View allAll Photos Tagged implosion
Dedicated to the meeting point.
Queda prohibido el uso de esta fotografía sin consentimiento expreso del autor.
Zenit E
Helios 44-2 58mm F/2
Gossen Luna-Pro (cds)
Adox Color Implosion
Tetenal C-41
A pesar del tiempo, sigues intacta.
Los daños, las causas, las heridas y las experiencias nos hacen evolucionar.
No creo que la gente cambie, creo que la gente metamorfosea a lo largo de su vida, continuamente, pero siempre conservando su esencia. Y eso es lo que realmente nos hace especiales.
Siempre miraré unos ojos y sabré que esa persona está ahí.
El tiempo pasa, las cosas cambian, pero me alegro de poder mirar atrás con una sonrisa.
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Mariposas... Cómo no.
Comenzaron en el estómago, después en el corazón, subieron a mi cabeza y, ahora, parece que vuelan libres.
Beligerancia.
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Colaboración:
IMPLOSION
EXPO BOGOTA STENCIL FESTIVAL.
Sala De Exposiciones ASAB
Mil Gracias a todos los que asistieron.
Mural by artist Ricky Lee Gordon. "Rest in stillness like sky mountain lake"
camera Lomo LC-A+, film Adox Color Implosion!, dev in Digibase C-41
Had a right good night out tonight with Chris Thompson and Andy Wells in my fave tunnel. Cracked out the chimney flue testers as my new laser had arrived and was primed and ready to go.
Firstly Chris backlit Andy with the laser after I had let a smoke bomb off, next up I lit the walls then Chris moved into position with a light blade whilst I span the camera 360 degrees.
Great to meet Andy and see Chris and a pleasure to shoot with both of them. Here's to next time.
This is number 65 of my 365
Vivitar Ultra Wide and Slim and Adox Color Implosion. 1/125s at f/11, ISO 400
Processed C41 at AG Photographic
Scanned Epson V500
Postprocessed Photoshop CS2
TodaysArt 2015
Pier, Scheveningen
Dmitry Gelfand (b.1974, St. Petersburg, Russia) and Evelina Domnitch (b. 1972, Minsk, Belarus) create sensory immersion environments that merge physics, chemistry and computer science with philosophy. Gelfand and Domnitch use wave phenomena to investigate questions of perception and infinity. They research these topics because science, which serves as the basis for contemporary thought, cannot fully explain how consciousness works. Domnitch and Gelfand’s installations have done away with ‘fixed’ art, such as recordings, and use continuously transforming phenomena instead. These phenomena take place directly in front of the observer and often serve to vastly extend the observer’s senses. Gelfand and Domnitch present their works “Implosion Chamber” and “Photonic Wind: shining into a vacuum chamber”. “Implosion Chamber” consists of high frequency sound waves going through a water-filled cylinder, causing naturally diffused air bubbles to implode. While revealing the motion imparted by sound waves, these implosions are accompanied by shock waves, supersonic liquid jet formations, temperatures as high as are found on the Sun, and conjecturably, quantum vacuum radiation. In the installation “Photonic Wind”, an Yves Klein blue laser beam levitates and propels diamond micropowder in a vacuum chamber. Forming starry jets and languorous vortical clouds, the diamond dust evokes the flow of light.
CalTrans implosion of pilings from the old Oakland/San Francisco Bay bridge.
Video here: youtu.be/pR764tRlAZ0