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Important legal note.
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Important legal note.
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February 14, 2010 is
Chinese New Year or Spring Festival is the most important of the traditional Chinese holidays. It is also called "Lunar New Year", because it is based on the lunisolar Chinese calendar. The festival traditionally begins on the first day of the first month (Chinese: 正月; pinyin: zhēng yuè) in the Chinese calendar and ends on the 15th; this day is called Lantern Festival. Chinese New Year's Eve is known as chú xī. It literally means "Year-pass Eve".
Chinese New Year is the longest and most important festivity in the Chinese Lunar Calendar. The origin of Chinese New Year is itself centuries old and gains significance because of several myths and traditions. Ancient Chinese New Year is a reflection on how the people behaved and what they believed in the most.
Chinese New Year is celebrated in countries and territories with significant Han Chinese populations, such as Mainland China, Hong Kong, Macau, Singapore, Taiwan, Indonesia, Laos, Malaysia, the Philippines, and Thailand. Chinese New Year is considered a major holiday for the Chinese and has had influence on the new year celebrations of its geographic neighbors, as well as cultures with whom the Chinese have had extensive interaction. These include Koreans (Seollal), Tibetans and Bhutanese (Losar), Mongolians (Tsagaan Sar), Vietnamese (Tết), and the Japanese before 1873 (Oshogatsu).
In countries such as Australia, Canada and the United States, although Chinese New Year is not an official holiday, many ethnic Chinese hold large celebrations and Australia Post, Canada Post, and the US Postal Service issue New Year's themed stamps.
Within China, regional customs and traditions concerning the celebration of the Chinese new year vary widely. People will pour out their money to buy presents, decoration, material, food, and clothing. It is also the tradition that every family thoroughly cleans the house to sweep away any ill-fortune in hopes to make way for good incoming luck. Windows and doors will be decorated with red colour paper-cuts and couplets with popular themes of “happiness”, “wealth”, and “longevity”. On the Eve of Chinese New Year, supper is a feast with families. Food will include such items as pigs, ducks, chicken and sweet delicacies. The family will end the night with firecrackers. Early the next morning, children will greet their parents by wishing them a healthy and happy new year, and receive money in red paper envelopes. The Chinese New Year tradition is a great way to reconcile forgetting all grudges, and sincerely wish peace and happiness for everyone.
Although the Chinese calendar traditionally does not use continuously numbered years, outside China its years are often numbered from the reign of Huangdi. But at least three different years numbered 1 are now used by various scholars, making the year 2009 "Chinese Year" 4707, 4706, or 4646.[2]
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The clouds looks so colorful during sunset.
Shot with Mamiya M645 1000S, 80mm f/2.8, Fujifilm Provia 100F.
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Ｍｙ HomePage 『gentle*time』 & Ｍｙ photography BLOG
Please look at a lot of photographs on my homepage.
(The language is Japanese but you can see the photos.)
Les fires de Girona s'estan acabant. Per sort, com a mínim pels firaires, de moment els dies important, Sant Narcís, el 29 d'Octubre, i Tots Sants, l'1 de Novembre, ha fet bo. S'han omplert els carrers i hi ha hagut sensació de Festa, de Fira.
La veritat és que personalment quan els carrers estrets del barri vell van de gom a gom em sento una mica aclaparat. Però aquesta anys m'he sentit força bé. Es clar que hi he anat a primeres hores, sobre les 10 del matí a fer-hi el primer cop d'ull, així he pogut marxar sobre 12, quan tot era ple a vessar.
Tenia ganes de fer alguna cosa al vespre, tenint en compte que abans de les 7 de la tarda ja enfosqueix molt van anar amb un bon amic a veure que podíem captar, Ell em va ensenyar uns reconets que no hi passava gent i podiem possar els trípodes i sentir-nos de fàbula fent la nostra afició.
Per canviar allò que ja havia fet altres anys d'agafar tota la nòria i com que hi havia altres atraccions properes que no m'acabaven de fer el pes, vaig decidir agafar parts de la nòria, com uns 90 graus,. buscant el temps just per fer un raigs de colors. Vaja! que carai us haig d'explicar si ho esteu veient perfectament.
Una trada.vespre magnífica, després la lluna ens va acompanyar i tot per fer els racons típics de Girona prop de l'Onyar i vam acabar de la millor manera possible, fent un berenar sopar ben tranquilets.
Sí això no és unes estones de felicitat, us ho juro que és el més proper possible.
No sé que passarà demà, ni com estarè demà passat, però va estar unes molt bones estones. Potser, em convenient. Gràcies Felip, per compartir-ho i per entrendre'm.
Disfruteu, doncs, de la sensació de color i festa d'aquests trocets de nòria.
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Very few people have seen the Hingol National Park in the Balochistan province of Pakistan. Its nearest approach is from Karachi. Most visitors tend to go to the Hinglaj temple, an important sight for Hindu pilgrims but we managed to go deep into the national park with the Offroad pakistan who have made numerous visits there. Their website is worth a look :- offroadpakistan.com/
Hingol National Park or Hungol National Park (Urdu: ہنگول) is the largest of National Parks of Pakistan. It is on the Makran coast in Balochistan and is approximately 190 km from Karachi. The area was declared reserved in 1988.[1]
The park area covers parts of the three districts: Lasbela, Gwadar and Owaran of Balochistan province. It contains a variety of topographical features and vegetation, varying from arid sub tropical forest in the north to arid montane in the west. Large tracts of the NP are covered with drift sand and can be classified as coastal semi desert. The National Park includes the estuary of the Hingol river which supports a significant diversity of bird and fish species.
Currently, 20 staff members including 18 game watchers, two deputy rangers are responsible for the management of the Park under the guidance of the park Manager who reports to the Conservator and the Secretary Wildlife, Forest, Livestock, Environment and Tourism.
The shrine of Devi Hinglaj, the holiest among the 51 Shakti Peeths of Hinduism is situated in the park. It is a 15km trek from the main road. There is also a dirt track that leads to the site. Several thousand pilgrims visit the shrine each year.
Detailed inventories of wildlife were undertaken in 2006 and will be completed in the first half of 2007. Hingol is known to support at least 35 species of mammals, 65 species of amphibians and reptiles and 185 species of birds. Some 250 plant species were recorded in the initial surveys including 7 yet undescribed species. Many more species are yet to be collected.
The park forms an excellent habitat to wild Sindh Ibex, Afghan Urial and Chinkara Gazelle. Ibex is found in all steep mountain ranges and numerous in the Hinglaj and Rodani Kacho Mountain areas. Total population is estimated over 3000. The Urial populations are small and occur in isolated populations. The Machi and Upper Pachhri Mountains harbour the largest populations. Total population is less than 1000. The Chinkara occurs in good numbers along the great rivers (Nal-Hingol, Arra, Babro-Mar) in the Northern Plains and in the Harian and Maniji-Gurangatti valley areas. Elsewhere populations have been extirpated are very low. The total populations are preliminary estimated between 800-1200.
The Hingol River banks, estuary and mudflats forms an important habitat for migratory birds. About 40% of the bird species is related to water habitats. Migratory birds listed to visit Hingol include Dalmatian and Spot-billed Pelican, Sociable Plover, Spoonbills, Black Ibis, Black and White Stork. The Houbara Bustard (Chlamydotis undulata) visits the plains and valleys.
The River Hingol has been nurturing crocodiles for centuries. The Marsh Crocodile (Crocodylus palustris) occurs over large areas along the Hingol-Nal and some tributaries up to more than 100 km inland. The total population is about 50. There are several beaches along the more than 100 km coastline, however few tirtles visit the beaches nowadays. Historical records includes Olive Ridley (Lepidochelys olivacea) and Green Marine Turtles (Chelonia mydas). The vulnerable Spiny Tail Lizard (Uromastyx hardwickii) a mainly vegetarian lizard finds its most western distribution in Hingol.
Mammals in the park include Leopard, Jungle Cat, Caracal and Indian Desert Cat, Indian Fox, Bengal Fox and Sand Fox, Golden Jackal, Sindh Ibex, Afghan Urial, Chinkara Gazelle, Honey Badger, Indian Pangolin, Hedgehog (probably more than one species), Indian Crested Porcupine, Indian Grey Mongoose, Five striped Palm Squirrel, Wild Boar, Cape Hare and Desert Hare, Cairo Spiny mouse, Grey Spiny Mouse, Persian Jird, Indian Desert Jird and Libyian Jird, House Mouse, Roof Rat, and Mouse like Hamster. Wolf (Canis lupus pallipes) and Striped Hyena (Hyaena hyaena) are on the brink of extinction. The Leopard and Caracal populations are low.
The park has very few caves/ grottos, including one in the Dhrun Mountains with a bat population.
Birds in the park include Houbara Bustard, Dalmatian and Spot-billed Pelican, Bonnelli's eagle, Imperial eagle, Tawny eagle, Golden eagle, Eurasian griffon vulture, Egyptian vulture, Cinereous vulture, Lagger falcon, Red-headed merlin, Kestrel, Close-Barred sandgrouse, Grey partridge, See See partridge, Stone Curlew, Indian sand grouse, Coronetted sand grouse, Painted sand grouse, Eagle owl, Sind pied woodpecker, Hume's chat, Brown rock pipit, Striped buning, Finche larks, Hoopoe, Shrikes and Wheatears.
The Marsh Crocodile, Olive Ridley and Green Marine Turtles, Desert Monitor lizard, Yellow Monitor lizard, and different species of lizard and chameleon have been found in the park.
The government is all set to slice land off the Hingol National Park, the country’s largest, as the Pakistan Air Force and another defence-related organisation eye the prized real estate near the estuary whose value is likely to increase phenomenally once the Gwadar port starts functioning.
Sources in the Balochistan revenue department told Dawn that while the PAF has asked for around 80,000 acres (320 km²), including 23,000 acres (93 km²) in the national park, Pakistan Space and Upper Atmosphere Research Commission’s demand is for eight mauzas. [2]
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"Backgrounds are as important as subjects in making a picture successful. For example, is it too light? Too messy? Too attention grabbing? Don’t underestimate their importance. If they are messy and there is a lot going on, the distracting elements tug at our eyes and pull our attention away from your subject."
~ Jim Zuckerman, professional photographer
The collage features photos from CC group members, who last week looked at the backgrounds behind their subjects.
Find out more at Compositionally Challenged, where we aim to inspire creativity and improve our technical skills.
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Another character that won't be appearing, but is a somewhat important part of JL: Overlords. Prepare yourself, his story is kinda out there.
Jor-El
Born during the height of Kryptons era of great expansion, Jor-El was one of the first to know something was wrong with Krypton. As one of Kryptons elite scientists, he had been chosen to crew one of Kryptons most important and well equipped space stations, 'Rao's hand'
From his orbit above Krypton, Jor-El could see that something terrible was happening to the planet. His instruments confirmed his suspicions when they found that Krypton was wobbling on its axis, and its core had become unstable. Naturally, he rushed back to Krypton to inform the high council of his concerns.
So, Jor-El stood before the high council and made his case. He urged them to seriously consider evacuating the planet, and resettling on one of Kryptons many colonies. They laughed at him. They dismissed his concerns by fobbing them off as 'Gravitational re-alignment'. But Jor-El new they were wrong. He had estimated that there was around 3 years until the planets core would destabilise, and cause the planet to be destroyed.
So, for three years, he planned. Eventually, he came to a conclusion: the council must be removed. Luckily, he was friends with one of Kryptons great military leaders, General Zod. Although Zod, being a soldier, didn't entirely understand the matter at hand, he agreed with Jor-El that the high council were incompetent.
And so, the general and the scientist led a revolution, to remove the high council, and assume command of the planet, and give the evacuation order. Suffice to say, they failed. They were outnumbered and Zod was arrested, imprisoned in the Phantom zone for high treason.
Jor-El, however, was lucky. His wife, Lara, was pregnant, and he knew that if he couldn't save Krypton, he could at least save their child. Jor-El managed to escape, and went into hiding. He made a recording, of himself, explaining his sons heritage, and preparing a message for whoever found him. He also created an interface based on himself, to help guide his child as he grew up. He was able to build a ship, load his child on it, and blast him off to a planet called 'Earth'. Once this was done, he loaded a second rocket with the codex, a device that stored all of Krypton. Culture, customs, all the important aspects of Kryptonian life. He set this rocket upon its course and headed to the roof. As he entered the turbo-lift, the ground shook. Violently. Kryptons destruction had begun.
The first rocket, containing his son, named Kal-El, set upon its course, taking it straight to Earth. However, the second rocket, went off course, still on track to Earth, but the long way round.
As Jor-El and Lara watched their son head off into the blackness of space, a look of horror swept across Jor-Els face. He had mixed up the messages. He had meant to put the interface on his sons ship, and his message on the other. He had made a mistake, which could have devastating consequences. He was powerless to fix his mistake, so he did the only thing he could do. He held his wife, as his world burned. He could only hope his son would live to see a brighter future.
Hambantota was an important maritime city since ancient times. The inland harbour on the Walawe river and the sea harbour on the bay of Godavaya were an important component in the economy of ancient Sri Lanka, This port was first known to be operational in the general area of Hambantota around 250 BC, when Chinese and Arabian merchants used it as part of the maritime silk route. Around the 1st century CE, a furnace powered by monsoon winds was built near Embilipitiya, which used wind based air supply to produce high carbon steel. This steel was exported to Rome and other European areas for the manufacture of armor and swords, with ships sailing to a port in Hambantota to obtain steel.
Proposals to build a port in Hambantota date back over three decades, but plans never got out of conceptual stages till 2005. Launched on 15 January 2008, the first phase of the port was opened on 18 November 2010, When completed, the port will be the biggest port constructed on land to date in the 21st century
The mouth of the natural harbor at Hambantota has a 22m depth. When completed, the port will have a 1.5 km long breakwater, with a minimum basin depth of 17m. The turning circle will be 600m. A dam will also be built to prevent flooding in nearby areas, and a seawall made of interlocking concrete blocks will protect the port from high seas
View of the administrative building.
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Important legal note.
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Important legal note.
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Mare mosso e nuvoloni all'orizzonte stamattina...
Taken today close to Catania, Sicily
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The giant panda is a so-called conservation reliant vulnerable species. For many years the panda was considered endangered, but in March 2015, the wild giant panda population increased by 268, or 16.8%, totalling to 1,864 individuals. In 2016, the IUCN reclassified the species from "endangered" to "vulnerable”. That’s good news, but the giant panda population is still far from healthy.
Habitat loss and extremely poor reproductive skills are the main reasons the panda is struggling. A fortune is being spent every year to save the panda, and it’s only because of the incredible cuteness factor of this charismatic animal that the conservation efforts have been succesful.
It was a real joy to watch these funny creatures in real life, and it reminded me of this important piece of oriental wisdom:
Always be yourself.
Unless you can be a panda,
then be a panda.
- - -
If you would like to photograph giant pandas yourself, then check out our China’s Endangered Wildlife photo tour: www.squiver.com/tours-workshops/china-wildlife-2017/
Not only will we photograph these über cute animals, we will also photograph the endangered Golden snub-nosed monkeys and Yunnan snub-nosed monkeys in their beautiful forest habitat. These monkeys are incredibly photogenic and funny looking, and this is the first and only tour in the world that offers you this opportunity.
So if you’re done photographing elephants, lions, bears, foxes and eagles, and you’re in for something truly unique, then this will get you the shots very few other people have.
Marsel
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©2016 Marsel van Oosten, All Rights Reserved. This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
Bridges are an intermittent but important theme in French painter Claude Monet's art, as seen from the docks of La Grenouillere to the end of his career, with the extended series of paintings he devoted to the Japanese bridge in his garden at Giverny. It was in Argenteuil, though, that the theme first rose to prominence, in the years 1872-1878. The bridge pictured here had been erected in the early 1830's, but it was damaged during the Franco-Prussian War by French troops to hinder the opposing force's march on Paris. Scaffolding can be seen on the right side, indicating the structure's repair.
This Monet original was photographed on exhibition ('Monet, The Early Years') at The Legion of Honor in San Francisco. This was the first major US exhibition devoted to the initial phase of Claude Monet’s career.
www.rspb.org.uk/reserves/guide/r/rainhammarshes/index.aspx
www.rspb.org.uk/reserves/guide/r/rainhammarshes/about.aspx
One of very few ancient landscapes remaining in London, these medieval marshes right next to the River Thames were closed to the public for over 100 years and used as a military firing range.
We managed to acquire the site in 2000 and set about transforming it into an important place for nature and a great place for people to visit. Now you can expect to see breeding wading birds in spring and summer, and large flocks of wild ducks in winter.
Birds of prey and rare birds are regularly seen too. There are also water voles in the ditches and rare dragonflies flit across the boardwalks.
There is an innovative visitor centre, with huge picture-windows that look out across the marshes. It is full of environmentally friendly features and already boasts a handful of prestigious architectural awards.
There is also a shop and café and a new wildlife garden and children's adventure play area too. A full events programme offers something for everyone, and while we still have several years to go to finish all the visitor features out on the reserve, it is already an incredible transformation. Boardwalks throughout the reserve give access for wheelchairs and pushchairs.
Opening times
From 1 November to 31 January, we're open from 9.30 am - 4.30 pm. From 1 February to 31 October, it's 9.30 am - 5 pm. We're closed on Christmas Day and Boxing Day.
Entrance charges
Car park: voluntary £1 donation. Reserve: Free to RSPB members and residents of Havering and Thurrock. Non-members: £3 adult, £1.50 child, £9 family (two adults and up to four children). There are extra costs for some events - please check when you book.
If you are new to birdwatching...
Birds are easy to see year round. The reserve runs a number of regular events for birdwatchers throughout the year, from novice to expert, including weekly Wednesday guided birding walk with Howard Vaughan, dawn chorus walks, winter spectacle birding event, a new birdwatching club for children, February's flock bird event and spring walks. There are also designated open days and weekends. Please see the events pages for further information.
Information for families
There is an evolving events and walks programme specially designed for families, with activities for all. All the reserve's paths and boardwalks are family and wheelchair friendly. There are also Adventure and Toddler's Playgrounds.
Information for dog owners
No dogs allowed, except registered assistance dogs. However, dogs are allowed on the Thames riverside path - a public footpath and cycleway running adjacent to the reserve.
Star species
Our star species are some of the most interesting birds you may see on your visit to the reserve.
Avocet
The delicate forms and and piping 'kluit' calls of avocets are becoming a more and more frequent site at Rainham throughout the year.
Lapwing
Lapwings from different places visit Rainham Marshes during the year. Wintering birds are replaced by breeding birds in spring and other birds that have bred further north pass through in summer and autumn.
Little egret
Little egrets can now be seen here in large numbers right throughout the year. Dispersing juvenile birds lead to a sudden rise in numbers in late summer and autumn.
Peregrine
The large concentrations of wildfowl and waders regularly attract hunting peregrines - especially in autumn and winter.
Ringed plover
These neatly banded waders can be seen performing their 'run and stop' feeding routine here.
Seasonal highlights
Each season brings a different experience at our nature reserves. In spring, the air is filled with birdsong as they compete to establish territories and attract a mate. In summer, look out for young birds making their first venture into the outside world. Autumn brings large movements of migrating birds - some heading south to a warmer climate, others seeking refuge in the UK from the cold Arctic winter. In winter, look out for large flocks of birds gathering to feed, or flying at dusk to form large roosts to keep warm.
Spring
Wheatears, stonechats, oystercatchers, hobbies, curlews, swifts, sand martins, house martins, warblers, marsh harriers, reed buntings, water and short-tailed voles, damselflies, marsh frogs, grass snakes, water shrews.
Summer
Black-tailed godwits, whimbrels, greenshanks, snipe, little egrets, dunlins, lapwings, teals, swifts, common sandpipers, ruffs, starlings, avocets, yellow wagtails, oystercatchers, yellow-legged gulls, bank and water voles, water shrews, marsh frogs, wasp spiders, red foxes.
Autumn
Marsh harriers, arctic terns, bearded tits, thrushes, finches, skylarks, meadow pipits, jackdaws, stonechats, hen harriers, goshawks, merlins, peregrines, short-eared owls, barn owls, avocets, black-tailed godwits, white fronted geese, pintails, wigeons, crickets, butterflies, dragonflies, damselflies, stoats, weasels, red foxes.
Winter
Bullfinches, ringed plovers, oystercatchers, golden plovers, water and rock pipits, little egrets, snipe, chiffchaffs, curlews, lapwings, dunlins, redshanks, shelducks, peregrines, kingfishers, short-eared owls, red foxes, stoats, weasels.
Facilities
Visitor centre
Car park
Toilets
Disabled toilets
Baby-changing facilities
Picnic area
Group bookings accepted
Guided walks available
Good for walking
Pushchair friendly
Viewing points
Currently two bird hides, family orientated Marshland Discovery Zone and several open viewing areas.
Nature trails
There are a network of nature trails currently in place, which are utilised for specific guided walks and events. There are approximately 2.5 miles plus of nature boardwalks, all designed for wheelchair and pushchair access.
Refreshments available
Hot drinks
Cold drinks
Sandwiches
Snacks
Shop
The shop stocks:
Binoculars and telescopes
Books
Bird food
Bird feeders
Nestboxes
Outdoor clothing
Educational facilities
The Education team offer a comprehensive and exciting array of curriculum linked field study visits for all school levels. We have Woodland, Reedbed and Marshland Discovery Zones, an Environment and Education centre, fully equipped classrooms, specific study areas, pond dipping areas and lots more. It's a safe and inspiring environment to get close to nature. A selection of lifelong learning courses on a variety of topics are run throughout the year, along with a range of children's activities, including holiday clubs. Please contact us for further details.
Cafe
Our cafe gives magnificent views not only over the ancient wildlife-filled grazing marsh, but also across Old Father Thames which flows majestically past the window. It is the perfect place to relax after exploring our nature trails or as a respite stop after the hustle and bustle of shopping nearby.
We serve our own exclusive coffee that is grown, imported and roasted by us. It's Fairtrade, organic and certified bird-friendly by the Smithsonian Institute, so now you can help save nature simply by enjoying a great cup of coffee!
Whether you are after a refreshing cuppa and a slice of our fabulous home-made cake, or a filling sandwich, panini or jacket potato, you will find something to tickle your taste buds. We look forward to seeing you soon!
Opening hours
From 1 November-31 March, we're open from 9.30 am to 4.30 pm. From 1 April-31 October it's 9.30 am to 5 pm. We're closed on Christmas Day and Boxing Day.
Highlights from our menu:-
Fabulous home-made cakes
Locally-made soup
Freshly-prepared jacket potatoes with a variety of fillings
Locally-baked pies and pasties
Made-to-order toasties, paninis and sandwiches
Lovely cafe with warming soup and fantastic cake. Yummy!
Access to the cafe
The cafe is fully wheelchair-friendly.
Children welcome
We're happy to serve smaller portions and we can also warm baby food in the microwave.
We use local ingredients
All produce is sourced locally where possible, including ham, bacon, sausages, soup and pies.
Dietary requirements
Jacket potatoes, sandwiches etc all have veggie options, as well as a veggie pastry. We have vegan meals. The soup and jacket potatoes are wheat-free; some gluten-free cakes are available.
Accessibility
8 August 2013
This is a Summary Access Statement. A full access statement is available to download from the webpage.
Before you visit
Clear print site leaflet available from our reserve reception
Free entry for RSPB members, residents of Havering and Thurrock. For other visitors admission charges apply. Carer or essential companion admitted free with disabled visitor
No dogs. Registered Assistance dogs only
Visitor Centre, car park and reserve trails are open 9.30 am to 4.30 pm from 1 November-31 March and 9.30 am to 5 pm from 1 April-31 October; closed on Christmas Day and Boxing Day
Check accessibility for events and activities.
How to get here
Purfleet Railway Station is a 15 minute walk to reserve
Bus stops near the reserve entrance.
Car parking
110 spaces and seven Blue Badge spaces
Gates locked at 5 pm
Surface is loose gravel
No formal drop-off point
No height restrictions.
Visitor centre and shop
Ground floor shop, slight slope to heavy door with 10 mm lip, normally open. Assistance bell. Non-slip tiles. Reasonable lighting. Some display units tall or deep. Pen and paper available. Bird seed bins are outside the shop.
The visitor centre and cafe are on first floor, accessed by a long ramp left of Blue Badge parking. Entry by two sets of double heavy doors opening outwards. No threshold. NOTE JUNE 2012, power assistance is out of order so an alternative bell is provided.
Step-free, level access throughout and non-slip tiles. Lowered counter section. Good lighting. Pen and paper available. Binocular hire. Staff available to assist.
Nature trails
Three signposted trails, a mix of flat gravel surface paths and boardwalks. Information boards in large print. Trails start at the visitor centre across a short section of non slip grill with a short steep section. You can leave the reserve part way round and along the River Thames. Use the one way turnstile or gate (Gate key code available from reception)
Viewing facilities
Four hides on the circular walk. None on the Woodland walk. All level entry either adapted for wheelchair spaces or designed for everyone to gain the same great views. Marshland Discovery Zone has touch interpretation. Shooting Butts Hide has 14 stairs and a lift.
Toilets and baby changing facilities
Accessible toilet on ground and first floors (Baby changing in first floor)
Catering
Café on first floor. Good lighting. Non slip tile flooring. Self-service. Menus are clear print. Staff available to assist.
Picnic area
Eleven tables with wheelchair spaces, on soft and hard surfaces, level ground behind visitor centre. Alternatively, a table in the adventure playground and toddler's play area. Visitors are welcome to consume their own food and drink here.
Education facilities
Education team offer a wide and exciting array of curriculum linked field study visits at our Environment and Education centre, fully equipped classrooms, specific study areas, pond dipping areas.
Help us improve accessibility by sending feedback to the Site Manager.
For more information
Rainham Marshes
E-mail: rainham.marshes@rspb.org.uk
Telephone:01708 899840
RM19 1SZ
How to get here
By train
The nearest railway station to this reserve is Purfleet. Purfleet train station is on the C2C line from Fenchurch Street. The reserve is a 15 minute walk from the station following the brown pedestrian signs along the riverside path. Turn right out of the station and then join the path at the Royal Pub. Follow the Riverside path and then cross the Mardyke Bridge to the Visitor Centre.
By bus
The ensignbus 44 bus route which runs between Lakeside and Orsett Hospital, Grays, stops near the reserve entrance on New Tank Hill Road. This bus runs every hour and up to 30 minutes during peak periods. The service is operated by Ensignbus (01708 865656).
By road
The reserve is located off New Tank Hill Road (A1090) in Purfleet which is just off the A1306 between Rainham and Lakeside. This is accessible from the Aveley, Wennington and Purfleet junction off the A13 and J30/31 of the M25.
Cycling at Rainham Marshes
RSPB Rainham Marshes is just a stone's throw from London, easily accessible by public transport, on foot and by bike. Located on ancient marshland nestled beside the river Thames, it really is a special place to enjoy the great outdoors.
The reserve itself offers a leisurely amble in a superb setting with fantastic facilities such as an award-winning, eco-friendly visitor centre with cafe and shop.
If cycling is your thing, a brand new cycle route links the villages of Purfleet and Rainham. This runs beside the reserve, following the Thames, looping round and passing the stone barges.
Both on the reserve and along the riverside path, you will see a variety of interesting, sometimes rare, birds, mammals, reptiles and amphibians as well as bugs and beasties of all kinds. You will also be able to learn so much of the history and importance of this area.
Our work here
Rainham Marshes protects an ancient, low-lying grazing marsh in the Thames Estuary. Its complex of wet grassland and ditches, together with rank grassland and scrub, supports many breeding and wintering birds.
Wildlife also includes scarce wetland plants and insects, and a key population of the nationally declining water vole.
The site has a history of neglect, but the RSPB is working to restore important habitats and improve their biodiversity. This will transform a former wasteland into an important natural asset, and help raise public awareness of local conservation issues.
Managing the marsh
Birdlife on the marsh includes breeding waders, such as lapwing, redshank and snipe, as well as important numbers of wintering wildfowl, waders, finches and birds of prey.
We plan to enhance the habitat for these birds by creating a mosaic of unflooded tussocky grassland, flooded short grassland and semi-permanent pools. This will also benefit important plant species, such as golden dock.
Meanwhile we will improve the ditch system for the benefit of water voles, reptiles and amphibians, invertebrates and breeding birds.
Leaving well alone
We will leave the areas of tall rank grass and scattered scrub unmanaged in order to retain their existing conservation value. Wildlife in these habitats includes small mammals, reptiles and invertebrates, and birds such as wintering short-eared owls and breeding stonechats.
We will also look after sandy areas for their specialist insect life.
Silt lagoons
Lagoons on the reserves are currently used for commercial silt dredging. We will work around this in order re-create and maintain a complex of brackish lagoons and reed-swamp for important wildlife, including breeding, wintering and passage waterfowl.
While some lagoons will remain operational, we will manage others rotationally and keep the rest permanently open.
Access for all
We aim to make the site accessible to everyone, without impinging on the dredging operation or compromising our conservation priorities. We will develop and promote the reserve as a major visitor attraction and centre for environmental education. We aim to encourage interest in local and general conservation, and create a broader understanding of the work of the RSPB.
Funding
Current work is being funded by the EU’s Interreg IVA Two Seas Cross-border Cooperation Programme 2007-2013, Homes and Communities Agency’s Parklands Funding administered by Essex County Council, and Biffa Award and Veolia Cleanaway Havering Riverside Trust, both through the Landfill Communities Fund.
Thanks to help on the reserve from employees of Goldman Sachs, Royal Bank of Scotland, HSBC, Earthwatch, Barclays, Royal Mail, Family Mosaic, Ipsos Media we have been able to deliver more for wildlife and people at Rainham Marshes.
There are Nine Nights of Worship of Female Power. Navratri it is called and is a very important period in the Hindu calendar of Gods and yes Goddesses now.
I was at a loss to figure out whether this lady enmeshed in decaying iron by a male Hindu priest in Bhoginandishwara temple near Bangalore was a symbol of fertility what with the two betel leaves lying on the plinth of the alcove where she balanced delicately atop the head of a big horned buffalo.
I thought of asking some friends, versed rather well in matters esoteric. Then I let that urge pass. I checked images of a Hindu deity who would be on the top of a buffalo and from there I could get the thread as to who this voluptuous lady was and what was her story in Hindusim, her physical form so near perfection.
Whether the wire mesh prevented theft or the greedy advances of the worshipers, I am in no position to tell. She stood smeared in yellow powder as is the custom in temples in South India.
Meet Durga as she is popularly known or Goddess Mahalakshmi, the ultimate embodiment of a female created by all the Hindu Gods many millennia ago who imbued her with their own qualities and their own choicest weapons with 18 arms to go along in fight mode. ( In popular iconography she is generally shown with 4 or 8 arms as 18 would be impossible to accommodate in an aesthetic sculpture)
All this to vanquish Mahishasur, a demon who had attained near immortality by seeking a boon which made him immune from being killed by any man or God. The demon laughed off the suggestion that a woman could ever defeat him and that they were mere chattels. After he got his boon of immortality from the Gods, Mahishasur went off on an all conquering spree till there was nothing left to conquer on Earth. He then marched to Heaven and conquered the very Gods themselves and ruled the Heavens. The vanquished Gods wandering in the wilderness of nothingness, plotted and schemed and got together in their intrigue to manufacture a female figure who would be able to fight and get rid of the demon so that they could get on with the job of ruling their very own Heaven and Universe.
They ( Shiva, Brahma, Indra, Vishnu and others ) all gathered for the unique process of creating an entity out of nothing. A physical and metaphysical impossibility. The laws of physics can however allow light energy to be condensed and create matter. This the Gods did and created Mahalakshmi or Durga who was the epitome of feminine form and figure but imbued with a fighting spirit and armed with 18 choicest weapons of war.
Now this is a great scientific breakthrough which I am sure my fundamentally strong right wing Hindu fanatics would call superior Vedic or Pre Vedic science that precedes anything that the current day particle physics can come up with. Mind you it is easy to create light and heat energy from fission or fusion of
matter but current day science is yet to master the principle of creating matter out of light energy. We in India or let us say Indian Gods did this more than 2000 years ago and shaped a female figure of exquisite and superlative celestial beauty.
I am waiting for a Hindu scientist to come up with such a thought process and present a paper in a scientific community to highlight the glories of the Hindu civilization. I will not be surprised to see that happen in this atmosphere of over zealous interpretation of Hinduism that is ruling the roost these days.
On Fashion, read on in the comments..
_DSC3957 from jpeg
CONCURS-PINTURA-SANVISENS-SITGES-CONCURSOS-CATALUNYA-TERRASSA-CAFETERIA-VIDA-COTIDIANA-PINTURES-ARTISTA-PINTOR-ERNEST DESCALS-
Pintura seleccionada en el Concurs de Pintura Sanvisens de Sitges 2017. Hoy se inaugura la exposición.
En la búsqueda de los momentos de la vida cotidiana quiero crear la íntima atmósfera del atardecer en cuando se apaga la luz del sol y se encienden las luces de las cafeterias y restaurantes, escenas con personas sentadas en una terraza de una cafeteria. Cuadro y los detalles del artista Ernest Descals con oleo sobre lienzo de 89 x 116 centímetros.
Per segon any seguit he presentat una de les meves pintures al Concurs de Pintura Sanvisens de Sitges i he estat entre els pintors seleccionats per formar part de l'exposició al Palau Maricel, en aquest concurs resulta molt difícil d'estar premiat, ja que els paràmetres dels premis són bastant estranys, doncs ja estic satisfet de constar entre les obres seleccionades. He volgut participar amb una de les meves Cafeteríes que porta per títol "Terrassa de Cafeteria". on el més important és l'atmosfera que es va creant quant la llum del sol s'en va per donar espai a les llums més íntimes del capvespre. El protagonisme un cop més es centre amb les persones segudes en les seves taules en la terrasa, el joc de les relacions entre els èssers humans i el seu entorn immediat. Quadre sobre tela de 89 x 116 centímetres.
Important legal note.
All images are copyright and must not be re posted or water marks removed, anyone found reposting or removing water marks are liable to prosecution.
The Bara Gumbad, or "big dome," is a large domed structure grouped together with the Friday mosque of Sikander Lodi and a mehman khana (guesthouse), located in New Delhi's Lodi Gardens. The buildings were constructed at different times during the Lodi era and occupy a common raised platform. Formerly an outlying area of Delhi, the Lodi Gardens are a British-planned landscaped garden which includes a number of monuments (primarily tombs) from the Sayyid and the Lodi dynasties. Originally called Willingdon Park, the gardens were located in the former village of Khairpur, now on the edge of Lutyen's Delhi, the colonial capital built by the British in the early 20th century. The gardens, which cover approx. 70 acres, have come to be surrounded by institutional buildings and some of contemporary Delhi's most expensive real estate.
Although they were built under the same dynasty, each of the three structures was undertaken separately. The Bara Gumbad, completed in 1490, is considered to have the first full dome constructed in Delhi. Its original purpose is contested; although it appears to be a freestanding tomb, it contains no tombstone. This causes the speculation that the building might have been intended as a gateway for the Friday mosque; however, their respective placements, stylistic differences, and construction dates do not support this theory. The Friday mosque, completed in 1494, is the first example of the new mosque type that developed during the Lodi era. Characterized by a relatively simple five bay prayer hall building adjacent to a simple open courtyard, this type was an important precedent for mosque architecture in the Lodi and Mughal eras.
The complex can be accessed from various points along the roads bordering the Lodi Gardens, with the access from the Lodi road towards the south most prominent. The buildings are situated at a distance of about 300 meters from Muhammad Shah's tomb towards the south and about 380 meters from Sikander Lodi's tomb towards the north. Another prominent structure, the Shish Gumbad, is located facing the Bara Gumbad at a distance of about seventy-five meters towards the north. The area surrounding the buildings is landscaped with manicured grass lawns. Few trees are planted in the immediate vicinity, leaving the view of the structures unobscured. The path winding through the Lodi Gardens approaches the buildings axially from the north, although the building plinth is accessible all from all sides.
The buildings are sited on a three-meter-high platform, measuring approximately 30 meters (east-west) by 25 meters (north-south). The Friday mosque is located along the western edge of the platform; the guesthouse is sited opposite it, occupying the eastern edge, while the Bara Gumbad is located along the southern edge. Stone masonry walls, about six meters high, connect the three structures along the southern edge. The northern edge is provided with staircases for accessing the platform. A centrally located straight flight comprising of eight steps, about ten meters wide, connects the ground to a generous mid landing. Another 'C' shaped flight of eight steps wraps around the landing, creating an amphitheatre-like space and reaching the top of the platform. The current arrangement of steps appears to be more recent, and the remains of walls adjoining the southern face of the guesthouse and the mosque indicate that the northern edge might have originally been walled. In the center of the raised court, with its southern edge along the staircase, are the remains of a square shaped platform, 8 meters wide, which appears to be a grave.
Friday mosque:
The Friday mosque is a single aisled, rectangular building, approx. 30 meters (north-south) by 8 meters (east-west). The mosque is organized in five unequal bays, which correspond to the five arched doorways on the eastern (entry) elevation. The width of the arched doorways decreases from the center towards the sides. The arches span across grey granite piers. The central arch is framed within a projecting rectangular portal, measuring about 8 meters in height by 6 meters wide. The piers of the rectangular frame are cased in dressed granite and have three shallow arched niches in red sandstone, occurring vertically above the springing point of the arch, on either side. The doorway itself is described by four receding planes of ogee arches, the outermost one being in line with the external face of the rectangular portal. The doorways immediately to the side of the central portal are about 5 meters wide, while those at the two ends are approx. 1.5 meters wide with two receding planes of ogee arches, adding to the prominence of the central doorway. The apex of each innermost arch is constant, measuring approx. 5 meters from the top of the platform. Each arch is finished in plaster and embellished with intricate carved Arabic inscriptions. The spandrels are also heavily carved with geometric motifs, and their the corners are adorned with round inscribed plaster medallions. Red sandstone eaves (chajjas) on stone brackets top the arches, interrupted only by the central projecting portal that extends above them. There is a blank plastered frieze above the eaves, followed by the projecting horizontal bands of the cornice that is topped by a blind masonry parapet adorned with petal shaped crenellations with inscribed plaster medallions.
The interior of the prayer hall reflects the five bay division of the eastern elevation. It is a rectangular space, measuring about 27 meters (north-south) by about 7 meters (east-west). Additional arches spanning between the piers on the eastern elevation and the engaged piers of the western wall emphasize the demarcation of the interior space into bays. These internal ogee arches reach a height of about five meters. They are finished in plaster and profusely decorated with carvings of Arabic inscriptions. The piers are unornamented, dressed gray granite.
The qibla (western) wall of the prayer hall is a blind wall divided into five unequal bays expressed as recessed ogee arched niches, reflecting the arched openings on the eastern wall. The two bays adjacent to the central bay have three equal niches carved out from the portion below the springing line of the main arch. These niches are separated by granite piers, which have smaller arched niches in the top third of their elevation. The three niches are made of two layers of ogee arches framed by the piers. The external layer is in gray-yellow granite, while the interior arch is made of red sandstone. The central niche is mildly distinguishable from the others because its arched portion is curved and the imposts are engraved, while those of the adjacent arches are plain. The innermost rectangular portion of the central niche is blank, while that of the adjoining niches has the carving of a vase and flora inscribed in it. The tympanum of the main outer arch is finished in plaster and has an additional niche directly above the central niche which is embellished heavily with plaster carvings of Arabic inscriptions. A band of similar inscriptions runs along the interior perimeter of the arch and around the upper niche in a closed loop. The voussoirs of the outer arch are plastered and embellished with another layer of carvings. The central bay of the western wall also has three niches, each made of four recessed planes of alternating rectangular and arched profiles. The central mihrab niche is taller and wider. It is also shallower and the innermost plane is blank, while the other two niches are deeper set with relief work. A stone minbar with three steps has been provided abutting the northern pier of the central niche.
Hemispherical domes cover the three central bays, while the terminal bays are covered by low flat vaulted ceilings. The square plan of the three central bays transitions into an octagonal drum through the application of corbelled pendentives at the corners. The corbelling occurs in four layers, which increases in width from the bottom up. The layers are further embellished with curved niches set into rectangular frames, which also increase in number, the lowest corbel having one and the last corbel having five such niches. The last layers of the pendentives form alternate edges of the octagonal drum; the remaining edges being formed by the extension of the walls and are also provided with similar curved niches. The octagonal drum transitions into a hexadecagon, followed by a thirty-two-sided polygon by the provisions of small struts. Each face of the hexadecagon is provided with shallow niches, while the thirty-two-sided polygon is described by a projecting band of red sandstone, followed by a band of inscriptions finally topped by the hemispherical dome. The dome is finished in plain plaster. The voussoirs of the arches, the pendentives and the tympanum are all covered by intricate stucco Arabic inscriptions. The central dome is relatively higher that the other two domes.
The northern and southern walls of the mosque are punctured by ogee arch doorways below the springline of the main arch. Each opening leads to a projecting balcony, comprising of red sandstone posts supporting a tiered roof. The balconies protrude out from the faade and are supported on red sandstone brackets, whose profiles and carvings are characteristic of Hindu architecture. An elaborately carved arched niche is provided above each opening on the interior wall. It is set into a rectangular frame embossed with Arabic text.
The plasterwork on the external northern and southern walls of the mosque has fallen off, exposing the stone masonry, while that on the western wall has survived. The central bay of the western wall projects out and is marked by two solid towers at the corners. These towers are divided vertically into four layers; the first two layers from the bottom are orthogonal, while the third layer has alternating curved and angular fluting; the top layer, extending over the parapet of the mosque, has a circular section. The corners of the mosque are marked by similar tapering towers, which are divided into four layers. Each layer is circular in plan except the third layer, which is described by alternating curved and angular fluting. All the towers have the remains of finials at their apex. The central projecting wall has four red sandstone brackets in its upper third portion, which may have supported a projecting balcony similar to those on the north and south elevations.
The plasterwork on the walls of the plinth is now gone, exposing the rubble masonry construction below. The western face of the plinth is punctured by five ogee arch openings set into rectangular frames, one in the center and two each on the sides. These openings provide access to the basement within the plinth.
The roof has three domes corresponding to the three central bays of the prayer hall and the three central arches on the eastern elevation. The extrados of the domes are finished in plaster. The octagonal drums supporting the domes protrude out over the roof level, above which the circular bases of the domes are decorated with blind crestings having floral motifs. The central dome is marginally larger than the adjacent domes and all three have the remains of lotus finials at their apex.
Bara Gumbad:
Square in plan, the Bara Gumbad measures approx. 20 meters per side. Set on a plinth 3 meters high, it joins the common plinth on the north and projects beyond it to the south. Its plinth is decorated on the east, south, and west with ogee arch openings set into rectangular frames. These provide access to a basement.The walls of the Bara Gumbad are approx. 12 meters tall, above which a hemispherical dome on a hexadecagonal drum extends another 14 meters from the roof level, for a total building height of 29 meters above ground level.
Each of its elevations is nearly identical and divided into 2 horizontal sections. A projecting portal composed of an ogee arch set in a rectangular frame (approx. 8 meters wide), is centered in each elevation and rises approximately 75 cm above the parapet line of the building. The 1.5 meter wide frame is made of dressed gray granite. Each vertical pier of the frame has six shallow red sandstone niches arranged atop one another at varying heights; nine niches continue in a line along the horizontal portion of the frame. The portal is described by two receding planes of grey granite ogee arches; the spandrels are cased with black granite with a thin projecting edge of red sandstone. Two round plaster medallions adorn the spandrels. The lower layer of the portal has a central doorway, spanned by two red sandstone brackets that form a trabeated arch supporting a black granite lintel. These brackets are supported on grey granite posts. An intricately carved red sandstone frame adorns the brackets and the lintel; it starts at the springing point of the arch and frames the lintel of the doorway. The entire composition is set in a rectangular yellow sandstone frame. An ogee arch window has been provided above the trabeated entrance. The portal is crowned by the arched crenellations of the blind parapet. Solid turrets mark the projecting corners of the portal.
The remainder of the elevation, that flanking the central portal on either side and recessed behind it, is divided vertically into two equivalent parts by projecting horizontal bands of stone. Each part is described by two equal arched panels set into rectangular frames. Both the panels of the upper part on either side of the portal are blind and filled with granite masonry. The lower panels located adjacent to the portal are windows, while the lower panels at the edges are filled in. The parapet, like the portal, is decorated with arched crenellations, and the roof has solid turrets at each corner.
A single hemispherical dome surmounted on a sixteen-sided drum crowns the building. Each face of the drum is described by an ogee arched niche set in a rectangular frame. The voussoirs of the arches are gray granite, while the spandrels are clad with red sandstone. The top edge of the drum is decorated with a band of arched crenellations, similar to those on the roof parapets, running above a projecting band of stone that surrounds the drum. Below this projection is band of leaves carved in relief. The extrados of the dome are finished in smooth plaster. The lotus base, possibly for a vanished calyx finial, is still extant.
The structure can be entered either from the raised courtyard via the north elevation or from a double flight of steps located on the western elevation. Inside, the square building measures about seven meters per side. An 80 cm high, 45 cm wide solid seat runs continuously along the interior perimeter of the building. Light streams in from all four walls, which are punctured by the openings of the doorway at the ground level and the ogee arch window above. The interior surfaces of the Gumbad are unornamented and finished in dressed granite. The square plan of the room transitions into an octagon via squinches, which then support the thirty-two-sided drum and the dome. The apex of the dome has two bands of floral inscriptions; otherwise, the dome is finished in plaster. The absence of historical inscriptions has contributed to the confusion over the original purpose of the Bara Gumbad.
Mehman Khana:
The third structure in the group is rectangular in plan, measuring about 27 meters (north-south) by 7 seven meters (east-west). Located along the eastern edge of the common plinth, it faces the mosque and is connected to the Bara Gumbad by a masonry wall along its northern face. The structure is believed to have either been a mehman khana, (guesthouse) or a majlis khana (assembly hall).
The building is accessed from the common plinth through its western wall, which is divided into five bays, mirroring the eastern elevation of the mosque opposite it. The three central bays are considerably larger and have ogee arch doorways, giving access to the interior, while windows puncture the smaller end bays. The arches are set in rectangular frames, which are recessed from the face of the elevation. Each opening is composed of two recessed planes of arches. The spandrels are clad in red sandstone, contrasting with the gray granite of the elevation, and are decorated with round plaster medallions with lotus motifs. The window openings have an additional tie beam or lintel at the springline. The tympanum of the window towards the south has been filled with stone, while that of the window towards the north has been left open. A continuous chajja, supported on equidistant stone brackets, projects from the western wall above the rectangular frame. The cornice is unornamented and is topped by the projecting horizontal band of the parapet, which reaches a height of approximately five meters from the top of the raised plinth. The roof of the structure is flat. The exterior of the building lacks decoration and is finished in dressed granite.
The interior is divided into seven chambers occurring from north to south; the central chamber is the largest, measuring about 5 meters (north-south) long. It is abutted by relatively narrow chambers (approx. 2.5 meters long). The outside chambers which flank the 2.5 meter wide chambers on either side are approximately the size of the central chamber, and correspond to the arched openings in the western wall. The chambers are separated from each other by gray granite walls, punctured by simple ogee arched doorways set in rectangular frames. Square in plan, the outer rooms are separated from the adjacent chambers by stone walls with rectangular door openings with blind ogee arches and rectangular frames. Each doorway has shallow rectangular recesses on either side, as well as a small arched window set into a rectangular recess and a stone jali screen set above the doorway within the tympanum of the main arch. The eastern wall of the building has blind ogee arches, occurring as two successive planes, reflecting the arched openings of the western elevation.
The roof of the central chamber is flat and supported on arches located on four sides; flat stone brackets appear at the corners. The two adjacent rooms are covered by shallow domes supported on squinches. The interior domes are finished in plaster with carved concave fluting. The exterior of the domes has been filled to blend with the flat roof of the central room.
Certain stylistic continuities are recognizable in the three buildings; each was constructed with (local) gray granite and lime mortar. However, the degree and type of embellishment, both interior and exterior, on the mosque differs substantially from that found on the other two, relatively unadorned, buildings.
Apart from the grouping of the three structures and their stylistic similarities, the buildings do not appear to have been planned as a complex. The Friday mosque is the first example of the panchmukhi building type, where "panch" (five) and "mukhi " (facade) characterize a five-bay prayer hall. This approach was influential in both the Lodi and the Mughal periods. The Bara Gumbad is significant for having the first complete hemispherical dome in Delhi.
The differences in the surface ornament of the buildings suggest that the buildings were constructed at different times, with the Bara Gumbad and the guesthouse being similar in style and decoration, without the multilayered arches of the Friday mosque. The function of the Bara Gumbad is still unknown; its geometry and form aligns with the predominant tomb architecture of the period (like the neighboring Shish Gumbad). However, there is no grave or cenotaph in the building, and rather than being blank, its qibla wall (like its other walls) is punctured by an entrance. While the continuous stone bench in the interior is also found in gateway architecture, (as in the Alai Darwaza at the Quwat-ul-Islam Mosque in Mehrauli), the size of the Bara Gumbad vis-a-vis the Friday mosque does not support this conjecture. Some scholars surmise that the structure might have been a gateway to the larger complex of tombs within the Lodi Gardens.
Lodi Dynasty
-----------------
The Lodi dynasty in India arose around 1451 after the Sayyid dynasty. The Lodhi Empire was established by the Ghizlai tribe of the Afghans. They formed the last phase of the Delhi Sultanate. There were three main rulers in the history of Lodi dynasty. All three of them have been discussed in detail in the following lines. So read on about the Lodi dynasty history.
Buhlul Khan Lodi
Buhlul Khan Lodi (1451-1489) was the founder of the Lodi dynasty in India and the first Afghan ruler of Delhi. He was an Afghan noble who was a very brave soldier. Buhlul Khan seized the throne without much resistance from the then ruler, Alam Shah. His territory was spread across Jaunpur, Gwalior and northern Uttar Pradesh. During his reign in 1486, he appointed his eldest son Barbak Shah as the Viceroy of Jaunpur. Though he was an able ruler, he really couldn't decide as to which son of his should succeed him as the heir to the throne.
Sikandar Lodi
After the death of Buhlul Khan, his second son succeeded him as the king. He was given the title of Sultan Sikander Shah. He was a dedicated ruler and made all efforts to expand his territories and strengthen his empire. His empire extended from Punjab to Bihar and he also signed a treaty with the ruler of Bengal, Alauddin Hussain Shah. He was the one who founded a new town where the modern day Agra stands. He was known to be a kind and generous ruler who cared for his subjects.
Ibrahim Lodhi
Ibrahim Lodhi was the son of Sikander who succeeded him after his death. Due to the demands of the nobles, his younger brother Jalal Khan was given a small share of the kingdom and was crowned the ruler of Jaunpur. However, Ibrahim's men assassinated him soon and the kingdom came back to Ibrahim Lodhi. Ibrahim was known to be a very stern ruler and was not liked much by his subjects. In order to take revenge of the insults done by Ibrahim, the governor of Lahore Daulat Khan Lodhi asked the ruler of Kabul, Babur to invade his kingdom. Ibrahim Lodhi was thus killed in a battle with Babur who was the founder of the Mughal dynasty in India. With the death of Ibrahim Lodhi, the Lodhi dynasty also came to an end.
Chassis n° 82782
Coachwork by Reutter
Bonhams : The Zoute Sale
Important Collectors' Motor Cars
The Zoute Grand Prix Gallery
Estimated : € 280.000 - 330.000
Sold for € 287.500
Zoute Grand Prix Car Week 2025
Knokke - Zoute
België - Belgium
October 2025
- Delivered new in the USA
- In-period competition history
- Fully matching numbers and colours
- Restored in Poland by a recognised specialist in 2019 (bills and photographs available)
- Offered from an important Porsche collection in Poland
Its factory Kardex reveals that this Porsche 356A Speedster, chassis number '82782', was delivered on 26th November 1956 via Hoffman in New York, USA. The Porsche was delivered in Weiss (White) a with Rot (Red leatherette) interior, and left the factory equipped with sealed-beam headlights and US bumpers. The car retains fully matching numbers and colours.
In 1952 a trial batch of 15 Type 356 roadsters was constructed at the behest of US importer Max Hoffman, who had persuaded Porsche of the potential for a 'cut-price' entry-level model. The roadsters' successful reception in the USA led to the introduction of the Speedster model in 1954.
Instantly recognisable by virtue of its low, wraparound (as opposed to V-shaped) windscreen; smaller and entirely retractable hood; lower door waistline; horizontal trim strip at the level of the door handles; and twin bucket seats, all of which served to emphasise its sporting image, the Speedster was effectively an 'economy' model intended to compete with the cheaper British sports cars. The Speedster was powered initially by the 1.5-litre version of Porsche's horizontally opposed four, gaining the new 1.6-litre engine with the introduction of the improved 356A for 1955. Priced at $2,995, the Speedster was the lightest of the 356s, enjoying a commensurate performance boost that meant over 100mph was possible. Allied to its already renowned handling characteristics, this made the Speedster an instant success in the burgeoning North American sports car racing scene. Its combination of style, performance and value for money made the Speedster deservedly popular (4,822 examples being constructed between 1954 and '58) and today this most handsome of the 356 variants enjoys iconic status.
In California during the 1970s, the Speedster was serviced at Lukes & Shorman Inc (Bay Area Porsche specialists). The Porsche was restored in 1976 and its use in a local competitions is documented. In April 1986, at 86,442 miles, a pre-purchase inspection was carried for Emile Ragoof of San Anselmo, CA (the report survives). In July 1986 at 86,938 miles, the Speedster was sold (see handwritten ownership note on file). In addition there are invoices dating from the 1980s and 1990s for regular servicing: shock absorbers, carburettor kits, braking system parts, etc.
In 2019 a comprehensive bare-metal restoration was carried out by Piotr Bem Classic Porsche Restoration (Poland). The rebuild included bodywork; a mechanical overhaul (engine, gearbox, suspension, brakes); electrical system; and a complete interior retrim. The restoration was carried out under a formal contract with staged invoices (Rozliczenie 1–8), which are on file together with Excel cost calculations and a full photographic record. The invoices document all stages of the restoration including disassembly, metalwork repairs, lead loading, paint, gearbox rebuild, brake and steering overhauls, upholstery, and final tuning. Overall restoration costs exceeded PLN 166,000 (US$44,820) plus parts, evidencing the scope and quality of the work. Supporting documentation includes the following:
- Porsche Kardex
- US ownership and service notes
- Invoices from Lukes & Shorman and other Bay Area specialists
- 1986 pre-purchase inspection report
- Restoration contract, Rozliczenie 1-8 invoices, Excel cost summary
- Full photographic record of the 2019 restoration
Supported by the foregoing provenance, this fully matching Speedster - boasting in-period competition history - has been treated to a last-nut-and-bolt restoration by a recognised Porsche 356 specialist and comes from one of the most important Porsche collections in Poland. Additional equipment offered consists of a driver's manual and tonneau cover.
Not too important but anyway, sorry I haven’t been posting. I haven’t done too much on my new custom ( Marcus Wright Terminator Salvation) and I have a few Mocs planned(sort of) but don’t expect too Much content because it is pretty much the end of my school year and I am under a lot of pressure with art homework. Thanks if you read this :)
Sandomierz was one of the most important cities in the Polish section of the Via Regia, taking advantage of the location at the junction of the Vistula and San rivers. The first known historical mention of the city comes from the early 12th-century when it was already ranked as one of the main cities of Poland. The testament of Bolesław III Wrymouth, in which he divided Poland among his sons, designated Sandomierz as the capital of one of the resulting principalities, the Duchy of Sandomierz.
In the early 13th century, the second oldest Dominican monastery in Poland was founded in Sandomierz. Within the 13th century, the city suffered grievous damage during the raids by Mongols in 1241, 1260, and 1287. The wooden buildings of the town were completely destroyed. As a result, in 1286 Leszek II the Black, effectively refounded the city.
After the reunification of the Polish lands in the 14th century, the former principality became the Sandomierz Voivodeship, incorporating large areas of southeastern Poland. In the middle of the 14th century, the city was burned again during a raid by the Lithuanians. It was rebuilt during the rule of Casimir III of Poland, who extended its privileges. The layout of the city has survived practically unchanged from that time until the present day.
Sandomierz prospered until the middle of the 17th century, but the prosperity came to an end in 1655 when Swedish troops captured the city. After briefly holding out in the city, the withdrawing Swedes blew up the castle and caused heavy damage to other buildings. A great fire in 1757 and the First Partition of Poland in 1772, which placed Sandomierz in Austria, further reduced its status.
In 1809, during the Napoleonic Wars, fighting between the forces of Austria and the Duchy of Warsaw caused damage to the city. It became part of the short-lived Polish Duchy of Warsaw and after 1815 it found itself in the Russian Empire ("Congress Poland").
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The Town Hall, located in the center of the Stary Rynek (Old Market), was erected after the Lithuanian Invasion in 1349. The formerly Gothic, building had an octagonal tower. In the 16th century, the building was expanded, in the form of an extended rectangular structure. The tower seen today was built in the 17th century.
en.wikipedia.org/wiki/Marrakech
Marrakech or Marrakesh (Amazigh: Murakush, Arabic مراكش Murrākush), known as the "Red City", is an important and former imperial city in Morocco. It has a population of 1,070,838 (as of 2004),[1] and is the capital of the mid-southwestern economic region of Marrakech-Tensift-Al Haouz, near the foothills of the snow-capped Atlas Mountains.
Like many North African and Middle Eastern cities, Marrakech comprises both an old fortified city (the médina) and an adjacent modern city (called Gueliz). It is served by Ménara International Airport (RAK is the code for the airport) and a rail link to Casablanca and the north. Marrakech is the third largest city in Morocco after Casablanca and Rabat.[citation needed]
Marrakech has the largest traditional market (souk) in Morocco and also has one of the busiest squares in Africa and the world, Djemaa el Fna.[2] The square bustles with acrobats, story-tellers, water sellers, dancers, and musicians. By night, the square turns into food stalls, becoming a huge open-air restaurant with busy life.
The probable origin of its name is from the Amazigh (Berber) words mur (n) akush, which means "Land of God". (The root "mur" is used now in the Berber languages mostly in the feminine form "tamurt"). The same word "mur" appears in the country Mauritania, but this interpretation is still unproven to this day.
Until a few decades ago, Morocco was known as Kingdom of Marrakech by Arabs, Persians and Europeans. The European names of Morocco, Marruecos, Maroc, Marokko are directly derived from the Berber word Murakush. The city is spelled "Marrakech" in French, "Marrakech" or "Marrakesh" in English, "Marrakesch" in German and "Marakeş" in Turkish.
Prior to the advent of the Almoravids in the 11th century, the area was ruled from the city of Aghmat. The Almoravid leader, Abu-Bakr Ibn-Umar decided Aghmat was becoming overcrowded and chose to build a new capital. He decided to build it in the plains near the Tansift river. He chose the site of Marrakech, because it was in neutral territory between two tribes who were vying for the honor of hosting the new capital.[citation needed] Work started in May 1070, but Abu-Bakr was recalled to the Sahara to put down a rebellion in January 1071 and the city was completed by his deputy and eventual successor Yusuf ibn Tashfin.[3] The city experienced its greatest period under the leadership of Yacoub el Mansour, the third Almohad sultan. A number of poets and scholars entered the city during his reign and he began the construction of the Koutoubia Mosque and a new kasbah.
Prior to the reign of Moulay Ismail, Marrakech was the capital of Morocco. After his reign, his grandson moved the capital back to Marrakech from Meknès.
For centuries Marrakech has been known for its 'seven saints.' When sufism was at the height of its popularity, during the reign of Moulay Ismail, the festival of the 'seven saints' was founded by Abu Ali al-Hassan al-Yusi at the request of the sultan. The tombs of several renowned figures were moved to Marrakech to attract pilgrims in the same way Essaouira did at that time with its Regrega festivals. The 'seven saints' (sebaatou rizjel) is now a firmly established institution, attracting visitors from everywhere. The seven saints include Sidi Bel Abbas (the patron saint of the city), Sidi Muhammad al-Jazuli, Sidi Abu al-Qasim Al-Suhayli, Cadi Ayyad ben Moussa, Abdelaziz al-Tebaa and Abdallah al-Ghazwani.
Marrakech was dominated in the first half of the 20th century by T'hami El Glaoui, Lord of the Atlas and Pasha of Marrakech. The poet of the city was Mohammed Ben Brahim, his favorite place was café Al-Masraf. The poems and songs of Ben Brahim are still known by heart by many Marrakshi.
Marrakech had an official number of population of 1,070,838 in 2004.[1] There is a very large international community consisting mainly of Europeans estimated at 10,700 people, mostly retired.
Many tourists take a trip from Marrakech to visit the valley of the Ourika River in the Atlas Mountains or the valley of the Draa River in the south near the Sahara desert, but also to Middle Atlas Mountains: Waterfalls of Beni Mellal, and to Essaouira on the Atlantic ocean.
Menara International Airport serves as the main airport for the city and receives flights from Europe and neighboring Arab countries.
A toll-paying motorway connects Marrakech with Casablanca.
CTM coaches (intercity buses) and various private lines run services to most notable Moroccan towns as well as a number of European cities, from the Gare Routière on Rue Bab Doukkala in downtown Marrakech.
Marrakech is the southern terminus of the ONCF, the Moroccan railway network, and Marrakech is well served by trains heading to Tangier, Rabat, Casablanca, and Fes. The train station is located on Avenue Hassan II.
The ONCF owned "Supratours" bus company serves towns not served by the train. The bus timetable coordinates with the train timetable and the bus terminal is right beside the station.
БРЮНО ЛИЛЬЕФОШ - Рапп и Йохан
☆📝
Private collection.
Bukowskis Stockholm, Important Spring Sale 617, June 2019.
Source: www.bukowskis.com/en/auctions/617/440-bruno-liljefors-rap...
Rus: Лильефош не изображал жизнь животных как некую идиллию - его картины наполнены жестокими, но беспристрастными сценами борьбы в природе. То есть художник не видел жестокости в их охоте друг на друга; для него это была естественная часть их борьбы за существование. Соответственно художник никогда не очеловечивал животных, что было обычным явлением в искусстве того времени. На картинах Лильефоша животным не приписывались какие-либо чувства, которые по праву принадлежали зрителю.
Однако, как говорится, нет правил без исключений. Как еще зрителю подойти к обожаемой композиции "Рэпп и Йохан"?.
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Jenna looked across at Jake, taking a minute from the cleaning of her automatic rifle, "If it moves I can shoot it! If I can hit it, it will bleed., and if it bleeds, I can kill it!" smiled Jenna.
Important legal note.
All images are copyright and must not be re posted or water marks removed, anyone found reposting is liaIble to prosecution.
Important legal note.
All images are copyright and must not be re posted or water marks removed, anyone found reposting or removing water marks are liable to prosecution.
The Glasshouse is an international centre for musical education and concerts on the Gateshead bank of Quayside in northern England. Opened in 2004 as Sage Gateshead and occupied by North Music Trust The venue's original name honours a patron: the accountancy software company The Sage Group.
History
Planning for the centre began in the early 1990s, when the orchestra of Sage Gateshead, Royal Northern Sinfonia, with encouragement from Northern Arts, began working on plans for a new concert hall. They were soon joined by regional folk music development agency Folkworks, which ensured that the needs of the region's traditional music were taken into consideration and represented in Sage Gateshead's programme of concerts, alongside Rock, Pop, Dance, Hip Hop, classical, jazz, acoustic, indie, country and world, Practice spaces for professional musicians, students and amateurs were an important part of the provision.
The planning and construction process cost over £70 million, which was raised primarily through National Lottery grants. The contractor was Laing O'Rourke. The centre has a range of patrons, notably Sage Group which contributed a large sum of money to have the building named after it. Sage plc has helped support the charitable activities of Sage Gateshead since its conception. The venue opened over the weekend 17–19 December 2004.
Sage Gateshead was developed by Foster and Partners following an architectural design competition launched in 1997 and managed by RIBA Competitions. Over 100 architects registered their interest and 12 – a mixture of local, national and international talent – were invited to prepare concept designs. A shortlist of six was then interviewed with Foster and Partners unanimously selected as the winner. The Design has gone on to win a number of awards: the RIBA Inclusive Design Award, Civic Trust Award and The Journal North East Landmark of the Year Award.
As a conference venue, the building hosted the Labour Party's Spring conference in February 2005 and the Liberal Democrat Party conference in March 2012. On 18 August 2009, Sage Gateshead was selected to host the 2010 and 2011 National Union of Students annual conference. The 2010 Annual Conference took place 13–15 April 2010.
In 2022 The Sage Group announced that they were also sponsoring a new development that is being built next to Sage Gateshead which will be called The Sage. Sage Gateshead announced that they will be finding a new name for the venue prior to The Sage opening in 2024. On 13 September 2023 the venue announced its new name, The Glasshouse International Centre for Music.
Building
The centre occupies a curved glass and stainless steel building designed by Foster and Partners, Buro Happold (structural engineering), Mott MacDonald (engineering consultants) and Arup (acoustics), with views of Newcastle and Gateshead Quaysides, the Tyne Bridge and the Gateshead Millennium Bridge.
The Glasshouse contains three performance spaces; a 1,700-seater, a 450-seater, and a smaller rehearsal and performance hall, the Northern Rock Foundation Hall. The rest of the building was designed around these three spaces to allow for maximum attention to detail in their acoustic properties. Structurally it is three separate buildings, insulated from each other to prevent noise and vibration travelling between them. The gaps between them may be seen as one walks around inside. A special 'spongy' concrete mix was used in the construction, with a higher-than-usual air capacity to improve the acoustic. These three buildings are enclosed (but not touched) by the now-famous glass and steel shell. Sage One was intended as an acoustically perfect space, modelled on the Musikverein in Vienna. Its ceiling panels may be raised and lowered and curtains drawn across the ribbed wooden side walls, changing the sound profile of the room to suit any type of music. Sage Two is a smaller venue, possibly the world's only ten-sided performance space.
The building is open to the public throughout the day.
Concerts
The Glasshouse will host concerts from a wide range of internationally famous artists, and those who have played at the venue include Above and Beyond, Blondie, James Brown, Bonobo, Andy Cutting, De La Soul, Nick Cave, George Clinton, Bill Callahan, Crosby, Stills & Nash, Dillinger, Grace Jones, Gretchen Peters, Elbow, Explosions in the Sky, the Fall, Herbie Hancock, Mogwai, Morrissey, Mumford & Sons, Pet Shop Boys, Sunn O))), Nancy Sinatra, Snarky Puppy, Sting, Yellowman, Shane Filan of Westlife and others. In February 2015, it was one of the hosts of the second annual BBC Radio 6 Music Festival.
It is also home to Royal Northern Sinfonia, of which The Guardian wrote there is "no better chamber orchestra in Britain", and frequently hosts other visiting orchestras from around the world. The current music director for Royal Northern Sinfonia is the pianist and conductor Lars Vogt. In late 2014, Royal Northern Sinfonia collaborated with John Grant, performing at Sage Gateshead, and other venues throughout the UK. Recordings from this tour were made available as a limited edition CD and 12" record via Rough Trade Records in 2015.
Opinion
There has been popular debate surrounding what was Sage Gateshead. The venue is popular in the local area because of its concerts, and also its accessible learning courses for all ages and its constant interaction with local schools and academies through programmes such as Sing Up and the option of school visits.
Awards
2019: UK National Lottery 25th Birthday Award - Best Arts, Culture and Film
2019: Julie's Bicycle Creative Green 2 Star
2019: Gold Standard - Attitude is Everything
2018: Gold Award for Inclusive Tourism (North East Tourism Awards)
2018: Gold Award for Business Tourism (Visit England Awards for Excellence)
2005: Local Authority Building of the Year
2005: British Construction Industry Awards
2005: RIBA Award for Inclusive Design
Gateshead is a town in the Gateshead Metropolitan Borough of Tyne and Wear, England. It is on the River Tyne's southern bank. The town's attractions include the twenty metre tall Angel of the North sculpture on the town's southern outskirts, The Glasshouse International Centre for Music and the Baltic Centre for Contemporary Art. The town shares the Millennium Bridge, Tyne Bridge and multiple other bridges with Newcastle upon Tyne.
Historically part of County Durham, under the Local Government Act 1888 the town was made a county borough, meaning it was administered independently of the county council.
In the 2011 Census, the town had a population of 120,046 while the wider borough had 200,214.
History
Gateshead is first mentioned in Latin translation in Bede's Ecclesiastical History of the English People as ad caput caprae ("at the goat's head"). This interpretation is consistent with the later English attestations of the name, among them Gatesheued (c. 1190), literally "goat's head" but in the context of a place-name meaning 'headland or hill frequented by (wild) goats'. Although other derivations have been mooted, it is this that is given by the standard authorities.
A Brittonic predecessor, named with the element *gabro-, 'goat' (c.f. Welsh gafr), may underlie the name. Gateshead might have been the Roman-British fort of Gabrosentum.
Early
There has been a settlement on the Gateshead side of the River Tyne, around the old river crossing where the Swing Bridge now stands, since Roman times.
The first recorded mention of Gateshead is in the writings of the Venerable Bede who referred to an Abbot of Gateshead called Utta in 623. In 1068 William the Conqueror defeated the forces of Edgar the Ætheling and Malcolm king of Scotland (Shakespeare's Malcolm) on Gateshead Fell (now Low Fell and Sheriff Hill).
During medieval times Gateshead was under the jurisdiction of the Bishop of Durham. At this time the area was largely forest with some agricultural land. The forest was the subject of Gateshead's first charter, granted in the 12th century by Hugh du Puiset, Bishop of Durham. An alternative spelling may be "Gatishevede", as seen in a legal record, dated 1430.
Industrial revolution
Throughout the Industrial Revolution the population of Gateshead expanded rapidly; between 1801 and 1901 the increase was over 100,000. This expansion resulted in the spread southwards of the town.
In 1854, a catastrophic explosion on the quayside destroyed most of Gateshead's medieval heritage, and caused widespread damage on the Newcastle side of the river.
Sir Joseph Swan lived at Underhill, Low Fell, Gateshead from 1869 to 1883, where his experiments led to the invention of the electric light bulb. The house was the first in the world to be wired for domestic electric light.
In the 1889 one of the largest employers (Hawks, Crawshay and Company) closed down and unemployment has since been a burden. Up to the Second World War there were repeated newspaper reports of the unemployed sending deputations to the council to provide work. The depression years of the 1920s and 1930s created even more joblessness and the Team Valley Trading Estate was built in the mid-1930s to alleviate the situation.
Regeneration
In the late noughties, Gateshead Council started to regenerate the town, with the long-term aim of making Gateshead a city. The most extensive transformation occurred in the Quayside, with almost all the structures there being constructed or refurbished in this time.
In the early 2010s, regeneration refocused on the town centre. The £150 million Trinity Square development opened in May 2013, it incorporates student accommodation, a cinema, health centre and shops. It was nominated for the Carbuncle Cup in September 2014. The cup was however awarded to another development which involved Tesco, Woolwich Central.
Governance
In 1835, Gateshead was established as a municipal borough and in 1889 it was made a county borough, independent from Durham County Council.
In 1870, the Old Town Hall was built, designed by John Johnstone who also designed the previously built Newcastle Town Hall. The ornamental clock in front of the old town hall was presented to Gateshead in 1892 by the mayor, Walter de Lancey Willson, on the occasion of him being elected for a third time. He was also one of the founders of Walter Willson's, a chain of grocers in the North East and Cumbria. The old town hall also served as a magistrate's court and one of Gateshead's police stations.
Current
In 1974, following the Local Government Act 1972, the County Borough of Gateshead was merged with the urban districts of Felling, Whickham, Blaydon and Ryton and part of the rural district of Chester-le-Street to create the much larger Metropolitan Borough of Gateshead.
Geography
The town of Gateshead is in the North East of England in the ceremonial county of Tyne and Wear, and within the historic boundaries of County Durham. It is located on the southern bank of the River Tyne at a latitude of 54.57° N and a longitude of 1.35° W. Gateshead experiences a temperate climate which is considerably warmer than some other locations at similar latitudes as a result of the warming influence of the Gulf Stream (via the North Atlantic drift). It is located in the rain shadow of the North Pennines and is therefore in one of the driest regions of the United Kingdom.
One of the most distinguishing features of Gateshead is its topography. The land rises 230 feet from Gateshead Quays to the town centre and continues rising to a height of 525 feet at Queen Elizabeth Hospital in Sheriff Hill. This is in contrast to the flat and low lying Team Valley located on the western edges of town. The high elevations allow for impressive views over the Tyne valley into Newcastle and across Tyneside to Sunderland and the North Sea from lookouts in Windmill Hills and Windy Nook respectively.
The Office for National Statistics defines the town as an urban sub-division. The latest (2011) ONS urban sub-division of Gateshead contains the historical County Borough together with areas that the town has absorbed, including Dunston, Felling, Heworth, Pelaw and Bill Quay.
Given the proximity of Gateshead to Newcastle, just south of the River Tyne from the city centre, it is sometimes incorrectly referred to as being a part of Newcastle. Gateshead Council and Newcastle City Council teamed up in 2000 to create a unified marketing brand name, NewcastleGateshead, to better promote the whole of the Tyneside conurbation.
Economy
Gateshead is home to the MetroCentre, the largest shopping mall in the UK until 2008; and the Team Valley Trading Estate, once the largest and still one of the larger purpose-built commercial estates in the UK.
Arts
The Baltic Centre for Contemporary Art has been established in a converted flour mill. The Glasshouse International Centre for Music, previously The Sage, a Norman Foster-designed venue for music and the performing arts opened on 17 December 2004. Gateshead also hosted the Gateshead Garden Festival in 1990, rejuvenating 200 acres (0.81 km2) of derelict land (now mostly replaced with housing). The Angel of the North, a famous sculpture in nearby Lamesley, is visible from the A1 to the south of Gateshead, as well as from the East Coast Main Line. Other public art include works by Richard Deacon, Colin Rose, Sally Matthews, Andy Goldsworthy, Gordon Young and Michael Winstone.
Traditional and former
The earliest recorded coal mining in the Gateshead area is dated to 1344. As trade on the Tyne prospered there were several attempts by the burghers of Newcastle to annex Gateshead. In 1576 a small group of Newcastle merchants acquired the 'Grand Lease' of the manors of Gateshead and Whickham. In the hundred years from 1574 coal shipments from Newcastle increased elevenfold while the population of Gateshead doubled to approximately 5,500. However, the lease and the abundant coal supplies ended in 1680. The pits were shallow as problems of ventilation and flooding defeated attempts to mine coal from the deeper seams.
'William Cotesworth (1668-1726) was a prominent merchant based in Gateshead, where he was a leader in coal and international trade. Cotesworth began as the son of a yeoman and apprentice to a tallow - candler. He ended as an esquire, having been mayor, Justice of the Peace and sheriff of Northumberland. He collected tallow from all over England and sold it across the globe. He imported dyes from the Indies, as well as flax, wine, and grain. He sold tea, sugar, chocolate, and tobacco. He operated the largest coal mines in the area, and was a leading salt producer. As the government's principal agent in the North country, he was in contact with leading ministers.
William Hawks originally a blacksmith, started business in Gateshead in 1747, working with the iron brought to the Tyne as ballast by the Tyne colliers. Hawks and Co. eventually became one of the biggest iron businesses in the North, producing anchors, chains and so on to meet a growing demand. There was keen contemporary rivalry between 'Hawks' Blacks' and 'Crowley's Crew'. The famous 'Hawks' men' including Ned White, went on to be celebrated in Geordie song and story.
In 1831 a locomotive works was established by the Newcastle and Darlington Railway, later part of the York, Newcastle and Berwick Railway. In 1854 the works moved to the Greenesfield site and became the manufacturing headquarters of North Eastern Railway. In 1909, locomotive construction was moved to Darlington and the rest of the works were closed in 1932.
Robert Stirling Newall took out a patent on the manufacture of wire ropes in 1840 and in partnership with Messrs. Liddell and Gordon, set up his headquarters at Gateshead. A worldwide industry of wire-drawing resulted. The submarine telegraph cable received its definitive form through Newall's initiative, involving the use of gutta-percha surrounded by strong wires. The first successful Dover–Calais cable on 25 September 1851, was made in Newall's works. In 1853, he invented the brake-drum and cone for laying cable in deep seas. Half of the first Atlantic cable was manufactured in Gateshead. Newall was interested in astronomy, and his giant 25-inch (640 mm) telescope was set up in the garden at Ferndene, his Gateshead residence, in 1871.
Architecture
JB Priestley, writing of Gateshead in his 1934 travelogue English Journey, said that "no true civilisation could have produced such a town", adding that it appeared to have been designed "by an enemy of the human race".
Victorian
William Wailes the celebrated stained-glass maker, lived at South Dene from 1853 to 1860. In 1860, he designed Saltwell Towers as a fairy-tale palace for himself. It is an imposing Victorian mansion in its own park with a romantic skyline of turrets and battlements. It was originally furnished sumptuously by Gerrard Robinson. Some of the panelling installed by Robinson was later moved to the Shipley Art gallery. Wailes sold Saltwell Towers to the corporation in 1876 for use as a public park, provided he could use the house for the rest of his life. For many years the structure was essentially an empty shell but following a restoration programme it was reopened to the public in 2004.
Post millennium
The council sponsored the development of a Gateshead Quays cultural quarter. The development includes the Gateshead Millennium Bridge, erected in 2001, which won the prestigious Stirling Prize for Architecture in 2002.
Former brutalism
The brutalist Trinity Centre Car Park, which was designed by Owen Luder, dominated the town centre for many years until its demolition in 2010. A product of attempts to regenerate the area in the 1960s, the car park gained an iconic status due to its appearance in the 1971 film Get Carter, starring Michael Caine. An unsuccessful campaign to have the structure listed was backed by Sylvester Stallone, who played the main role in the 2000 remake of the film. The car park was scheduled for demolition in 2009, but this was delayed as a result of a disagreement between Tesco, who re-developed the site, and Gateshead Council. The council had not been given firm assurances that Tesco would build the previously envisioned town centre development which was to include a Tesco mega-store as well as shops, restaurants, cafes, bars, offices and student accommodation. The council effectively used the car park as a bargaining tool to ensure that the company adhered to the original proposals and blocked its demolition until they submitted a suitable planning application. Demolition finally took place in July–August 2010.
The Derwent Tower, another well known example of brutalist architecture, was also designed by Owen Luder and stood in the neighbourhood of Dunston. Like the Trinity Car Park it also failed in its bid to become a listed building and was demolished in 2012. Also located in this area are the Grade II listed Dunston Staithes which were built in 1890. Following the award of a Heritage Lottery Fund grant of almost £420,000 restoration of the structure is expected to begin in April 2014.
Sport
Gateshead International Stadium regularly holds international athletics meetings over the summer months, and is home of the Gateshead Harriers athletics club. It is also host to rugby league fixtures, and the home ground of Gateshead Football Club. Gateshead Thunder Rugby League Football Club played at Gateshead International Stadium until its purchase by Newcastle Rugby Limited and the subsequent rebranding as Newcastle Thunder. Both clubs have had their problems: Gateshead A.F.C. were controversially voted out of the Football League in 1960 in favour of Peterborough United, whilst Gateshead Thunder lost their place in Super League as a result of a takeover (officially termed a merger) by Hull F.C. Both Gateshead clubs continue to ply their trade at lower levels in their respective sports, thanks mainly to the efforts of their supporters. The Gateshead Senators American Football team also use the International Stadium, as well as this it was used in the 2006 Northern Conference champions in the British American Football League.
Gateshead Leisure Centre is home to the Gateshead Phoenix Basketball Team. The team currently plays in EBL League Division 4. Home games are usually on a Sunday afternoon during the season, which runs from September to March. The team was formed in 2013 and ended their initial season well placed to progress after defeating local rivals Newcastle Eagles II and promotion chasing Kingston Panthers.
In Low Fell there is a cricket club and a rugby club adjacent to each other on Eastwood Gardens. These are Gateshead Fell Cricket Club and Gateshead Rugby Club. Gateshead Rugby Club was formed in 1998 following the merger of Gateshead Fell Rugby Club and North Durham Rugby Club.
Transport
Gateshead is served by the following rail transport stations with some being operated by National Rail and some being Tyne & Wear Metro stations: Dunston, Felling, Gateshead Interchange, Gateshead Stadium, Heworth Interchange, MetroCentre and Pelaw.
Tyne & Wear Metro stations at Gateshead Interchange and Gateshead Stadium provide direct light-rail access to Newcastle Central, Newcastle Airport , Sunderland, Tynemouth and South Shields Interchange.
National Rail services are provided by Northern at Dunston and MetroCentre stations. The East Coast Main Line, which runs from London Kings Cross to Edinburgh Waverley, cuts directly through the town on its way between Newcastle Central and Chester-le-Street stations. There are presently no stations on this line within Gateshead, as Low Fell, Bensham and Gateshead West stations were closed in 1952, 1954 and 1965 respectively.
Road
Several major road links pass through Gateshead, including the A1 which links London to Edinburgh and the A184 which connects the town to Sunderland.
Gateshead Interchange is the busiest bus station in Tyne & Wear and was used by 3.9 million bus passengers in 2008.
Cycle routes
Various bicycle trails traverse the town; most notably is the recreational Keelmans Way (National Cycle Route 14), which is located on the south bank of the Tyne and takes riders along the entire Gateshead foreshore. Other prominent routes include the East Gateshead Cycleway, which connects to Felling, the West Gateshead Cycleway, which links the town centre to Dunston and the MetroCentre, and routes along both the old and new Durham roads, which take cyclists to Birtley, Wrekenton and the Angel of the North.
Religion
Christianity has been present in the town since at least the 7th century, when Bede mentioned a monastery in Gateshead. A church in the town was burned down in 1080 with the Bishop of Durham inside.[citation needed] St Mary's Church was built near to the site of that building, and was the only church in the town until the 1820s. Undoubtedly the oldest building on the Quayside, St Mary's has now re-opened to the public as the town's first heritage centre.
Many of the Anglican churches in the town date from the 19th century, when the population of the town grew dramatically and expanded into new areas. The town presently has a number of notable and large churches of many denominations.
Judaism
The Bensham district is home to a community of hundreds of Jewish families and used to be known as "Little Jerusalem". Within the community is the Gateshead Yeshiva, founded in 1929, and other Jewish educational institutions with international enrolments. These include two seminaries: Beis Medrash L'Morot and Beis Chaya Rochel seminary, colloquially known together as Gateshead "old" and "new" seminaries.
Many yeshivot and kollels also are active. Yeshivat Beer Hatorah, Sunderland Yeshiva, Nesivos Hatorah, Nezer Hatorah and Yeshiva Ketana make up some of the list.
Islam
Islam is practised by a large community of people in Gateshead and there are 2 mosques located in the Bensham area (in Ely Street and Villa Place).
Twinning
Gateshead is twinned with the town of Saint-Étienne-du-Rouvray near Rouen in France, and the city of Komatsu in Japan.
Notable people
Eliezer Adler – founder of Jewish Community
Marcus Bentley – narrator of Big Brother
Catherine Booth – wife of William Booth, known as the Mother of The Salvation Army
William Booth – founder of the Salvation Army
Mary Bowes – the Unhappy Countess, author and celebrity
Ian Branfoot – footballer and manager (Sheffield Wednesday and Southampton)
Andy Carroll – footballer (Newcastle United, Liverpool and West Ham United)
Frank Clark – footballer and manager (Newcastle United and Nottingham Forest)
David Clelland – Labour politician and MP
Derek Conway – former Conservative politician and MP
Joseph Cowen – Radical politician
Steve Cram – athlete (middle-distance runner)
Emily Davies – educational reformer and feminist, founder of Girton College, Cambridge
Daniel Defoe – writer and government agent
Ruth Dodds – politician, writer and co-founder of the Little Theatre
Jonathan Edwards – athlete (triple jumper) and television presenter
Sammy Johnson – actor (Spender)
George Elliot – industrialist and MP
Paul Gascoigne – footballer (Newcastle United, Tottenham Hotspur, Lazio, Rangers and Middlesbrough)
Alex Glasgow – singer/songwriter
Avrohom Gurwicz – rabbi, Dean of Gateshead Yeshiva
Leib Gurwicz – rabbi, Dean of Gateshead Yeshiva
Jill Halfpenny – actress (Coronation Street and EastEnders)
Chelsea Halfpenny – actress (Emmerdale)
David Hodgson – footballer and manager (Middlesbrough, Liverpool and Sunderland)
Sharon Hodgson – Labour politician and MP
Norman Hunter – footballer (Leeds United and member of 1966 World Cup-winning England squad)
Don Hutchison – footballer (Liverpool, West Ham United, Everton and Sunderland)
Brian Johnson – AC/DC frontman
Tommy Johnson – footballer (Aston Villa and Celtic)
Riley Jones - actor
Howard Kendall – footballer and manager (Preston North End and Everton)
J. Thomas Looney – Shakespeare scholar
Gary Madine – footballer (Sheffield Wednesday)
Justin McDonald – actor (Distant Shores)
Lawrie McMenemy – football manager (Southampton and Northern Ireland) and pundit
Thomas Mein – professional cyclist (Canyon DHB p/b Soreen)
Robert Stirling Newall – industrialist
Bezalel Rakow – communal rabbi
John William Rayner – flying ace and war hero
James Renforth – oarsman
Mariam Rezaei – musician and artist
Sir Tom Shakespeare - baronet, sociologist and disability rights campaigner
William Shield – Master of the King's Musick
Christina Stead – Australian novelist
John Steel – drummer (The Animals)
Henry Spencer Stephenson – chaplain to King George VI and Queen Elizabeth II
Steve Stone – footballer (Nottingham Forest, Aston Villa and Portsmouth)
Chris Swailes – footballer (Ipswich Town)
Sir Joseph Swan – inventor of the incandescent light bulb
Nicholas Trainor – cricketer (Gloucestershire)
Chris Waddle – footballer (Newcastle United, Tottenham Hotspur and Sheffield Wednesday)
William Wailes – stained glass maker
Taylor Wane – adult entertainer
Robert Spence Watson – public benefactor
Sylvia Waugh – author of The Mennyms series for children
Chris Wilkie – guitarist (Dubstar)
John Wilson - orchestral conductor
Peter Wilson – footballer (Gateshead, captain of Australia)
Thomas Wilson – poet/school founder
Robert Wood – Australian politician
Dan had some important errands to run this evening and I didn't get home in time to ride with him, such is life. So instead I drove around the farm and snapped some shots of the wonders of a Colorado farm.
Our ditch banks are covered with this wonderful Horsetail Grass. I had never realized how intricate and beautiful it truly is. So here is one of the shots that I took of this interesting grass. They say the stem makes a great whistle too.
Thanks for looking at my photos and for any comments you might leave.
Susan
forgot to mention when I was bragging about Saxon the other day about how we've learnt to drop straight.
At first in class it wasn't that important, I was just happy that he was going into position and staying there, and we weren't "losing any points" for him rolling over on his hip.
Then it came up that it "should" be sphinx-like. I spent a week, equating to about 2 dedicated sessions rewarding the "correct" drop, straightening when he rolled in the longer stays and he's now good with it, a drop now means a straight drop :-)
I guess this may be more a comment on me than him, but I hadn't bothered trying to fix this before because a) I didn't think it was that important; and b) I thought it was going to be difficult to accomplish.
I'm glad I tried :-)
Engaku-ji (円覚寺) es uno de los complejos de templos de Budismo Zen más importantes de Japón. Se encuentra en la ciudad de Kamakura, dentro de la prefectura de Kanagawa, al sur de Tokio, muy cerca de la estación de ferrocarril de Kita-Kamakura en la línea férrea entre Tokio y Yokosuka.
Un monje budista de origen chino fundó el templo en 1282 a solicitud del entonces gobernante de Japón, el regente Hōjō Tokimune que había repelido los intentos de invasión de los mongoles entre 1274 y 1281. Tokimune era un ferviente seguidor del Zen y el templo se erigió para honrar a los caídos en ambos bandos de la guerra y para que sirviera como un centro desde el que extender la influencia del Zen. Según los registros de la época, al comenzar las obras se extrajo de la colina un ejemplar enterrado del Engaku-kyo, sutra de la Perfecta Iluminación, hecho que dio nombre al templo.
La forma actual del templo se debe al sacerdote budista Seisetsu, que lo reconstruyó y consolidó hacia el final del período Edo. En el período Meiji, Engaku-ji se convirtió en el principal centro de educación Zen en la región de Kantō; Kosen Roshi y Soyen Shaku fueron abades en este período y Daisetsu Teitaro Suzuki estudió bajo su dirección. Aún se ofrecen cursos de Zazen en el templo.
Los incendios han dañado varios de los edificios en diferentes ocasiones, y las fechas que se ofrecen a continuación se refieren a la construcción de las estructuras en su forma actual. Desde la entrada, los edificios del templo se sitúan a lo largo de una colina arbolada, estando situados los edificios principales en línea recta, al estilo chino; la mezcla de edificios austeros y árboles supone una composición agradable. En total hay 18 templos en el recinto. Entre los edificios y demás monumentos se encuentran:
La puerta principal, San-mon (1783), con caligrafía del Emperador Fushimi;
Un gran salón de Buda, moderno o Butsu-den (1964);
Shari-den, construido en el siglo XVI al estilo de la dinastía Song de China, que se dice que alberga un diente de Buda;
El Butsunichi-an, techado, que es el lugar donde se encuentran enterrados los restos de Hōjō Tokimune;
Ōbai-in, un pequeño templo con tejado que contiene una estatua de Kannon;
Ōgune (1301), la mayor de las campanas de los templos de Kamakura, de más de 2,5 metros de altura.
De todos ellos, Shari-den y Ōgune han sido declarados Tesoros Nacionales de Japón.
Los visitantes deben pagar una entrada de 300 yenes (marzo de 2007) para acceder al recinto.
El fuego ha dañado muchos de los edificios en diferentes ocasiones, y las fechas que se dan a continuación se refieren a la construcción de las estructuras que se ven actualmente. Desde la entrada, los edificios del templo se elevan por una ladera boscosa, con los edificios principales en línea recta al estilo chino; los edificios austeros y los árboles se mezclan en una composición general satisfactoria. Hay en total 18 templos en el sitio.
Engaku-ji - Wikipedia, la enciclopedia libre
Zuirokusan Engaku Kōshō Zenji (瑞鹿山円覚興聖禅寺), or Engaku-ji (円覚寺), is one of the most important Zen Buddhist temple complexes in Japan and is ranked second among Kamakura's Five Mountains. It is situated in the city of Kamakura, in Kanagawa prefecture to the south of Tokyo.
Founded in 1282 (Kamakura period, the temple maintains the classical Chinese Zen monastic design, and both the Shariden and the Great Bell (大鐘, Ogane) are designated National Treasures. Engaku-ji is one of the twenty-two historic sites included in Kamakura's proposal for inclusion in UNESCO's World Heritage Sites.
It is located in Kita-Kamakura, very close to Kita-Kamakura Station on the Yokosuka Line, and indeed the railway tracks cut across the formal entrance to the temple compound, which is by a path beside a pond which is crossed by a small bridge
The temple was founded in 1282 by a Chinese Zen monk Mugaku Sōgen (1226-1286) at the request of the then ruler of Japan, the regent Hōjō Tokimune after he had repelled a Mongolian invasion in the period 1274 to 1281. Tokimune had a long-standing commitment to Zen and the temple was intended to honour those of both sides who died in the war, as well as serving as a centre from which the influence of Zen could be spread. According to the records of the time, when building work started a copy of the Sutra of Perfect Enlightenment (in Japanese, engaku-kyō 円覚経) was dug out of the hillside in a stone chest during the initial building works, giving its name to the temple.
The fortunes of the temple have waxed and waned over the centuries. Its present form is owed to the Zen priest Seisetsu Shucho (1745–1820), also known as Daiyu Kokushi, who reconstructed and consolidated it towards the end of the Edo era. A particularly important year for these reforms and the history of the temple was 1785, the "500th Anniversary of the Foundation". In the Meiji era, Engaku-ji became the chief centre for Zen instruction in the Kantō region; Kosen Roshi and Soyen Shaku were successively abbots in this period, and Daisetz Teitaro Suzuki was a student under them.
Zazen courses are still held in the temple, with open meditations sessions every morning (except for New Year's and early October) and every Saturday afternoon (except for August). There's also a sermon the 2nd and 4th Sunday of the month at 9:00 am, followed by a session of zazen. These activities are held at the main hall (Butsuden), Kojirin and Hojo buildings respectively. A four-day "Summer Lecture Series" is organized yearly in late July.
Fire has damaged many of the buildings at different times, and the dates given below refer to the building of the structures currently seen. From the entrance, the buildings of the temple rise up a wooded hillside, with the major buildings in a straight line in the Chinese style; the austere buildings and the trees blending in a satisfying overall composition. There are altogether 18 temples on the site.
Sanmon
The two-storied main gate, or Sanmon (山門), was rebuilt in 1785, as part of the reconstruction works lead by Seisetsu. A wooden plaque of calligraphic work by the Emperor Fushimi (1265-1317) reads "Engaku Kōshō Zenji". On the upper floor there are statues enshrined of Bodhisattva, the Sixteen Arhats and the Twelve Heavenly Generals. The roof is covered with copper.
It is designated an Important Cultural Property of the Kanagawa Prefecture.
Butsuden
The large modern Butsuden (仏殿) (; main hall;) at the center of the Engaku-ji complex was rebuilt in 1964, after it was destroyed by the Great Kanto Earthquake. The construction of this new building, surrounded by junipers, was made following closely a plan from 1573.
It is dedicated to Hokan Shaka Nyorai (Shakyamuni with a Jeweled Crown), enshrined there, the main object of worship of the temple. This seated statue dates from the late Kamakura period. Statues of Bonten and Taishakuten in the same hall date from 1692. A painting of a dragon in the ceiling was painted by Tadashi Moriya under the supervision of Seison Maeda.
Above the front entrance there is a plaque of calligraphy from Emperor Go-Kogon (1338–74) which reads Daikomyohoden.
Sembutsudo and Kojirin
Sembutsudo (選仏堂) is a thatch-roofed hall for Zen meditation and a sutra repository, built in 1699.
The Kojirin (居士林) is a Zen meditation hall for lay trainees (Koji). Meditation sessions are held here most Sundays, both for first-time participants and for the general public.
Both building stand left of the Butsuden, and are open to the public.
Ogane (National Treasure) and Bentendo
Cast by Mononobe Kunimitsu in August 1301, the Great Bell (大鐘, Ogane) of Engaku-ji is at 2.6 metres tall the largest of all the many temple bells of Kamakura (in fact the largest in Kantō. It was made by order of Hojo Sadatoki (1271-1311), after he confined himself in the Benzaiten shrine in Enoshima.
This bell and the one at Kenchō-ji are the only ones designated National Treasure in that category of crafts in the Kanagawa prefecture (also the only ones from the Kamakura period).
A waniguchi gong from 1540 hangs in the belfry. It designated an Important Cultural Property.
Bentendo (弁天堂) is dedicated to the Benzaiten shrine in Enoshima. According to the legend, the cast of the Ogane successful thanks to the protection of Benzaiten. Once every 60 years a grand ceremony is held between both temples.
Shariden (National Treasure)
The Shariden (舎利殿) (reliquary hall), is a 3×3 hall, single-storied, irimoya style, with a pent roof enclosure, covered with hinoki cypress bark shingles. It is the only building with the designation of National Treasure in the Kanagawa prefecture.
The original structure, built in 1285 by Hōjō Sadatoki (1271-1311), was destroyed by a fire in 1563. The current building was transferred from the Taiheiji convent in Nishi Mikado, but it still dates from the Muromachi period.
The structure is typical of kara-yo (Chinese-style architecture), also called Zenshu-yo (Zen-sect-style), introduced from China in the Kamakura period, with a style close to that of the Song dynasty. It houses what is claimed to be a tooth of Shakyamuni, presented by the Noninji Temple in China to Minamoto no Sanetomo.
There is an admission fee (as of 2017, 300 yen) for visitors to enter the temple complex, and additional similar charges to enter a few of the buildings. Booths selling tourist items are located near the entrance, below the Sanmon, and there are refreshment facilities in the garden of the Shariden and at the platform where the Great Bell is located, from where there are extensive views across the valley to other temple complexes in the Kita-Kamakura neighbourhood, such as Jōchi-ji and Tōkei-ji (another temple of the Engaku-ji school).
Engaku-ji - Wikipedia