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more photos: www.facebook.com/hiddencharacters
You can see the full project on behance network: www.behance.net/gallery/Odooproject-Identity/2384980
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En önemli şeylerden biri de; kimliğin nasıl yaşandığı ve farklı kimliklere bakarak kendini nasıl tanımladığıdır..
The BNSF 4331, a GE C44-9W with a H2 Cab and radiator cowling whilst H1 on the engine cowl leads M336 south thru Lake Villa IL. 1.9.24
7 of November marking one month since the worst attack in the history of the Jewish state, Israelis across the country took part in memorial gatherings. In Tel Aviv at Habima Square thousands were standing around an installation of hundreds of beds and cribs symbolizing the hostages, watching a ceremony screened on the outer wall of the national theater.
Times of Israel
I decided to have some links printed on the back of my new business card. I included the web services I've used for over one year.
Instagram: www.instagram.com/mfcorridan
Facebook: www.facebook.com/mfcorridanphotography
Tumblr: www.mfcorridan.tumblr.com
City Identity of BsAs. Photography, 2012. 50×112.5cm, 20x44in.
“Me gusta la ciudad de Buenos Aires, entre otras razones, por esas altas medianeras a la vista que ofrecen un descanso ante tanta información visual, diferenciándola así de otras grandes ciudades cosmopolitas”. … “Y, mire mi propia experiencia. Acá estoy, en Santa Fe y Callao, con una medianera lindísima de frente, que está como a más de sesenta metros, o sea que hay un paisaje de sesenta metros, y después hay una pared, en vez de tener balcones con gente asomada a la ventana. Es lindo cuando aparecen las pequeñas ventanitas que van creciendo, como genéticamente, siguiendo un orden dado por la distribución de los departamentos”. – Clorindo Testa
Exhibited in: OMNIBUS QUE VA POR LA CALLE 42 – Galeria Fundación Mundo Nuevo, Avenida Callao 1870, Buenos Aires, Argentina. 31 May – June 2012.
all the serie: michelemolinari.info/2012/05/19/city-identity-of-buenos-a...
Done in asociation with an identity project in school (The Danish Design School).
If your curious, the entire project can be downloaded here:
www.mentalmirage.com/stuff/Philip Zeplin - Projekt 3-2 - DKDS - Small.pdf
Keep a lookout over at mentalmirage.com/blog for a tutorial on doing packaging like this in photoshop over the coming month or so!
The molecules of my blood boil and the red rage bubbles upward. The identity thief grabs for 4 new credit cards, 1 new bank account, 1 fraudulent tax refund, and leaves 2 collections agency citations on my perfect credit report. Impersonating me, one never knows what the possessors of my personal information will try next. The only thing certain is that the police assured me they would do nothing to stop it.
(Actually, this was made for a current exhibit and in truth, I never have felt anger/Wut about this at all, but I'm pretending I feel that way to justify this red piece which was to be about the internal life of the artist!)
Logo #1: The idea behind Astrobulb was to take an astronaut helmet and a light bulb and combine them to form one symbol. Originally, the symbol was without the two circles in the background, but when added, the symbol really popped and became stronger. Adding the circles gave me a chance to incorporate the word mark into the logo. I came upon the color scheme after researching "space" color themes.
Logo #2: This Triple E Engineering logo came from me taking the letter E and drawing it over and over again in varying forms, until something interesting came out of it. When I placed the letters together in this final way, I saw different angles of walls. I liked the idea of having a bit of depth from these different angles. I chose to make the middle E a lighter blue so that each E would stand out. I also added this lighter blue in the different areas as an accent and to create a sense of balance and unity.
Logo #3: This Early Bird Cafe logo is the logo that went through the most. I came up with the company name and went from there. In the beginning of its creation, the toucan was originally a peacock. The peacock logo was beginning to look a bit too realistic and that is not what I was going for. I decided to go less realistic and more geometric and simplified so that the focus could be on the coffee bean. The idea of the coffee bean beak came from the shape of the toucan beak. When I looked at the beak, I immediately saw the opportunity to make it a bean! I chose the brown tones to draw the attention to the bean and wanted to add a touch of color other than brown, so I went with a green leaf. Originally there was a lighter shade of black on the stomach area of the bird, and I replaced that with a full cup of coffee using positive and negative space.
Logo #4: This Swish Communications logo all began with a circle. I decided to start off simple and work with the shape. I added a gradient, and originally the colors were different. After some color research, I decided to go with a blue and green gradient. I wanted the green to be very subtle. The second idea behind this logo was the first "swoosh" shape. I liked the idea of the circle reaching out the way that it does on the left side. After that, I began to add more "swoosh" shapes, going along the edge of the circle, keeping the shape. The logo then became simple yet sophisticated to me, so I called it finished.
Deroche, BC Canada
The Austin Motor Company Limited was a British manufacturer of motor vehicles, founded in 1905 by Herbert Austin. In 1952 it was merged with Morris Motors Limited in the new holding company British Motor Corporation Limited, keeping its separate identity. The marque Austin was used until 1987.
The trademark is currently owned by the Chinese firm SAIC Motor, after being transferred from bankrupt subsidiary Nanjing Automotive which had acquired it with MG Rover Group in July 2005.
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Sonja
Tibetans have been kept away from their own identity for 50 years. How hard is it to live in your own land and be denied the feeling of roots? Most people don´t realise how lucky we are and how much we are failing as humans.
This image showcases the iconic Ferry Building Clock Tower in San Francisco, a timeless landmark symbolizing the city’s rich history and maritime heritage. The architectural style of the tower is inspired by the 12th-century Giralda in Seville, Spain, yet it possesses a distinctly San Francisco character. The structure features classic lines, a muted beige facade, and four prominent clock faces that are a defining feature of the waterfront skyline.
At the very top, the American flag flutters gently, adding a sense of pride and identity to the scene. Below, a white flag bearing a logo and the California state flag flank the base of the tower, further grounding the image in its locale. The overcast sky provides a soft, diffused light that highlights the textures and details of the tower's design, while the faint hints of blue in the clouds contrast subtly with the building’s warm tones.
The clock faces are elegantly designed with Roman numerals and ornate black hands, giving them a classic yet functional aesthetic. The open colonnade near the top of the tower adds depth and a sense of lightness to the otherwise solid structure, creating a balance that draws the eye upward.