View allAll Photos Tagged imagemanipulation
Strobist Info. 580EXII bounced off ceiling with blue gel. 2nd 580EXII with full CTO gel & grid spot camera left. Tungsten White balance
Chris and Yann of the Bonneville Barons doing an impromptu gig in front of something that isn't really there :)
Chris and Yann are shot against neutral grey paper. The diner background is a Daz 3D creation with 50's car models added. The file is rendered out as a transparent 24bit PNG file so the blank sky area can have a new image dropped in with no cutting out or masking needed.
It's all composited in Photoshop, layered and blended, with use of photo filters to give everything an overall balanced colour cast to help everything sit together.
You can see a before and after reference here:
www.flickr.com/photos/bigpicture1966/8166364878/in/photos...
Strobist:
x1 Einstein640 boomed high just off centre right for main fill.
x1 AlienBees AB800 camera left and x1 AlienBees AB1600 camera right both shot through large softboxes to provide kicker light.
The day is ending. Last chance to walk on the beach. There was a chill in the sea breeze today, and as the sun sets it is starting to get cold. Winter is coming.
.Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved...
An 'amazing circle' on a nice red poppy.
I followed the procedure, first, as outlined here: brilliantdays.com/archives/2005/10/how_to_create_a.php ,
and in the flickr Amazing Circles group: www.flickr.com/groups/amazingcircles/discuss/116859/
I Am using the basic wondrous polar coordinates transformations as beautiful in and of themselves, but also as starting points for grounding them in their origins and/or creating new relationships for them.
Not a very orginal concept, but I wanted to created something more soft, romantic and enchanting. The next works (commissions) will be more bright, so this is a nice change for a moment. ;-)
My profile at Deviantart: gerbren.deviantart.com/
Please view large! View On Black
This is a photo/image manipulation using Photoshop elements and CS3 and Paint shop pro X2..
I used stock to create this.
Credits go to the photographers/artists who made the pictures I used.
Model: faestock.deviantart.com/art/Noir19-161125300
Background: Renderosity; Folkvangar.
Some elements painted and retouching.
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Copyright © 2010 ~ Gerbren/Brenda M. /Brenvisions
All rights reserved: All the materials/work contained in my gallery may not be reproduced, copied, tubed, edited, published, transmitted or uploaded in any way.
You may point the finger and laugh :)
These are a selection of composites that should never have seen the light of day. I started each one in high spirits and then thought 'meh' this is not working for whatever reason. Some were started again with new imagery and ended up working. Others, well, you can see for yourself. Fail! :)
Some were abandoned very early on. Some were taken to a more finished state only for me to realise that they just weren't doing it for me. Hey ho! You live and learn :)
Thanks to Sarah-Jane, Faestock, Tigersgirl, TyrApollo, Marcus Ranum, The Bonneville Barons et al at DeviantArt :) Sorry these didn't make the cut.
112507 - for flickr group Weekly Photoshop Competition
www.flickr.com/groups/pscomp/discuss/72157603243823023/
photo of Batcula's Daughter
This is one artistic print, folded twice than mirrored. An experiment in image manipulation, Artistic prints
Chris and Yann are shot against neutral grey paper. The background is a Daz 3D creation with a 3D 50's car added. The file is rendered out as a transparent 24bit PNG file so the blank sky area can have a new image dropped in with no cutting out or masking needed.
© Viveca Koh - Please do not use my images without permission.
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Blog post about this photo and see it bigger.
Quick snaps from West Park Children's Wards and General Part 1
Thanks to Jerry Jones for the texture.
Was rather pleased with how this render came out. It reminded me of the painterly style of Titian or Rembrandt. Some help from Photoshop enhanced the oil painting style. Not too bad for a bunch of polygons and texture maps :)
Maybe this could be a scene from some Bond movie as our hero tries to gain access to the villain's underground lair. Sarah-Jane has been tasked to 'take him down'.
My model Sarah-Jane is shot against a neutral grey background and composited into the scene.
All backgrounds are themselves composites of various elements to create a 'hopefully' dramatic theatrical quality.
Strobist:x1 Einstein640 boomed high just off centre right. x1 AlienBees AB800 camera left and x1 AlienBees AB1600 camera right to provide kicker light.
051407 - *This is photo manipulated picture, created for a 'just for fun' photoshop contest site* -
photoshopfaceoff.com/index.php?module=Contest&action=...
I've ways wanted a photo of me walking away. Especially into the unknown. And that's what "The Journey" represents.
Leaving behind my past and walking into the unknown. An unsolved mystery that's scary, but will be written and solved by me. One that I would look forward too.
The glowing gateways represent those little steps of significance and victories I've had along the path. To be ok to sometime be lost and wander around. Making sure that I don't trip over and fall while walking on rocky roads.
I'm not sure if I'll ever reach its end, but all I know and have been told is that the journey is more important than the end.
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Part of an ongoing experiment with image manipulation: The images are the result of a 2 stage process. First, a photo is taken of a moving subject. What results is a blurred image, the distortion magnified by the grain and contrast achieved by overdevelopment of the film in the darkroom. Already the face or body has been transformed by the simple act of movement. Then in the second stage, the photo is printed. Sometimes thick glossy varnish is applied across the whole surface of the image, or alternatively, the photo is simply printed onto glossy paper. This one I crumpled and flattened again. This is when more magic happens. Shining light directly onto the surface of the paper, the image is transformed again. This time the transforming agent is light. The surface of the photograph interacts with what is contained within the image. A final photo is taken.
Another pic where I copied my friend Joe's CLICK HERE fabulous idea for bringing the subject to the background. Thanks Dear, and YO JOE!
Thought it was about time to do another render, but do a nice black and white conversion on it this time :)
Sarah from the music duo 'Fusion' striking a pose that we now refer to as: 'doing a Gandalf'.
The before and after comparison is HERE
Strobist:
Einstein 640 in 5' Octabox camera right just above head height as key light.
AB800 and AB1600 in brollies to subjects left and right for a little separation light
Street story from Nithi Anand
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Yann, master of the slap bass from the Bonneville Barons.
I shot Yann against a neutral grey background and then it's all composited in with it's new background in Photoshop, layered and blended, with use of photo filters to give everything an overall balanced colour cast to help everything sit together.
Strobist:
x1 Einstein640 boomed high just off centre right for main fill.
x1 AlienBees AB800 camera left and x1 AlienBees AB1600 camera right both shot through large softboxes to provide kicker light.
You can view the before and after comparison here:
www.flickr.com/photos/bigpicture1966/8204107648/in/photos...
Thanks to DeviantArt for the cool background.
You can see the finished version HERE
Strobist:
x1 Einstein640 boomed high just off centre right for main fill.
x1 AlienBees AB800 camera left and x1 AlienBees AB1600 camera right both shot through large softboxes to provide kicker light.
I found this dramatic tree in Castle Eden Dene. I played around with Analog Efex Pro from Google Nik Software Collection to create this magical effect.
Another quick test using backgrounds created using Daz 3D. Thanks to this great bit of software I can now make my own sets with bits taken from a library of items and structures :)
This is one of the shots I could never find a background I liked to use with it. Sarah-Jane is shot against a neutral grey background and composited into the scene.
Strobist:
x1 Einstein640 boomed high just off centre right. x1 AlienBees AB800 camera left and x1 AlienBees AB1600 camera right to provide kicker light.
Facing Mortality...
Is only a matter of time
Photomontage and digital painting.
My Webshop: www.embrisionarts.com
My Deviantart: embrisionarts.deviantart.com/
My Facebook: www.facebook.com/EmbrisionArts
Used resources:
Background: www.renderosity.com/mod/bcs/index.php?ViewProduct=90815
Elements background: Dreamstime
Girl: browse.deviantart.com/resources/?q=white%20lady#/d2t0yzz
Old woman: Dreamstime
Water: www.renderosity.com/mod/bcs/m-and-k-rain-brushes/89384 + www.renderosity.com/mod/bcs/index.php?ViewProduct=41897
Ripple water: Dreamstime
Frame: sylwia77.deviantart.com/gallery/24522862#/d2r7ptp
Watch: browse.deviantart.com/resources/?q=watch#/d2id4b
Fog: own resources
Flower hair: morguefile.com/archive/display/122182
Sign of eternity: Dreamstime
Rest is painted.
Copyright © 2009-2012 ~ Gerbren/Brenda M. /Brenvisions/Embrision Arts
All rights reserved: All the materials/work contained in my gallery may not be reproduced, copied, tubed, edited, published, transmitted or uploaded in any way.
Legal action will be taken if necessary.
Therefore let your soul exalt your reason to the height of passion
That it may sing and let it direct your passion with reason
That your passion may live through its own daily resurrection
And like a phoenix rise above its own ashes.
~Kahlil Gibran
It was about time I did another circle. I got started archiving a batch of images and got snagged by an image I hadn't yet followed through on my intentions for.. then it 'turned' into a circle image, from a suggestion in the cloud lines.
The inset circle image was made from another similar shot, which was color-shifted using a hue/saturation layer, masked with some of the cloud column for more interplay between the blue/black of the column against the orangey-sunrise colors. Then all was rolled into a circle and moved to this base image., where more cloud masking was done to have it appear behind it. Still another layer was used to create the circle's subtle 'shadow', upper right.
This was a sunSet shot, but with this composition, it serves as a powerful sunrise, in a way.
This is a Photohop manipulation of a great photograph taken by Dave, seen in my favorites collection here on flickr. Because the largest size he had online originally was only about 800 pixels in the longest dimension, the crop I used to manipulate the image is very small. The best "amazing circles" are done with high resolution photos that are larger in pixel dimensions to begin with. The group on flickr that has a link to a tutorial on how to do this is here. I got a copy of the original so I could work out a good resolution version that will print very well. This finished image is now larger and shows more detail.
For fun, browse through the group pool for Amazing Circles.
Your towel and a nice hot cuppa tea.
All you need to enjoy the final Apocalypse at Milliways, the Restaurant At The End Of The Universe.
In tribute to the works of the late Douglas Adams, creator of the wholly remarkable Hitch-Hiker's Guide To The Galaxy.
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The ritzy stone my towel ("Mao" to all his flannel mates) is draped over is a piece of building facade on display at the Melbourne Exhibition Building Gardens. The rest is all down to Photoshop filters. The teacup came out of my partner's Bestest China cabinet. I reckon the End Of The Universe would be a suitably grand occassion to bring it out!
I set up a number of pictures for this year's towel day, none of which I was able to do on the actual day, it was wayyyyy too busy a week for that.
But I did carry Mao (and "Red", my other companion towel) with me all day on the 25th, when he proved endlessly useful to pillow my head on the train, amongst all the other usual duties.