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It am the weekend again, but after a week off, so one belnds smoothly into the other.

 

And next week I have a four day trip to the Isle of Wight for work, which will do me good too.

 

Not much planned for the day, once shopping was done. And I do that as Jools is still coughing and so did not want to go round the supermarket coughing like that.

 

So, I d the week's shop, though not much needed as I will be away four days, so I am back with three bags of shopping, and we have the usual Saturday breakfast of fruit followed by bacon sandwiches.

 

Posting shots on other social media showed me many churches had to be revisited. Just about the last one to be thus revisited was Minster-in-Thanet, as the album had 55 shots from two previous visits, and I thought such a large and imposing church deserved more.

 

So, it was a quiet drive over to Sandwich, taking the bypass round Stonar, then turning off at the delightfully named Sevenscore for the drive along the back lanes into Minster, passing by the Abbey, outside of which was an actual nun, all dressed in cowl and long black gown.

 

A little further on is St Mary, and parking is easy just outside the churchyard, and although it looked locked, the west door under the tower was unlocked, and inside there were no others inside, so I had it to myself.

 

I had hoped I had missed whole or fragments of glass, but there was none to be seen, some nice arts and crafts ones of Queen Bertha, which I record. I think I snap everything, so after half an hour we are done.

 

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Minster Abbey on the Isle of Thanet was founded in AD 669 by Domneva, niece of King Erconbert of Kent. The enormous parish church, built some distance to the south-west of the abbey, dates from two distinct periods. The nave is Norman, a magnificent piece of twelfth-century arcading with tall cylindrical pillars. The chancel and transepts are thirteenth century, with a three-light east window, each one double shafted inside. This end of the church has a simple stone vaulted ceiling which adds greatly to the grandeur. The glass is by Thomas Willement and dates from 1861. Ewan Christian restored the church in 1863 and added vaulted ceilings to the transepts. They had been intended by the medieval designers, but were never built. There is a set of eighteen fifteenth-century stalls with misericords and an excellent sixteenth-century font and cover.

 

kentchurches.info/church.asp?p=Minster+in+Thanet

 

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MINSTER.

THE next parish to Monkton eastward is Minster, antiently written both Mynstre, and Menstre, being so named from the Saxon word Minstre, signifying a church or monastery. It is divided into two boroughs, viz. Way Borough and Street Borough; the former of which lies on the ascent on the northern side of the street; the latter contains the street and church, with the southern part of the parish.

 

THIS PARISH is about three miles and an half from east to west, and near as much from north to south. The farms in it are perhaps as large as in any other parish in this county; the occupiers of which are, in general, men of considerable ability. The west part of this parish is bounded by a lynch or balk, which goes quite across the island to Westgate, called St. Mildred's Lynch, an account of which has already been given before, and which is the bounds of this manor from that of Monkton, as well as of the parish. This lynch has formerly been much broader than it is now, many of the farmers, who occupy lands bounding on or near it, having through a coveteous humour, not only dug up the mould or top of it, to lay on their land, but in some places have ploughed upon it. Too many instances of this kind are practised in other places, not only of this island, but of the county in general, so that there is scarce a remembrance left where those balks or lynches have been; such has the greedy avarice of the occupiers been, and this is one instance of the ill consequence of the neglect of the courts leet and baron. The village of Minster lies nearly in the centre of it, on low ground at the foot of the high lands, having the church on the south side of it; northward of the village it rises to high land, being a fine open champion country of uninclosed corn land, on which are situated Minster mill, Allan Grange, and Powcies, the latter at the extremity of the parish, close to which was, till lately, a small grove of oaks, the only one in this island. Lower down, about a mile southward, is Thorne manor, and beyond that Sevenscore farm. At the south-eastern extremity of the parish, and partly in St. Laurence, is Cliffsend, or Clyvesend, so called from its being at the end of the cliff, which extends from Ramsgate; it was antieutly a part of the estate of St. Augustine's monastery, and is called by Thorne in his Chronicle, the manor of Clyvesend. Here are now two considerable farms besides cottages.

 

About a mile and an half south-east from Minster church, is Ebbsfleet, formerly called by the various names of Hipwines, Ippeds, and Wipped's fleet; this seems to have been a usual place of landing from the ocean in this island; here it is said Hengist and Horsa, the two Saxon generals, first landed with their forces, about the year 449. Here St. Augustine, often called the Apostle of the English, first landed, in the year 596; and here too St. Mildred, of whom mention has been made likewise before, first landed from France, where she had been for instruction in the monastic life; and not many years ago there was a small rock at this place, called St. Mildred's rock, where, on a great stone, her footstep was said, by the monkish writers, to have remained impressed. (fn. 1) Below the church of Minster, southward, is the large level of marshes, called Minster level, at the southern extremity of which runs the river Stour, formerly the Wantsume, which, as has already been noticed before, was antiently of a much greater depth and width than it is at present, flowing up over the whole space of this level, most probably almost to the church-yard fence, being near a mile and an half distance; but the inning of the salts by the landholders, which had been in some measure deserted by the waters of the Wantsume at different places, so far lessened the force of the tide, and of the river waters mixing with it, that it occasioned the sands to increase greatly near this place, where it was at length entirely choaked up, so that a wall of earth was made by the abbot of St. Augustine, since called the Abbot's wall, to prevent the sea at high water overslowing the lands, which now comprehend this great level of marshes, at present under the direction and management of the commissioners of sewers for the district of East Kent. A part of these marsh lands have been much improved by means of shortening the course of the river Stour to the sea, by the cut at Stonar, which lets off the superfluous water in wet seasons with greater expedition, and a very valuable tract of near two hundred acres has been lately inclosed by a strong wall from the sea near Ebbs-fleet. Between the above-mentioned wall and the river Stour lie a great many acres of land, which the inhabitants call the salts, from their being left without the wall, and subject to the overflowing of the tide, so long as it continued to flow all around this island. Over against the church is a little creek, which seems to have been the place antiently called Mynstrefleet, into which the ships or vessels came, which were bound for this place. As a proof of this, there was found some years ago in a dyke bounding on this place, in digging it somewhat deeper than usual, some fresh coals, which very probably had fallen aside some lighter or boat in taking them out of it. (fn. 2)

 

I ought not to omit mentioning, that on the downs on the north part of this parish, where the old and present windmills were placed, is a prospect, which perhaps is hardly exceeded in this part of the kingdom. From this place may be seen, not only this island and the several churches in it, one only excepted; but there is a view at a distance, of the two spires of Reculver, the island of Sheppy, the Nore, or mouth of the river Thames, the coast of Essex, the Swale, and the British channel; the cliffs of Calais, and the kingdom of France; the Downs, and the town of Deal, the bay and town of Sandwich, the fine champion country of East Kent, the spires of Woodnesborough and Ash, the ruins of Richborough castle, the beautiful green levels of Minister, Ash, &c. with the river Stour winding between them; the fine and stately tower of the cathedral of Canterbury, and a compass of hills of more than one hundred miles in extent, which terminate the sight.

 

In the marshes on the south of this parish, there was found in 1723, an antique gold ring; on the place of the seal, which seemed to represent an open book, was engraved on one side an angel, seemingly kneeling, and on the other side a woman standing with a glory round her head; on the woman's side was engraved in old English characters, bone; on that of the angel, letters of the same character, but illegible. A fair is kept in this village on a Good Friday for pedlary and toys.

 

By the return made to the council's letter, by archbishop Parker's order, in the year 1563, there were then computed to be in this parish fifty-three housholds. By an exact account taken of Minster in 1774, there were found to be in this parish one hundred and forty-nine houses, and six hundred and ninety-six inhabitants; of the houses, sixteen were farm-houses, and one hundred and thirty three were inhabited by tradesmen, labourers, and widows.

 

THE MANOR and ABBEY OF MINSTER was antiently called Thaket manor, and continued so till, from the foundation of the abbey or minster within it, it acquired the name of the manor of Minster, though in the survey of Domesday, taken in the year 1080, it is still called Tanet manor, Kar exoxnv; but I have met with it no where else so late by that name.

 

This manor was in the year 670 in the possession of Egbert, king of Kent, whose two nephews Ethelred and Ethelbright, sons of his father's elder brother Ermenfride, deceased, (who left likewise two daughters, Ermenburga, called also Domneva, married to Merwald, son of Penda, king of Mercia, and Ermengitha, were left to his care, under promise of their succeeding to the kingdom. These princes were kept under the inspection of one Thunnor, a flattering courtier, who persuaded the king to have them murdered, left they should disturb him in the possession of the throne; which Thunnor undertook and perpetrated. To expiate this crime, the king, by the advice of archbishop Theodore, and Adrian, abbot of St. Augustine's, sent to Domneva, who had taken the vow of chastity on her, to offer her any satisfaction for this crime, when, as an atonement, she requested of the king, according to the custom of those times, to grant her a place in Tenet, where she might build a monastery to their memory, with a sufficient maintenance, in which she, with her nuns, might continually pray for the king's forgiveness, who immediately by his charter, which concludes with a singular curse on the infringers of it, (fn. 3) granted her for the endowment of it full one half of this island, being the eastern part of it, comprehended within the bounds of this manor, and since separated from the western part of the island and manor of Monkton, by a broad bank or lynch, made quite across the island, since called St. Mildred's Lynch, and remaining at this day.

 

The story of this grant, as told by Thorn, a native of this parish, and a monk of St. Augustine's monastery, in his chronicle of that abbey, is, that Egbert granting Domneva's petition, demanded of her how much land she desired; who replied, as much as her deer could run over at one course; this being granted, the deer was let loose at Westgate, in Birchington, in the presence of the king, his nobles, and a great concourse of people. Among them was Thunnor, the petrator of the murder, who, ridiculing the king for the lavishness of his gift and the method of its decision, endeavoured by every means to obstruct the deer's course, both by riding across and meeting it; but Heaven, continues the chronicler, being offended at his impiety, whilst he was in the midst of his career, the earth opened and swallowed him up, leaving the name of Tunnor's-leap, or Thunor's hyslepe, to the ground and place where he fell, to perpetuate the memory of his punishment, though it was afterwards called Heghigdale. Meanwhile the deer having made a small circle eastward, directed its course almost in a strait line south-westward across the island from one side to the other, running over in length and breadth forty-eight plough-lands; and the king, immediately afterwards delivered up to Domneva the whole tract of land which the deer had run over.

 

This tract or course of the deer, which included above ten thousand acres of some of the best lands in Kent, is said to have been marked out by the broad bank, or lynch, across the island, since called St. Mildred's Lynch, thrown up in remembrance of it; (fn. 4) but notwithstanding this well-invented story of Thorn, it is more probable that this lynch was made to divide the two capital manors of Minster and Monkton, before this gift to Domneva.

 

Puteus Thunor, (or Thunor's leap) says the annalist of St. Augustine's monastery, apparet prope Cursum Cervi juxta Aldelond; and the place where the king stood to see this course is represented to be by it, where formerly was a beacon, it being some of the highest land hereabouts, where the king might see the course. This Puteus Thunor, or Thunorslep, is very plainly the old chalk pit, called Minster chalk-pit, which its not unlikely was first sunk when the abbey and church here were built, and the bottom of it in process of time, being overgrown with grass, gave occasion for the invention of this sable of Thunor's being swallowed up by the earth at this place. The name of Thunorslep has been long since obliterated, and even the more modern one of Heghigdate has been long forgotten. Weever says, he lieth buried under an heap of stones, which to that day was called Thunniclam.

 

Domneva being thus furnished with wealth and all things necessary, founded, in honor of the B.V. Mary, a monastery, or cloyster of nuns, afterwards called ST. MILDRED'S ABBEY, on part of this land, on the south side of the island near the water, in the same placewhere the present parochial church stands. Archbishop Theodore, at the instance of Domneva, consecrated the church of it, and she afterwards appointed the number of nuns to be seventy, and was appointed by the archbishop, the first abbess of it; she died here and was buried on the glebe of the new monastery. Ermengitha, her sister, was after her death sainted, and lived with Domneva, in the abbey here, where she died, and was buried in a place about a mile eastward of it, where the inhabitants have found numbers of bones, and where it is probable, she built some chapel or oratory. In a field or marsh called the twenty acres, a little more than a quarter of a mile eastward of the church of Minster, are several foundations, as if some chapel or oratory had been built there. (fn. 5)

 

Domneva was succeeded as abbess by her daughter Mildred, who was afterwards sainted. She is said to have been buried in this church. On her death Edburga succeeded in the government of this monastery, who finding it insufficient for so great a number of nuns, built another just by, larger and more stately, which was consecrated by archbishop Cuthbert, and dedicated to St. Peter and St. Paul; and to this church she, about the year 750, removed the body of St. Mildred, at whose tomb many miracles were said to be wrought afterwards. Edburga was buried at Minster in her own new church, and was afterwards sainted. She was succeeded as abbess of this monastery by Sigeburga. In her time was the first depredation of the Danes in Thanet; who sell upon the people, laid every thing waste, and pludered the religious in this monastery; from this time they continued their ravages throughout this island almost every year; hence by degrees, this monastery fell to decay, and the nuns decreased in number, being vexed with grief and worn down with poverty, by the continual insults of these merciless pirates, who landed in this island in 978, and entirely destroyed by fire this monastery of St. Mildred, in which the clergy and many of the people were shut up, having fled thither for sanctuary; but they were, together with the nuns, all burnt to death, excepting Leofrune the abbess, who is said to have been carried away prisoner.

 

The Danes, however, spared the two chapels of St. Mary, and of St. Peter and St. Paul, in one of which divine service was afterwards performed, for the inhabitants of this parish and the adjoining neighbourhood. The antient scite of the monastery, together with this manor, and all the rest of the possessions of it remained in the king's hands, and they continued so till king Cnute, in the year 1027, gave the body of St. Mildred, together with the antient scite of the monastery, this manor and all its land within this island and without, and all customs belonging to this church, to the abbot and convent of St. Augustine, which gift was confirmed by king Edward the Confessor. (fn. 6)

 

The abbot and convent of St. Augustine becoming thus possessed of this manor, fitted up the remains of the abbey to serve as the court-lodge of it; accordingly it has ever since borne the name of Minstercourt. In the survey of Domesday, taken in the 15th year of the Conqueror's reign, anno 1080, this manor is thus described, under the general title of Terra æcclæ Sci Augustini, the land of the church of St. Augustine.

 

In Tanet hundred. St. Mildred's.

 

The abbot himself holds Tanet manor, which was taxed at forty-eight sulings. The arable land is sixty-two carucates. In demesne there are two, and one hundred and fifty villeins, with fifty borderers having sixty-three carucates. There is a church and one priest, who gives twenty shillings per annum. There is one salt-pit and two fisheries of three pence, and one mill.

 

In the time of king Edward the Confessor it was worth four times twenty pounds, when the abbot received it forty pounds, now one hundred pounds.

 

Of this manor three knights hold so much of the land of the villeins as is worth nine pounds, when there is peace in the land, and there they have three carucates.

 

After which king Henry I. granted to the monastery of St. Augustine, about the 4th of his reign, a market, to be yearly held within this their manor of Minster, with all customs, forseitures, and pleas; which was confirmed among other liberties by Edward III. in his 36th year, by inspeximus.

 

King Henry III. in his 54th year, anno 1270, granted to the abbot and convent of St. Augustine, free-warren in all their demesne lands of Minster. (fn. 7) King Edward II. in his 6th year, confirmed to the abbot free-warren in this manor among others, and next year anno 1313, in the iter of H. de Stanton and his sociates, justices itinerant, the abbot, upon a quo warranto, claimed and was allowed sundry liberties therein mentioned, in this manor, among others, and likewise free-warren in all his demesne lands of it, view of frank pledge, and wreck of the sea; one market weekly on a Friday, and one fair yearly on the eve and day of St. Mildred the Virgin, and other liberties therein mentioned; as having been granted and confirmed by divers of the king's predecessors, and allowed in the last iter of J. de Berewick and his sociates, justices itinerant; and that king Edward II. by his charter in his 6th year had sully confirmed all of them, and by the register of this monastery, of about this time, it appears that this manor had within its court the same liberties as those of Chistlet and Sturry. King Edward III. in his 5th year, exempted the abbot's homagers and tenants of this, among other of their manors, from their attendance at the sheriff's tourne, and afterwards by his charter of inspeximus in his 36th year, confirmed to this abbey all the manors and possessions given to it by former kings; and by another charter, the several grants of liberties and confirmations made by his predecessors, among which were those abovementioned; and king Henry VI. afterwards confirmed the same.

 

Next year the abbot and his servants taking distresses on their tenants of this manor, the tenants, to the number of six hundred, met and continued together for the space of five weeks, having got with them a greater number of people, who coming armed with bows and arrows, swords and staves, to the court of this manor and that of Salmanstone, belonging likewise to the abbot, laid siege to them, and after several attacks set fire to the gates of them. For fear of these violences, the monks and their servants at Salmanstone kept themselves confined there for fifteen days, so that the people enraged at not being able to encompass their ends in setting fire to the houses, destroyed the abbot's ploughs and husbandry utensils, which were in the fields; and cut down and carried away the trees on both these manors.

 

At the same time they entered into a confederacy and raised money here by tallages and assessments, by means of which they drew to them no small number of others of the cinque ports, who had nothing to lose, so that the abbot dared not sue for justice in the king's courts; but a method it seems was found to punish these rioters, or at least the principal of them, who were fined to the abbot for these damages six hundred pounds, a vast sum in those days, and were imprisoned at Canterbury till the fine was paid. The uneasiness of the tenants under such respective suits and services, seems to have occasioned the abbot and convent to have compounded with them, which they did in the year 1441, anno 20 Henry VI. By this composition the abbot and convent agreed, that the tenants should not in future be distrained for the rents and services they used to pay; but instead of them should pay compositions for every acre of the land called Cornegavel and Pennygavel, (fn. 8) which composition for the Cornegavel and Pennygavel land, continues in force at this time, being sixpence an acre now paid for the Cornegavel land.

 

In the time of king Richard II. this manor, with its rents and other appurtenances, was valued among the temporalities of the abbot and convent, at 232l. 4s. 3d. per annum; and the quantity of land belonging to it was by admeasurement 2149 acres and one rood.

 

In which state this manor continued till the final dissolution of the abbey of St. Augustine, which happened in the 30th year of Henry VIII. when it was surrendered, together with the rest of the possessions of the monastery, into the king's hands; at which time the manor and rents were of the value of 276l. yearly. (fn. 9) After which, the see of this manor, with the antient court-lodge of it, formerly the monastery, and then called Minster-court, with all the lands and appurtenances belonging to it, continued in the crown, till king James I. in his 9th year, by his letters patent, granted to Sir Philip Cary, William Pitt, esq. afterwards knighted; and John Williams, citizen and goldsmith of London, this lordship and manor of Menstre, with its rights, members, and appurtenances, late parcel of St. Augustine's monastery, except and reserved to the king's use, all advowsons and patronages of churches, chapels, &c. belonging to this manor; and he granted likewise all the rents of assize called Cornegavel land, in the parish of St. John, parcel of this manor; and the rents of assize of free tenement called Pennygavel land, in the parishes of St. Peter and St. Laurence, (fn. 10) to hold the manor, with its right, members and appurtenances, of the king, as of his manor of East Greenwich, by sealty only, in free and common socage, and not in capite, nor by knight's service; and to hold the rents of assize of the king in capite, by the service of one knight's fee; which grant and letters patent were conconfirmed by an act specially passed for the purpose, that year.

 

Some years after which, the heirs of the beforementioned Sir Philip Carey and John Williams, then Sir John Williams, bart. of Carmarthenshire, divided this estate; in which division, the manor itself with the court-lodge, part of the demesne lands, royalties, and appurtenances, was allotted to Sir John Williams, bart. (who died in 1668, and was buried in the Temple church, London); whose descendant of the same name, bart. of Carmarthenshire, dying without male issue, his daughter and sole heir, then the widow of the earl of Shelburne, carried it in marriage, at the latter end of king Charles II.'s reign, to Col. Henry Conyngham, afterwards a major-general in king William's reign, who died possessed of it in 1705. He left two sons, William and Henry, and a daughter Mary, married to Francis Burton, esq. of Clare, in Ireland. William, the eldest son of the general, succeeded him in this manor and estate in Minster, but died without surviving issue, upon which this estate descended to Henry Conyngham, esq. his younger brother, second son of the general, who was in 1753, anno 27 George II. created baron Conyngham, of Mount Charles, in Donegall, in Ireland; and afterwards by further letters patent, in 1756, viscount Conyngham, of the same kingdom; and again in 1780, earl Conyngham, and likewise baron Conyngham, of the same kingdom, with remainder of the latter title to his sister's sons. He married Ellen, only daughter of Solomon Merret, esq. of London, by whom he had no issue. He died s.p. in 1781, and was succeeded in his title of baron Conyngham by his nephew Francis Pierpoint Burton Conyngham, eldest son of his sister Mary, by her husband Francis Burton, esq. above-mentioned, which Francis, lord Conyngham, died in 1787, leaving by his wife Elizabeth, eldest daughter of Nathaniel Clements, esq. and sister of Robert, lord Leitrim, (who survived him) two sons, Henry, who succeeded him in title, and Nathaniel, and three daughters, Catherine married to the Rev. John Shirley Fermor, of Sevenoke; Ellen, to Stewart Weldon, esq. and Henrietta.

 

Henry, so succeeding his father as lord Conyngham, was created in December 1789, viscount Conyngham and baron Conyngham, of Mount Charles, in Donegall, to whom the inheritance of this manor and estate now belongs; but the possession of it for life is vested in the right hon. Ellen, countess dowager Conyngham; widow of Henry, earl Conyngham, above-mentioned. The arms of lord viscount Conyngham are, Argent, a shake-sork, between three mullets, sable. Supporters. The dexter—An horse charged on the breast with an eagle, displayed, or, maned and hoofed of the last. The sinister—A buck proper, charged on the breast with a griffin's head, erased, or, attired and unguled of the last. Crest—Anunicorn's head erased, argent, armed and maned, or. Motto—Over fork over.

 

A court leet and court baron is held for this manor, by the stile of the courtleet, and view of frank pledge, for the manor of Minster, in the hundred of Ringslow, alias Tenet, and the court baron for the said manor.

 

The court-lodge, formerly a part of the nunnery, was, after the dissolution of it, made use of as a farmhouse, in which some of the monks of St. Augustine resided, to manage the estate of it, which they kept in their own hands. On the north side of it, which seems to have been the front or entrance, is a handsome stone portal, on the top of which, in the middle, within a circle, are the arms of the abbey of St. Augustine, viz. Sable, a cross, argent. At a small distance from it stood antiently a very large barn, sufficient to hold the corn growing on all the demesnes, being in length 352 feet, and in breadth 47 feet, and the height of the walls 12 feet, with a roof of chesnut. When the estate was divided, 154 feet in length of this building was carried to Sevenscore farm, where it was burnt, by an accident unknown in 1700, and the remaining part here was burnt by lightning afterwards. On the south side of the house stood a chapel, said to have been built by St. Eadburga, the third abbess here. In it the body of St. Mildred is said to have been placed by her, or rather translated from the other monastery. Some of the walls and foundations of this chapel were remaining within the memory of some not long since deceased, but it is now so entirely demolished, that there is nothing to be seen of it, excepting a small part of the tower, and of the stairs leading up into it. Just by these ruins of the tower is a small piece of ground, in which lately in digging for mould, several human bones were dug up. There is a view of the remains of this nunnery in Lewis's Thanet.

 

THE OTHER PART of this estate, the scite of which lies about a mile eastward from Minster-court, since known by the name of SEVENSCORE, on which is built a substantial farm-house, with large barns and other necessary buildings, was allotted to —Carey, in whose successors viscounts Falkland, this estate continued down to Lucius Ferdinand, viscount Falkland, who not many years since alienated it to Josiah Wordsworth, esq. of London, whose son of the same name died possessed of it about the year 1784, leaving two sisters his coheirs, one of whom married Sir Charles Kent, bart. and the other, Anne, married Henry Verelst, esq. who afterwards, in right of their respective wives, became possessed of this estate in undivided moieties; in which state it still continues, Sir Charles Kent being at this time entitled to one moiety, and Mrs. Verelst, the widow of Henry Verelst, esq. above-mentioned, who died in 1785, and lies buried in this church, being entitled to the other moiety of it.

 

WASCHESTER is an estate lying at a small distance westward from Minster church, part of which was formerly parcel of the demesnes of the manor of Minster, and was included in king James's grant to Sir Philip Carey, William Pitt, esq. and John Williams, goldsmith, as has been mentioned before in the account of that manor; they in the year 1620, joined in the sale of them to Jeffry Sandwell, gent. of Monkton, who purchased other lands of different persons in this parish, Monkton and Birchington, the whole of which he sold in 1658, to John Peters, M. D. Philip le Keuse, and Samuel Vincent, which two latter alienated their shares soon afterwards to Dr. Peters; at which time all these lands together, not only comprehended Waschester farm, but likewise part, if not the whole of another called Acol. From Dr. Peters this estate descended to Peter Peters, M. D. of Canterbury, who died in 1697, upon which the inheritance of it descended to his sole daughter and heir Elizabeth, who in 1722 carried it in marriage to Thomas Barrett, esq. of Lee, whose second wife she was; he died possessed of it in 1757, upon which it descended to their only daughter and heir Elizabeth, who entitled her husband, the Rev. William Dejovas Byrche, to the fee of it. He died in 1792, leaving an only daughter Elizabeth, married to Samuel Egerton Brydges, esq. of the Middle Temple, barrister-atlaw, but now of Denton-court, who in her right possessed it, and afterwards sold it to Mr. Ambrose Maud, who now owns it.

 

SHERIFFS COURT is an estate lying somewhat less than a mile westward from Waschester, in the hamlet of Hoo in this parish; it was formerly called Sheriffs Hope, from the hope, or place of anchorage for ships, which sailed in the river Wantsume, which once ran close by this place. It is said by some to have taken its name from its having been part of the possessions of Reginald de Cornhill, who was so long sheriff of this county that he lost his own name and took that of Le Sheriff, from whence this place gained the name of Sheriffs hope, or court. He was sheriff from the 4th to the 9th years of king Richard I. in the last year of that reign and during the whole reign of king John. His arms are on the stone roof of the cloysters at Canterbury, being Two lions passant, debruised of a bendlet, impaling three piles. After this name was extinct here, the family of Corbie became possessed of this estate; one of whom, Robert de Corbie, died possessed of it in the 39th year of king Edward III. whose son Robert Corbie, esq. of Boughton Malherb, leaving a sole daughter and heir Joane, she carried it in marriage to Sir Nicholas Wotton, who, anno 3 Henry V. was lord mayor of London. His descendant Sir Edward Wotton procured his lands in this county to be disgavelled by the acts both of 31 Henry VIII. and 2 and 3 Edward VI. and from him this manor descended to Thomas, lord Wotton, who dying anno 6 Charles I. without male issue, his four daughters became his coheirs, of whom Catherine the eldest carried this estate in marriage to Henry, lord Stanhope, son and heir of Philip, earl of Chesterfield, whose widow Catherine, lady Stanhope, sold it to Henry Paramor. He was the tenant and occupier of Sheriff's court, being the eldest son of John Paramor, of Preston, the grandson of Thomas Paramor, of Paramor-street, in Ash, near Sandwich. They bore for their arms, Azure, a fess embattled, counter embairled, between three etoils of six points, or. (fn. 11) . He left it to his brother Thomas Paramor, whose grandson of the same name died possessed of it in 1652, and was buried with his ancestors in this church; from his heirs this estate was alienated to Thatcher, in which name it continued, till at length it was sold by one of them, to Mr. Robert Wilkins, gent. of St. Margaret's, Rochester, who possessed it for many years. He died without issue, and it has since become the property of Mrs. Terry, the present owner of it.

 

TO THIS MANOR is appurtenant the small MANOR OF PEGWELL, or COURT STAIRS, in the parish of St. Laurence.

 

ALDELOND GRANGE, usually called Allen Grange, situated about a mile northwardfrom Minster church, on the open high land, was so called in opposition to Newland Grange, in St. Laurence parish. It was antiently part of the possessions of the abbey of St. Augustine, and was in the year 1197, assigned by Roger, the abbot of it, to the sacristy of the abbey, for the purpose of upholding and maintaining the abbey church, as well in the fabric as ornaments, but on the condition that the sacrist for the time being, should perform all such services to the court of Minster as were due, and had been accustomed to be done for the land of it. (fn. 12)

 

The measurement of this land, according to Thorne, amounted to sixty-two acres; and to this Grange belong all the tithes of corn and grain, within the limits of the borough of Wayborough, excepting those which are received by the vicar. On the dissolution of the abbey of St. Augustine, in the 30th year of Henry VIII. this estate, then amounting to six score acres, came, with the rest of the possessions of the monastery, into the king's hands, where it did not continue long, for he settled it in his 33d year, by his dotation charter, on his new founded dean and chapter of Canterbury, with whom the inheritance of it continues at this time.

 

It has been demised by the dean and chapter, on a beneficial lease, the rack rent of it being 413l. per annum, for twenty one years, to Mr. Edward Pett, of Cleve-court, the present lessee of it. Messrs. Jessard and Paramor are the under lessees and occupiers of it.

 

POWCIES, which stands about half a mile northeastward from Allan grange, was formerly a gentleman's mansion, a large handsome building standing on much more ground than it does at present, with a gate house at the entrance into the court before it; all which being pulled down, a modern farm-house of brick has been built on the antient scite of it.

 

This seat was once in the possession of the family of Goshall, of Goshall, in Ash, where Sir John Goshall resided in king Edward III.'s reign, and in his descendants it continued till about the reign of king Henry IV. when it was carried in marriage by a female heir to one of the family of St. Nicholas, owners likewise of the adjoining manor of Thorne, in whom it continued down to Roger St. Nicholas, who died in 1484, leaving a sole daughter and heir Elizabeth, who entitled her husband John Dynley, of Charlton, in Worcestershire, to the possession of it. By her he had two sons, Henry and Edward, the eldest of whom succeeded to this estate, which he afterwards alienated, about the middle of queen Elizabeth's reign, to John Roper, esq. of Linsted, afterwards knighted, and anno 14 James I. created baron of Teynham; whose great grandson Christopher, lord Teynham, in king Charles I.'s reign, conveyed it to Sir Edward Monins, bart. of Waldershare, who died possessed of it in 1663, leaving Elizabeth his widow surviving, who held it in jointure at her death in 1703; upon which it devolved to the heirs and trustees of Susan, his eldest daughter and coheir, late wife of Peregrine Bertie, deceased, second son of Montague, earl of Lindsey; and they, in the reign of king William and queen Mary, joined in the sale of it to Sir Henry Furnese, bart. of Waldershare, who died possessed of it in 1712, as did his son Sir Robert in 1733. After which it became, with his other estates, vested in his three daughters and coheirs, and on a partition of them, anno 9 George II. this estate of Powcies was wholly allotted, among others, to Anne the eldest sister, wife of John, viscount St. John, which partition was confirmed by an act passed next year; after which it descended down to their grandson George, viscount Bolingbroke, who in 1790 alienated it to Mr. Henry and John Harnett, the present possessors of it.

 

THORNE, or as it is vulgarly called, Thourne, is a manor in this parish, situated about a mile southward from Powcies above mentioned, being so named from the quantity of thorny bushes growing on and about it. This manor was antiently the seat of a family which took their name from it, one of them, Henry de Thorne, was owner of it in the year 1300, anno 29 Edward I. and resided here; against whom it seems complaint was made to the abbot of St. Augustine, that he caused mass to be publicly said in his private oratory, or chapel, (the remains of which are still so entire as to be made use of as a granary, &c.) at this his manor of Thorne, (apud spinam) to the prejudice of the mother church, and the ill example of others; and he accordingly was inhibited from so doing in future, by the archbishop's letters to the vicar of Minster, dated that year. And under the cross in this church, in the north wall of it, is an antient tomb or coffin of solid stone, let into the wall under an arch of antient Saxon ornaments. On the stone which covers the tomb is a cross flory, on each side of which are two blank shields, and round the edge of the stone these words in old French letters: Ici gift Edile de Thorne, que fust Dna del Espine. This seems probable to have been one of the family, owners of this manor.

 

After this family of Thorne were become extinct here, that of Goshall, of Goshall, in Ash, appear to have been possessors of this manor; in whom it continued till about the reign of king Henry IV. when it went by marriage by a female heir to one of the family of St. Nicholas, in whose descendants it continued down to Roger St. Nicholas, who died in 1474, and as appears by his will, was buried before the image of St. Nicholas, in the chancel of Thorne, at Minster. Roger St. Nicholas, his son and heir, left an only daughter Elizabeth, who entitled her husband John Dynley, esq. of Charlton, in Worcestershire, to the possession of it. After which it continued down in the same owners as Powcies last above-described, till it came into the possession of George, viscount Bolingbroke, who in 1790 alienated it to Mr. Henry Wooton, the present owner of it.

 

See a custom for the demise of tenements by will within the borough of Menstre, secundum consuetudinem manerii, anno 55 Henry III. Itin. Kanc. rot. 18, in Robinson's Gavelkind, p. 236.

 

Charities.

THE OCCUPIER of Salmeston Grange, in St. John's parish, is bound by his lease to distribute to six poor inhabitants of the parish of Minster, to be nominated by the minister and churchwardens, in the first week, and on the middle Monday of Lent, to each of them, nine loaves and eighteen herrings; and to three poor people of the same, to each of them, two yards of blanket; and every Monday and Friday in each week, from the Invention of the Holy Cross to the feast of the Nativity of St. John the Baptist, to every poor person coming to Salmeston Grange, one dishfull of peas dressed.

 

THOMAS APPLETON, of Eastry, yeoman, by his will in 1593, gave to the relief of the poor of this parish, the sum of 5l. to be paid to the churchwardens yearly, for the use of the poor people, inhabitants there, fourteen days before Christmas day, the same to be paid out of certain lands belonging to him, called Hardiles, in the parish of Woodnesborough.

 

RICHARD CLERK, D. D. vicar of Minster, partly by deed in 1625, and partly by will on Nov 6, 1634, gave 120l. to be lent unto four parishioners, born in Minster, whose fathers were deceased, and they not sufficiently stocked, for the term of one, two, or three years, but not exceeding that; the interest arising from it to be divided among the poor of the parish. With this money the trustees purchased houses, which are at present divided into four tenements, besides the parish work-house, called the seoffees houses; and seven other tenements, called Cheap Row, the rent of which is annually distributed in clothing to the poor persons of the parish. They are all at present let to the churchwardens and overseers for the time being, by a lease of 99 years, from 1729, at the rent of 6l. This trust is now vested in Mr. William Fuller, of Doctors Commons, as heir of the last trustee; the trust not having been filled up since the year 1696.

 

JOHN CAREY, esq of Stanwell, in Middlesex, by will in 1685, gave 10l. per annum to be paid yearly to the churchwardens, out of his farm of Sevenscore; to be disposed of to the poor yearly, on St. Thomas's day.

 

THIS PARISH is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Westbere.

 

The church, which is dedicated to St. Mary, is a very handsome structure, consisting of a nave and two side isles, a cross sept, and east chancel; the nave is of Saxon, the transept and chancel of gothic architecture; the last is curiously vaulted with stone, and provision was made for the same in the transept, but it was never completed. In it are eighteen collegiate stalis, in good preservation. At the west end of the church is a tall spire steeple, in which is a clock and five bells.

 

When the Danes plundered and burnt the abbey of Minster, they seem to have spared the two chapels of St. Mary, and of St. Peter and St. Paul, or however the stone work of them was preserved, and not burnt with the roof and other works of timber. The former of these was afterwards made into the present parish church, and has since been considerably enlarged.—The nave or body of the church seems to have been the old building; the pillars of which are thick and short, and the arches all circular, and a low roof was probably upon them, according to the simplicity and plainness of those times; but since the wall has been built higher, as appears by the distance there is, betwixt the top of the arches and the wall plate across; and an handsome chancel added at the east end, and a square tower on the west, with a high spire covered with lead placed on it. The chancel or choir and the middle of the cross are vaulted, and by the footings which are left, it was certainly intended that the whole cross should have been finished in the same manner. The eighteen stalls mentioned before, have very handsome wainscot behind, according to the mode of those times; in these the monks, vicars, and priests used to sit during the performance of divine service. Besides the high altar in this church, there were before the reformation other altars in it, dedicated to the Holy Trinity, St. James, and St. Anne. At these, as likewise before the Holy Cross, were lights constantly burning; for the maintenance of which, there were societies or fellowships, who contributed towards the maintenance of them, and those who died left in their last wills constantly small sums of money for that purpose. Under the middle of the cross was the rood-lost, the going up to which out of the chancel is yet to be seen, as are the mortice holes in which the timbers were put, on which the lost was built. On the north wall of it is the antient tomb of Edile de Thorne. On the pavement, as well as in the church porch, are several large flat gravestones, the inscriptions, if any on them, entirely worn away; they seem very antient, and are not improbably, memorials of some of the religious of this place, but they do not seem always to have lain where they do now. On the front of the tower of the steeple is a shield, carved in the stone work, viz. A fess, between three lion's passant. Among other memorials in this church, in the chancel, is one for Francis, son and heir to Edward Saunders, gent. of Norbourne-court, which Edward married the female heir of Francis Pendrick, esq. by his wife, who was nurse to queen Elizabeth. He died anno 1643; arms, A chevron, between three elephants heads, impaling a saltier, ermine, between three leopards faces. In the middle isle a monument for Bartholomew Sanders, gent. and Mary his wife, daughter of Henry Oxenden, esq. of Wingham; arms, Per chevron, sable and argent, three elephants heads, counterchanged, impaling Oxenden. On a mural monument are the effigies of a man and woman. kneeling at a desk, for Thomas Paramor, esq. sometime mayor of Canterbury, and Anne his first wife; arms, Azure, a fess embattled, between three stars of six points, or, impaling or, on a chevron, three stars of six points, sable, between as many dragons heads, quartered. In the north isle are several memorials for the Paramors. On a wooden frame, near the altar, a memorial for Col. James Pettit, obt. 1730. On the south side of the chancel, a mural monument for Mary, youngest daughter of Robert Knowler, gent. of Herne, wife of John Lewis, vicar of this church, obt. 1719. A memorial for John Lewis, formerly vicar of this church, obt. 1746, æt. 72. A memorial for Elizabeth Blome, daughter and coheir of John Blome, gent. of Sevenoke, obt. 1731; arms, in a lozenge, A cross fitchee, and cinquefoil, quartered with a greybound, current. A mural monument for Harry Verelst, esq. of Aston, in Yorkshire, formerly governor of Bengal, obt. 1785; he married Anne, coheir of Josiah Wordsworth, esq. of Wadworth, in Yorkshire, and of Sevenscore, in this parish, and left by her four sons and five daughters. In the south isle memorials for the Harnetts, Kennetts, and Colemans. In the middle isle are memorials for several of the Jenking's. Leland, in his Itinerary, vol. vii. p. 130 says, S. Florentius jacet in Cemiterio S. Mariæ in Thanet, cujus Tumba Crescit signis. (fn. 13)

 

On the top of the spire was formerly a globe, and upon that a great wooden cross, covered with lead, over which was a vane, and above that, an iron cross; but about the year 1647, the noted fanatic Richard Culmer, having got the sequestration of this vicarage, took it into his fancy that these were monuments of superstition and idolatry, and got these crosses demolished by two persons of the parish, whom he had hired, after he had himself before day, by moon light, fixed ladders for them to go up and down, from the square of the tower to the top of the spire. But if all the figures of a cross are monuments of idolatry, and to be removed, the poor caitiff has done his work but by halves, or rather not all, when he took down these from the spire and left the church standing, which is itself built in the form of a cross.

 

The church of Minster was antiently appendant to the manor, and as such was granted with it, first to Domneva, and afterwards became part of the possessions of the abbey founded by her here; and after the destruction of it came with the manor, by king Cnute's grant, to the abbot and convent of St. Augustine, to which it became appropriated in the year 1128, anno 29 Henry I. and was at that time assigned, with the chapels of St. John, St. Peter, and St. Laurence, with all rents, tithes, and other things, belonging to them, to the sacristy of that monastery; which regulation was confirmed by archbishop Theobald, and afterwards, in 1168, by pope Alexander, who consigned it to the reparation of the church of the monastery, which had been but just before burnt down. (fn. 14)

 

In the year 1176, anno 23 Henry II. the tenants of the Halimot, or manor court of Minster, agreed, that from thenceforth they would all cop their corn; and that they and their heirs, then and for ever afterwards, should pay all their tithes lawfully by cops, and all other matters of tithes, which they were accustomed to pay, as amply as they had ever paid them from the time of the dedication of the church of St. Mary of Menstre.

 

By an agreement entered into in 1182, between the archbishop and the abbot of St. Augustine's, this church was exempted from the payments of all dues and procurations to the archdeacon; and that year the archbishop confirmed this church to the monastery; which agreement was renewed in 1237, by archbishop Edmund; and further, that the abbot and convent should present to the archbishop, in the chapels of St. Peter, St. John, and St. Laurence, fit perpetual chaplains to the altarages in them, provided those altarages were worth ten marcs, with which the chaplains should be content, on pain of forfeiting the same; the vicar of the mother church of Menstre, having a sufficient vicarage taxed from antient time in the same, taking and receiving in right of his vicarage, the tenths of small tithes, viz. of lambs and pigs, and the obventions arising from marriages and churchings, which were forbid at the chapels, and were solemnized, &c. at the mother church only, and the burials of certain corpses, being those of the tenants or occupiers of lands in these chapelries, who were to be buried at Minster, unless the vicar gave leave to the contrary. At the same time the archbishop, with the consent of the archdeacon, confirmed this church to the abbot and convent, together with the several archiepiscopal confirmations of it, and those of the several kings of England. This part above-mentioned of the revenue of the vicarage of Minster, arising from these chapelries, has long since been lost, except that out of Salmestone Grange, amounting to 10s. a year; which, perhaps, might be a composition for the tenths of the small tithes, &c. in them. The altarages above-mentioned were the customary and voluntary offerings at the altar, for some religious office or service of the priest. To augment these, the regular and secular priests invented many things. For it is to be observed, that only a portion of these offerings, to the value of ten marcs, or 6l. 13s. 4d. was what the chaplains of these three chapels were presented to, and that they were accountable for the residue to the abbot and convent, and that if they presumed to detain any more of these offerings beyond that sum, they were to be deprived even of that. For this reason, they were to swear to the abbot and convent, to give a true account of the offerings made at their several altars, on their respective offering days, and in no shape to detriment their parish of Menstre, as to legacies or obventions, personal or predial, but to conserve all the parochial rights of the same, entire and untouched, to the utmost of their power. Then marcs appear now but a small sum for the maintenance of a parish minster; but when the value of money at the time when this composition was made is considered, it will be found to be a handsome and generous allowance to a chaplain, especially as their stipends were then paid by authority; ten marcs were then equal to more than sixty pounds now, and in a council held at Oxford but fifteen years before, it was decreed, that where the churches had a revenue as far as five marcs per annum, they should be conferred on none but such as should constantly reside in person, on the place, as being a sufficient maintenance. In 1348 H. Kinghton informs us, a chaplain's usual stipend was no more than four or five marcs, or two and his board; as for the chaplains of these three chapels, though they were to receive no more than ten marcs of these altarages, they were not excluded the enjoyment of the manses and glebes, given to these chapels when they were first consecrated, which made some addition to their income, and perhaps enabled them to keep a deacon to assist them. (fn. 15)

 

On the great and principal festivals, the inhabitants of these three chapelries, preceded by their priests and other officers, with their banners, tapers, &c. were used to go in procession to Minster, their mother church, there to join at the solemn mass and other divine service then performed, to make their offerings and pay their accustomed dues, in token of their subjection to their parochial or mother church.

 

The appropriation of the church of Minster, together with the advowson of the vicarage, continued, in manner as has been already mentioned, with the abbot and convent till the dissolution of their monastery in the 30th year of king Henry VIII. when it was surrendered, together with the rest of the possessions of the monastery, into the king's hands. After the dissolution of the monastery, there could not be said to be any parsonage or appropriation of this church, for the demesne lands of the manor of Minster, which are very extensive in this parish, were subject, as to the tithes of corn, to only a small modus or composition to the vicar, of eighteen shocks or cops of wheat, and eighteen shocks or cops of barley, or thereabouts; and the vicar was intitled, in right of his vicarage, to the corn tithes of the lands in the remaining part of the parish, as will be further noticed hereafter.

 

When the vicarage of this church was endowed and a vicar instituted, is no where found; but certainly it was before the year 1275; for in the act of consecration of the church or chapel-yard of St. Laurence that year, when that chapel was made parochial, mention is made of the vicar of Menstre, &c. and in the year 1384, anno 8 Richard II. this vicarage was valued at thirty marcs. After the dissolution of the abbey of St. Augustine, the advowson of this vicarage continued in the hands of the crown, till king Edward VI. in his first year, granted it, among other premises, to the archbishop, since which it has continued parcel of the pos sessions of that fee, the archbishop being the present patron of it.

 

This vicarage is valued in the king's books at 33l. 3s. 4d. and the yearly tenths at 3l. 6s. 8d. In 1588 here were three hundred communicants, and it was valued at 1501. It is endowed with a manse and glebe of about twenty-four acres of land, upland and marsh; all the corn tithes, and other tithes of that part of the parish called Street-borough; and of about one hundred acres in the other borough, called Weyborough, except the corn tithes of the demesnes of the manor of Minster, for which the modus or composition above-mentioned is paid.

 

¶The land in Minster level, which is pasture, paying but four-pence an acre for tithes, Dr. Richard Clarke, vicar here in 1597, made a composition with his parishioners, by which they obliged themselves to pay him at the vicarage house, within three days after every quarter, after the rate of twelve-pence an acre for their marsh land, or else to lose the benefit of the composition. (fn. 16) Dr. Meric Casaubon, who succeeded Dr. Clarke, would not abide by this composition, but afterwards compounded with the occupiers, at the rate of twelve-pence an acre for the worst of the land, and of fourteen pence and sixteen pence for that which is better; and in the year 1638 he demanded his tithes of the marsh land in kind, or eighteen pence per acre, which was agreed to by the parishioners, and paid by them till the year 1643; when the civil wars being begun, and this county in the power of the parliament, Dr. Casaubon, being continually threatened to be turned out of his vicarage, was content to receive one shilling per acre for the marsh land; in which manner he received it till the end of the year 1644, when this vicarage was sequestered, and one Richard Culmer was put into possession of this vicarage, (fn. 17) who to ingratiate himself with the parishioners, agreed to take no more than twelve pence an acre of them, as did Dr. Casaubon in 1660, on his being restored to this vicarage; at which rate the tithes were afterwards uniformly taken, till the time of the present vicar; the several vicars not being disposed to quarrel with their neighbours, though the land now lets for as much again as it did in Dr. Casaubon's time, viz. at 28s. an acre and upwards. There have been several litigations and issues at law tried between the present vicar, Mr. Dodsworth, and his parishioners, on account of this modus for the marsh land, all which have been decided in the vicar's favor, who set aside the modus of one shilling per acre by the verdict in his favor, and now takes from 1s. 6d. to 2s. 6d. for the grass land, according to its goodness; yet there are ten acres of grass land late in the possession of Josias Fuller Farrer, esq. which never having paid more than four-pence per acre, remain at that composition. The present value of it is about 350l. per annum.

 

www.british-history.ac.uk/survey-kent/vol10/pp264-294

My parent's 56th wedding anniversary.

 

Heritage Weekend.

 

Ride and Stride charity event.

 

Churchcrawling, the hobby of visiting churches, can be a hit and miss affair. A church in one village maybe open 24/7, whilst a church in the same benefice, deanary in the next village may only be open for services, with no keyholder details.

 

This means you never can be sure that a church will be open, but one day a year, there is a higher chance they might be open.

 

In normal times.

 

But these are far from normal times, of course.

 

Ride and Stride is a national charity day when walkers and cyclists visit as many churches in eight hours to raise money. Churches are usually open for this, offering refreshments for the participants. Sometimes they just put up a sign in sheet in the porch. THis was something I would see through the day.

 

I have a list now of churches I still need to visit, and with Kent being a large county, those in the north and west of the county are nearly 8o minutes drive away, so planning a route is something akin to a military operation. I do that, then have my list with me, and the Kent A-Z in case I have spare time, 12 churches on my hit list, and 50 more in the book. More than enough for several such days.

 

I have breakfast and coffee, pack my cameras, check the batteries, format memory cards and am ready to leave at half eight, so to be at the first church at just after half nine in case it is open early. Or at all.

 

Jools wasn't going to come with me, so I leave her and the four cats behind, and set off up the A then M20 past Ashford, Maidstone, nearly into Surrey.

 

Wrotham is better known for having a motorway junction named after it, so surprising to find it an old and attractive village, with the church sitting proud overlooking the small village square. Wardens had begun to arrive, so I go to snap the village before returning and asking if I could go inside to take shots.

 

If you mask up and don't touch anything.

 

Deal!

 

Inside, St George is clean, airy, full of light and well cared for. Numerous chandeliers and lights hang down supplementing the sunlight pouring through the south windows.

 

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In an excellent position overlooking the diminutive village square, the church is much larger than one imagines. It is entered under a two-storey stone-vaulted porch. On the right, inside the church, is a holy water stoup. The south chapel shows the rood loft staircase leading to the top of the fourteenth-century screen. The lively altar in the chapel was designed by Comper in 1907. The stonework of the main east window was inserted in 1958 and came from Wren's St Albans Church in London, damaged in the Second World War. By far the best visual feature in Wrotham church is the chunky nineteenth-century stone and marble pulpit designed by Newman and Billing in 1861. The tower has an unusual feature - a vaulted passage leading right under it from north to south at ground level to allow medieval processions to circumnavigate the building. There is nothing else like it in Kent and few across England!

 

www.kentchurches.info/church.asp?p=Wrotham

 

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WROTHAM.

SOUTHWARD from Stansted lies Wrotham, commonly pronounced Ruteham. In Domesday book it is written Broteham, and in the Textus Roffensis, WROTEHAM.

 

THE PARISH of Wrotham is of very large extent, being, though only between two and three miles in breadth, near five miles in length from north to south. It lies of course in various situations, and is of various soils. The village, or town of Wrotham, is situated at the foot of the great ridge of chalk hills, above the summit of which this parish extends northward. From this hill, called here Wrotham hill, which is here luxuriantly cloathed with fine spreading beech trees, there is a most beautiful prospect southward over a variety of country, lying in the vale beneath, of vast extent, which is bounded by the sand hills at the southern extremity of it; the high road from London through Farningham to Maidstone leads through this town, which is a little more than twenty-four miles from London. At the entrance of it is the mansion of the rectory, a handsome house, well suited to the income of it, and on the opposite side the road stands the church, and the small remains of the archiepiscopal palace, but yet sufficient to remind us of its having formerly been such. In the center of the town stand the marketplace and public well, both repaired by the lord of the manor; the market, which was on a Tuesday, has been disused for many years, but here is a fair held yearly on May 4, for horses, cattle, &c. Opposite the marketplace is Wrotham place, the seat of Mr. Haddock, a further account of which will be given hereafter. Hence the road divides, that to the right leads to Yaldham and Ightham, and to the left the London road to Maidstone continues south-eastward along a chalky soil, through the borough of Neupiker, where there is a handsome sashed house belonging to Mr. Tomlyn, and a spring, which supplies the rivulet which runs afterwards by Ford, situated at the western boundaries of the parish, next to Addington, and thence by Leyborne towards the Medway; about a mile from Neupiker, is Wrotham heath, a barren sandy soil, both red and black, but on which great quantities of peat is dug; here the road divides, the left leading by the Royal Oak to Maidstone, near which are the two hamlets of Great and Little Comp, and the woods of that name, and the right towards Ightham, the antient Roman camp on Oldberry hill, and over Seal chart to Sevenoke and Westerham. On the southern side of the road this parish extends over the hill to Hale borough and the hamlet of Plaxtool, where the soil, from a sand becomes a deep stiff clay, and though a fertile, yet an unpleasant miry country. The chapel and street of Plaxtool, together with the seat of Fairlawn, are situated at the southern boundaries of it, next to Shipborne and West Peckham. In Plaxtool-street is a good house, built by Thomas Dalyson, esq. who resided here till his father's death, when he removed to Hamptons, in West Peckham. He lies buried in Plaxtool chapel, and his eldest son, William Dalyson, esq. of Hamptons, now resides in it. Near the last hill above-mentioned, but still within the circuit of this borough, are two hamlets, called Plaxtool-street likewife, and Crouch, the latter of which was formerly the residence of the Millers, baronets, about half a mile eastward from which is the large tract of woodland, called the Herst or Compwoods; through the other runs a stream, which rises near Ightham, and having turned a paper mill at Basted pasies through this borough towards West Peckham, Hadlow, and thence into the Medway.

 

That part of this parish which lies southward below Comp-hill, and the hill above Fairlawn, is in the district called the Weald, though there have been several, who have contended, that all that part of Wrotham lying below the chalk hill is in the Weald of Kent, and as a proof of it, urge the non payment of tithe for the wood in those parts of this parish. But the general received opinion is, that the Weald begins at the next sand hill above Fairlawn; wood being exempted from tithe can be no proof of its being in the Weald, as there are such large districts in this county plainly out of it, which claim and enjoy, as yet, a like privilege.

 

This parish ought antiently to have contributed to the repair of the fifth pier of Rochester bridge.

 

Besides the gentlemens' families mentioned hereafter who formerly resided in this parish, John Richers, a justice of the peace, resided here in 1570, a period when that office was truly an honor to those who were intrusted with it. He was descended from an antient family of Swanington-hall, in Norfolk.

 

William Bryan, esq. of this parish, son of John Bryan, of Kibworth, in Leicestershire, by Elianor, sister of Anthony Watson, bishop of Chichester, and at length heir to the bishop, resided here in the beginning of the reign of king James I. and bore for his arms, Or, three piles azure, a chief ermine.

 

A branch of the family of Polley, alias Polhill, once resided in this parish, of which was Sir Thomas Polley, who was living here in the reign of king James I. These were junior to those of Preston, in Shoreham, but elder to those of Chipsted and Otford, in this county. John Thomas, gent. was of Wrotham, in the reign of queen Elizabeth, whose grandson, William Thomas, gent. removed to Selling, in this county. They bore for their arms, Argent, a fess dancette, sable, between three Cornish choughs, proper. (fn. 1)

 

Thomas Shakerley, third son of Francis Shakerley, of Ditton, in this county, resided at Wrotham in the reign of king James I. (fn. 2)

 

In Blacksole field, in this parish, Sir Robert Southwell, sheriff of this county, and the lord Abergavenny, with about five hundred gentlemen and yeomen, routed the Isleys and their party, who were engaged in Sir Thomas Wyatt's rebellion, in the first year of queen Mary's reign; the rebels were pursued from hence near four miles to Hartley-wood, many of them were killed, and about sixty taken prisoners. Those who were slain in this rencounter were buried in the field of battle. Sir Henry Isley himself escaped and fled into Hampshire.

 

Some of our antiquarians, as Talbot, and after him Lambarde, (fn. 3) have conjectured Wrotham to have been the station called in Antonine's itinerary Vagniacæ, but in this they have not been followed by any one else that I have seen.

 

There is great probability that the Roman military way passed by Ofham through this parish near the Comps, westward, towards Oldborough and Stonestreet, as will be further mentioned hereafter.

 

About seventy years ago a considerable quantity of British Silver coin was discovered in this parish by a mole's casting up the earth, and by digging afterwards, which were all seized by the lord of the manor of Wrotham.

 

Pentaphyllum, or creeping cinquefoil, mentioned by Dr. Plot in his history of Oxfordshire, as a rare plant, is said to grow plentifully on one side of Wrotham town.

 

WROTHAM was given to Christ-church, in Canterbury, by king Ethelstan, in the year 964, and continued part of the possessions of that church, when Lanfranc came to the see in the year 1070, being the 5th year of the Conqueror's reign.

 

On the division, which the archbishop soon afterwards made of the revenues of his church, between himself and his convent, Wrotham was allotted to the archbishop and his successors, and as such it is entered under the general title of his lands in the survey of Domesday, taken about the year 1080, as follows:

 

In Broteham hundred. The archbishop himself holds Broteham. It was taxed at eight sulings. The arable land is twenty carucates. In demesne there are three carucates, and seventy-six villeins, with eighteen borderers, having fourteen carucates. There is a church and ten servants, and three mills of fifteen shillings, and nine acres of meadow; wood, when fruitful (in acorns) sufficient for the pannage of five hundred hogs.

 

Of this manor, William Dispensator holds one suling, and there he has one carucate in demesne, and two villeins with half a carucate.

 

Of the same manor Goisfrid holds of the archbishop one suling, and there he has one carucate, and six villeins, with one borderer, having two carucates.

 

Of the manor itself, Farman holds one yoke and an half of the archbishop, and there he has three carucates, and six villeins with twelve cottagers having two carucates, there are ten servants.

 

In the whole value, in the time of king Edward the Confessor, this manor was worth fifteen pounds, and afterwards sixteen pounds. Now the demesne of the archbishop is valued at twenty-four pounds, and yet it pays thirty-five pounds. Of the knights eleven pounds.

 

What Richard of Tonebridge holds in his lowy is valued at fifteen pounds.

 

Walter, archbishop of Canterbury, in the 8th year of king Edward II. had a grant of a market weekly on a Thursday at his manor of Wrotham, and one fair on the seast of St. George yearly.

 

In an antient taxation of the archbishop's revenues, this manor was valued at eighty five pounds. (fn. 4)

 

¶The archbishops had very antiently a palace here, in which they frequently resided till the time of archbishop Simon Islip, who came to the see in the 23d year of king Edward III. who having a desire to finish the palace at Maidstone, which John Ufford his predecessor had begun, and wanting materials for that purpose, pulled down the greatest part of this house, and transported the materials thither, in which situation, the manor, with the remains of it, continued till the reign of king Henry VIII. when Thomas Cranmer, archbishop of Canterbury, in the 29th year of it, conveyed it, as well as all his estates whatsoever in this parish, except the church of Wrotham, and its appendages, to that king, in exchange for other premiles; at which time the scite and demesnes of it were let by the archbishop at the yearly rent of 5l. 6s. 8d. and there were paid to the archbishop (who reserved the royalty and rents of the manor to himself) from the farmers and tenants of it, of antient custom, annually, two hundred and sixty-four hens, valued at sixty-six shillings; 1159 eggs at 5s. 9d. and two geese at ten-pence, (fn. 5) which is noted here to shew the small value of these articles at that time.

 

WROTHAM is within the ECCLESIASTICAL JURISDICTION of the diocese of Rochester, and being a peculiar of the archbishop of Canterbury, is as such within the deanry of Shoreham.

 

The ecclesiastical jurisdiction of this parish extends over the district of the chapelry of Woodland, once a parish of itself, the civil jurisdiction of which is united to the parish of Kingsdown, though on the decay of the chapel, it was, in the 15th year of queen Elizabeth united, as to the ecclesiastical jurisdiction, to this parish, the rector and vicar of which have a right to possess all emoluments arising from it till another chapel is built.

 

The ecclesiastical jurisdiction of this parish extends likewise over the adjoining parish of Stansted, which is accounted as a chapel to the church of Wrotham. It was made a distinct church of itself, by the ordinance of parliament before-mentioned, in 1647, in which state it remained till the restoration, when it became again united to the church of Wrotham, and continues so at this time.

 

The church, which is dedicated to St. George, is situated on the north side of the town, adjoining to the London road at the foot of the hill. It is a very handsome large building, consisting of three isles, a cross isle, and a large chancel, which last was new-paved and otherwise much beautified some years ago, by the late rector, Dr. John Potter.

 

There seems to have been a rectory and vicarage belonging to this church very antiently, for in the 15th year of king Edward I. the former was valued at eighty marcs, and the latter at twenty marcs. However, the vicarage was not endowed till the middle of the reign of king Edward III. when Simon Islip, archbishop of Canterbury, at the request, and with the consent of William de Isleppe, then rector of this church, with the chapel of Stansted annexed, decreed, that there should be from that time in future one vicar, the collation of whom should belong to the archbishop and his successors, and he separated the portion, which the vicar should take in future from that of the rector, and he decreed, that the vicar's part so divided, with the permission of the rector, should be as follows: Imprimis, that he should have for the habitation of himself and his successors, a certain house lately assigned to the vicar, with the garden adjoining, as wholly and as freely as the vicar formerly held the same, and all manner of oblations in whatsoever things they should in any manner arise, in this church and chapel and elsewhere within the parish; and also the tithes of lambs, wool, chickens, pigs, geese, ducks, eggs, bees, honey, wax, cheese, milk, the produce of the dairy, flax, hemp, apples, pears, swans, and also of pidgeons, merchandisings, fisheries, pasture without the parks of the archbishop, onions, garlic, and other small tithes and obventions whatsoever, in any shape arising within the bounds and limits of the parish of this church; and also of the silva cedua of faggots and fardels. And that the vicar should have the tithes of the four water mills situated within the parish of Wrotham, and also the tithe of hay growing at Hale, Roghey, and Wynfield, within this parish, and the small tithes of a place called Pellesholte, titheable to the church of Wrotham from antient time, and all trentals left within the parish of this church and chapel; and he taxed and estimated the above portion at the sum of twenty marcs, and decreed it should pay accordingly to the tenth, whenever the same should be levied

 

And he decreed that the vicar should undergo the following burthens, viz. that he should find one fit chaplain to celebrate in the chapel of Stansted, and to administer to the parishioners there all sacraments, and sacramentals whatsoever, and to exercise all cure of souls, and when he had leisure, and the other part of the parish of Wrotham should be in want of his ministry, beyond the usual service, that he should give his assistance, as the same should be enjoined to him and the vicar. Moreover, that the vicar should provide for his chaplain's celebrating at both places, bread and wine and lights, and should pay the procurations due to the dean of Shoreham at his visitations, and should bind and repair the books, and cause the vestments to be washed as often as need should require. But that the sacrist assigned by the parishioners, according to antient custom, should carefully keep them, as he should answer it at his peril. And he decreed, that the vicar of this church for the time being, should not take any thing whatsoever beyond the above portion, or undergo any other burthens than those before expressed.

 

And he decreed, that the vicar and his chaplains, and their successors, should take an oath of obedience to the rector, that he would neither by himself, or by any other, publicly or privately, bring any damage or burthen to the rector or church, and that he should not knowingly ever usurp to himself, any thing of the rector's portion. And he further decreed, that as often as the vicarage should become vacant, the rector should take all and singular the tithes, and obventions whatsoever assigned as before mentioned, to the vicar of it, and arising during the time of such vacation, and that during the same, he should undergo and acknowledge all the before-mentioned burthens, and should cause, as well the said church, as the chapel of Stansted, to be served in divine services, saving to him the archbishop and his successors full liberty of correcting, amending and explaining his decree, and of adding to, or diminishing from the same, as often as need should require. (fn. 16)

 

Thomas Arundel, archbishop of Canterbury, in 1402, confirmed the above endowment, and being frequently requested by John Sondereshe, rector of this church, to inspect the said letters, how far he might with justice expound the decree, or endowment of this vicarage, which in several parts of it seemed doubtful and obscure, on account of the differences and disputes arising from thence, and the preventing those which might probably arise in future; the archbishop therefore having examined carefully into the premises, decreed, that that part of the endowment, where mention is made, that all small tithes, and obventions whatsoever, should belong to the vicar, ought to extend to the tithes, oblations and obventions therein expressed, and likewife to the tithes of trades and of calves, for the taking of which there had been no small contention, and that all occasion of dispute might be prevented between the rector and vicar, by reason of the endowment, he decreed, that the vicar should yearly receive from the rector for the time being 13s. 4d. in money, and four cart loads of wood of the tithes of silva cedua of this parish, yearly to be taken, when it should most suit the vicar, nevertheless by the direction and delivery of the rector, or of his locum tenens.

 

And in recompence of which 13s. 4d. of the tithes of calves and of trades, and of the fire wood, the rector of this church for the time being should take entirely all manner of tithes of hay, and silva cedua of whatever sort or quality, the same might be, the decree of his predecessor in any wise notwithstanding, which he nevertheless decreed to remain in all other parts firm and valid, saving to himself and his successors, full power to correct, amend or explain the same, and either to add to or diminish it, as often as need, or reason required it. (fn. 17)

 

From this time the rectory became a sine cure, and the vicar performed the whole service of the cure, though they both continued to receive institution and induction.

 

The rectory of Wrotham is valued in the king's books at 50l. 8s. 1½d. and the yearly tenths at 5l. 0s. 9¾d.

 

The vicarage is valued at 22l. 5s. 10d. and the yearly tenths at 19s. 10¾d.

 

An indenture was executed anno 6th Elizabeth, with the queen's consent, between the parson of Wrotham and George Bing, in which the latter conveyed in exchange a court lodge, and twenty-four acres of land to the former, and his successors in free alms, in lieu of the parsonage house, and twenty-four acres of glebe land.

 

The rectory of Wrotham continued a sine cure impropriate, under a lease from the archbishop, separate from the vicarage till the year 1715, when the lease expiring, archbishop Tenison having before refused to renew it, conferred this preferment on the vicar Mr. Thomas Curteis, since which both these preferments have been conferred on the same person who has a separate institution and induction, and conforms likewise in every particular to the act of uniformity for each.

 

¶The parsonage house is a handsome building on the opposite side of the road westward from the church. It was considerably improved of late years, first, by Mr. Curteis, and next by Dr. Potter, who was the principal benefactor to it, and expended a large sum of money upon this house and the offices belonging to it, during the time of his holding these preferments. The vicarage house is still remaining. It is a mean building situated in that part of Wrotham leading to Yaldham.

 

The extent of the ecclesiastical jurisdiction of this parish, with the chapel of Stansted, is very great, containing a space of six miles and an half long, of which Stansted is two miles, and three miles in width, besides the chapel of Woodland. There is an exceeding fine glebe to it, and the first value of the rectory and vicarage is, as I am informed, upwards of one thousand pounds per annum, of which the latter is computed at three hundred pounds.

 

www.british-history.ac.uk/survey-kent/vol5/pp6-32

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Taxi

In this episode of Dolly Diaries, Colleen and I found some amazing dollies at the Salvation Army on two occasions! I also found a few other doll related goodies on another outing, which I decided to include in this video as well. Since I only have twelve Ever After High dolls at the moment, I won't be making a separate video for them for a long time. I thought it would be a fun alternative to showcase my EAH dollies in this video, so you could get to know them in the meantime. I may do this in future episodes of Dolly Diaries with other small collections of mine (my Liv dolls will be in the next episode). I hope you all enjoy this video, as much as I did putting it together.

 

Video:

www.youtube.com/watch?v=oNn5k3-NAVI&feature=youtu.be

There is a continuing debate among theoretical physicists about how the stuff (matter/energy) of the universe could have originated of its own accord, out of 'nothing' (the elusive, so-called ‘theory of everything’). However, the most important question in this debate: Where did information come from? Has been largely ignored, but this is absolutely CRUCIAL - because the universe, as we know it, could not exist without information. The laws of nature, are indicative of order, they govern and control the whole material universe, and extremely complex information is essential for all life.

Information is rightly called the third fundamental property of the universe.

So we have to wonder why the crucial question of the origin of information is excluded from the 'theory of everything' debate?

Without a credible explanation of the origin of information - any proposed theory of 'everything' would, in fact, be a theory of 'nothing' ... and absolutely useless.

 

Life requires information from the very outset, even the tiniest, most primitive cell is packed with complex information (coded in DNA), and the means of interpreting it.

Life could not exist without information. The first life on earth (regardless of how you believe it originated) needed complex information right from the very start, this is certain and beyond any dispute.

So how did information arise in the first life? Was the information for life just floating about in the ether waiting to alight on the right mixture of chemicals in some primordial soup? I think not! (but atheists have not yet proposed any better explanation).

However, even if such an incredible thing were possible, the question would still remain as to how this information originated within the universe? Where did it come from, and why? Hence for any atheist, the origin of DNA code itself, and the information it contains, is an impossible dilemma.

The unanswerable question for atheism is, which came first, information or matter?

Information cannot possibly create itself, but neither can matter. To suggest that either of them originated, of their own accord, from nothing, is self-evidently, utter nonsense and completely unscientific.

(Atheists will never be able to answer this question because the only logical option is - - a non-contingent first cause of all the material realm, which is eternally pre-existent, intelligent, non-material and therefore not subject to natural laws which govern all natural entities, i.e. a Supernatural Creator God).

 

Amazingly, we were told by ‘experts’ in 2004 that the discovery of the simple sugar glycoldehide in a gas cloud (known as Sagittarius B2 allegedly detected light years away in the middle of our galaxy) could explain the origin of DNA & life. (Daily Mirror newspaper, UK, 22/9/2004)

This is comparable to claiming that, if a component for making ink were to be discovered in outer space, it would explain how the complete works of Shakespeare could have originated spontaneously, of their own accord - and some people call that science - - incredible!

 

Make no mistake, atheism is just another religion.

Atheists are very fond of telling us what they don’t believe, but just what do they believe?

 

Because they reject an eternal, pre-existent, non-material first cause, every atheist is obliged to believe the preposterous notion that, the potential and information for life, as well as all the laws of nature, must have been an intrinsic property of the first matter/energy, when this matter/energy arose by its own power, and of its own volition, out of absolutely nothing, at the beginning of everything!!!! (albeit contrary to logic, common sense, and the laws of nature that govern all matter).

Surely this must be the ultimate miracle to outdo all other miracles.

Supporters of this bizarre, magical belief are very fond of describing atheism as “the only rational viewpoint,” - - -

They call such a belief rational? - - -

What do you think?

 

Atheists cannot accept that any information pre-existed the material. Therefore, matter not only had to create itself, but also its own governing laws & information, from nothing, and so the god of the atheist religion of naturalism is credited with even more creative powers than those usually attributed to an eternally pre-existing, Supernatural God.

In other words, ‘matter’ is automatically ascribed by atheist belief as a self-created, intelligent entity.

(This is completely contrary to logic, and to natural laws which describe the inherent properties and behaviour of matter and all natural occurrences, without exception).

 

“It’s just unbelievable what unbelievers are willing to believe, in order to be unbelievers” (Dr. Duane Gish)

 

Consider this ...

Long, long, long ago, in an eternal void of nothingness, a tiny cosmic egg arose of its own volition. Then, all of a sudden, the egg accidentally exploded and proceeded to expand until it became the whole universe and everything within it. 

(This is the atheistic, ‘Big Bang’, fairy story of creation in a nutshell - - - or should that be eggshell?). But where could this cosmic egg have come from? - - - who knows? - - - perhaps a cosmic chicken laid it? - - - if so - - - where did the cosmic chicken come from? - - - don’t even ask! - - - because the only thing we are absolutely sure of is that we are still waiting for any ‘Big Bang’ supporter to propose a better solution. - - - Please don’t hold your breath!

The best they have come up with so far, is that the 'nothing' in which the cosmic egg emerged, wasn't really nothing, but 'something', i.e. SPACE. But, any fool can see that this is just a device to make a ridiculous belief sound plausible. It is obviously not plausible, because they then have to explain how space (which is not nothing, but just a part of the contingent, material realm) originated, which takes the whole ridiculous idea back to square one.

 

Since information is not a physical element (and as information is a fundamental constituent of the universe and an essential feature of all life) to assert that the universe is composed solely of matter and energy is clearly wrong.

The speculated ‘Big Bang’ explosion is an accidental, purposeless and destructive event, with no directing, informational component whatsoever. As it is not possible for such a ‘Big Bang’ or any other undirected release of energy to create useful information (or any sort of order) it is patently obvious that this ‘Big Bang’ story of creation is erroneous.

 

Where has wisdom gone?

For all our modern knowledge and technology, ancient man had a wisdom in these matters which far surpasses modern ideas.

It is now almost 2 thousand years ago that Christ's Apostle John delivered the ultimate ‘theory of everything’. He understood (like many of his predecessors) that the most important factor in the question of origins is information: “In the beginning was the word” [(word: logos) = information]. John 1; 1. (the 'Word' is applied by John to Jesus Christ as true God and true man - meaning the universe was created by the Word (Jesus), by means of God's word - intelligent, constructive information).

 

All sensible people realise that information just had to come first, nothing constructive or creative can occur without information. Science tells us that, any input of raw energy alone, tends to increase entropy. Only organised or directed energy (energy with an informational component) can temporarily reverse or reduce the effects of entropy.

Without information, nothing material could exist in its present form.

Information derives only from an intelligent source, so only information from a pre-existing, supernatural, intelligent source could bring everything material into being, organise and control its construction and behaviour, and maintain its continued existence.

So the essential, single, first cause had to be both uncaused and intelligent.

There is no other logical option.

 

Belief in God did not just evolve (as some atheists keep telling us) as a means for ‘ignorant’, ‘primitive’, ‘superstitious’ humans to explain things they could not understand.

On the contrary, ancient man (from the time of Adam) fully understood (better than many of the so-called experts today) that the material universe does not contain within itself any possible means of creating itself and its essential, regulatory information, out of nothing.

A non-contingent, pre-existing, supernatural (non-material), eternal, infinite and omnipotent force had to be responsible for creating it. An essential element of that force is a supreme intelligence which has to be the original source of all information.

 

“ALL THINGS WERE MADE BY HIM; AND WITHOUT HIM WAS NOT ANY THING MADE THAT WAS MADE. IN HIM WAS LIFE

AND THE LIFE WAS THE LIGHT OF MEN” John 1: 3-4.

 

In this computer age, people are again beginning to understand the particular relevance of information.

A computer (the hardware) processes and stores information (the software). Without any software programming, the hardware would be useless.

As Chuck Missler points out in his book ‘Cosmic Codes; “software has no mass. (its embodiment may have weight, but the software doesn’t. It simply codes information)”.

A computer disk loaded with a million bytes of software will weigh no more than a blank disk and the information it contains can be sent invisibly through the airwaves from one point to another.

To quote Chuck Missler again “if you and I were meeting face-to-face, I would still not be able to see the real you. I would only see the temporary residence you are occupying. The real you, your personality - - call it soul, spirit, whatever - - is not visible. It is software not hardware. The codes - - your history, your accumulated responses to the events of your life, your attitudes - - are all simply informational, not physical. It is software only and software has no mass”. According to Einstein, time is a physical property - - - “that which has no mass has no time. You are eternal, that is what the Bible has declared all along. You are eternal whether you like it or not” Chuck Missler, Cosmic Codes. 1999. Koinonia house.

 

The information for life ....

Atheists and evolutionists have no idea how the first, genetic information originated. They claim the spontaneous generation of life (abiogenesis) is an established scientific fact, but this is completely disingenuous. Apart from the fact that abiogenesis violates the Law of Biogenesis, the Law of Cause and Effect and the Second Law of Thermodynamics, it also violates Information Theory.

 

Atheists and evolutionists have an enormous problem with explaining how the DNA code originated. However that is not the major problem. The impression is given to the public, that evolutionists only have to find an explanation for the origin of DNA by natural processes - and the problem of the origin of genetic information will have been solved. That is a confusion in the minds of many people that evolutionists cynically exploit. It is far from the truth, as they very well know.

Explaining how DNA was formed by chemical processes, explains only how the information storage medium was formed, it tells us nothing about the origin of the information it carries.

 

To clarify this it helps to compare DNA to other information, storage mediums.

For example, if we compare DNA to the written word, we understand that the alphabet is a tangible medium for storing, recording and expressing information, it is not information in itself. The information is recorded in the sequence of letters, forming meaningful words.

You could say that the alphabet is the 'hardware' created from paper and ink, and the sequential arrangement of the letters is the software. The software is a mental construct, not a physical one.

The same applies to DNA. DNA is not information of itself, just like the alphabet it is the medium for storing and expressing information. It is an amazingly efficient storage medium. However, it is the sequence or arrangement of the amino acids which is the actual information, not the DNA code.

So, if evolutionists are ever able to explain how DNA was formed by chemical processes, it would explain only how the information storage medium was formed. It will tell us nothing about the origin of the information it carries. Therefore, when atheists and evolutionists tell us it is only a matter of time before 'science' will be able to fill the 'gaps' in our knowledge and explain the origin of genetic information, they are not being honest. Explaining the origin of the 'hardware' by natural processes is an entirely different matter to explaining the origin of the software.

Next time you hear atheists skating over the problem of the origin of genetic information with their usual bluff and bluster, and parroting their usual nonsense about science being able to fill such gaps in knowledge in the future, don't be fooled. They cannot explain the origin of genetic information, and never will be able to. The software cannot be created by chemical processes or the interaction of energy and matter, it is not possible. If you don't believe that. then by all means put it to the test, by challenging any atheist or evolutionist to explain how genetic information (not DNA) can originate by natural means?

 

Why God must exist.

www.flickr.com/photos/101536517@N06/15818838060

 

FOUNDATIONS OF SCIENCE

The Law of Cause and Effect. Dominant Principle of Classical Physics. David L. Bergman and Glen C. Collins

www.thewarfareismental.net/b/wp-content/uploads/2011/02/b...

 

"The Big Bang's Failed Predictions and Failures to Predict: (Updated Aug 3, 2017.) As documented below, trust in the big bang's predictive ability has been misplaced when compared to the actual astronomical observations that were made, in large part, in hopes of affirming the theory."

kgov.com/big-bang-predictions

A 35-year-old male California condor that has served a pivotal role in returning condors to the skies above California for the past 30 years was returned to the wild on December 29, 2015 by biologists at Bitter Creek National Wildlife Refuge in Kern County, California.

 

The condor, known as AC-4, was captured on August 7, 1985, by a team of U.S. Fish and Wildlife Service (Service) biologists at Bitter Creek National Wildlife Refuge as part of an effort to prevent extinction of the species. He was one of 22 California condors - the last remaining on Earth - captured between 1983 and 1987 to breed in captivity as part of the Service-led California Condor Recovery Program.

 

On December 29, re-branded as California condor number 20, he was released in the same area where he was captured.

 

“Watching this California condor, who has been so instrumental to recovery of his species, rejoin the wild flock, is an emotional and historic moment,” said Joseph Brandt, lead condor biologist with Service. “It’s like seeing him come full circle.”

 

Jesse Grantham, former California Condor Recovery Coordinator, was part of the team to capture AC-4 in 1985, and had monitored the bird extensively. “Many people have poured their heart and soul into the recovery of these remarkable birds, and it is an amazing feeling to be here with many of those individuals who have dedicated their lives to condor recovery. The bird can now live out the remainder of its life back in the wild, while his legacy and contributions to condor recovery live on in future generations.”

 

Children and young adults from the Pasadena Young Birders Club joined Brandt, Grantham and many others who have worked on condor conservation for decades, to be a part of the once-in-a-lifetime experience.

 

Fifteen-year-old birder Diego Blanco and his family watched in awe as the condor took flight. "[He] soared to our left, away from the pen and over the canyon. He crossed a ravine, passed over several ridges, and continued his leftward flight, following the canyon as he went."

 

Reflecting on his experience, Diego continued, "AC-4 represents a thin, but unbroken link to the 10,000 years of condors in North America, and witnessing his release was a truly inspirational moment..." [Read Diego's full account of his experience here: www.fws.gov/FieldNotes/regmap.cfm?arskey=36843].

 

AC-4 has been integral to the recovery of the California condor population. He has successfully sired 30 chicks that have been released into the wild population -- the third most productive sire in the program. Along with female mate UN-1 (California condor number 13), the pair produced the first egg and first chick from wild birds in captivity in 1988.

 

Recent genetic work indicates his parents were original genetic founders of the captive population, and those genes are now well represented across the captive population.

 

AC-4 remained part of the captive breeding program at San Diego Zoo from 1985 to 2014, when he was transferred to Pinnacles National Park to mentor juvenile California condors who were preparing to be released into the wild. He was transferred to a flight pen at Bitter Creek National Wildlife Refuge in September to prepare for his release into the wild.

 

AC-4 is one of four remaining condors of the original 22 birds brought into captivity in the 1980s.

 

With a wingspan of 9.5 feet and weighing up to 25 pounds, the California condor (Gymnogyps californianus) is the largest land bird in North America. These majestic creatures historically ranged from California to Florida and Western Canada to Northern Mexico. By the mid-20th century, condor populations had dropped dramatically, and by 1967 the California condor was listed as "endangered" by the federal government. In 1982, only 23 condors existed world-wide. By 1987, all remaining wild condors were placed into a captive breeding program. Thus began an intensive recovery program to save the California condor from extinction.

 

Since 1992, when the Service began reintroducing captive-bred condors to the wild, the population has grown to about 420 birds.

 

In 2008, the Recovery Program reached an important milestone, with more California condors flying free in the wild than in captivity for the first time since the program began.

The Eastwood Y10 service is now usually served by 1406 rather than any available bus. Meaning this is your spot for finding 1406 in future visits.

 

no. SN66 WLO

The Albertina

The architectural history of the Palais

(Pictures you can see by clicking on the link at the end of page!)

Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869

"It is my will that ​​the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".

This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.

Image: The Old Albertina after 1920

It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.

The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.

In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.

Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.

1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.

Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990

The era of stately representation with handing down their cultural values ​​found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:

After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".

Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905

This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.

The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.

Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.

Image: The palace after the demolition of the entrance facade, 1948-52

Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values ​​of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.

Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei

This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.

Image: The restored suburb facade of the Palais Albertina suburb

The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.

Image: The new entrance area of the Albertina

64 meter long shed roof. Hans Hollein.

The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".

 

Christian Benedictine

Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.

 

www.wien-vienna.at/albertinabaugeschichte.php

 

You are not allowed to park within 5 feet of one of these. I had a good look and can't see where the firemen would plug their hoses into this thing. Well, I guess they are big hefty blokes who can wield an axe and dig to the required access point.

 

Day 25 of 365 Days in Colour - November, Rust.

 

Taken with iPhone 4S.

 

FROM WIKIPEDIA (after Scorpocat's comment)

The concept of fire plugs dates to at least the 17th century. This was a time when firefighters responding to a call would dig down to the wooden water mains and hastily bore a hole to secure water to fight fires. The water would fill the hole creating a temporary well, and be transported from the well to the fire via bucket brigades or, later, via hand pumped fire engines. The holes were then plugged with stoppers, normally redwood, which over time came to be known as fire plugs. The location of the plug would often be recorded or marked so that it could be reused in future fires. This is the source of the colloquial term fire plug still used for fire hydrants today. After the Great Fire of London in 1666, the city installed water mains with holes drilled at intervals, equipped with risers, allowing an access point to the wooden fire plugs from street level.

 

Saturday 6th February 2016 saw a Manchester City play Leicester City at the Etihad Stadium.

 

The Force’s photographer was on hand to take a series of images to be used in future safety briefings and also captured some images of the build up to the game.

 

The Manchester weather did its best to dampen the spirits of both sets of supporters and the rain poured constantly. Despite the inclement weather Leicester fans left the ground in good spirits after a win.

 

Policing the many major football games played in our region is a regular duty for many of our officers.

 

For more information about Policing in Greater Manchester please visit our website. www.gmp.police.uk

 

To report crime call police on 101 the national non-emergency number.

 

You can also call anonymously with information about crime to Crimestoppers on 0800 555 111. Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.

 

Just a quicky while waiting for nizer to finish his part of the wall,

Definitely gonna work on letters rather than characters in future.

Shouts to everyone everywhere!

My parent's 56th wedding anniversary.

 

Heritage Weekend.

 

Ride and Stride charity event.

 

Churchcrawling, the hobby of visiting churches, can be a hit and miss affair. A church in one village maybe open 24/7, whilst a church in the same benefice, deanary in the next village may only be open for services, with no keyholder details.

 

This means you never can be sure that a church will be open, but one day a year, there is a higher chance they might be open.

 

In normal times.

 

But these are far from normal times, of course.

 

Ride and Stride is a national charity day when walkers and cyclists visit as many churches in eight hours to raise money. Churches are usually open for this, offering refreshments for the participants. Sometimes they just put up a sign in sheet in the porch. THis was something I would see through the day.

 

I have a list now of churches I still need to visit, and with Kent being a large county, those in the north and west of the county are nearly 8o minutes drive away, so planning a route is something akin to a military operation. I do that, then have my list with me, and the Kent A-Z in case I have spare time, 12 churches on my hit list, and 50 more in the book. More than enough for several such days.

 

I have breakfast and coffee, pack my cameras, check the batteries, format memory cards and am ready to leave at half eight, so to be at the first church at just after half nine in case it is open early. Or at all.

 

Jools wasn't going to come with me, so I leave her and the four cats behind, and set off up the A then M20 past Ashford, Maidstone, nearly into Surrey.

 

Wrotham is better known for having a motorway junction named after it, so surprising to find it an old and attractive village, with the church sitting proud overlooking the small village square. Wardens had begun to arrive, so I go to snap the village before returning and asking if I could go inside to take shots.

 

If you mask up and don't touch anything.

 

Deal!

 

Inside, St George is clean, airy, full of light and well cared for. Numerous chandeliers and lights hang down supplementing the sunlight pouring through the south windows.

 

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In an excellent position overlooking the diminutive village square, the church is much larger than one imagines. It is entered under a two-storey stone-vaulted porch. On the right, inside the church, is a holy water stoup. The south chapel shows the rood loft staircase leading to the top of the fourteenth-century screen. The lively altar in the chapel was designed by Comper in 1907. The stonework of the main east window was inserted in 1958 and came from Wren's St Albans Church in London, damaged in the Second World War. By far the best visual feature in Wrotham church is the chunky nineteenth-century stone and marble pulpit designed by Newman and Billing in 1861. The tower has an unusual feature - a vaulted passage leading right under it from north to south at ground level to allow medieval processions to circumnavigate the building. There is nothing else like it in Kent and few across England!

 

www.kentchurches.info/church.asp?p=Wrotham

 

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WROTHAM.

SOUTHWARD from Stansted lies Wrotham, commonly pronounced Ruteham. In Domesday book it is written Broteham, and in the Textus Roffensis, WROTEHAM.

 

THE PARISH of Wrotham is of very large extent, being, though only between two and three miles in breadth, near five miles in length from north to south. It lies of course in various situations, and is of various soils. The village, or town of Wrotham, is situated at the foot of the great ridge of chalk hills, above the summit of which this parish extends northward. From this hill, called here Wrotham hill, which is here luxuriantly cloathed with fine spreading beech trees, there is a most beautiful prospect southward over a variety of country, lying in the vale beneath, of vast extent, which is bounded by the sand hills at the southern extremity of it; the high road from London through Farningham to Maidstone leads through this town, which is a little more than twenty-four miles from London. At the entrance of it is the mansion of the rectory, a handsome house, well suited to the income of it, and on the opposite side the road stands the church, and the small remains of the archiepiscopal palace, but yet sufficient to remind us of its having formerly been such. In the center of the town stand the marketplace and public well, both repaired by the lord of the manor; the market, which was on a Tuesday, has been disused for many years, but here is a fair held yearly on May 4, for horses, cattle, &c. Opposite the marketplace is Wrotham place, the seat of Mr. Haddock, a further account of which will be given hereafter. Hence the road divides, that to the right leads to Yaldham and Ightham, and to the left the London road to Maidstone continues south-eastward along a chalky soil, through the borough of Neupiker, where there is a handsome sashed house belonging to Mr. Tomlyn, and a spring, which supplies the rivulet which runs afterwards by Ford, situated at the western boundaries of the parish, next to Addington, and thence by Leyborne towards the Medway; about a mile from Neupiker, is Wrotham heath, a barren sandy soil, both red and black, but on which great quantities of peat is dug; here the road divides, the left leading by the Royal Oak to Maidstone, near which are the two hamlets of Great and Little Comp, and the woods of that name, and the right towards Ightham, the antient Roman camp on Oldberry hill, and over Seal chart to Sevenoke and Westerham. On the southern side of the road this parish extends over the hill to Hale borough and the hamlet of Plaxtool, where the soil, from a sand becomes a deep stiff clay, and though a fertile, yet an unpleasant miry country. The chapel and street of Plaxtool, together with the seat of Fairlawn, are situated at the southern boundaries of it, next to Shipborne and West Peckham. In Plaxtool-street is a good house, built by Thomas Dalyson, esq. who resided here till his father's death, when he removed to Hamptons, in West Peckham. He lies buried in Plaxtool chapel, and his eldest son, William Dalyson, esq. of Hamptons, now resides in it. Near the last hill above-mentioned, but still within the circuit of this borough, are two hamlets, called Plaxtool-street likewife, and Crouch, the latter of which was formerly the residence of the Millers, baronets, about half a mile eastward from which is the large tract of woodland, called the Herst or Compwoods; through the other runs a stream, which rises near Ightham, and having turned a paper mill at Basted pasies through this borough towards West Peckham, Hadlow, and thence into the Medway.

 

That part of this parish which lies southward below Comp-hill, and the hill above Fairlawn, is in the district called the Weald, though there have been several, who have contended, that all that part of Wrotham lying below the chalk hill is in the Weald of Kent, and as a proof of it, urge the non payment of tithe for the wood in those parts of this parish. But the general received opinion is, that the Weald begins at the next sand hill above Fairlawn; wood being exempted from tithe can be no proof of its being in the Weald, as there are such large districts in this county plainly out of it, which claim and enjoy, as yet, a like privilege.

 

This parish ought antiently to have contributed to the repair of the fifth pier of Rochester bridge.

 

Besides the gentlemens' families mentioned hereafter who formerly resided in this parish, John Richers, a justice of the peace, resided here in 1570, a period when that office was truly an honor to those who were intrusted with it. He was descended from an antient family of Swanington-hall, in Norfolk.

 

William Bryan, esq. of this parish, son of John Bryan, of Kibworth, in Leicestershire, by Elianor, sister of Anthony Watson, bishop of Chichester, and at length heir to the bishop, resided here in the beginning of the reign of king James I. and bore for his arms, Or, three piles azure, a chief ermine.

 

A branch of the family of Polley, alias Polhill, once resided in this parish, of which was Sir Thomas Polley, who was living here in the reign of king James I. These were junior to those of Preston, in Shoreham, but elder to those of Chipsted and Otford, in this county. John Thomas, gent. was of Wrotham, in the reign of queen Elizabeth, whose grandson, William Thomas, gent. removed to Selling, in this county. They bore for their arms, Argent, a fess dancette, sable, between three Cornish choughs, proper. (fn. 1)

 

Thomas Shakerley, third son of Francis Shakerley, of Ditton, in this county, resided at Wrotham in the reign of king James I. (fn. 2)

 

In Blacksole field, in this parish, Sir Robert Southwell, sheriff of this county, and the lord Abergavenny, with about five hundred gentlemen and yeomen, routed the Isleys and their party, who were engaged in Sir Thomas Wyatt's rebellion, in the first year of queen Mary's reign; the rebels were pursued from hence near four miles to Hartley-wood, many of them were killed, and about sixty taken prisoners. Those who were slain in this rencounter were buried in the field of battle. Sir Henry Isley himself escaped and fled into Hampshire.

 

Some of our antiquarians, as Talbot, and after him Lambarde, (fn. 3) have conjectured Wrotham to have been the station called in Antonine's itinerary Vagniacæ, but in this they have not been followed by any one else that I have seen.

 

There is great probability that the Roman military way passed by Ofham through this parish near the Comps, westward, towards Oldborough and Stonestreet, as will be further mentioned hereafter.

 

About seventy years ago a considerable quantity of British Silver coin was discovered in this parish by a mole's casting up the earth, and by digging afterwards, which were all seized by the lord of the manor of Wrotham.

 

Pentaphyllum, or creeping cinquefoil, mentioned by Dr. Plot in his history of Oxfordshire, as a rare plant, is said to grow plentifully on one side of Wrotham town.

 

WROTHAM was given to Christ-church, in Canterbury, by king Ethelstan, in the year 964, and continued part of the possessions of that church, when Lanfranc came to the see in the year 1070, being the 5th year of the Conqueror's reign.

 

On the division, which the archbishop soon afterwards made of the revenues of his church, between himself and his convent, Wrotham was allotted to the archbishop and his successors, and as such it is entered under the general title of his lands in the survey of Domesday, taken about the year 1080, as follows:

 

In Broteham hundred. The archbishop himself holds Broteham. It was taxed at eight sulings. The arable land is twenty carucates. In demesne there are three carucates, and seventy-six villeins, with eighteen borderers, having fourteen carucates. There is a church and ten servants, and three mills of fifteen shillings, and nine acres of meadow; wood, when fruitful (in acorns) sufficient for the pannage of five hundred hogs.

 

Of this manor, William Dispensator holds one suling, and there he has one carucate in demesne, and two villeins with half a carucate.

 

Of the same manor Goisfrid holds of the archbishop one suling, and there he has one carucate, and six villeins, with one borderer, having two carucates.

 

Of the manor itself, Farman holds one yoke and an half of the archbishop, and there he has three carucates, and six villeins with twelve cottagers having two carucates, there are ten servants.

 

In the whole value, in the time of king Edward the Confessor, this manor was worth fifteen pounds, and afterwards sixteen pounds. Now the demesne of the archbishop is valued at twenty-four pounds, and yet it pays thirty-five pounds. Of the knights eleven pounds.

 

What Richard of Tonebridge holds in his lowy is valued at fifteen pounds.

 

Walter, archbishop of Canterbury, in the 8th year of king Edward II. had a grant of a market weekly on a Thursday at his manor of Wrotham, and one fair on the seast of St. George yearly.

 

In an antient taxation of the archbishop's revenues, this manor was valued at eighty five pounds. (fn. 4)

 

¶The archbishops had very antiently a palace here, in which they frequently resided till the time of archbishop Simon Islip, who came to the see in the 23d year of king Edward III. who having a desire to finish the palace at Maidstone, which John Ufford his predecessor had begun, and wanting materials for that purpose, pulled down the greatest part of this house, and transported the materials thither, in which situation, the manor, with the remains of it, continued till the reign of king Henry VIII. when Thomas Cranmer, archbishop of Canterbury, in the 29th year of it, conveyed it, as well as all his estates whatsoever in this parish, except the church of Wrotham, and its appendages, to that king, in exchange for other premiles; at which time the scite and demesnes of it were let by the archbishop at the yearly rent of 5l. 6s. 8d. and there were paid to the archbishop (who reserved the royalty and rents of the manor to himself) from the farmers and tenants of it, of antient custom, annually, two hundred and sixty-four hens, valued at sixty-six shillings; 1159 eggs at 5s. 9d. and two geese at ten-pence, (fn. 5) which is noted here to shew the small value of these articles at that time.

 

WROTHAM is within the ECCLESIASTICAL JURISDICTION of the diocese of Rochester, and being a peculiar of the archbishop of Canterbury, is as such within the deanry of Shoreham.

 

The ecclesiastical jurisdiction of this parish extends over the district of the chapelry of Woodland, once a parish of itself, the civil jurisdiction of which is united to the parish of Kingsdown, though on the decay of the chapel, it was, in the 15th year of queen Elizabeth united, as to the ecclesiastical jurisdiction, to this parish, the rector and vicar of which have a right to possess all emoluments arising from it till another chapel is built.

 

The ecclesiastical jurisdiction of this parish extends likewise over the adjoining parish of Stansted, which is accounted as a chapel to the church of Wrotham. It was made a distinct church of itself, by the ordinance of parliament before-mentioned, in 1647, in which state it remained till the restoration, when it became again united to the church of Wrotham, and continues so at this time.

 

The church, which is dedicated to St. George, is situated on the north side of the town, adjoining to the London road at the foot of the hill. It is a very handsome large building, consisting of three isles, a cross isle, and a large chancel, which last was new-paved and otherwise much beautified some years ago, by the late rector, Dr. John Potter.

 

There seems to have been a rectory and vicarage belonging to this church very antiently, for in the 15th year of king Edward I. the former was valued at eighty marcs, and the latter at twenty marcs. However, the vicarage was not endowed till the middle of the reign of king Edward III. when Simon Islip, archbishop of Canterbury, at the request, and with the consent of William de Isleppe, then rector of this church, with the chapel of Stansted annexed, decreed, that there should be from that time in future one vicar, the collation of whom should belong to the archbishop and his successors, and he separated the portion, which the vicar should take in future from that of the rector, and he decreed, that the vicar's part so divided, with the permission of the rector, should be as follows: Imprimis, that he should have for the habitation of himself and his successors, a certain house lately assigned to the vicar, with the garden adjoining, as wholly and as freely as the vicar formerly held the same, and all manner of oblations in whatsoever things they should in any manner arise, in this church and chapel and elsewhere within the parish; and also the tithes of lambs, wool, chickens, pigs, geese, ducks, eggs, bees, honey, wax, cheese, milk, the produce of the dairy, flax, hemp, apples, pears, swans, and also of pidgeons, merchandisings, fisheries, pasture without the parks of the archbishop, onions, garlic, and other small tithes and obventions whatsoever, in any shape arising within the bounds and limits of the parish of this church; and also of the silva cedua of faggots and fardels. And that the vicar should have the tithes of the four water mills situated within the parish of Wrotham, and also the tithe of hay growing at Hale, Roghey, and Wynfield, within this parish, and the small tithes of a place called Pellesholte, titheable to the church of Wrotham from antient time, and all trentals left within the parish of this church and chapel; and he taxed and estimated the above portion at the sum of twenty marcs, and decreed it should pay accordingly to the tenth, whenever the same should be levied

 

And he decreed that the vicar should undergo the following burthens, viz. that he should find one fit chaplain to celebrate in the chapel of Stansted, and to administer to the parishioners there all sacraments, and sacramentals whatsoever, and to exercise all cure of souls, and when he had leisure, and the other part of the parish of Wrotham should be in want of his ministry, beyond the usual service, that he should give his assistance, as the same should be enjoined to him and the vicar. Moreover, that the vicar should provide for his chaplain's celebrating at both places, bread and wine and lights, and should pay the procurations due to the dean of Shoreham at his visitations, and should bind and repair the books, and cause the vestments to be washed as often as need should require. But that the sacrist assigned by the parishioners, according to antient custom, should carefully keep them, as he should answer it at his peril. And he decreed, that the vicar of this church for the time being, should not take any thing whatsoever beyond the above portion, or undergo any other burthens than those before expressed.

 

And he decreed, that the vicar and his chaplains, and their successors, should take an oath of obedience to the rector, that he would neither by himself, or by any other, publicly or privately, bring any damage or burthen to the rector or church, and that he should not knowingly ever usurp to himself, any thing of the rector's portion. And he further decreed, that as often as the vicarage should become vacant, the rector should take all and singular the tithes, and obventions whatsoever assigned as before mentioned, to the vicar of it, and arising during the time of such vacation, and that during the same, he should undergo and acknowledge all the before-mentioned burthens, and should cause, as well the said church, as the chapel of Stansted, to be served in divine services, saving to him the archbishop and his successors full liberty of correcting, amending and explaining his decree, and of adding to, or diminishing from the same, as often as need should require. (fn. 16)

 

Thomas Arundel, archbishop of Canterbury, in 1402, confirmed the above endowment, and being frequently requested by John Sondereshe, rector of this church, to inspect the said letters, how far he might with justice expound the decree, or endowment of this vicarage, which in several parts of it seemed doubtful and obscure, on account of the differences and disputes arising from thence, and the preventing those which might probably arise in future; the archbishop therefore having examined carefully into the premises, decreed, that that part of the endowment, where mention is made, that all small tithes, and obventions whatsoever, should belong to the vicar, ought to extend to the tithes, oblations and obventions therein expressed, and likewife to the tithes of trades and of calves, for the taking of which there had been no small contention, and that all occasion of dispute might be prevented between the rector and vicar, by reason of the endowment, he decreed, that the vicar should yearly receive from the rector for the time being 13s. 4d. in money, and four cart loads of wood of the tithes of silva cedua of this parish, yearly to be taken, when it should most suit the vicar, nevertheless by the direction and delivery of the rector, or of his locum tenens.

 

And in recompence of which 13s. 4d. of the tithes of calves and of trades, and of the fire wood, the rector of this church for the time being should take entirely all manner of tithes of hay, and silva cedua of whatever sort or quality, the same might be, the decree of his predecessor in any wise notwithstanding, which he nevertheless decreed to remain in all other parts firm and valid, saving to himself and his successors, full power to correct, amend or explain the same, and either to add to or diminish it, as often as need, or reason required it. (fn. 17)

 

From this time the rectory became a sine cure, and the vicar performed the whole service of the cure, though they both continued to receive institution and induction.

 

The rectory of Wrotham is valued in the king's books at 50l. 8s. 1½d. and the yearly tenths at 5l. 0s. 9¾d.

 

The vicarage is valued at 22l. 5s. 10d. and the yearly tenths at 19s. 10¾d.

 

An indenture was executed anno 6th Elizabeth, with the queen's consent, between the parson of Wrotham and George Bing, in which the latter conveyed in exchange a court lodge, and twenty-four acres of land to the former, and his successors in free alms, in lieu of the parsonage house, and twenty-four acres of glebe land.

 

The rectory of Wrotham continued a sine cure impropriate, under a lease from the archbishop, separate from the vicarage till the year 1715, when the lease expiring, archbishop Tenison having before refused to renew it, conferred this preferment on the vicar Mr. Thomas Curteis, since which both these preferments have been conferred on the same person who has a separate institution and induction, and conforms likewise in every particular to the act of uniformity for each.

 

¶The parsonage house is a handsome building on the opposite side of the road westward from the church. It was considerably improved of late years, first, by Mr. Curteis, and next by Dr. Potter, who was the principal benefactor to it, and expended a large sum of money upon this house and the offices belonging to it, during the time of his holding these preferments. The vicarage house is still remaining. It is a mean building situated in that part of Wrotham leading to Yaldham.

 

The extent of the ecclesiastical jurisdiction of this parish, with the chapel of Stansted, is very great, containing a space of six miles and an half long, of which Stansted is two miles, and three miles in width, besides the chapel of Woodland. There is an exceeding fine glebe to it, and the first value of the rectory and vicarage is, as I am informed, upwards of one thousand pounds per annum, of which the latter is computed at three hundred pounds.

 

www.british-history.ac.uk/survey-kent/vol5/pp6-32

Horsham, VIC

 

Opened in March 2014, the Australian Grains Genebank is a national centre for storing genetic material for plant breeding and research.

 

It will house about 300 million seeds from around the world to be used in future plant breeding programs.

The pig (Sus domesticus), often called swine (pl.: swine), hog, or domestic pig when distinguishing from other members of the genus Sus, is an omnivorous, domesticated, even-toed, hoofed mammal. It is variously considered a subspecies of Sus scrofa (the wild boar or Eurasian boar) or a distinct species. Pigs were domesticated in the Neolithic, both in East Asia and in the Near East. When these arrived in Europe, they extensively interbred with wild boar but retained their domesticated features.

 

Pigs are farmed primarily for meat, called pork. The animal's skin or hide is used for leather. China is the world's largest pig producer, followed by the European Union and then the United States. Around 1.5 billion pigs are raised each year, producing some 120 million tonnes of meat.

 

Pigs have featured in human culture since Neolithic times, appearing in art and literature for children and adults.

 

Description

The pig has a large head, with a long snout strengthened by a special prenasal bone and a disk of cartilage at the tip. The snout is used to dig into the soil to find food and is an acute sense organ. The dental formula of adult pigs is

3.1.4.3

3.1.4.3

, giving a total of 44 teeth. The rear teeth are adapted for crushing. In the male, the canine teeth can form tusks, which grow continuously and are sharpened by constantly being ground against each other. There are four hoofed toes on each foot; the two larger central toes bear most of the weight, while the outer two are also used in soft ground. Most pigs have rather sparsely bristled hair on their skin, though there are some woolly-coated breeds such as the Mangalitsa.

 

Pigs possess both apocrine and eccrine sweat glands, although the latter are limited to the snout. Pigs, like other "hairless" mammals such as elephants, do not use thermal sweat glands in cooling. Pigs are less able than many other mammals to dissipate heat from wet mucous membranes in the mouth by panting. Their thermoneutral zone is 16–22 °C (61–72 °F). At higher temperatures, pigs lose heat by wallowing in mud or water via evaporative cooling, although it has been suggested that wallowing may serve other functions, such as protection from sunburn, ecto-parasite control, and scent-marking. Pigs are among four mammalian species with mutations in the nicotinic acetylcholine receptor that protect against snake venom. Mongooses, honey badgers, hedgehogs, and pigs all have different modifications to the receptor pocket which prevents α-neurotoxin from binding. Pigs have small lungs for their body size, and are thus more susceptible than other domesticated animals to fatal bronchitis and pneumonia. Pigs have a maximum life span of about 27 years. The genome of the pig has been sequenced; it contains about 22,342 protein-coding genes.

 

Taxonomy

The pig is most often considered to be a subspecies of the wild boar, which was given the name Sus scrofa by Carl Linnaeus in 1758; following from this, the formal name of the pig is Sus scrofa domesticus. However, in 1777, Johann Christian Polycarp Erxleben classified the pig as a separate species from the wild boar. He gave it the name Sus domesticus, still used by some taxonomists. The American Society of Mammalogists considers it a separate species.

 

Domestication in the Neolithic

Archaeological evidence shows that pigs were domesticated from wild boar in the Near East in or around the Tigris Basin, being managed in the wild in a way similar to the way they are managed by some modern New Guineans. There were pigs in Cyprus more than 11,400 years ago, introduced from the mainland, implying domestication in the adjacent mainland by then. Pigs were separately domesticated in China, starting some 8,000 years ago. In the Near East, pig husbandry spread for the next few millennia. It reduced gradually during the Bronze Age, as rural populations focused instead on commodity-producing livestock, but it was sustained in cities.

 

Domestication did not involve reproductive isolation with population bottlenecks. Western Asian pigs were introduced into Europe, where they crossed with wild boar. There appears to have been interbreeding with a now extinct ghost population of wild pigs during the Pleistocene. The genomes of domestic pigs show strong selection for genes affecting behavior and morphology. Human selection for domestic traits likely counteracted the homogenizing effect of gene flow from wild boars and created domestication islands in the genome. Pigs arrived in Europe from the Near East at least 8,500 years ago. Over the next 3,000 years they interbred with European wild boar until their genome showed less than 5% Near Eastern ancestry, yet retained their domesticated features.

 

DNA evidence from subfossil remains of teeth and jawbones of Neolithic pigs shows that the first domestic pigs in Europe were brought from the Near East. This stimulated the domestication of local European wild boar, resulting in a third domestication event with the Near Eastern genes dying out in European pig stock. More recently there have been complex exchanges, with European domesticated lines being exported, in turn, to the ancient Near East. Historical records indicate that Asian pigs were again introduced into Europe during the 18th and early 19th centuries.

 

History

Columbian Exchange

Among the animals that the Spanish introduced to the Chiloé Archipelago in the 16th century Columbian Exchange, pigs were the most successful in adapting to local conditions. The pigs benefited from abundant shellfish and algae exposed by the large tides of the archipelago. Pigs were brought to southeastern North America from Europe by de Soto and other early Spanish explorers. Escaped pigs became feral, disrupting the lives of Native Americans.

 

With a population of around 1 billion individuals, the domesticated pig is one of the most numerous large mammals on the planet.

 

Feral pigs

Pigs have escaped from farms and gone feral in many parts of the world. Feral pigs in the southeastern United States have migrated north to the Midwest, where many state agencies have programs to remove them. Feral pigs in New Zealand and northern Queensland have caused substantial environmental damage. Feral hybrids of the European wild boar with the domestic pig are disruptive to both environment and agriculture, especially in southeastern South America.

 

Reproduction

Female pigs reach sexual maturity at 3–12 months of age and come into estrus every 18–24 days if they are not successfully bred. The variation in ovulation rate can be attributed to intrinsic factors such as age and genotype, as well as extrinsic factors like nutrition, environment, and the supplementation of exogenous hormones. The gestation period averages 112–120 days.

 

Estrus lasts two to three days, and the female's displayed receptiveness to mate is known as standing heat. Standing heat is a reflexive response that is stimulated when the female is in contact with the saliva of a sexually mature boar. Androstenol is one of the pheromones produced in the submaxillary salivary glands of boars that trigger the female's response. The female cervix contains a series of five interdigitating pads, or folds, that hold the boar's corkscrew-shaped penis during copulation. Females have bicornuate uteruses and two conceptuses must be present in both uterine horns for pregnancy to be established. Maternal recognition of pregnancy in pigs occurs on days 11 to 12 of pregnancy and is marked by progesterone production from a functioning corpus luteum. To avoid luteolysis by PGF2α, rescuing of the corpus luteum must occur via embryonic signaling of estradiol 17β and PGE2. This signaling acts on both the endometrium and luteal tissue to prevent the regression of the corpus luteum by activation of genes that are responsible for corpus luteum maintenance. During mid to late pregnancy, the corpus luteum relies primarily on Luteinizing hormone for maintenance until birth.

 

Archeological evidence indicates that medieval European pigs farrowed, or bore a litter of piglets, once per year. By the nineteenth century, European piglets routinely double-farrowed, or bore two litters of piglets per year. It is unclear when this shift occurred.

 

Behaviour

Pig behaviour is intermediate between that of other artiodactyls and of carnivores. Pigs seek out the company of other pigs, and often huddle to maintain physical contact, but do not naturally form large herds. They live in groups of about 8–10 adult sows, some young individuals, and some single males.

 

Because of their relative lack of sweat glands, pigs often control their body temperature using behavioural thermoregulation. Wallowing, coating the body with mud, is a common behaviour. They do not submerge completely under the mud, but vary the depth and duration of wallowing depending on environmental conditions. Adult pigs start wallowing once the ambient temperature is around 17–21 °C (63–70 °F). They cover themselves in mud from head to tail. They may use mud as a sunscreen, or to keep parasites away. Most bristled pigs "blow their coat", meaning that they shed most of the longer, coarser stiff hair once a year, usually in spring or early summer, to prepare for the warmer months ahead.

 

If conditions permit, pigs feed continuously for many hours and then sleep for many hours, in contrast to ruminants, which tend to feed for a short time and then sleep for a short time. Pigs are omnivorous and versatile in their feeding behaviour. They primarily eat leaves, stems, roots, fruits, and flowers. They are noticeably intelligent, on a par with dogs.

 

Rooting

Rooting is an instinctual comforting behaviour in pigs characterized by nudging the snout into something. It first happens when piglets are born to obtain their mother's milk, and can become a habitual, obsessive behaviour, most prominent in animals weaned too early. Pigs root and dig into the ground to forage for food. Rooting is also a means of communication.

 

Nest-building

A characteristic of pigs which they share with carnivores is nest-building. Sows root in the ground to create depressions the size of their body, and then build nest mounds, using twigs and leaves, softer in the middle, in which to give birth. When the mound reaches the desired height, she places large branches, up to 2 metres in length, on the surface. She enters the mound and roots around to create a depression within the gathered material. She then gives birth in a lying position, unlike other artiodactyls which usually stand while birthing.

 

Nest-building occurs during the last 24 hours before the onset of farrowing, and becomes most intense 12 to 6 hours before farrowing. The sow separates from the group and seeks a suitable nest site with well-drained soil and shelter from rain and wind. This provides the offspring with shelter, comfort, and thermoregulation. The nest provides protection against weather and predators, while keeping the piglets close to the sow and away from the rest of the herd. This ensures they do not get trampled on, and prevents other piglets from stealing milk from the sow. The onset of nest-building is triggered by a rise in prolactin level, caused by a decrease in progesterone and an increase in prostaglandin; the gathering of nest material seems to be regulated more by external stimuli such as temperature.

 

Nursing and suckling

Pigs have complex nursing and suckling behaviour. Nursing occurs every 50–60 minutes, and the sow requires stimulation from piglets before milk let-down. Sensory inputs (vocalisation, odours from mammary and birth fluids, and hair patterns of the sow) are particularly important immediately post-birth to facilitate teat location by the piglets. Initially, the piglets compete for position at the udder; then the piglets massage around their respective teats with their snouts, during which time the sow grunts at slow, regular intervals. Each series of grunts varies in frequency, tone and magnitude, indicating the stages of nursing to the piglets.

 

The phase of competition for teats and of nosing the udder lasts for about a minute, ending when milk begins to flow. The piglets then hold the teats in their mouths and suck with slow mouth movements (one per second), and the rate of the sow's grunting increases for approximately 20 seconds. The grunt peak in the third phase of suckling does not coincide with milk ejection, but rather the release of oxytocin from the pituitary into the bloodstream. Phase four coincides with the period of main milk flow (10–20 seconds) when the piglets suddenly withdraw slightly from the udder and start sucking with rapid mouth movements of about three per second. The sow grunts rapidly, lower in tone and often in quick runs of three or four, during this phase. Finally, the flow stops and so does the grunting of the sow. The piglets may dart from teat to teat and recommence suckling with slow movements, or nosing the udder. Piglets massage and suckle the sow's teats after milk flow ceases as a way of letting the sow know their nutritional status. This helps her to regulate the amount of milk released from that teat in future sucklings. The more intense the post-feed massaging of a teat, the more milk that teat later releases.

 

Teat order

In pigs, dominance hierarchies are formed at an early age. Piglets are precocious, and attempt to suckle soon after being born. The piglets are born with sharp teeth and fight for the anterior teats, as these produce more milk. Once established, this teat order remains stable; each piglet tends to feed on a particular teat or group of teats. Stimulation of the anterior teats appears to be important in causing milk letdown, so it might be advantageous to the entire litter to have these teats occupied by healthy piglets. Piglets locate teats by sight and then by olfaction.

 

Senses

Pigs have panoramic vision of approximately 310° and binocular vision of 35° to 50°. It is thought they have no eye accommodation. Other animals that have no accommodation, e.g. sheep, lift their heads to see distant objects. The extent to which pigs have colour vision is still a source of some debate; however, the presence of cone cells in the retina with two distinct wavelength sensitivities (blue and green) suggests that at least some colour vision is present.

 

Pigs have a well-developed sense of smell; use is made of this in Europe where trained pigs find underground truffles. Olfactory rather than visual stimuli are used in the identification of other pigs. Hearing is well developed; sounds are localised by moving the head. Pigs use auditory stimuli extensively for communication in all social activities. Alarm or aversive stimuli are transmitted to other pigs not only by auditory cues but also by pheromones. Similarly, recognition between the sow and her piglets is by olfactory and vocal cues.

 

Pests and diseases

Pigs are subject to many pests and diseases which can seriously affect productivity and cause death. These include parasites such as Ascaris roundworms, virus diseases such as the tick-borne African Swine Fever, bacterial infections such as Clostridium, arthritis caused by Mycoplasma, and stillbirths caused by Parvovirus.

 

Some parasites of pigs are a public health risk as they can be transmitted to humans in undercooked pork. These are the pork tapeworm Taenia solium; a protozoan, Toxoplasma gondii; and a nematode, Trichinella spiralis. Transmission can be prevented by thorough sanitation on the farm; by meat inspection and careful commercial processing; and by thorough cooking, or alternatively by sufficient freezing and curing.

 

In agriculture

Pigs have been raised outdoors, and sometimes allowed to forage in woods or pastures. In industrialized nations, pig production has largely switched to large-scale intensive pig farming. This has lowered production costs but has caused concern about possible cruelty. As consumers have become concerned with the humane treatment of livestock, demand for pasture-raised pork in these nations has increased. Most pigs in the US receive ractopamine, a beta-agonist drug, which promotes muscle instead of fat and quicker weight gain, requiring less feed to reach finishing weight, and producing less manure. China has requested that pork exports be ractopamine-free.

 

Like all animals, pigs are susceptible to adverse impacts from climate change, such as heat stress from increased annual temperatures and more intense heatwaves. Heat stress has increased rapidly between 1981 and 2017 on pig farms in Europe. Installing a ground-coupled heat exchanger is an effective intervention.

 

Breeds

Many breeds of pig have been created by farmers around the world, differing in coloration, shape, and size. According to The Livestock Conservancy, as of 2016, three breeds of pig are critically rare (having a global population of fewer than 2000). They are the Choctaw hog, the Mulefoot, and the Ossabaw Island hog. The smallest known pig breed in the world is the Göttingen minipig, typically weighing about 26 kilograms (57 lb) as a healthy, full-grown adult.

 

Economy

Global pig stock

in 2019

Number in millions

1. China (Mainland)310.4 (36.5%)

2. European Union143.1 (16.83%)

3. United States78.7 (9.26%)

4. Brazil40.6 (4.77%)

5. Russia23.7 (2.79%)

6. Myanmar21.6 (2.54%)

7. Vietnam19.6 (2.31%)

8. Mexico18.4 (2.16%)

9. Canada14.1 (1.66%)

10. Philippines12.7 (1.49%)

World total850.3

Source: UN Food and Agriculture Organization

Approximately 1.5 billion pigs are slaughtered each year for meat.

 

The pork belly futures contract became an icon of commodities trading. It appears in depictions of the arena in popular entertainment, such as the 1983 film Trading Places. Trade in pork bellies declined, and they were delisted from the Chicago Mercantile Exchange in 2011.

 

In 2023, China produced more pork than any other country, 55 million tonnes, followed by the European Union with 22.8 million tonnes and the United States with 12.5 million tonnes. Global production in 2023 was 120 million tonnes. India, despite its large population, consumed under 0.3 million tonnes of pork in 2023. International trade in pork (meat not consumed in the producing country) reached 13 million tonnes in 2020.

 

Uses

Pigs are farmed primarily for meat, called pork. Pork is eaten in the form of pork chops, loin or rib roasts, shoulder joints, steaks, and loin (also called fillet). The many meat products made from pork include ham, bacon, and sausages. Pork is further made into charcuterie products such as terrines, galantines, pâtés and confits. Some sausages such as salami are fermented and air-dried, to be eaten raw. There are many types, the original Italian varieties including Genovese, Milanese, and Cacciatorino, with spicier kinds from the South of Italy including Calabrese, Napoletano, and Peperone.

 

The hide is made into pigskin leather, which is soft and durable; it can be brushed to form suede leather. These are used for products such as gloves, wallets, suede shoes, and leather jackets.

 

In medicine

Pigs, both as live animals and as a source of post-mortem tissues, are valuable animal models because of their biological, physiological, and anatomical similarities to human beings. For instance, human skin is very similar to the pigskin, therefore pigskin has been used in many preclinical studies.

 

Pigs are good non-human candidates for organ donation to humans, and in 2021 became the first animal to successfully donate an organ to a human body. The procedure used a donor pig genetically engineered not to have a specific carbohydrate that the human body considers a threat–Galactose-alpha-1,3-galactose. Pigs are good for human donation as the risk of cross-species disease transmission is reduced by the considerable phylogenetic distance from humans. They are readily available, and the danger of creating new human diseases is low as domesticated pigs have been in close contact with humans for thousands of years.

 

In culture

Pigs, widespread in societies around the world since Neolithic times, have been used for many purposes in art, literature, and other expressions of human culture. In classical times, the Romans considered pork the finest of meats, enjoying sausages, and depicting them in their art. Across Europe, pigs have been celebrated in carnivals since the Middle Ages, becoming specially important in Medieval Germany in cities such as Nuremberg, and in Early Modern Italy in cities such as Bologna. Pigs, especially miniature breeds, are occasionally kept as pets.

 

In literature, both for children and adults, pig characters appear in allegories, comic stories, and serious novels. In art, pigs have been represented in a wide range of media and styles from the earliest times in many cultures. Pig names are used in idioms and animal epithets, often derogatory, since pigs have long been linked with dirtiness and greed, while places such as Swindon are named for their association with swine. The eating of pork is forbidden in Islam and Judaism, but pigs are sacred in some other religions.

Saturday 6th February 2016 saw a Manchester City play Leicester City at the Etihad Stadium.

 

The Force’s photographer was on hand to take a series of images to be used in future safety briefings and also captured some images of the build up to the game.

 

The Manchester weather did its best to dampen the spirits of both sets of supporters and the rain poured constantly. Despite the inclement weather Leicester fans left the ground in good spirits after a win.

 

Policing the many major football games played in our region is a regular duty for many of our officers.

 

For more information about Policing in Greater Manchester please visit our website. www.gmp.police.uk

 

To report crime call police on 101 the national non-emergency number.

 

You can also call anonymously with information about crime to Crimestoppers on 0800 555 111. Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.

 

mutual heights building, friezes and panels

 

these stitched images do not do the original panels any justice. lines are distorted but methinks the complete is more important, albeit for now. in future AI will improve

 

photographer's notes and text borrowings-

 

"mutual building", cape town. art deco, deluxe. finished in 1939. architect, fred glennis

 

inspiration maybe from the "met tower", NYC"?, chicago board of trade", "chrysler building, NYC"?

 

stone mason, ivan mitford-barberton (south african)

 

most of the building was changed into residential units

 

beautiful friezes by miftord-barberton

 

some nine (only?) african tribes depicted in stunning granite carvings on one facade of the building. it's unclear why only nine tribes were depicted

 

the tribes being-

matabele

basuto

barotse

kikuyu

zulu

bushman

xosa (xhosa)

pedi

masai

 

the building has three street facades, darling, parliament and long market streets, cape town CBD

 

much more to be explored and to be pixed. the building itself is exquisite

 

***********************

Mutual Building

 

From Wikipedia, the free encyclopedia

The Mutual Building (Afrikaans: Mutual Gebou), in Cape Town, South Africa, was built as the headquarters of the South African Mutual Life Assurance Society, now the "Old Mutual" insurance and financial services company. It was opened in 1940, but before the end of the 1950s—less than 20 years later—business operations were already moving to another new office at Mutual Park in Pinelands (north east of the city centre); since then Old Mutual has become an international business and their present head office is in London.

The building is a fine example of art deco architecture and design, and it has many interesting internal features such as the banking hall, assembly room, directors' board room; external features include a dramatic ziggurat structure, prismoid (triangular) windows, and one of the longest carved stone friezes in the world. It has been said that it provides evidence of the colonial attitudes of the time, and the "ideals of colonial government promulgated

by Rhodes in the late nineteenth century".[1]

The Mutual Building is now converted to residential use, although some parts of the building are used commercially. For example, the Banking Hall (which is now an events venue) and the retail shops that operate outside on the ground level.

Coordinates: 33°55ʹ27.45ʺS 18°25ʹ20.25ʺE

Mutual Building

Mutual Gebou

The front of the building, in Darling Street, Cape Town

Location in central Cape Town Alternative Mutual Heights, Old Mutual

names Building

General information

Contents

1 History

1.1 The business

1.2 The "new" (1940) Head Office in Darling Street

1.3 Search for inspiration

1.4 Completion

1.5 Vacating and conversion

2 Structure of the building

3 Design elements

4 Features of the building

 

4.1 The Entrance Hall 4.2 The Banking Hall

4.3 The lifts (elevators) 4.4 The Assembly Room 4.5 The Directors' Rooms 4.6 The atrium

4.7 The windows

4.8 Granite cladding 4.9 The Tribal Figures 4.10 The frieze

5 Views of (and from) the building 6 References

7 Other external links

Type

Architectural style

Address Town or city Country Coordinates Completed Inaugurated Renovated Owner Height

Structural system

Floor count Lifts/elevators

Commercial converted to residential

Art Deco

14 Darling Street

Cape Town

South Africa

33°55ʹ27.45ʺS 18°25ʹ20.25ʺE 1939

1940

2005

Mutual Heights Body Corporate 84 metres (276 ft)

Technical details

Reinforced concrete, granite cladding

12 plus 3 levels basement parking

7

Architect

Architecture firm

Architect

Renovating firm

Structural engineer

Awards and prizes

Fred Glennie Louw & Louw

Renovating team

Robert Silke Louis Karol

Murray & Roberts

South African Institute of Architects, Presidents Award 2008

Website

Design and construction

www.mutualheights.net (www.mutualheights.net)

History The business

The Old Mutual business has a long history. In 1845 John Fairbairn (a Scot) founded "The Mutual Life Assurance Society of the Cape of Good Hope" in Cape Town. Over the next 100 years the business was to evolve significantly, changing its name in 1885 to the "South Africa Mutual Life Assurance Society", but becoming familiarly known simply as "The Old Mutual", so as to distinguish it from newer businesses of the same kind.

The company employed women as early as 1901, expanded into Namibia in 1920 and into Zimbabwe (then

Rhodesia) in 1927.[2] Old Mutual is now an international business with offices all over the world, and its portfolio

of financial services continues to evolve to meet market needs.

It is now some years since the business "de-mutualised" in order to issue shares and fund its operations using conventional investment markets.

The "new" (1940) Head Office in Darling Street

 

The name of the building in English and in Afrikaans ("Mutual Gebou"): The interesting frieze shown here is described in the text

Some comparisons with earlier inspirational buildings

In the 1930s it became clear that a new headquarters building was needed and very ambitious targets were set for the building: it was to be the tallest building in South Africa (possibly in the whole continent of Africa, with the exception of the pyramids in Egypt), it was to have the fastest lifts, it was to have the largest windows. At the same time it was to epitomise the values of the business: "Strength, Security and Confidence in the Future"; this demanded a combination of traditional

and contemporary design.[1]

Although it is clearly identified on the exterior as the "Mutual Building" (or "Mutual Gebou" in Afrikaans) it is often familiarly referred to as "The Old Mutual Building". Here, in the body of this article, it will be referred to as the "Mutual Building", thereby acknowledging the

nomenclature on the exterior of the building itself.

Search for inspiration

The figure here (adapted from www.skycrapers.com) compares the building with some of the other contemporaneous tall buildings in the world. Those involved in the design of the building travelled widely to study inspirational examples of corporate buildings elsewhere in the world. They learnt about the latest approaches to lighting, ventilation and fire protection in the USA, South America, England

and Sweden.[3] In the USA, the Eastern Columbia Building in Los Angeles is one example of the genre of building design that captured their attention: this building was completed in 1930 and has also since been

converted to residential occupation.[1]

The art deco style was chosen. However, the building is embellished with features in other styles (such as neo-classicist in the case of the banking hall) intended to reinforce the long- standing and traditional values of the Old Mutual business.

Completion

The building was completed in 1939 and opened

early in 1940 with a great fanfare. The local paper provided a 16 page supplement,[4] and South African architects and dignitaries enthused about it. In his definitive examination of the design of the building, Federico Freschi summarises the status of the building thus:

"Ultimately, the consensus suggests that the Old Mutual Building is at once a worthy monument to modern design principles and the consolidation of an important corporate and public image."[1]

 

The building is listed elsewhere as a notable building,[5] and it is regarded as an important example of the social values of the time and of the economic state of the nation, but all as seen from a European or

"colonial" perspective, as explained by Freschi.[1]

Vacating and conversion

Within 20 years (in the late 1950s) the Old Mutual began to vacate the building, moving in stages to new offices at Mutual Park in Pinelands, Cape Town. By the 1990s, only assorted tenants remained, the last of

which departed in May 2003.[3]

At this time, conversion to residential occupation began under the direction of Robert Silke at Louis Karol

Architects.[6] The name of the building was changed by the developers to Mutual Heights (www.mutualheights.net), a decision that did not find favour with all owners and residents involved in

the new community.[7] Despite scepticism about the name, it is generally agreed that the conversion was the first in a series of projects that re-invigorated the central business district of Cape Town. The conversion has

been the subject of a number of architecture and design awards.[8]

In February 2012, the large "Old Mutual" sign on the east side of the building was removed, leaving little external evidence of the commercial origins of the building; in 2015 Old Mutual Properties finally disposed of the remaining portions of the interior that had not been sold previously, including the banking hall, the directors suite and the fresco room.

Structure of the building

The building is constructed using reinforced concrete, filled in internally with bricks and plaster, and clad on the outside with granite. At first sight, the building is a striking example of the Art Deco style and many of its features epitomize this genre - however, some interior features deviate from true Art Deco and probably reflect the desire of the company to demonstrate solidity and traditional values at the same time as

contemporaneous, forward-looking values.[1]

It is 276 feet (85 metres) high, as measured from the ground floor to the top of the tower,[3] but the building is often listed as being more than 90 metres high (even as high as 96.8 metres on the Old Mutual web

site[2]); this probably takes account of the "spire" at the top.

Having only 10 levels ("storeys") above ground level in the main part of this tall building (excluding the three levels of basement car parking, and the additional levels in the tower), it is evident that the spacing between floors is generous — generally each floor is about 5 metres above (or below) the next. In one of the meeting rooms on the eighth level (the Assembly Hall - see below), the curtains alone are more than six metres long. This generous spacing between floors was intended to achieve the greatest possible overall height for the building without exceeding the city planning limitation of 10 storeys, and it was allowed only

in view of the "set back" design of the exterior structure.[1]

Design elements

The original design of the building is attributed to Louw & Louw (Cape Town architects), working with Fred Glennie (best known at the time as a mentor to architectural students) – Mr Glennie is personally

credited with most of the detailed work[9] but Ivan Mitford-Barberton[10] was also involved with some

internal details as well as with the external granite decorations.

It is pleasing that the principal areas of the building have been so little changed over the years, especially the entrance, the banking hall, the assembly room, the directors' room, the atrium, and the windows. Even the original door handles (including the Old Mutual "logo") and the original banisters (on the staircases) are all still intact, and the atrium is largely unchanged although it is now protected from the weather by a translucent roof.

The original light fittings in the "public" areas are largely still intact, and in most parts of the building there are beautiful block-wood (parquet) floors.

Here is a selection of interior design details that exemplify the quality and attention to detail that was applied to this project by the architects, artists and designers.

Marble from the columns in the banking hall

As you use the stairs, you are reminded which storey you are on

Bulkhead lights on the 9th level

White-veined Onyx from the entrance hall

Hardwood block floors are still in place in many parts of the building

An original door handle (of which many remain)

The entrance hall has a gold leaf ceiling

Detail of a banister on one of the stairs

Original fire doors, with distinctive handles

Detail of the rail at the gallery of the Assembly Room

Some interior design details

The paragraphs below now visit each of the significant areas and features of the building in turn.

An original light fitting

The light fittings in the Assembly Room

The entrance lobby

Features of the building

The building incorporates a range of significant features.

The Entrance Hall

Black, gold-veined onyx is used in the Darling Street foyer, the ceiling of which is over 15 metres high and finished with gold leaf, laid by Italian workmen. The view of the glass window over the door to the banking hall (above) shows the iconic ziggurat shape of the building etched into the glass. Visitors must climb 17 steps to gain access to the banking hall, and towards the top they are met by the original "pill box" where security staff can observe who (and what) is entering and leaving the building. On either side of the pill box are the entrances to the main lifts – two on the left and two on the right (there are two "staff" lifts and one "service" lift elsewhere in the building).

Characteristic stainless steel trim and light fittings, such as can be seen here, are used extensively throughout the building.

The Banking Hall

Given its tall marble-clad colonnades, the magnificent banking hall would be more properly described as an example of "neo-classicism" although the light fittings echo the art deco theme that prevails elsewhere in the building, and again we see that the glass over the doors (at the far end in the photograph below) are etched with the iconic ziggurat form that is taken by the whole building.

The two service counters that can be seen in the banking hall look identical, but only the one on the right is original—the one on the left is a later, somewhat inferior, copy.

The banking hall

Between the columns of the banking hall the coats of arms are presented for each of the many provinces and countries within Southern Africa in which the South African Mutual Life Assurance Society had a presence.

The crests that appear between the columns in the banking hall

Northern Rhodesia Cape Colony Durban Rhodesia

Natal Petermaritzburg Port Elizabeth Orange Free State

Johannesburg Pretoria Kenya Colony Bloemfontein

Cape Town Union of South Africa Potchefstroom Windhoek The banking hall is now owned privately and is available for hire as an events venue.

The lifts (elevators)

The main lifts in the building are fast ("the fastest in Africa" it was claimed when the building opened) and no expense was spared – even in the basement parking area, the lifts are trimmed with black marble. Each door has an etched representation of an indigenous bird or animal from South Africa, with significant plants as additional decoration, or in some cases the corporate logo of the time.

 

There are seven lifts in the building, four of them "principal" lifts (as here)

The individual etchings in detail (click on the images to see the full-size version):

Springbok (Antidorcas marsupialis), with a king protea (Protea cynaroides), the national flower

Kudu (Tragelaphus), with veltheimia (Veltheimia bracteata) at the lower right

Giraffe, with a succulent (Crassula)

Zebra (Equus quagga), with a prickly pear (Opuntia ficus-indica)

The individual etchings on the lift doors

Ostrich (Struthio camelus australus), with prickly pear (lower left) and "century plant" (Agave americana)

Leopard (Panthera pardus pardus), with spekboom (Portulacaria afra) at the lower right and candelabra lily (Brunsvigia josephinae) at the lower left

Crane (Balearica regulorm) with reeds behind (Phragmites australis)

Lion, with lion's tail (or wild dagga - Leonotis leonuris) at lower left, violet painted petals (Freesia laxa) lower right and coral tree (Erythrina lysistemon) at the top

Secretary bird (Sagittarius serpentarius), with unidentifiable tree

The corporate "logo" (three entwined anchors), with Strelitzia reginae (bottom right), Disa uniflora (bottom left) and proteas (Protea repens) at the top

Vulture

These designs are attributed to Ivan Mitford-Barberton.

The Assembly Room

Perhaps the best known feature of the building (in artistic circles at least) is the Assembly Room, sometimes referred to as the "Fresco Room"; Freschi indicates that this was originally intended as a facility for policy

holders.[1] Here there are striking frescoes depicting some of the history of the nation of South Africa,

 

undertaken by Le Roux Smith Le Roux two years after the completion of the building.

Le Roux was supported in his early career by the famous British architect Herbert Baker, who provided bursaries so that Le Roux could spend time in

London and elsewhere. In London he

undertook a mural in South Africa House with

Eleanor Esmonde-White. An acquaintance (still living) of Le Roux and Esmonde-White recalls that Baker insisted that Eleanor Esmonde-White be awarded a bursary, despite gender-related objections from elsewhere; in the event she got to go to London with Le Roux, with the bursary. Following their years in London, Le Roux was awarded this commission to work on the Mutual Building and he therefore returned to Cape Town, but only after the main building work was done - it was not sensible to undertake this meticulous work while building operations were still in progress.

These frescoes are considered elsewhere as good examples of the genre—see for example

"Decopix - the Art Deco Architecture Site"[11] where the Mutual Building itself is well

represented.[12] The five frescoes on the end

walls and over the entrance depict more than

100 years of the history of the nation,

including industrial development, the Great

Trek, mining following the discovery of gold,

the growth of industry and agriculture, and a

hint of international travel and trade. Freschi considers that ".. in contemporary terms, Le Roux's work was seen to be distinctly progressive and very much in keeping with the ostensibly liberal party line of Jan

Smuts' coalition government".[1]

The panels are reproduced below, and selected portions from them are provided in the images that follow.

The five panels are presented left to right, in a clockwise direction when standing in the Assembly Room, back to the windows. The first and fifth are on the side walls, the second, third and fourth are on the long wall that includes the main entrance.

The fresco panels in the Assembly Room

The Assembly Room

 

Engineering water, The Great Trek building industry and

railroads

Trade and international travel

The discovery of gold

Railroads in service, productive farms

The fifth image includes a representation of the Mutual Building itself, the tallest building in what is known as the "City Bowl", below the slopes of Table Mountain. This did not remain true for long, it was only one year later that the General Post Office was built on the other (seaward side) of Darling Street, and a large number of larger more modern buildings have been built since (see the views from and of the building, shown further down this page).

Some details from the panels:

Some selected portions of the fresco panels in the Assembly Room

Mixing concrete, Wind-powered water working with the plans pumps provide

irrigation

The Great Trek - ladies Farm produce at last - a in their bonnets, men on smile on his face

horses

 

The Directors' Board Room

A detail - laying railway The image of the track Mutual Building under

Table Mountain

The Directors' Rooms

On the fourth level, at the front of the building, is the Directors' Board Room. As well as the board room there are two side rooms, one of which was a sitting room for Directors.

In the board room there is a continuous carved stinkwood frieze above the dado rail that incorporates animal and floral motifs (14 different species of birds and animals are represented). Ivan Mitford-Barberton is credited with this carving and it is probably the last work that he did in the building. Above the carved frieze is a mural designed and executed by Joyce Ord-Brown using stain on pale sycamore panelling. It represents

Cape Town as the "Tavern of the Seas" in a light hearted way.[1]

The selections below show some portions of the mural and the frieze, followed by some other details of the directors' rooms. The sea plane (second picture) is probably a Martin M-130, which is not recorded as having serviced South Africa (it worked the pacific routes). This is probably "artistic licence" on the part of Ord-Browne.

Portions of the Joyce Ord-Browne decorations

The Southern hemisphere, with route from Cape Town to London

Blue cranes flying

A sea plane

A portion of the Northern hemisphere, with King Neptune

Penguins and whales

A mermaid

Portions of the Mitford-Barberton stinkwood frieze

Some features of the directors' board room and sitting room

 

Entrance to the board room (see note below)

Easy chairs in the sitting room - unused in a long time

Marble at the door to the board room

Another original light fitting in the sitting room

Directors had their own storage drawers in the board room

An original light fitting in the board room that (seemingly) doubles as a ventilation device

It is of note that the etched ziggurat icon on the glass over the entrance to the board room (see the enlarged version of the first image above) is not the same as that which is used elsewhere.

The Directors' suite has great heritage value but in 2015 it was re-finished as a private apartment.

The atrium

The atrium extends from the roof of the banking hall to the very top of the main building. It was originally open to the weather, but it is now protected by a translucent roof, through which the tower can be seen extending even higher.

The circular windows visible here are incorporated into the apartments that now occupy the front of the building.

 

The windows

On entering the residential area of the building, one is struck by this extraordinary "top to bottom" atrium

 

The windows compared

The rising nature of the ziggurat mass of the exterior of the building is reinforced by the prismoid (triangular) windows, which extend up and down the height of the building. These windows are of note because they set the Mutual Building apart from some of the buildings that inspired it, for example the Eastern Columbia Building in Los Angeles. They are also functional, because they allow light to enter the building more effectively than would otherwise be the case (using the reflective properties of the inside face of the glass), and by opening and closing blinds on the one side or the other it is possible on sunny days to manage the heat entering the building as the sun traverses the sky.

Water-cooled air conditioning was another innovative feature of the original building, that avoided the need for extensive natural ventilation and allowed more freedom for the design of the windows and granite spaces between; the same water-cooled air conditioning design is in use today.

As Freschi notes in his paper, the prismoid windows make for much more visual interest than the conventional windows in the General Post Office building. Here the image juxtaposes the Mutual building (foreground) with the General Post Office built the following year (behind).

Granite cladding

The granite cladding of the building was hewn from a single boulder on the Paarl Mountain, north east of the

city of Cape Town.[1] The cladding incorporates decorative baboon, elephant and tribal heads that project from the upper facades of the Darling Street elevation (the front of the building).

The granite decorations

The decorations Elephant (6th level) Baboon (8th level) Tribal head (tower)

Tower with tribal head

The Tribal Figures

On the Parliament Street facade there are carved granite figures representing nine ethnic African groups (not just South African) labelled thus: "Xosa", "Pedi", "Maasai", "Matabele", "Basuto", "Barotse", "Kikuyu", "Zulu", and "Bushman". Note that the identification of the tribes does not necessarily follow current practice.

 

The nine tribal figures looking over Parliament Street.

The individual figures in detail (remember you can click on the images to see the full-size version):

The individual tribal figures

"Xosa" "Pedi" "Masai" "Matabele"

"Basuto" "Barotse" "Kikuyu" "Zulu"

"Bushman"

Recently Sanford S. Shaman has written a critique of these figures, and other features of the building [13] partly based on interviews with pedestrians walking around the building.

The frieze

Around the three sides of the building facing Darling Street, Parliament Street and Longmarket Street there is a 386 feet (118 metre) frieze depicting scenes from the colonial history of South Africa, reported at its

completion to be the longest such frieze in the world.[4]

 

A portion of the 386 feet frieze that traverses three sides of the building, showing the 1820 settlers landing

It is of interest that, at the time, it was proclaimed that the building was built by South Africans, using South African materials; while the frieze was itself designed by South African, Ivan Mitford Barberton (born in Somerset East, Eastern Cape, in 1896), the work was executed by a team of Italian immigrants led by Adolfo Lorenzi. It has recently come to light that, in the course of the work, Lorenzi's team of masons were incarcerated when the Second World War broke out in 1939, being Italian and therefore regarded as "the

enemy" at that time. They were obliged to finish their work under an armed guard.[14]

A composite view of the frieze can be seen at the right; unfortunately in this version some portions are missing or obscured by trees in leaf.

The sections of the frieze are as follows:

The landing of Jan van Riebeeck

The arrival of the 1820 Settlers

The "Post Office Stone"

The building of the Castle of Good Hope

The emancipation of the slaves

Negotiations with Chaka (also known as "King Shaka)" The Great Trek

The dream of Nongqawuse (other spellings are sometimes used) Discovery of diamonds at Kimberley

Erection of a cross by Bartholomew Dias

Rhodes negotiating with the Matabele

David Livingstone preaching, healing and freeing slaves The opening up of Tanganyika Territory

The defence of Fort Jesus depicting Arab inhabitants

A second version of this collage of the complete frieze can be found elsewhere[15]

  

A composite showing almost all of the frieze in its 15 sections – some portions are missing in this version – click to see a readable version and then choose the "Full resolution" option under the image (but be patient, this is a large file – 1Mb)

Seen from Darling Street, the Mutual Building today stands proud as the day it was built.

Views of (and from) the building

  

The busy city works around the building. The Mutual Building can claim that its restoration and conversion to residential use brought new life to the city centre, and started a five year programme of re- invigoration and rapid improvement. The large green "Old Mutual" sign and logo were removed from the building in February 2012.

The skyline of the city of Cape Town has changed significantly since the Mutual Building was constructed. Even from its highest point of easy access, the Mutual Building View is now dwarfed by the more modern buildings in the Cape Town central business district.

 

In the modern skyline the Mutual Building is lost in a maze of tall buildings. Here the sea mist swirls around the central business district and the small coloured arrow picks out the Mutual Building, at the left. This photograph is taken from District Six, on the slopes of Devil's peak to the east of Table Mountain. Click to see the full size version of this photograph, when the outline of the building can be more easily discerned.

The view of the harbour from the middle levels of the Mutual Building in Darling Street in Cape Town, once uninterrupted, is now obscured by the General Post Office constructed shortly afterwards (seen here at the extreme left).

 

Table Mountain and its "table cloth" seen from the upper levels of the building.

Looking in the other direction, the City Hall, the Grand Parade and the Castle can all be seen clearly. In the distance are the Hottentots Holland Mountains.

References

The learned article by Federico Freschi is particularly recommended to all who are interested in this building and its context.

1. Freschi, F (1994). "Big Business Beautility: The Old Mutual Building, Cape Town, South Africa". Journal of Decorative and Propaganda Arts, Vol 20, pp.39-57

2. "Old Mutual - Our heritage". Old Mutual Web Site. Retrieved 27 December 2010.

3. CSD, (2003). "Mutual Heights Heritage Impact Assessment Report", CS Design Architects and Heritage

Consultants, Cape Town, South Africa (August)

4. Cape Times (1940). "Old Mutual in New Home", The Cape Times (special supplement) (30 January)

5. "Mutual Heights". Emporis - The world's building website. Retrieved 27 December 2010.

6. "Cocktails over the Grand Parade". Cape Times online. 25 July 2003. Retrieved 27 December 2010.

7. Minutes of the Annual General Meeting of the Body Corporate, Mutual Heights, 2008

8. "Louis Karol awards". Louis Karol web site. Retrieved 27 December 2010.

9. "SA Mutual Life Assr Soc (Old Mutual)". Artefacts web site. Retrieved 27 December 2010.

10. "Ivan Mitford-Barberton". Biographical web site by Margaret C Manning. Retrieved 27 December 2010.

11. "Decopix - the Art Deco Architecture Web site". Randy Juster's Art Deco web site. Retrieved 27 December 2010.

12. "The Mutual Building featured on Randy Juster's art deco web site". Randy Juster's Art Deco web site. Retrieved

27 December 2010.

13. "Art South Africa web site". "The Heights of Contradiction" by Sanford S. Shaman. Retrieved 3 March 2011.

14. Correspondence by email, Giovanni Adolfo Camerada to Andy Bytheway, 2008

15. "The Mutual Building Frieze". Web site of the Mutual Heights community.

Other external links

Website for the Mutual Heights Community (www.mutualheights.net)

Louis Karol Architects website (www.louiskarol.com/index.html)

Randy Juster's art deco web site (www.decopix.com)

David Thompson's art deco buildings web site (artdecobuildings.blogspot.com/) City of Cape Town web site (www.capetown.gov.za)

Stewart Harris' flikr photographs include some images of Fred Glennie and Le Roux Smith Le Roux at work on the building, and other interesting images of the building (www.flickr.com/groups/1615104@N21/)

Confirmation of the Bloemfontein crest that defied identification for several years (www.ngw.nl/heraldrywiki/index.php?title=Bloemfontein)

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Monarto October 9

The first meeting of the district council was held in the Wesleyan Chapel, Monarto. Present— Crs Tilbrook (chair), Green, Downing, and Tonkin. Proclamation of district confirmed. J H Symon QC, be written to re legal claim to outstanding rates. Resolved that advertisements be inserted in Chronicle and the local paper calling for tenders for the position of clerk, collector of rates, inspector of works, &c, &c.

 

A meeting was held again on October 23, when Crs Tilbrook, Green, Tonkin, Downing, and Kavanagh. were present. Letter received from J H Symon QC, as to council's claim to outstanding rates. P O'Neill's tender for clerkship was accepted at £18 per year. Resolved that books for the use of the council and the Monarto Cemetery be obtained. Resolved that the council's banking account be kept at the National Bank of Australasia, Nairne. Resolved that notices, &c, be sent to Chronicle. Letter read from Thos Hair, asking council to pay half expenses of repairing footbridge, Bremer ford. To stand over. Ref: South Australian Weekly Chronicle (Adelaide SA) Saturday 28 October 1882.

 

District Council

Monarto December 22

Present—Crs Samuel Tillbrook (chair), Gottlieb Kuchel, James Downing. Circular received from Crown Lands Office, stating that in future no claims for grant-in-aid will be acknowledged unless supported by the original vouchers, which must be signed by the person to whom the moneys were paid, duly witnessed, and certified correct by the Clerk and Chairman.

 

Letter read from William Thiele re land for Council Chamber. From Mr Frederick Wright, stating that he is willing to grant title for one acre of land from Sec 206 for Council Chamber.

 

Plan and specification of proposed Council Chamber laid on table. Resolved that tenders be called for the erection of same by Monday, 19th January, 1885. Council adjourned until January 19,1885. Ref: Mount Barker Courier and Onkaparinga and Gumeracha Advertiser (SA) Friday 26 December 1884.

 

Monarto January 19

Tenders received—For erection of Council Chambers—James White, £175, (accepted) S Williams, £230: A Peterson, £267.

Chairman empowered to have fence erected on land purchased for Council Chambers.

Mr Zimmermann appointed inspector for the erection of Council Chambers.

Council adjourned until Monday February 16th. Ref: Mount Barker Courier and Onkaparinga and Gumeracha Advertiser (SA) Friday 23 January 1885.

 

Monarto District Council

The Annual Meeting of Ratepayers of this District was held in the Council Chamber, Monarto, on Monday, August 10,1885. There was not quite such a good attendance as at previous meetings, but the various subjects brought forward were discussed with a great deal of spirit and animation.

Mr Thomas Hair proposed, and Mr Samuel Tilbrook seconded, that the Council erect a stable on their property at a cost not to exceed £20.

Mr S Tilbrook suggested that a six-stalled stable should be erected at once, giving additional space for tools, &c, belonging to the Council. The motion was carried.

Mr Thos Hair urged that the Council had just completed a very handsome and substantial Council Chamber, which was a credit to Monarto.

Mr H Dunn proposed a vote of thanks to late Council and Chairman, and referred with pride to their efforts in building such a nice Council Chamber. Ref: Mount Barker Courier and Onkaparinga and Gumeracha Advertiser (SA) Friday 14 August 1885.

 

Monarto October 30

The Wesleyan Sunday School anniversary here took place on Sunday and Monday October 21 and 22 in the Monarto Council Chamber.

 

On Monday a public tea was held in the same place, which was fairly well patronised.

The Sunday School children met about 11 o'clock, took lunch about half-past 12, and then indulged in all kinds of games until about 4 o'clock, when they had tea, oranges. and everything that children could enjoy.

At the public meeting at 7 o’clock the hall was crammed.

 

The children sang some beautiful songs in a very creditable manner, and also gave recitations and dialogues in fine style, the programme being well received.

Some very interesting addresses were given by the Revs A Law, Isaiah Longmore, Messrs A Champion and H S Dunn JP.

After the public meeting a supper was laid, which all present seemed to do justice to, the provisions being sent down by Mr R Murray, of Mount Barker, who as usual, gave every satisfaction. The proceeds of the anniversary were very good. Ref: Mount Barker Courier and Onkaparinga and Gumeracha Advertiser (SA) Friday 2 November 1888.

   

Mourning Dove – the overlooked bird

 

I too am guilty of ignoring mourning doves in my wildlife photography for the bird being the most abundant and widespread of all North American birds. They are everywhere including at the wetland I have spent several weeks surveying for wildlife throughout the summer months. Nonetheless, in flight under the right light, the generally migratory and often social bird has got beautiful earth-tones plumage and pattern thereof. Incidentally, also underappreciated by most people walking past wetlands are snags as in standing, dead or dying trees. As illustrated herein as well as in future posts, snags project their own contrasting beauty to wetlands, do serve a purpose to many avian species and are a blessing to bird photographers as they often offer unhindered bird observation opportunities, especially during the summer months.

Sony RX1 User Report.

 

I hesitate to write about gear. Tools are tools and the bitter truth is that a great craftsman rises above his tools to create a masterpiece whereas most of us try to improve our abominations by buying better or faster hammers to hit the same nails at the same awkward angles.

 

The internet is fairly flooded with reviews of this tiny marvel, and it isn’t my intention to compete with those articles. If you’re looking for a full-scale review of every feature or a down-to-Earth accounting of the RX1’s strengths and weaknesses, I recommend starting here.

 

Instead, I’d like to provide you with a flavor of how I’ve used the camera over the last six months. In short, this is a user report. To save yourself a few thousand words: I love the thing. As we go through this article, you’ll see this is a purpose built camera. The RX1 is not for everyone, but we will get to that and on the way, I’ll share a handful of images that I made with the camera.

 

It should be obvious to anyone reading this that I write this independently and have absolutely no relationship with Sony (other than having exchanged a large pile of cash for this camera at a retail outlet).

 

Before we get to anything else, I want to clear the air about two things: Price and Features

 

The Price

 

First things first: the price. The $2800+ cost of this camera is the elephant in the room and, given I purchased the thing, you may consider me a poor critic. That in mind, I want to offer you three thoughts:

 

Consumer goods cost what they cost, in the absence of a competitor (the Fuji X100s being the only one worth mention) there is no comparison and you simply have to decide for yourself if you are willing to pay or not.

Normalize the price per sensor area for all 35mm f/2 lens and camera alternatives and you’ll find the RX1 is an amazing value.

You are paying for the ability to take photographs, plain and simple. Ask yourself, “what are these photographs worth to me?”

 

In my case, #3 is very important. I have used the RX1 to take hundreds of photographs of my family that are immensely important to me. Moreover, I have made photographs (many appearing on this page) that are moving or beautiful and only happened because I had the RX1 in my bag or my pocket. Yes, of course I could have made these or very similar photographs with another camera, but that is immaterial.

 

35mm by 24mm by 35mm f/2

 

The killer feature of this camera is simple: it is a wafer of silicon 35mm by 24mm paired to a brilliantly, ridiculously, undeniably sharp, contrasty and bokehlicious 35mm f/2 Carl Zeiss lens. Image quality is king here and all other things take a back seat. This means the following: image quality is as good or better than your DSLR, but battery life, focus speed, and responsiveness are likely not as good as your DSLR. I say likely because, if you have an entry-level DSLR, the RX1 is comparable on these dimensions. If you want to change lenses, if you want an integrated viewfinder, if you want blindingly fast phase-detect autofocus then shoot with a DSLR. If you want the absolute best image quality in the smallest size possible, you’ve got it in the RX1.

 

While we are on the subject of interchangeable lenses and viewfinders...

 

I have an interchangeable lens DSLR and I love the thing. It’s basically a medium format camera in a 35mm camera body. It’s a powerhouse and it is the first camera I reach for when the goal is photography. For a long time, however, I’ve found myself in situations where photography was not the first goal, but where I nevertheless wanted to have a camera. I’m around the table with friends or at the park with my son and the DSLR is too big, too bulky, too intimidating. It comes between you and life. In this realm, mirrorless, interchangeable lens cameras seem to be king, but they have a major flaw: they are, for all intents and purposes, just little DSLRs.

 

As I mentioned above, I have an interchangeable lens system, why would I want another, smaller one? Clearly, I am not alone in feeling this way, as the market has produced a number of what I would call “professional point and shoots.” Here we are talking about the Fuji X100/X100s, Sigma DPm-series and the RX100 and RX1.

 

Design is about making choices

 

When the Fuji X100 came out, I was intrigued. Here was a cheap(er), baby Leica M. Quiet, small, unobtrusive. Had I waited to buy until the X100s had come out, perhaps this would be a different report. Perhaps, but probably not. I remember thinking to myself as I was looking at the X100, “I wish there was a digital Rollei 35, something with a fixed 28mm or 35mm lens that would fit in a coat pocket or a small bag.” Now of course, there is.

 

So, for those of you who said, “I would buy the RX1 if it had interchangeable lenses or an integrated viewfinder or faster autofocus,” I say the following: This is a purpose built camera. You would not want it as an interchangeable system, it can’t compete with DSLR speed. A viewfinder would make the thing bigger and ruin the magic ratio of body to sensor size—further, there is a 3-inch LCD viewfinder on the back! Autofocus is super fast, you just don’t realize it because the bar has been raised impossibly high by ultra-sonic magnet focusing rings on professional DSLR lenses. There’s a fantastic balance at work here between image quality and size—great tools are about the total experience, not about one or the other specification.

 

In short, design is about making choices. I think Sony has made some good ones with the RX1.

 

In use

 

So I’ve just written 1,000 words of a user report without, you know, reporting on use. In many ways the images on the page are my user report. These photographs, more than my words, should give you a flavor of what the RX1 is about. But, for the sake of variety, I intend to tell you a bit about the how and the why of shooting with the RX1.

 

Snapshots

 

As a beginning enthusiast, I often sneered at the idea of a snapshot. As I’ve matured, I’ve come to appreciate what a pocket camera and a snapshot can offer. The RX1 is the ultimate photographer’s snapshot camera.

 

I’ll pause here to properly define snapshot as a photograph taken quickly with a handheld camera.

 

To quote Ferris Bueller’s Day Off, “Life moves pretty fast. If you don't stop and look around once in a while, you could miss it.” So it is with photography. Beautiful photographs happen at the decisive moment—and to paraphrase Henri Cartier-Bresson further—the world is newly made and falling to pieces every instant. I think it is no coincidence that each revolution in the steady march of photography from the tortuously slow chemistry of tin-type and daguerreotype through 120 and 35mm formats to the hyper-sensitive CMOS of today has engendered new categories and concepts of photography.

 

Photography is a reflexive, reactionary activity. I see beautiful light or the unusual in an every day event and my reaction is a desire to make a photograph. It’s a bit like breathing and has been since I was a kid.

 

Rather than sneer at snapshots, nowadays I seek them out; and when I seek them out, I do so with the Sony RX1 in my hand.

 

How I shoot with the RX1

 

Despite much bluster from commenters on other reviews as to the price point and the purpose-built nature of this camera (see above), the RX1 is incredibly flexible. Have a peek at some of the linked reviews and you’ll see handheld portraits, long exposures, images taken with off-camera flash, etc.

 

Yet, I mentioned earlier that I reach for the D800 when photography is the primary goal and so the RX1 has become for me a handheld camera—something I use almost exclusively at f/2 (people, objects, shallow DoF) or f/8 (landscapes in abundant light, abstracts). The Auto-ISO setting allows the camera to choose in the range from ISO 50 and 6400 to reach a proper exposure at a given aperture with a 1/80 s shutter speed. I have found this shutter speed ensures a sharp image every time (although photographers with more jittery grips may wish there was the ability to select a different default shutter speed). This strategy works because the RX1 has a delightfully clicky exposure compensation dial just under your right thumb—allowing for fine adjustment to the camera’s metering decision.

 

So then, if you find me out with the RX1, you’re likely to see me on aperture priority, f/2 and auto ISO. Indeed, many of the photographs on this page were taken in that mode (including lots of the landscape shots!).

 

Working within constraints.

 

The RX1 is a wonderful camera to have when you have to work within constraints. When I say this, I mean it is great for photography within two different classes of constraints: 1) physical constraints of time and space and 2) intellectual/artistic constraints.

 

To speak to the first, as I said earlier, many of the photographs on this page were made possible by having a camera with me at a time that I otherwise would not have been lugging around a camera. For example, some of the images from the Grand Canyon you see were made in a pinch on my way to a Christmas dinner with my family. I didn’t have the larger camera with me and I just had a minute to make the image. Truth be told, these images could have been made with my cell phone, but that I could wring such great image quality out of something not much larger than my cell phone is just gravy. Be it jacket pocket, small bag, bike bag, saddle bag, even fannie pack—you have space for this camera anywhere you go.

 

Earlier I alluded to the obtrusiveness of a large camera. If you want to travel lightly and make photographs without announcing your presence, it’s easier to use a smaller camera. Here the RX1 excels. Moreover, the camera’s leaf shutter is virtually silent, so you can snap away without announcing your intention. In every sense, this camera is meant to work within physical constraints.

 

I cut my photographic teeth on film and I will always have an affection for it. There is a sense that one is playing within the rules when he uses film. That same feeling is here in the RX1. I never thought I’d say this about a camera, but I often like the JPEG images this thing produces more than I like what I can push with a RAW. Don’t get me wrong, for a landscape or a cityscape, the RAW processed carefully is FAR, FAR better than a JPEG.

 

But when I am taking snapshots or photos of friends and family, I find the JPEGs the camera produces (I’m shooting in RAW + JPEG) so beautiful. The camera’s computer corrects for the lens distortion and provides the perfect balance of contrast and saturation. The JPEG engine can be further tweaked to increase the amount of contrast, saturation or dynamic range optimization (shadow boost) used in writing those files. Add in the ability to rapidly compensate exposure or activate various creative modes and you’ve got this feeling you’re shooting film again. Instant, ultra-sensitive and customizable film.

 

Pro Tip: Focusing

 

Almost all cameras come shipped with what I consider to be the worst of the worst focus configurations. Even the Nikon D800 came to my hands set to focus when the shutter button was halfway depressed. This mode will ruin almost any photograph. Why? Because it requires you to perform legerdemain to place the autofocus point, depress the shutter halfway, recompose and press the shutter fully. In addition to the chance of accidentally refocusing after composing or missing the shot—this method absolutely ensures that one must focus before every single photograph. Absolutely impossible for action or portraiture.

 

Sensibly, most professional or prosumer cameras come with an AF-ON button near where the shooter’s right thumb rests. This separates the task of focusing and exposing, allowing the photographer to quickly focus and to capture the image even if focus is slightly off at the focus point. For portraits, kids, action, etc the camera has to have a hair-trigger. It has to be responsive. Manufacturer’s: stop shipping your cameras with this ham-fisted autofocus arrangement.

 

Now, the RX1 does not have an AF-ON button, but it does have an AEL button whose function can be changed to “MF/AF Control Hold” in the menu. Further, other buttons on the rear of the camera can also be programmed to toggle between AF and MF modes. What this all means is that you can work around the RX1’s buttons to make it’s focus work like a DSLR’s. (For those of you who are RX1 shooters, set the front switch to MF, the right control wheel button to MF/AF Toggle and the AEL button to MF/AF Control Hold and voila!) The end result is that, when powered on the camera is in manual focus mode, but the autofocus can be activated by pressing AEL, no matter what, however, the shutter is tripped by the shutter release. Want to switch to AF mode? Just push a button and you’re back to the standard modality.

 

Carrying.

 

I keep mine in a small, neoprene pouch with a semi-hard LCD cover and a circular polarizing filter on the front—perfect for buttoning up and throwing into a bag on my way out of the house. I have a soft release screwed into the threaded shutter release and a custom, red twill strap to replace the horrible plastic strap Sony provided. I plan to gaffer tape the top and the orange ring around the lens. Who knows, I may find an old Voigtlander optical viewfinder in future as well.

The last day of our tour to Sylhet was the most dramatic one for us. We heard of a place called Bichnakandi near the Bangladesh-India border where there was a stone quarry. We have never seen a quarry and were very interested to go and photograph the place. What we saw was probably beyond our imaginations.

 

Almost 8-10 sqr. kilometers of area were filled with huge pits dug into the earth for open pit stone mining. The working conditions were horrible and there was child labours in the pit. The pay the workers get is around 2 dollars a day. There is no safety gears nor any emergency medical services available if there’s an accident.

 

The workers all live in small villages nearby with no modern amenities at all. The nearest place with electricity is 7 to 8 kilometers far. The region is also under a risk of great calamity if earthquake strikes the area since Sylhet lies in a geographically volatile region. And with the upset balance created just by this open pit mining under the Meghalayan mountains just over the Indian border has increased the risk tremendously.

 

We reached the place during lunch time so, we got some unique photos. I hope to document more of this place in future because one day was just not enough to portray the misery, the hardship and the real picture of these people’s lives.

  

Visit my photoblog: Photo Synthesis

Copyright 2014 Aneek Mustafa Anwar

Contact: labouffon@gmail.com

In the International Space Station's Destiny laboratory, Robonaut 2, the first humanoid robot in space, performs a series of tests. Ground teams put Robonaut through its paces as they remotely commanded it to operate valves on a task board. Robonaut serves as a springboard to help evolve new robotic capabilities in space. It demonstrates that a dexterous robot can launch and operate in a space vehicle, manipulate mechanisms in a microgravity environment, operate for an extended duration within the space environment, assist with tasks, and eventually interact with the crew members. General Motors co-developed this technology with NASA, and plans to use it in future advanced vehicle safety systems and manufacturing plant applications.

 

Image credit: NASA

 

More about space station research:

www.nasa.gov/mission_pages/station/research/index.html

 

View more photos like this in the "Space Station Research Affects Lives" Flickr photoset:

www.flickr.com/photos/nasamarshall/sets/72157634178107799/

 

_____________________________________________

These official NASA photographs are being made available for publication by news organizations and/or for personal use printing by the subject(s) of the photographs. The photographs may not be used in materials, advertisements, products, or promotions that in any way suggest approval or endorsement by NASA. All Images used must be credited. For information on usage rights please visit: www.nasa.gov/audience/formedia/features/MP_Photo_Guidelin...

Seaton Sluice is a village divided by a bridge, across the Seaton Burn, situated in Northumberland. It lies on the coast at the mouth of the Seaton Burn, midway between Whitley Bay and Blyth. It has a population of about 3,000 people.

 

Seaton Sluice lies 1⁄2 mile (800 metres) north of the village of Hartley, and was once part of it, being called Hartley Pans, because of the salt-pans used to harvest salt there from as far back as 1236. Hartley was once an area stretching from the Brier Dene Burn (in present-day Whitley Bay) to the Seaton Burn, which belonged to Tynemouth Priory. In 1100 the land became the property of the Hubert de Laval, nephew by marriage to William the Conqueror. The de Lavals (or Delavals) settled about 1⁄2 mile (800 metres) inland from Hartley Pans and their place of residence became Seaton Delaval, the name 'Seaton' being derived from Old English meaning a settlement (ton) by the sea.

 

Before 1550 the salt produced at Hartley Pans had been transported to Blyth to be exported, but after that date it was shipped directly from the small, natural harbour. The village henceforth became known as Hartley Haven, and was used for the export of coal as well as salt. However the harbour was prone to silting, which limited access by ships. This problem was tackled by Sir Ralph Delaval (1622–1691), who had a pier constructed, and sluice gates that trapped the seawater at each high tide. At low tide the gates were opened, flushing the sand out of the harbour. Henceforth the village became known as Seaton Sluice.

 

The harbour remained like this until the 1760s, when Sir John Hussey Delaval had a new entrance made for the harbour by blasting a channel through solid rock, providing what was known as 'The Cut', 54 feet (16 m)deep, 30 feet (9.1 m) wide and 900 feet (270 m) long. The new channel was opened in 1763 and, as a result, the land between the old harbour entrance and the new channel became an island, known as 'Rocky Island'. A footbridge connected the island to the mainland. The new channel could be sealed off at both ends to allow loading to continue no matter what the state of the tide. On the other side of the old channel, opposite Rocky Island, was a ballast hill known as Sandy Island, built up from the ballast of ships entering the harbour. The ballast hill and The Cut can still be seen.

 

The new entrance proved to be a success, and in 1777, ships sailed out of the harbour carrying 80,000 tonnes of coal, 300 tons of salt and 1.75 million glass bottles. The coal was brought to the harbour from nearby collieries via wagonways, with coal wagons being drawn by horses. Salt continued to be exported from Seaton Sluice until 1798, when a new salt tax put an end to the trade.

 

In 1763 Sir Francis Blake Delaval (1727–1771) obtained Parliamentary approval to develop 10 hectares of land at Seaton Sluice as glassworks. The works was known as 'The Royal Hartley Bottleworks'. Sir Francis needed skilled glassmakers, and his brother Tom Delaval brought skilled men from Neinberg, in Germany, to train the local men in glassmaking. The works used local materials: sea sand, sea kelp, clay from the links and local coal. The glassworks expanded with time and eventually had six large cone-shaped furnaces which dominated the skyline; they were given the names: Gallagan, Bias, Charlotte, Hartley, Waterford and Success. The three larger cones were 130 feet (40 m) tall. In 1777 production reached 1,740,000 bottles per year. Bottles were sent down to the harbour via narrow gauge railways running through tunnels. The tunnels were used as air-raid shelters during the Second World War.

 

The bottles were carried to London on 'bottle sloops', slightly smaller than collier brigs, about 50 feet (15 m) long. A distinctive feature was that the main mast could be lowered, allowing them to pass under the arches of old London Bridge. A bottle sloop would make one round trip to London per month, as did the collier brigs. Bottles were also exported to Europe.

 

The bottleworks were so large that they contained a market place, a brewery, a granary, a brickyard, a chapel, shops, public houses and a quarry. The workers lived in stone-built houses in several streets around the bottleworks. In 1768 a shipyard was established. Competition from other glass-making centres led to a decline in orders and the bottleworks closed in 1872. The last bottles to leave were on the 'Unity of Boston', bound for the Channel Islands. A few years later, in 1896, the cone-shaped furnaces were demolished and replaced by houses. Nowadays there is hardly any trace of the original bottleworks.

 

Decline of the coal trade

Even with the harbour improvements made by the Delaval family, the harbour was still limited in the size of ships that it could handle. Meanwhile, competing ports such as Blyth, to the north, and the Tyne to the south spent money improving the dock facilities. The new Northumberland Dock on the Tyne was completed in 1857. Seaton Sluice found it difficult to compete with these larger facilities.

 

A further blow to the coal trade from Seaton Sluice was the Hartley Colliery Disaster that occurred at the Hester Pit in the village of New Hartley, about 2 miles (3 kilometres) west of Seaton Sluice. The Hester Pit was the main source of local coal. However, in 1862, the beam of the pumping engine broke and fell down the only mineshaft, blocking it and trapping the miners underground. In all, 204 men and boys perished, in some cases several from the same family. The disaster led to the legal requirement in future mines, that there should always be two shafts. The loss of production from the Hester Pit spelled the end of the coal trade from Seaton Sluice and it became a quiet backwater. There is a memorial obelisk to the 204 men and boys who died in the graveyard of St Alban’s Church in the nearby village of Earsdon.

 

An attempt in the early part of the 20th century to develop Seaton Sluice as a tourist resort failed because a railway line, intended to lead north up the coast from Whitley Bay, was partly constructed but then abandoned as the First World War intervened. The remains of railway bridges and embankments can still be seen to the west of St Mary's Island.

 

Seaton Delaval Hall

The Delavals settled at Seaton Delaval, inland from Seaton Sluice. There was already a Saxon church there and the Delavals built a fortified house near it. In 1100 Hubert de la Val rebuilt the Saxon church as the present Church of Our Lady on the same spot. The fortified house was gradually expanded during Tudor and Jacobean times to become an extensive manor house. In the early 18th century the manor house was replaced by the present Seaton Delaval Hall, designed by architect Sir John Vanbrugh. The hall was devastated by fire in 1822 and was partially restored; is now owned by the National Trust.

 

Local interest

Seaton Sluice contains the following public houses:

The King’s Arms – the oldest pub in the village, situated right next to the bridge leading to Rocky Island. It was constructed in the mid-eighteenth century as the overseer’s house, but later became a pub.

The Waterford Arms – situated above the quay. It is named in honour of Susanna, Marchioness of Waterford, granddaughter to Lord Delaval, who inherited the estate in 1822. The pub occupies the site of the brewery that supplied beer to the ships, as well as to the glassworkers at the bottleworks.

The Melton Constable – built in 1839, on the north side of the burn. It is named after Melton Constable, the Norfolk town associated with the Astley family who inherited the Delaval estates in 1814.

The Delaval Arms – situated at the south end of Hartley.

The Astley Arms – situated at the north end of Seaton Sluice. It is named in honour of the Astley family (see above).

There is also Seaton Sluice Working Men's Club near the Waterford Arms.

 

The Octagon, is a small castellated building to the east of the Waterford Arms which is grade II listed. It was built sometime before 1750 as the Harbour Office. It has been suggested that it was designed by Sir John Vanbrugh but there is no definitive evidence for this. It is now a private art gallery.

 

Seaton Delaval Hall, built by Sir John Vanbrugh between 1718 and 1729 for Admiral George Delaval, is on the outskirts of Seaton Sluice, on the road to Seaton Delaval. The hall, which is a Grade 1 listed building, is now owned by the National Trust and is open to visitors on designated days.

 

Near to Seaton Delaval Hall is the Church of Our Lady, built by the Delaval family in the 12th century and altered in the 14th and 19th centuries. It is a Grade 1 listed building.

 

Holywell Dene is a tree-lined valley through which the Seaton Burn flows to Seaton Sluice. The valley contains paths running alongside the burn and is maintained by the group 'Friends of Holywell Dene'. There is a ruined folly on the north bank of the dene known as 'Starlight Castle'. This was built by Sir Francis Delaval in 1750, according to legend after accepting a bet that he could build a home for a lady friend in a day. As it was a multi-arched stone building (left), presumably the bet was lost.

 

North of the harbour mouth, past Sandy Island, are Blyth Sands: a wide, sandy beach backed by sand dunes, stretching all the way to Blyth Harbour.

 

Northumberland is a ceremonial county in North East England, bordering Scotland. It is bordered by the Scottish Borders to the north, the North Sea to the east, Tyne and Wear and County Durham to the south, and Cumbria to the west. The town of Blyth is the largest settlement.

 

The county has an area of 5,013 km2 (1,936 sq mi) and a population of 320,274, making it the least-densely populated county in England. The south-east contains the largest towns: Blyth (37,339), Cramlington (27,683), Ashington (27,670), and Morpeth (14,304), which is the administrative centre. The remainder of the county is rural, and the largest towns are Berwick-upon-Tweed (12,043) in the far north and Hexham (13,097) in the west. For local government purposes the county is a unitary authority area. The county historically included the parts of Tyne and Wear north of the River Tyne.

 

The west of Northumberland contains part of the Cheviot Hills and North Pennines, while to the east the land becomes flatter before reaching the coast. The Cheviot (815 m (2,674 ft)), after which the range of hills is named, is the county's highest point. The county contains the source of the River North Tyne and much of the South Tyne; near Hexham they combine to form the Tyne, which exits into Tyne and Wear shortly downstream. The other major rivers in Northumberland are, from south to north, the Blyth, Coquet, Aln, Wansbeck and Tweed, the last of which forms part of the Scottish border. The county contains Northumberland National Park and two national landscapes: the Northumberland Coast and part of the North Pennines.

 

Much of the county's history has been defined by its position on a border. In the Roman era most of the county lay north of Hadrian's Wall, and the region was contested between England and Scotland into the Early Modern era, leading to the construction of many castles, peel towers and bastle houses, and the early modern fortifications at Berwick-upon-Tweed. Northumberland is also associated with Celtic Christianity, particularly the tidal island of Lindisfarne. During the Industrial Revolution the area had significant coal mining, shipbuilding, and armaments industries.

Hello,

 

It is four in the afternoon of Wednesday the 23rd of January 2013, an overcast day punctuated by intermittent showers. Thunder storms are predicted for tomorrow. Looks like I will be sticking close to home.

 

I suspect I may have found the cause of the super sluggish sending and receiving of these reports I have been encountering. It was not all that old mail I waded my way through while deleting. There was no discernible difference between the before and after of that little project. I think it is the result of an inner email program conflict as a result of composing these daily reports right there on a regular email form.

 

Silly me, why did I not consider that. What was wrong with the old cut and paste procedure anyway. When I took note of the struggle taking place today I finally realized. Things had gotten pretty crazy. I was getting pop up noticed from my own computer saying things about actions I had taken while offline and saving drafts to a rescued file. Sure enough there were numerous partial drafts of the last couple of reports written. That was kind of odd as I had not even tried to send the one that went out today and the other was long gone. I thought it would be smart to start with a short one to myself. It said nothing more that ‘a test’. As I watched the utter confusion and read those pop up warnings it finally clicked.

 

As a point of fact and just so you know. Lately, once I finally got that first big daily report out of the machine I was able to send and receive normally. Why I thought it was the size of the given email is beyond me but that was the best I could come up with.

 

Now of course I think it was a result of working offline in my mail program. So, I am writing this in a new file I have opened in my word processor program. I will cut and past to an email when the time comes and see how it goes. If successful that will be swell. I can copy them from that file to the Hello file and then start a new one. Easy peasey, perhaps.

 

I am getting a little edgy. I am down to two tylenol and you know I did not go to Chedraui, nor will I until the weather clears. I will hold off on a San Francisco or Soriana run. They are close enough even if I have to go in a driving rain. I am going to see if I can manage without.

 

You are probably wondering if I bought that new iPod Touch. Yes I did. I got a red one like my little iPod shuffle. I ordered it to be engraved identical to my little shuffle too. PATTI. Nothing more. I feel I have done a little something for the world today. You may or may not be aware of the fact that a part of your Apple purchase when you choose the color red goes toward fighting aides in Africa. Yes indeed, I made a humanitarian gesture. I was on the brink of ordering the blue. I would have if the red had been unavailable as it sometimes is.

 

I picked up an email from Randy and Cheryl while I was down at the coffee place. Cheryl suggests I might like Isla de Mujeres as a possible next place to live. That thought had occurred to me too. It is much smaller that this island and still just a ferry ride to Cancun on the mainland. The research has begun.

 

Be advised. I did send off scads of pictures so my emissary will be posting those for me.

 

I did splurge at the bakery ladies little window. I brought a double brownie that is just short of heavenly. I have consumed one little strip so far. I will make it last. Some today, some tomorrow, and so on. A little at a time should not throw me into a sugar frenzy. Lets hope not anyway. In general the sweet things down here tend to contain a great deal less sugar than the ones up and over there.

 

Spaghetti is on the menu for the evening meal. I am reading a book set in County Kerry, Ireland. I believe I am in for yet another fun and action packed night at home. My favorite way to pass the time. No complaints here. I am just a little concerned about this neck problem. I wish I had a heating pad and some of that spray on pain aid stuff my mother gave me. Never mind, I am bucking up as I write this. I will be just fine.

 

It is only five but I think I am going to start the pasta water. Do not worry I have the colander with handle all laid out. I am going to give it a try right inside the other. It might work and it might not. On that note, I will be in the west of Ireland if anyone needs me.

 

I will leave you with this Irish proverb. If you hit my dog, you hit myself.

 

Good Thursday morning this 24th day of January in the year 2013 at nine o’clock in the morning. There was a patch of blue when I lifted the curtain to look out the window, craned my neck and caught a glimpse of that square of sky way up there above the planter between this apartment and the one next door. That is more blue sky than I saw all day yesterday. Looks like we will have to wait and see about those thunder storms.

 

My spaghetti turned out great. It was simple as could be. I kept it down to a bare minimum of ingredients. I cooked the pasta until almost done and then set the pan aside. I heated a bit of olive oil in the big sauté pan and then tossed in the thinly sliced mushrooms. I gave those a quick blast and then squirted in part of the container of the spaghetti sauce. While heating that through I drained the pasta and I am pleased to report my double colander idea worked like a charm. I dumped the drained pasta in the pan on top of the sauce, topped it with a little olive oil coating the spaghetti as best I could, then mixed it all together. It was just like the package promised. A quick wholesome meal that was not only different (by Mexican standards), delicious, and nutritious but loaded with antioxidants and so forth. Brought to me by those fine folks at Hunt’s and their more than 100 years of experience in the development and manufacture of tomato products. How could I have gone wrong? I shook some parmesan cheese on top and it was a toothsome treat.

 

I managed to save some spaghetti for my lunch today. I put some of those nice Peruvian beans to soak so they will be the backbone of the evening meal. Perhaps another minestrone sort of soup. I have a piece of cabbage, onion, garlic, a tomato, and some macaroni. Top that with some more of the parmesan and I will be in business. If the weather holds and I happen to make it to Chedraui I could get some of that fabulous veg bread to eat with it. Oh yes! If not I have a couple of different kinds of local crackers should the mood strike. Oh wow! I can almost taste a little sandwich with the veg bread and sharp cheddar cheese. Let me stick my head out and check that sky again. Um hum, still some blue out there. I would be blowing the budget with tylenol and cheese both but what the heck I only spent 45 pesos/$3.56 yesterday and cheese is an excellent source of protein along with its other attributes. Now watch, I will hike over there and they will have sold out of all the sharp cheddar. No, I refuse to even joke about such a serious matter. Think positive, that is my motto.

 

Last night I finished my visit to the west of Ireland not turning out the light until I had read the last page. Then I switched over to and reclined in my sleeping hammock and waited for sleep to overtake me. It took its own sweet time. I began to wonder if it was another waning gibbous moon. Minus a handy dandy gadget I was unable to quickly ascertain the exact stage in order to further my research.

 

It is half past ten now or half ten as they would say in Ireland. I have been poking around and am just now heating the water for my second cup. I will get the shower water going next. Then we will see what the day holds in store for me.

 

Vale is running almost as late as my exercise buddies. I lost track of what day she was due here at ten o’clock in the morning but it must be coming up on a week ago. Let me take a peak just for fun. Very interesting. The boys are two weeks late today and Vale is one week late. And that is just the way it is here in the land of mañana but maybe I should stop scheduling meetings for Thursdays. Those do not seem to be working out so well. I guess I will eventually go check on Vale if she does not come looking for me first.

 

Boy was I spaced or what. I have been standing right here at the counter typing away while my coffee water boiled. I could smell it and thought, oh good the shower water will be ready soon. Shortly before eleven I reached for my cup and was surprised to find it empty. I looked up at the stove and only then did it dawn on me that it was not the shower water heating up over there. Looks like I will be a little later in leaving the house than I had anticipated.

 

There is no way in the world I am putting on a backpack until I have dosed up good with some tylenol. That means if I hit some wifi today it will not be until later. First things first. Then too I have yet to determine if this ten dollar backpack is waterproof or not. For safeties sake I have been enclosing this marvelous but rapidly becoming antiquated machine in one of my kayak dry bags. I have a plastic bag in there too just in case. If I do make an afternoon run today and one of those predicted thunderstorms materializes I will ideally, be just fine. I am not interested in conducting any tests with my live laptop though. Some kind of test dummy would preferable. I will hold off on that until my neck and shoulders are back to normal. Best to leave this baby right here in the house than run the risk of ruin.

 

Well I guess the water is ready and if I do not make a move I will still be standing right here.

 

It is shortly past noon now. I am having a plan B lunch. It seemed like a good idea to pressure cook the beans while my hair dries. Then it seemed like an impossibility to heat the spaghetti at the same time. Rather than delay my departure any further I flipped from Italian to Spanish lunch. I made a plate of crackers and cream cheese with little bite sized pieces of Spanish chorizo with pickled cucumbers and onions on the side. Um um, good!

 

I was thinking that if I ever find any chili powder I can make those chili beans I have been craving. You are probably thinking, what is she talking about find some chili powder I thought she was in Mexico. Well yes, and no. Yes I am , and no it is not that part of Mexico. They do sell pinto beans here but the bean of choice is the black. The usual dried legume selection consists of black, pinto, peruvian, an occasional small white one bean, garbanzo, tiny brown lentils, and the rare split green pea. That about covers it. If I ever see any red beans I will snap them right up. In the grain department we have slight variety of choice in white only rice and the occasional cracked wheat. They just got the latter in at Soriana and I may make tabouli one day if the supply lasts that long. We can thank the early Lebanese immigrants for the lentil, garbanzo, and cracked wheat. This area was not much of a melting pot so the influences were limited.

 

Speaking of which, did I ever tell you why the imported straight from Holland edam cheese is so redly available here? I would really prefer some reference material but short of that I will tell you what I remember. It goes something like this. Way back in the 1800’s or so a ship ran aground on one of the reefs off the coast. Or maybe there was a storm, they lost steerage and ran up on a beach. Maybe it was pirates that got um, these waters were thick with them for awhile there. I could continue to speculate but I will not. The end result was, a ship full of edam cheese bound for elsewhere ended up here instead. The people liked it very much. They developed a taste for it which created a demand. It has been considered a delicacy ever since. If someone really likes you they may give you one for Christmas, not an uncommon gift. Should you find yourself in this part of the world and if you are lucky, you may encounter a stuffed cheese on a menu or more likely as a daily special. If you do please order it immediately. You will not be sorry. They take one of those $30 US and I do not exaggerate, grapefruit sized balls of cheese and turn it into a culinary masterpiece.

 

Why don’t I give you the recipe I used when I made it in my little garden apartment in Alameda. That will save me further description and allow you to reproduce it in the privacy of your own home and at your leisure, should you feel so inclined. I will remind you that the olives are green. The sweet chili is the small wrinkly bell so use one of those instead. The closest you will come with the xcatic chili will be a hungarian wax. Try cheesecloth for steaming the filled cheese. Armed with that knowledge you should be good to go.

  

Recipe for Queso Relleno

 

1 Edam cheese with middle scooped out

 

Oil

¾ k. ground pork

 

For the stuffing:

1 chopped onion

1 crushed garlic clove

4 tbs. lard

1 chopped sweet chile

½ tsp. ground cinnamon

Salt and pepper

¼ cup vinegar

50 grs olives

50 grs raisins

3 tbs. capers

400 grs tomatoes

3 chopped hard boiled eggs

 

Fry the onion in the lard, add the garlic, sweet chile, the meat, and then everything else.

 

Fill the cheese with this mixture and cover with a cloth, then steam it to soften the cheese.

 

K’óol (white sauce)

1 lt. chicken broth

1 bunch epazote

50 g olives

20 g capers

3 tbs. flour

Salt

Oil

 

Add the epazote, olives, and capers to the broth. On the side, dilute the flour in a little water, and add to the broth little by little, stirring constantly. Add the salt and a little oil. Keep on low heat.

 

Tomato sauce:

½ kg tomatoes

½ onion

1 chile xcatik

Oil

Epazote

2 tsp. consomme

Salt

 

Blend the tomatoes with a little water, the onion and the chile. Fry this mixture with the epazote. Season with the consomme and the salt. Simmer uncovered at low heat, stirring until thick, approx. 30 min.

 

Serve the stuffed cheese with the 2 sauces on top.

   

So, there you are let me know how it turns out. I myself am turning off the burner under the beans and hitting the trail.

 

I rolled back in about four o’clock bearing treasures. I decided to stop at Mega first to see what they had in the way of Tylenol. Oh my goodness, they had not only twenty caplet bottles but also fifty and one hundred. Wowzer! The one hundred cost 212 and the fifty 82. Guess which one I got. You know it, they could not fool me with that one. Nor did I have that kind of peso power behind me. They also had a little packet of ground chili. No details. For 4.48 pesos I could not go wrong, so I bought that too.

 

When I got over to Chedraui I happened to pass by a sale table on the fringes of the produce area. They had stacks of different sizes of those clear plastic hinged sort of boxes like you are likely to see in a produce department in the land of my birth but less seldom here. Everything was 5 pesos. The one that caught my eye was filled with those fabulous Spanish chilies that my brother Spike/Philip and I so enjoy when dining al fresco at the Market Bar in The City. I snatched them right up. The first half package are about ready to come out of the pan. I just tasted one and they ‘are them’ and I have a couple dozen. My brother knows I will be through them in nothing flat. Oh happy day!

 

Double wow! I just cut up some sharp cheddar and tossed it right in the bowl with the chilies. They taste great together. You can not begin to imagine what a popping burst of flavor sharp cheddar can impart when you have not experienced it for months. I am also embarrassed to say I am down to the last three of the first dozen chilies. I love these things.

 

I scored big time but they did not have the bread. I asked and they said, oh the rustic bread, no sorry. So I got a bread twist with cheese and sesame seeds and a biscuit with cheese. The biscuit is not even a distant cousin of that basic staple of the deep south and so good when topped with gravy. I will take a picture.

 

I am going to put the soup together then make a quick Soriana run. I need limes and mineral water and those are key items in this household. First I am pleased to report that the first dozen chilies sated me and I will be able to save the rest for casual snacking.

 

Soup is in the pan and I am tired. To heck with the Soriana run. I have enough of those basic stables to hold me until tomorrow. I am going to recline in one of my hammocks.

 

Good midmorning this Friday the 25th of January 2013 at ten o’clock. I slept well and awoke to one of those stand at the gate and shout visitors. Not my visitor mind you. It served as an excellent wake up call. I had actually been up closer to four than five. I thought it was morning, yes it is that light in this area of the fish bowl. Luckily I looked at the clock before I brushed my teeth. It was blissfully silent so I turned off the white noise machine and went back to sleep. I may have slept through the call from the gate had I not done so. Hard to say.

 

I will tell you that I have been remiss in my monitoring of the moped variety parked outside this front door. I realized as much when I got home yesterday and noticed the current model was half and half, silver in the back and red in the front. So, to date we have silver, red, and silver/red. Now if I narrow it down to distinguishing characteristics we may be able to determine if these are in fact the same silver, red, and silver/red, or a variety there of. All in a days work. This detecting can be an interesting business.

 

It was a very good thing that I decided to pass on the trip to Soriana. That delayed but massive cloudburst passed over about the time I would have been there browsing the isles. It hovered overhead for quite some time too. When I can hear a hard rain on the roof way down here on the lower level you can bet it is really coming down. A nice time to be tucked in, warm and dry.

 

I enjoyed my soup last night. Good thing too because I have three small containers of it in the fridge. I also have a dozen chilies ready to eat when the urge comes upon me. This morning I was wondering why I did not save one for propagation purposes. Silly me. If I find myself back over at Chedraui before they sell the last few containers I will rectify the situation. They may or may not carry them regularly. The full price would have been close to 60 pesos and that puts it into the luxury category under my current economic circumstances.

 

A plant or few of them in my garden would be heavenly. I am likely to have one of those again one of these day, gardens I mean. You probably noticed I have never mentioned actually planting anything in this little interior plot right outside my door. Well, it is not really very nice soil. It is a bit of a catchall for rubbish. The minute I got a nice plant in there the kids or their ball would land on it. I will be away for too long when I go to California. At least those are some of the excuses I have given myself. Are they good valid concerns or should I just do it. Hard to say. Once the disillusionment set in the idea just sort of fell by the wayside.

 

There is still a glimmer, a spark of desire to spend more time living on this island. I could move away from this neighborhood and down toward the waterfront. I have begun to consider this area the belly of the beast and if that is the case the little park would be the belly button.

 

It is an entirely different atmosphere as you near the water. I can leave this apartment and walk straight down 4th. I start out in this working class neighborhood and end up in a quaint, old but hip seaside village. It is, on this particular street, a mere six short blocks before you arrive at the blue waters of the Caribbean. Half way there you crest a very slight rise and in front of you at the end of the street is the ocean. The sidewalks become brick and the buildings ooze character. Interesting little restaurants worthy of any international resort destination are sprinkled around the area.

 

It is only a few blocks but a world away from here. I like it down there and beach or no it would be a good place to spend some time. It feels vibrant down there even when there are not many people about. It is kind of a nook between the cruise ship hordes and the northern hotel zone.

 

I went into a shopping center on a corner. It was a big two story affair with a very high end look to it. Once through the door I transformed myself into a just browsing tourist. The entire building housed jewelry and fine watch stores. On the second level one can watch the jewelers at work or dine at the restaurant. It is a Jewish restaurant with a little packaged foods area beside the reception desk. If you are in need of matzo crackers that would be the place to go. I looked at the menu and the majority of the dishes were the same as you would find on any other menu around here. I can only assume they are kosher. Why would I think that? Because you see not only is the complex full of jewelry stores but diamonds, diamonds, and more diamonds. I now understand the group or two of Hasidic Jews I have seen here on the island.

 

All those high dollar jewelry stores strung along Melgar (the avenue running along the water) would account for the heavy police patrols even without all the tourists to protect. All the better jewelry stores have their own security guards posted at the front door. Many fully suited up in bulletproof vest, weapon in hand.

 

There was a fairly recent article in the newspaper suggesting all the businesses employ their own security guards as the police were being spread a bit thin with the rise in crime. I mentioned the other day about the police patrolling fairly regularly in this neighborhood. Well, let me tell you it does not compare to that waterfront area we are talking about. They are not only more prominent there as they patrol the streets in their pickup trucks, but there is one standing in the back rifle at the ready. When I took my long exploratory walk to the north the other day I witnessed a good example of their effectiveness and interest in maintaining a nice environment for those peso spending visitors on which the island depends. A very drunk fellow was sitting on the bench that is part of the seawall. He slurred a hello as I passed on my way north. On my return he was sound asleep/passed out in the same spot. Within moments a municipal police truck pulled over and when I last looked were picking him up and moving him out. That sort of thing does not happen in my neighborhood. I am pretty sure he could have laid here all day and into the night. Although I often wonder how the federal police got there so quick when I had my mishap. Ah, the mysteries of life.

 

Hum, I wonder what the sky looks like up there today. I got real lucky yesterday. I was caught in a light tropical shower as I was leaving Chedraui. It continued pelting me with great big wide spaced drops until I made my turn at the main plaza.

 

What I can see looks kind of solid grey. I would like to go over to the coffee place and send this so that will be my first goal of the day. Subject to change naturally. I also think it might be about time I look Vale up. Even if, hey what am I saying, lets give the benefit of the doubt. Since she is taking morning and evening classes and then earning some money in the late afternoon helping out a relative of the BF I will need to time my visit. Come to think of it I could just wait until tomorrow when there is no school. All righty then I postponed that quite nicely.

 

BTW that biscuit was pretty interesting. I detected no cheese in it (or the twist) so I would wager it was a matter of mislabeling. The dough had a distinct flavor of uncooked biscuit dough. Not half bad and you know, I think some gravy might go nicely with them. Something to keep in mind next time I have a package of bacon in the fridge. These biscuits are readily available so it would not be like trying to pair my sharp cheddar and the rustic veg bread.

 

I am heating the last of the spaghetti while I wait for my hair to dry. There is not much but I can always move on to soup to fill any remaining gaps. I guess I should make some more spaghetti while that open container of sauce if fresh. I am almost out of parmesan but I can always splurge for some more. It lasts a long time and perks up many a dish.

 

While thinking of food I realize I forgot to tell you about the dried beans I saw at Mega yesterday. They were so pretty. At first I thought they were those red beans I have been wanting. When I got close I saw they were speckled and quite purple. They are called flor de mayo, same as the plumeria. I was not about to lug them home but I am going to look for them in Soriana or San Francisco.

 

I have moved on to the soup. I just opened that little packet of ground chili and sprinkled some on top. If it is not cayenne I do not know what it is. That is fine by me as I had been wishing for some. I also got a soup shot as I realized I had neglected to photograph it last night. Ah yes, as I make my way into the bowl I can say this is some spicy chili. If you foolishly put a good spoon full of this stuff in your batch of beans you would be in for a real surprise. I will remember to sprinkle it more sparingly in future.

 

Speaking of moving, my mystery moped neighbors may be doing just that. The silver and red is backed up to my door and they are moving out the furniture. So much for that entertaining research project/handy alarm clock.

 

I am on to the cheddar cheese and chili dessert plate now. It is every bit as good as yesterday. I threw in a sliced Chiapas banana for contrast and potassium. You are what you eat!

 

Maybe I will experiment with some of the other chilies available at the markets. I really should be familiar with all the subtleties of flavor. I could roast up a couple of each in the manner I prepared these. What a great way to figure out what dishes they might be best suited to. Back in Cabo I pan roasted serranos and those long skinny dried red ones for snacking on. One of the chilies here is a green version of the latter. I think they may hail from the Vera Cruz area. I have eaten plenty of jalapeños done that way, they are always good.

 

As I was dressing this morning in the same travel shorts I have been wearing most days, I decided to really take advantage of them. I am stuck on these because of their pockets. There is no good reason I can think of not to use one of those pockets for my camera. It is about time I carefully record some more exterior images for yours and my viewing pleasure. I could actually show you what that lower neighborhood looks like. I use the word lower loosely as this island is almost as flat as a pancake, more in a directional sense, and there is that slight little rise. You could of course hop on Google Maps, enter my address, switch to street view, and virtually cruise right on down the street all the way to the water. Should you do so I suggest you then make a right turn in the direction of the Looks Like Bermuda/although I have never actually been there, part of the island.

 

A small bowl of spaghetti, a small bowl of soup, eight chilies, two slices of cheddar cheese, and one small Chiapas banana under the belt and time to get going. It is a quarter to two, a fine hour for the coffee place. Hard to say but I think there is a sunny glow to the light filtering down to the center walk way. Until next time then.

 

Love

YS, YD, YM, YA

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Peak Climbing in Nepal is great view of Himalayas and most various geological regions in asia. Climbing of peaks in Nepal is restricted under the rules of Nepal Mountaineering Association. Details information and application for climbing permits are available through Acute Trekking. First peak climbing in Nepal by Tenzing Norgey Sherpa and Sir Edmund Hilary on May 29, 1953 to Mt. Everest. Trekking Agency in Nepal necessary member from Nepal Mountaineering Association. Our agency will arrange equipment, guides, high altitude porters, food and all necessary gears for climbing in Nepal. Although for some peaks, you need to contribute additional time, exertion owing to improved elevation and complexity. Climbing peaks is next step beyond simply trekking and basic mountaineering course over snow line with ice axe, crampons, ropes etc under administration and coaching from climbing guide, who have substantial mountaineering knowledge and for your climbing in mountain.

 

Everest Base Camp Trek well noon its spectacular mountain peaks and the devotion and openness of its inhabitants, the Everest region is one of the most popular destination for tourists in Nepal. While numerous of the routes through the mountains are difficult, there are plenty places to rest and enjoy a meal along the way. Additionally, don't worry about receiving lost. Just ask a local the way to the next village on your route, and they will direct you. Most Sherpas under the age of fifty can at least understand basic English, and many speak it fluently.

 

Annapurna Base Camp Trek is the major peaks of the western portion of the great Annapurna Himalaya, Annapurna South, Fang, Annapurna, Ganagapurna, Annapurna 3 and Machhapuchhare and including Annapurna first 8091 meters are arranged almost exactly in a circle about 10 miles in diameter with a deep glacier enclosed field at the center. From this glacier basin, known as the Annapurna base camp trek (Annapurna sanctuary trek), the Modi Khola way south in a narrow ravine fully 12 thousand ft. deep. Further south, the ravine opens up into a wide and fruitful valley, the domain of the Gurungs. The center and upper portions of Modi Khola offer some of the best short routes for trekking in Nepal and the valley is situated so that these treks can be easily joint with treks into the Kali Gandaki (Kali Gandaki is name of the river in Nepal) region to the west.

 

Upper Mustang Trekking name Make an escapade beginning from world deepest gorge Kaligandaki valley into world's highest area of Lo-Mangthang valley that passes through an almost tree-less barren landscape, a steep stony trail up and down hill and panorama views of high Annapurna Himalaya including Nilgiri, Annapurna, Dhaulagiri and numerous other peaks. The trek passes through high peaks, passes, glaciers, and alpine valleys. The thousands years of seclusion has kept the society, lifestyle and heritage remain unaffected for centuries and to this date.

 

Helicopter Tour in Nepal having high mountains and wonderful landscape of countryside but is effortlessly reachable by land transport, is known as helicopter tours country. Helicopter services industry in Nepal is now well well-known with many types and categories of helicopters for the fly to different of Nepal. The pilots are very knowledgeable expert with 1000 of flying hours knowledge in Nepal. We have service for helicopter is outstanding reputations and established records for reliable emergency and rescue flight too. Here we would like to offer some of amazing helicopter tour in Himalaya country of Nepal. Further more details information about Nepal tour itinerary for helicopter tour in different part of Nepal contact us without hesitation.

 

Kathmandu Pokhra Tour is an exclusive tour package specially designed for all level travelers. Kathmandu Pokhara tour package is effortless tour alternative for Nepal visitors. This tour package vacation the historically significant and ethnically rich capital (Kathmandu ) of Nepal and the most stunning city of world by the nature, Pokhara. Mountain museum and world peace stupa are another charming of Pokhara tour. Pokhara is the center of escapade tourism in Nepal. Package tour to Kathmandu Pokhara is design to discover highlighted areas of Kathmandu and Pokhara valley. Nepal is the country which is socially and geographically different that’s why we powerfully recommend you discover Nepal to visit once in life time. It is hard to explore all Nepal in one Nepal tours trip in this way we design this trip to show you the highlights of Nepal especially in Kathmandu and Pokhara.

 

Adventure trekking in the southern part of the asia continent there lays a tiny rectangular kingdom squeezed between two hugely populated countries, China to the north and India to the south, this country is Nepal a world of its own. Adventure trekking is a type of tourism, involving exploration or travel to remote, exotic and possibly hostile areas. Adventure trekking in Nepal is rapidly growing in popularity, as tourists seek different kinds of vacations. The land of contrast is presumably the exact way to define the scenery of Nepal for you will find maximum world highest peaks high high up above the clouds determined for the gods above. Straight, active and attractive learning experience adventure trekking in Nepal that engross the whole person and have real adventure. Mt. Everest, Kanchenjunga, Daulagiri, and Annapurna and many more are there for the offering for mountain-lovers, adventurers and travelers.

 

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Walt Disney World

EPCOT Center World Showcase

Japan Pavilion

 

I made so many Disney photography rookie mistakes on my last trip and this shot reminds me of a big one. This particular night, I was planning to shoot Illuminations from a different location in the Japan Pavilion. I slowly worked my way around World Showcase to the pavilion and got all set up to shoot (about 30 minutes prior to the show) when it occurred to me that I had left my remote shutter release back in a locker at the front of the park. I have no idea why I took the remote out of my pack... it’s not like it really weighs anything. Anyway, I broke everything down and b-lined it back to the locker to retrieve it hoping to be able to claim a spot front and center in Future World for Illuminations... after all, the park wasn’t very crowded this night (big mistake and I should have known better as there is no such thing as a small crowd in that area on any night). Needless to say I missed shooting Illuminations this particular night (missed seeing it too).

 

Has that ever happened to anyone else?

I recently met with Sean Hudson former promoter of the Army & Navy music venue in Chelmsford.

 

What sort of pupil were you at Boswells

 

I did not care very much for school, I was absent towards the end of the fourth year onwards. I never really cared much for rules etc, my uniform consisted of black trousers, Doc Martins, silk black shirt and an American baseball jacket! (this was the 80s). I sat one exam. I have an older sister who influenced me very much musically as she was very into her music and I have two younger brothers. All my family still reside in Chelmsford.

 

Q What sort of bands were you seeing before you music promoting days.

Punk really, never saw any other bands as I was at that point pretty blind to other genres. I have always liked rock & heavy metal though.

 

Q What sort of albums did you have in your collection in your youth.

Surprise, surprise, punk & skinhead music. I was a massive Oi! fan (still am ) and the first record I bought (in 1981) was The Sex Pistols 'God save The Queen' and my second was The Exploited 'Dead Cities'. Although I have to admit to being a big Adam Ant fan and a closet Gary Numan fan!

 

Q What did you do when you left school and how and when did you become a music promoter

When I left school I joined a travelling fair but soon came back and became a tyre fitter. I did this for a year before going off the rails for two years, in and out of various jobs and many a run in with the police. In 1990 I started work at the Little Chef in Widford and stayed there for two years. It was at this time ( or slightly before ) I had been doing mail order records which led me into doing a punk/Oi! fanzine called Welcome To The Real World which ran for 5 issues and was distributed all over the world. I also did a little bit of writing for Metal Hammer magazine who were doing a punk section. Whilst doing this I got to interview all my heroes such as Cock Sparrer, Glen Matlock, Sham 69, The Last Resort, Splodge and also met some great people. I remember interviewing Ronnie Thomas from the Heavy Metal Kids and we went for a meal on Carnaby Street and I felt like I had met royalty. That was one of my best interviews but I could do so much better now.

  

I started going to the Stick of Rock in Bethnal Green that was run by Steve Bruce, the drummer with Cock Sparrer sometimes I stayed there for the weekend seeing all types of bands. I then thought to myself why was I here in London when I could promote a venue in Chelmsford and bring the bands to the towns so I set to work on achieving this goal. This was 1992 and I originally booked Chelmsford’s YMCA for a Heavy Metal Kids, show with their new singer 'Dave Demarco, gig for December 11th 1992 but switched to the A&N and the rest is history! In fact the first band I booked was a Psychobilly band called the Klingonz about 140 turned up for this gig. Previous to this the so called Kings of Psychobilly The Meteors had played the venue.

 

Q Can you tells more about the early days and the Army and Navy became a major venue on the music scene.

The Landlord of the Army & Navy was Martin, at first myself and John Dunn were allocated two nights a week to promote new acts to the venue. I remember booking Glen Matlock a former member of the Sex Pistols the fee was £250.00 and only 120 turned up and we lost money on that gig. Admission was £2.50. He told me the Sex Pistols would never reform! We also booked many other Punk bands including UK Subs, The Exploited, 999, Peter & The Test Tube Babies, The Anti Nowhere League, Splodge etc etc

  

John Dunn was the former promoter at the Y Club but now we were working together and our 2 nights a week at the A&N had now been increased to include an Indie night on a Thursday. And soon we were booking alternate Fridays and Saturdays and later Mondays & Tuesdays.

 

Q I understand you booked in Oasis

No, I didnt, John Dunn did. I turned them down to headline an alldayer. Oasis were booked in 1994 and we sold 350 tickets in advance of the show, the official capacity of the venue was 260. Oasis had just released their first singl and by the time they played it had just gone into the UK charts. The support were called 'Elemental Child' there was another band that night but I cannot remember their name, I remember the Gallagher brothers having a massive water fight in the corridor and back room before the gig. So to put pay to all bullshit rumours, 350 turned up, it was sold out in advance and they never played more than once. According to Chelmsford folk lore, there was 20,000 people there on the night!

  

Around this time we had booked in Canadian band Moist and Scandinavian rockers Clawfinger, in 1995 John had left the A&N and I was booking all the bands myself. Tuesdays, Thursdays, Fridays and Saturdays. Wednesday and Sunday night were designated as gay evenings that proved to be very successful. ( The gay nights actually kept the venue afloat) We also booked tribute bands and I remember putting the Australian Pink Floyd on, one of their first gigs in the UK. I also booked them in Southend and it was a joint promotion. The promoters pulled out a week before because they had no confidence and on the day the pier caught fire but the gig sold out and I made a fortune. They are stadium fillers now all over the world!

 

Q When did the Brewery first try close the A&N down.

The Brewery wanted to close the Pub in 95 and John went to the Y Club, but a campaign was launched to save the now famous venue. A petition of 6500 names signed and together with the help of the Chelmsford Yellow Advertiser newspaper who headlined the fight, the Venue was saved for now.

  

What other big name bands did you book in from 1995

  

Just to name a few Kula Shaker, Sterophonics, Headswim, Super Furry Animals, Idlewild, Elastica, Longpigs,Wishbone Ash, Feeder, Garp, Sleeper, The Mission, and Dogs D' Amour. Midge Ure, In fact the V festival had started in 1994 and a lot of the acts that played here went on to headline or be a major attractions in future festivals at Hylands Park.

  

In 1999 Martin the landlord left the Army & Navy and I took over the whole venue, that by now was well established, this was a busy time. I had booked in such local bands as The Filaments, The Big, Ac Slater, Thaed, Tellercreep, ISM and created a scene with these bands. The last 18 months of the Navy was the busiest and the local scene was at its best since 1993 when we had great local bands like Garp, The Kites & Vybe Trybe. They were great times.

 

Q What was your personal best moment

My best moment was booking in my favourite band from Australia who played their first UK show here at the Army & Navy in 19 years, the band were called Rose Tattoo , the lead singer was called 'Angry Anderson' they had worked with AC/DC the sound was a heavy metal mix with blues and rock. There’s nothing like having your own personal favourite band play in your venue. There was lots of other moments but looking back, the A&N could never happen now, you would never get away with what we did, nor would a brewery let it happen. It never turned over fortunes for anyone.

  

I wanted to book Sham 69 but Jimmy Pursey refused to play here as he thought that Chelmsford was a Fascist town and his band may get targeted.

 

Q Did you book bands right across the music spectrum.

Yes we booked soul bands like Junior Jump who played a summer gig and a Christmas show every year, this band always attracted a full house, Ska bands included The Beat, Selecter, and Bad Manners, Reggae bands like Bush Fire and even Judge Dread. Psychobilly bands like the Meteors. Blues bands such as Nine Below Zero and Dr Feelgood. So as well as all the Rock, Indie, and Punk we did have a good mix of music. In 1992 we booked a four band real skinhead gig which included Argy Bargy, no venue at that time was touching such stuff. We tried comedy in the later years at the back of the venue and Tim Vine played there and we did accoustic nights in there as well with the likes of The Almightys Ricky Warwick and Jim Diamond ( remember Boon theme tune ) who played a blinder with Snake Davies. We did AOR ( Tyketto, Magnum etc) Folk metal ( Skyclad), tribute bands, thrash, death metal etc etc.

 

I remember reading in the local press about controversial bands, Rockbitch and Impotent Sea Snakes.

Rockbitch was a female Punk/Metal/Goth type band that were known for performing with their kit off and incorporating sexual acts into the show. The first time we booked them only about 50 people turned up, three of the girls went nude, they would throw out into the audience a condom and who ever caught it would be offered oral sex or more The next time we booked them word had got out about them and the local Edge Magazine ran with the headline “LOCK UP YOUR SONS, ROCK BITCH ARE IN TOWN” needless to say we had 500 turn up that night. We did book them for a third time and one of the female band members fell over on stage and twisted her ankle that night.

  

I then booked in a band called The Impotent Sea Snakes they were from Atlanta. America’s answer to Rockbitch. They are also known for sexually explicit performances and lyrics, the male member’s dressed in drag and the female wore next to nothing. The gig went well and I re-booked them and this time I made a huge banner that hung by the Army & Navy roundabout for all to see. The banner with American stars and stripes said “MOVE OVER ROCKBITCH THE YANKS ARE IN TOWN”. Things were going well I had sold 350 advanced tickets but unfortunately the day before the gig the Police turned up with two council officials. I was told if the show went ahead my licence could be in serious jeopardy, so after considering the situation the concert was cancelled.

 

Favourite memories

Lots!! Loads of late night drinking sessions with various bands, most memorable being Buster Bloodvessel from Bad Manners who told some great stories. Drinking with various ska faces and the drummer from the Specials telling me they would never reform. The band competitions bringing in huge audiences and big money. The infamous promoters diary which was my chance to sound off about what I really thought. I once said a tribute to Ian Dury called The Blox sounded like Chas & Dave building a shed! It wasnt a popular comment. It got serious hits on the website and I wish I still had it. Even the late Melody Maker magazine commented on it! Making Back To The Planet sell out and then touting our own tickets outside!!

  

Best shows

  

The Dogs D'amour were veery special to me for personal reasons. Reef were great and Skyclad were very captivating. There was too many really, ten years on my memory is a bit hazy. I still have the diaries from 1992 - 2002, there isnt much missed out of them.

  

Did any VIPs come to gigs here.

  

Yes Fergal Sharkey, Gary Numan, members from The Prodigy and Blur could often be seen in the audience and Reg Holdsworth!.

  

Your Worst Moment

  

My worst moment was when the Army & Navy closed in Oct 2002 to make way for a new sports bar called Arena Army & Navy. Our last gig was on the 20th October 2002, we had over 800 people turn up. Top of the bill that night was 'The Big” The gig ended a bit sadly really with the entire place getting trashed. Bit sad really and I never got my head around it.

  

What did you do after the A&N

  

I brought Colchesters Twist and renamed it the Soundhouse. It was the worst move I ever made! I lost 90K and never got paid for the venue when I supposedly sold it. I nearly had a breakdown because I was going through court cases over trying to keep my licence. Chelmsford would have given their right arm for a venue like the Twist, Colchester never deserved it. I nearly did a year there and again booked some great acts like Snow Patrol etc but by January 2004 I had had the music knocked out of me. Whilst at the Twist, I was running fortnightly gigs at the Marconi club in Beehive Lane Chelmsford. These were stormers in terms of attendance, nearly 800 at each gig just with local bands! I was also involved with Chelmsfords Cave but was only being used for the licence! It was such a shame no venue could be found in Chelmsford full time. Marconis eventually stopped the gigs because of idiots trashing the place. So from Colchester I went onto Ilfords 'famous' music venue The Cauliflower. This venue stood for everything I hated about live music venues. It was full of tribute bands and cover bands just like the Twist was when I took it over but there was no point changing it. The venue and its crowd were so set in their ways. I had death threats from regular bands that played because I wanted to upgrade things etc. I was only a manager and didnt have to pay the bands as the brewery paid them. I tried a bit of alternative but it never really worked. I got sacked!!This was because I had thieving bar staff and I was loved up and the last three months I was hardly there. I deserved it. Believe it or not I do have a few good memories of the Cauliflower and there was some genuine people there. I did nearly a year there. I then went onto run 'normal' pubs before retiring in 2007. I dont miss pubs or running a live music venue.

  

What music do you listen to now and do you still go to live music gigs.

  

I still like to listen to range of music from AC/DC. Elvis to Johnny Cash. Also this year I will be attending the Rebellion Punk Festival in Blackpool.

        

Maurice Hyde

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Annapurna trekking region of Nepal enjoy with magnificent view close to highest and impressive mountain range in the world. Day exploration in Pokhara and morning morning flight to Jomsom or drive to Besishisahar from Kathmandu begin of trek. High destination, Muktinath 3800m and in generally highest point of whole Annapurna is 5416m. Thorangla la is situated in Buddhist Monastery, an eternal flame, and Hindus Vishnu Tempe of Juwala Mai making it a pilgrimage site for both Hindus and Buddhists and Muktinath is on the way down from popular trekking it call Thorang la pass which is incredible view in Annapurna region. Whenever possible we will arrive at lodging mid-afternoon, which should leave plenty time for explore the local villages, enjoy the hot springs at Tatopani, continue to Ghorepani where there is forever the possibility of sunrise hike to Poon Hill for spectacular views of Dhaulagiri, Fishtail, Nilgiri and the Annapurna Himalaya range. Continue on to Birethanti finally between with the Baglung road where we will catch cab to Pokhara, next day drive or fly to Kathmandu.

 

Everest trekking region, although fairly effortless compare to some of other trek, takes you high along trails to Tengboche monastery Everest Solu Khumbu is the district south and west of Mount Everest. It is inhabited by sherpa, cultural group that has achieve fame because of the develop of its men on climbing expeditions. Khumbu is the name of the northern half of this region above Namche, includes highest mountain (Mt. Everest 8848m.) in the world. Khumbu is in part of Sagarmatha National Park. This is a short trek but very scenic trek offers really superb view of the world's highest peaks, including Mt. Everest, Mt. Lhotse, Mt. Thamserku, Mt. Amadablam and other many snowy peaks. Fly from Kathmandu to Lukla it is in the Khumbu region and trek up to Namche Bazzar, Tyangboche and into the Khumjung village, a very nice settlement of Sherpas people. This trek introduction to Everest and Sherpa culture with great mountain views, a very popular destination for first time trekkers in Nepal. Justifiably well-known world uppermost mountain (8848m.) and also for its Sherpa villages and monasteries. Few days trek from Lukla on the highland, takes you to the entry to Sagarmatha National Park and town of Namche Bazaar is entrance of Everest Trek. Environment of the towering Himalayas is a very delicate eco-system that is effortlessly put out of balance.

 

Langtang trekking region mixture of three beautiful trek taking us straight into some of the wildest and most pretty areas of Nepal. Starting from the lovely hill town of Syabrubensi our trek winds during gorgeous rhododendron and conifer forests throughout the Langtang National Park on the way to the higher slopes. Leads up to the high alpine yak pastures, glaciers and moraines around Kyanging. Along this route you will have an chance to cross the Ganja La Pass if possible from Langtang Valley. Trail enters the rhododendron (National flower of Nepal) forest and climbs up to alpine yak pastures at Ngegang (4404m). From Ngegang we make a climb of Ganja La Pass (5122m). We start southwest, sliding past Gekye Gompa to reach Tarkeghyang otherwise we take a detour and another unique features of trekking past, the holy lakes of Gosainkund (4300 m.) cross into Helambu via Laurebina to Ghopte (3430 m) and further to Trakegyang. Northern parts of the area mostly fall within the boundaries of Langtang National park.

 

Peak Climbing in Nepal is great view of Himalayas and most various geological regions in asia. Climbing of peaks in Nepal is restricted under the rules of Nepal Mountaineering Association. Details information and application for climbing permits are available through Acute Trekking. First peak climbing in Nepal by Tenzing Norgey Sherpa and Sir Edmund Hilary on May 29, 1953 to Mt. Everest. Trekking Agency in Nepal necessary member from Nepal Mountaineering Association. Our agency will arrange equipment, guides, high altitude porters, food and all necessary gears for climbing in Nepal. Although for some peaks, you need to contribute additional time, exertion owing to improved elevation and complexity. Climbing peaks is next step beyond simply trekking and basic mountaineering course over snow line with ice axe, crampons, ropes etc under administration and coaching from climbing guide, who have substantial mountaineering knowledge and for your climbing in mountain.

 

Everest Base Camp Trek well noon its spectacular mountain peaks and the devotion and openness of its inhabitants, the Everest region is one of the most popular destination for tourists in Nepal. While numerous of the routes through the mountains are difficult, there are plenty places to rest and enjoy a meal along the way. Additionally, don't worry about receiving lost. Just ask a local the way to the next village on your route, and they will direct you. Most Sherpas under the age of fifty can at least understand basic English, and many speak it fluently.

 

Annapurna Base Camp Trek is the major peaks of the western portion of the great Annapurna Himalaya, Annapurna South, Fang, Annapurna, Ganagapurna, Annapurna 3 and Machhapuchhare and including Annapurna first 8091 meters are arranged almost exactly in a circle about 10 miles in diameter with a deep glacier enclosed field at the center. From this glacier basin, known as the Annapurna base camp trek (Annapurna sanctuary trek), the Modi Khola way south in a narrow ravine fully 12 thousand ft. deep. Further south, the ravine opens up into a wide and fruitful valley, the domain of the Gurungs. The center and upper portions of Modi Khola offer some of the best short routes for trekking in Nepal and the valley is situated so that these treks can be easily joint with treks into the Kali Gandaki (Kali Gandaki is name of the river in Nepal) region to the west.

 

Upper Mustang Trekking name Make an escapade beginning from world deepest gorge Kaligandaki valley into world's highest area of Lo-Mangthang valley that passes through an almost tree-less barren landscape, a steep stony trail up and down hill and panorama views of high Annapurna Himalaya including Nilgiri, Annapurna, Dhaulagiri and numerous other peaks. The trek passes through high peaks, passes, glaciers, and alpine valleys. The thousands years of seclusion has kept the society, lifestyle and heritage remain unaffected for centuries and to this date.

 

Helicopter Tour in Nepal having high mountains and wonderful landscape of countryside but is effortlessly reachable by land transport, is known as helicopter tours country. Helicopter services industry in Nepal is now well well-known with many types and categories of helicopters for the fly to different of Nepal. The pilots are very knowledgeable expert with 1000 of flying hours knowledge in Nepal. We have service for helicopter is outstanding reputations and established records for reliable emergency and rescue flight too. Here we would like to offer some of amazing helicopter tour in Himalaya country of Nepal. Further more details information about Nepal tour itinerary for helicopter tour in different part of Nepal contact us without hesitation.

 

Kathmandu Pokhra Tour is an exclusive tour package specially designed for all level travelers. Kathmandu Pokhara tour package is effortless tour alternative for Nepal visitors. This tour package vacation the historically significant and ethnically rich capital (Kathmandu ) of Nepal and the most stunning city of world by the nature, Pokhara. Mountain museum and world peace stupa are another charming of Pokhara tour. Pokhara is the center of escapade tourism in Nepal. Package tour to Kathmandu Pokhara is design to discover highlighted areas of Kathmandu and Pokhara valley. Nepal is the country which is socially and geographically different that’s why we powerfully recommend you discover Nepal to visit once in life time. It is hard to explore all Nepal in one Nepal tours trip in this way we design this trip to show you the highlights of Nepal especially in Kathmandu and Pokhara.

 

Adventure trekking in the southern part of the asia continent there lays a tiny rectangular kingdom squeezed between two hugely populated countries, China to the north and India to the south, this country is Nepal a world of its own. Adventure trekking is a type of tourism, involving exploration or travel to remote, exotic and possibly hostile areas. Adventure trekking in Nepal is rapidly growing in popularity, as tourists seek different kinds of vacations. The land of contrast is presumably the exact way to define the scenery of Nepal for you will find maximum world highest peaks high high up above the clouds determined for the gods above. Straight, active and attractive learning experience adventure trekking in Nepal that engross the whole person and have real adventure. Mt. Everest, Kanchenjunga, Daulagiri, and Annapurna and many more are there for the offering for mountain-lovers, adventurers and travelers.

 

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Trekking in Nepal - Nepal Trekking - Tea House Trekking - Lodge Trekking - Kathmandu Pokhara Tour - High Pass Trekking - Luxury Trekking in Nepal - Luxury Tour in Nepal - Helicopter Tour in Nepal - Nepal Helicopter Tour - Annapurna Trekking - Annapurna Base Camp Trek - Annapurna Sanctuary Trek - Annapurna Panirama Trekking - Ghorepani Trekking - Jomsom Muktinath Trekking - Annapurna Circuit Trekking - Annapurna Round Trekking - Tilicho Mesokanto Trekking - Tilicho Lake Mesokanto Pass Trekking - Upper Mustang Trekking - Everest Trekking - Everest Base Camp Trek - Everest Panorama Trekking - Gokyo Trekking - Gokyo Everest Trekking - Renjola Pass Trekking - Kongmala Pass Trekking - Three Pass Trekking - Jiri Everest Trekking - Langtang Trekking - Langtang Valley Trekking - Gosaikunda Trekking - Helambu Trekking - Tamang Heritage Trekking - Chisapani Nagarkot Trekking - Kathmandu Valley Cultural Trekking - Langtang Gosaikunda Helambu Trekking - Ganjala Pass Trekking - Peak Climbing in Nepal - Nepal Peak Climbing - High Pass Trekking - Nepal For All Season - Package Tour in Nepal - Island Peak Climbing - Mera Peak Climbing - Pisang Peak Climbing - Adventure Trekking - Adventures Trekking - Mustang Trekking - Upper Mustang Trek - Lower Mustang Trekking - Seasonal Package Trekking Tours in Nepal - Annapurna Trekking Region - Annapurna Base Camp Trek - Everest Trekking Region - Gokyo Trekking - Langtang Trekking Region - Tea House Trek or Lodge Trek - Three Pass Trekking or Everest High Pass Trekking

Epcot is the second of four theme parks built at Walt Disney World in Bay Lake, Florida, near the city of Orlando. It opened as EPCOT Center on October 1, 1982, and spans 300 acres (120 ha), more than twice the size of the Magic Kingdom park. It is dedicated to the celebration of human achievement, namely technological innovation and international culture, and is often referred to as a "Permanent World's Fair." In 2013, the park hosted approximately 11.22 million guests, making it the fifth most visited theme park in the world. The park is represented by Spaceship Earth, a geodesic sphere that also serves as an attraction. Epcot was known as EPCOT Center until 1994, when it was later renamed Epcot '94, then Epcot '95 the following year.

EPCOT is an acronym for Experimental Prototype Community of Tomorrow; a Utopian city of the future planned by Walt Disney, often interchanging "city" and "community." In Walt Disney's words: "EPCOT will take its cue from the new ideas and new technologies that are now emerging from the creative centers of American industry. It will be a community of tomorrow that will never be completed, but will always be introducing, and testing, and demonstrating new materials and new systems. And EPCOT will always be a showcase to the world of the ingenuity and imagination of American free enterprise." His original vision was for a model community which would have been home to twenty thousand residents and a test bed for city planning as well as organization. It was to have been built in the shape of a circle with businesses and commercial areas at its center with community buildings, schools, and recreational complexes around it while residential neighborhoods would line the perimeter. This radial plan concept is strongly influenced by British planner Ebenezer Howard and his Garden Cities of To-morrow. Transportation would have been provided by monorails and PeopleMovers (like that in Magic Kingdom's Tomorrowland.) Automobile traffic would be kept underground, leaving pedestrians safe above ground. The original model of EPCOT can still be seen by passengers riding the Tomorrowland Transit Authority attraction in the Magic Kingdom park; when the PeopleMover enters the showhouse for Stitch's Great Escape!, the remaining portion of the model is visible on the left (when facing forward) behind glass. Walt Disney was not able to obtain funding and permission to start work on his Florida property until he agreed to first build Magic Kingdom. He died nearly five years before Magic Kingdom opened.

 

After Disney's death, The Walt Disney Company decided that it did not want to be in the business of running a city without Walt's guidance. The model community of Celebration, Florida has been mentioned as a realization of Disney's original vision, but Celebration is based on concepts of new urbanism which is radically different from Disney's modernist and futurist visions. However, the idea of EPCOT was instrumental in prompting the state of Florida to create the Reedy Creek Improvement District (RCID) and the Cities of Bay Lake and Reedy Creek (now Lake Buena Vista), a legislative mechanism allowing the Walt Disney Company to exercise governmental powers over Walt Disney World. Control over the RCID is vested in the landowners of the district, and the promise of an actual city in the district would have meant that the powers of the RCID would have been distributed among the landowners in EPCOT. Because the idea of EPCOT was never implemented, the Disney Corporation remained almost the sole landowner in the district allowing it to maintain control of the RCID and the cities of Bay Lake and Lake Buena Vista; Disney further cemented this control by deannexing Celebration from the RCID.

 

The original plans for the park showed indecision over the park's purpose. Some Imagineers wanted it to represent the cutting edge of technology, while others wanted it to showcase international cultures and customs. At one point, a model of the futuristic park was pushed together against a model of a World's Fair international theme, and the two were combined. The park was originally named EPCOT Center to reflect the ideals and values of the city. It was constructed for an estimated $800 million to $1.4 billion and took three years to build, at the time the largest construction project on Earth. The parking lot serving the park is 141 acres (57 ha) (including bus area) and can accommodate 11,211 vehicles (grass areas hold additional 500+ vehicles). Before it opened on October 1, 1982, Walt Disney World Ambassador Genie Field introduced E. Cardon Walker, Disney's chairman and CEO, who dedicated EPCOT Center. Walker also presented a family with lifetime passes for the two Walt Disney World theme parks. His remarks were followed by Florida Governor Bob Graham and William Ellinghouse, president of AT&T.

 

As part of the opening-day ceremony, dancers and band members performed We've Just Begun to Dream. The Sherman Brothers wrote a song especially for the occasion entitled "The World Showcase March". During the finale, doves and many sets of balloons were released. Performing groups representing countries from all over the world performed in World Showcase. Water was gathered from major rivers across the globe and emptied into the park's fountain of nations ceremonial containers to mark the opening. Located at the front of the park is a plaque bearing Walker's opening-day dedication, as seen above.

 

Future World consists of a variety of pavilions that explore innovative aspects and applications including technology and science. Future World also serves as the park's main entrance and features the park's iconic landmark, Spaceship Earth, a large geodesic sphere structure which houses a themed attraction inside. Originally, each pavilion of Future World featured a unique circular logo which was featured on park signage and the attractions themselves. The logos, including that of Epcot itself, have been phased out over recent years, but some remnants are still scattered throughout the park; the pavilions are now instead identified by name and recognized by the main attraction(s) housed inside. The various pavilions located in Future World include the following:

 

Spaceship Earth

Universe of Energy

Mission: Space

Test Track

Innoventions East

Innoventions West

The Seas with Nemo & Friends

The Land

Imagination!

Wonders of Life/Festival Center (Seasonal Operation)

 

Corporate sponsorships

 

Each pavilion was initially sponsored by a corporation which helped fund its construction and maintenance in return for the corporation's logos and some marketing elements appearing throughout the pavilion. For example, Universe of Energy was sponsored by Exxon from 1982 to 2004, and The Land was sponsored by Kraft from 1982 to 1993, then Nestlé from 1993 to 2009. Each pavilion contains a private "VIP area" for its sponsor with offices, lounges, and reception areas hidden away from regular park guests. While some pavilions still retain active sponsorships, in recent years several pavilions have lost sponsorships due to lack of interest from partner companies in renewing expiring agreements. After General Electric left Horizons in 1993, it closed for a couple of years, then reopened temporarily while neighboring attractions Universe of Energy and World of Motion were renovated. Horizons closed permanently on January 9, 1999 and was demolished in the summer of 2000 to make room for the opening of Mission: SPACE on October 9, 2003. Metlife sponsored Wonders of Life from 1989 to 2001, until that area was closed. However, the Wonders Of Life pavilion is still mostly intact and is used for both the Flower and Garden Festival and the Food and Wine Festival. Current active sponsorships include the following:

 

Test Track opened in the former World of Motion pavilion and is currently sponsored by Chevrolet

Mission: SPACE is currently sponsored by Hewlett-Packard

Spaceship Earth is currently sponsored by Siemens which also sponsors the park's nighttime show IllumiNations: Reflections of Earth.

Living with the Land is currently sponsored by Chiquita.

Individual small attractions and exhibits within or nearby the Innoventions pavilions are sponsored by various companies such as THINK presented by IBM, Where's the Fire? and Play It Safe presented by Liberty Mutual, Club Cool presented by Coca-Cola, The Great Piggy Bank Adventure presented by T. Rowe Price, Habit Heroes presented by Florida Blue Cross and The Sum Of All Thrills presented by Raytheon.

 

from Wikipedia

 

Mädchen im ockergelben Kleid/Girl in Ocher-Colored Dress, 1911

Bleistift, schwarze Kreide und Aquarell/Pencil, black chalk and watercolor

Albertina

 

"For months on end, Schiele was occupied with drawing and painting working-class children. He was fascinated with the ravages of the dirty sufferings to which these innocents are exposed. In amazement he saw the light-shunning green eyes behind red inflamed lids, the scrofulous wirsts and the souls inside these bad vessels."

 

"Durch Monate war Schiele damit beschäftigt, Proletarierkinder zu zeichnen und zu malen. Ihn faszinierten die Verwüstungen der schmutzigen Leiden, denen diese an sich Unschuldigen ausgesetzt sind. Staunend sah er auch die lichtscheuen grünen Augen hinter rot entzündeten Lidern, die verskrofelten Handknochen und die Seele in diesen schlechten Gefäßen."

Arthur Roessler, 1911

 

The Albertina

The architectural history of the Palais

(Pictures you can see by clicking on the link at the end of page!)

Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869

"It is my will that ​​the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".

This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.

Image: The Old Albertina after 1920

It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.

The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.

In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.

Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.

1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.

Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990

The era of stately representation with handing down their cultural values ​​found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:

After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".

Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905

This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.

The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.

Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.

Image: The palace after the demolition of the entrance facade, 1948-52

Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values ​​of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.

Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei

This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.

Image: The restored suburb facade of the Palais Albertina suburb

The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.

Image: The new entrance area of the Albertina

64 meter long shed roof. Hans Hollein.

The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".

 

Christian Benedictine

Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.

 

www.wien-vienna.at/albertinabaugeschichte.php

 

G-SGTS

Viking Air DHC-6-400 Twin Otter

Loganair

Glasgow Airport

30/05/2015

The Scottish Government through Transport Scotland ordered two new Twin Otters for it's Public Service Obligation routes. The planes are owned by Highland and Islands Airports Limited, which is owned by the Scottish Government, and are leased to Loganair as it currently operates the PSO routes. The planes will be leased to the operators of the routes in future. They are intended to replace the two Twin Otters currently used by Loganair on the routes.

The John F. Kennedy Space Center (KSC, originally known as the NASA Launch Operations Center), located on Merritt Island, Florida, is one of the National Aeronautics and Space Administration's (NASA) ten field centers. Since December 1968, KSC has been NASA's primary launch center of American spaceflight, research, and technology. Launch operations for the Apollo, Skylab and Space Shuttle programs were carried out from Kennedy Space Center Launch Complex 39 and managed by KSC. Located on the east coast of Florida, KSC is adjacent to Cape Canaveral Space Force Station (CCSFS). The management of the two entities work very closely together, share resources and operate facilities on each other's property.

 

Though the first Apollo flights and all Project Mercury and Project Gemini flights took off from the then-Cape Canaveral Air Force Station, the launches were managed by KSC and its previous organization, the Launch Operations Directorate. Starting with the fourth Gemini mission, the NASA launch control center in Florida (Mercury Control Center, later the Launch Control Center) began handing off control of the vehicle to the Mission Control Center in Houston, shortly after liftoff; in prior missions it held control throughout the entire mission.

 

Additionally, the center manages launch of robotic and commercial crew missions and researches food production and in-situ resource utilization for off-Earth exploration. Since 2010, the center has worked to become a multi-user spaceport through industry partnerships, even adding a new launch pad (LC-39C) in 2015.

 

There are about 700 facilities and buildings grouped throughout the center's 144,000 acres (580 km2). Among the unique facilities at KSC are the 525-foot (160 m) tall Vehicle Assembly Building for stacking NASA's largest rockets, the Launch Control Center, which conducts space launches at KSC, the Operations and Checkout Building, which houses the astronauts dormitories and suit-up area, a Space Station factory, and a 3-mile (4.8 km) long Shuttle Landing Facility. There is also a Visitor Complex on site that is open to the public.

 

Since 1949, the military had been performing launch operations at what would become Cape Canaveral Space Force Station. In December 1959, the Department of Defense transferred 5,000 personnel and the Missile Firing Laboratory to NASA to become the Launch Operations Directorate under NASA's Marshall Space Flight Center.

 

President John F. Kennedy's 1961 goal of a crewed lunar landing by 1970 required an expansion of launch operations. On July 1, 1962, the Launch Operations Directorate was separated from MSFC to become the Launch Operations Center (LOC). Also, Cape Canaveral was inadequate to host the new launch facility design required for the mammoth 363-foot (111 m) tall, 7,500,000-pound-force (33,000 kN) thrust Saturn V rocket, which would be assembled vertically in a large hangar and transported on a mobile platform to one of several launch pads. Therefore, the decision was made to build a new LOC site located adjacent to Cape Canaveral on Merritt Island.

 

NASA began land acquisition in 1962, buying title to 131 square miles (340 km2) and negotiating with the state of Florida for an additional 87 square miles (230 km2). The major buildings in KSC's Industrial Area were designed by architect Charles Luckman. Construction began in November 1962, and Kennedy visited the site twice in 1962, and again just a week before his assassination on November 22, 1963.

 

On November 29, 1963, the facility was named by President Lyndon B. Johnson under Executive Order 11129. Johnson's order joined both the civilian LOC and the military Cape Canaveral station ("the facilities of Station No. 1 of the Atlantic Missile Range") under the designation "John F. Kennedy Space Center", spawning some confusion joining the two in the public mind. NASA Administrator James E. Webb clarified this by issuing a directive stating the Kennedy Space Center name applied only to the LOC, while the Air Force issued a general order renaming the military launch site Cape Kennedy Air Force Station.

 

Located on Merritt Island, Florida, the center is north-northwest of Cape Canaveral on the Atlantic Ocean, midway between Miami and Jacksonville on Florida's Space Coast, due east of Orlando. It is 34 miles (55 km) long and roughly six miles (9.7 km) wide, covering 219 square miles (570 km2). KSC is a major central Florida tourist destination and is approximately one hour's drive from the Orlando area. The Kennedy Space Center Visitor Complex offers public tours of the center and Cape Canaveral Space Force Station.

 

From 1967 through 1973, there were 13 Saturn V launches, including the ten remaining Apollo missions after Apollo 7. The first of two uncrewed flights, Apollo 4 (Apollo-Saturn 501) on November 9, 1967, was also the first rocket launch from KSC. The Saturn V's first crewed launch on December 21, 1968, was Apollo 8's lunar orbiting mission. The next two missions tested the Lunar Module: Apollo 9 (Earth orbit) and Apollo 10 (lunar orbit). Apollo 11, launched from Pad A on July 16, 1969, made the first Moon landing on July 20. The Apollo 11 launch included crewmembers Neil Armstrong, Michael Collins, and Buzz Aldrin, and attracted a record-breaking 650 million television viewers. Apollo 12 followed four months later. From 1970 to 1972, the Apollo program concluded at KSC with the launches of missions 13 through 17.

 

On May 14, 1973, the last Saturn V launch put the Skylab space station in orbit from Pad 39A. By this time, the Cape Kennedy pads 34 and 37 used for the Saturn IB were decommissioned, so Pad 39B was modified to accommodate the Saturn IB, and used to launch three crewed missions to Skylab that year, as well as the final Apollo spacecraft for the Apollo–Soyuz Test Project in 1975.

 

As the Space Shuttle was being designed, NASA received proposals for building alternative launch-and-landing sites at locations other than KSC, which demanded study. KSC had important advantages, including its existing facilities; location on the Intracoastal Waterway; and its southern latitude, which gives a velocity advantage to missions launched in easterly near-equatorial orbits. Disadvantages included: its inability to safely launch military missions into polar orbit, since spent boosters would be likely to fall on the Carolinas or Cuba; corrosion from the salt air; and frequent cloudy or stormy weather. Although building a new site at White Sands Missile Range in New Mexico was seriously considered, NASA announced its decision in April 1972 to use KSC for the shuttle. Since the Shuttle could not be landed automatically or by remote control, the launch of Columbia on April 12, 1981 for its first orbital mission STS-1, was NASA's first crewed launch of a vehicle that had not been tested in prior uncrewed launches.

 

In 1976, the VAB's south parking area was the site of Third Century America, a science and technology display commemorating the U.S. Bicentennial. Concurrent with this event, the U.S. flag was painted on the south side of the VAB. During the late 1970s, LC-39 was reconfigured to support the Space Shuttle. Two Orbiter Processing Facilities were built near the VAB as hangars with a third added in the 1980s.

 

KSC's 2.9-mile (4.7 km) Shuttle Landing Facility (SLF) was the orbiters' primary end-of-mission landing site, although the first KSC landing did not take place until the tenth flight, when Challenger completed STS-41-B on February 11, 1984; the primary landing site until then was Edwards Air Force Base in California, subsequently used as a backup landing site. The SLF also provided a return-to-launch-site (RTLS) abort option, which was not utilized. The SLF is among the longest runways in the world.

 

On October 28, 2009, the Ares I-X launch from Pad 39B was the first uncrewed launch from KSC since the Skylab workshop in 1973.

 

Beginning in 1958, NASA and military worked side by side on robotic mission launches (previously referred to as unmanned), cooperating as they broke ground in the field. In the early 1960s, NASA had as many as two robotic mission launches a month. The frequent number of flights allowed for quick evolution of the vehicles, as engineers gathered data, learned from anomalies and implemented upgrades. In 1963, with the intent of KSC ELV work focusing on the ground support equipment and facilities, a separate Atlas/Centaur organization was formed under NASA's Lewis Center (now Glenn Research Center (GRC)), taking that responsibility from the Launch Operations Center (aka KSC).

 

Though almost all robotics missions launched from the Cape Canaveral Space Force Station (CCSFS), KSC "oversaw the final assembly and testing of rockets as they arrived at the Cape." In 1965, KSC's Unmanned Launch Operations directorate became responsible for all NASA uncrewed launch operations, including those at Vandenberg Space Force Base. From the 1950s to 1978, KSC chose the rocket and payload processing facilities for all robotic missions launching in the U.S., overseeing their near launch processing and checkout. In addition to government missions, KSC performed this service for commercial and foreign missions also, though non-U.S. government entities provided reimbursement. NASA also funded Cape Canaveral Space Force Station launch pad maintenance and launch vehicle improvements.

 

All this changed with the Commercial Space Launch Act of 1984, after which NASA only coordinated its own and National Oceanic and Atmospheric Administration (NOAA) ELV launches. Companies were able to "operate their own launch vehicles" and utilize NASA's launch facilities. Payload processing handled by private firms also started to occur outside of KSC. Reagan's 1988 space policy furthered the movement of this work from KSC to commercial companies. That same year, launch complexes on Cape Canaveral Air Force Force Station started transferring from NASA to Air Force Space Command management.

 

In the 1990s, though KSC was not performing the hands-on ELV work, engineers still maintained an understanding of ELVs and had contracts allowing them insight into the vehicles so they could provide knowledgeable oversight. KSC also worked on ELV research and analysis and the contractors were able to utilize KSC personnel as a resource for technical issues. KSC, with the payload and launch vehicle industries, developed advances in automation of the ELV launch and ground operations to enable competitiveness of U.S. rockets against the global market.

 

In 1998, the Launch Services Program (LSP) formed at KSC, pulling together programs (and personnel) that already existed at KSC, GRC, Goddard Space Flight Center, and more to manage the launch of NASA and NOAA robotic missions. Cape Canaveral Space Force Station and VAFB are the primary launch sites for LSP missions, though other sites are occasionally used. LSP payloads such as the Mars Science Laboratory have been processed at KSC before being transferred to a launch pad on Cape Canaveral Space Force Station.

 

On 16 November 2022, at 06:47:44 UTC the Space Launch System (SLS) was launched from Complex 39B as part of the Artemis 1 mission.

 

As the International Space Station modules design began in the early 1990s, KSC began to work with other NASA centers and international partners to prepare for processing before launch onboard the Space Shuttles. KSC utilized its hands-on experience processing the 22 Spacelab missions in the Operations and Checkout Building to gather expectations of ISS processing. These experiences were incorporated into the design of the Space Station Processing Facility (SSPF), which began construction in 1991. The Space Station Directorate formed in 1996. KSC personnel were embedded at station module factories for insight into their processes.

 

From 1997 to 2007, KSC planned and performed on the ground integration tests and checkouts of station modules: three Multi-Element Integration Testing (MEIT) sessions and the Integration Systems Test (IST). Numerous issues were found and corrected that would have been difficult to nearly impossible to do on-orbit.

 

Today KSC continues to process ISS payloads from across the world before launch along with developing its experiments for on orbit. The proposed Lunar Gateway would be manufactured and processed at the Space Station Processing Facility.

 

The following are current programs and initiatives at Kennedy Space Center:

Commercial Crew Program

Exploration Ground Systems Program

NASA is currently designing the next heavy launch vehicle known as the Space Launch System (SLS) for continuation of human spaceflight.

On December 5, 2014, NASA launched the first uncrewed flight test of the Orion Multi-Purpose Crew Vehicle (MPCV), currently under development to facilitate human exploration of the Moon and Mars.

Launch Services Program

Educational Launch of Nanosatellites (ELaNa)

Research and Technology

Artemis program

Lunar Gateway

International Space Station Payloads

Camp KSC: educational camps for schoolchildren in spring and summer, with a focus on space, aviation and robotics.

 

The KSC Industrial Area, where many of the center's support facilities are located, is 5 miles (8 km) south of LC-39. It includes the Headquarters Building, the Operations and Checkout Building and the Central Instrumentation Facility. The astronaut crew quarters are in the O&C; before it was completed, the astronaut crew quarters were located in Hangar S at the Cape Canaveral Missile Test Annex (now Cape Canaveral Space Force Station). Located at KSC was the Merritt Island Spaceflight Tracking and Data Network station (MILA), a key radio communications and spacecraft tracking complex.

 

Facilities at the Kennedy Space Center are directly related to its mission to launch and recover missions. Facilities are available to prepare and maintain spacecraft and payloads for flight. The Headquarters (HQ) Building houses offices for the Center Director, library, film and photo archives, a print shop and security. When the KSC Library first opened, it was part of the Army Ballistic Missile Agency. However, in 1965, the library moved into three separate sections in the newly opened NASA headquarters before eventually becoming a single unit in 1970. The library contains over four million items related to the history and the work at Kennedy. As one of ten NASA center libraries in the country, their collection focuses on engineering, science, and technology. The archives contain planning documents, film reels, and original photographs covering the history of KSC. The library is not open to the public but is available for KSC, Space Force, and Navy employees who work on site. Many of the media items from the collection are digitized and available through NASA's KSC Media Gallery Archived December 6, 2020, at the Wayback Machine or through their more up-to-date Flickr gallery.

 

A new Headquarters Building was completed in 2019 as part of the Central Campus consolidation. Groundbreaking began in 2014.

 

The center operated its own 17-mile (27 km) short-line railroad. This operation was discontinued in 2015, with the sale of its final two locomotives. A third had already been donated to a museum. The line was costing $1.3 million annually to maintain.

 

The Neil Armstrong Operations and Checkout Building (O&C) (previously known as the Manned Spacecraft Operations Building) is a historic site on the U.S. National Register of Historic Places dating back to the 1960s and was used to receive, process, and integrate payloads for the Gemini and Apollo programs, the Skylab program in the 1970s, and for initial segments of the International Space Station through the 1990s. The Apollo and Space Shuttle astronauts would board the astronaut transfer van to launch complex 39 from the O&C building.

The three-story, 457,000-square-foot (42,500 m2) Space Station Processing Facility (SSPF) consists of two enormous processing bays, an airlock, operational control rooms, laboratories, logistics areas and office space for support of non-hazardous Space Station and Shuttle payloads to ISO 14644-1 class 5 standards. Opened in 1994, it is the largest factory building in the KSC industrial area.

The Vertical Processing Facility (VPF) features a 71-by-38-foot (22 by 12 m) door where payloads that are processed in the vertical position are brought in and manipulated with two overhead cranes and a hoist capable of lifting up to 35 short tons (32 t).

The Hypergolic Maintenance and Checkout Area (HMCA) comprises three buildings that are isolated from the rest of the industrial area because of the hazardous materials handled there. Hypergolic-fueled modules that made up the Space Shuttle Orbiter's reaction control system, orbital maneuvering system and auxiliary power units were stored and serviced in the HMCF.

The Multi-Payload Processing Facility is a 19,647 square feet (1,825.3 m2) building used for Orion spacecraft and payload processing.

The Payload Hazardous Servicing Facility (PHSF) contains a 70-by-110-foot (21 by 34 m) service bay, with a 100,000-pound (45,000 kg), 85-foot (26 m) hook height. It also contains a 58-by-80-foot (18 by 24 m) payload airlock. Its temperature is maintained at 70 °F (21 °C).[55]

The Blue Origin rocket manufacturing facility is located immediately south of the KSC visitor complex. Completed in 2019, it serves as the company's factory for the manufacture of New Glenn orbital rockets.

 

Launch Complex 39 (LC-39) was originally built for the Saturn V, the largest and most powerful operational launch vehicle until the Space Launch System, for the Apollo crewed Moon landing program. Since the end of the Apollo program in 1972, LC-39 has been used to launch every NASA human space flight, including Skylab (1973), the Apollo–Soyuz Test Project (1975), and the Space Shuttle program (1981–2011).

 

Since December 1968, all launch operations have been conducted from launch pads A and B at LC-39. Both pads are on the ocean, 3 miles (4.8 km) east of the VAB. From 1969 to 1972, LC-39 was the "Moonport" for all six Apollo crewed Moon landing missions using the Saturn V, and was used from 1981 to 2011 for all Space Shuttle launches.

 

Human missions to the Moon required the large three-stage Saturn V rocket, which was 363 feet (111 meters) tall and 33 feet (10 meters) in diameter. At KSC, Launch Complex 39 was built on Merritt Island to accommodate the new rocket. Construction of the $800 million project began in November 1962. LC-39 pads A and B were completed by October 1965 (planned Pads C, D and E were canceled), the VAB was completed in June 1965, and the infrastructure by late 1966.

 

The complex includes: the Vehicle Assembly Building (VAB), a 130,000,000 cubic feet (3,700,000 m3) hangar capable of holding four Saturn Vs. The VAB was the largest structure in the world by volume when completed in 1965.

a transporter capable of carrying 5,440 tons along a crawlerway to either of two launch pads;

a 446-foot (136 m) mobile service structure, with three Mobile Launcher Platforms, each containing a fixed launch umbilical tower;

the Launch Control Center; and

a news media facility.

 

Launch Complex 48 (LC-48) is a multi-user launch site under construction for small launchers and spacecraft. It will be located between Launch Complex 39A and Space Launch Complex 41, with LC-39A to the north and SLC-41 to the south. LC-48 will be constructed as a "clean pad" to support multiple launch systems with differing propellant needs. While initially only planned to have a single pad, the complex is capable of being expanded to two at a later date.

 

As a part of promoting commercial space industry growth in the area and the overall center as a multi-user spaceport, KSC leases some of its properties. Here are some major examples:

 

Exploration Park to multiple users (partnership with Space Florida)

Shuttle Landing Facility to Space Florida (who contracts use to private companies)

Orbiter Processing Facility (OPF)-3 to Boeing (for CST-100 Starliner)

Launch Complex 39A, Launch Control Center Firing Room 4 and land for SpaceX's Roberts Road facility (Hanger X) to SpaceX

O&C High Bay to Lockheed Martin (for Orion processing)

Land for FPL's Space Coast Next Generation Solar Energy Center to Florida Power and Light (FPL)

Hypergolic Maintenance Facility (HMF) to United Paradyne Corporation (UPC)

 

The Kennedy Space Center Visitor Complex, operated by Delaware North since 1995, has a variety of exhibits, artifacts, displays and attractions on the history and future of human and robotic spaceflight. Bus tours of KSC originate from here. The complex also includes the separate Apollo/Saturn V Center, north of the VAB and the United States Astronaut Hall of Fame, six miles west near Titusville. There were 1.5 million visitors in 2009. It had some 700 employees.

 

It was announced on May 29, 2015, that the Astronaut Hall of Fame exhibit would be moved from its current location to another location within the Visitor Complex to make room for an upcoming high-tech attraction entitled "Heroes and Legends". The attraction, designed by Orlando-based design firm Falcon's Treehouse, opened November 11, 2016.

 

In March 2016, the visitor center unveiled the new location of the iconic countdown clock at the complex's entrance; previously, the clock was located with a flagpole at the press site. The clock was originally built and installed in 1969 and listed with the flagpole in the National Register of Historic Places in January 2000. In 2019, NASA celebrated the 50th anniversary of the Apollo program, and the launch of Apollo 10 on May 18. In summer of 2019, Lunar Module 9 (LM-9) was relocated to the Apollo/Saturn V Center as part of an initiative to rededicate the center and celebrate the 50th anniversary of the Apollo Program.

 

Historic locations

NASA lists the following Historic Districts at KSC; each district has multiple associated facilities:

 

Launch Complex 39: Pad A Historic District

Launch Complex 39: Pad B Historic District

Shuttle Landing Facility (SLF) Area Historic District

Orbiter Processing Historic District

Solid Rocket Booster (SRB) Disassembly and Refurbishment Complex Historic District

NASA KSC Railroad System Historic District

NASA-owned Cape Canaveral Space Force Station Industrial Area Historic District

There are 24 historic properties outside of these historic districts, including the Space Shuttle Atlantis, Vehicle Assembly Building, Crawlerway, and Operations and Checkout Building.[71] KSC has one National Historic Landmark, 78 National Register of Historic Places (NRHP) listed or eligible sites, and 100 Archaeological Sites.

 

Further information: John F. Kennedy Space Center MPS

Other facilities

The Rotation, Processing and Surge Facility (RPSF) is responsible for the preparation of solid rocket booster segments for transportation to the Vehicle Assembly Building (VAB). The RPSF was built in 1984 to perform SRB operations that had previously been conducted in high bays 2 and 4 of the VAB at the beginning of the Space Shuttle program. It was used until the Space Shuttle's retirement, and will be used in the future by the Space Launch System[75] (SLS) and OmegA rockets.

From Left to Right: Batman with Soultaker sword and Alfred with Bazooka

SPOILERS AHEAD!!!

This weeks episode started fairly quick. As Katana reappeared from her absence last week, she and Alfred confessed to Bruce about the Soultaker sword and how they hid it from him. The scene itself was a plus since we got to see the cold hard Batman accept Alfred's resignation (which was short lived). Ravencroft's employer was also revealed to be Silver Monkey, who was working to receive the Soultaker sword without Lady Shiva's consent. Bruce Wayne was used as bait, lured in by Ravencroft, for Yamashiro (Katana) to bring the Soultaker sword to Silver Monkey. He was shot and thought to be killer, but as we all know the Batman does not simply die! An epic battle ensued between the League of Shadows and Batman and Katana. Lady Shiva then finally makes her appearance and shows her true wrath by taking Ravencroft's soul and having special plans for silver monkey, which will be seen in future episodes. The episode ended with a bang with the reveal to Katana that Batman is indeed Bruce Wayne and Alfred is his sidekick/butler. This marks the beginning for extended stories now that the foundation for the show is set. Overall the episode was great and it set a high bar to beat for next weeks episode. Can't wait to see what they have planned!

Conclusion:

The episode was a big turning point in the overall story and I like how it went very much. Although, I do have some complaints. I wish that a little bit more was shown on Ravencroft and what exactly happened to her, but I'm sure we will see more later on. I'm hoping next weeks episode starts a wider story that'll hopefully begin a long story arc. I would also like to add that I am a bit surprised at how this show is classified for kids considering the suggestive themes in the show. What I mean by that is the way the camera moved up on Lady Shiva and showed her curves seemed a bit too much for me for a kids show. Also, in previous episodes, the biggest one being Magpie. Don't get me wrong, I don't mind, but I am worried about how some parents might perceive the image and not let their kids watch the show.

Final Verdict: I give this weeks episode a 9/10

 

The book Poetics of Architecture has an apt statement, "... fantasy with imagination and association can improve reality; it can upgrade reality...".

 

My camera designs dedicated to Tadao Ando are simple machines.

 

They shed light upon and debunk our common views of the structure as well as the function of the camera. But more importantly, at least to myself on a personal level, these cameras attempt to bring their user closer to a spiritual awareness by functioning similarly to a poem. In this way they perform a social function which is one of my main design goals.

 

When one looks at Tadao Ando's buildings and museums, one can't help but feel his near religious devotion to materials and natural light as well as shadow. Perhaps like Louis Kahn, he brings you to an awareness of the beauty of everything around his structures: the sky, the sea, nature and also emptiness. He is not the first architect to do this but he is one of the first to focus on the minute gradations and infinite shades of this sort of reality.

 

Although I would prefer my cameras to be the size of a typical Ando wall (of monumental proportions), my task is to recreate this vast scale in miniature and to re-create the important experience of a poetic moment for the camera's user.

 

When I made my very first notes for the Ando cameras, I thought that the lion's share of my time would be spent measuring, laying out and drawing these simple forms. I saw it as but a chore and a done deal. But I could never finish these layouts. As it turned out I constantly gave up and had to move on to other camera designs rather than spend even more time on these deceptively simple machines. Conceptualizing these camera homages to Ando was much harder than all the other designs I had done. Even writing this tiny essay has caused me to rethink, reconsider, throw up my hands in puzzlement, and look to diversions.

 

The above photo is some of my beginning notes.

 

I'm so happy to present the beginning page of a design that attempts to go in the direction of Ando's world, by way of the camera world.

 

I seem to have too much that I want to say regarding the ramifications of these designs. I think that these few ideas discovered from my work on the Ando homages will show up in future design drawings of mine.

 

Design and photo contents copyright 2013 by David Lo

*from a selection of sketches, drawings and portraits of people known to artist, their dreams, anxieties and life styles as perceived by artist. Sketchbooks are the diaries artists carry in their heads until put on paper, they are not copies of other people's art and are not made to please anyone except artist who may or my not use them in future for the making of art. They are neither good or bad; I don't even know if they can be categorized as art, all i know they are revealing to what we feel within ourselves and what we think of those that have influenced our art. The portraits are not as they or the world sees them but as we perceive them to be. In short they are nothing but impressions of them at the moment which can often change within minutes or hours. There are some of course who never change for the better or worse. When viewing set, should anyone be interested in the character or image drawn, you are welcome to question them in my comment box and I will gladly answer your queries.

Thank you!

 

Holdson

Renaissance Realm Series 3

'Homage to Rembrandt'

stock no. 77782

card

1,000 pieces

688 x 493 mm

 

TED: "Finito!

We dun kwite a bit on the pussel yestidday but the oldies went out fer the day an' Mum took 'er camera, so I cuddn't show yew wot progress me'n'Donald made.

Anyway, we got up early this mornin' an' worked togevver to finnish, witch we dun before lunch.

So Donald, wotcha fink of yer first pussel? D'ya wanna do more?

 

DONALD: "Ted, I've had a great time learning how to do jigsaws, and I'd love to do more, but I'll understand if you want to do most of them on your own in future."

 

TED: "That's OK l'il buddy, I reely henjoyed sharin' a pussel wiv yew, so yer more than welcum to join in in fewchur!

Ma's got a cupple of pussles wot I dun before yew arrived to show the Flickr peepul, so yew can take a rest fer a few days if yew like."

 

DONALD: "Cool! I'll take the time to get to know everybody here, and maybe look thru' Mom's Flickr friends' photos."

Me and my wife enjoying a glorious bortle 3 sky using a 300mm dobson and two pairs of eyes :) A profoundly beautifull experience to try again many times in future, this will be my future astrophotography election site, after all it's just a litle over an hour drive from home (90 kms). This is just a single 30 sec. exposure at ISO 3200 taken with the kit lens from the Canon M100.

Who are we? How do we identify ourselves? There is never a definite answer for that. Maybe the best answer

we could come up with might not do justice to what we actually are. But these questions have ever more relavance

during these testing time.

 

This is a photo series of people I met and photographed over the years. I do not remember most of their names

but the situations they were photographed have been embedded in my memory. They are people I met randomly and who

identified themselves through their expressions, not just facial but also the situations they were in while being

photographed.

 

With people wearing masks that cover up a good portion of their face due to the onset of COVID19, it is going to be

more difficult to capture a person's expression in future. Hence this series is even more special for me because I would

not be able to do this for very long time.

 

The way of life is changing, so are the expressions of identity.

London Transport RT 82 (FXT 257) was purchased by Alan Pommer for preservation and was parked in this rural setting when seen on 6 June 1978. It appeared to have suffered some roof damage and I believe the bus gradually deteriorated in future years. Photograph (c) Paul Bateson, please do not copy.

Selbstbildnis/Self-Portrait, 1906

Kohle/Charcoal

Albertina

 

Egon Schiele

Egon Schiele was born in Tulln, Lower Austria, on June 12 1890, to the town's stationmaster Adolf Schiele (1850 - 1904) and his wife Maria (1862 - 1935). He grew up with his sisters Melanie (1886 - 1974) and Gertrude ("Gerti", 1894 - 1981). While still a child, he began to draw.

He attended one year of secondary school in Krems before he changed to Klosterneuburg. Doing poorly at school, he had to repeat a grade. On December 31, 1904, his gravely ill father died in Klosterneuburg, to where the family had moved. Schiele would suffer from his father's loss throughout his life, honoring his memory in the allegorical double self-portrait The Hermits.

Schiele's well-off uncle Leopold Czihaczey (1842 - 1929) became his guardian. Thanks to his mother, yet against his guardian's will, Schiele applied to Vienna's Academy of Fine Arts, which accepted him als its youngest student. During his years in Christian Griepenkerl's (1839 - 1916) master class, Schiele got to know the sucessful and admired Gustav Klimt (1862 - 1918). In 1908, he presented his work in a public exhibition in Klosterneuburg Monastery for the first time, where he attracted the attention of Heinrich Benesch, who would become an important collector and his companion.

 

Egon Schiele

Am 12. Juni 1980 kommt Egon Schiele in Tulln als Kind des Bahnhofsvorstandes Adolf Schiele (1850 - 1904) und dessen Frau Maria (1862 - 1935) zur Welt. Er verbringt die Kindheit mit seinen Schwestern Melanie (1886 - 1974) und Gertrude ("Gerti", 1894 - 1981). Schon als Kind beginnt Schiele zu zeichnen.

Das Gymnasium besucht er für ein Jahr zunächst in Krems, dann in Klosterneuburg. Als schlechter Schüler muss er eine Klasse wiederholen. Am 31. Dezember 1904 stirbt sein schwerkranker Vater in Klosterneuburg, wohin die Familie übersiedelt ist. Zeitlebens leidet Schiele am Verlust seines Vaters, dem er 1912 im allegorischen Doppelselbstbildnis "Die Eremiten" ein Denkmal setzt.

Vormund wird Schieles wohlhabender Onkel Leopold Czihaczek (1842 - 1929). Gegen dessen Willen ermöglicht die Mutter eine Bewerbung an der Akademie der Bildenden Künste in Wien, in die er im Oktober 1906 als der jüngste Student aufgenommen wird. Noch während des Studiums in der Meisterklasse Christian Griepenkerls (1839 - 1916) lernt Schiele 1907 den erfolgreichen und bewunderten Gustav Klimt (1862 - 1918) kennen. 1908 beteiligt er sich erstmals an einer öffentlichen Ausstellung im Stift Klosterneuburg, wo Heinrich Benesch, später wichtiger Sammler und Wegbegleiter, auf ihn aufmerksam wird.

 

When Egon Schiele passed the entrance exam to the Academy of Fine Arts in Vienna on October 3, 1906, he had already explored his mirror image more than ten times. Flaunting an elegantly knotted bow tie and a stiff stand-up collar, Schiele emphasizes his middle-class status in this self-portrait from 1906. With his long hair parted in the middle, the sixteen-year-old presents himself as a dandy, hinting at his artistic vocation with these role props. The subject's serious gaze intensely fixing the viewer antcipates the mise-en-scène of the eye contact motif that was to become so important to the artist later on.

 

Als Egon Schiele am 3. Oktober 1906 die Aufnahmeprüfung an der Wiener Akademie der Bildenden Künste besteht, hat er bereits mehr als zehnmal sein Spiegelbild studiert. In diesem Selbstbildnis von 1906 betont Schiele mit der elegant geknoteten Masche und dem steifen Stehkragen seinen bürgerlichen Status. Mit der längeren Haartracht und dem Mittelscheitel stellt der 16-jährige sich selbst als Dandy dar und spielt mit diesem Rollenrequisit auf seine künstlerische Bedeutung an. Der ernste und intensive den Betrachter fixierende Blick des Knaben nimmt bereits die später für den Künstler wichtige Inszenierung von Blickmotiven vorweg.

 

The Beginnings

In October 1906, at the age of sixteen, Egon Schiele was admitted to the master class of the history painter Christian Griepenkerl at Vienna's Academy of Fine Arts. In three years of study, Schiele mastered a number of techniques thanks to his natural talent for sketching and to the fact that most of the teachings focused on drawing.

After just a few years, Schiele was producing works in a wide variety of styles that speak to his interest in naturalism, symbolism, late impressionism and from very early on, the Viennese Jugendstil. Gustav Klimt became his primary point of reference.

Particularly Schiele's prodigious mastery of the flat style typical of the Wiener Werkstätte and the Secession reveal how the young artist quickly threw off his professor's academic conventions. Soft undulating lines evenlop his figures harmoniously, and his preference of the decorative ornamental line manifest itself in both his nudes and his portraits and full-lenght figures.

 

Der Beginn

Im Oktover 1906 wird Egon Schiele mit sechzehn Jahren in die Meisterklasse des Historienmalers Christian Griepenkerl der Akademie der bildenden Künste in Wien aufgenommen. In nur drei Jahren eignet sich Schiele eine Vielfalt an Techniken an. Dass der Schwerpunkt der Ausbildung auf dem Gebiet der Zeichnung und der Übung des Schnellzeichnens liegt, kommt ihm entgegen.

Innerhalb weniger Jahre entstehen Werk von einer große stilistischen Spannweite, die Schieles Auseinandersetzung mit dem Naturalismus und Symbolismus, aber auch mit dem Spätimpressionismus und schon sehr früh mit dem Wiener Jugendstil belegen. Schieles großes Vorbild wird Gustav Klimt.

Vor allem die virtuose Aneignung des Flächenstils der Wiener Werkstätte und der Secession zeigt, dass sich der junge Künstler früh von den akademischen Konventionen seines Lehrers abwendet. Sanft schwingende Linien umspielen melodiös die Figuren. Schieles Vorliebe für die dekorativ-ornamentale Linie artikuliert sich ebenos in den Akten wie in den Porträts und Ganzfigurendarstellungen.

 

The Albertina

The architectural history of the Palais

(Pictures you can see by clicking on the link at the end of page!)

Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869

"It is my will that ​​the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".

This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.

Image: The Old Albertina after 1920

It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.

The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.

In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.

Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.

1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.

Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990

The era of stately representation with handing down their cultural values ​​found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:

After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".

Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905

This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.

The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.

Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.

Image: The palace after the demolition of the entrance facade, 1948-52

Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values ​​of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.

Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei

This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.

Image: The restored suburb facade of the Palais Albertina suburb

The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.

Image: The new entrance area of the Albertina

64 meter long shed roof. Hans Hollein.

The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".

 

Christian Benedictine

Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.

 

www.wien-vienna.at/albertinabaugeschichte.php

 

Cataloguing and culling of older photos to assess what they look like and what to do in future photography/videography.

The Albertina

The architectural history of the Palais

(Pictures you can see by clicking on the link at the end of page!)

Image: The oldest photographic view of the newly designed Palais Archduke Albrecht, 1869

"It is my will that ​​the expansion of the inner city of Vienna with regard to a suitable connection of the same with the suburbs as soon as possible is tackled and at this on Regulirung (regulation) and beautifying of my Residence and Imperial Capital is taken into account. To this end I grant the withdrawal of the ramparts and fortifications of the inner city and the trenches around the same".

This decree of Emperor Franz Joseph I, published on 25 December 1857 in the Wiener Zeitung, formed the basis for the largest the surface concerning and architecturally most significant transformation of the Viennese cityscape. Involving several renowned domestic and foreign architects a "master plan" took form, which included the construction of a boulevard instead of the ramparts between the inner city and its radially upstream suburbs. In the 50-years during implementation phase, an impressive architectural ensemble developed, consisting of imperial and private representational buildings, public administration and cultural buildings, churches and barracks, marking the era under the term "ring-street style". Already in the first year tithe decided a senior member of the Austrian imperial family to decorate the facades of his palace according to the new design principles, and thus certified the aristocratic claim that this also "historicism" said style on the part of the imperial house was attributed.

Image: The Old Albertina after 1920

It was the palace of Archduke Albrecht (1817-1895), the Senior of the Habsburg Family Council, who as Field Marshal held the overall command over the Austro-Hungarian army. The building was incorporated into the imperial residence of the Hofburg complex, forming the south-west corner and extending eleven meters above street level on the so-called Augustinerbastei.

The close proximity of the palace to the imperial residence corresponded not only with Emperor Franz Joseph I and Archduke Albert with a close familial relationship between the owner of the palace and the monarch. Even the former inhabitants were always in close relationship to the imperial family, whether by birth or marriage. An exception here again proves the rule: Don Emanuel Teles da Silva Conde Tarouca (1696-1771), for which Maria Theresa in 1744 the palace had built, was just a close friend and advisor of the monarch. Silva Tarouca underpins the rule with a second exception, because he belonged to the administrative services as Generalhofbaudirektor (general court architect) and President of the Austrian-Dutch administration, while all other him subsequent owners were highest ranking military.

In the annals of Austrian history, especially those of military history, they either went into as commander of the Imperial Army, or the Austrian, later kk Army. In chronological order, this applies to Duke Carl Alexander of Lorraine, the brother-of-law of Maria Theresa, as Imperial Marshal, her son-in-law Duke Albert of Saxe-Teschen, also field marshal, whos adopted son, Archduke Charles of Austria, the last imperial field marshal and only Generalissimo of Austria, his son Archduke Albrecht of Austria as Feldmarschalil and army Supreme commander, and most recently his nephew Archduke Friedrich of Austria, who held as field marshal from 1914 to 1916 the command of the Austro-Hungarian troops. Despite their military profession, all five generals conceived themselves as patrons of the arts and promoted large sums of money to build large collections, the construction of magnificent buildings and cultural life. Charles Alexander of Lorraine promoted as governor of the Austrian Netherlands from 1741 to 1780 the Academy of Fine Arts, the Théâtre de Ja Monnaie and the companies Bourgeois Concert and Concert Noble, he founded the Academie royale et imperial des Sciences et des Lettres, opened the Bibliotheque Royal for the population and supported artistic talents with high scholarships. World fame got his porcelain collection, which however had to be sold by Emperor Joseph II to pay off his debts. Duke Albert began in 1776 according to the concept of conte Durazzo to set up an encyclopedic collection of prints, which forms the core of the world-famous "Albertina" today.

Image : Duke Albert and Archduchess Marie Christine show in family cercle the from Italy brought along art, 1776. Frederick Henry Füger.

1816 declared to Fideikommiss and thus in future indivisible, inalienable and inseparable, the collection 1822 passed into the possession of Archduke Carl, who, like his descendants, it broadened. Under him, the collection was introduced together with the sumptuously equipped palace on the Augustinerbastei in the so-called "Carl Ludwig'schen fideicommissum in 1826, by which the building and the in it kept collection fused into an indissoluble unity. At this time had from the Palais Tarouca by structural expansion or acquisition a veritable Residenz palace evolved. Duke Albert of Saxe-Teschen was first in 1800 the third floor of the adjacent Augustinian convent wing adapted to house his collection and he had after 1802 by his Belgian architect Louis de Montoyer at the suburban side built a magnificent extension, called the wing of staterooms, it was equipped in the style of Louis XVI. Only two decades later, Archduke Carl the entire palace newly set up. According to scetches of the architect Joseph Kornhäusel the 1822-1825 retreaded premises presented themselves in the Empire style. The interior of the palace testified from now in an impressive way the high rank and the prominent position of its owner. Under Archduke Albrecht the outer appearance also should meet the requirements. He had the facade of the palace in the style of historicism orchestrated and added to the Palais front against the suburbs an offshore covered access. Inside, he limited himself, apart from the redesign of the Rococo room in the manner of the second Blondel style, to the retention of the paternal stock. Archduke Friedrich's plans for an expansion of the palace were omitted, however, because of the outbreak of the First World War so that his contribution to the state rooms, especially, consists in the layout of the Spanish apartment, which he in 1895 for his sister, the Queen of Spain Maria Christina, had set up as a permanent residence.

Picture: The "audience room" after the restoration: Picture: The "balcony room" around 1990

The era of stately representation with handing down their cultural values ​​found its most obvious visualization inside the palace through the design and features of the staterooms. On one hand, by the use of the finest materials and the purchase of masterfully manufactured pieces of equipment, such as on the other hand by the permanent reuse of older equipment parts. This period lasted until 1919, when Archduke Friedrich was expropriated by the newly founded Republic of Austria. With the republicanization of the collection and the building first of all finished the tradition that the owner's name was synonymous with the building name:

After Palais Tarouca or tarokkisches house it was called Lorraine House, afterwards Duke Albert Palais and Palais Archduke Carl. Due to the new construction of an adjacently located administration building it received in 1865 the prefix "Upper" and was referred to as Upper Palais Archduke Albrecht and Upper Palais Archduke Frederick. For the state a special reference to the Habsburg past was certainly politically no longer opportune, which is why was decided to name the building according to the in it kept collection "Albertina".

Picture: The "Wedgwood Cabinet" after the restoration: Picture: the "Wedgwood Cabinet" in the Palais Archduke Friedrich, 1905

This name derives from the term "La Collection Albertina" which had been used by the gallery Inspector Maurice von Thausing in 1870 in the Gazette des Beaux-Arts for the former graphics collection of Duke Albert. For this reason, it was the first time since the foundation of the palace that the name of the collection had become synonymous with the room shell. Room shell, hence, because the Republic of Austria Archduke Friedrich had allowed to take along all the movable goods from the palace in his Hungarian exile: crystal chandeliers, curtains and carpets as well as sculptures, vases and clocks. Particularly stressed should be the exquisite furniture, which stems of three facilities phases: the Louis XVI furnitures of Duke Albert, which had been manufactured on the basis of fraternal relations between his wife Archduchess Marie Christine and the French Queen Marie Antoinette after 1780 in the French Hofmanufakturen, also the on behalf of Archduke Charles 1822-1825 in the Vienna Porcelain Manufactory by Joseph Danhauser produced Empire furnitures and thirdly additions of the same style of Archduke Friedrich, which this about 1900 at Portois & Ffix as well as at Friedrich Otto Schmidt had commissioned.

The "swept clean" building got due to the strained financial situation after the First World War initially only a makeshift facility. However, since until 1999 no revision of the emergency equipment took place, but differently designed, primarily the utilitarianism committed office furnitures complementarily had been added, the equipment of the former state rooms presented itself at the end of the 20th century as an inhomogeneous administrative mingle-mangle of insignificant parts, where, however, dwelt a certain quaint charm. From the magnificent state rooms had evolved depots, storage rooms, a library, a study hall and several officed.

Image: The Albertina Graphic Arts Collection and the Philipphof after the American bombing of 12 März 1945.

Image: The palace after the demolition of the entrance facade, 1948-52

Worse it hit the outer appearance of the palace, because in times of continued anti-Habsburg sentiment after the Second World War and inspired by an intolerant destruction will, it came by pickaxe to a ministerial erasure of history. In contrast to the graphic collection possessed the richly decorated facades with the conspicuous insignia of the former owner an object-immanent reference to the Habsburg past and thus exhibited the monarchial traditions and values ​​of the era of Francis Joseph significantly. As part of the remedial measures after a bomb damage, in 1948 the aristocratic, by Archduke Albert initiated, historicist facade structuring along with all decorations was cut off, many facade figures demolished and the Hapsburg crest emblems plunged to the ground. Since in addition the old ramp also had been cancelled and the main entrance of the bastion level had been moved down to the second basement storey at street level, ended the presence of the old Archduke's palace after more than 200 years. At the reopening of the "Albertina Graphic Collection" in 1952, the former Hapsburg Palais of splendour presented itself as one of his identity robbed, formally trivial, soulless room shell, whose successful republicanization an oversized and also unproportional eagle above the new main entrance to the Augustinian road symbolized. The emocratic throw of monuments had wiped out the Hapsburg palace from the urban appeareance, whereby in the perception only existed a nondescript, nameless and ahistorical building that henceforth served the lodging and presentation of world-famous graphic collection of the Albertina. The condition was not changed by the decision to the refurbishment because there were only planned collection specific extensions, but no restoration of the palace.

Image: The palace after the Second World War with simplified facades, the rudiment of the Danubiusbrunnens (well) and the new staircase up to the Augustinerbastei

This paradigm shift corresponded to a blatant reversal of the historical circumstances, as the travel guides and travel books for kk Residence and imperial capital of Vienna dedicated itself primarily with the magnificent, aristocratic palace on the Augustinerbastei with the sumptuously fitted out reception rooms and mentioned the collection kept there - if at all - only in passing. Only with the repositioning of the Albertina in 2000 under the direction of Klaus Albrecht Schröder, the palace was within the meaning and in fulfillment of the Fideikommiss of Archduke Charles in 1826 again met with the high regard, from which could result a further inseparable bond between the magnificent mansions and the world-famous collection. In view of the knowing about politically motivated errors and omissions of the past, the facades should get back their noble, historicist designing, the staterooms regain their glamorous, prestigious appearance and culturally unique equippment be repurchased. From this presumption, eventually grew the full commitment to revise the history of redemption and the return of the stately palace in the public consciousness.

Image: The restored suburb facade of the Palais Albertina suburb

The smoothed palace facades were returned to their original condition and present themselves today - with the exception of the not anymore reconstructed Attica figures - again with the historicist decoration and layout elements that Archduke Albrecht had given after the razing of the Augustinerbastei in 1865 in order. The neoclassical interiors, today called after the former inhabitants "Habsburg Staterooms", receiving a meticulous and detailed restoration taking place at the premises of originality and authenticity, got back their venerable and sumptuous appearance. From the world wide scattered historical pieces of equipment have been bought back 70 properties or could be returned through permanent loan to its original location, by which to the visitors is made experiencable again that atmosphere in 1919 the state rooms of the last Habsburg owner Archduke Frederick had owned. The for the first time in 80 years public accessible "Habsburg State Rooms" at the Palais Albertina enable now again as eloquent testimony to our Habsburg past and as a unique cultural heritage fundamental and essential insights into the Austrian cultural history. With the relocation of the main entrance to the level of the Augustinerbastei the recollection to this so valuable Austrian Cultural Heritage formally and functionally came to completion. The vision of the restoration and recovery of the grand palace was a pillar on which the new Albertina should arise again, the other embody the four large newly built exhibition halls, which allow for the first time in the history of the Albertina, to exhibit the collection throughout its encyclopedic breadh under optimal conservation conditions.

Image: The new entrance area of the Albertina

64 meter long shed roof. Hans Hollein.

The palace presents itself now in its appearance in the historicist style of the Ringstrassenära, almost as if nothing had happened in the meantime. But will the wheel of time should not, cannot and must not be turned back, so that the double standards of the "Albertina Palace" said museum - on the one hand Habsburg grandeur palaces and other modern museum for the arts of graphics - should be symbolized by a modern character: The in 2003 by Hans Hollein designed far into the Albertina square cantilevering, elegant floating flying roof. 64 meters long, it symbolizes in the form of a dynamic wedge the accelerated urban spatial connectivity and public access to the palace. It advertises the major changes in the interior as well as the huge underground extensions of the repositioned "Albertina".

 

Christian Benedictine

Art historian with research interests History of Architecture, building industry of the Hapsburgs, Hofburg and Zeremonialwissenschaft (ceremonial sciences). Since 1990 he works in the architecture collection of the Albertina. Since 2000 he supervises as director of the newly founded department "Staterooms" the restoration and furnishing of the state rooms and the restoration of the facades and explores the history of the palace and its inhabitants.

 

www.wien-vienna.at/albertinabaugeschichte.php

 

Berlin boasts two zoological gardens, a consequence of decades of political and administrative division of the city. The older one, called Zoo Berlin, founded in 1844, is situated in what is now called the "City West". It is the most species-rich zoo worldwide. The other one, called Tierpark Berlin ("Animal Park"), was established on the long abandoned premises of Friedrichsfelde Manor Park in the eastern borough of Lichtenberg, in 1954. Covering 160 ha, it is the largest landcape zoo in Europe.

 

Rund 15 Prozent der Erdoberfläche werden von Savannen bedeckt. Damit gehören sie zu den größten und wichtigsten Lebensräumen des Planeten. Seit dem 26. Mai 2023 wird Besucher*innen im Tierpark Berlin ein Einblick in diese faszinierende Landschaft gewährt und sie können mehr über die unterschiedlichen Bewohner der ostafrikanischen Savanne und ihren natürlichen Lebensraum erfahren.

Ein wahrer Höhepunkt der neuen Tierpark-Savanne ist der 120 Meter lange Giraffenpfad: Hier werden die Gäste den bis zu fünf Meter hohen Grazien der Savanne zukünftig auf Augenhöhe begegnen können – wer sich traut, bahnt sich den Weg durch den Wald bis zu den Aussichtsplattformen über eine abenteuerliche Hängebrücke. Der Tierpark Berlin erreicht mit der Eröffnung der Afrikanischen Savannenlandschaft ein neues Etappenziel auf seinem Weg zu einem Zoo der Zukunft. Seit knapp neun Jahren wird der 1955 gegründete und 160 Hektar große Tierpark Berlin zu einem naturnahen Geozoo umgebaut. Um einen Einblick in den Lebensraum der einzelnen Tierarten und deren Interaktionen, Besonderheiten und Problematiken zu ermöglichen, werden die Tiere im Tierpark größtenteils nach geografischen Gesichtspunkten zu sehen sein.

 

de/de/aktuelles/alle-news/artikel/wil...

 

Around 15 per cent of the earth's surface is covered by savannahs. This makes them one of the largest and most important habitats on the planet. Since 26 May 2023, visitors to Tierpark Berlin have been given an insight into this fascinating landscape and can learn more about the different inhabitants of the East African savannah and their natural habitat.

A true highlight of the new zoo savannah is the 120-metre-long giraffe trail: here, guests will be able to meet the up to five-metre-high graces of the savannah at eye level in future - those who dare will make their way through the forest to the viewing platforms via an adventurous suspension bridge. With the opening of the African Savannah Landscape, Tierpark Berlin has reached a new milestone on its way to becoming a zoo of the future. For almost nine years, the 160-hectare Tierpark Berlin, which was founded in 1955, has been transformed into a near-natural geozoo. In order to provide an insight into the habitat of the individual animal species and their interactions, peculiarities and problems, the animals in the zoo will largely be seen according to geographical aspects.

 

de/de/aktuelles/alle-news/artikel/wil...

In the dull grey conditions, a lot of Pink-footed Geese were feeding on the freshmarsh @ Holkham this morning. A few were so close to the drive, I did not need a lot of zoom. Many thousands were also reported on Holme grazing marsh, normally they should be out on the fields @ this time of year, feeding on the discarded sugar beet tops. However farm contractors use massive machines these days that shred the tops as they go. The farmers then cultivate the fields quickly, leaving the Geese with less tops to feed on than they used to have. Perhaps the numbers here may reduce in future years.

Osulloc Tea Museum, Seogwipo, Jeju Island, South Korea

 

Another month will be reaching the month of September, a month usually we will be traveling filled with photography itineraries on scenic basis. This year would be very special as can’t do travel so pretty can’t do much, probably might come up something if time permits.

 

Indeed, I have plenty of photos awaits me to do post-processing just don’t have the mood and don’t have the time to get myself together and focus on the artwork I wanna do long back. This includes the previous years too, I wish I have more time to get down all the selected shots and process further. In future might seeing I’ll be posting the old photos which lie in my storage to be awakened.

 

This series of shots were taken the in Day 3 after the little incident happened, and this day was the day we almost got everything right, the mood, the weather, the inspiration, the only thing wasted was didn’t have the bridal gown and my suit on the photo shooting day. But still, it was a nice experience ever, we managed to get plenty of shots we wanted at the tea farm. And yes, these are the first venue and backdrop we wanted to shoot first before the real actual tea farm.

 

The backdrop we have chosen is the only building, not sure it is an office or laboratory on the tea farm. While the little museum and cafe are located across the other side. We witnessed some pre-wedding couples also with their make up artist and photographer taking their shots too. I thought they were local apparently they were from Hong Kong, they thought we were local and spoke their dialects saying these couple doing their own selfie videography and photography without helper around.

 

We just admire they have the pro who helped up which even get better angle shots, while doing selfie photography really have limited perspectives. I was thinking one day when our age catching up, definitely might need to hire helpers to do this for us. We already can feel the exhaustion for little project every year and really drain out fast when come to doing these kinds of stuff by ourselves.

 

I still pretty much persistent about my ideal vision, where going out and create our memories together. That’s memories are invaluable, while we browsing through the album, those faded memories will be slowly surface out just like yesterday.

 

----

#d3s

#nikon

#wefie

#jejuisland

#nikkor50mmf14

#southkoreatravel

#wefiephotography

 

~*Photography Originally Taken By: www.CrossTrips.Com Under God*~

 

United States Coast Guard

 

The United States Coast Guard (USCG) is a branch of the United States armed forces and one of seven uniformed services. It is unique among other armed forces in that it combines aspects of a maritime law enforcement agency (with jurisdiction both domestically and in international waters), naval military support, and a federal regulatory agency. It is an agency of the United States Department of Homeland Security, with its military operations working under the US Navy during times of war.

 

The Coast Guard has eleven statutory missions: Alien Migrant Interdiction Operations (AMIO) , Defense Readiness, Drug Interdiction, Ports, Waterways and Coastal Security, Other Law Enforcement, Search and Rescue, Aids to Navigation, Marine Safety, Living Marine Resources, Marine Environmental Protection, and Ice Operations. As one of the five armed forces and the smallest armed service of the United States, its stated mission is to protect the public, the environment, and the United States economic and security interests in any maritime region in which those interests may be at risk, including international waters and America's coasts, ports, and inland waterways.

Contents

[hide]

 

* 1 Overview

o 1.1 Description

o 1.2 Role

+ 1.2.1 Search and Rescue

+ 1.2.2 National Response Center

o 1.3 Authority as an armed service

o 1.4 Authority as a law enforcement agency

* 2 History

* 3 Organization

* 4 Personnel

o 4.1 Commissioned Officer Corps

+ 4.1.1 United States Coast Guard Academy

+ 4.1.2 Officer Candidate School

+ 4.1.3 Direct Commission Officer Program

+ 4.1.4 College Student Pre-Comissioning Initiative (CSPI)

+ 4.1.5 ROTC

o 4.2 Chief Warrant Officers

o 4.3 Enlisted

* 5 Ranks

* 6 Equipment

* 7 Symbols

o 7.1 Core values

o 7.2 Coast Guard Ensign

o 7.3 Coast Guard Standard

o 7.4 Racing Stripe

o 7.5 Semper Paratus

* 8 Missions

* 9 Uniforms

* 10 Issues

* 11 Notable Coast Guardsmen and others associated with the USCG

* 12 Deployable Operations Group (DOG)

* 13 Coast Guard Auxiliary

* 14 Coast Guard Reserve

* 15 Medals and honors

* 16 Organizations

o 16.1 Ancient Order of the Pterodactyl

o 16.2 USCGA Alumni Association

o 16.3 Coast Guard CW Operators Association

* 17 Popular culture

* 18 See also

o 18.1 Coast Guard

o 18.2 Related agencies

* 19 References

* 20 External links

 

[edit] Overview

 

[edit] Description

 

The Coast Guard, in its literature, describes itself as "a military, maritime, multi-mission service within the Department of Homeland Security dedicated to protecting the safety and security of America." The other armed services of the US military are components of the Department of Defense, under which the Coast Guard can also operate during times of war and under declaration by the President.

 

[edit] Role

 

The United States Coast Guard has a broad and important role in homeland security, law enforcement, search and rescue, marine environmental pollution response, and the maintenance of river, intracoastal and offshore aids to navigation (ATON). Founded by Alexander Hamilton as the Revenue Cutter Service on August 4, 1790, it lays claim to being the United States' oldest continuous seagoing service. As of October 2006, the Coast Guard has approximately 46,000 men and women on active duty, 8,100 reservists, 7,000 full time civilian employees and 30,000 active auxiliarists.[1]

 

While most military services are either at war or training for war, the Coast Guard is deployed every day. When not in war, the Coast Guard has duties that include maritime law enforcement, maintaining aids to navigation, marine safety, and both military and civilian search and rescue—all in addition to its typical homeland security and military duties, such as port security. While working as the only Military Branch allowed to make arrest, inquiries, and carry firearms inside of the USA, they are also the only Military Branch that are allowed to carry their firearms on and off base, thus giving them greater flexibility when being called to service. The service's decentralized organization and readiness for missions that can occur at any time on any day, is often lauded for making it highly effective, extremely agile and very adaptable in a broad range of emergencies. In a 2005 article in TIME Magazine following Hurricane Katrina, the author wrote, "the Coast Guard's most valuable contribution to [a military effort when catastrophe hits] may be as a model of flexibility, and most of all, spirit." Wil Milam, a rescue swimmer from Alaska told the magazine, "In the Navy, it was all about the mission. Practicing for war, training for war. In the Coast Guard, it was, take care of our people and the mission will take care of itself."[2]

 

The Coast Guard's motto is Semper Paratus, meaning "Always Ready". The service has participated in every U.S. conflict from 1790 through to today, including landing US troops on D-Day and on the Pacific Islands in World War II, in extensive patrols and shore bombardment during the Vietnam War, and multiple roles in Operation Iraqi Freedom. Maritime interception operations, coastal security,transportation security, transportation security, and law enforcement detachments are its major roles in Iraq.

 

[edit] Search and Rescue

 

See National Search and Rescue Committee

 

Search and Rescue (SAR) is one of the Coast Guard's oldest missions. The National Search and Rescue Plan[3] designates the United States Coast Guard as the federal agency responsible for maritime SAR operations, and the United States Air Force as the federal agency responsible for inland SAR. Both agencies maintain Rescue Coordination Centers to coordinate this effort, and have responsibility for both military and civilian search and rescue.

 

* USCG Rescue Coordination Centers

 

[edit] National Response Center

 

Operated by the U.S. Coast Guard, the National Response Center (NRC) is the sole U.S. Government point of contact for reporting environmental spills, contamination, and pollution

 

The primary function of the National Response Center (NRC) is to serve as the sole national point of contact for reporting all oil, chemical, radiological, biological, and etiological discharges into the environment anywhere in the United States and its territories. In addition to gathering and distributing spill data for Federal On-Scene Coordinators and serving as the communications and operations center for the National Response Team, the NRC maintains agreements with a variety of federal entities to make additional notifications regarding incidents meeting established trigger criteria. The NRC also takes Terrorist/Suspicious Activity Reports and Maritime Security Breach Reports. Details on the NRC organization and specific responsibilities can be found in the National Oil and Hazardous Substances Pollution Contingency Plan.[4]

 

* U.S. National Response Team

 

[edit] Authority as an armed service

 

The five uniformed services that make up the Armed Forces are defined in 10 U.S.C. § 101(a)(4):

“ The term “armed forces” means the Army, Navy, Air Force, Marine Corps, and Coast Guard. ”

 

The Coast Guard is further defined by 14 U.S.C. § 1:

“ The Coast Guard as established January 28, 1915, shall be a military service and a branch of the armed forces of the United States at all times. The Coast Guard shall be a service in the Department of Homeland Security, except when operating as a service in the Navy. ”

 

Coast Guard organization and operation is as set forth in Title 33 of the Code of Federal Regulations.

 

On February 25, 2003, the Coast Guard was placed under the Department of Homeland Security. The Coast Guard reports directly to the Secretary of Homeland Security. However, under 14 U.S.C. § 3 as amended by section 211 of the Coast Guard and Maritime Transportation Act of 2006, upon the declaration of war and when Congress so directs in the declaration, or when the President directs, the Coast Guard operates under the Department of Defense as a service in the Department of the Navy. 14 U.S.C. § 2 authorizes the Coast Guard to enforce federal law. Further, the Coast Guard is exempt from and not subject to the restrictions of the Posse Comitatus Act which restrict the law enforcement activities of the other four military services within United States territory.

 

[edit] Authority as a law enforcement agency

 

14 U.S.C. § 89 is the principal source of Coast Guard enforcement authority.

 

14 U.S.C. § 143 and 19 U.S.C. § 1401 empower US Coast Guard Active and Reserves members as customs officers. This places them under 19 U.S.C. § 1589a, which grants customs officers general law enforcement authority, including the authority to:

 

(1) carry a firearm;

(2) execute and serve any order, warrant, subpoena, summons, or other process issued under the authority of the United States;

(3) make an arrest without a warrant for any offense against the United States committed in the officer's presence or for a felony, cognizable under the laws of the United States committed outside the officer's presence if the officer has reasonable grounds to believe that the person to be arrested has committed or is committing a felony; and

(4) perform any other law enforcement duty that the Secretary of the Treasury may designate.

 

The U.S. Government Accountability Office Report to the House of Representatives, Committee on the Judiciary on its 2006 Survey of Federal Civilian Law Enforcement Functions and Authorities identified the U.S. Coast Guard as one of 104 federal components employed which employed law enforcement officers.[5] The Report also included a summary table of the authorities of the U.S. Coast Guard's 192 special agents and 3,780 maritime law enforcement boarding officers.[6] Some contend that these law enforcement personnel are "qualified law enforcement officers" within the meaning of the Law Enforcement Officer Safety Act, 18 U.S.C. 926B (LEOSA). The U.S. Coast Guard does not, however, have a LEOSA policy one way or the other.

 

As members of a military service, Coast Guardsmen (also known informally as Coasties) on active and reserve service are subject to the Uniform Code of Military Justice and receive the same pay and allowances as members of the same pay grades in the other four armed services.

 

[edit] History

 

Main article: History of the United States Coast Guard

 

Marines holding a sign thanking the US Coast Guard after the battle of Guam.

Marines holding a sign thanking the US Coast Guard after the battle of Guam.

 

The roots of the Coast Guard lie in the United States Revenue Cutter Service established by Alexander Hamilton under the Department of the Treasury on August 4, 1790. Until the re-establishment of the United States Navy in 1798, the Revenue Cutter Service was the only naval force of the early U.S. It was established to collect taxes from a brand new nation of patriot smugglers. When the officers were out at sea, they were told to crack down on piracy; while they were at it, they might as well rescue anyone in distress.[7]

 

"First Fleet" is a term occasionally used as an informal reference to the US Coast Guard, although as far as one can detect the United States has never in fact officially used this designation with reference either to the Coast Guard or any element of the US Navy. The informal appellation honors the fact that between 1790 and 1798, there was no United States Navy and the cutters which were the predecessor of the US Coast Guard were the only warships protecting the coast, trade, and maritime interests of the new republic.[8]

 

The modern Coast Guard can be said to date to 1915, when the Revenue Cutter Service merged with the United States Life-Saving Service and Congress formalized the existence of the new organization. In 1939, the U.S. Lighthouse Service was brought under its purview. In 1942, the Bureau of Marine Inspection and Navigation was transferred to the Coast Guard. In 1967, the Coast Guard moved from the Department of the Treasury to the newly formed Department of Transportation, an arrangement that lasted until it was placed under the Department of Homeland Security in 2003 as part of legislation designed to more efficiently protect American interests following the terrorist attacks of September 11, 2001.

 

In times of war, the Coast Guard or individual components of it can operate as a service of the Department of the Navy. This arrangement has a broad historical basis, as the Guard has been involved in wars as diverse as the War of 1812, the Mexican-American War, and the American Civil War, in which the cutter Harriet Lane fired the first naval shots attempting to relieve besieged Fort Sumter. The last time the Coast Guard operated as a whole under the Navy was in World War II. More often, military and combat units within the Coast Guard will operate under the Navy while other Coast Guard units will remain under the Department of Homeland Security.

 

[edit] Organization

 

Main article: Organization of the United States Coast Guard

 

The headquarters of the Coast Guard is at 2100 Second Street, SW, in Washington, D.C. In 2005, the Coast Guard announced tentative plans to relocate to the grounds of the former St. Elizabeths Hospital in Washington. That project is currently on hold because of environmental, historical, and congressional concerns. As of July 2006, there are several possible locations being considered, including the current headquarters location.

 

[edit] Personnel

 

[edit] Commissioned Officer Corps

 

There are many routes by which individuals can become commissioned officers in the US Coast Guard. The most common are:

 

[edit] United States Coast Guard Academy

 

Main article: United States Coast Guard Academy

 

The United States Coast Guard Academy is located on the Thames River in New London, Connecticut. It is the only military academy to which no Congressional or presidential appointments are made. All cadets enter by open competition utilizing SAT scores, high school grades, extracurricular activities, and other criteria. About 225 cadets are commissioned ensigns each year. Graduates of the Academy are obligated to serve five years on active duty. Most graduates (about 70%) are assigned to duty aboard a Coast Guard cutter after graduation, either as Deck Watch Officers (DWO) or as Student Engineers. Smaller numbers are assigned to flight training (about 10% of the class) or to shore duty at Coast Guard Sectors, Districts, or Area headquarters unit.

 

[edit] Officer Candidate School

 

In addition to the Academy, prospective officers may enter the Coast Guard through the Officer Candidate School (OCS) at the Coast Guard Academy in New London, Connecticut. OCS is a rigorous 17-week course of instruction which prepares candidates to serve effectively as officers in the United States Coast Guard. In addition to indoctrinating students into a military life-style, OCS also provides a wide range of highly technical information necessary for performing the duties of a Coast Guard officer.

 

Graduates of the program typically receive a commission in the Coast Guard at the rank of Ensign, but some with advanced graduate degrees can enter as Lieutenant (junior grade) or Lieutenant. Graduating OCS officers entering Active Duty are required to serve a minimum of three years, while graduating Reserve officers are required to serve four years. Graduates may be assigned to a ship, flight training, to a staff job, or to an operations ashore billet. However, first assignments are based on the needs of the Coast Guard. Personal desires and performance at OCS are considered. All graduates must be available for worldwide assignment.

 

In addition to United States citizens, foreign cadets and candidates also attend Coast Guard officer training. OCS represents the source of the majority of commissions in the Coast Guard, and is the primary channel through which enlisted ranks can ascend to the officer corps.

 

[edit] Direct Commission Officer Program

 

The Coast Guard's Direct Commission Officer course is administered by Officer Candidate School. Depending on the specific program and background of the individual, the course is three, four or five weeks long. The first week of the five-week course is an indoctrination week. The DCO program is designed to commission officers with highly specialized professional training or certain kinds of previous military experience. For example, lawyers entering as JAGs, doctors, intelligence officers, and others can earn commissions through the DCO program. (Chaplains are provided to the Coast Guard by the US Navy.)

 

[edit] College Student Pre-Comissioning Initiative (CSPI)

 

The College Student Pre-Commissioning Initiative (CSPI) is a scholarship program for college sophomores. This program provides students with valuable leadership, management, law enforcement, navigation and marine science skills and training. It also provides full payment of school tuition, fees, textbooks, a salary, medical insurance and other benefits during a student's junior and senior year of college. The CSPI program guarantees training at Officer Candidate School (OCS) upon successful completion of all program requirements. Each student is expected to complete his/her degree and all Coast Guard training requirements. Following the completion of OCS and commission as a Coast Guard officer, each student will be required to serve on active duty (full time) as an officer for 3 years.

 

Benefits: Full tuition, books and fees paid for two years, monthly salary of approximately $2,000, medical and life insurance, 30 days paid vacation per year, leadership training.

 

[edit] ROTC

 

Unlike the other armed services, the Coast Guard does not sponsor a ROTC program. It does, however, sponsor one Junior ROTC ("JROTC") program at the MAST Academy.

 

[edit] Chief Warrant Officers

 

Highly qualified enlisted personnel from E-6 through E-9, and with a minimum of eight years of experience, can compete each year for appointment as a Chief Warrant Officer (or CWO). Successful candidates are chosen by a board and then commissioned as Chief Warrant Officers (CWO-2) in one of sixteen specialties. Over time Chief Warrant Officers may be promoted to CWO-3 and CWO-4. The ranks of Warrant Officer (WO-1) and CWO-5 are not currently used in the Coast Guard. Chief Warrant Officers may also compete for the Chief Warrant Officer to Lieutenant program. If selected, the officer will be promoted to Lieutenant (O-3E). The "E" designates over four years active duty service as a Warrant Officer or Enlisted member and entitles the member to a higher rate of pay than other lieutenants.

 

[edit] Enlisted

 

Newly enlisted personnel are sent to 8 weeks of Basic Training at the Coast Guard Training Center Cape May in Cape May, New Jersey.

 

The current nine Recruit Training Objectives are:

 

* Self-discipline

* Military skills

* Marksmanship

* Vocational skills and academics

* Military bearing

* Physical fitness and wellness

* Water survival and swim qualifications

* Esprit de corps

* Core values (Honor, Respect, and Devotion to Duty)

 

Following graduation, most members are sent to their first unit while they await orders to attend advanced training, in Class "A" Schools, in their chosen rating, the naval term for Military Occupational Specialty (MOS). Members who earned high ASVAB scores or who were otherwise guaranteed an "A" School of choice while enlisting can go directly to their "A" School upon graduation from Boot Camp.

 

Petty officers follow career development paths very similar to those of US Navy petty officers.

 

Enlisted Coast Guard members who have reached the pay grade of E-7, or Chief Petty Officer, must attend the U.S. Coast Guard Chief Petty Officer Academy at Training Center Petaluma in Petaluma, California, or an equivalent Department of Defense school, to be advanced to pay grade E-8. United States Air Force master sergeants, as well as international students representing their respective maritime services, are also eligible to attend the Academy. The basic themes of this school are:

 

* Professionalism

* Leadership

* Communications

* Systems thinking and lifelong learning

 

[edit] Ranks

Officer Grade Structure of the United States Coast Guard

Admiral

 

(ADM)

Vice Admiral

 

(VADM)

Rear Admiral

(upper half)

 

(RADM)

Rear Admiral

(lower half)

 

(RDML)

Captain

 

(CAPT)

Commander

 

(CDR)

Lieutenant

Commander

 

(LCDR)

Lieutenant

 

(LT)

Lieutenant,

Junior Grade

 

(LTJG)

Ensign

 

(ENS)

O-10 O-9 O-8 O-7 O-6 O-5 O-4 O-3 O-2 O-1

         

Warrant Officer Grade Structure of the United States Coast Guard

CWO4 CWO3 CWO2

  

Non Commissioned Officer Grade Structure of the United States Coast Guard[1]

Crossed anchors in the graphics indicate a rating of Boatswain's Mate

Master Chief Petty Officer of the Coast Guard

 

(MCPOCG)

Command Master Chief Petty Officer

 

(CMC)

Master Chief Petty Officer

 

(MCPO)

Master Chief Boatswain's Mate (BMCM) insignia shown

Senior Chief Petty Officer

 

(SCPO)

Senior Chief Boatswain's Mate (BMCS) insignia shown

Chief Petty Officer

 

(CPO)

Chief Boatswain's Mate (BMC) insignia shown

Petty Officer First Class

 

(PO1)

First Class Boatswain's Mate (BM1) insignia shown

Petty Officer Second Class

 

(PO2)

Second Class Boatswain's Mate (BM2) insignia shown

Petty Officer Third Class

 

(PO3)

Third Class Boatswain's Mate (BM3) insignia shown

E-9S E-9 E-9 E-8 E-7 E-6 E-5 E-4

       

Enlisted Grade Structure of the United States Coast Guard

Seaman

 

(SN)

Seaman Apprentice

 

(SA)

Seaman Recruit

 

(SR)

E-3 E-2 E-1

   

[edit] Equipment

 

The equipment of the USCG consists of thousands of vehicles (boats, ships, helicopters, fixed-winged aircraft, automobiles), communication systems (radio equipment, radio networks, radar, data networks), weapons, infrastructure such as United States Coast Guard Air Stations and local Small Boat Stations, each in a large variety.

 

Main article: Equipment of the United States Coast Guard

 

[edit] Symbols

 

[edit] Core values

 

The Coast Guard, like the other armed services of the United States, has a set of core values which serve as basic ethical guidelines to Coast Guard members. As listed in the recruit pamphlet, The Helmsman,[9] they are:

 

* Honor: Absolute integrity is our standard. A Coast Guardsman demonstrates honor in all things: never lying, cheating, or stealing. We do the right thing because it is the right thing to do—all the time.

* Respect: We value the dignity and worth of people: whether a stranded boater, an immigrant, or a fellow Coast Guard member; we honor, protect, and assist.

* Devotion to Duty: A Coast Guard member is dedicated to five maritime security roles: Maritime Safety, Maritime Law Enforcement, Marine Environmental Protection, Maritime Mobility and National Defense. We are loyal and accountable to the public trust. We welcome responsibility.[10]

 

[edit] Coast Guard Ensign

Coast Guard Ensign

Coast Guard Ensign

 

The Coast Guard Ensign (flag) was first flown by the Revenue Cutter Service in 1799 to distinguish revenue cutters from merchant ships. The order stated the Ensign would be "16 perpendicular stripes, alternate red and white, the union of the ensign to be the arms of the United States in a dark blue on a white field." (There were 16 states in the United States at the time).

 

The purpose of the flag is to allow ship captains to easily recognize those vessels having legal authority to stop and board them. This flag is flown only as a symbol of law enforcement authority and is never carried as a parade standard. See [2]

 

[edit] Coast Guard Standard

Parade Standard of the U.S. Coast Guard

Parade Standard of the U.S. Coast Guard

 

The Coast Guard Standard is used in parades and carries the battle honors of the U.S. Coast Guard. It was derived from the jack of the Coast Guard ensign which used to fly from the stern of revenue cutters. The emblem is a blue eagle from the coat of arms of the United States on a white field. Above the eagle are the words "UNITED STATES COAST GUARD;" below the eagle is the motto, "SEMPER PARATUS" and the inscription "1790."

 

[edit] Racing Stripe

Racing Stripe

Racing Stripe

 

The Racing Stripe was designed in 1964 to give the Coast Guard a distinctive, modern image and was first used in 1967. The symbol is a narrow blue bar, a narrow white stripe between, and a broad red[11] bar with the Coast Guard shield centered. The stripes are canted at a 64 degree angle, coincidentally the year the Racing Stripe was designed. The Stripe has been adopted for the use of other coast guards, such as the Canadian Coast Guard, the Italian Guardia Costiera, the Indian Coast Guard, and the Australian Customs Service. Auxiliary vessels maintained by the Coast Guard also carry the Stripe in inverted colors.

 

[edit] Semper Paratus

 

The official march of the Coast Guard is "Semper Paratus" (Latin for "Always Ready"). An audio clip can be found at [3].

 

[edit] Missions

 

Main article: Missions of the United States Coast Guard

 

Coast Guard Ensign (Photo U.S. Coast Guard)

  

USCGC Steadfast

 

USCG HH-65 Dolphin

 

USCG HH-60J JayHawk

USCG HC-130H departs Mojave

 

USCG HC-130H on International Ice Patrol duties

 

Coast Guard motor lifeboat maritime safety operation

 

A Coast Guard helicopter crew member looks out over post-Katrina New Orleans

 

The Coast Guard carries out five basic roles, which are further subdivided into eleven statutory missions. The five roles are:

 

* Maritime safety (including search and rescue)

* Maritime mobility

* maritime security

* National defense

* Protection of natural resources

  

The eleven statutory missions, found in section 888 of the Homeland Security Act are:

 

* Ports, Waterways and Coastal Security (PWCS)

* Counter Drug Law Enforcement

* Migrant Interdiction

* Other Law Enforcement (foreign fisheries)

* Living Marine Resources (domestic fisheries)

* Marine (maritime) Safety

* Marine (maritime) Environmental Protection

* Ice Operations

* Aids to Navigation (ATON)

* Defense Readiness

* Marine (maritime) Environmental Response

 

The OMEGA navigation system and the LORAN-C transmitters outside the USA were also run by the United States Coast Guard. The U.S. Coast Guard Omega Stations at Lamoure, North Dakota and Kāne'ohe, Hawai'i (Oahu) were both formally decommissioned and shut down on September 30, 1997.

 

[edit] Uniforms

 

In 1972, the current Coast Guard dress blue uniform was introduced for wear by both officers and enlisted personnel (Prior to 1972, they wore U.S. Navy-style uniforms with Coast Guard insignia). Relatively similar in appearance to the old-style U.S. Air Force uniforms, the uniform consists of a blue four-pocket single breasted jacket and trousers in a slightly darker shade. A light-blue button-up shirt with a pointed collar, two front button-flap pockets, "enhanced" shoulder boards for officers, and pin-on collar insignia for Chief Petty Officers and enlisted personnel is worn when in shirt-sleeve order (known as "Tropical Blue Long"). It is similar to the World War II-era uniforms worn by Coast Guard Surfmen. Officer rank insignia parallels that of the U.S. Navy but with the gold Navy "line" star being replaced with the gold Coast Guard Shield and with the Navy blue background color replaced by Coast Guard blue. Enlisted rank insignia is also similar to the Navy with the Coast Guard shield replacing the eagle on collar and cap devices. Group Rate marks (stripes) for junior enlisted members (E-3 and below) also follow U. S. Navy convention with white for seaman, red for fireman, and green for airman. In a departure from the U. S. Navy conventions, all petty Officers E-6 and below wear red chevrons and all Chief Petty Officers wear gold. Unlike the US Navy, officers and CPO's do not wear khaki; all personnel wear the same color uniform. See USCG Uniform Regulations [4] for current regulations.

 

Coast Guard officers also have a white dress uniform, typically used for formal parade and change-of-command ceremonies. Chief Petty Officers, Petty Officers, and enlisted rates wear the standard Service Dress Blue uniform for all such ceremonies, except with a white shirt (replacing the standard light-blue). A white belt may be worn for honor guards. A mess dress uniform is worn by members for formal (black tie) evening ceremonies.

 

The current working uniform of a majority of Coast Guard members is the Operational Dress Uniform (ODU). The ODU is similar to the Battle Dress Uniform of other armed services, both in function and style. However, the ODU is in a solid dark blue with no camouflage patterns and does not have lower pockets on the blouse. The ODU is worn with steel-toed boots in most circumstances, but low-cut black or brown boat shoes may be prescribed for certain situations. The former dark blue working uniform has been withdrawn from use by the Coast Guard but may be worn by Auxiliarists until no longer serviceable. There is a second phase of Operational Dress Uniforms currently in the trial phases. This prototype resembles the current Battle Dress blouse, which is worn on the outside, rather than tucked in.

 

Coast Guard members serving in expeditionary combat units such as Port Security Units, Law Enforcement Detachments, and others, wear working operational uniforms that resemble Battle Dress uniforms, complete with "woodland" or "desert" camouflage colors. These units typically serve under, or with, the other armed services in combat theaters, necessitating similar uniforms.

 

Enlisted Coast Guardsmen wear the combination covers for full dress, a garrison cover for Class "B," wear, and a baseball-style cover either embroidered with "U.S. Coast Guard" in gold block lettering or the name of their ship, unit or station in gold, for the ODU uniform. Male and female company commanders (the Coast Guard equivalent of Marine Corps drill instructors) at Training Center Cape May wear the traditional "Smokey the Bear" campaign hat.

 

A recent issue of the Reservist magazine was devoted to a detailed and easy to understand graphical description of all the authorized uniforms.

 

[edit] Issues

 

The Coast Guard faces several issues in the near future.

 

Lack of coverage affects many areas with high maritime traffic. For example, local officials in Scituate, Massachusetts, have complained that there is no permanent Coast Guard station, and the presence of the Coast Guard in winter is vital. One reason for this lack of coverage is the relatively high cost of building storm-proof buildings on coastal property; the Cape Hatteras station was abandoned in 2005 after winter storms wiped out the 12-foot (3.7 m) sand dune serving as its protection from the ocean.

 

Lack of strength to meet its assigned missions is being met by a legislated increase in authorized strength from 39,000 to 45,000. In addition, the volunteer Auxiliary is being called to take up more non-combatant missions. However, volunteer coverage does have limits.

 

Aging vessels are another problem, with the Coast Guard still operating some of the oldest naval vessels in the world. In 2005, the Coast Guard terminated contracts to upgrade the 110-foot (33.5 m) Island Class Cutters to 123-foot (37.5 m) cutters because of warping and distortion of the hulls. In late 2006, Admiral Thad Allen, Commandant of the Coast Guard, decommissioned all eight 123-foot (37 m) cutters due to dangerous conditions created by the lengthening of the hull- to include compromised watertight integrity. The Coast Guard has, as a result of the failed 110 ft (34 m) conversion, revised production schedules for the Fast Response Cutter (FRC). Of the navies and coast guards of the world's 40 largest navies, the U.S. Coast Guard's is the 38th oldest.[12]

 

Live fire exercises by Coast Guard boat and cutter crews in the U.S. waters of the Great Lakes attracted attention in the U.S. and Canada. The Coast Guard had proposed the establishment of 34 locations around the Great Lakes where live fire training using vessel-mounted machine guns were to be conducted periodically throughout the year. The Coast Guard said that these exercises are a critical part of proper crew training in support of the service's multiple missions on the Great Lakes, including law enforcement and anti-terrorism. Those that raised concerns about the firing exercises commented about safety concerns and that the impact on commercial shipping, tourism, recreational boating and the environment may be greater than what the Coast Guard had stated. The Coast Guard took public comment and conducted a series of nine public meetings on this issue. After receiving more than 1,000 comments, mostly opposing the Coast Guard's plan, the Coast Guard announced that they were withdrawing their proposal for target practice on the Great Lakes, although a revised proposal may be made in the future.[13][14][15][16][17]

 

[edit] Notable Coast Guardsmen and others associated with the USCG

 

Source: U.S. Coast Guard

 

* Derroll Adams, folk musician

* Nick Adams, actor

* Beau Bridges, actor

* Lloyd Bridges, actor

* Sid Caesar, comedian

* Lou Carnesecca, basketball coach, St. John's University

* Howard Coble, U.S. Congressman, North Carolina

* Chris Cooper, actor

* Richard Cromwell, actor

* Walter Cronkite, newscaster

* William D. Delahunt, U.S. Congressman, Massachusetts

* Jack Dempsey, professional boxer

* Buddy Ebsen (1908–2003), actor, comedian, dancer

* Blake Edwards, writer, director, producer

* Edwin D. Eshleman (1920-1985), former U.S. Congressman, Pennsylvania

* Arthur Fiedler, conductor

* Arthur A. Fontaine, captain, college sailing national champion, ISCA Hall of Fame

* Charles Gibson, newscaster

* Arthur Godfrey, entertainer

* Otto Graham, professional football player and coach

* Alex Haley, author of Roots and Coast Guard chief journalist (first African-American man to reach the Coast Guard's rank of Chief Petty Officer)

* Weldon Hill, pseudonym of William R. Scott, author of novel Onionhead, based on his World War II Coast Guard service

* William Hopper, actor

* Tab Hunter, actor

* Harvey E. Johnson, Jr., Vice Admiral, Deputy Director FEMA

* Steve Knight, Vocalist for Flipsyde

* Duke Paoa Kahanamoku, athlete, actor

* Jack Kramer, tennis professional

* Jacob Lawrence, artist

* Victor Mature, actor

* Douglas Munro, the only Coast Guardsman to be awarded the Medal of Honor

* Frank Murkowski, former governor and former U.S. Senator, Alaska

* Sam Nunn, former U.S. Senator, Georgia

* Arnold Palmer, professional golfer

* Ed Parker, martial artist

* Claiborne Pell, former U.S. Senator, Rhode Island

* Cesar Romero, actor

* Sloan Wilson, writer

* Dorothy C. Stratton first director of the SPARS

* Gene Taylor, U.S. Congressman, Mississippi

* Ted Turner, businessman

* Rudy Vallee, entertainer

* Thornton Wilder, writer

* Gig Young, actor

* Elian Gonzales, Refugee

* Popeye, Cartoon character, had tattoos and uniforms signifying he was in the USCG. "Popeye the Sailor Meets Ali Baba and the Forty Thieves" shows him under a USCG sign.

 

[edit] Deployable Operations Group (DOG)

 

The Deployable Operations Group is a recently formed Coast Guard command. The DOG brings numerous existing deployable law enforcement, tactical and response units under a single command headed by a rear admiral. The planning for such a unit began after the terrorist attacks of September 11, 2001, and culminated with its formation on July 20th, 2007. The unit will contain several hundred highly trained Coast Guardsmen. Its missions will include maritime law enforcement, anti-terrorism, port security, and pollution response. Full operational capability is planned by summer 2008.[18]

 

[edit] Coast Guard Auxiliary

 

Main article: United States Coast Guard Auxiliary

 

The United States Coast Guard Auxiliary is the uniformed volunteer component of the United States Coast Guard, established on June 23, 1939. It works within the Coast Guard in carrying out its noncombatant and non-law enforcement missions. As of November 18, 2007 there were 30,074 active Auxiliarists. The Coast Guard has assigned primary responsibility for most recreational boating safety tasks to the Auxiliary, including public boating safety education and voluntary vessel safety checks. In recent history prior to 1997, Auxiliarists were limited to those tasks and on-water patrols supporting recreational boating safety.

 

In 1997, however, new legislation authorized the Auxiliary to participate in any and all Coast Guard missions except military combat and law enforcement. 33 CFR 5.31 states that: Members of the Auxiliary, when assigned to specific duties shall, unless otherwise limited by the Commandant, be vested with the same power and authority, in execution of such duties, as members of the regular Coast Guard assigned to similar duties.

 

Auxiliarists may support the law enforcement mission of the Coast Guard but do not directly participate in it. Auxiliarists and their vessels are not allowed to carry any weapons while serving in any Auxiliary capacity; however, they may serve as scouts, alerting regular Coast Guard units. Auxiliarists use their own vessels (i.e. boats) and aircraft, in carrying out Coast Guard missions, or apply specialized skills such as Web page design or radio watchstanding to assist the Coast Guard. When appropriately trained and qualified, they may serve upon Coast Guard vessels.

 

Auxiliarists undergo one of several levels of background check. For most duties, including those related to recreational boating safety, a simple identity check is sufficient. For some duties in which an Auxiliarist provides direct augmentation of Coast Guard forces, such as tasks related to port security, a more in-depth background check is required. Occasionally an Auxiliarist will need to obtain a security clearance through the Coast Guard in order to have access to classified information in the course of assigned tasking.

 

The basic unit of the Auxiliary is the Flotilla, which has at least 10 members and may have as many as 100. Five Flotillas in a geographical area form a Division. There are several divisions in each Coast Guard District. The Auxiliary has a leadership and management structure of elected officers, including Flotilla Commanders, Division Captains, and District Commodores, Atlantic and Pacific Area Commodores, and a national Commodore. However, legally, each Auxiliarist has the same 'rank', Auxiliarist.

 

In 2005, the Coast Guard transitioned to a geographical Sector organization. Correspondingly, a position of 'Sector Auxiliary Coordinator' was established. The Sector Auxiliary Coordinator is responsible for service by Auxiliarists directly to a Sector, including augmentation of Coast Guard Active Duty and Reserve forces when requested. Such augmentation is also referred to as force multiplication.

 

Auxiliarists wear the similar uniforms as Coast Guard officers with modified officers' insignia based on their office: the stripes on uniforms are silver, and metal insignia bear a red or blue "A" in the center. Unlike their counterparts in the Civil Air Patrol, Auxiliarists come under direct orders of the Coast Guard.

 

[edit] Coast Guard Reserve

 

Main article: United States Coast Guard Reserve

 

The United States Coast Guard Reserve is the military reserve force of the Coast Guard. The Coast Guard Reserve was founded on February 19, 1941. Like most military reserve units, Coast Guard reservists normally train on a schedule of one weekend a month and an additional 15 days each summer, although many work other days of the week, and often more frequently than just two days a month. Unlike the other armed services, many Coast Guard reservists possess the same training and qualifications as their active duty counterparts, and as such, can be found augmenting active duty Coast Guard units every day, rather than just serving in a unit made up exclusively of reservists.

 

During the Vietnam War and shortly thereafter, the Coast Guard considered abandoning the Reserve program, but the force was instead reoriented into force augmentation, where its principal focus was not just reserve operations, but to add to the readiness and mission execution of every day active duty personnel.

 

Since September 11, 2001, over 8,500 Reservists have been activated and served on tours of active duty. Coast Guard Port Security Units are entirely staffed with Reservists, except for five to seven active duty personnel. Additionally, most of the staffing the Coast Guard provides to Naval Coastal Warfare units are reservists.

 

The Reserve is managed by the Director of Reserve and Training, RDML Cynthia A. Coogan.

 

[edit] Medals and honors

 

See also: Awards and decorations of the United States military

 

One Coast Guardsman, Douglas Albert Munro, has earned the Medal of Honor, the highest military award of the United States.[19]

 

Six Coast Guardsmen have earned the Navy Cross and numerous men and women have earned the Distinguished Flying Cross.

 

The highest peacetime decoration awarded within the Coast Guard is the Homeland Security Distinguished Service Medal; prior to the transfer of the Coast Guard to the Department of Homeland Security, the highest peacetime decoration was the Department of Transportation Distinguished Service Medal. The highest unit award available is the Presidential Unit Citation.

 

In wartime, members of the Coast Guard are eligible to receive the U.S. Navy version of the Medal of Honor. A Coast Guard Medal of Honor is authorized but has not yet been developed or issued.

 

In May 2006, at the Change of Command ceremony when Admiral Thad Allen took over as Commandant, President George W. Bush awarded the entire Coast Guard, including the Coast Guard Auxiliary, the Coast Guard Presidential Unit Citation with hurricane device, for its efforts after Hurricane Katrina.

 

[edit] Organizations

 

[edit] Ancient Order of the Pterodactyl

 

Those who have piloted or flown in U.S. Coast Guard aircraft under official flight orders may join the Ancient Order of the Pterodactyl ("Flying Since the World was Flat").

 

[edit] USCGA Alumni Association

 

The United States Coast Guard Academy Alumni Association is devoted to providing service to and promoting fellowship among all U.S. Coast Guard Academy alumni and members of the Association.

 

Membership Types: Academy graduates and those who have attended the Academy are eligible for Regular membership; all others interested in the Academy and its Corps of Cadets are eligible for Associate membership. (Website)

 

[edit] Coast Guard CW Operators Association

 

The Coast Guard CW Operators Association (CGCWOA) is a membership organization comprised primarily of former members of the United States Coast Guard who held the enlisted rating of Radioman (RM) or Telecommunications Specialist (TC), and who employed International Morse Code (CW) in their routine communications duties on Coast Guard cutters and at shore stations. (Website)

 

[edit] Popular culture

 

The Coast Guard has been featured in several television series, such as Baywatch, CSI: Miami, and Deadliest Catch; and in film. A comedy, Onionhead, portrayed Andy Griffith as a Coast Guard recruit. The 2000 film The Perfect Storm depicted the rescue operations of the USCGC Tamaroa (WMEC-166) as one of its subplots. Special Counter-Drugs helicopters known as HITRONs are seen in action on Bad Boys II. In the 2005 family comedy Yours, Mine, and Ours, Dennis Quaid plays a fictional U.S. Coast Guard Academy superintendent who marries a character played by Rene Russo and together have 18 children. The 2006 film The Guardian, starring Kevin Costner and Ashton Kutcher, was based on the training and operation of Coast Guard Rescue Swimmers. Additionally, a Coast Guard cutter and its commander and crew figured prominently in Tom Clancy's book Clear and Present Danger.

The last official steam train on the tracks of Jindřichohradecké místní dráhy till now was operated on the 2nd of October 2022, by locomotive U46 101. It is quite a sad story, after more than a century operations have stopped completely. The line to Nová Bystřice was opened on 1 November 1897 and the line to Obrataň followed on 24 December 1906. Hopefully there will be operations in future again!

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