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St Andrews Road | Polaroid 636 | Impossible Project PX600 instant film
See also iPhone view, Headington 3.
Choreography, Libby Nelson
Music, Mission Impossible Theme: Tiesto Remix by BacauHouse Mafia
Performers: MOrrgan Diaz, Bryanna Fujino, Clayton Irwin, Steven Sheer
Choreography, Libby Nelson
Music, Mission Impossible Theme: Tiesto Remix by BacauHouse Mafia
Performers: MOrrgan Diaz, Bryanna Fujino, Clayton Irwin, Steven Sheer
After a long day's work, I'm glad I made it to the Bean for a few photographs. It was late and super cold outside. My toes were freezing after walking 15 blocks in the snow.
I had debated on whether to go. I'm glad I did, because the extreme cold weather gave me an unexpected opportunity to get some winter shots with no one around. If you've visit the Bean during the day, you'll know that it's impossible to get a shot with the Bean all to yourself. A reminder that as a photographer, there will be times when conditions are less ideal, but in the end...the shots so much more satisfying.
The people at Impossible Project held a open house and I was invited to join the tour of the factory. The place once employed 1200 people at the hight of the Polaroid days. Now just 36 people are the Impossible Project. All of them passionate, dedicated and giving their all to keep us Polaroid camera users happy with film. Daunting task and after the visit I have nothing but respect for people achieving the impossible.
Tests
Leica D-Lux 5
Very First Test with my new entry SX-70 fed with Impossible Project Color Shade. I think I've got some solarization and some other issues, but so far I already like the ghostly effect :-)
Oh I know, amazingly ... not everyone is fond of cats.
But c'mon ... it's impossible to resist the charm of these adorable kitten brothers, who looked so very different and were quite inseparable. So sweet !
Mat Marrash demonstrates 8x10 Polaroid Instant Photography. The new PQ Color film is made by The Impossible Project! www.the-impossible-project.com/
Film Photography Project's Walking Workshop.Findlay, Ohio - April 12, 14, 2013
Day 3 - Polaroid Workshop
Blogged on KODAK'S 1000 WORDS
1000words.kodak.com/2013/05/24/michael-raso-for-the-love-...
Photo: Michael Raso / Polaroid Polachrome 35mm Instant Film
Canon FTb 35mm slr camera
EBC Fujinon Macro 55mm lens
What is Instant 35mm Polaroid Film?
In 1983 Polaroid introduced an "instant" transparency system for still photography. The unexposed 35mm films came with their own processing pack. The films were processed within a dedicated, hand-powered, mechanical-cranked processing machine called an "AutoProcessor", into which an exposed film and its processing pack had to be loaded. The time to get from an exposed undeveloped film to a fully developed film ready for mounting varied from between two and five minutes.
en.wikipedia.org/wiki/Polavision#Polaroid_AutoProcess_fil...
What is FPP?
The Film Photography Project seeks to inform, engage and inspire amateur and professional photographers working in the traditional film medium. Launched by FPP founder Michael Raso in 2009, FPP provides a forum for photographers from around the globe to share their creative output, challenges and product reviews, while promoting the viability of vintage cameras and film through the radio show, meet-ups, frequent give-aways and exchange programs.
Choreography, Libby Nelson
Music, Mission Impossible Theme: Tiesto Remix by BacauHouse Mafia
Performers: Morgan Diaz, Bryanna Fujino, Clayton Irwin, Steven Sheer
Chilton Sudbury based T M Transport Volvo FH coupled to a three axle tipper trailer unloading at the Nestle Purina pet food factory at Sudbury
Choreography, Libby Nelson
Music, Mission Impossible Theme: Tiesto Remix by BacauHouse Mafia
Performers: Morgan Diaz, Bryanna Fujino, Clayton Irwin, Steven Sheer
Cut out card Impossible Triangle 40cm x 30cm.
Made with 180GSM-240GSM card, machine cut then hand assembled. Pick the colour combination of your choice.
Comes unframed and sent flat in a reinforced postage box.
Free postage within the UK, available to ship worldwide.
Available here www.etsy.com/uk/listing/203236140/impossible-traingle-cut...
This is a small part of the wonderful "Facing the Impossible" exhibition at the Impossible Project space in NYC. I visited the space in early January specifically to see the Gentleman Amateur's works on display, and was delighted to see his work beautifully printed in large square format, as well as the work of many other photographers who are doing great work with Impossible Project instant film. This was a quick snap of arranged small-format images, taken with the camera on my PDA. For those who can get to the exhibit, on Broadway, near Canal, I highly recommend it!
The history of computer-based art practice goes back to at least the 1968 Cybernetic Serendipity exhibition at the ICA in London, yet digital art is only now starting to attract the attention of collectors in greater numbers. Digital art milestones such as; Listening Post by Ben Rubin and Mark Hansen, the thrilling public spectacles of Rafael Lozano-Hemmer, and the break-through LED works of Jim Campbell have been collected by a few pioneer institutions and brave individuals, but these works and others like them can be daunting to collectors. They present new and unusual technical, legal, and maintenance obstacles that can inhibit collectors and thus the market and thus support for a whole class of artists.
Prominent collectors, critics, and artists on this panel will explore the historical dynamics of collecting digital art and building an art market for challenging work. They will discuss their personal experiences and professional opinions about the lessons to be learned to effect a robust collecting environment for the kind of remarkable work seen at the 01SJ Biennial and a very few other venues around the world.
All ticket holders are invited to join us for a reception following the discussion.
Moderator:
Richard Rinehart, Digital Media Director & Adjunct Curator Berkeley Art Museum and Pacific Film Archive
Collectors:
Dennis Scholl, Miami, FL
Jeff Dauber, San Francisco, CA
Gallerist:
Katie Clark, Catharine Clark Gallery, San Francisco
Artist:
Lynn Hershman Leeson
Journalist:
Jason Kaufman, Chief US Correspondent, The Art Newspaper
Choreography, Libby Nelson
Music, Mission Impossible Theme: Tiesto Remix by BacauHouse Mafia
Performers: Morgan Diaz, Bryanna Fujino, Clayton Irwin, Steven Sheer
OPI Mini Kit liquid Sand Mariah Carey The Impossible nas gêmeas, para o carimbo usei única camada Colorama Batom Vermelho e carimbei com a DRK-A
Ernest Joseph Seitz (29 February 1892 – 10 September 1978) was a Canadian composer, songwriter, pianist, and music educator. He published some of his work under the pseudonym "Raymond Roberts" because he did not wish to be associated with popular music. His most famous work is The World Is Waiting for the Sunrise, which he co-wrote with Gene Lockhart. Some of his other notable songs include Laddie Boy (1932), When Moonbeams Softly Fall (1935), and The Sky's the Limit (1943). He retired from performance in 1945 and from teaching in 1946. For the rest of his life he served as president of his family's business, an automobile dealership in Toronto. He was made a Fellow of the Royal Society of Arts in London in 1954 and in 1984 Ernest Seitz Park was opened in Toronto.
Born in Hamilton, Ontario, Seitz received his first musical training from A. S. Vogt in Toronto from 1903-1910. He went to Germany in 1910 where he was a pupil of Josef Lhévinne in Berlin for four years. He had initially intended to pursue a career as a concert pianist in Europe, but the outbreak of World War I made this impossible. He was later a pupil of Ernest Hutcheson in New York City.
Seitz returned to Toronto in 1914 where he soon acquired a position on the music faculty of the Toronto Conservatory of Music. He continued to teach there through 1946. Among his notable pupils were Naomi Adaskin, André Asselin, Ewart Bartley, Muriel Gidley, Reginald Godden, Scott Malcolm, Adelmo Melecci, Earle Moss, Harold Packer, Charles Peaker, and Lorne Watson.
Seitz was active as a concert pianist from 1914 through 1945, being most active during the 1920s and 1930s. He made a total of 18 appearances with the Toronto Symphony Orchestra at Massey Hall during his career, performing major works by such composers as Bortkiewicz, Chopin, Anton Rubinstein, and Tchaikovsky.
With that orchestra he notably performed the North American premiere of Constant Lambert's The Rio Grande on 11 February 1930.
He performed in recitals and concerts throughout North America and was frequently heard on Canadian radio. In the United States he made solo appearances with the New York Philharmonic, the Boston Symphony Orchestra, and the Philadelphia Orchestra among others. He also worked frequently as an accompanist, playing in concerts for such artists as Arthur Blight, Ferdinand Fillion, and Luigi von Kunits.