View allAll Photos Tagged immutable
A hickory tussock lodged himself above the gate leading to our backyard, leading to the garden, and hadn't moved for days; today there is no sign of him, or of a cocoon. Also, no squawk of any immutable blue jay which might be brazen enough to breach these defenses.
Painting I just finished.
White fighting back as it violently and suddenly shifts to black and bleeds the other colors.
Eduardo Basualdo
Born in Buenos Aires in 1977
2013
Steel rod, sheet aluminum, hemp cord
Promised gift of Michel de la Chenelière
Inventory 453.2014
Argentinain artist Eduardo Basualdo, who has a background in theatre, draws on literature and psychoanalysis to put the position of mankind with its inescapable submission to and potential emancipation from uiniversal forces evading its control, into perspective. Flirting with the apocalypse and plunging us into a world of strange familiarity, Basualdo conjures up the transformation now taking place in our environment and challenges our fragile, but fundamental, certainties. He asks us to think about life and nature's mysterious energies, as well as our consciousness and illusions.
Hanging only by a cord, Teoria evokes the precarious balance often refered to in mythological narratives. The astonishing black mass, subject as it is to the immutable laws of gravity, could collapse upon humanity. Dramatic and dreamlike, mysterious and disproportionate, this object with the look of a meteorite threatens our existence. Teoria provides viewers with a perceptual experience that leads them to both contemplate and fear this strange and enthralling work, whose inner character and origin cannot be penetrated or recognized.
10th january - Terribly late for work, and waiting like an eternity the tram. And I was thinking that Barcelona it is amazing with his palms, and green, and nice sun.
As well this picture it feels to me, motionless, eternally static, immutable. Especially in contrast with all the traffic that there is happening on the side.
StringBuffer class in Java
The StringBuffer in Java is a class that we can use to manipulate Strings. Strings are immutable which means it is of fixed length whereas StringBuffer is mutable and growable meaning we can change the length of string and do different manipulations like append, delete, insert, etc. In this tutorial, we will discuss the StringBuffer class in Java and methods in detail with examples. We will also see the difference between StringBuffer vs StringBuilder towards the end of the tutorial.
Features
Below are the features of the StringBuffer class:
- It creates a mutable String object
- It is thread-safe and synchronized which means we can use it for multithreading.
- Implements the CharSequence, Appendable, and Serializable interfaces.
- Inherits all the methods from the Object class.
Constructors
The StringBuffer class contains the below constructors:
StringBuffer methods in Java
Below are the StringBuffer methods
StringBuffer examples
Let's see various examples by using different StringBuffer methods.
Example: insert() method - Java StringBuffer class
We can use the insert() method to insert a new string at the required index position. In the below example, it inserts the new string at position 4 hence prints the output as "Javalanguage".
public class StringBufferDemo {
public static void main(String args) {
StringBuffer s = new StringBuffer("Java");
s.insert(4, "language");
System.out.println(s);
Immutable X IMX được coi là giải pháp có thể đáp ứng nhu cầu giao dịch NFT trên Ethereum Beatdautu sẽ cung cấp toàn bộ thông tin dự án này
#beatdautu,#immutablex
Continuous evolution is the ability to add features easily to a running service while maintaining high availability, which is the key to high velocity in development. A repeated theme is a focus on immutability at many layers so that we can decouple specification from instantiation. Similarly, declarative techniques allow us to say what we mean rather than script one way to do it, which enables automation. Finally, specialization of APIs enables better support for classes of tasks, including those that are stateless or best effort.
Since Grandpa is not anymore in charge of the irrigation, the system looks less so like it may break at any given second. But should it be for memories sake or just an immutable factor: the leaks are still there.
[Sculptor Oskar J. W.] Hansen's principal work at Hoover Dam is the monument of dedication on the Nevada side of the dam. Here, rising from a black, polished base, is a 142-foot flagpole flanked by two winged figures, which Hansen calls the Winged Figures of the Republic. They express "the immutable calm of intellectual resolution, and the enormous power of trained physical strength, equally enthroned in placid triumph of scientific accomplishment."
"The building of Hoover Dam belongs to the sagas of the daring. The winged bronzes which guard the flag, therefore, wear the look of eagles. To them also was given the vital upward thrust of an aspirational gesture; to symbolize the readiness for defense of our institutions and keeping of our spiritual eagles ever ready to be on the wing."
In Java programming language, a string is nothing but a sequence of characters. It is the most widely used object. Java String class has many methods that are used for various manipulations. It is immutable, meaning, its value cannot be changed. A string is equivalent to an array of characters.
Creating a string in Java
We can create a string using 2 different methods:
- Using string literal
- Using new keyword
Create a string using a string literal
This is the most direct way of creating a string in Java. We can create a string by enclosing the value in double-quotes. Here the variable "value" of type String holds the string named as "Java language"
String value = "Java language";
When we create a string literal, JVM first checks in the "string constant pool" if the string exists. If it does not exist, JVM creates a new string instance, else only a reference to the pooled instance will be returned. For example, in the below case, both string objects hold the same value. Hence only 1 object is created (i.e s1) and s2 will have the reference to s1. This means, irrespective of how many ever string variables we create with the same value, only 1 instance will be created in the string constant pool.
"String constant pool" is nothing but the special memory to hold the string objects.
String
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
Energy = ES
energysector.exchange/?afmc=SNiB980NX5If0cRQAZkU3
1 of 11
The Energy Sector in the CrowdPoint Buttonwood Ecosystem!
The Global Industry Classification Standard used by Morgan Stanley define the energy industry as comprising companies primarily working with oil, gas, coal and consumable fuels, excluding companies working with certain industrial gases.[6] Using CrowdPoint’s next generation Blockchain all members of the ecosystem benefit from the transparency, speed and immutable transactions associated with Energy Equipment & Services, Oil & Gas Drilling, Equipment and Services. To include Gas, Consumable Fuels and Integrated Oil. Our Blockchain accounts for sub-industry horizontal and vertical integration of Oil & Gas Exploration, Production, Refining, Marketing, Gas Storage and Transportation.
"The #Mission is to horizontally and vertically unite Energy Equipment, Supplied, Services and Technology for Oil, Gas and Consumable Fuels on our NexGen Blockchain in order to #DEMOCRATIZE the Energy Experience for your HUMAN IDENTITY!!"
Blockchain Ecosystem = BE
blockchainecosystem.exchange/?afmc=SNiB980NX5If0cRQAZkU3
Ellipsis Welcome - portal.theellipsis.exchange/welcome/?afmc=SNiB98ONX5lf0cR...
#BlockchainEcosystem #Energy #Materials #Industrials #ConsumerDiscretionary #ConsumerStaples #Healthcare #Financials #InfomationTechnology #CommunicationServices #Utilities #RealEstate #SeanBrehm #MarleneBrehm #ValindaLWood
While hardly a household name in the United States, artist Michelangelo Pistoletto belongs to the generation who effected a radical transformation in 20th-century art by extending its parameters.
In the mid-1950s Pistoletto was inspired to place figures on thin sheets of highly polished stainless steel. These "mirror paintings" are really tinted tracings (on tissue-thin paper) of life size photographs. The mirrored surfaces supply background and context; when you look at one, you become part of the painting. (as I have in my photo)
As the artist explains, these works not only extend space, they blend past and present. The figures, pasted to the foreground, are immutably past, but the mirrored context is always the present.
Continuous evolution is the ability to add features easily to a running service while maintaining high availability, which is the key to high velocity in development. A repeated theme is a focus on immutability at many layers so that we can decouple specification from instantiation. Similarly, declarative techniques allow us to say what we mean rather than script one way to do it, which enables automation. Finally, specialization of APIs enables better support for classes of tasks, including those that are stateless or best effort.
Immutable X IMX được coi là giải pháp có thể đáp ứng nhu cầu giao dịch NFT trên Ethereum Beatdautu sẽ cung cấp toàn bộ thông tin dự án này
#beatdautu,#immutablex
“Ten euros” is an edition of 1 unique NFT and relates to a jpeg image from the collection “The Treachery of Money”. The collection title hints at René Magritte’s famous “This Is Not a Pipe”, a painting that highlights the distinction between the image of an object and the real physical object. Clearly this is not ten euros, but also, that is exactly what it is. Its immutable position on the Etherium blockchain is testament to its durability as something very real and it’s potential future as a carrier of value. Purchase of this NFT is accompanied, via unlockable content, by a digital download of the original image from the artist’s files and a copy of the Dada Dot Dot Artist Manifesto. In addition, audio access to the artist is granted via a private patrons-only channel on Discord.
HYPER TECH GROUP:
HYPERVERSE - started June 2019
Most reliable, sustainable & immutable blockchain alliance in the world owned by Billionaire founders *Ryan XU and Sam Lee.* Australia
HYPER TECH GROUP
*Membership will be limited for 30milliom customers* To do a Multi Billion Dollar IPO.
❇️Earn 0.5% daily & 15% monthly.
❇️Minimum deposit: 300 USDT
❇️Minimum withdrawal: 50 USDT.
❇️Withdrawal fees: Approx 2-5 USDT.
❇️ Method of deposit: USDT only.
❇️ Contracts terminates after 300%.(600 days)
Digital Marketing Hyper rebuy strategy
Rebuy strategy
❇️Compound your earning (Rebuy): min 50 USDT.
❇️Major shareholder of 5 Australian,Tokyo &NASDAQ Listed blockchain
companies.
❇️The Group Mines 60% of the all New Bitcoines.
Rebuy strategy in Hyper verse
Rebuy strategy
❇️Angel investor & upto 60% owner in some of the most successfull cryptocurrencies of all time.
💐
Join HYPERVERSE with this link
👇👇👇👇👇👇👇
" Ransomware is by far the most talked about potential disaster scenario facing NAS deployed by organizations and end users.
Top 5 NAS Ransomware Data Recovery Myths:
1. Myth #1: Traditional backups enable a solid ransomware recovery plan
2. Myth #2: Snapshots provides rapid recovery in case of ransomware
3. Myth #3: Air gapped backup targets helps you recover from a ransomware attack
4. Myth #4: Immutability on object storage ensures ransomware recovery
5. Myth #5: Cloud backup provides an impenetrable safety net against ransomware
Top 5 Ignored NAS Ransomware Data Recovery Best Practices:
1. Best Practice #1: Pre-emptive File Probing
2. Best Practice #2: Whitelisting
3. Best Practice #3: Rapid Damage Assessment
4. Best Practice #4: Live Mounting
5. Best Practice #5: Application Verification
To know all the myths and best practices in depth, visit their website.
Page Link
storagedna.com/blog/nas-ransomware-data-recovery-myth-fac...
Address:
Contact:""Call: +001 949 480 7937
Email: info@storagedna.com"""
Henri-Joseph Harpignies
Valenciennes, France, 1819 – Saint-Privé, France, 1916
1865
Oil on canvas
99.9 x 125.5 cm
Gift of Mrs. Robert Anderson in memory of her husband
Inventory 1939.697
Provence, as a foretaste of Italy, has always attracted poets, painters and writers who have been captivated by its climate and moved to celebrate its light. In the second half of the nineteenth century, the wild Mediterranean landscape, unchanged down through the centuries, became a new Arcadia for artists who were intent on exploring the territory and their imaginations in equal measure. Harpignies’ conception of landscape differed from that of his contemporaries in that he favoured the immutable aspects of Nature over its momentary effects.
An avid admirer of Corot and François-Louis Français, who was a friend of his, Harpignies practised plein air painting throughout France. Anatole France, who recognized the artist’s fondness for this theme, called him the “Michelangelo of the trees.” In response to an invitation from the students in his Paris studio, Harpignies would head to the South of France, putting the greyness of the Île-de-France behind him; or he would set out on the road to Italy, whose landscapes would earn him numerous prizes and medals in the Salon. Although faithful to the principles of the Barbizon School, the artist, who was an accomplished draftsman, used colour in the service of form. In this painting, the structure of the trees predominates, while the seascape and mountain views are merely suggested in order to convey the general atmosphere. This canvas imbued with naturalism quietly heralds the master’s final works, which are characterized by the fresh luminosity he acquired through contact with his young colleagues and his experiences with watercolours.
9/18/22 Hammerstein Ballroom/Manhattan Center - New York, NY
Photos by Ty Jamar of DriftAndDiePress.com
The Urban Biosphere: A Torrent of Humanity
In the visual symphony that is Koyaanisqatsi, there is a recurring motif of breathtaking, almost terrifying, power: the human river. This is not an episode of individual stories, but an unflinching observation of humanity abstracted into a singular, relentless current. Seen through the lens of time-lapse, crowds on escalators, in train stations, or surging through city streets cease to be collections of individuals; they become a force of nature in themselves, a torrent as powerful and directed as any mountain stream carving through stone.
The analogy is both beautiful and unsettling. Like water, the mass of people follows the path of least resistance, channeled by the concrete and steel canyons of the metropolis. There's a hypnotic rhythm to their collective movement, an organic ebb and flow that mirrors the pulse of the natural world. Yet, where a river nourishes and sculpts with patient grace, this human torrent often feels more akin to a flash flood—energetic, overwhelming, and driven by an unseen urgency. The film forces us to consider if this constant, frenetic motion is a sign of vitality or a symptom of a system out of balance, a biosphere of concrete and flesh operating under laws as immutable, and perhaps as indifferent, as those governing the tides.
It is a profound, intelligent meditation on scale and pattern. The individual human, with their hopes and fears, is lost in the sheer visual poetry of the mass, their unique existence subsumed into a larger, almost geological, process. The beauty is undeniable, a testament to our collective energy; the disquiet, however, stems from the nagging question of whether this river is flowing towards a sustainable ocean, or merely eroding its own banks.
Tags:
#Koyaanisqatsi #HumanRiver #UrbanDynamics #TimeLapse #CinematicPhilosophy #NatureAnalogy #SocialSystems #GodfreyReggio #PhilipGlass #IntelligentCinema
9/18/22 Hammerstein Ballroom/Manhattan Center - New York, NY
Photos by Ty Jamar of DriftAndDiePress.com
9/18/22 Hammerstein Ballroom/Manhattan Center - New York, NY
Photos by Ty Jamar of DriftAndDiePress.com
The Urban Biosphere: A Torrent of Humanity
In the visual symphony that is Koyaanisqatsi, there is a recurring motif of breathtaking, almost terrifying, power: the human river. This is not an episode of individual stories, but an unflinching observation of humanity abstracted into a singular, relentless current. Seen through the lens of time-lapse, crowds on escalators, in train stations, or surging through city streets cease to be collections of individuals; they become a force of nature in themselves, a torrent as powerful and directed as any mountain stream carving through stone.
The analogy is both beautiful and unsettling. Like water, the mass of people follows the path of least resistance, channeled by the concrete and steel canyons of the metropolis. There's a hypnotic rhythm to their collective movement, an organic ebb and flow that mirrors the pulse of the natural world. Yet, where a river nourishes and sculpts with patient grace, this human torrent often feels more akin to a flash flood—energetic, overwhelming, and driven by an unseen urgency. The film forces us to consider if this constant, frenetic motion is a sign of vitality or a symptom of a system out of balance, a biosphere of concrete and flesh operating under laws as immutable, and perhaps as indifferent, as those governing the tides.
It is a profound, intelligent meditation on scale and pattern. The individual human, with their hopes and fears, is lost in the sheer visual poetry of the mass, their unique existence subsumed into a larger, almost geological, process. The beauty is undeniable, a testament to our collective energy; the disquiet, however, stems from the nagging question of whether this river is flowing towards a sustainable ocean, or merely eroding its own banks.
Tags:
#Koyaanisqatsi #HumanRiver #UrbanDynamics #TimeLapse #CinematicPhilosophy #NatureAnalogy #SocialSystems #GodfreyReggio #PhilipGlass #IntelligentCinema
The Toowong station is no longer monotonous walls, replacing is that the colourised walls and the beautiful wall murals. There things are provide a visual sense of art to the immutable and humdrum rail station. People could appreciate the picture when they travel or waiting in the station.
9/18/22 Hammerstein Ballroom/Manhattan Center - New York, NY
Photos by Ty Jamar of DriftAndDiePress.com
Buddhist temple on the south coast of the Big Island in the midst of a Koa wood forest - "Immutable Island of Melodious Sound"
"Impossible to explain.
She was slowly straying from that zone
where things have a set shape and edges,
where everything has a solid, immutable name.
She was sinking deeper into liquid, quiet,
unfathomable region, where mists hung vague
and cool as those of the dawn."
- Clarice Lispector,
Near to the Wild Heart
untitled..
- german rivera jr.,
(2017)
9/18/22 Hammerstein Ballroom/Manhattan Center - New York, NY
Photos by Ty Jamar of DriftAndDiePress.com
Consumer Discretionary = CD
consumerdiscretionary.exchange/?afmc=SNiB980NX5If0cRQAZkU3
4 of 11
THE CONSUMER DISCRETIONARY SECTOR ON THE BLOCKCHAIN ECOSYSTEM
The Global Industry Classification Standard used by Morgan Stanley defines the consumer discretionary sector and industry that includes those businesses that tend to be the most sensitive to economic cycles. Its manufacturing segment includes automotive, household durable goods, leisure equipment and textiles & apparel. The services segment includes hotels, restaurants and other leisure facilities, media production and services, and consumer retailing and services. Using CrowdPoint’s next generation Blockchain all members of the ecosystem benefit from the transparency, speed and immutable transactions associated with automobiles, and components, consumer durables, apparel, consumer services and retailing
CONSUMER DISCRETIONARY MISSION STATEMENT
Our mission is to horizontally and vertically unite Automobiles, Components, Consumer Durables, Apparel, Consumer Services and Retailing on our NexGen Blockchain in order to DEMOCRATIZE the Consumer Discretionary Experience for your HUMAN IDENTITY
Blockchain Ecosystem = BE
blockchainecosystem.exchange/?afmc=SNiB980NX5If0cRQAZkU3
Ellipsis Welcome - portal.theellipsis.exchange/welcome/?afmc=SNiB98ONX5lf0cR...
#BlockchainEcosystem #Energy #Materials #Industrials #ConsumerDiscretionary #ConsumerStaples #Healthcare #Financials #InfomationTechnology #CommunicationServices #Utilities #RealEstate #SeanBrehm #MarleneBrehm #ValindaLWood