View allAll Photos Tagged image_manipulation,
Just south of IH25 leaving Santa Fe. The B52 wasn't there. but we use to fly close to the ground all over the central part of western United States.
A Photoshop CS2 painting.
Absolutely no image manipulation here, this is just how it came out my camera. Panasonic DMC-TZ6 on a 60 second exposure
Shot Data:
Subject: Jupiter
Shot date: 02/02/2015
Telescope: Meade ACF 8"
Focal Length: 2000mm
Aperture: 203mm (f/9.9)
Frames: 900
Mount: SkyWatcher HEQ5 Syntrek
Camera: QHY5L-IIm
Accessories: Astronomik IR Pro 807 planetary filter 1.25"
Shooting Software: GuLinux Planetary Imager
Processing Software: GIMP - GNU Image Manipulation Program, Registax
Credits: Marco Gulino
Our Feature Services:
Clipping path service
Cut out background/Background removal service
Image masking service
Image manipulation/Neck joint/Ghost mannequin service
Image shadow creation(All type of shadow)
Image color correction service
Image restoration service
Image retouching service
Vector conversion/Vector tracing service
Jewelry photo editing service
Manipulating an original digital photo. Careful selection allowed the subject and background to be separated. The clone stamp was used to paint in the wall, but the search continues for techniques to make it look more realistic.
My sister once asked me how I feel about using Photoshop and image manipulation. To her, photos have to roll out of her camera, ready like a polaroid. Every change is one to many.
I however, have strayed far from this notion and now, to quote the great John Cleese, fart in that general direction. Digital pictures, in my opinion, need a little interpretation, mostly because they generally lack the sensitive and organic nature of film. Besides it's not like the romantic days of yore days were totally void of a little burn or dodge (for those who know the lingo) and in the end, it's the transferring of a feeling that ranks supreme.
So, in the light of a free interpretation of Aristotle's quote 'to use photoshop to the amount at the right time, and for the right purpose and in the right way - that is not within everyone's power and that is not easy', today I totally went overboard and combined HDR - the ultimate photoshop snobbery - with an unhealthy dose of duotone. My oh my...
By the way, how do you like my new lamp :)
Part of the storyboard for part two of my digital image manipulation project. It's rather odd, as we have to work on it like it's an animation, although it's not. It has to be a minimum of ten images to a piece of music.
Having read feedback from Karen (Tthe Pack) that the bokeh of an earlier dragonfly photo reminded of a bug's eye view, I played with a couple of layer diffusions and filters in Photoshop to create this impressionistic take-off on the idea. Who has a Clue what a bee sees in it's little brain? Could that fragrance look like this?
A simple crop to qualify for this weeks manipulation theme. The original shot had the rider in the middle of the image, now re-framed to emphasise his journey down flooded path.