my own bailout plan. My suggestions, listed below, were predicated on the singular and simple belief that the rich must pull themselves up by their own platinum bootstraps. Sorry, fellows, but you drilled it into our heads one too many times: THERE...IS...NO…FREE... LUNCH ~ PERIOD! And thank you for encouraging us to hate people on welfare! So, there should have been NO HANDOUTS FROM US TO YOU! Last Friday, after voting AGAINST this BAILOUT, in an unprecedented turn of events, the House FLIP-FLOPPED their "No" Vote & said "Yes", in a rush version of a "bailout" bill vote. IN SPITE OF THE PEOPLE'S OVERWHELMING DISAPPROVAL OF THIS BAILOUT BILL... IN SPITE OF MILLIONS OF CALLS FROM THE PEOPLE CRASHING WASHINGTON "representatives'" PHONE LINES...IN SPITE OF CRASHING OUR POLITICIAN'S WEBSITES...IN SPITE OF HUNDREDS OF THOUSANDS OF PEOPLE PROTESTING AROUND THE COUNTRY... THEY VOTED FOR THIS BAILOUT! The People first succeeded on Monday with the House, but failed do it with the Senate and then THE HOUSE TURNED ON US TOO!
It is clear, though, we cannot simply continue protesting without proposing exactly what it is we think THESE IDIOTS should/'ve do/one. So, after consulting with a number of people smarter than Phil Gramm, here’s the proposal, now known as "Mike's Rescue Plan." (From Michael Moore's Bailout Plan) It has 10 simple, straightforward points. They are that you DIDN'T, BUT SHOULD'VE:
1. APPOINTED A SPECIAL PROSECUTOR TO CRIMINALLY INDICT ANYONE ON WALL STREET WHO KNOWINGLY CONTRIBUTED TO THIS COLLAPSE. Before any new money was expended, Congress should have committed, by resolution, to CRIMINALLY PROSECUTE ANYONE who had ANYTHING to do with the attempted SACKING OF OUR ECONOMY. This means that anyone who committed insider trading, securities fraud or any action that helped bring about this collapse should have and MUST GO TO JAIL! This Congress SHOULD HAVE called for a Special Prosecutor who would vigorously go after everyone who created the mess, and anyone else who attempts to scam the public in future. (I like Elliot Spitzer ~ so, he played a little hanky-panky...Wall Street hates him & this is a GOOD thing.)
2. THE RICH SHOULD HAVE PAID FOR THEIR OWN BAILOUT! They may have to live in 5 houses instead of 7. They may have to drive 9 cars instead of 13. The chef for their mini-terriers may have to be reassigned. But there is no way in hell, after forcing family incomes to go down more than $2,000 dollars during the Bush years, that working people and the middle class should have to fork over one dime to underwrite the next yacht purchase.
If they truly needed the $850 billion they say they needed, well, here is an easy way they could have raised it:
a) Every couple makeing over a million dollars a year and every single taxpayer who makes over $500,000 a year should pay a 10% surcharge tax for five years. (It's the Senator Sanders plan. He's like Colonel Sanders, only he's out to fry the right chickens.) That means the rich would have still been paying less income tax than when Carter was president. That would have raise a total of $300 billion.
b) Like nearly every other democracy, they should have charged a 0.25% tax on every stock transaction. This would have raised more than $200 billion in a year.
c) Because every stockholder is a patriotic American, stockholders should have forgone receiving a dividend check for ONE quarter and instead this money would have gone the treasury to help pay for the bullsh*t bailout.
d) 25% of major U.S. corporations currently pay NO federal income tax. Federal corporate tax revenues currently amount to 1.7% of the GDP compared to 5% in the 1950s. If we raised the corporate income tax BACK to the levels of the 1950s, this would give us an extra $500 billion.
All of this combined should have been enough to end the calamity. The rich would have gotten to keep their mansions and their servants and our United States government ("COUNTRY FIRST!") would've have a little leftover to repair some roads, bridges and schools...
3. YOU SHOULD HAVE BAIL OUT THE PEOPLE LOSING THEIR HOMES, NOT THE PEOPLE WHO WILL BUILD AN EIGHTH HOME! There are 1.3 million homes in foreclosure right now. That is what is at the heart of this problem. So, instead of giving the money to the banks as a gift, they should have paid down each of these mortgages by $100,000. They should have forced the banks to renegotiate the mortgage so the homeowner could pay on its current value. To insure that this help wouldn't go to speculators and those who tried to making money by flipping houses, the bailout should have only been for people's primary residences. And, in return for the $100K pay-down on the existing mortgage, the government would have gotten to share in the holding of the mortgage so it could get some of its money back. Thus, the total initial cost of fixing the mortgage crisis at its roots (instead of with the greedy lenders) is $150 billion, not $850 BILLION.
And let's set the record straight. People who have defaulted on their mortgages are not "bad risks." They are our fellow Americans, and all they wanted was what we all want: a home to call their own. But, during the Bush years, millions of the People lost the decent paying jobs they had. SIX MILLION fell into poverty! SEVEN MILLION lost their health insurance! And, every one of them saw their real wages go DOWN by $2,000! Those who DARE look down on these Americans who got hit with one bad break after another should be ASHAMED.! We are a better, stronger, safer and happier society when all of our citizens can afford to live in a home they own.
4. THERE SHOULD HAVE BEEN A STIPULATION THAT IF YOUR BANK OR COMPANY GOT ANY OF OUR MONEY IN A "BAILOUT," THEN WE OWN YOU. Sorry, that's how it's done. If the bank gives me money so I can buy a house, the bank "owns" that house until I pay it all back -- with interest. Same deal for Wall Street. Whatever money you need to stay afloat, if our government considers you a safe risk -- and necessary for the good of the country -- then you can get a loan, but WE SHOULD OWN YOU. If you default, we will sell you. This is how the Swedish government did it and it worked.
5. ALL REGULATIONS SHOULD HAVE BEEN BE RESTORED. THE REAGAN REVOLUTION IS DEAD! This catastrophe happened because we let the fox have the keys to the hen-house. In 1999, Phil Gramm authored a bill to remove all the regulations that governed Wall Street and our banking system. The bill passed and Clinton signed it. Here's what Sen.Phil Gramm, McCain's chief economic advisor, said at the bill signing:
"In the 1930s ... it was believed that government was the answer. It was believed that stability and growth came from government overriding the functioning of free markets.
"We are here today to repeal [that] because we have learned that government is not the answer. We have learned that freedom and competition are the answers. We have learned that we promote economic growth and we promote stability by having competition and freedom.
"I am proud to be here because this is an important bill; it is a deregulatory bill. I believe that that is the wave of the future, and I am awfully proud to have been a part of making it a reality."
FOR THIS NOT TO REOCCUR, This BILL SHOULD HAVE BEEN REPEALED! Bill Clinton could have helped by leading the effort for the repeal of the Gramm bill and the reinstating of even tougher regulations regarding our financial institutions. And when they were done with that, they should have restored the regulations for the airlines, the inspection of our food, the oil industry, OSHA, and every other entity that affects our daily lives. All oversight provisions for any "bailout" should have had enforcement monies attached to them and criminal penalties for all offenders.
6. IF IT'S TOO BIG TO FAIL, THEN THAT MEANS IT'S TOO BIG TO EXIST! Allowing the creation of these mega-mergers and not enforcing the monopoly and anti-trust laws has allowed a number of financial institutions and corporations to become so large, the very thought of their collapse means an even bigger collapse across the entire economy. No ONE or TWO companies should EVER have this kind of power! The so-called "economic Pearl Harbor" can't happen when you have hundreds -- thousands -- of institutions where people have their money. When we have a dozen auto companies, if one goes belly-up, we DON'T FACE A NATIONAL DISASTER! If we have three separately-owned daily newspapers in your town, then one media company can't call all the shots (I know... What am I thinking?! Who reads a paper anymore? Sure glad all those mergers and buyouts left us with a STRONG and "FREE" press!). Laws Should have been enacted to prevent companies from being so large and dominant that with one slingshot to the eye, the GIANT FALLS and DIES. And no institution should be allowed to set up money schemes that NO ONE understands. If you can't explain it in two sentences, you shouldn't be taking anyone's money!
7. NO EXECUTIVE SHOULD EVER BE PAID MORE THAN 40 TIMES THEIR AVERAGE EMPLOYEE, AND NO EXECUTIVE SHOULD RECEIVE ANY KIND OF "PARACHUTE" OTHER THAN THE VERY GENEROUS SALARY HE OR SHE MADE WHILE WORKING FOR THE COMPANY. In 1980, the average American CEO made 45 times what their employees made. By 2003, they were making 254 times what their workers made. After 8 years of Bush, they now make over 400 times what their average employee makes. How We have allowed this to happen at publicly held companies is beyond reason. In Britain, the average CEO makes 28 times what their average employee makes. In Japan, it's only 17 times! The last I heard, the CEO of Toyota was living the high life in Tokyo. How does he do it on so little money? Seriously, this is an OUTRAGE! We have created the mess we're in by letting the people at the top become bloated beyond belief with millions of dollars. THIS HAS TO STOP! Not only should no executive who receives help out of this mess profit from it, but any executive who was in charge of running his company into the ground should be FIRED before the company receives ANY help.
8. CONGRESS SHOULD HAVE STRENGTHENED THE FDIC AND MADE IT A MODEL FOR PROTECTING NOT ONLY PEOPLE'S SAVINGS, BUT ALSO THEIR PENSIONS AND THEIR HOMES. Obama was correct to propose expanding FDIC protection of people's savings in their banks to $250,000. But, this same sort of government insurance must be given to our NEVER have to worry about whether or not the money they've put away for their old age will be there. This should have meant strict government oversight of companies who manage their employees' funds -- or perhaps it means the companies should have been forced to turn over those funds and their management to the government? People's private retirement funds must also be protected, but perhaps it's time to consider not having one's retirement invested in the casino known as the stock market??? Our government should have a solemn duty to guarantee that no one who grows old in this country has to worry about becoming destitute.
9. EVERYBODY NEEDS TO TAKE A DEEP BREATH, CALM DOWN, AND NOT LET FEAR RULE THE DAY. Turn off your TVs! We are NOT in the Second Great Depression. The sky is NOT falling, Chicken Little! Pundits and politicians have lied to us so FAST and FURIOUS it's hard not to be affected by all the fear mongering. Even I wrote to and repeated what I heard on the news last week, that the Dow had the biggest one day drop in its history. Well, that was true in terms of points, but its 7% drop came nowhere close to Black Monday in 1987 when the stock market in one day lost 23% of its value. In the '80s, 3,000 banks closed, but America didn't go out of business. These institutions have always had their ups and downs and eventually it works out. It has to, because the rich do not like their wealth being disrupted! They have a vested interest in calming things down and getting back into their Jacuzzis before they slip into their million thread-count sheets to drift off to a peaceful, Vodka tonic and Ambien-induced slumber.
As crazy as things are right now, tens of thousands of people got a car loan last week. Thousands went to the bank and got a mortgage to buy a home. Students just back to college found banks more than happy to put them into hock for the next 15 years with a student loan. I was even pre-approved for a US$5K personal loan. Yes, life has gone on with little-or-no-change (other than the whopping 6.1% umeployment rate, but that happened last month). Not a single person lost any of his/her monies in bank, or a treasury note, or in a CD. And, the perhaps the most amazing thing is that the American public FINALLY didn't buy the scare campaign. The citizens didn't blink, instead telling Congress to take that bailout and shove it. THAT was impressive. Why didn't the population succumb to the fright-filled warnings from their president and his cronies? Well, you can only say 'Saddam has the bomb' so many times before the people realize you're a lying sack of shit. After eight long years, the nation is worn out and simply can't take it any longer. The WORLD is fed up & I don't blame them.
10. THEY SHOULD HAVE CREATED A NATIONAL BANK, A "PEOPLE'S BANK." Since they're really itching to print up a trillion dollars, instead of giving it to a few rich people, why don't We give it to ourselves? Now that We own Freddie and Fannie, why not set up a People's bank? One that can provide low-interest loans for all sorts of people who want to own a home, start a small business, go to school, come up with the cure for cancer or create the next great invention. And, now that we own AIG - the country's largest insurance company - let's take the next step and PROVIDE HEALTH INSURANCE FOR EVERYONE. MEDICARE FOR ALL! It will SAVE us SO MUCH MONEY in the LONG RUN (not to mention bring peace of mind to all). And, America won't be 12th on the life expectancy list! We'll be able to have a longer lifespan, enjoying our government-protected pension and will live to see the day when the corporate criminals who caused this much misery are let out of prison so that We can help re-acclimate them to plain old ordinary, civilian life -- a life with ONE nice home and ONE gas-free car invented with help from the People's Bank.
P.S. Call your Senators NOW !!! ---> www.visi.com/juan/congress/
Since they voted against passing the extension of unemployment benefits and skipped out to "campaign" to us to be re-elected...call them and tell them you will vote for the other "guy" if they don't get their act together!
from the 1st roll of film taken with my new lomo lc-a+. ha! nicely blurry. umm, yeah, it was totally intentional. ;-)
the making of is so, so much better. :-)
As many of you heard, Nick J just released his personal Twitter earlier today. (@nickjonas) and yes, it's official. It's the real deal. Soooo....
NICK J AND THE ADMINISTRATION NEWS!
"My first tweet! In the airport on my way back to the US for rehearsal with the Administration!
about 10 hours ago from TinyTwitter "
Soooo. He's on the way back home, alone? Not liking that idea. I hope he's with Joe and Kevin, and the family. Please just don't make work go above family, Nicholas.
"So... If I was to tell you that me and the administration were going on tour early next year what would you say? Would you come see us? : )
about 8 hours ago from TinyTwitter"
YES! A MILLION TIMES YESH, NICHOLAS. I would pay the world to see you. But. . . . it wouldn't be the same without Joe and Kevin on stage.
But, I wish all the best to youh, Nicholas. I'm sure that your album will do well, and yesh, I'll be one of the first to buy it :) KNOW THE JONAS BROTHERS ARE STILL GOING TO MAKE MUSIC TOGETHER, but all of this solo project happening is separating him from the group, with all those solo group performances and all.
My wishes for the future for the boys are:
-Nick, continue to prosper in your music career and go as far as you can achieve. You'll go miles and miles with your talent.
-Joe, continue on your musical career, and further on an acting career. You'll go far too, boy.
-Kevin, I wish for you to have a happy and prosperous marriage with Dani, to start a family, and persue on your musical producing career. Stay in the music biz, boy, you'll go heights with it. But, please, don't let marriage and family get into your career. Your fans would love to see you still in the biz in future years to come.
I want all three of you to get a grip under the spotlight and go the distance. No matter what happens, remember where it all began: as the Jonas Brothers, sharing the spotlight. And now we see you beginning to go out of the spotlight as a group, and further focusing on side projects. Please, for the sake of your loving fans, don't fade away as the Jonas Brothers. As much as we would like to see you go into projects like this, please don't let that happen. Stay as the Jonas Brothers, at least for a while or more. We're just not ready to see you go different ways. But, you guys could never break up! The Jonas Brothers ARE brothers, and yes, they are truely INSEPARABLE.
I wish all the best in what may come in your paths, Joseph, Paul Kevin Jr., and Nicholas.
“A three chord strand is not easily broken”, and one thing’s for sure… this three chord strand is stronger now than it’s ever been.
An article in my latest issue of BUSES Magazine features the Leeds City Transport timetables of the 1960s. During that period, I was a teenager living just outside Hull, some 50 miles to the east. It was my fervent wish then to move down to London as soon as I could. Had the London dream not worked out, Leeds would have been my second choice as a favourite city.
Both London and Leeds were ace bus cities. The red double deckers of London Transport were world-renowned, LT a template for top-quality service provision, running a well-presented fleet mainly comprising AEC RTs and Routemasters. Leeds City Transport was an exemplary municipal operator, AEC Regents forming the backbone of the fleet, but with good numbers of Leyland’s and Daimlers too. The buses mostly carried handsome bodywork by the local supplier, Charles H. Roe of Crossgates Works, Leeds.
Although Leeds City Transport could have showcased more modern vehicles, it chose a bus that had clocked up more than a decade of service for this 1964 timetable. LCT 668 (PUA668) was an AEC Regent III with Roe H58R bodywork, new in 1952. It is seen in one of Leeds leafier suburbs. The bus served with LCT until 1969.
Leeds City Transport, AEC, the Roe Crossgates Works are all gone today. First Group provides today’s bus routes with vastly more modern vehicles. Perhaps transport enthusiasts now growing up will one day view today’s Leeds scene with comparable nostalgia in future decades.
Had the most awesome day at Claire Carter and Hawkeye Bird of Prey Photography Workshop in Thoresby Park. A privilege to get close to such beautiful birds and I learned such a lot about bird photography that I hope I can put in to practice in future. My photos (just a few here out of 100s I took today) are pale imitations of what is achievable but I'm happy with (some of) my efforts with limited kit.
~*Photography Originally Taken By: www.CrossTrips.Com Under God*~
United States Coast Guard
The United States Coast Guard (USCG) is a branch of the United States armed forces and one of seven uniformed services. It is unique among other armed forces in that it combines aspects of a maritime law enforcement agency (with jurisdiction both domestically and in international waters), naval military support, and a federal regulatory agency. It is an agency of the United States Department of Homeland Security, with its military operations working under the US Navy during times of war.
The Coast Guard has eleven statutory missions: Alien Migrant Interdiction Operations (AMIO) , Defense Readiness, Drug Interdiction, Ports, Waterways and Coastal Security, Other Law Enforcement, Search and Rescue, Aids to Navigation, Marine Safety, Living Marine Resources, Marine Environmental Protection, and Ice Operations. As one of the five armed forces and the smallest armed service of the United States, its stated mission is to protect the public, the environment, and the United States economic and security interests in any maritime region in which those interests may be at risk, including international waters and America's coasts, ports, and inland waterways.
Contents
[hide]
* 1 Overview
o 1.1 Description
o 1.2 Role
+ 1.2.1 Search and Rescue
+ 1.2.2 National Response Center
o 1.3 Authority as an armed service
o 1.4 Authority as a law enforcement agency
* 2 History
* 3 Organization
* 4 Personnel
o 4.1 Commissioned Officer Corps
+ 4.1.1 United States Coast Guard Academy
+ 4.1.2 Officer Candidate School
+ 4.1.3 Direct Commission Officer Program
+ 4.1.4 College Student Pre-Comissioning Initiative (CSPI)
+ 4.1.5 ROTC
o 4.2 Chief Warrant Officers
o 4.3 Enlisted
* 5 Ranks
* 6 Equipment
* 7 Symbols
o 7.1 Core values
o 7.2 Coast Guard Ensign
o 7.3 Coast Guard Standard
o 7.4 Racing Stripe
o 7.5 Semper Paratus
* 8 Missions
* 9 Uniforms
* 10 Issues
* 11 Notable Coast Guardsmen and others associated with the USCG
* 12 Deployable Operations Group (DOG)
* 13 Coast Guard Auxiliary
* 14 Coast Guard Reserve
* 15 Medals and honors
* 16 Organizations
o 16.1 Ancient Order of the Pterodactyl
o 16.2 USCGA Alumni Association
o 16.3 Coast Guard CW Operators Association
* 17 Popular culture
* 18 See also
o 18.1 Coast Guard
o 18.2 Related agencies
* 19 References
* 20 External links
[edit] Overview
[edit] Description
The Coast Guard, in its literature, describes itself as "a military, maritime, multi-mission service within the Department of Homeland Security dedicated to protecting the safety and security of America." The other armed services of the US military are components of the Department of Defense, under which the Coast Guard can also operate during times of war and under declaration by the President.
[edit] Role
The United States Coast Guard has a broad and important role in homeland security, law enforcement, search and rescue, marine environmental pollution response, and the maintenance of river, intracoastal and offshore aids to navigation (ATON). Founded by Alexander Hamilton as the Revenue Cutter Service on August 4, 1790, it lays claim to being the United States' oldest continuous seagoing service. As of October 2006, the Coast Guard has approximately 46,000 men and women on active duty, 8,100 reservists, 7,000 full time civilian employees and 30,000 active auxiliarists.[1]
While most military services are either at war or training for war, the Coast Guard is deployed every day. When not in war, the Coast Guard has duties that include maritime law enforcement, maintaining aids to navigation, marine safety, and both military and civilian search and rescue—all in addition to its typical homeland security and military duties, such as port security. While working as the only Military Branch allowed to make arrest, inquiries, and carry firearms inside of the USA, they are also the only Military Branch that are allowed to carry their firearms on and off base, thus giving them greater flexibility when being called to service. The service's decentralized organization and readiness for missions that can occur at any time on any day, is often lauded for making it highly effective, extremely agile and very adaptable in a broad range of emergencies. In a 2005 article in TIME Magazine following Hurricane Katrina, the author wrote, "the Coast Guard's most valuable contribution to [a military effort when catastrophe hits] may be as a model of flexibility, and most of all, spirit." Wil Milam, a rescue swimmer from Alaska told the magazine, "In the Navy, it was all about the mission. Practicing for war, training for war. In the Coast Guard, it was, take care of our people and the mission will take care of itself."[2]
The Coast Guard's motto is Semper Paratus, meaning "Always Ready". The service has participated in every U.S. conflict from 1790 through to today, including landing US troops on D-Day and on the Pacific Islands in World War II, in extensive patrols and shore bombardment during the Vietnam War, and multiple roles in Operation Iraqi Freedom. Maritime interception operations, coastal security,transportation security, transportation security, and law enforcement detachments are its major roles in Iraq.
[edit] Search and Rescue
See National Search and Rescue Committee
Search and Rescue (SAR) is one of the Coast Guard's oldest missions. The National Search and Rescue Plan[3] designates the United States Coast Guard as the federal agency responsible for maritime SAR operations, and the United States Air Force as the federal agency responsible for inland SAR. Both agencies maintain Rescue Coordination Centers to coordinate this effort, and have responsibility for both military and civilian search and rescue.
* USCG Rescue Coordination Centers
[edit] National Response Center
Operated by the U.S. Coast Guard, the National Response Center (NRC) is the sole U.S. Government point of contact for reporting environmental spills, contamination, and pollution
The primary function of the National Response Center (NRC) is to serve as the sole national point of contact for reporting all oil, chemical, radiological, biological, and etiological discharges into the environment anywhere in the United States and its territories. In addition to gathering and distributing spill data for Federal On-Scene Coordinators and serving as the communications and operations center for the National Response Team, the NRC maintains agreements with a variety of federal entities to make additional notifications regarding incidents meeting established trigger criteria. The NRC also takes Terrorist/Suspicious Activity Reports and Maritime Security Breach Reports. Details on the NRC organization and specific responsibilities can be found in the National Oil and Hazardous Substances Pollution Contingency Plan.[4]
* U.S. National Response Team
[edit] Authority as an armed service
The five uniformed services that make up the Armed Forces are defined in 10 U.S.C. § 101(a)(4):
“ The term “armed forces” means the Army, Navy, Air Force, Marine Corps, and Coast Guard. ”
The Coast Guard is further defined by 14 U.S.C. § 1:
“ The Coast Guard as established January 28, 1915, shall be a military service and a branch of the armed forces of the United States at all times. The Coast Guard shall be a service in the Department of Homeland Security, except when operating as a service in the Navy. ”
Coast Guard organization and operation is as set forth in Title 33 of the Code of Federal Regulations.
On February 25, 2003, the Coast Guard was placed under the Department of Homeland Security. The Coast Guard reports directly to the Secretary of Homeland Security. However, under 14 U.S.C. § 3 as amended by section 211 of the Coast Guard and Maritime Transportation Act of 2006, upon the declaration of war and when Congress so directs in the declaration, or when the President directs, the Coast Guard operates under the Department of Defense as a service in the Department of the Navy. 14 U.S.C. § 2 authorizes the Coast Guard to enforce federal law. Further, the Coast Guard is exempt from and not subject to the restrictions of the Posse Comitatus Act which restrict the law enforcement activities of the other four military services within United States territory.
[edit] Authority as a law enforcement agency
14 U.S.C. § 89 is the principal source of Coast Guard enforcement authority.
14 U.S.C. § 143 and 19 U.S.C. § 1401 empower US Coast Guard Active and Reserves members as customs officers. This places them under 19 U.S.C. § 1589a, which grants customs officers general law enforcement authority, including the authority to:
(1) carry a firearm;
(2) execute and serve any order, warrant, subpoena, summons, or other process issued under the authority of the United States;
(3) make an arrest without a warrant for any offense against the United States committed in the officer's presence or for a felony, cognizable under the laws of the United States committed outside the officer's presence if the officer has reasonable grounds to believe that the person to be arrested has committed or is committing a felony; and
(4) perform any other law enforcement duty that the Secretary of the Treasury may designate.
The U.S. Government Accountability Office Report to the House of Representatives, Committee on the Judiciary on its 2006 Survey of Federal Civilian Law Enforcement Functions and Authorities identified the U.S. Coast Guard as one of 104 federal components employed which employed law enforcement officers.[5] The Report also included a summary table of the authorities of the U.S. Coast Guard's 192 special agents and 3,780 maritime law enforcement boarding officers.[6] Some contend that these law enforcement personnel are "qualified law enforcement officers" within the meaning of the Law Enforcement Officer Safety Act, 18 U.S.C. 926B (LEOSA). The U.S. Coast Guard does not, however, have a LEOSA policy one way or the other.
As members of a military service, Coast Guardsmen (also known informally as Coasties) on active and reserve service are subject to the Uniform Code of Military Justice and receive the same pay and allowances as members of the same pay grades in the other four armed services.
[edit] History
Main article: History of the United States Coast Guard
Marines holding a sign thanking the US Coast Guard after the battle of Guam.
Marines holding a sign thanking the US Coast Guard after the battle of Guam.
The roots of the Coast Guard lie in the United States Revenue Cutter Service established by Alexander Hamilton under the Department of the Treasury on August 4, 1790. Until the re-establishment of the United States Navy in 1798, the Revenue Cutter Service was the only naval force of the early U.S. It was established to collect taxes from a brand new nation of patriot smugglers. When the officers were out at sea, they were told to crack down on piracy; while they were at it, they might as well rescue anyone in distress.[7]
"First Fleet" is a term occasionally used as an informal reference to the US Coast Guard, although as far as one can detect the United States has never in fact officially used this designation with reference either to the Coast Guard or any element of the US Navy. The informal appellation honors the fact that between 1790 and 1798, there was no United States Navy and the cutters which were the predecessor of the US Coast Guard were the only warships protecting the coast, trade, and maritime interests of the new republic.[8]
The modern Coast Guard can be said to date to 1915, when the Revenue Cutter Service merged with the United States Life-Saving Service and Congress formalized the existence of the new organization. In 1939, the U.S. Lighthouse Service was brought under its purview. In 1942, the Bureau of Marine Inspection and Navigation was transferred to the Coast Guard. In 1967, the Coast Guard moved from the Department of the Treasury to the newly formed Department of Transportation, an arrangement that lasted until it was placed under the Department of Homeland Security in 2003 as part of legislation designed to more efficiently protect American interests following the terrorist attacks of September 11, 2001.
In times of war, the Coast Guard or individual components of it can operate as a service of the Department of the Navy. This arrangement has a broad historical basis, as the Guard has been involved in wars as diverse as the War of 1812, the Mexican-American War, and the American Civil War, in which the cutter Harriet Lane fired the first naval shots attempting to relieve besieged Fort Sumter. The last time the Coast Guard operated as a whole under the Navy was in World War II. More often, military and combat units within the Coast Guard will operate under the Navy while other Coast Guard units will remain under the Department of Homeland Security.
[edit] Organization
Main article: Organization of the United States Coast Guard
The headquarters of the Coast Guard is at 2100 Second Street, SW, in Washington, D.C. In 2005, the Coast Guard announced tentative plans to relocate to the grounds of the former St. Elizabeths Hospital in Washington. That project is currently on hold because of environmental, historical, and congressional concerns. As of July 2006, there are several possible locations being considered, including the current headquarters location.
[edit] Personnel
[edit] Commissioned Officer Corps
There are many routes by which individuals can become commissioned officers in the US Coast Guard. The most common are:
[edit] United States Coast Guard Academy
Main article: United States Coast Guard Academy
The United States Coast Guard Academy is located on the Thames River in New London, Connecticut. It is the only military academy to which no Congressional or presidential appointments are made. All cadets enter by open competition utilizing SAT scores, high school grades, extracurricular activities, and other criteria. About 225 cadets are commissioned ensigns each year. Graduates of the Academy are obligated to serve five years on active duty. Most graduates (about 70%) are assigned to duty aboard a Coast Guard cutter after graduation, either as Deck Watch Officers (DWO) or as Student Engineers. Smaller numbers are assigned to flight training (about 10% of the class) or to shore duty at Coast Guard Sectors, Districts, or Area headquarters unit.
[edit] Officer Candidate School
In addition to the Academy, prospective officers may enter the Coast Guard through the Officer Candidate School (OCS) at the Coast Guard Academy in New London, Connecticut. OCS is a rigorous 17-week course of instruction which prepares candidates to serve effectively as officers in the United States Coast Guard. In addition to indoctrinating students into a military life-style, OCS also provides a wide range of highly technical information necessary for performing the duties of a Coast Guard officer.
Graduates of the program typically receive a commission in the Coast Guard at the rank of Ensign, but some with advanced graduate degrees can enter as Lieutenant (junior grade) or Lieutenant. Graduating OCS officers entering Active Duty are required to serve a minimum of three years, while graduating Reserve officers are required to serve four years. Graduates may be assigned to a ship, flight training, to a staff job, or to an operations ashore billet. However, first assignments are based on the needs of the Coast Guard. Personal desires and performance at OCS are considered. All graduates must be available for worldwide assignment.
In addition to United States citizens, foreign cadets and candidates also attend Coast Guard officer training. OCS represents the source of the majority of commissions in the Coast Guard, and is the primary channel through which enlisted ranks can ascend to the officer corps.
[edit] Direct Commission Officer Program
The Coast Guard's Direct Commission Officer course is administered by Officer Candidate School. Depending on the specific program and background of the individual, the course is three, four or five weeks long. The first week of the five-week course is an indoctrination week. The DCO program is designed to commission officers with highly specialized professional training or certain kinds of previous military experience. For example, lawyers entering as JAGs, doctors, intelligence officers, and others can earn commissions through the DCO program. (Chaplains are provided to the Coast Guard by the US Navy.)
[edit] College Student Pre-Comissioning Initiative (CSPI)
The College Student Pre-Commissioning Initiative (CSPI) is a scholarship program for college sophomores. This program provides students with valuable leadership, management, law enforcement, navigation and marine science skills and training. It also provides full payment of school tuition, fees, textbooks, a salary, medical insurance and other benefits during a student's junior and senior year of college. The CSPI program guarantees training at Officer Candidate School (OCS) upon successful completion of all program requirements. Each student is expected to complete his/her degree and all Coast Guard training requirements. Following the completion of OCS and commission as a Coast Guard officer, each student will be required to serve on active duty (full time) as an officer for 3 years.
Benefits: Full tuition, books and fees paid for two years, monthly salary of approximately $2,000, medical and life insurance, 30 days paid vacation per year, leadership training.
[edit] ROTC
Unlike the other armed services, the Coast Guard does not sponsor a ROTC program. It does, however, sponsor one Junior ROTC ("JROTC") program at the MAST Academy.
[edit] Chief Warrant Officers
Highly qualified enlisted personnel from E-6 through E-9, and with a minimum of eight years of experience, can compete each year for appointment as a Chief Warrant Officer (or CWO). Successful candidates are chosen by a board and then commissioned as Chief Warrant Officers (CWO-2) in one of sixteen specialties. Over time Chief Warrant Officers may be promoted to CWO-3 and CWO-4. The ranks of Warrant Officer (WO-1) and CWO-5 are not currently used in the Coast Guard. Chief Warrant Officers may also compete for the Chief Warrant Officer to Lieutenant program. If selected, the officer will be promoted to Lieutenant (O-3E). The "E" designates over four years active duty service as a Warrant Officer or Enlisted member and entitles the member to a higher rate of pay than other lieutenants.
[edit] Enlisted
Newly enlisted personnel are sent to 8 weeks of Basic Training at the Coast Guard Training Center Cape May in Cape May, New Jersey.
The current nine Recruit Training Objectives are:
* Self-discipline
* Military skills
* Marksmanship
* Vocational skills and academics
* Military bearing
* Physical fitness and wellness
* Water survival and swim qualifications
* Esprit de corps
* Core values (Honor, Respect, and Devotion to Duty)
Following graduation, most members are sent to their first unit while they await orders to attend advanced training, in Class "A" Schools, in their chosen rating, the naval term for Military Occupational Specialty (MOS). Members who earned high ASVAB scores or who were otherwise guaranteed an "A" School of choice while enlisting can go directly to their "A" School upon graduation from Boot Camp.
Petty officers follow career development paths very similar to those of US Navy petty officers.
Enlisted Coast Guard members who have reached the pay grade of E-7, or Chief Petty Officer, must attend the U.S. Coast Guard Chief Petty Officer Academy at Training Center Petaluma in Petaluma, California, or an equivalent Department of Defense school, to be advanced to pay grade E-8. United States Air Force master sergeants, as well as international students representing their respective maritime services, are also eligible to attend the Academy. The basic themes of this school are:
* Professionalism
* Leadership
* Communications
* Systems thinking and lifelong learning
[edit] Ranks
Officer Grade Structure of the United States Coast Guard
Admiral
(ADM)
Vice Admiral
(VADM)
Rear Admiral
(upper half)
(RADM)
Rear Admiral
(lower half)
(RDML)
Captain
(CAPT)
Commander
(CDR)
Lieutenant
Commander
(LCDR)
Lieutenant
(LT)
Lieutenant,
Junior Grade
(LTJG)
Ensign
(ENS)
O-10 O-9 O-8 O-7 O-6 O-5 O-4 O-3 O-2 O-1
Warrant Officer Grade Structure of the United States Coast Guard
CWO4 CWO3 CWO2
Non Commissioned Officer Grade Structure of the United States Coast Guard[1]
Crossed anchors in the graphics indicate a rating of Boatswain's Mate
Master Chief Petty Officer of the Coast Guard
(MCPOCG)
Command Master Chief Petty Officer
(CMC)
Master Chief Petty Officer
(MCPO)
Master Chief Boatswain's Mate (BMCM) insignia shown
Senior Chief Petty Officer
(SCPO)
Senior Chief Boatswain's Mate (BMCS) insignia shown
Chief Petty Officer
(CPO)
Chief Boatswain's Mate (BMC) insignia shown
Petty Officer First Class
(PO1)
First Class Boatswain's Mate (BM1) insignia shown
Petty Officer Second Class
(PO2)
Second Class Boatswain's Mate (BM2) insignia shown
Petty Officer Third Class
(PO3)
Third Class Boatswain's Mate (BM3) insignia shown
E-9S E-9 E-9 E-8 E-7 E-6 E-5 E-4
Enlisted Grade Structure of the United States Coast Guard
Seaman
(SN)
Seaman Apprentice
(SA)
Seaman Recruit
(SR)
E-3 E-2 E-1
[edit] Equipment
The equipment of the USCG consists of thousands of vehicles (boats, ships, helicopters, fixed-winged aircraft, automobiles), communication systems (radio equipment, radio networks, radar, data networks), weapons, infrastructure such as United States Coast Guard Air Stations and local Small Boat Stations, each in a large variety.
Main article: Equipment of the United States Coast Guard
[edit] Symbols
[edit] Core values
The Coast Guard, like the other armed services of the United States, has a set of core values which serve as basic ethical guidelines to Coast Guard members. As listed in the recruit pamphlet, The Helmsman,[9] they are:
* Honor: Absolute integrity is our standard. A Coast Guardsman demonstrates honor in all things: never lying, cheating, or stealing. We do the right thing because it is the right thing to do—all the time.
* Respect: We value the dignity and worth of people: whether a stranded boater, an immigrant, or a fellow Coast Guard member; we honor, protect, and assist.
* Devotion to Duty: A Coast Guard member is dedicated to five maritime security roles: Maritime Safety, Maritime Law Enforcement, Marine Environmental Protection, Maritime Mobility and National Defense. We are loyal and accountable to the public trust. We welcome responsibility.[10]
[edit] Coast Guard Ensign
Coast Guard Ensign
Coast Guard Ensign
The Coast Guard Ensign (flag) was first flown by the Revenue Cutter Service in 1799 to distinguish revenue cutters from merchant ships. The order stated the Ensign would be "16 perpendicular stripes, alternate red and white, the union of the ensign to be the arms of the United States in a dark blue on a white field." (There were 16 states in the United States at the time).
The purpose of the flag is to allow ship captains to easily recognize those vessels having legal authority to stop and board them. This flag is flown only as a symbol of law enforcement authority and is never carried as a parade standard. See [2]
[edit] Coast Guard Standard
Parade Standard of the U.S. Coast Guard
Parade Standard of the U.S. Coast Guard
The Coast Guard Standard is used in parades and carries the battle honors of the U.S. Coast Guard. It was derived from the jack of the Coast Guard ensign which used to fly from the stern of revenue cutters. The emblem is a blue eagle from the coat of arms of the United States on a white field. Above the eagle are the words "UNITED STATES COAST GUARD;" below the eagle is the motto, "SEMPER PARATUS" and the inscription "1790."
[edit] Racing Stripe
Racing Stripe
Racing Stripe
The Racing Stripe was designed in 1964 to give the Coast Guard a distinctive, modern image and was first used in 1967. The symbol is a narrow blue bar, a narrow white stripe between, and a broad red[11] bar with the Coast Guard shield centered. The stripes are canted at a 64 degree angle, coincidentally the year the Racing Stripe was designed. The Stripe has been adopted for the use of other coast guards, such as the Canadian Coast Guard, the Italian Guardia Costiera, the Indian Coast Guard, and the Australian Customs Service. Auxiliary vessels maintained by the Coast Guard also carry the Stripe in inverted colors.
[edit] Semper Paratus
The official march of the Coast Guard is "Semper Paratus" (Latin for "Always Ready"). An audio clip can be found at [3].
[edit] Missions
Main article: Missions of the United States Coast Guard
Coast Guard Ensign (Photo U.S. Coast Guard)
USCGC Steadfast
USCG HH-65 Dolphin
USCG HH-60J JayHawk
USCG HC-130H departs Mojave
USCG HC-130H on International Ice Patrol duties
Coast Guard motor lifeboat maritime safety operation
A Coast Guard helicopter crew member looks out over post-Katrina New Orleans
The Coast Guard carries out five basic roles, which are further subdivided into eleven statutory missions. The five roles are:
* Maritime safety (including search and rescue)
* Maritime mobility
* maritime security
* National defense
* Protection of natural resources
The eleven statutory missions, found in section 888 of the Homeland Security Act are:
* Ports, Waterways and Coastal Security (PWCS)
* Counter Drug Law Enforcement
* Migrant Interdiction
* Other Law Enforcement (foreign fisheries)
* Living Marine Resources (domestic fisheries)
* Marine (maritime) Safety
* Marine (maritime) Environmental Protection
* Ice Operations
* Aids to Navigation (ATON)
* Defense Readiness
* Marine (maritime) Environmental Response
The OMEGA navigation system and the LORAN-C transmitters outside the USA were also run by the United States Coast Guard. The U.S. Coast Guard Omega Stations at Lamoure, North Dakota and Kāne'ohe, Hawai'i (Oahu) were both formally decommissioned and shut down on September 30, 1997.
[edit] Uniforms
In 1972, the current Coast Guard dress blue uniform was introduced for wear by both officers and enlisted personnel (Prior to 1972, they wore U.S. Navy-style uniforms with Coast Guard insignia). Relatively similar in appearance to the old-style U.S. Air Force uniforms, the uniform consists of a blue four-pocket single breasted jacket and trousers in a slightly darker shade. A light-blue button-up shirt with a pointed collar, two front button-flap pockets, "enhanced" shoulder boards for officers, and pin-on collar insignia for Chief Petty Officers and enlisted personnel is worn when in shirt-sleeve order (known as "Tropical Blue Long"). It is similar to the World War II-era uniforms worn by Coast Guard Surfmen. Officer rank insignia parallels that of the U.S. Navy but with the gold Navy "line" star being replaced with the gold Coast Guard Shield and with the Navy blue background color replaced by Coast Guard blue. Enlisted rank insignia is also similar to the Navy with the Coast Guard shield replacing the eagle on collar and cap devices. Group Rate marks (stripes) for junior enlisted members (E-3 and below) also follow U. S. Navy convention with white for seaman, red for fireman, and green for airman. In a departure from the U. S. Navy conventions, all petty Officers E-6 and below wear red chevrons and all Chief Petty Officers wear gold. Unlike the US Navy, officers and CPO's do not wear khaki; all personnel wear the same color uniform. See USCG Uniform Regulations [4] for current regulations.
Coast Guard officers also have a white dress uniform, typically used for formal parade and change-of-command ceremonies. Chief Petty Officers, Petty Officers, and enlisted rates wear the standard Service Dress Blue uniform for all such ceremonies, except with a white shirt (replacing the standard light-blue). A white belt may be worn for honor guards. A mess dress uniform is worn by members for formal (black tie) evening ceremonies.
The current working uniform of a majority of Coast Guard members is the Operational Dress Uniform (ODU). The ODU is similar to the Battle Dress Uniform of other armed services, both in function and style. However, the ODU is in a solid dark blue with no camouflage patterns and does not have lower pockets on the blouse. The ODU is worn with steel-toed boots in most circumstances, but low-cut black or brown boat shoes may be prescribed for certain situations. The former dark blue working uniform has been withdrawn from use by the Coast Guard but may be worn by Auxiliarists until no longer serviceable. There is a second phase of Operational Dress Uniforms currently in the trial phases. This prototype resembles the current Battle Dress blouse, which is worn on the outside, rather than tucked in.
Coast Guard members serving in expeditionary combat units such as Port Security Units, Law Enforcement Detachments, and others, wear working operational uniforms that resemble Battle Dress uniforms, complete with "woodland" or "desert" camouflage colors. These units typically serve under, or with, the other armed services in combat theaters, necessitating similar uniforms.
Enlisted Coast Guardsmen wear the combination covers for full dress, a garrison cover for Class "B," wear, and a baseball-style cover either embroidered with "U.S. Coast Guard" in gold block lettering or the name of their ship, unit or station in gold, for the ODU uniform. Male and female company commanders (the Coast Guard equivalent of Marine Corps drill instructors) at Training Center Cape May wear the traditional "Smokey the Bear" campaign hat.
A recent issue of the Reservist magazine was devoted to a detailed and easy to understand graphical description of all the authorized uniforms.
[edit] Issues
The Coast Guard faces several issues in the near future.
Lack of coverage affects many areas with high maritime traffic. For example, local officials in Scituate, Massachusetts, have complained that there is no permanent Coast Guard station, and the presence of the Coast Guard in winter is vital. One reason for this lack of coverage is the relatively high cost of building storm-proof buildings on coastal property; the Cape Hatteras station was abandoned in 2005 after winter storms wiped out the 12-foot (3.7 m) sand dune serving as its protection from the ocean.
Lack of strength to meet its assigned missions is being met by a legislated increase in authorized strength from 39,000 to 45,000. In addition, the volunteer Auxiliary is being called to take up more non-combatant missions. However, volunteer coverage does have limits.
Aging vessels are another problem, with the Coast Guard still operating some of the oldest naval vessels in the world. In 2005, the Coast Guard terminated contracts to upgrade the 110-foot (33.5 m) Island Class Cutters to 123-foot (37.5 m) cutters because of warping and distortion of the hulls. In late 2006, Admiral Thad Allen, Commandant of the Coast Guard, decommissioned all eight 123-foot (37 m) cutters due to dangerous conditions created by the lengthening of the hull- to include compromised watertight integrity. The Coast Guard has, as a result of the failed 110 ft (34 m) conversion, revised production schedules for the Fast Response Cutter (FRC). Of the navies and coast guards of the world's 40 largest navies, the U.S. Coast Guard's is the 38th oldest.[12]
Live fire exercises by Coast Guard boat and cutter crews in the U.S. waters of the Great Lakes attracted attention in the U.S. and Canada. The Coast Guard had proposed the establishment of 34 locations around the Great Lakes where live fire training using vessel-mounted machine guns were to be conducted periodically throughout the year. The Coast Guard said that these exercises are a critical part of proper crew training in support of the service's multiple missions on the Great Lakes, including law enforcement and anti-terrorism. Those that raised concerns about the firing exercises commented about safety concerns and that the impact on commercial shipping, tourism, recreational boating and the environment may be greater than what the Coast Guard had stated. The Coast Guard took public comment and conducted a series of nine public meetings on this issue. After receiving more than 1,000 comments, mostly opposing the Coast Guard's plan, the Coast Guard announced that they were withdrawing their proposal for target practice on the Great Lakes, although a revised proposal may be made in the future.[13][14][15][16][17]
[edit] Notable Coast Guardsmen and others associated with the USCG
Source: U.S. Coast Guard
* Derroll Adams, folk musician
* Nick Adams, actor
* Beau Bridges, actor
* Lloyd Bridges, actor
* Sid Caesar, comedian
* Lou Carnesecca, basketball coach, St. John's University
* Howard Coble, U.S. Congressman, North Carolina
* Chris Cooper, actor
* Richard Cromwell, actor
* Walter Cronkite, newscaster
* William D. Delahunt, U.S. Congressman, Massachusetts
* Jack Dempsey, professional boxer
* Buddy Ebsen (1908–2003), actor, comedian, dancer
* Blake Edwards, writer, director, producer
* Edwin D. Eshleman (1920-1985), former U.S. Congressman, Pennsylvania
* Arthur Fiedler, conductor
* Arthur A. Fontaine, captain, college sailing national champion, ISCA Hall of Fame
* Charles Gibson, newscaster
* Arthur Godfrey, entertainer
* Otto Graham, professional football player and coach
* Alex Haley, author of Roots and Coast Guard chief journalist (first African-American man to reach the Coast Guard's rank of Chief Petty Officer)
* Weldon Hill, pseudonym of William R. Scott, author of novel Onionhead, based on his World War II Coast Guard service
* William Hopper, actor
* Tab Hunter, actor
* Harvey E. Johnson, Jr., Vice Admiral, Deputy Director FEMA
* Steve Knight, Vocalist for Flipsyde
* Duke Paoa Kahanamoku, athlete, actor
* Jack Kramer, tennis professional
* Jacob Lawrence, artist
* Victor Mature, actor
* Douglas Munro, the only Coast Guardsman to be awarded the Medal of Honor
* Frank Murkowski, former governor and former U.S. Senator, Alaska
* Sam Nunn, former U.S. Senator, Georgia
* Arnold Palmer, professional golfer
* Ed Parker, martial artist
* Claiborne Pell, former U.S. Senator, Rhode Island
* Cesar Romero, actor
* Sloan Wilson, writer
* Dorothy C. Stratton first director of the SPARS
* Gene Taylor, U.S. Congressman, Mississippi
* Ted Turner, businessman
* Rudy Vallee, entertainer
* Thornton Wilder, writer
* Gig Young, actor
* Elian Gonzales, Refugee
* Popeye, Cartoon character, had tattoos and uniforms signifying he was in the USCG. "Popeye the Sailor Meets Ali Baba and the Forty Thieves" shows him under a USCG sign.
[edit] Deployable Operations Group (DOG)
The Deployable Operations Group is a recently formed Coast Guard command. The DOG brings numerous existing deployable law enforcement, tactical and response units under a single command headed by a rear admiral. The planning for such a unit began after the terrorist attacks of September 11, 2001, and culminated with its formation on July 20th, 2007. The unit will contain several hundred highly trained Coast Guardsmen. Its missions will include maritime law enforcement, anti-terrorism, port security, and pollution response. Full operational capability is planned by summer 2008.[18]
[edit] Coast Guard Auxiliary
Main article: United States Coast Guard Auxiliary
The United States Coast Guard Auxiliary is the uniformed volunteer component of the United States Coast Guard, established on June 23, 1939. It works within the Coast Guard in carrying out its noncombatant and non-law enforcement missions. As of November 18, 2007 there were 30,074 active Auxiliarists. The Coast Guard has assigned primary responsibility for most recreational boating safety tasks to the Auxiliary, including public boating safety education and voluntary vessel safety checks. In recent history prior to 1997, Auxiliarists were limited to those tasks and on-water patrols supporting recreational boating safety.
In 1997, however, new legislation authorized the Auxiliary to participate in any and all Coast Guard missions except military combat and law enforcement. 33 CFR 5.31 states that: Members of the Auxiliary, when assigned to specific duties shall, unless otherwise limited by the Commandant, be vested with the same power and authority, in execution of such duties, as members of the regular Coast Guard assigned to similar duties.
Auxiliarists may support the law enforcement mission of the Coast Guard but do not directly participate in it. Auxiliarists and their vessels are not allowed to carry any weapons while serving in any Auxiliary capacity; however, they may serve as scouts, alerting regular Coast Guard units. Auxiliarists use their own vessels (i.e. boats) and aircraft, in carrying out Coast Guard missions, or apply specialized skills such as Web page design or radio watchstanding to assist the Coast Guard. When appropriately trained and qualified, they may serve upon Coast Guard vessels.
Auxiliarists undergo one of several levels of background check. For most duties, including those related to recreational boating safety, a simple identity check is sufficient. For some duties in which an Auxiliarist provides direct augmentation of Coast Guard forces, such as tasks related to port security, a more in-depth background check is required. Occasionally an Auxiliarist will need to obtain a security clearance through the Coast Guard in order to have access to classified information in the course of assigned tasking.
The basic unit of the Auxiliary is the Flotilla, which has at least 10 members and may have as many as 100. Five Flotillas in a geographical area form a Division. There are several divisions in each Coast Guard District. The Auxiliary has a leadership and management structure of elected officers, including Flotilla Commanders, Division Captains, and District Commodores, Atlantic and Pacific Area Commodores, and a national Commodore. However, legally, each Auxiliarist has the same 'rank', Auxiliarist.
In 2005, the Coast Guard transitioned to a geographical Sector organization. Correspondingly, a position of 'Sector Auxiliary Coordinator' was established. The Sector Auxiliary Coordinator is responsible for service by Auxiliarists directly to a Sector, including augmentation of Coast Guard Active Duty and Reserve forces when requested. Such augmentation is also referred to as force multiplication.
Auxiliarists wear the similar uniforms as Coast Guard officers with modified officers' insignia based on their office: the stripes on uniforms are silver, and metal insignia bear a red or blue "A" in the center. Unlike their counterparts in the Civil Air Patrol, Auxiliarists come under direct orders of the Coast Guard.
[edit] Coast Guard Reserve
Main article: United States Coast Guard Reserve
The United States Coast Guard Reserve is the military reserve force of the Coast Guard. The Coast Guard Reserve was founded on February 19, 1941. Like most military reserve units, Coast Guard reservists normally train on a schedule of one weekend a month and an additional 15 days each summer, although many work other days of the week, and often more frequently than just two days a month. Unlike the other armed services, many Coast Guard reservists possess the same training and qualifications as their active duty counterparts, and as such, can be found augmenting active duty Coast Guard units every day, rather than just serving in a unit made up exclusively of reservists.
During the Vietnam War and shortly thereafter, the Coast Guard considered abandoning the Reserve program, but the force was instead reoriented into force augmentation, where its principal focus was not just reserve operations, but to add to the readiness and mission execution of every day active duty personnel.
Since September 11, 2001, over 8,500 Reservists have been activated and served on tours of active duty. Coast Guard Port Security Units are entirely staffed with Reservists, except for five to seven active duty personnel. Additionally, most of the staffing the Coast Guard provides to Naval Coastal Warfare units are reservists.
The Reserve is managed by the Director of Reserve and Training, RDML Cynthia A. Coogan.
[edit] Medals and honors
See also: Awards and decorations of the United States military
One Coast Guardsman, Douglas Albert Munro, has earned the Medal of Honor, the highest military award of the United States.[19]
Six Coast Guardsmen have earned the Navy Cross and numerous men and women have earned the Distinguished Flying Cross.
The highest peacetime decoration awarded within the Coast Guard is the Homeland Security Distinguished Service Medal; prior to the transfer of the Coast Guard to the Department of Homeland Security, the highest peacetime decoration was the Department of Transportation Distinguished Service Medal. The highest unit award available is the Presidential Unit Citation.
In wartime, members of the Coast Guard are eligible to receive the U.S. Navy version of the Medal of Honor. A Coast Guard Medal of Honor is authorized but has not yet been developed or issued.
In May 2006, at the Change of Command ceremony when Admiral Thad Allen took over as Commandant, President George W. Bush awarded the entire Coast Guard, including the Coast Guard Auxiliary, the Coast Guard Presidential Unit Citation with hurricane device, for its efforts after Hurricane Katrina.
[edit] Organizations
[edit] Ancient Order of the Pterodactyl
Those who have piloted or flown in U.S. Coast Guard aircraft under official flight orders may join the Ancient Order of the Pterodactyl ("Flying Since the World was Flat").
[edit] USCGA Alumni Association
The United States Coast Guard Academy Alumni Association is devoted to providing service to and promoting fellowship among all U.S. Coast Guard Academy alumni and members of the Association.
Membership Types: Academy graduates and those who have attended the Academy are eligible for Regular membership; all others interested in the Academy and its Corps of Cadets are eligible for Associate membership. (Website)
[edit] Coast Guard CW Operators Association
The Coast Guard CW Operators Association (CGCWOA) is a membership organization comprised primarily of former members of the United States Coast Guard who held the enlisted rating of Radioman (RM) or Telecommunications Specialist (TC), and who employed International Morse Code (CW) in their routine communications duties on Coast Guard cutters and at shore stations. (Website)
[edit] Popular culture
The Coast Guard has been featured in several television series, such as Baywatch, CSI: Miami, and Deadliest Catch; and in film. A comedy, Onionhead, portrayed Andy Griffith as a Coast Guard recruit. The 2000 film The Perfect Storm depicted the rescue operations of the USCGC Tamaroa (WMEC-166) as one of its subplots. Special Counter-Drugs helicopters known as HITRONs are seen in action on Bad Boys II. In the 2005 family comedy Yours, Mine, and Ours, Dennis Quaid plays a fictional U.S. Coast Guard Academy superintendent who marries a character played by Rene Russo and together have 18 children. The 2006 film The Guardian, starring Kevin Costner and Ashton Kutcher, was based on the training and operation of Coast Guard Rescue Swimmers. Additionally, a Coast Guard cutter and its commander and crew figured prominently in Tom Clancy's book Clear and Present Danger.
Tashilhunpo Monastery (Tibetan: བཀྲ་ཤིས་ལྷུན་པོ་), founded in 1447 by Gendun Drup, the First Dalai Lama, is a historic and culturally important monastery next to Shigatse, the second-largest city in Tibet.
It was sacked when the Gurkhas invaded Tibet and captured Shigatse in 1791 before a combined Tibetan and Chinese army drove them back as far as the outskirts of Kathmandu, when they were forced to agree to keep the peace in future, pay tribute every five years, and return what they had looted from Tashilhunpo.
The monastery is the traditional seat of successive Panchen Lamas, the second highest ranking tulku lineage in the Gelukpa tradition. The "Tashi" or Panchen Lama had temporal power over three small districts, though not over the town of Shigatse itself, which was administered by a dzongpön (prefect) appointed from Lhasa.
Located on a hill in the center of the city, the full name in Tibetan of the monastery means: "all fortune and happiness gathered here" or "heap of glory".
Fortunately, although two-thirds of the buildings were destroyed during the Cultural Revolution, they were mainly the residences for the 4,000 monks and the monastery itself was not as extensively damaged as most other monasteries in Tibet, for it was the seat of the Panchen Lama who remained in Chinese-controlled territory.
Berlin boasts two zoological gardens, a consequence of decades of political and administrative division of the city. The older one, called Zoo Berlin, founded in 1844, is situated in what is now called the "City West". It is the most species-rich zoo worldwide. The other one, called Tierpark Berlin ("Animal Park"), was established on the long abandoned premises of Friedrichsfelde Manor Park in the eastern borough of Lichtenberg, in 1954. Covering 160 ha, it is the largest landcape zoo in Europe.
Rund 15 Prozent der Erdoberfläche werden von Savannen bedeckt. Damit gehören sie zu den größten und wichtigsten Lebensräumen des Planeten. Seit dem 26. Mai 2023 wird Besucher*innen im Tierpark Berlin ein Einblick in diese faszinierende Landschaft gewährt und sie können mehr über die unterschiedlichen Bewohner der ostafrikanischen Savanne und ihren natürlichen Lebensraum erfahren.
Ein wahrer Höhepunkt der neuen Tierpark-Savanne ist der 120 Meter lange Giraffenpfad: Hier werden die Gäste den bis zu fünf Meter hohen Grazien der Savanne zukünftig auf Augenhöhe begegnen können – wer sich traut, bahnt sich den Weg durch den Wald bis zu den Aussichtsplattformen über eine abenteuerliche Hängebrücke. Der Tierpark Berlin erreicht mit der Eröffnung der Afrikanischen Savannenlandschaft ein neues Etappenziel auf seinem Weg zu einem Zoo der Zukunft. Seit knapp neun Jahren wird der 1955 gegründete und 160 Hektar große Tierpark Berlin zu einem naturnahen Geozoo umgebaut. Um einen Einblick in den Lebensraum der einzelnen Tierarten und deren Interaktionen, Besonderheiten und Problematiken zu ermöglichen, werden die Tiere im Tierpark größtenteils nach geografischen Gesichtspunkten zu sehen sein.
de/de/aktuelles/alle-news/artikel/wil...
Around 15 per cent of the earth's surface is covered by savannahs. This makes them one of the largest and most important habitats on the planet. Since 26 May 2023, visitors to Tierpark Berlin have been given an insight into this fascinating landscape and can learn more about the different inhabitants of the East African savannah and their natural habitat.
A true highlight of the new zoo savannah is the 120-metre-long giraffe trail: here, guests will be able to meet the up to five-metre-high graces of the savannah at eye level in future - those who dare will make their way through the forest to the viewing platforms via an adventurous suspension bridge. With the opening of the African Savannah Landscape, Tierpark Berlin has reached a new milestone on its way to becoming a zoo of the future. For almost nine years, the 160-hectare Tierpark Berlin, which was founded in 1955, has been transformed into a near-natural geozoo. In order to provide an insight into the habitat of the individual animal species and their interactions, peculiarities and problems, the animals in the zoo will largely be seen according to geographical aspects.
IF.
I'm still not 100% sure about new bratz and especially in these.
First: This is an US exclusive so I didn't have idea how to order it. Second: blond doll (lavander eyes) with normal skin or black hair doll (lavender eyes) with lighter skin?
I've seen real pictures of these and they are way too different from these pictures on the site. This is for me a shame, since the faces of prototypes are way better. Really.
Plus, the lipsticks are different for each hair-skin color girl.
I would prefer the dark haired combo (lighter skin tone and better lipstick color) , but I just love lighter hair.
For now, my "idea" is to probably get a dark haired one (with more cold pink lips and lavender eyes) and in future commission a reroot with a strawberry blond saran hair.. What a stress.
And probably an endless thing.
Love the outfits.. Really love them and the fact I pick them is more special.. Indecision..
MODEL: Steph
HAIR/MAKE-UP/COSTUMING/SET/POST PRODUCTION: me
Overview
Steph, hands photo shoot.
The set, the hands…
This set is very important for the meaning of the photograph and a lot of thought has gone into how it would be created. The cube symbolizes being surrounded and being stuck in a certain situation. I have constructed the set very carefully and the end photograph gives the illusion of a 3D, showing how feelings are realistic, and emphasizing of the idea, feeling and illusion of being surrounded.
I originally wanted to stick white latex gloves all over the walls inside the box, but for many reasons it would have been ineffective, such as; the cost for purchasing many gloves, would have been very expensive- due to the fact I would have to of had enough to cover 5 square meters of area, adhesives such as: blue tack and tapes would have been ineffective and weak in holding such a surface to the vertical walls and ceiling, there wouldn’t have been much texture to the walls because all the white would have blended together and form one cohesive mass and I wouldn’t know if the walls would have held it for an entire photo shoot and the time to construct the set would have been unimaginable…
I knew I wanted to do something with hands and I later came up with the idea of using a photocopier and photocopying my hands as the design for inside the cube. It also seemed to be more environmentally friendly than using latex gloves because paper can be easily recycled. Also there was little cost involved, I could use blue tack to stick the paper to the walls securely, there isn’t much mess involved and it only took me about 3-4 hours to photocopy my hands and complete the set.
I have been fascinated with the idea of using hands for a photo shoot because I like how they can be posed in many ways to give different meanings, messages and symbols.
This also seemed ideal for my theme and ideas for my photo shoot in showing the inner feelings of teenagers.
With reading and understanding my message for the need to create such a set, so when photocopying my hands, the poses I did were crucial- they all had to be different and show the idea of trying to harm and to get to whatever what in the box, the poses had to be aggressive and angry looking.
I also really liked the contrast of the white hands to the black background- this also showed the important detail of the positive space what you can see: the hands and how they were trying to get into the box, to the person in it and made the negative space: the black area looks dark as though to think ‘what else is out there?’, and to reveal that there is the unknown
When sticking the hands to the wall, I had the choice of sticking them anywhere and everywhere or neatly in a pattern or an order. I chose to do them in a pattern, not only to save paper but to add to the meaning of the set. To just stick them all over the place would still have meaning to it- how people can attack from any direction any where, but I feel that the meaning of the contrast between the black and white was like ‘good vs evil’ and normally when two sides confront in a battle there is an order of event and who goes first- like in a game of chest which also incorporates the these shades. The pattern of the paper is of a brick laying pattern which demonstrates the foundation of the ‘attacking’ on the victim in levels, that it keeps building up and up, until it consumes you- thus being in a box and the wall are covered in this pattern.
The message…
I wanted to show symbolic and surreal pictures showing inside an emotionally unstable, victimized and bullied persons head and telling how some people can’t even find comfort inside them self to escape from the world, how it feels like that some ‘things’ and people just never go away; like your in a small dark enclosed room thinking your safe and suddenly you realize that your not alone, and you cant see the objects of words and abuse attacking you again, no matter how much you try to adapt, change yourself, ignore them they are still there, trying to get to you and destroy you.
I must admit this idea seems very negative in how I have wrote about it, but I want people to understand my messages as clear as possible, I want people to understand how some people can feel, and to open eyes to these predators who are looked upon with fear and the act of conformity, to avoid being the victim.
I feel that there is hope to be found in certain understandings, not from my picture as such, but from the viewer; to see it, and to then think about it and realize what not to be and what not to let happen to cause a reform in society where there is no need to for suicide, self harm, bad thoughts for ones self or others or anything of this nature which is primarily caused by that persons environment- ‘others’, these others who aim to torture drive one insane, insane to a breaking point, where you think ‘maybe there right, I don’t belong’ and then you become what you fear most, you become your own enemy.
I also have more meanings into this set/photoshoot which are more subtle but are there. It also displays how people having expectations of you, wanting to control you and your life, you not being able to make your own decisions freely and peacefully and the feeling that everyone is watching you wanting and waiting for you to fail and screw up. A lot of my inspiration for this photo shoot comes from myself and my understanding of the lyrics of the Linkin Park song ‘;Paper cut’, the lyrics and my feeling about them can be found in my inspiration near to start of my folio.
The model…
I used a family friend, Steph for this photoshoot. She is nine years old, a very shy girl and a very nice person. I used her not only because she was photogenic but because she is young and she worked with me very well to get a range of expressions and poses. When you’re young you have a silliness and immaturity where you can get into a range of moods, but with her shyness it took her a while to let loose but having fun and really mucking around and making faces really helped her adapt into a range of characters which was necessary for my aim.
This was the second photoshoot I had done with her. The first one she was very shy, it was hard for her to feel comfortable, she seemed scared that I was mocking her by having her pose, but she then learned to trust me and I tried to make her have as much fun and be as comfortable as possible. The first photoshoot she had never done anything like that before and when I asked to do another photoshoot with me she was more comfortable, excited, and understood what to do and enjoyed herself through the photoshoot.
The hair…
I instantly wanted to do her hair big and teased, to give her a crazy unstable look, and to associate her with looking like she is going insane, that she isn’t normal like every one else, that she is unstable and out of control-like her hair. And I also wanted to cover as much space negative space in the cube as possible, so by having the hair big, it took up more area.
The make-up…
For the make-up I wanted something dramatic and dark to contrast with her white clothes, so put heavy black eyes make-up around her eyes and then smudged it with water so it looked like she had been crying. I really liked the make-up especially how it makes her look like she had been crying.
The clothes and costume…
I had done the set the day before Steph was to come over for the photoshoot and she wanted to know what clothes to bring. I thought that white would have been the most appropriate due to the large amount of black in the box. Also I think the white outfit works best because white is seen to be a shade which symbolizes innocent and good and black is the opposite, the contrast of white and black displays the fight between those good and those bad, Steph as a good person trying to be corrupted by bad people- the black darkness around the hands- demonstrates the unknown possibilities of what the future brings and what she is install for, for no one can see the future.
Also for the costume the white gloves on her hands are an important aspect which helps link her to the set and give an important meaning.
The gloves question the person/victim(Steph), about their intention, and reveal what she is escaping from: people. The white gloves contrast to the white hands in the direction they are going. I made sure that when I was photo coping my hands that it was only my palms facing down wards on the scanner, and not showing the back of my hands- it contrast because Steph is unable, and its impossible for her to be on the same side of the wall on the side of the hands who are trying to attack her, the only direction she can put her hands is against the ones on the walls- which shows hope and courage, that she can over come this and strive for better turns in the future- that good can over come evil.
Also the hands on the wall can be seen as ‘fake’, copies, followers and symbolize conformity in their repletion and 2D form, where as Steph white gloves are realistic, are a real objects, individual, 3D and you can see who they belong to.
Lighting
For lighting I used natural light and flash light. Klieg light was an idea to trial but I didn’t have access to it at the time of the photo shoot.
With using natural light that meant that I had to turn off the flash off on the digital camera which seemed to affect the quality of the images in that it made them blurry and distorted, I haven’t incorporated many of these photos in my folio due to this, but if I had, it was because I really liked the composition of the photo and that I will try to see if I can fix them with photoshop later down the track.
Flash light seemed to be the best because natural light couldn’t get all the way into the cube because of it’s depth and angle of lighting during the time of day of the photoshoot, but the flash seemed to be able to help this and get into the box to lighten it up as well as the model when I took a picture.
The first day of our holiday in Port de Sóller, Mallorca. After 6 holidays here, I think it's safe to say we know the place inside out and will probably move on to pastures new when visiting the island in future.
Here's my official return to castle!
Among all of my recent MOC-ing, I have been devoting a measure of my time to working on a side project that has been important to me for a very long while. Over the past few months I have been revitalizing and renovating my medieval collection. It's been a slow and costly process, but I am starting to see some very pleasing results.
My goal with this project is to create a set of interlocking 1' x 1' base plates that represent different scenes and locations from Willowstone, my medieval fantasy kingdom. (Because these plates are supposed to be interlocking, you will notice that they look rough around the edges.) A series of small dirt paths will link all of the locations together. In some cases, these paths are made to link up in a series of different combinations that will allow me to experiment with different display configurations. Ultimately my plan is to create quite a few of these over the next year or so, and aside from displaying them I will use them as set pieces to tell small stories from the Kingdom of Willowstone.
This first little scene is merely a generic little pastoral scene. The wind mill is mostly the official design from set 7189. I have a variety of original structures that will be displayed in future MOCs; however, I also plan to revamp existing sets as well. On the windmill, I added a few of my own "fixes" most notably the thatched roof. I am also very happy with the design of my medieval scarecrow. The tree design is a favorite of mine as well, and I have incorporated it into other medieval scenes recently.
This is a big project, and I hope you will all enjoy watching it grow as much as I've enjoyed building it. :D
Comments and advice are always welcome!
Just a random photo with trans ac8's . Tell me how to improve the white guy, I might use him in future moc's.
Maybe just a dusting of snow but on 10/9/17 weathermen were predicting 14 inches of snow anywhere 7,000 feet and about. See later when I took photos coming back through in future photos.
In April 2015 the HARPS laser frequency comb was installed on the HARPS planet-finding instrument on the ESO 3.6-metre telescope at the La Silla Observatory in Chile after completion of an intense first commissioning phase. The increase in accuracy made possible by this new installation should in future allow HARPS to be able to detect Earth-mass planets in Earth-like orbits around other stars for the first time.
This picture shows a HARPS spectrum of the light from the two laser frequency combs that that were tested.
More information: www.eso.org/public/images/ann15037a/
Credit:
ESO
I want to make more use of the Cityzen drawing in future uploads, but for now here's Cymru Coaches AIG 7943 that I prioritised for harrycur17. After that will be the Yourbus MMC and the Mellor/Sprinter, and then I'll stick to recolours for a bit with no new drawings, for reasons that exist.
The stars on this were tedious to add. Very tedious indeed.
The Walker Dam – Its Past, Present and Future
28 years I have lived in Aberdeen, never knowing this beautiful piece of land was less than a 15 minute drive through the city centre from my home.
I visited today 3rd May 2018, and walked the whole area taking photos of everything that lured me, on my walk I saw herrons, mandarin ducks , mallards etc, it was a joy.
The weather was overcast though warm and bright, I will revisit in the summer on a golden day to get the best of this beautiful area of Aberdeen.
The Walker Dam, with which many Aberdeen citizens are so familiar, is only a fraction of the size it was when - in the 1830s - it was constructed in accordance with the plans drawn by
Aberdeen’s first City Architect, John Smith.
From the second quarter of the 19th century to the early 20th century the dam was a deep and massive body of water which extended from its present location, eastward, to Springfield Road – then called Walker Dam Road – where its sluice gate would have been opened at the beginning of the working day to allow water to rush through a culvert under the road, then south-east through a deep man-made channel (which is still evident today) to feed the steam condensing ponds of the Rubislaw Bleachfield, the property Richards and Company, textile manufacturers.
Today this treasured green space is one of Aberdeen City Council's 'Local Nature Conservation Sites', the 'Walker Dam and Rubislaw Link', which is a 3.9 kilometre walk along
a series of connected paths and streets. Popular with dog walkers, joggers and ramblers, the future of this valuable charming landscaped area with its semi-natural habitats, has been secured by the initiatives and work of 'Friends of Walker Dam' who are registered with 'Keep Scotland Beautiful' - a Scottish environment charity – which, independent of governmental finance and influence, is committed to the improvement of people’s lives and the places they care for.
The Friends of Walker Dam work in partnership with Aberdeen City Council to deliver the standards of maintenance and the plans for future improvements to this amenity site.
Mr Allan Davidson, Treasurer of Craigiebuckler and Seafield Community Council who is also a member of Friends of Walker Dam, has frequent meetings with the City Council's Environment Manager.
Those meetings have been very productive and improvements to the site have already been achieved.
For example, there has been a clean-up of the Dam and the
burn which flows into it; improvements have also been made to the path on the South bank of the dam, which is part of Aberdeen's core path system. The Walker Dam sign has also
been repainted.
In the near future, a bridge will be constructed at the East bank of the dam to connect its North and South banks - thus making both banks accessible for the enjoyment of visitors to
the dam. This significant infrastructural improvement has been made possible by a final act of generosity by Aberdeen Greenspace Trust. Local Councillor Martin Greig is a member of Greenspace and worked to ensure a donation of £8000 from the Trust towards the upgrade of the Walker Dam which includes the construction of the bridge, new benches, bins and various paths and tree works. A further enhancement in the area is a community notice
board.
Thanks to the Friends of Walker Dam, Aberdeen City Council, Aberdeen Greenspace Trust and the work of many volunteers, we have much to look forward to.
Walker Dam is located within the former Royal Forest of Stocket, part of the Freedom Lands gifted by Robert I to the burgh (recorded in a charter of 1319). Now it is in the modern
Burnieboozle estate, part of the larger Craigiebuckler estate, which was sparsely populated countryside until the 1950s, when major housing development began in that area.
Walker Dam is bounded by Springfield Road (which replaced a roadway called Walker Dam Road) to the east and Woodburn Gardens to the north.
The dam is fed by the Holburn (‘Burn of the Howe’), which has two head waters, the northern and greater one coming from Hazlehead and through Walker Dam.
The section entering Walker Dam is the West Burn of Rubislaw. The two head streams of the Holburn joined together between Rubislaw Quarry and Springbank Cemetery, and this united stream fed the steamcondensing
ponds at Rubislaw Bleachfield before flowing eastward together as far as Hartington Road, where they separate.
The south branch, the original burn, crossed Union Grove and passed under the old Holburn Bridge, while the north branch, an artificial mill-lead, went to the Upper and Lower Justice Mills.
As a consequence, Walker Dam was at one time closely associated with the city’s milling operations and, especially, with textile manufacturing. In the nineteenth century it was a resource integral to the firm once called Maberly’s (established between 1808 and 1811) and later Richards, which had the Broadford Works on Maberly Street and which was
the principal user of the bleachfields. An 1866-67 Ordnance Survey description of Walker Dam gives it as ‘a very large dam built by the proprietors of the Rubislaw Bleach Field for their own use.’
Bleachfields were a development of the eighteenth century Scottish textile and thread industries. The first bleachfield in Scotland was established in the late 1720s as an alternative to
either small, burnside bleaching operations which were of variable quality, or sending the unbleached cloth to England, Ireland or Holland for treatment.
In March 1801, the lands of Springfield were offered for sale. They were described as comprising about 63 acres, ‘inclosed and subdivided’, and held feu of ‘the Community of Aberdeen’ at the annual feu-duty of £2 14s 2d sterling. A large house was included in the sale, and it was noted that ‘the dam for the Justice-mills is situated within this property, and the millburn
passes thro’ it, by which considerable benefit may be derived by a purchaser.’
In 1833 Aberdeen Town Council agreed to have Walker Dam cleaned out and deepened, in partnership with Messrs Richards and Company, manufacturers in Aberdeen.
Richards was the instigator of the plan, to which the Council agreed because the work was expected to be ‘highly
beneficial to the Upper and Nether Justice Mills by affording them an additional supply of water,’ and authorised it providing that the Town’s share of the costs would not exceed £20; the work would be executed under the sole charge of John Smith, Town Superintendant; and Richards, which must not spend less than the Council on the project, should not use this as a means of claiming any right over Walker Dam in future.
In 1837, Richards proposed to the Council that Walker Dam should be excavated and extended, citing an 1829 agreement to this effect between the Town and Messrs Maberly and Company, the previous owners of the manufacturing works now operated by Richards (Maberley’s folded in 1832).
Richards sought a lease of the dam water at a fixed rent once the work had been completed.
The Council remitted consideration of this to a committee previously established to look at a proposal to move Justice Mill Dam westwards to Rubislaw. Early in 1839, the Council
approved the recommendation of this committee that Walker Dam should be excavated and enlarged so that it would hold an additional 700,000 cubic feet of water, again on the grounds that it would provide a more reliable source of water for the town’s mills, especially in the dry
season.
The new capacity of the dam was expected to be more than adequate for the needs of the mills. The estimated cost of the works at this stage was £360: should the eventual cost exceed £400, Richards was to pay the excess.
The company was also to pay the Council £75 a year for its
lease of the water, and would be responsible for repair and maintenance of the extended dam, to the satisfaction of the Town, during the life of its lease. (Richards continued to own rights over the water for several decades.)
After further negotiations, a Council meeting of 15 April 1839 approved implementation of the project and authorised the Town Treasurer to enter into a contract with Richards and Co.
Work included the construction of a spillwater tunnel and breast mound for the dam extension,with additional dykes and the installation of a new cast-iron tunnel pipe and sluice.
The plans,drawings and a detailed specification produced by the Council formed the basis of the contract, signed on 17 April 1839.
The revised estimate of costs based on the plans drawn up by the Town considerably exceeded the original £400 anticipated; the Council minutes do not record the new estimate but note that Richards offered to pay the full amount, on the basis that Richards would receive the original £400 from the Town once the work was completed.
The Council had earlier noted that implementation of the project would require the purchase of an adjacent piece
of land owned by Alexander Bannerman and instructed that he should be approached to sell part
of his property near Springfield
The necessary land was obtained from Bannerman at a feu-duty of £20, recorded in a feu charter of 19 April 1839.
On 1 August 1860, the lands and estates of Craigiebuckler and Burnieboozle, including Walker Dam, were offered for sale by public roup, as part of the sequestrated estate of John Blaikie,
advocate. (John Blaikie went to Spain in 1860, following the collapse of his business and financial ruin. He was a son of James Blaikie of Craigiebuckler, Provost of Aberdeen from 1833 to 1835.) Walker Dam is described in the sale notice as ‘an Ornamental Sheet of Water, from which there is an yearly Revenue of £20 sterling from the Town of Aberdeen’.
The estates evidently failed to sell at the advertised ‘upset price’ (the lowest price consistent with the valuation of a property) of at £5,771 2s 6d, since the estate of Burnieboozle, within which Walker Dam is situated, was again offered for sale on 3 September 1860, now at £5,500, with neighbouring lands at Springfield for sale separately.18 Again it failed to realise this amount and was offered for sale on 5 October 1860 at the further reduced upset price of £5,200.19.
At some point after this date it was purchased by John Stewart, Esq.
The lands of Burnieboozle and Walkerhill were once again offered for sale in August 1865, with Walker Dam included - the sale notice mentions the annual feu-duty of £20 paid by the Town Council on it.20 In early September, the Aberdeen Journal reported that ‘The estates of Craigiebuckler, Burnieboozle, Walkerhill, and others, lately belonging to John Stewart, Esq., were on Friday purchased for the sum of £31,500 by Lauchlan McKinnon, junior, advocate, on behalf
of John Cardno Couper, Esq., lately of Whampoa, China.’ (Whampoa is now usually known as Classifed advertisement inviting tenders for the work, The Aberdeen Journal, 30 Jan 1839.
urgh, had served as an apprentice in the Aberdeen shipbuilding
firm of Alexander Hall and Co. before going to Hong Kong and working with his father in their
own highly successful ship-building and repairing company. By the time he returned to Aberdeen
in the 1860s, he had amassed a fortune. He was involved in a number of Aberdeen business
enterprises and in the Church of Scotland. Couper gave a portion of land close to Walker Dam to
be the site of Craigiebuckler Church, built in 1883, of which he was an elder. He died in January
1902 at the age of 82. His son, Lieutenant-Colonel John Cardno Ogston Couper (1st Highland
Brigade), succeeded to the property but died at the age of 48 in 1913. His widow and two young
children remained at Craigiebuckler; his daughter, Florence, went on to marry the ministe
Dr S. Marshall, 2014
The Council’s Finance Committee visited the dam in the aftermath of the tragic incident and
agreed to recommend the repair of the surrounding walls. They also instructed that information
boards should be erected at the site warning of the dangers. During this site visit, one of the
councillors slipped by the side of the stream entering the dam, and fell into the mud. It is not
clear if the children had similarly slipped and landed in the water, or if they had intended to enter
it.
The future of Walker Dam was the subject of two proposals of 1933. Council minutes of 4 December that year record that Aberdeen Land Association intended to donate to the Council the wooded den lying between Johnston House on Springfield Road and Viewfield Road, on condition the den should be maintained by the local authority as an open space and that the Council pay half the cost of a proposed road to be built along the west boundary of the property.
The Council formally accepted this proposal in January of 1934.26.
Also in December 1933, the City Engineer, Thomas F. Henderson, wrote to the Council’s Streets and Works Committee, which was then looking at the widening of Springfield Road and the layout and construction of a new road between it and Queen’s Road. Henderson asked the
committee to consider the future use of the Council-owned Walker Dam at the same time.
According to Henderson: ‘This dam is formed on a burn which rises in the grounds of Hazlehead and flows through the dam and joins the West Burn of Rubislaw at a point south-east of
Kepplestone Nursing Home and later forms what is known as the Ferryhill Burn.’
On 12 July that year, very heavy rainfall had flooded the electricity works and caused damage to property in
Crown Street and Ferryhill Terrace. To prevent further flooding, the water was run out of the dam on 1 September and although here had been no heavy rain since then, ‘we know that, by controlling the flow at the outlet of the dam we can reduce the risk of flooding in the lower parts
very considerably.
‘In conjunction with the Superintendant of Parks, I have prepared a plan showing how the Walker Dam could be laid out as a pleasure ground where the public could leave Springfield Road and walk through the gardens on to the grounds of Hazlehead.
The superintendant of parks is of the opinion that during storm periods the gardens could be flooded without doing much damage to the grass or plants. As the Dam is the property of the Common Good, I would suggest that the sub-committee confer with the Finance Committee and Town Planning Committee and submit a report.’
The next meeting of full Council on 3 January 1934 agreed that the committee should investigate further, though it also wanted the remarks of the Superintendant of Parks about flooding not doing damage to the proposed gardens to be deleted. Also presented to the Council at the same
meeting was a letter to the Town Clerk from Professor James Ritchie of the University of Aberdeen, suggesting the Council should consider making Walker Dam a bird sanctuary. This
was remitted to Streets and Works Committee for consideration. (The two schemes were possibly
not wholly compatible - some residents opposed turning the site into a pleasure park on the grounds that it would interfere with the natural beauty and the birdlife of the site.)
It seems that these two proposals had been prompted by the threat of the dam being filled in or otherwise scrapped: two days after the Council meeting, a reader’s letter to the
Aberdeen Journal urged that the dam should be improved and made safe for children rather than ‘done away with’.
The writer suggested that a low wall could be built around it, ‘made from the old dykes that have been pulled down in the vicinity’. Whatever enclosure was erected in 1911 after the drowning incident had evidently not endured.
The same edition of the paper published an old photograph of the dam ‘before it was drained’.
This remark referred to the decision to run off the water in the dam the previous year, to obviate flood damage to the surroundings. However, doing so had created other problems – correspondents to the Aberdeen Journal in 1934 complained about the condition of the dam as ‘an evil-smelling mudhole’ and ‘horrible looking and stinking’, especially during hot weather, and recommended that the Medical Officer of Health should investigate.
Whatever schemes were mooted for the dam, they took a considerable time to be implemented.
The better part of two years later, a short Bon-Accord article of October 1935 reports work being undertaken to transform Walker Dam, ‘from its present wild state’.
From the mid-1940s and during the 1950s, Stewart Construction (Aberdeen) Ltd., which was by then the heritable proprietor of the Craigiebuckler estate, built several housing developments on the land around Walker Dam.29
The minute of a meeting of the Links and Parks Committee of Aberdeen Town Council, held on 24 August 1964, notes that the committee considered a report by the Director of Parks and agreed the recommendation that the Council lay out an amenity area on ground lying to the south of the woodlands at Walker Dam extending to c. 0.75 of an acre. This was one of three proposed (and agreed) amenity areas to be created in the vicinity and included in the report, the others being a
strip of ground on the south side of Hazledene Road (c. 0.4 acre), and two strips of ground adjoining Craigiebuckler Avenue (c. 3,150 square yards).
The total estimated cost is given as £1,470.30
By this time Walker Dam had become home to a community of swans. The Press & Journal reported that the Links and Parks Committee of 30 September 1964 considered a letter from the
Aberdeen Association for the Prevention of Cruelty to Animals, requesting the committee ban fishing in Walker Dam, so as to protect the swans living on it. The committee recommended no action.
This was the second attempt by the association to have fishing banned: it had submitted a similar request at the previous meeting. The renewal of the request was prompted by the discovery of a cygnet badly injured by a fishing hook and line.
Walker Dam is no longer a swan habitat, but they were a popular feature of Walker Dam for many years. When Walker Dam Infant School opened in 1966, it adopted the emblem of swans on water as its school badge. (The swans have also inspired the song, ‘Walker Dam’, by Aberdeen singer-songwriter Bob Knight.)
A Springfield resident, Mrs Nanette Grieve, had left the Council a bequest on her death in 1955 to
fund the services of a warden to protect them.
At times, much effort was put into ensuring this protection: the Evening Express in 1972 reported that the Council had mounted a vigil of ‘almost Loch Garten proportions’ to see that swan eggs made it to hatching. In previous years eggs had
been stolen or lost due to flooding.
As this suggests, the problem of flooding at Walker Dam, highlighted by the City Engineer in 1933, was still an issue over thirty years later.
In 1965, the Evening Express published ‘before and after’ photographs of the flooded area: the latter image shows Council parks and recreation staff laying out grounds and planting shrubs and other flora capable of surviving immersion for a Craigiebuckler Chartulery (Charter Register of Craigiebuckler, 1958-1959), CA/4/21 in Records of the Royal Burgh and City of Aberdeen, Aberdeen City Archives.
The newspaper also reported that the works were to include provision for the dam water to be diverted at times into a burn, so relieving the pressure and reducing the silting that had caused flooding problems in the past.
A 1969 article in the Aberdeen Press & Journal refers
to Walker Dam being a body of water ‘shaped and even bottomed by the combined operations of the Aberdeen Corporation Cleansing and Links & Parks Departments,’ and to a plan by Links & Parks to provide an amenity walk or nature trail along the course from Johnston Gardens to Hazlehead, via Walker Dam.
Today (2014) Walker Dam (with Rubislaw Link) is a 3.38 hectare Local Nature Conservation Site, run by Aberdeen City Council’s Countryside Ranger Service.33 Comprising a mix of open water, landscaped areas and semi-natural habitats, with a footpath running through it, Walker Dam is animportant recreational and educational resource, being one of the few larger bodies of water in the city.
Well tonight revision for a chemistry mock got in the way of photo taking and means it’s just a quickie. I seemed to get lucky with this one but I doubt quickies will be anywhere near as decent as this in future.
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Cape Apostolos Andreas (Greek: Ακρωτήριο Αποστόλου Ανδρέα, "Cape Saint Andrew"; Turkish: Zafer Burnu, "Cape Victory") is the north-easternmost point (promontory) of the Mediterranean island of Cyprus (35°41.70′N 34°35.20′E). It lies at the tip of the finger-like Karpass Peninsula.
The Apostolos Andreas Monastery is located 5 km southwest of the promontory itself.
The city of Latakia in Syria is located about 68 miles (109 km) to the east.
Herodotus mentions it as "Keys of Cyprus", where the Phoenicians were sailing with their ships in a war between Darius I and the Ionians.
Northern Cyprus, officially the Turkish Republic of Northern Cyprus (TRNC), is a de facto state that comprises the northeastern portion of the island of Cyprus. It is recognised only by Turkey, and its territory is considered by all other states to be part of the Republic of Cyprus.
Northern Cyprus extends from the tip of the Karpass Peninsula in the northeast to Morphou Bay, Cape Kormakitis and its westernmost point, the Kokkina exclave in the west. Its southernmost point is the village of Louroujina. A buffer zone under the control of the United Nations stretches between Northern Cyprus and the rest of the island and divides Nicosia, the island's largest city and capital of both sides.
A coup d'état in 1974, performed as part of an attempt to annex the island to Greece, prompted the Turkish invasion of Cyprus. This resulted in the eviction of much of the north's Greek Cypriot population, the flight of Turkish Cypriots from the south, and the partitioning of the island, leading to a unilateral declaration of independence by the north in 1983. Due to its lack of recognition, Northern Cyprus is heavily dependent on Turkey for economic, political and military support.
Attempts to reach a solution to the Cyprus dispute have been unsuccessful. The Turkish Army maintains a large force in Northern Cyprus with the support and approval of the TRNC government, while the Republic of Cyprus, the European Union as a whole, and the international community regard it as an occupation force. This military presence has been denounced in several United Nations Security Council resolutions.
Northern Cyprus is a semi-presidential, democratic republic with a cultural heritage incorporating various influences and an economy that is dominated by the services sector. The economy has seen growth through the 2000s and 2010s, with the GNP per capita more than tripling in the 2000s, but is held back by an international embargo due to the official closure of the ports in Northern Cyprus by the Republic of Cyprus. The official language is Turkish, with a distinct local dialect being spoken. The vast majority of the population consists of Sunni Muslims, while religious attitudes are mostly moderate and secular. Northern Cyprus is an observer state of ECO and OIC under the name "Turkish Cypriot State", PACE under the name "Turkish Cypriot Community", and Organization of Turkic States with its own name.
Several distinct periods of Cypriot intercommunal violence involving the two main ethnic communities, Greek Cypriots and Turkish Cypriots, marked mid-20th century Cyprus. These included the Cyprus Emergency of 1955–59 during British rule, the post-independence Cyprus crisis of 1963–64, and the Cyprus crisis of 1967. Hostilities culminated in the 1974 de facto division of the island along the Green Line following the Turkish invasion of Cyprus. The region has been relatively peaceful since then, but the Cyprus dispute has continued, with various attempts to solve it diplomatically having been generally unsuccessful.
Cyprus, an island lying in the eastern Mediterranean, hosted a population of Greeks and Turks (four-fifths and one-fifth, respectively), who lived under British rule in the late nineteenth-century and the first half of the twentieth-century. Christian Orthodox Church of Cyprus played a prominent political role among the Greek Cypriot community, a privilege that it acquired during the Ottoman Empire with the employment of the millet system, which gave the archbishop an unofficial ethnarch status.
The repeated rejections by the British of Greek Cypriot demands for enosis, union with Greece, led to armed resistance, organised by the National Organization of Cypriot Struggle, or EOKA. EOKA, led by the Greek-Cypriot commander George Grivas, systematically targeted British colonial authorities. One of the effects of EOKA's campaign was to alter the Turkish position from demanding full reincorporation into Turkey to a demand for taksim (partition). EOKA's mission and activities caused a "Cretan syndrome" (see Turkish Resistance Organisation) within the Turkish Cypriot community, as its members feared that they would be forced to leave the island in such a case as had been the case with Cretan Turks. As such, they preferred the continuation of British colonial rule and then taksim, the division of the island. Due to the Turkish Cypriots' support for the British, EOKA's leader, Georgios Grivas, declared them to be enemies. The fact that the Turks were a minority was, according to Nihat Erim, to be addressed by the transfer of thousands of Turks from mainland Turkey so that Greek Cypriots would cease to be the majority. When Erim visited Cyprus as the Turkish representative, he was advised by Field Marshal Sir John Harding, the then Governor of Cyprus, that Turkey should send educated Turks to settle in Cyprus.
Turkey actively promoted the idea that on the island of Cyprus two distinctive communities existed, and sidestepped its former claim that "the people of Cyprus were all Turkish subjects". In doing so, Turkey's aim to have self-determination of two to-be equal communities in effect led to de jure partition of the island.[citation needed] This could be justified to the international community against the will of the majority Greek population of the island. Dr. Fazil Küçük in 1954 had already proposed Cyprus be divided in two at the 35° parallel.
Lindley Dan, from Notre Dame University, spotted the roots of intercommunal violence to different visions among the two communities of Cyprus (enosis for Greek Cypriots, taksim for Turkish Cypriots). Also, Lindlay wrote that "the merging of church, schools/education, and politics in divisive and nationalistic ways" had played a crucial role in creation of havoc in Cyprus' history. Attalides Michael also pointed to the opposing nationalisms as the cause of the Cyprus problem.
By the mid-1950's, the "Cyprus is Turkish" party, movement, and slogan gained force in both Cyprus and Turkey. In a 1954 editorial, Turkish Cypriot leader Dr. Fazil Kuchuk expressed the sentiment that the Turkish youth had grown up with the idea that "as soon as Great Britain leaves the island, it will be taken over by the Turks", and that "Turkey cannot tolerate otherwise". This perspective contributed to the willingness of Turkish Cypriots to align themselves with the British, who started recruiting Turkish Cypriots into the police force that patrolled Cyprus to fight EOKA, a Greek Cypriot nationalist organisation that sought to rid the island of British rule.
EOKA targeted colonial authorities, including police, but Georgios Grivas, the leader of EOKA, did not initially wish to open up a new front by fighting Turkish Cypriots and reassured them that EOKA would not harm their people. In 1956, some Turkish Cypriot policemen were killed by EOKA members and this provoked some intercommunal violence in the spring and summer, but these attacks on policemen were not motivated by the fact that they were Turkish Cypriots.
However, in January 1957, Grivas changed his policy as his forces in the mountains became increasingly pressured by the British Crown forces. In order to divert the attention of the Crown forces, EOKA members started to target Turkish Cypriot policemen intentionally in the towns, so that Turkish Cypriots would riot against the Greek Cypriots and the security forces would have to be diverted to the towns to restore order. The killing of a Turkish Cypriot policeman on 19 January, when a power station was bombed, and the injury of three others, provoked three days of intercommunal violence in Nicosia. The two communities targeted each other in reprisals, at least one Greek Cypriot was killed and the British Army was deployed in the streets. Greek Cypriot stores were burned and their neighbourhoods attacked. Following the events, the Greek Cypriot leadership spread the propaganda that the riots had merely been an act of Turkish Cypriot aggression. Such events created chaos and drove the communities apart both in Cyprus and in Turkey.
On 22 October 1957 Sir Hugh Mackintosh Foot replaced Sir John Harding as the British Governor of Cyprus. Foot suggested five to seven years of self-government before any final decision. His plan rejected both enosis and taksim. The Turkish Cypriot response to this plan was a series of anti-British demonstrations in Nicosia on 27 and 28 January 1958 rejecting the proposed plan because the plan did not include partition. The British then withdrew the plan.
In 1957, Black Gang, a Turkish Cypriot pro-taksim paramilitary organisation, was formed to patrol a Turkish Cypriot enclave, the Tahtakale district of Nicosia, against activities of EOKA. The organisation later attempted to grow into a national scale, but failed to gain public support.
By 1958, signs of dissatisfaction with the British increased on both sides, with a group of Turkish Cypriots forming Volkan (later renamed to the Turkish Resistance Organisation) paramilitary group to promote partition and the annexation of Cyprus to Turkey as dictated by the Menderes plan. Volkan initially consisted of roughly 100 members, with the stated aim of raising awareness in Turkey of the Cyprus issue and courting military training and support for Turkish Cypriot fighters from the Turkish government.
In June 1958, the British Prime Minister, Harold Macmillan, was expected to propose a plan to resolve the Cyprus issue. In light of the new development, the Turks rioted in Nicosia to promote the idea that Greek and Turkish Cypriots could not live together and therefore any plan that did not include partition would not be viable. This violence was soon followed by bombing, Greek Cypriot deaths and looting of Greek Cypriot-owned shops and houses. Greek and Turkish Cypriots started to flee mixed population villages where they were a minority in search of safety. This was effectively the beginning of the segregation of the two communities. On 7 June 1958, a bomb exploded at the entrance of the Turkish Embassy in Cyprus. Following the bombing, Turkish Cypriots looted Greek Cypriot properties. On 26 June 1984, the Turkish Cypriot leader, Rauf Denktaş, admitted on British channel ITV that the bomb was placed by the Turks themselves in order to create tension. On 9 January 1995, Rauf Denktaş repeated his claim to the famous Turkish newspaper Milliyet in Turkey.
The crisis reached a climax on 12 June 1958, when eight Greeks, out of an armed group of thirty five arrested by soldiers of the Royal Horse Guards on suspicion of preparing an attack on the Turkish quarter of Skylloura, were killed in a suspected attack by Turkish Cypriot locals, near the village of Geunyeli, having been ordered to walk back to their village of Kondemenos.
After the EOKA campaign had begun, the British government successfully began to turn the Cyprus issue from a British colonial problem into a Greek-Turkish issue. British diplomacy exerted backstage influence on the Adnan Menderes government, with the aim of making Turkey active in Cyprus. For the British, the attempt had a twofold objective. The EOKA campaign would be silenced as quickly as possible, and Turkish Cypriots would not side with Greek Cypriots against the British colonial claims over the island, which would thus remain under the British. The Turkish Cypriot leadership visited Menderes to discuss the Cyprus issue. When asked how the Turkish Cypriots should respond to the Greek Cypriot claim of enosis, Menderes replied: "You should go to the British foreign minister and request the status quo be prolonged, Cyprus to remain as a British colony". When the Turkish Cypriots visited the British Foreign Secretary and requested for Cyprus to remain a colony, he replied: "You should not be asking for colonialism at this day and age, you should be asking for Cyprus be returned to Turkey, its former owner".
As Turkish Cypriots began to look to Turkey for protection, Greek Cypriots soon understood that enosis was extremely unlikely. The Greek Cypriot leader, Archbishop Makarios III, now set independence for the island as his objective.
Britain resolved to solve the dispute by creating an independent Cyprus. In 1959, all involved parties signed the Zurich Agreements: Britain, Turkey, Greece, and the Greek and Turkish Cypriot leaders, Makarios and Dr. Fazil Kucuk, respectively. The new constitution drew heavily on the ethnic composition of the island. The President would be a Greek Cypriot, and the Vice-President a Turkish Cypriot with an equal veto. The contribution to the public service would be set at a ratio of 70:30, and the Supreme Court would consist of an equal number of judges from both communities as well as an independent judge who was not Greek, Turkish or British. The Zurich Agreements were supplemented by a number of treaties. The Treaty of Guarantee stated that secession or union with any state was forbidden, and that Greece, Turkey and Britain would be given guarantor status to intervene if that was violated. The Treaty of Alliance allowed for two small Greek and Turkish military contingents to be stationed on the island, and the Treaty of Establishment gave Britain sovereignty over two bases in Akrotiri and Dhekelia.
On 15 August 1960, the Colony of Cyprus became fully independent as the Republic of Cyprus. The new republic remained within the Commonwealth of Nations.
The new constitution brought dissatisfaction to Greek Cypriots, who felt it to be highly unjust for them for historical, demographic and contributional reasons. Although 80% of the island's population were Greek Cypriots and these indigenous people had lived on the island for thousands of years and paid 94% of taxes, the new constitution was giving the 17% of the population that was Turkish Cypriots, who paid 6% of taxes, around 30% of government jobs and 40% of national security jobs.
Within three years tensions between the two communities in administrative affairs began to show. In particular disputes over separate municipalities and taxation created a deadlock in government. A constitutional court ruled in 1963 Makarios had failed to uphold article 173 of the constitution which called for the establishment of separate municipalities for Turkish Cypriots. Makarios subsequently declared his intention to ignore the judgement, resulting in the West German judge resigning from his position. Makarios proposed thirteen amendments to the constitution, which would have had the effect of resolving most of the issues in the Greek Cypriot favour. Under the proposals, the President and Vice-President would lose their veto, the separate municipalities as sought after by the Turkish Cypriots would be abandoned, the need for separate majorities by both communities in passing legislation would be discarded and the civil service contribution would be set at actual population ratios (82:18) instead of the slightly higher figure for Turkish Cypriots.
The intention behind the amendments has long been called into question. The Akritas plan, written in the height of the constitutional dispute by the Greek Cypriot interior minister Polycarpos Georkadjis, called for the removal of undesirable elements of the constitution so as to allow power-sharing to work. The plan envisaged a swift retaliatory attack on Turkish Cypriot strongholds should Turkish Cypriots resort to violence to resist the measures, stating "In the event of a planned or staged Turkish attack, it is imperative to overcome it by force in the shortest possible time, because if we succeed in gaining command of the situation (in one or two days), no outside, intervention would be either justified or possible." Whether Makarios's proposals were part of the Akritas plan is unclear, however it remains that sentiment towards enosis had not completely disappeared with independence. Makarios described independence as "a step on the road to enosis".[31] Preparations for conflict were not entirely absent from Turkish Cypriots either, with right wing elements still believing taksim (partition) the best safeguard against enosis.
Greek Cypriots however believe the amendments were a necessity stemming from a perceived attempt by Turkish Cypriots to frustrate the working of government. Turkish Cypriots saw it as a means to reduce their status within the state from one of co-founder to that of minority, seeing it as a first step towards enosis. The security situation deteriorated rapidly.
Main articles: Bloody Christmas (1963) and Battle of Tillyria
An armed conflict was triggered after December 21, 1963, a period remembered by Turkish Cypriots as Bloody Christmas, when a Greek Cypriot policemen that had been called to help deal with a taxi driver refusing officers already on the scene access to check the identification documents of his customers, took out his gun upon arrival and shot and killed the taxi driver and his partner. Eric Solsten summarised the events as follows: "a Greek Cypriot police patrol, ostensibly checking identification documents, stopped a Turkish Cypriot couple on the edge of the Turkish quarter. A hostile crowd gathered, shots were fired, and two Turkish Cypriots were killed."
In the morning after the shooting, crowds gathered in protest in Northern Nicosia, likely encouraged by the TMT, without incident. On the evening of the 22nd, gunfire broke out, communication lines to the Turkish neighbourhoods were cut, and the Greek Cypriot police occupied the nearby airport. On the 23rd, a ceasefire was negotiated, but did not hold. Fighting, including automatic weapons fire, between Greek and Turkish Cypriots and militias increased in Nicosia and Larnaca. A force of Greek Cypriot irregulars led by Nikos Sampson entered the Nicosia suburb of Omorphita and engaged in heavy firing on armed, as well as by some accounts unarmed, Turkish Cypriots. The Omorphita clash has been described by Turkish Cypriots as a massacre, while this view has generally not been acknowledged by Greek Cypriots.
Further ceasefires were arranged between the two sides, but also failed. By Christmas Eve, the 24th, Britain, Greece, and Turkey had joined talks, with all sides calling for a truce. On Christmas day, Turkish fighter jets overflew Nicosia in a show of support. Finally it was agreed to allow a force of 2,700 British soldiers to help enforce a ceasefire. In the next days, a "buffer zone" was created in Nicosia, and a British officer marked a line on a map with green ink, separating the two sides of the city, which was the beginning of the "Green Line". Fighting continued across the island for the next several weeks.
In total 364 Turkish Cypriots and 174 Greek Cypriots were killed during the violence. 25,000 Turkish Cypriots from 103-109 villages fled and were displaced into enclaves and thousands of Turkish Cypriot houses were ransacked or completely destroyed.
Contemporary newspapers also reported on the forceful exodus of the Turkish Cypriots from their homes. According to The Times in 1964, threats, shootings and attempts of arson were committed against the Turkish Cypriots to force them out of their homes. The Daily Express wrote that "25,000 Turks have already been forced to leave their homes". The Guardian reported a massacre of Turks at Limassol on 16 February 1964.
Turkey had by now readied its fleet and its fighter jets appeared over Nicosia. Turkey was dissuaded from direct involvement by the creation of a United Nations Peacekeeping Force in Cyprus (UNFICYP) in 1964. Despite the negotiated ceasefire in Nicosia, attacks on the Turkish Cypriot persisted, particularly in Limassol. Concerned about the possibility of a Turkish invasion, Makarios undertook the creation of a Greek Cypriot conscript-based army called the "National Guard". A general from Greece took charge of the army, whilst a further 20,000 well-equipped officers and men were smuggled from Greece into Cyprus. Turkey threatened to intervene once more, but was prevented by a strongly worded letter from the American President Lyndon B. Johnson, anxious to avoid a conflict between NATO allies Greece and Turkey at the height of the Cold War.
Turkish Cypriots had by now established an important bridgehead at Kokkina, provided with arms, volunteers and materials from Turkey and abroad. Seeing this incursion of foreign weapons and troops as a major threat, the Cypriot government invited George Grivas to return from Greece as commander of the Greek troops on the island and launch a major attack on the bridgehead. Turkey retaliated by dispatching its fighter jets to bomb Greek positions, causing Makarios to threaten an attack on every Turkish Cypriot village on the island if the bombings did not cease. The conflict had now drawn in Greece and Turkey, with both countries amassing troops on their Thracian borders. Efforts at mediation by Dean Acheson, a former U.S. Secretary of State, and UN-appointed mediator Galo Plaza had failed, all the while the division of the two communities becoming more apparent. Greek Cypriot forces were estimated at some 30,000, including the National Guard and the large contingent from Greece. Defending the Turkish Cypriot enclaves was a force of approximately 5,000 irregulars, led by a Turkish colonel, but lacking the equipment and organisation of the Greek forces.
The Secretary-General of the United Nations in 1964, U Thant, reported the damage during the conflicts:
UNFICYP carried out a detailed survey of all damage to properties throughout the island during the disturbances; it shows that in 109 villages, most of them Turkish-Cypriot or mixed villages, 527 houses have been destroyed while 2,000 others have suffered damage from looting.
The situation worsened in 1967, when a military junta overthrew the democratically elected government of Greece, and began applying pressure on Makarios to achieve enosis. Makarios, not wishing to become part of a military dictatorship or trigger a Turkish invasion, began to distance himself from the goal of enosis. This caused tensions with the junta in Greece as well as George Grivas in Cyprus. Grivas's control over the National Guard and Greek contingent was seen as a threat to Makarios's position, who now feared a possible coup.[citation needed] The National Guard and Cyprus Police began patrolling the Turkish Cypriot enclaves of Ayios Theodoros and Kophinou, and on November 15 engaged in heavy fighting with the Turkish Cypriots.
By the time of his withdrawal 26 Turkish Cypriots had been killed. Turkey replied with an ultimatum demanding that Grivas be removed from the island, that the troops smuggled from Greece in excess of the limits of the Treaty of Alliance be removed, and that the economic blockades on the Turkish Cypriot enclaves be lifted. Grivas was recalled by the Athens Junta and the 12,000 Greek troops were withdrawn. Makarios now attempted to consolidate his position by reducing the number of National Guard troops, and by creating a paramilitary force loyal to Cypriot independence. In 1968, acknowledging that enosis was now all but impossible, Makarios stated, "A solution by necessity must be sought within the limits of what is feasible which does not always coincide with the limits of what is desirable."
After 1967 tensions between the Greek and Turkish Cypriots subsided. Instead, the main source of tension on the island came from factions within the Greek Cypriot community. Although Makarios had effectively abandoned enosis in favour of an 'attainable solution', many others continued to believe that the only legitimate political aspiration for Greek Cypriots was union with Greece.
On his arrival, Grivas began by establishing a nationalist paramilitary group known as the National Organization of Cypriot Fighters (Ethniki Organosis Kyprion Agoniston B or EOKA-B), drawing comparisons with the EOKA struggle for enosis under the British colonial administration of the 1950s.
The military junta in Athens saw Makarios as an obstacle. Makarios's failure to disband the National Guard, whose officer class was dominated by mainland Greeks, had meant the junta had practical control over the Cypriot military establishment, leaving Makarios isolated and a vulnerable target.
During the first Turkish invasion, Turkish troops invaded Cyprus territory on 20 July 1974, invoking its rights under the Treaty of Guarantee. This expansion of Turkish-occupied zone violated International Law as well as the Charter of the United Nations. Turkish troops managed to capture 3% of the island which was accompanied by the burning of the Turkish Cypriot quarter, as well as the raping and killing of women and children. A temporary cease-fire followed which was mitigated by the UN Security Council. Subsequently, the Greek military Junta collapsed on July 23, 1974, and peace talks commenced in which a democratic government was installed. The Resolution 353 was broken after Turkey attacked a second time and managed to get a hold of 37% of Cyprus territory. The Island of Cyprus was appointed a Buffer Zone by the United Nations, which divided the island into two zones through the 'Green Line' and put an end to the Turkish invasion. Although Turkey announced that the occupied areas of Cyprus to be called the Federated Turkish State in 1975, it is not legitimised on a worldwide political scale. The United Nations called for the international recognition of independence for the Republic of Cyprus in the Security Council Resolution 367.
In the years after the Turkish invasion of northern Cyprus one can observe a history of failed talks between the two parties. The 1983 declaration of the independent Turkish Republic of Cyprus resulted in a rise of inter-communal tensions and made it increasingly hard to find mutual understanding. With Cyprus' interest of a possible EU membership and a new UN Secretary-General Kofi Annan in 1997 new hopes arose for a fresh start. International involvement from sides of the US and UK, wanting a solution to the Cyprus dispute prior to the EU accession led to political pressures for new talks. The believe that an accession without a solution would threaten Greek-Turkish relations and acknowledge the partition of the island would direct the coming negotiations.
Over the course of two years a concrete plan, the Annan plan was formulated. In 2004 the fifth version agreed upon from both sides and with the endorsement of Turkey, US, UK and EU then was presented to the public and was given a referendum in both Cypriot communities to assure the legitimisation of the resolution. The Turkish Cypriots voted with 65% for the plan, however the Greek Cypriots voted with a 76% majority against. The Annan plan contained multiple important topics. Firstly it established a confederation of two separate states called the United Cyprus Republic. Both communities would have autonomous states combined under one unified government. The members of parliament would be chosen according to the percentage in population numbers to ensure a just involvement from both communities. The paper proposed a demilitarisation of the island over the next years. Furthermore it agreed upon a number of 45000 Turkish settlers that could remain on the island. These settlers became a very important issue concerning peace talks. Originally the Turkish government encouraged Turks to settle in Cyprus providing transfer and property, to establish a counterpart to the Greek Cypriot population due to their 1 to 5 minority. With the economic situation many Turkish-Cypriot decided to leave the island, however their departure is made up by incoming Turkish settlers leaving the population ratio between Turkish Cypriots and Greek Cypriots stable. However all these points where criticised and as seen in the vote rejected mainly by the Greek Cypriots. These name the dissolution of the „Republic of Cyprus", economic consequences of a reunion and the remaining Turkish settlers as reason. Many claim that the plan was indeed drawing more from Turkish-Cypriot demands then Greek-Cypriot interests. Taking in consideration that the US wanted to keep Turkey as a strategic partner in future Middle Eastern conflicts.
A week after the failed referendum the Republic of Cyprus joined the EU. In multiple instances the EU tried to promote trade with Northern Cyprus but without internationally recognised ports this spiked a grand debate. Both side endure their intention of negotiations, however without the prospect of any new compromises or agreements the UN is unwilling to start the process again. Since 2004 negotiations took place in numbers but without any results, both sides are strongly holding on to their position without an agreeable solution in sight that would suit both parties.
Boy George, 1988 (Collage, Acryl, Fumage/Collage, arcylic, fumage), Albertina - Schenkung/Donation, 2015
The Albertina
The architectural history of the Palais
(Pictures you can see by clicking on the link at the end of page!)
Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869
"It is my will that the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".
This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.
Image: The Old Albertina after 1920
It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.
The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.
In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.
Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.
1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.
Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990
The era of stately representation with handing down their cultural values found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:
After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".
Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905
This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.
The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.
Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.
Image: The palace after the demolition of the entrance facade, 1948-52
Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.
Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei
This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.
Image: The restored suburb facade of the Palais Albertina suburb
The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.
Image: The new entrance area of the Albertina
64 meter long shed roof. Hans Hollein.
The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".
Christian Benedictine
Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.
The church of St Thomas Becket, Fairfield, is a rare example of a small medieval church which has managed to survive without an immediate village to sustain it. Remote on a man-made hillock above the Wallend Marsh, part of Romney Marsh, the church guidebook suggests there was never a village of Fairfield as such but rather a scattered rural community which was served by a small church initially built only of timber, lath and plaster.
www.flickr.com/photos/barryslemmings/sets/72157594384281432/ to view the whole set.
Probably built in the late 12th century, a 1293 AD visitation roll records that the church was lightly constructed and it appears to have remained as such for much of its life - implying the church authorities themselves may have regarded the Fairfield community as 'marginal' and the building's fabric as almost expendable. It is described in 1293 as being of wood and plaster, very damp and full of holes.
The same roll records many shortcomings - namely that the current chaplain had pastured sheep in the churchyard and had allowed a woman to serve at the altar. He agreed not to do this in future, except in harvest time. Simon, the former chaplain, was having an affair with Natakina, the daughter of Hugh at Walle. He was 'corrected' by church authorities. The font was found to have no lock meaning that laymen could help themselves to the Holy Water for illicit purposes.
The timber structural frame was eventually replaced in the 15th century [and is what we see today] and the lath and plaster walls were replaced in the 18th century with more durable brick. But the standard of the 18th century workmanship was poor and in 1912 the church was found to be in danger of collapse. Around 1913 the entire chancel, the north wall of the nave, the porch, the turret and the entire roof were carefully taken down and rebuilt but re-using all old materials and timbers under the direction of architect W. D. Caroe.
The interior is very 18th century with oval text boards on the inside of the sloping roof, white painted box pews and a three-decker pulpit. The communion table retains a three-sided 'Laudian' communion rail to prevent dogs from fouling the altar.
The church today is small and quite charming, being surrounded on all sides by water courses and only reached via a concrete footbridge. Until 1913, when an earth causeway was built, a boat was often needed to reach it. An 18th century mounting block at the west end implies horse riders could also reach the church, at least at some times of the year. As late as 1960 the fields around the church flooded and a photograph appeared in national newspapers of Fairfield church and its little hill rising just a couple feet out of a vast expanse of water.
The church is still in regular use and cared-for by the Romney Marsh Historic Churches Trust. The huge [18th century?] key hangs on a special board behind a nearby house and visitors have to walk around to the back door to borrow it.
The Romney Marsh Historic Churches Trust was formed under the patronage of the then Archbishop of Canterbury Robert Runcie and the former Private Eye editor Richard Ingrams. Details about the trust are obtainable from Mrs Elizabeth Marshall, Lansdell House, Rolvenden, Kent, TN17 4LW.
mutual heights building, friezes and panels
these stitched images do not do the original panels any justice. lines are distorted but methinks the complete is more important, albeit for now. in future AI will improve
photographer's notes and text borrowings-
"mutual building", cape town. art deco, deluxe. finished in 1939. architect, fred glennis
inspiration maybe from the "met tower", NYC"?, chicago board of trade", "chrysler building, NYC"?
stone mason, ivan mitford-barberton (south african)
most of the building was changed into residential units
beautiful friezes by miftord-barberton
some nine (only?) african tribes depicted in stunning granite carvings on one facade of the building. it's unclear why only nine tribes were depicted
the tribes being-
matabele
basuto
barotse
kikuyu
zulu
bushman
xosa (xhosa)
pedi
masai
the building has three street facades, darling, parliament and long market streets, cape town CBD
much more to be explored and to be pixed. the building itself is exquisite
***********************
Mutual Building
From Wikipedia, the free encyclopedia
The Mutual Building (Afrikaans: Mutual Gebou), in Cape Town, South Africa, was built as the headquarters of the South African Mutual Life Assurance Society, now the "Old Mutual" insurance and financial services company. It was opened in 1940, but before the end of the 1950s—less than 20 years later—business operations were already moving to another new office at Mutual Park in Pinelands (north east of the city centre); since then Old Mutual has become an international business and their present head office is in London.
The building is a fine example of art deco architecture and design, and it has many interesting internal features such as the banking hall, assembly room, directors' board room; external features include a dramatic ziggurat structure, prismoid (triangular) windows, and one of the longest carved stone friezes in the world. It has been said that it provides evidence of the colonial attitudes of the time, and the "ideals of colonial government promulgated
by Rhodes in the late nineteenth century".[1]
The Mutual Building is now converted to residential use, although some parts of the building are used commercially. For example, the Banking Hall (which is now an events venue) and the retail shops that operate outside on the ground level.
Coordinates: 33°55ʹ27.45ʺS 18°25ʹ20.25ʺE
Mutual Building
Mutual Gebou
The front of the building, in Darling Street, Cape Town
Location in central Cape Town Alternative Mutual Heights, Old Mutual
names Building
General information
Contents
1 History
1.1 The business
1.2 The "new" (1940) Head Office in Darling Street
1.3 Search for inspiration
1.4 Completion
1.5 Vacating and conversion
2 Structure of the building
3 Design elements
4 Features of the building
4.1 The Entrance Hall 4.2 The Banking Hall
4.3 The lifts (elevators) 4.4 The Assembly Room 4.5 The Directors' Rooms 4.6 The atrium
4.7 The windows
4.8 Granite cladding 4.9 The Tribal Figures 4.10 The frieze
5 Views of (and from) the building 6 References
7 Other external links
Type
Architectural style
Address Town or city Country Coordinates Completed Inaugurated Renovated Owner Height
Structural system
Floor count Lifts/elevators
Commercial converted to residential
Art Deco
14 Darling Street
Cape Town
South Africa
33°55ʹ27.45ʺS 18°25ʹ20.25ʺE 1939
1940
2005
Mutual Heights Body Corporate 84 metres (276 ft)
Technical details
Reinforced concrete, granite cladding
12 plus 3 levels basement parking
7
Architect
Architecture firm
Architect
Renovating firm
Structural engineer
Awards and prizes
Fred Glennie Louw & Louw
Renovating team
Robert Silke Louis Karol
Murray & Roberts
South African Institute of Architects, Presidents Award 2008
Website
Design and construction
www.mutualheights.net (www.mutualheights.net)
History The business
The Old Mutual business has a long history. In 1845 John Fairbairn (a Scot) founded "The Mutual Life Assurance Society of the Cape of Good Hope" in Cape Town. Over the next 100 years the business was to evolve significantly, changing its name in 1885 to the "South Africa Mutual Life Assurance Society", but becoming familiarly known simply as "The Old Mutual", so as to distinguish it from newer businesses of the same kind.
The company employed women as early as 1901, expanded into Namibia in 1920 and into Zimbabwe (then
Rhodesia) in 1927.[2] Old Mutual is now an international business with offices all over the world, and its portfolio
of financial services continues to evolve to meet market needs.
It is now some years since the business "de-mutualised" in order to issue shares and fund its operations using conventional investment markets.
The "new" (1940) Head Office in Darling Street
The name of the building in English and in Afrikaans ("Mutual Gebou"): The interesting frieze shown here is described in the text
Some comparisons with earlier inspirational buildings
In the 1930s it became clear that a new headquarters building was needed and very ambitious targets were set for the building: it was to be the tallest building in South Africa (possibly in the whole continent of Africa, with the exception of the pyramids in Egypt), it was to have the fastest lifts, it was to have the largest windows. At the same time it was to epitomise the values of the business: "Strength, Security and Confidence in the Future"; this demanded a combination of traditional
and contemporary design.[1]
Although it is clearly identified on the exterior as the "Mutual Building" (or "Mutual Gebou" in Afrikaans) it is often familiarly referred to as "The Old Mutual Building". Here, in the body of this article, it will be referred to as the "Mutual Building", thereby acknowledging the
nomenclature on the exterior of the building itself.
Search for inspiration
The figure here (adapted from www.skycrapers.com) compares the building with some of the other contemporaneous tall buildings in the world. Those involved in the design of the building travelled widely to study inspirational examples of corporate buildings elsewhere in the world. They learnt about the latest approaches to lighting, ventilation and fire protection in the USA, South America, England
and Sweden.[3] In the USA, the Eastern Columbia Building in Los Angeles is one example of the genre of building design that captured their attention: this building was completed in 1930 and has also since been
converted to residential occupation.[1]
The art deco style was chosen. However, the building is embellished with features in other styles (such as neo-classicist in the case of the banking hall) intended to reinforce the long- standing and traditional values of the Old Mutual business.
Completion
The building was completed in 1939 and opened
early in 1940 with a great fanfare. The local paper provided a 16 page supplement,[4] and South African architects and dignitaries enthused about it. In his definitive examination of the design of the building, Federico Freschi summarises the status of the building thus:
"Ultimately, the consensus suggests that the Old Mutual Building is at once a worthy monument to modern design principles and the consolidation of an important corporate and public image."[1]
The building is listed elsewhere as a notable building,[5] and it is regarded as an important example of the social values of the time and of the economic state of the nation, but all as seen from a European or
"colonial" perspective, as explained by Freschi.[1]
Vacating and conversion
Within 20 years (in the late 1950s) the Old Mutual began to vacate the building, moving in stages to new offices at Mutual Park in Pinelands, Cape Town. By the 1990s, only assorted tenants remained, the last of
which departed in May 2003.[3]
At this time, conversion to residential occupation began under the direction of Robert Silke at Louis Karol
Architects.[6] The name of the building was changed by the developers to Mutual Heights (www.mutualheights.net), a decision that did not find favour with all owners and residents involved in
the new community.[7] Despite scepticism about the name, it is generally agreed that the conversion was the first in a series of projects that re-invigorated the central business district of Cape Town. The conversion has
been the subject of a number of architecture and design awards.[8]
In February 2012, the large "Old Mutual" sign on the east side of the building was removed, leaving little external evidence of the commercial origins of the building; in 2015 Old Mutual Properties finally disposed of the remaining portions of the interior that had not been sold previously, including the banking hall, the directors suite and the fresco room.
Structure of the building
The building is constructed using reinforced concrete, filled in internally with bricks and plaster, and clad on the outside with granite. At first sight, the building is a striking example of the Art Deco style and many of its features epitomize this genre - however, some interior features deviate from true Art Deco and probably reflect the desire of the company to demonstrate solidity and traditional values at the same time as
contemporaneous, forward-looking values.[1]
It is 276 feet (85 metres) high, as measured from the ground floor to the top of the tower,[3] but the building is often listed as being more than 90 metres high (even as high as 96.8 metres on the Old Mutual web
site[2]); this probably takes account of the "spire" at the top.
Having only 10 levels ("storeys") above ground level in the main part of this tall building (excluding the three levels of basement car parking, and the additional levels in the tower), it is evident that the spacing between floors is generous — generally each floor is about 5 metres above (or below) the next. In one of the meeting rooms on the eighth level (the Assembly Hall - see below), the curtains alone are more than six metres long. This generous spacing between floors was intended to achieve the greatest possible overall height for the building without exceeding the city planning limitation of 10 storeys, and it was allowed only
in view of the "set back" design of the exterior structure.[1]
Design elements
The original design of the building is attributed to Louw & Louw (Cape Town architects), working with Fred Glennie (best known at the time as a mentor to architectural students) – Mr Glennie is personally
credited with most of the detailed work[9] but Ivan Mitford-Barberton[10] was also involved with some
internal details as well as with the external granite decorations.
It is pleasing that the principal areas of the building have been so little changed over the years, especially the entrance, the banking hall, the assembly room, the directors' room, the atrium, and the windows. Even the original door handles (including the Old Mutual "logo") and the original banisters (on the staircases) are all still intact, and the atrium is largely unchanged although it is now protected from the weather by a translucent roof.
The original light fittings in the "public" areas are largely still intact, and in most parts of the building there are beautiful block-wood (parquet) floors.
Here is a selection of interior design details that exemplify the quality and attention to detail that was applied to this project by the architects, artists and designers.
Marble from the columns in the banking hall
As you use the stairs, you are reminded which storey you are on
Bulkhead lights on the 9th level
White-veined Onyx from the entrance hall
Hardwood block floors are still in place in many parts of the building
An original door handle (of which many remain)
The entrance hall has a gold leaf ceiling
Detail of a banister on one of the stairs
Original fire doors, with distinctive handles
Detail of the rail at the gallery of the Assembly Room
Some interior design details
The paragraphs below now visit each of the significant areas and features of the building in turn.
An original light fitting
The light fittings in the Assembly Room
The entrance lobby
Features of the building
The building incorporates a range of significant features.
The Entrance Hall
Black, gold-veined onyx is used in the Darling Street foyer, the ceiling of which is over 15 metres high and finished with gold leaf, laid by Italian workmen. The view of the glass window over the door to the banking hall (above) shows the iconic ziggurat shape of the building etched into the glass. Visitors must climb 17 steps to gain access to the banking hall, and towards the top they are met by the original "pill box" where security staff can observe who (and what) is entering and leaving the building. On either side of the pill box are the entrances to the main lifts – two on the left and two on the right (there are two "staff" lifts and one "service" lift elsewhere in the building).
Characteristic stainless steel trim and light fittings, such as can be seen here, are used extensively throughout the building.
The Banking Hall
Given its tall marble-clad colonnades, the magnificent banking hall would be more properly described as an example of "neo-classicism" although the light fittings echo the art deco theme that prevails elsewhere in the building, and again we see that the glass over the doors (at the far end in the photograph below) are etched with the iconic ziggurat form that is taken by the whole building.
The two service counters that can be seen in the banking hall look identical, but only the one on the right is original—the one on the left is a later, somewhat inferior, copy.
The banking hall
Between the columns of the banking hall the coats of arms are presented for each of the many provinces and countries within Southern Africa in which the South African Mutual Life Assurance Society had a presence.
The crests that appear between the columns in the banking hall
Northern Rhodesia Cape Colony Durban Rhodesia
Natal Petermaritzburg Port Elizabeth Orange Free State
Johannesburg Pretoria Kenya Colony Bloemfontein
Cape Town Union of South Africa Potchefstroom Windhoek The banking hall is now owned privately and is available for hire as an events venue.
The lifts (elevators)
The main lifts in the building are fast ("the fastest in Africa" it was claimed when the building opened) and no expense was spared – even in the basement parking area, the lifts are trimmed with black marble. Each door has an etched representation of an indigenous bird or animal from South Africa, with significant plants as additional decoration, or in some cases the corporate logo of the time.
There are seven lifts in the building, four of them "principal" lifts (as here)
The individual etchings in detail (click on the images to see the full-size version):
Springbok (Antidorcas marsupialis), with a king protea (Protea cynaroides), the national flower
Kudu (Tragelaphus), with veltheimia (Veltheimia bracteata) at the lower right
Giraffe, with a succulent (Crassula)
Zebra (Equus quagga), with a prickly pear (Opuntia ficus-indica)
The individual etchings on the lift doors
Ostrich (Struthio camelus australus), with prickly pear (lower left) and "century plant" (Agave americana)
Leopard (Panthera pardus pardus), with spekboom (Portulacaria afra) at the lower right and candelabra lily (Brunsvigia josephinae) at the lower left
Crane (Balearica regulorm) with reeds behind (Phragmites australis)
Lion, with lion's tail (or wild dagga - Leonotis leonuris) at lower left, violet painted petals (Freesia laxa) lower right and coral tree (Erythrina lysistemon) at the top
Secretary bird (Sagittarius serpentarius), with unidentifiable tree
The corporate "logo" (three entwined anchors), with Strelitzia reginae (bottom right), Disa uniflora (bottom left) and proteas (Protea repens) at the top
Vulture
These designs are attributed to Ivan Mitford-Barberton.
The Assembly Room
Perhaps the best known feature of the building (in artistic circles at least) is the Assembly Room, sometimes referred to as the "Fresco Room"; Freschi indicates that this was originally intended as a facility for policy
holders.[1] Here there are striking frescoes depicting some of the history of the nation of South Africa,
undertaken by Le Roux Smith Le Roux two years after the completion of the building.
Le Roux was supported in his early career by the famous British architect Herbert Baker, who provided bursaries so that Le Roux could spend time in
London and elsewhere. In London he
undertook a mural in South Africa House with
Eleanor Esmonde-White. An acquaintance (still living) of Le Roux and Esmonde-White recalls that Baker insisted that Eleanor Esmonde-White be awarded a bursary, despite gender-related objections from elsewhere; in the event she got to go to London with Le Roux, with the bursary. Following their years in London, Le Roux was awarded this commission to work on the Mutual Building and he therefore returned to Cape Town, but only after the main building work was done - it was not sensible to undertake this meticulous work while building operations were still in progress.
These frescoes are considered elsewhere as good examples of the genre—see for example
"Decopix - the Art Deco Architecture Site"[11] where the Mutual Building itself is well
represented.[12] The five frescoes on the end
walls and over the entrance depict more than
100 years of the history of the nation,
including industrial development, the Great
Trek, mining following the discovery of gold,
the growth of industry and agriculture, and a
hint of international travel and trade. Freschi considers that ".. in contemporary terms, Le Roux's work was seen to be distinctly progressive and very much in keeping with the ostensibly liberal party line of Jan
Smuts' coalition government".[1]
The panels are reproduced below, and selected portions from them are provided in the images that follow.
The five panels are presented left to right, in a clockwise direction when standing in the Assembly Room, back to the windows. The first and fifth are on the side walls, the second, third and fourth are on the long wall that includes the main entrance.
The fresco panels in the Assembly Room
The Assembly Room
Engineering water, The Great Trek building industry and
railroads
Trade and international travel
The discovery of gold
Railroads in service, productive farms
The fifth image includes a representation of the Mutual Building itself, the tallest building in what is known as the "City Bowl", below the slopes of Table Mountain. This did not remain true for long, it was only one year later that the General Post Office was built on the other (seaward side) of Darling Street, and a large number of larger more modern buildings have been built since (see the views from and of the building, shown further down this page).
Some details from the panels:
Some selected portions of the fresco panels in the Assembly Room
Mixing concrete, Wind-powered water working with the plans pumps provide
irrigation
The Great Trek - ladies Farm produce at last - a in their bonnets, men on smile on his face
horses
The Directors' Board Room
A detail - laying railway The image of the track Mutual Building under
Table Mountain
The Directors' Rooms
On the fourth level, at the front of the building, is the Directors' Board Room. As well as the board room there are two side rooms, one of which was a sitting room for Directors.
In the board room there is a continuous carved stinkwood frieze above the dado rail that incorporates animal and floral motifs (14 different species of birds and animals are represented). Ivan Mitford-Barberton is credited with this carving and it is probably the last work that he did in the building. Above the carved frieze is a mural designed and executed by Joyce Ord-Brown using stain on pale sycamore panelling. It represents
Cape Town as the "Tavern of the Seas" in a light hearted way.[1]
The selections below show some portions of the mural and the frieze, followed by some other details of the directors' rooms. The sea plane (second picture) is probably a Martin M-130, which is not recorded as having serviced South Africa (it worked the pacific routes). This is probably "artistic licence" on the part of Ord-Browne.
Portions of the Joyce Ord-Browne decorations
The Southern hemisphere, with route from Cape Town to London
Blue cranes flying
A sea plane
A portion of the Northern hemisphere, with King Neptune
Penguins and whales
A mermaid
Portions of the Mitford-Barberton stinkwood frieze
Some features of the directors' board room and sitting room
Entrance to the board room (see note below)
Easy chairs in the sitting room - unused in a long time
Marble at the door to the board room
Another original light fitting in the sitting room
Directors had their own storage drawers in the board room
An original light fitting in the board room that (seemingly) doubles as a ventilation device
It is of note that the etched ziggurat icon on the glass over the entrance to the board room (see the enlarged version of the first image above) is not the same as that which is used elsewhere.
The Directors' suite has great heritage value but in 2015 it was re-finished as a private apartment.
The atrium
The atrium extends from the roof of the banking hall to the very top of the main building. It was originally open to the weather, but it is now protected by a translucent roof, through which the tower can be seen extending even higher.
The circular windows visible here are incorporated into the apartments that now occupy the front of the building.
The windows
On entering the residential area of the building, one is struck by this extraordinary "top to bottom" atrium
The windows compared
The rising nature of the ziggurat mass of the exterior of the building is reinforced by the prismoid (triangular) windows, which extend up and down the height of the building. These windows are of note because they set the Mutual Building apart from some of the buildings that inspired it, for example the Eastern Columbia Building in Los Angeles. They are also functional, because they allow light to enter the building more effectively than would otherwise be the case (using the reflective properties of the inside face of the glass), and by opening and closing blinds on the one side or the other it is possible on sunny days to manage the heat entering the building as the sun traverses the sky.
Water-cooled air conditioning was another innovative feature of the original building, that avoided the need for extensive natural ventilation and allowed more freedom for the design of the windows and granite spaces between; the same water-cooled air conditioning design is in use today.
As Freschi notes in his paper, the prismoid windows make for much more visual interest than the conventional windows in the General Post Office building. Here the image juxtaposes the Mutual building (foreground) with the General Post Office built the following year (behind).
Granite cladding
The granite cladding of the building was hewn from a single boulder on the Paarl Mountain, north east of the
city of Cape Town.[1] The cladding incorporates decorative baboon, elephant and tribal heads that project from the upper facades of the Darling Street elevation (the front of the building).
The granite decorations
The decorations Elephant (6th level) Baboon (8th level) Tribal head (tower)
Tower with tribal head
The Tribal Figures
On the Parliament Street facade there are carved granite figures representing nine ethnic African groups (not just South African) labelled thus: "Xosa", "Pedi", "Maasai", "Matabele", "Basuto", "Barotse", "Kikuyu", "Zulu", and "Bushman". Note that the identification of the tribes does not necessarily follow current practice.
The nine tribal figures looking over Parliament Street.
The individual figures in detail (remember you can click on the images to see the full-size version):
The individual tribal figures
"Xosa" "Pedi" "Masai" "Matabele"
"Basuto" "Barotse" "Kikuyu" "Zulu"
"Bushman"
Recently Sanford S. Shaman has written a critique of these figures, and other features of the building [13] partly based on interviews with pedestrians walking around the building.
The frieze
Around the three sides of the building facing Darling Street, Parliament Street and Longmarket Street there is a 386 feet (118 metre) frieze depicting scenes from the colonial history of South Africa, reported at its
completion to be the longest such frieze in the world.[4]
A portion of the 386 feet frieze that traverses three sides of the building, showing the 1820 settlers landing
It is of interest that, at the time, it was proclaimed that the building was built by South Africans, using South African materials; while the frieze was itself designed by South African, Ivan Mitford Barberton (born in Somerset East, Eastern Cape, in 1896), the work was executed by a team of Italian immigrants led by Adolfo Lorenzi. It has recently come to light that, in the course of the work, Lorenzi's team of masons were incarcerated when the Second World War broke out in 1939, being Italian and therefore regarded as "the
enemy" at that time. They were obliged to finish their work under an armed guard.[14]
A composite view of the frieze can be seen at the right; unfortunately in this version some portions are missing or obscured by trees in leaf.
The sections of the frieze are as follows:
The landing of Jan van Riebeeck
The arrival of the 1820 Settlers
The "Post Office Stone"
The building of the Castle of Good Hope
The emancipation of the slaves
Negotiations with Chaka (also known as "King Shaka)" The Great Trek
The dream of Nongqawuse (other spellings are sometimes used) Discovery of diamonds at Kimberley
Erection of a cross by Bartholomew Dias
Rhodes negotiating with the Matabele
David Livingstone preaching, healing and freeing slaves The opening up of Tanganyika Territory
The defence of Fort Jesus depicting Arab inhabitants
A second version of this collage of the complete frieze can be found elsewhere[15]
A composite showing almost all of the frieze in its 15 sections – some portions are missing in this version – click to see a readable version and then choose the "Full resolution" option under the image (but be patient, this is a large file – 1Mb)
Seen from Darling Street, the Mutual Building today stands proud as the day it was built.
Views of (and from) the building
The busy city works around the building. The Mutual Building can claim that its restoration and conversion to residential use brought new life to the city centre, and started a five year programme of re- invigoration and rapid improvement. The large green "Old Mutual" sign and logo were removed from the building in February 2012.
The skyline of the city of Cape Town has changed significantly since the Mutual Building was constructed. Even from its highest point of easy access, the Mutual Building View is now dwarfed by the more modern buildings in the Cape Town central business district.
In the modern skyline the Mutual Building is lost in a maze of tall buildings. Here the sea mist swirls around the central business district and the small coloured arrow picks out the Mutual Building, at the left. This photograph is taken from District Six, on the slopes of Devil's peak to the east of Table Mountain. Click to see the full size version of this photograph, when the outline of the building can be more easily discerned.
The view of the harbour from the middle levels of the Mutual Building in Darling Street in Cape Town, once uninterrupted, is now obscured by the General Post Office constructed shortly afterwards (seen here at the extreme left).
Table Mountain and its "table cloth" seen from the upper levels of the building.
Looking in the other direction, the City Hall, the Grand Parade and the Castle can all be seen clearly. In the distance are the Hottentots Holland Mountains.
References
The learned article by Federico Freschi is particularly recommended to all who are interested in this building and its context.
1. Freschi, F (1994). "Big Business Beautility: The Old Mutual Building, Cape Town, South Africa". Journal of Decorative and Propaganda Arts, Vol 20, pp.39-57
2. "Old Mutual - Our heritage". Old Mutual Web Site. Retrieved 27 December 2010.
3. CSD, (2003). "Mutual Heights Heritage Impact Assessment Report", CS Design Architects and Heritage
Consultants, Cape Town, South Africa (August)
4. Cape Times (1940). "Old Mutual in New Home", The Cape Times (special supplement) (30 January)
5. "Mutual Heights". Emporis - The world's building website. Retrieved 27 December 2010.
6. "Cocktails over the Grand Parade". Cape Times online. 25 July 2003. Retrieved 27 December 2010.
7. Minutes of the Annual General Meeting of the Body Corporate, Mutual Heights, 2008
8. "Louis Karol awards". Louis Karol web site. Retrieved 27 December 2010.
9. "SA Mutual Life Assr Soc (Old Mutual)". Artefacts web site. Retrieved 27 December 2010.
10. "Ivan Mitford-Barberton". Biographical web site by Margaret C Manning. Retrieved 27 December 2010.
11. "Decopix - the Art Deco Architecture Web site". Randy Juster's Art Deco web site. Retrieved 27 December 2010.
12. "The Mutual Building featured on Randy Juster's art deco web site". Randy Juster's Art Deco web site. Retrieved
27 December 2010.
13. "Art South Africa web site". "The Heights of Contradiction" by Sanford S. Shaman. Retrieved 3 March 2011.
14. Correspondence by email, Giovanni Adolfo Camerada to Andy Bytheway, 2008
15. "The Mutual Building Frieze". Web site of the Mutual Heights community.
Other external links
Website for the Mutual Heights Community (www.mutualheights.net)
Louis Karol Architects website (www.louiskarol.com/index.html)
Randy Juster's art deco web site (www.decopix.com)
David Thompson's art deco buildings web site (artdecobuildings.blogspot.com/) City of Cape Town web site (www.capetown.gov.za)
Stewart Harris' flikr photographs include some images of Fred Glennie and Le Roux Smith Le Roux at work on the building, and other interesting images of the building (www.flickr.com/groups/1615104@N21/)
Confirmation of the Bloemfontein crest that defied identification for several years (www.ngw.nl/heraldrywiki/index.php?title=Bloemfontein)
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