View allAll Photos Tagged impossible
It's impossible not to love the cheer and benevolence that issues forth from Soreyda. I initially wrote her saying "I'm sure that photographers much finer than I have made magnificent portraits of you. Can you send one over, please?" Soreyda replied that "not really" and furthermore that she was excited at the prospect of ME making her portrait. How flattering. I could write a book about Alma's the impossibly-stacked fabric house where we shot this. Alma and a friend sat wiling away the day, occasionally interjecting or asking Soreyda questions about her designs — or trying to sell her on more fabrics for future designs. What fun. I thought it would be funny for her to stand on a ladder — I've got some kind of thing about wanting people to be photographed standing on ladders or chairs. Of course, I need to test it to make sure my subject didn't bust her ass taking directions from me. That would suck.
See the published series Leading Women of Central Kentucky 2011, in Business Lexington magazine, including the articles.
Impossible Conversations is a very promising and talented young jazz band comprising Louis Hamilton-Foad (Drums), Gabriel Amann (Trumpet), Ben Lawrence (Guitar) ,Sam Sharpe (Bass),Alex Smith (Keys)and Gemma Fletcher (Flute)
|| taken August 27, 2018 with Canon EOS 5D Mark IV and 35mm at 35, ¹⁄₈₀₀ sec at f/2.8 with ‒ ⅓ EV, ISO 400 || Copyright 2018
This piece is on my outer right forearm. It is of an impossible rectangle. It is similar to the idea of a mobius strip.
The people at Impossible Project held a open house and I was invited to join the tour of the factory. The place once employed 1200 people at the hight of the Polaroid days. Now just 36 people are the Impossible Project. All of them passionate, dedicated and giving their all to keep us Polaroid camera users happy with film. Daunting task and after the visit I have nothing but respect for people achieving the impossible.
Production run
Leica D-Lux 5
The people at Impossible Project held a open house and I was invited to join the tour of the factory. The place once employed 1200 people at the hight of the Polaroid days. Now just 36 people are the Impossible Project. All of them passionate, dedicated and giving their all to keep us Polaroid camera users happy with film. Daunting task and after the visit I have nothing but respect for people achieving the impossible.
Production run
Leica D-Lux 5
3.29.13 - 88/365
This is where my wife and I first got to know each other. The Gordon Beirsh in Tempe, AZ. We were walking past it today and I needed to take a picture before the sun went down.
PX600 Silver Shade, PX70 Colour Shade First Flush, a pack each of Sepia and Chocolate type 100, and a cute digital timer. I'm wrong in the head.
EXPEDITION IMPOSSIBLE - "I Don't Know How to Ride This Thing!" - The remaining teams encounter crazy camels and a disorienting sandstorm while racing through a Moroccan river canyon. Meanwhile, Lindsey has a close call, and Mackenzie has a breakdown, on "Expedition Impossible," THURSDAY, JULY 7 (9:00-10:00 p.m., ET) on the ABC Television Network. Adventurer, zoologist, big cat trainer and all around risk taker Dave Salmoni hosts the show. (Photo by Gilles Mingasson/ABC via Getty Images)
TAYLOR FILASKY, JOHN POST, ERIC BACH
At the very beginning of the year, and following the recommendation of my creativity teacher, I used the theme "Impossible structure" to test various texture effects on paper, both in color, using markers, pens
and pastels, and in black and white, with charcoal, graphite pencils, black ink. The image I chose to show here is from the black and white series. After covering the surface of the paper with removable scotch tape, either randomly applied or used with a cutter to make different shapes. I then painted the paper with china ink, and removed the leftover shaped scotch-tape to make the forms appear in white.