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An important event as this was the first post-WW2 Ideal Home Exhibition as the event had been suspended during the war years. It was to be the 24th exhibition. As the contents note, the UK was 'hobbling along on crutches towards normality" and the exhibition would have given hope to many a dowdy war damaged household - but at the same time given austerity and rationing much of what was on display was unlikely to have been available in shops! The stylised cover shows the Olympia exhibition centre in West London where the event took place in March 1947.
Important legal note.
All images are copyright and must not be re posted or water marks removed, anyone found reposting or removing water marks are liable to prosecution.
Nara was founded in 710 CE as Japan's first permanent capital, and even after Heian-kyō (Kyoto) became the seat of the Emperor, and hence political capital, in 794, the temples and shrines of Nara, or Nanto Shichi Daiji, remained spiritually important – Nanto (南都) even means 'the southern capital'.
Oddly, Nara has only been a city since 1898, 29 years after the capital moved again, to Edo (Tokyo), but the eight major temples, shrines and ruins (plus Kasugayama Primeval Forest) of the 'Historic Monuments of Ancient Nara' UNESCO World Heritage Site make Nara a significant destination of pilgrimage – not least by tourists.
The most famous Shinto shrine in Nara is Kasuga-taisha, established by the Fujiwara family in 768, when the grand shrine's first kami is said to have ridden a white deer to the summit of Mikasa-yama.
This partly explains the large number of sika deer wandering Nara Park, 'sacred messengers' encouraged by tourists feeding them rice crackers – itself not entirely recommended, as they're wild animals and can be aggressive.
Another distinctive characteristic of Kasuga-taisha is the path (sandō) through the woods to the shrine, which is lined by over three thousand stone lanterns (ishidōrō/tachidōrō) like these.
Attractively weathered into their surroundings and colonised by ferns and moss, they are all lit for the Setsubun Mantoro and Chugen Mantoro festivals in February and August, marking the turn of winter to spring and the turn of summer to autumn.
The lanterns are hollow, of course – the white rectangles and – I think – the circles are paper glued over apertures in the stone, featuring people's ema wishes.
More specifically, this group of lanterns stands beside the main path into the Kasuga-taisha complex, at the Second Torii.
Samarkand is a city in southeastern Uzbekistan and among the oldest continuously inhabited cities in Central Asia. Samarkand is the capital of the Samarkand Region and a district-level city, that includes the urban-type settlements Kimyogarlar, Farhod and Khishrav. With 551,700 inhabitants (2021)] it is the third-largest city in Uzbekistan.
There is evidence of human activity in the area of the city dating from the late Paleolithic Era. Though there is no direct evidence of when Samarkand was founded, several theories propose that it was founded between the 8th and 7th centuries BC. Prospering from its location on the Silk Road between China, Persia and Europe, at times Samarkand was one of the largest cities in Central Asia, and was an important city of the empires of Greater Iran. By the time of the Persian Achaemenid Empire, it was the capital of the Sogdian satrapy. The city was conquered by Alexander the Great in 329 BC, when it was known as Markanda, which was rendered in Greek as Μαράκανδα. The city was ruled by a succession of Iranian and Turkic rulers until it was conquered by the Mongols under Genghis Khan in 1220.
The city is noted as a centre of Islamic scholarly study and the birthplace of the Timurid Renaissance. In the 14th century, Timur made it the capital of his empire and the site of his mausoleum, the Gur-e Amir. The Bibi-Khanym Mosque, rebuilt during the Soviet era, remains one of the city's most notable landmarks. Samarkand's Registan square was the city's ancient centre and is bounded by three monumental religious buildings. The city has carefully preserved the traditions of ancient crafts: embroidery, goldwork, silk weaving, copper engraving, ceramics, wood carving, and wood painting. In 2001, UNESCO added the city to its World Heritage List as Samarkand – Crossroads of Cultures.
Modern Samarkand is divided into two parts: the old city, which includes historical monuments, shops, and old private houses; and the new city, which was developed during the days of the Russian Empire and Soviet Union and includes administrative buildings along with cultural centres and educational institutions. On 15 and 16 September 2022, the city hosted the 2022 SCO summit.
Samarkand has a multicultural and plurilingual history that was significantly modified by the process of national delimitation in Central Asia. Many inhabitants of the city are native or bilingual speakers of the Tajik language, whereas Uzbek is the official language and Russian is also widely used in the public sphere, as per Uzbekistan's language policy.
Welcome again, one and all. A bit of a shift in gears today, though nothing too crazy. Today, we look at one rare-ish Figma, SP-006 Cute from Queen's Blade Spiral Chaos.
So, once upon a time (2004 ish), Sony wanted to play ball in the portable console market to challenge the then leader, the Nintendo DS. What they came up with is the Playstation Portable, or PSP. Technologically, it could be described as a Playstation 1.5 - more powerful than the original PSX, but nowhere near PS2 levels. The system officially lasted until 2016, at which time the PS Vita (RIP) was in full swing.
As is the way with consoles, there are console exclusive games, and sometimes, these games come with exclusive goodies. Such is the case for several PSP titles, including the first Queen's Blade release - Spiral Chaos. Never played it, but I do know that the Collectors Edition Japanese releases came with an exclusive Figma.
The Figma is of a character named Cute, a Queen's Blade entry created specifically for this game. MSRP for this set was 9,800 Yen, which I believe was the game, a CD, the figure, and of course the sweet exterior box.
Well, I got bored enough and found a decently priced one on eBay - sadly it didn't come with the game or other goodies, but lets be honest I wouldn't exactly rush out to resurrect my PSP just for this one game.
The figure comes with a decent package for a pack in Figma - there's the figure, three total face plates (neutral, smiling, embarrassed), two blades, a variety of hands, a Shift Body, and the standard Figma stand.
Your first question right now.. what is a Shift Body? Well, in case you were not aware, Queen's Blade has a claim to fame - namely "battle damage" resulting in fighters becoming more and more naked. In most toys and statues, this is replicated by having a cast off feature, something that is even replicated in the Revoltech toys.
Well, Good Smile Company included a separate body to replicate this, which is nice in that it certainly doesn't compromise quality of the outfit on the Normal Body. The unfortunate thing is that the Shift Body is not fully articulated, and is meant to be displayed in one particular pose, outlined on the Instruction Sheet graphic.
The actual design of the character is quite impressive for a game specific appearance, and the Figma itself replicates game art and other such material I've seen. If you look carefully, you'll notice a bunch of yellow crosses - something that should be very familiar to you if you're a PSN gamer. The gauntlets and boots in particular are outlandish (in an good anime way) and they've been carried over to figure form nicely. I also really love the pouch Cute has on her waist. I also like the multilayering and pleats on the skirt.
Interestingly, from a size perspective, Cute is much bigger that the typical Figma 1.0 release, with proportions that are pretty consistent with more modern figures. Yukiko is pretty typical in terms of size of that era of release and Nat is a modern Figuarts (which I had handy) and is about the same size as your typical Figma release - again, all pretty impressive considering the exclusivity of the figure, the minor price increase compared to the standard game release, and the 2009 release date.
Articulation on the figure is average - she's got single jointed knees, hips, waist, shoulders with slight chest compress and bicep swivel, single jointed elbows, wrists, and head. Missing (which really hurts) is ankle articulation, which highly limits the dynamic posing potential of Cute, further made worse by the fact the skirt highly limits the range of motion of her upper legs. Couple this with the naturally stiff nature of the Figma 1.0 body, and you get a sense of Cute is probably going to spending more time on standing related poses.
From a paint perspective, this is a high quality product. Paint applications and finishes generally look sharp all over the figure, as well as the Shift Body - the weakest application that I could find would be the white on her torn undergarments. There is some paint build up in areas where you have finer details, such as bows, but its more something I noticed as opposed to being an eyesore.
In general, there's no real complaints with regards build quality. Good use of materials, joints do their job, limb length is proper. In general, QC is good, with the exception of those wrists. I have nightmares about breaking them as the pegs are attached to the hands themselves and replacing them is logistical nightmare. The good news is that the wrists are unlikely to break due because they have a hard time staying in slot, an issue further compounded by the cuffs that restrict how tightly you can press the hand in.
Overall, while a dated figure, Cute still looks pretty good and, more importantly, is very well done for a Collectors Edition add-on... of course we here in North America have been getting shafted for years for these sort of things, and everything looks good compared to us. The only real thing I'd have liked to have seen would be an additional "attacking" face plate.
Best of all, Cute isn't that expensive, and is probably the safest thing you'll ever find to display if you're a Queen's Blade/Gate collector.
Community has long been something very important to me, mostly because I remember what my life was like without it. While no community is perfect, much like no family is perfect, it warms my heart to have opportunities to engage with the various communities I have since become invested.
The annual CSX Santa Train has recently been one of those events that I have eagerly anticipated. This being only my second year following the train on its 110 mile route from Shelbiana, KY to Kingsport, TN, it was certainly a memorable one in both positive and not so positives aspects.
Since I arrived late at the famous Copper Creek trestle, rather than muscle my way into the photo line, I decided to incorporate the photo line into the shot, giving perspective that, while the train itself is important, so to are those that find enjoyment in coming out year after year, either chasing, volunteering or simply looking to catch a glimpse of Santa.
The CSX Santa Train has since become one of my favorite holiday traditions. I'm hoping to continue traveling to the mountains of Appalachia each November to witness this beautiful way the railroad brings the community together!
The Burgtheater on the Dr.-Karl -Lueger-Ring (from now on, Universitätsring) in Vienna is an Austrian Federal Theatre. It is one of the most important stages in Europe and after the Comédie-Française, the second oldest European, as well as the largest German speaking theater. The original 'old' Burgtheater on Michaelerplatz was recorded from 1748 until the opening of the new building at the ring in October, 1888. The new house was completely on fire in 1945 as a result of bomb attacks, until the re-opening on 14 October 1955 was the Ronacher as temporary quarters. The Burgtheater is considered Austrian National Theatre.
Throughout its history, the theater was wearing different names, first kk Theater next to the castle, then to 1918 K.K. Court-Burgtheater and since then Burgtheater. Especially in Vienna it is often referred to as "The Castle (Die Burg)" , the ensemble members are known as Castle actors (Burgschauspieler).
History
St. Michael's Square with the old K.K. Theatre beside the castle (right) and the Winter Riding School of the Hofburg (left)
The interior of the Old Burgtheater, painted by Gustav Klimt. The people are represented in such detail that the identification is possible.
The 'old' Burgtheater at St. Michael's Square
The original castle theater was set up in a ball house that was built in the lower pleasure gardens of the Imperial Palace of the Roman-German King and later Emperor Ferdinand I in 1540, after the old house 1525 fell victim to a fire. Until the beginning of the 18th Century was played there the Jeu de Paume, a precursor of tennis. On 14 March 1741 finally gave the Empress Maria Theresa, who after the death of her father ruled a general theater lock order, the "Entrepreneur of the Royal Court Opera" and lessees of 1708 built theater at Kärntnertor, Joseph Karl Selliers, permission to change the ballroom into a theater. Simultaneously, a new ball house was built in the immediate vicinity, which todays Ballhausplatz is bearing its name.
In 1748, the newly designed "theater next to the castle" was opened. 1756 major renovations were made, inter alia, a new rear wall was built. The Auditorium of the Old Burgtheater was still a solid timber construction and took about 1200 guests. The imperial family could reach her royal box directly from the imperial quarters with them the Burgtheater was structurally connected. At the old venue at Michael's place were, inter alia, several works of Christoph Willibald Gluck, Ludwig van Beethoven, Wolfgang Amadeus Mozart as well as Franz Grillparzer were premiered .
On 17 February 1776, Emperor Joseph II declared the theater to the German National Theatre (Teutsches Nationaltheater). It was he who ordered by decree that the pieces should not treat sad events to bring the imperial audience in a bad mood. Many pieces had changed and therefore a Vienna Final (Happy End) is provided, such as Romeo and Juliet or Hamlet. From 1794, the theater was bearing the name K.K. Court Theatre next to the castle.
1798 the poet August von Kotzebue was appointed as head of the Burgtheater, but after discussions with the actors he left Vienna in 1799. Under German director Joseph Schreyvogel was introduced German instead of French and Italian as a new stage language.
On 12 In October 1888 the last performance in the old house took place. The Burgtheater ensemble moved to the new venue on the ring. The Old Burgtheater had to give way to the completion of Michael's tract of Hofburg. The plans to this end had been drawn almost 200 years before the demolition of the old Burgtheater by Joseph Emanuel Fischer von Erlach.
The "new" K.K. Court Theatre (as the inscription reads today) on the ring opposite the Town Hall, opened on 14th in October 1888 with Esther of Grillparzer and Schiller's Wallenstein's Camp, it was designed in neo-Baroque style by Gottfried Semper (plan) and Karl Freiherr von Hasenauer (facade), who had already designed the Imperial Forum in Vienna together. Construction began on 16 December 1874 and followed through 14 years, in which the architects quarreled. Already in 1876 Semper withdrew due to health problems to Rome and had Hasenauer realized his ideas alone, who in the dispute of the architects stood up for a mainly splendid designed grand lodges theater.
However, created the famous Viennese painter Gustav Klimt and his brother Ernst Klimt and Franz Matsch 1886-1888 the ceiling paintings in the two stairwells of the new theater. The three took over this task order for similar work in the city of Fiume theaters and Karlovy Vary and in the Bucharest National Theatre. In the grand staircase at the café Landtmann side facing the Burgtheater (Archduke stairs) reproduced Gustav Klimt the artists of ancient theater in Taormina in Sicily, in the stairwell on the "People's Garden"-side (Kaiserstiege, because it was reserved for the emperor), the London Globe Theatre and the final scene from William Shakespeare's " Romeo and Juliet" . Above the entrance to the auditorium is Molière's The Imaginary Invalid to discover. In the background the painter immortalized in the company of his two colleagues. Emperor Franz Joseph I liked the ceiling paintings so much that he gave the members of the company of artists of Klimt the Golden Cross of Merit.
The new building resembles externally the Dresden Semper Opera, but even more, due to the for the two theaters absolutely atypical cross wing with the ceremonial stairs, Semper Munich project from the years 1865/1866 for a Richard Wagner Festspielhaus on the Isar. Above the middle section, a loggia, which is framed by two side wings, and is divided from a stage house with a gable roof and auditorium with a tent roof. Across the center house is decorated with a statue of Apollo, the facade, the towers between the Muses of drama and tragedy. Over the main entrances are located friezes with Bacchus and Ariadne. On the exterior round busts can be seen the poet Calderon, Shakespeare, Moliere, Schiller, Goethe, Lessing, Halm, Grillparzer, and Hebbel. The masks are also to be seen here, indicating the ancient theater, also adorn the side wings allegories: love, hate, humility, lust, selfishness, and heroism. Although since 1919, the theater was named the Burgtheater, the old saying KK Hofburgtheater over the main entrance still exists. Some pictures of the old gallery of portraits having been hung in the new building are still visible today - but these images were originally small, they had to be "extended" to make them work better in high space. The locations of these "supplements" are visible as fine lines on the canvas.
The Burgtheater was initially well received due to its magnificent appearance and technical innovations such as electric lighting of the Viennese, but soon criticism of the poor acoustics was loud. Finally, in 1897 the auditorium was rebuilt to reduce the acoustic problems. The new theater was an important meeting place of social life and soon counted among the "sanctuaries" of the Viennese. In November 1918, the supervision on the theater was transferred from the High Steward of the emperor to the new state of German Austria.
1922/1923 the Academy Theatre was opened as a chamber play stage of the Burgtheater. 8th May 1925 was the Burgtheater in Austria's criminal history, as here Mentscha Karnitschewa perpetrated a revolver assassination on Todor Panitza .
The Burgtheater in time of National Socialism
The National Socialist ideas also left traces in the history of the Burgtheater. Appeared in 1939 in Adolf Luser Verlag the strongly anti-Semitic embossed book of theater scientist Heinz Kindermann "The Burgtheater. Heritage and mission of a national theater", in which he, among other things, analyzed the "Jewish influence "on the Burgtheater. On 14 October 1938 was the 50th anniversary of the opening of Burgtheater a production of Don Carlos of Karl-Heinz Stroux shown that served the Hitler's ideology. The role of the Marquis of Posa played the same Ewald Balser, who 'railed in a different Don Carlos production a year earlier (by Heinz Hilpert) at the Deutsches Theater in the same role with the set direction of Joseph Goebbels box: "Enter the freedom of thought". The actor and director Lothar Müthel, who was director of the Burgtheater between 1939 and 1945, staged 1943 Merchant of Venice, in which Werner Kraus Shylock the Jew clearlyanti-Semitic represented. The same director staged after the war Lessing 's parable Nathan the Wise. Adolf Hitler himself visited during the Nazi regime the Burgtheater only once (1938), and later he refused out of fear of an assassination.
For actors and theater staff who were classified according to the Reich Citizenship Law of 1935 as "Jewis ", were quickly imposed banned from performing, they were on leave, fired or arrested within days. The Burgtheater ensemble made between 1938 and 1945 no significant resistance against the Nazi ideology, the game plan was heavily censored, actively just joined the Resistance, as Judith Holzmeister (then also at the National Theatre committed ) or the actor Fritz Lehmann. Although Jewish members of the ensemble indeed have been helped to emigrate, was still an actor, Fritz Strassny, taken to a concentration camp and murdered there.
The Burgtheater end of the war and after the Second World War
In summer 1944, the Burgtheater had to be closed because of the general arranged theater lock. From 1 April 1945 as the Red Army approached Vienna, outsourced a military unit in the house, a portion was used as an arsenal. In a bomb attack the house at the Ring was damaged and burned on 12th April 1945 it burned completely. Auditorium and stage were useless, only the steel structure remained. The ceiling paintings and part of the lobby were almost undamaged.
The Soviet occupying power expected from Viennese City Councillor Viktor Matejka to bring Vienna 's cultural life as soon as possible again. The council called for 23 April (a state government did not yet exist), a meeting of all Viennese cultural workers into the town hall. Result of the discussions was that in late April 1945 eight cinemas and four theaters took up the operation again, including the Burgtheater. The house took over the Ronacher Theater, which was understood by many castle actors as "exile" as a temporary home (and remained there to 1955). This Venue chose the newly appointed director Raoul Aslan, who championed particularly active.
The first performance after the Second World War was on 30 April 1945 by Franz Grillparzer, Sappho, directed by Adolf Rott from 1943 with Maria Eis in the title role. Other productions from the Nazi era were resumed. With Paul Hoerbiger, a Nazi prisoner a few days ago still in mortal danger, was shown the piece of Nestroy Mädl (Girlie) from the suburbs. The Academy Theatre was recorded (the first performance was on 19 April 1945 Hedda Gabler, a production of Rott in 1941) and also in the ball room (Redoutensaal) at the Imperial Palace took performances place. Aslan had the Ronacher rebuilt in the summer because the stage was too small for classical performances. On 25 September 1945, Schiller's Maid of Orleans could be played on the larger stage.
The first new productions are associated with the name of Lothar Müthel: Anyone and Nathan the Wise, in both Raoul Aslan played the main role. The staging of The Merchant of Venice by Müthel to Nazi times seemed to be forgotten.
Great pleasure gave the public the return of the in 1938 from the ensemble expelled Else Wohlgemuth on stage. She performaed after seven years of exile in December 1945 in Clare Biharys The other mother in the Academy Theater. 1951 opened the Burgtheater its doors for the first time, but only the left wing, where the celebrations of the 175th anniversary of the theater took place.
1948, a competition was announced for the reconstruction: Josef Gielen, who was then director, first tended to support the design of ex aequo-ranked Otto Niedermoser, after which the house into a modern theater rank should be rebuilt. Finally, he agreed but then for the project by Michael Engelhardt, whose plan was conservative, but also cost effective. The character of the lodges theater was largely taken into account and maintaining the central royal box has been replaced by two ranks, and with a new slanted ceiling construction in the audience was the acoustics, the weakness of the home, improved significantly.
On 14 October 1955 was happening under Adolf Rott the reopening of the restored house on the Ring. For this occasion Mozart's A Little Night Music was played. On 15 and on 16 In October it was followed by the first performance (for reasons of space as a double premiere) in the restored theater: King Ottokar's Fortune and End of Franz Grillparzer, staged by Adolf Rott. A few months after the signing of the Austrian State Treaty was the choice of this piece, which explores the beginning of Habsburg rule in Austria and Ottokar of Hornecks eulogy on Austria (... it's a good country / Well worth that a prince among thread! / where have you already seen the same?... ) contains highly symbolic. Rott and under his successors Ernst Haeusserman and Gerhard Klingenberg the classic Burgtheater style and the Burgtheater German for German theaters were finally pointing the way .
In the 1950s and 1960s, the Burgtheater participated (with other well-known theaters in Vienna) on the so-called Brecht boycott.
Gerhard Klingenberg internationalized the Burgtheater, he invited renowned stage directors such as Dieter Dorn, Peter Hall, Luca Ronconi, Giorgio Strehler, Roberto Guicciardini and Otomar Krejča. Klingenberg also enabled the castle debuts by Claus Peymann and Thomas Bernhard (1974 world premiere of The Hunting Party). Bernhard Klingenberg's successor was talking, but eventually was appointed Achim Benning, whereupon the writer with the text "The theatrical shack on the ring (how I should become the director of the Burgtheater)" answered.
Benning, the first ensemble representative of the Burgtheater, was appointed Director, continued Klingenberg's way of Europeanization by other means, brought directors such as Adolf Dresen, Manfred Wekwerth or Thomas Langhoff to Vienna, looked with performances of plays of Vaclav Havel in the then politically separated East and took more account of the public taste .
Directorate Claus Peymann 1986-1999
Under the from short-term Minister of Education Helmut Zilk to Vienna fetched Claus Peymann, director from 1986 to 1999, there was further modernization of the match schedule and staging styles. Moreover Peymann was never at a loss for words for critical messages to the public, a hitherto unusual attitude for Burgtheater directors. Therefore, he and his program met with sections of the audience's rejection. The largest theater in Vienna scandal since 1945, this when in 1988 conservative politicians and zealots fiercely fought the premiere of Thomas Bernhard's Heldenplatz (Place of the Heroes) drama. The play deals with the past and illuminates the present management in Austria - with attacks on the then ruling Social Democratic Party - critically. Together with Claus Peymann Bernhard raised after the premiere to a challenge on the stage to applause and boos .
Bernard, to his home country bound in love-hate relationship, prohibited the performance of his plays in Austria before his death in 1989 by will. Peymann , to Bernhard bound in a difficult friendship (see Bernhard's play Claus Peymann buys a pair of pants and goes eating with me) feared harm for the author's work, should his pieces precisely in his home not being shown. First, it was through permission of the executor Peter Fabjan - Bernhard's half-brother - after all, possible the already in the Schedule of the Burgtheater included productions to continue. Finally, shortly before the tenth anniversary of the death of Bernard it came to the revival of the Bernhard piece Before retirement by the opening night director Peymann. The pieces by Bernhard are since continued on the board of the Burgtheater and they are regularly re-released.
In 1993, the sample stage of the castle theater was opened in the arsenal (architect Gustav Peichl) . Since 1999, the castle theater has been run as a limited liability.
Directorate Klaus Bachler 1999-2009
On Peymann followed in 1999 as director Klaus Bachler. He is a trained actor, but was mostly as a cultural manager (director of the Vienna Festival) active. Bachler moved the theater as a cultural event in the foreground and he engaged for this purpose directors such as Luc Bondy, Andrea Breth, Peter Zadek and Martin Kušej.
Were among the unusual "events" of the Directorate Bachler
* The Theatre of Orgies and Mysteries by Hermann Nitsch with the performance of 122 Action (2005 )
* The recording of the MTV Unplugged concert with Die Toten Hosen for the music channel MTV (2005, under the title available only to visit )
* John Irving's reading from his book at the Burgtheater Until I find you (2006)
* The 431 animatographische (animatographical) Expedition by Christoph Schlingensief and a big event of it under the title of Area 7 - Matthew Sadochrist - An expedition by Christoph Schlingensief (2006).
* Daniel Hoevels cut in Schiller's Mary Stuart accidentally his throat ( December 2008). Outpatient care is enough.
Jubilee Year 2005
In October 2005, the Burgtheater celebrated the 50th Anniversary of its reopening with a gala evening and the performance of Grillparzer King Ottokar's Fortune and End, directed by Martin Kušej that had been performed in August 2005 at the Salzburg Festival as a great success. Michael Maertens (in the role of Rudolf of Habsburg ) received the Nestroy Theatre Award for Best Actor for his role in this piece. Actor Tobias Moretti was awarded in 2006 for this role with the Gertrude Eysoldt Ring.
Furthermore, there were on 16th October 2005 the open day on which the 82-minute film "burg/private. 82 miniatures" of Sepp Dreissinger was shown for the first time. The film contains one-minute film "Stand portraits" of Castle actors and guest actors who, without saying a word, try to present themselves as a natural expression. Klaus Dermutz wrote a work on the history of the Burgtheater. As a motto this season was a quotation from Lessing's Minna von Barn-helm: "It's so sad to be happy alone."
The Burgtheater to the Mozart Year 2006
Also the Mozart Year 2006 was thought at the Burgtheater. As Mozart's Singspiel Die Entführung aus dem Serail in 1782 in the courtyard of Castle Theatre was premiered came in cooperation with the Vienna State Opera, the Vienna Festival in May 2006, a new production (directed by Karin Beier ) of this opera to the stage.
Directorate Matthias Hartmann since 2009
Since September 2009, Matthias Hartmann is Artistic Director of the Burgtheater. A native of Osnabrück, he directed the playhouses of Bochum and Zurich. With his directors like Alvis Hermanis, Roland Schimmelpfennig, David Boesch, Stefan Bachmann, Stefan Pucher, Michael Thalheimer and actresses like Dorte Lyssweski, Katharina Lorenz, Sarah Viktoria Frick, Mavie Hoerbiger, Lucas Gregorowicz and Martin Wuttke came firmly to the castle. Matthias Hartmann himself staged around three premieres per season, about once a year, he staged at the major opera houses. For more internationality and "cross-over ", he won the Belgian artist Jan Lauwers and his Need Company as "Artists in Residence" for the castle, the New York group Nature Theater of Oklahoma show their great episode drama live and Times of an annual continuation. For the new look - the Burgtheater presents itself without a solid logo with word games around the BURG - the Burgtheater in 2011 was awarded the Cultural Brand of the Year .
www.mariachiproductions.org/basel2012/index.php/tournamen...
Important legal note.
All images are copyright and must not be re posted or water marks removed, anyone found reposting is liaIble to prosecution.
How important it is for us to remember those who have served their country (not just Canada) and made the ultimate sacrifice. Unfortunately, there are thousands more on this Continent and elsewhere across the globe, who have returned from fighting, only to live their lives in the suffering and torture that continues to haunt them. These men and women, too, so often tend to be "the forgotten", though I think there is a little more awareness now. So sad, when the rest of us have so much to be thankful for, thanks to them. I remember - and I am thankful.
"Remembrance Day is observed on 11 November to recall the official end of World War I on that date in 1918, as the major hostilities of World War I were formally ended "at the 11th hour of the 11th day of the 11th month" of 1918 with the German signing of the Armistice.
The day was specifically dedicated by King George V, on 7 November 1919, to the observance of members of the armed forces who were killed during World War I.
The red poppy has become a familiar emblem of Remembrance Day due to the poem In Flanders Fields. These poppies bloomed across some of the worst battlefields of Flanders in World War I, their brilliant red colour an appropriate symbol for the blood spilt in the war."
en.wikipedia.org/wiki/Remembrance_Day
en.wikipedia.org/wiki/In_Flanders_Fields
In a comment box below, I have added a previously posted photo of my Father, wearing his Home Guard uniform.
most of my magazine collection (which I plan on reducing soon by cutting out the articles and photos I wanted, and giving the rest away) are all piled up in a plastic bin under my desk…
but here on this one shelf are some mooks, they are a bit more important and deserve to be on the shelf instead of shoved away… also they are more sturdy, I'm afraid the magazines would get ripped or warped if I stood them on the shelf like this (also… no room).
Important legal note.
All images are copyright and must not be re posted or water marks removed, anyone found reposting is liaIble to prosecution.
Important legal note.
All images are copyright and must not be re posted or water marks removed, anyone found reposting is liaIble to prosecution.
Important legal note.
All images are copyright and must not be re posted or water marks removed, anyone found reposting is liaIble to prosecution.
Important legal note.
All images are copyright and must not be re posted or water marks removed, anyone found reposting or removing water marks are liable to prosecution.
Important legal note.
All images are copyright and must not be re posted or water marks removed, anyone found reposting or removing water marks are liable to prosecution.
Source: en.wikipedia.org/wiki/Toronto
Toronto is the provincial capital of Ontario. With a recorded population of 2,731,571 in 2016, it is the most populous city in Canada and the fourth most populous city in North America. The city is the anchor of the Golden Horseshoe, an urban agglomeration of 9,245,438 people (as of 2016) surrounding the western end of Lake Ontario, while the Greater Toronto Area (GTA) proper had a 2016 population of 6,417,516. Toronto is an international centre of business, finance, arts, and culture, and is recognized as one of the most multicultural and cosmopolitan cities in the world.
People have travelled through and inhabited the Toronto area, located on a broad sloping plateau interspersed with rivers, deep ravines, and urban forest, for more than 10,000 years. After the broadly disputed Toronto Purchase, when the Mississauga surrendered the area to the British Crown, the British established the town of York in 1793 and later designated it as the capital of Upper Canada. During the War of 1812, the town was the site of the Battle of York and suffered heavy damage by American troops. York was renamed and incorporated in 1834 as the city of Toronto. It was designated as the capital of the province of Ontario in 1867 during Canadian Confederation. The city proper has since expanded past its original borders through both annexation and amalgamation to its current area of 630.2 km2 (243.3 sq mi).
The diverse population of Toronto reflects its current and historical role as an important destination for immigrants to Canada. More than 50 percent of residents belong to a visible minority population group, and over 200 distinct ethnic origins are represented among its inhabitants. While the majority of Torontonians speak English as their primary language, over 160 languages are spoken in the city.
Toronto is a prominent centre for music, theatre, motion picture production, and television production, and is home to the headquarters of Canada's major national broadcast networks and media outlets. Its varied cultural institutions, which include numerous museums and galleries, festivals and public events, entertainment districts, national historic sites, and sports activities, attract over 43 million tourists each year. Toronto is known for its many skyscrapers and high-rise buildings, in particular the tallest free-standing structure in the Western Hemisphere, the CN Tower.
The city is home to the Toronto Stock Exchange, the headquarters of Canada's five largest banks, and the headquarters of many large Canadian and multinational corporations. Its economy is highly diversified with strengths in technology, design, financial services, life sciences, education, arts, fashion, aerospace, environmental innovation, food services, and tourism.
Source: en.wikipedia.org/wiki/Union_Station_(Toronto)
Union Station is a major railway station and intermodal transportation hub in Toronto, Ontario, Canada. It is located on Front Street West, on the south side of the block bounded by Bay Street and York Street in downtown Toronto. The municipal government of Toronto owns the station building while the provincial transit agency Metrolinx owns the train shed and trackage. Union Station has been a National Historic Site of Canada since 1975, and a Heritage Railway Station since 1989. It is operated by the Toronto Terminals Railway, a joint venture of the Canadian National Railway and Canadian Pacific Railway that directs and controls train movement along the Union Station Rail Corridor, the largest and busiest rail corridor in Canada.
Its central position in Canada's busiest inter-city rail service area, "The Corridor", as well as being the central hub of GO Transit's commuter rail service, makes Union Station Canada's busiest transportation facility and the second-busiest railway station in North America, serving over 72 million passengers each year. More than half of all Canadian inter-city passengers and 91% of Toronto commuter train passengers travel through Union Station.
Via Rail and Amtrak provide inter-city train services while GO Transit operates regional rail services. The station is also connected to the subway and streetcar system of the Toronto Transit Commission (TTC) at its adjacent namesake subway station. GO Transit's Union Station Bus Terminal, across Bay Street from the station building, is connected by the trainshed. The Union Pearson Express, the train service to Toronto Pearson International Airport, platform is a short walk west of the main station building, accessible by the SkyWalk.
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A variant of the versatile "Serial Rapist", the "Serial Stalker" was designed as a recon/sniper model. In this redesign, the standard sensor array was replaced with a more powerful model that would extend the VT's sensor range to five miles. The communications pack was upgraded and can now recieve images via satellite allowing the pilot to see virtually everything around him.
All this equipment is made even more important by the fact that the Stalker, while powerful, is extremely susceptible to ground attacks. Stalkers are protected by a crew of foot soldiers and the sheer impossibility of sneek attack.
In the conversion, the Rapist's 20mm rifle was replaced with a 70mm sniper rifle. The rifle's rounds make the weapon even more effective when they are equipt with a delayed explosive charge. Most are. Coupled with the advanced sensor array, a Serial Stalker can hit a target 4-5 miles away with ease. Tactical teams in which several Stalkers are linked can extend that range by several miles.
Stalkers are most commonly deployed on simple patrol missions with two or three Serial Rapists. Their sensors are put to the most use as they march down streets gathering information on civilians that might be discussing something the government strictly forbids, like vacation or marriage. On rare occasions they might catch wind of a coup which they can end immediately before the plotters even know someone's listening.
But Big Brother is always listening.....
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ps. If anybody didn't see this post I need some help piece wise and am willing to trade. Details are in the post.
NOLA 2018 - Drunken History Tour
Do you want to take a tour of the French Quarter but don't want to stop partying long enough to do so? This experience might just be for you. Start your night off by joining a local guide for a visit to some of our city's most important destinations while sampling a few famous New Orleans cocktails. Our drunken history tour is a two hour, 21+ experience and it comes with one free drink included.
New Orleans and booze go together like Red Beans and Rice. We've been the party capital of the American South since before it was American or South. Around here we've figured out that just about anything can be enhanced with some (a lot) of alcohol. That's why we decided it was about time our visitors had the opportunity to stroll through the French Quarter, learning our history while simultaneously indulging in an age old New Orleans tradition (drink like a local).
This 21 and older experience isn't your ordinary walking tour. For one, the tour guide can, and will drink with you the whole time. Being a full walking tour of the French Quarter, you'll get the riveting stories and important knowledge necessary for a full understanding of our unique city, but thanks to the inclusion of alcohol and the characteristic lack of children, don't expect the guide to leave out any of the gruesome or sexy parts.
( Deux semaines a Nola pour la ville et pour WWE Wrestlemania XXXIV
Two weeks Nola for the city and for WWE Wrestlemania XXXIV )
Important legal note.
All images are copyright and must not be re posted or water marks removed, anyone found reposting is liaIble to prosecution.
Important legal note.
All images are copyright and must not be re posted or water marks removed, anyone found reposting or removing water marks are liaIble to prosecution.
Water is the single most important natural resource underpinning Nepal’s economy and livelihoods. Inclusive, sustainable management of water resources in Nepal depends on addressing climate change and protecting healthy, biodiverse ecosystems.
The USAID Paani program will enhance Nepal’s ability to manage water resources for multiple uses and users through climate change adaptation and the conservation of freshwater biodiversity. Focusing primarily at the watershed, basin, and national scales, USAID Paani will reduce threats to freshwater biodiversity and increase the ability of targeted human and ecological communities in the Karnali, Mahakali, and Rapti river basins to adapt to the adverse impacts of climate change through improved water management.
The program will play a pivotal role in shaping Nepal’s management of critical water resources between now and 2020. It will apply an integrated, whole-of-basin perspective to freshwater biodiversity conservation and sustainable water management in the three critical river basins in Mid-Western and Far-Western Nepal in response to changing climate conditions. Paani is part of USAID’s on-going investment in strengthening natural resource management in Nepal. It is a sister project to the USAID-funded Nepal Hydropower Development Project (NHDP) and complementary projects funded by the US Forest Service and the International Water Management Institute (IWMI). It will build upon USAID/Nepal’s experience in terrestrial conservation, extending successful community-based models for reducing threats to key species and building resilience from Nepal’s high mountain slopes to the rich waterways in some of the most pristine natural habitat on the planet.
The families in Taule are benefiting from a solar-powered water pump that lifts 10,000 - 12,000 liters of water 68 meters from the river to the village's terraced fields. The eight member Sitaram Agriculture Group received 80,000 NRP ($800) in grants from USAID's KISAN and the Chhinchu-10 Village Development Committee. They also borrowed 27,500 NRP ($275) to construct the water tank, half of which they have already repaid.
The USAID Paani program has visited several small irrigation schemes supported by USAID KISANI. KISANI research has found that irrigation is the number one constraint limiting farmers' livelihoods.
Photo credit: Satyam Joshi/USAID
IMPORTANT GAY STUFF PT 2: And yet the Faggot Mapplethorpe is censored still. No matter how far we've come in the struggle for acceptance and whatnot, the two Mapplethorpe retrospectives currently taking place at @thegetty and @lacma still have/wish to censor the X Portfolio, making sure his glorious photographs of fisting, fetishes, and faggotry are discreetly hidden in a separate room, laid flat in a case too high for a child to see... So that you confront us only if you wish to. Ah.
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Two things I can't live without.
I'm using this photo for my name card.
Explored #166 on Oct 8 2011.
Facebook page: www.facebook.com/andrewchristanto
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**IMPORTANT PLEASE READ*** As most bus enthusiasts from the Southend area will know Arriva Southend has recently invested in 16 brand new Optare Versa's and when there is new buses that always means that buses will be replaced and in this case it will mark the end of 11 dennis dart SLF's (FPK dart batch 3387-3397) new to Southend Transport in 1997. These buses have been in Southend virtually all of their life and I for one do NOT want to see them scrapped. I want to see at least 1 saved for preservation. I know these buses well and will be very sad to see these buses leave for good. So I have a proposal which I need help with. I and fellow flickr member arriva3325 have an idea. We would love to see one of these buses preserved but it's a case of people knowing about this and willing to help. First of all we need to speak to Arriva, after all if they say no to the idea then thats that so thats the first step before anything else can take place. Please comment here if you have any ideas or suggestions and thank you for taking the time to read this. Lewis
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I will not always delete the last 50 uploaded photos. I try to keep the good one's and the most interested and favourited photos. Also I would like to keep the first photos I have uploaded because it's part of my "flickr history" ;-)
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ESTO SIGNIFICA QUE NO PUEDES COPIAR NI USAR ESTA FOTO PARA NINGUN TIPO DE APLICACION. Usar esta foto sin permiso por escrito de su autor (malanis@malanis.com), te convierte en criminal, y serás perseguido como tal.
Important legal note.
All images are copyright and must not be re posted or water marks removed, anyone found reposting or removing water marks are liable to prosecution.