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In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
Bolet de menut a mida mitjana; barret de convex a aplanat, de fins a 8 cm de diàmetre; superfície seca, mate, finament vellutada, de castany fosc a groc brunenc, de color uniforme.
Porus petits, densos, angulars, blancs, groguencs en envellir i brunencs a les ferides.
Cama separable, corticada, fràgil; crema pàl·lid a la part superior, del color del barret a la resta; mate, seca, vellutada.
Carn dura, blanca, no blaveja al tall ni al frec, immutable o, algun cop, vira lleugerament al rosa pàl·lid, formants grans cavitats a tot el llarg de la cama (cavernosa); dolça al tast, recorda les avellanes.
Solitari o en petits grups, a vegades soldats pels peus; cosmopolita; espècie micorrízica de boscos secs de planifolis (roures, castanyer, alzina, carrasca, garric, surera), més rara vora faig i bedoll i de coníferes (pins i avets) preferentment sobre substrat àcid o descarbonatat; des dels Pirineus a la plana litoral fins Alacant, Menorca i Mallorca; des de l'estiu a finals de tardor; en marges de camins, clarianes i talussos.
En pinedes litorals sorrenques es pot trobar el mataparent de dunes (Gyroporus ammophilus), molt semblant però que és una espècie tòxica. Provoca fortes gastroenteritis. Sol ser més gran, de barret fins a 15-18- (20) cm de diàmetre, de tons bru asalmonats, cama de fins a 9 cm de diàmetre i la carn, lleugerament rosada, pot blavejar al frec o al tall.
El mataparent anyil (Gyroporus cyanescens) té el barret pàl·lid, la cama buida, sovint cavitada i blaveja fortament al tall.
Bolet comestible, només el barret.
Font: Wikipedia.
Pàgines WEB per ampliació d'informació
ca.wikipedia.org/wiki/Mataparent_castany
Observacions addicionals
Autor: Foto feta per Josep Plaza en la Riera de Can Carreres.
THE STORY OF THE BUDDHA
According to popular tradition, Siddhartha the Buddha to be, was born about 563 BC, the son of the Sakya king Suddhodana and his wife Maya. Maya dreamed that a white elephant entered her right side; Siddhartha was later born from Maya's right side. At Siddhartha's birth it was prophesied that he would be a Cakravartin (Ruler of the World), or a great spiritual leader. Siddhartha's birthplace was Kapilavastu. Until the age of twenty-nine he lived as a young Indian prince surrounded by great riches and beautiful gardens. Then for the first time he saw old age, sickness and death and began to ponder the state of the world. An account of what followed is shown in the adjacent illustrations (1-8).
1. Siddhartha lives the life of a prince at Kapilivastu, the son of a miraculous conception.
2. Siddhartha comes into contact with sickness for the first time.
3. The young prince deserts the palace at Kapilavastu and sets out to search for Meaning in the world.
4. He joins a group of ascetics and attempts by fasting to discover Truth.
5. After much wandering he sits beneath the Bodhi Tree at Bodh Gaya resolving not to leave until he obtains an answer to his quest. There, after many temptations, the Way is discovered.
6. At Sarnath near the Holy City of Benares he preaches the Way of the Eight-Fold Path.
7. For many years the Buddha, the Enlightened One, wandered over India preaching to a growing following and performing miraculous deeds, such as calming an angry elephant.
The bronze and stone pieces above are forms of the Buddha, made according to local styles principally identified in Southeast Asian art history.
THE WAY
According to ancient Indian belief all living things are part of a chain of causation which moves the individual from one life to the next according to an immutable law (karma). One's particular life at any given time depends chiefly on how well one has lived in a previous time; whether, for example, the individual had been essentially good or bad. This chain of causation is sometimes depicted as a wheel.
Buddhist doctrine also provides a way of escaping the cycle of causation. The Buddhist way is based upon the Four Noble Truths:
1) All living things subject to the laws of causation undergo different degrees of suffering. No one can escape the effect of one's own emotions, desires and ambitions. Thus, the first Noble Truth is that suffering exists.
2) The second Noble Truth is that suffering is caused by self-centered desire.
3) The third Noble Truth is that suffering can be made to cease.
4)The fourth Noble Truth is that suffering can be made to cease by following the Eightfold Path.
To understand the meaning of the Eightfold Path, one must realize that in the whole spectrum of human emotion, desire and ambition, those who go to extremes suffer the most. In consequence the Eightfold Path instructs man to live with moderation and to avoid extremes. The Eightfold Path consists of:
Right views
Right resolve
Right speech
Right action
Right work
Right effort
Right mindfulness
Right concentration
All of these precepts stress that emphasis on self is not right. In other words, an awareness of others and of the lawas of nature makes possible a reasonable life. The Four Noble Truths and the Eightfold Path make up the Dharma, or Buddhist law. If one follows that law, in the end the chain of causation can be overcome, and a state of non-suffering, or Nirvana, could be achieved.
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
The adoption of blockchain technology in real estate has led to a radical transformation of the industry. It has made it easier for people to own digital real estate, allowing people who were previously excluded due to a lack of resources to participate and hiding problems such a lack of transparency and trust.
Real estate has historically been a very illiquid asset, requiring substantial financial investments and drawn-out transaction procedures. However, Tokenizing Real Estate has changed the situation. Additionally, the blockchain technology that underpins it has enabled previously unheard-of transparency. Having stated that, buyers can now complete transactions utilising tokenized real estate in an immutable manner.
This article debunks real estate tokenization and answers concerns about its reality, the practical operation of real estate tokens, tokenized ownership, and the amount of real estate that has been tokenized.
What is tokenization of real estate?
Real estate is referred to as being Real Estate Tokenization Platform when a piece of property is broken up into digital tokens that represent the underlying asset with all of its rights and liabilities. Contractual details are defined via smart contracts. If a predetermined contract condition is met, the algorithm stored in the digital contract initiates the actions described in the code.
For instance, a smart contract can operate without the involvement of a human to effectuate a transfer in the land register. It verifies the operations and automatically creates a new block, adding it to the blockchain.
ERC-721 tokens are used to fractionalize NFTs. On the Ethereum (ETH) blockchain, ERC-721 denotes a predetermined standard and is linked to a smart contract that records the transactions in which these tokens are involved.
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
Artist | Song Cheon 송천 (born in Korea)
Title | Avalokiteshvara and Mary - The Truth Has Never Left My Side (2024) 관음과 마리아-진리는 내 곁을 떠난 적이 없다
pigment on Korean traditional paper
800 x 281 cm (each, a set of 2)
Occasion | Busan Biennale 2024
Exhibition | Seeing in the Dark
Artist's Instagram | www.instagram.com/solsem_art/
From a religious perspective, happiness refers to ‘the process of finding oneself who has entered the world of truth’. This kind of happiness as a search for truth is equivalent to ‘illumination’ or ‘light’ in the religious sense. The Avalokitesvara and the Virgin Mary are renowned images, already historically symbolised as ‘icons’. In Avalokiteshvara and Mary - The Truth Has Never Left My Side (2024), Song Cheon viewed the icons as ‘the truth’. For him, the truth always stays with us and is a saviour and immutable law that guides us from darkness to light. The Juhyeonggwangbae (boat-shaped halo) that looks like candlelight or a water drop encompasses the values of benevolence, including vitality, wisdom, love, and peace. The splendour of the Avalokitesvara and the simplicity of the Virgin Mary display different beauties, but they arouse the same awe. The doctrines and ideologies we profess may differ, but our ultimate goal is to achieve a valuable life.
The depiction of Avalokiteshvara employs a technique of layered colouring on the soft and warm texture of traditional Korean paper Hanji, renowned for its flexibility and excellent preservation qualities. In the painting of the Virgin Mary, techniques inherited from Buddhist art are integrated, utilising natural pigments and silk. The iconography was drawn from the attire represented in the 12th-century Mosaic Orans in the Basilica of Santa Maria e San Donato in Murano, Italy, yet also resonates with the cultural sensibilities of 13th-century Goryeo Buddhist paintings. The Eyes of Truth (2024) painted next to the Avalokiteshvara and Mary is an expression of the idea of love for the people through the gaze of the being that constantly watches over us. By gathering the two images that evoke the significance of life and coexistence, Song Cheon hopes for a lifestyle that practises the recovery of humanity and humanism.
Gyeon-bo-tap-pum-The Replica Mural Paintings in Yeongsanjeon Hall of Tongdosa Temple (2012) highly resonates with the Biennale’s overarching theme, which explores the subversive implications of image representation and reproduction. Treasure No. 1826 Yeongsanjeon and Treasure No. 1711 Yeongsanjeon Murals, as part of ‘Tongdosa Yeongsanjeon,’ are structures that replicate the assembly at Vulture Peak in ancient India, where the Lotus Sutra was preached. The content of the painting is derived from Chapter 11 of the Lotus Sutra, Gyeon-bo-tap-pum. This depiction is unique and holds significant importance as it is the only known representation of this chapter created in Korea, dating back to the early 18th century. This building, reconstructed in 1714 following the Japanese invasions of Korea, features a three-bay front and side layout with a gable roof in the multi-bracket style, and serves as the central dharma hall in the lower precinct. Inside, there are murals of Dabotap-the Pagoda of Many Treasures and 48 scenes depicting ‘The Historical Events of the Sakyamuni Buddha,’ with 26 scenes related to the life of Sakyamuni Buddha and 22 scenes depicting the deeds of his disciples. Song Cheon reproduced the mural of the Dabotap, located in the centre of the wall, using traditional Korean paper and natural pigments. The scene illustrates the dramatic moment when the Pagoda of Prabhutaratna rises from the earth to praise the teachings of Sakyamuni Buddha, after which Sakyamuni Buddha enters the pagoda and sits beside Prabhutaratna. This scene emphasises the veracity of Sakyamuni Buddha's teachings as affirmed by the Prabhutaratna. The paintings on either side includes disciples and divine guardians, with Song Cheon meticulously replicating even the segmented arrangement caused by the architectural structure of Yeongsanjeon. Many of these temple murals were painted during the late Joseon dynasty and are an essential legacy showing the effort put into the monks’ training environment and propagation. The life and practice of the community, as depicted by the ancestors, invites us to imagine a form of liberating space.
Song Cheon diversely studies and practices Buddhist art while living as a monk in the quest to learn “who I am”. He has been researching and compiling Buddhist paintings scattered in the nationwide temples for seventeen years and served as the director of the Tongdosa Museum. Also, as a certified trainee of traditional Buddhist painting, Song Cheon has replicated Tongdosa Gwaebul (Buddhist hanging scroll in Tongdosa Temple), the Daegwangjeon Mural of the Sinheungsa Temple, Yangsan, and Gaesimsa Gwaebul (Buddhist hanging scroll in Gaesimsa Temple), which have been designated as the National Treasures of South Korea. Recently, Song Cheon has added his imagination to the replications, expanding his spectrum of work into abstraction.
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
Oskar J. W. Hansen called these "the Winged Figures of the Republic." They express "the immutable calm of intellectual resolution, and the enormous power of trained physical strength, equally enthroned in placid triumph of scientific accomplishment." Their feet have become polished by millions of hands rubbing them, presumably for luck.
The Fourth Grand Flaneur Walk took on Sunday, May 5th, 2024, and commenced at midday by the statue of Beau Brummell on Jermyn Street, London W1. The Grand Flaneur Walk celebrates the pure, the immutable, and the pointless, and it is taken by the bold, the adventurous, and the inebriated. The walk went through Green Park towards Hyde Park Corner.
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All photographs © Andrew Lalchan
"Without a comparison of reality with the purely IMAGINED world of the absolute and immutable, without a constant counterfeiting of the world by means of numbers, man could not live."
Friedrich Nietzsche (15 October 1844 "A.D."– 25 August 1900 "A.D.")
This unpretentious bicycle bell was on a cycle rickshaw in a village outside Yangon. Though basic, the bell's promises to the customer about its appearance and performance are built into the very product itself - a refreshingly simple and immutable covenant between the product and the user. ...
The Fourth Grand Flaneur Walk took on Sunday, May 5th, 2024, and commenced at midday by the statue of Beau Brummell on Jermyn Street, London W1. The Grand Flaneur Walk celebrates the pure, the immutable, and the pointless, and it is taken by the bold, the adventurous, and the inebriated. The walk went through Green Park towards Hyde Park Corner.
Website |
Tiktok |
Threads |
Medium |
Twitter |
Facebook |
All photographs © Andrew Lalchan
The rocks have immutability because they cannot change even if it is broken apart it is still the same rock
St Ives, Cornwall, May 2012
"[Ennui is] the metaphysical turbulent emotion that arises out of the paradox of the rational sense of immutability and the empirical sense of mutation. Reason anticipates permanence, changelessness, and immutability as the quality of ultimate reality; however, for experience immutability is an impossibility. Nothing immutable is empirically conceivable; for if something doesn’t move in space, it at least moves in time. The tension between the immutable and the mutable produces the emotion of ennui, the sense of tediousness and vexation associated with the absence of immutable or lasting purpose in the cosmic phenomena of change." Domenic Marbaniang
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
At the heart of IPFS lies a powerful authenticated data structure: the merkle dag (directed acyclic graph). It provides very useful properties for distributed protocols: immutability, verifiability, and content-addressing. Of course, the merkle-dag can be used to construct any other data structures: file systems, version histories, PKIs, CRDTs, blockchains, web app data models, and so on. IPFS is designed to make it easy to write distributed applications by allowing you to model your data structures directly on it.
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
Materials = MS
materialssector.exchange/?afmc=SNiB980NX5If0cRQAZkU3
2 of 11
The Materials Exchange in the CrowdPoint Buttonwood Ecosystem!
THE MATERIALS SECTOR ON THE BLOCKCHAIN ECOSYSTEM
The Global Industry Classification Standard used by Morgan Stanley defines the materials sector and industry as comprising companies primarily working in a wide range of commodity-related manufacturing industries. Included in this sector are companies that manufacture chemicals, construction materials, glass, paper, forest products and related packaging products, and metals, minerals and mining companies, including producers of steel. Using CrowdPoint’s next generation Blockchain all members of the ecosystem benefit from the transparency, speed and immutable transactions associated with Chemicals, Construction Materials, Containers, Packaging, Metals, Mining, Paper and Forest products.
MATERIAL SECTOR MISSION STATEMENT
Our mission is to horizontally and vertically unite Chemicals, Construction Materials, Containers, Packaging, Metals, Mining, Paper and Forest Products on our NexGen Blockchain in order to DEMOCRATIZE the Materials Sector Experience for your HUMAN IDENTITY.
Blockchain Ecosystem = BE
blockchainecosystem.exchange/?afmc=SNiB980NX5If0cRQAZkU3
Ellipsis Welcome - portal.theellipsis.exchange/welcome/?afmc=SNiB98ONX5lf0cR...
#BlockchainEcosystem #Energy #Materials #Industrials #ConsumerDiscretionary #ConsumerStaples #Healthcare #Financials #InfomationTechnology #CommunicationServices #Utilities #RealEstate #SeanBrehm #MarleneBrehm #ValindaLWood
Winged Figures of the Republic - bronze statues across the street from the Visitor Center by Norwegian-born, naturalized American Oskar J.W. Hansen. They express "the immutable calm of intellectual resolution, and the enormous power of trained physical strength, equally enthroned in placid triumph of scientific accomplishment."
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
sculptures by Oskar J.W. Hansen, they are meant to represent "the immutable calm of intellectual resolution, and the enormous power of trained physical strength, equally enthroned in placid triumph of scientific accomplishment."
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
یونیتی (Unity) یکی از محبوب ترین موتورهای بازی سازی جهان می باشد که به تازگی با هدف به وجود آوردن ارتباط میان کاربران با فناوری وب 3.0، مجموعه ای از ابزارهای غیرمتمرکز و کیف پول متامسک را به صنعت خود اضافه کرد. موتور بازی سازی یونیتی در پی تغییراتی که در این مدت داشت قصد دارد به کاربران خود اجازه دهد که کیف پول متامسک (MetaMask) و سایر ابزارهای غیرمتمرکز را به فروشگاه خود متصل کنند.
اتصال کیف پول متامسک به صنعت بازی سازی یونیتی با بازخورد زیادی از سمت علاقه مندان این نوع بازی ها مواجه شد. زیرا کیف پول متامسک از شبکه های مهمی همچون اتریوم، بایننس اسمارت چین و پالیگان پشتیبانی می کند که این شبکه ها مورد استفاده عموم کاربران این حوزه می باشند. ما در این مقاله قصد داریم به توضیح کامل تری در خصوص اتصال کیف پول متامسک به صنعت بازی سازی یونیتی و دیگر تغییرات آن بپردازیم.
تحولات جدید موتورهای بازی سازی یونیتی
طبق گزارشات جدید کوین دسک، موتور بازی سازی یونیتی بیانیه ای در روز سه شنبه 28 فوریه منتشر کرد. این بیانیه نشان می دهد که بونیتی قصد دارد به پشتیبانی از 13 کیت توسعه نرم افزار (SDK) مبتنی به بلاکچین بپردازد. این 13 کیت شامل شبکه های مختلفی همچون الگوراند، آپتوس، فلو، Immutable X، سولانا، تزوس و همچنین پشتیبانی از کیف پول متامسک می باشد. صنعت یونیتی در حال حاضر به دنبال فراهم کردن بستری مناسب برای توسعه دهندگان وب 3.0 و کیف پول متامسک می باشد تا علاقه مندان به صنعت بازی به راحتی بتوانند فعالیت های خود را انجام دهند.
البته باید توجه کرد که فناوری وب 3.0 در چند سال اخیر توجهات زیادی را به خود جلب کرده است.
In Spring 2018 the Slanted editors took a close-up look at the contemporary design scene of Dubai. A city—when described by many people—that is all sickening shine and has no soul. But Dubai and the whole region, originally a piece of desert sparsely populated by Bedouins, is now transforming itself rapidly into a center, if not the world’s greatest center, of trade, finance, and tourism—and moreover, something important happened in the last few years: Culture! Today, a new Arab world is being plotted and planned. The entire Gulf is teeming with initiatives—from the most public to the most private—to change and reinvent seemingly immutable rules, regimes, edicts, and assumptions, culminating, perhaps, in the stated intention to work more closely together. The Gulf states have a past, and they will have a future. The contours of that future are legible in this Slanted issue!
Slanted met some of the most amazing creatives such as Möbius Studio, Wissam Shawkat, and Fikra Design Studio. Not only can you find their brilliant works in the new issue, Slanted also provides a deeper look at their opinions and views through video interviews that can be watched online on our video platform for free: www.slanted.de/dubai.
To The Soldiers of the Confederate States of America
This monument is dedicated by the William P. Rogers Chapter, United Daughters of the Confederacy, Victoria, Texas June the Third A.D. Nineteen Hundred and Twelve
On Civilizations Height Immutable They Stand (1912) (Marker No. 14144)
Consumer Discretionary = CD
consumerdiscretionary.exchange/?afmc=SNiB980NX5If0cRQAZkU3
4 of 11
THE CONSUMER DISCRETIONARY SECTOR ON THE BLOCKCHAIN ECOSYSTEM
The Global Industry Classification Standard used by Morgan Stanley defines the consumer discretionary sector and industry that includes those businesses that tend to be the most sensitive to economic cycles. Its manufacturing segment includes automotive, household durable goods, leisure equipment and textiles & apparel. The services segment includes hotels, restaurants and other leisure facilities, media production and services, and consumer retailing and services. Using CrowdPoint’s next generation Blockchain all members of the ecosystem benefit from the transparency, speed and immutable transactions associated with automobiles, and components, consumer durables, apparel, consumer services and retailing
CONSUMER DISCRETIONARY MISSION STATEMENT
Our mission is to horizontally and vertically unite Automobiles, Components, Consumer Durables, Apparel, Consumer Services and Retailing on our NexGen Blockchain in order to DEMOCRATIZE the Consumer Discretionary Experience for your HUMAN IDENTITY
Blockchain Ecosystem = BE
blockchainecosystem.exchange/?afmc=SNiB980NX5If0cRQAZkU3
Ellipsis Welcome - portal.theellipsis.exchange/welcome/?afmc=SNiB98ONX5lf0cR...
#BlockchainEcosystem #Energy #Materials #Industrials #ConsumerDiscretionary #ConsumerStaples #Healthcare #Financials #InfomationTechnology #CommunicationServices #Utilities #RealEstate #SeanBrehm #MarleneBrehm #ValindaLWood
Henri-Joseph Harpignies
Valenciennes, France, 1819 – Saint-Privé, France, 1916
1865
Oil on canvas
99.9 x 125.5 cm
Gift of Mrs. Robert Anderson in memory of her husband
Inventory 1939.697
Provence, as a foretaste of Italy, has always attracted poets, painters and writers who have been captivated by its climate and moved to celebrate its light. In the second half of the nineteenth century, the wild Mediterranean landscape, unchanged down through the centuries, became a new Arcadia for artists who were intent on exploring the territory and their imaginations in equal measure. Harpignies’ conception of landscape differed from that of his contemporaries in that he favoured the immutable aspects of Nature over its momentary effects.
An avid admirer of Corot and François-Louis Français, who was a friend of his, Harpignies practised plein air painting throughout France. Anatole France, who recognized the artist’s fondness for this theme, called him the “Michelangelo of the trees.” In response to an invitation from the students in his Paris studio, Harpignies would head to the South of France, putting the greyness of the Île-de-France behind him; or he would set out on the road to Italy, whose landscapes would earn him numerous prizes and medals in the Salon. Although faithful to the principles of the Barbizon School, the artist, who was an accomplished draftsman, used colour in the service of form. In this painting, the structure of the trees predominates, while the seascape and mountain views are merely suggested in order to convey the general atmosphere. This canvas imbued with naturalism quietly heralds the master’s final works, which are characterized by the fresh luminosity he acquired through contact with his young colleagues and his experiences with watercolours.
The Fourth Grand Flaneur Walk took on Sunday, May 5th, 2024, and commenced at midday by the statue of Beau Brummell on Jermyn Street, London W1. The Grand Flaneur Walk celebrates the pure, the immutable, and the pointless, and it is taken by the bold, the adventurous, and the inebriated. The walk went through Green Park towards Hyde Park Corner.
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All photographs © Andrew Lalchan
© by i2iverboy™
Photo #79: I.mmutable
Date taken: 20100727 (UTC)
Place taken: 98444
Camera: iPhone 3G
Apps Used: PhotoStudio
Photo #79: IMMUTABLE
"So do not fear, for I am with you;
do not be dismayed, for I am your God.
I will strengthen you and help you;
I will uphold you with my righteous right hand." ~ Isaiah 41:10 (NIV)
Photographer's Note:
July 27, 1914, marks the fulfillment of Christ's prophecy in John 10:16 and the beginning of GOD's work of salvation in these last days. Though the Church had struggled through numerous trials and persecutions, its progress remained immutable because GOD fulfilled HIS promises in Isaiah 41:10. Truly, nothing can stop the work of GOD's righteous right hand.
HAPPY 96th YEAR ANNIVERSARY OUR BELOVED CHURCH!
In the Photo: a cake greeting for the CHURCH's 96 Year Anniversary that i asked the Italian lady at the bakery at WalMart, to rush for me... :)... i used my photo collage as the baseboard.
Adjustment: PhotoStudio; Image Correction> more contrast.
Consumer Staples = CS
consumerstaples.exchange/?afmc=SNiB980NX5If0cRQAZkU3
5 of 11
THE CONSUMER STAPLES SECTOR ON THE BLOCKCHAIN ECOSYSTEM
The Global Industry Classification Standard used by Morgan Stanley defines the consumer staples sector and industry that includes companies whose businesses are less sensitive to economic cycles. It includes manufacturers and distributors of food, beverages and tobacco and producers of non-durable household goods and personal products. It also includes food & drug retailing companies as well as hypermarkets and consumer super centers. Using #CrowdPoint’s next generation #Blockchain all members of the ecosystem benefit from the #transparency, speed and #immutable transactions associated with #food, #staples, #retailing, #beverage, #tobacco, #household and #personal products.
CONSUMER STAPLES MISSION STATEMENT
"Our mission is to horizontally and vertically unite Food, Staples, Retailing, Beverage, Tobacco, Household and Personal Products on our NexGen Blockchain in order to DEMOCRATIZE the Consumer Staples Experience for your HUMAN IDENTITY."
Blockchain Ecosystem = BE
blockchainecosystem.exchange/?afmc=SNiB980NX5If0cRQAZkU3
Ellipsis Welcome - portal.theellipsis.exchange/welcome/?afmc=SNiB98ONX5lf0cR...
#BlockchainEcosystem #Energy #Materials #Industrials #ConsumerDiscretionary #ConsumerStaples #Healthcare #Financials #InfomationTechnology #CommunicationServices #Utilities #RealEstate #SeanBrehm #MarleneBrehm #ValindaLWood
At the heart of IPFS lies a powerful authenticated data structure: the merkle dag (directed acyclic graph). It provides very useful properties for distributed protocols: immutability, verifiability, and content-addressing. Of course, the merkle-dag can be used to construct any other data structures: file systems, version histories, PKIs, CRDTs, blockchains, web app data models, and so on. IPFS is designed to make it easy to write distributed applications by allowing you to model your data structures directly on it.