View allAll Photos Tagged identity
Done in asociation with an identity project in school (The Danish Design School).
If your curious, the entire project can be downloaded here:
www.mentalmirage.com/stuff/Philip Zeplin - Projekt 3-2 - DKDS - Small.pdf
Keep a lookout over at mentalmirage.com/blog for a tutorial on doing packaging like this in photoshop over the coming month or so!
The molecules of my blood boil and the red rage bubbles upward. The identity thief grabs for 4 new credit cards, 1 new bank account, 1 fraudulent tax refund, and leaves 2 collections agency citations on my perfect credit report. Impersonating me, one never knows what the possessors of my personal information will try next. The only thing certain is that the police assured me they would do nothing to stop it.
(Actually, this was made for a current exhibit and in truth, I never have felt anger/Wut about this at all, but I'm pretending I feel that way to justify this red piece which was to be about the internal life of the artist!)
Tibetans have been kept away from their own identity for 50 years. How hard is it to live in your own land and be denied the feeling of roots? Most people don´t realise how lucky we are and how much we are failing as humans.
Goal: Display sign for a business seminar at Anchor Faith Church in St. Augustine, FL.
Audience: Business owners, business professionals, 18+
Direction: Had little direction. But after the initial title was given to me, my boss and I threw around the idea of doing some vintage/retro type with some character design.
Project: This time, just this sign and a hand-out card with similar look/feel.
Other important info: Finished, but I have no idea if it will get approved. I at least love it though.
She is a cold beauty hiding beneath the mask of synthetic harshness, revealed through a kaleidoscope of identities.
Bug or Leaf? Well both of course, it's a bug that looks like a leaf. It is VERY tiny, and I feel very lucky to have seen it. I was walking into work, carrying my backpack, purse, and had my camera around my neck and it was a hot a humid morning. Even though he was so tiny, he was noticeable to me on a reed of red fountain grass. I was sweating like crazy, but I think it was totally worth it.
Oh, as far as ID, I did some research, but I am not sure of the species. One I found, literally said Leaf Bug, LOL. Another said Leaf Katydid, and maybe it is a species of katydid, but don't all Katydids look like leaves? Okay, I'll shut up now, and let my fabulous contacts educate me. Love and thanks to them alll. I thought of so many of you when I saw this!! =o)
Hugs and thanks for viewing!! ***All rights to my images are STRICTLY reserved. Please contact me if you are interested in purchasing my images or if you are an educator or non-profit interested in use. copyright KathleenJacksonPhotography 2009***
A case of mistaken identity when it comes to this December 1991 shot of a nearly complete Dennis Lance inside the East Lancs factory. The first of the type to be bodied at Blackburn, it has been given a local registration mark in error (the finished vehicle may have even been delivered as such), when it should actually be J160 LPV for its intended customer, Ipswich Buses. Maybe the green livery added to the confusion, not to mention the Blackburn Coachlines Volvo in the adjacent bay. A rebodied Leopard for East Yorkshire's Scarborough & District operation is just visible to the rear of the Lance.
This image is copyright and must not be reproduced or downloaded without the permission of the photographer.
for Project SoulPancake - week 1 - Closely Admire Your Fingerprints
I know who I am and I am comfortable with that. I also don’t have a problem with other people finding out who I am although I do not advertise this. I am easily identified........ My fingerprints are unique; everything I touch can be traced to me. I welcome the responsibility and challenges that goes with such ownership. I have my identity and others can identify with me if they need or want to, it makes no difference. I do not have that choice, I am me.
Collection: British Leyland
Date: 1971
Reference Number: CorporateIdentityManual- Logo-1971 (2)
To enquire about any of our images or for more information, please contact photo@britishmotormuseum.co.uk or visit our photographic website at www.motorgraphs.com/.
Poster for Peter Andras' new exhibition, a painter and personal friend. The whole project, which includes a visual identity system, can be seen here.
The photo above depicts a collage I created based a projects theme of ‘Identity’. My process involved taking 2 photos of a figures face, one a close up and the other from further away. I then developed this piece by cutting up the photos and then combing them to in one singular reconstruction.
TIN CAN is a Dutch production company that focuses on the development and production of formats in the field of television, branding, online and events.
As shown in the movie, the entire identity consists of two basic elements that constitute the logo; namely a basic typography and four basic lines. Each line refers to one of the four disciplines of their profession. These lines are the main 'format' for the entire identity and are adaptable to different types of content and applications.
Check out my website www.cooee.nl for more work.
"I think history is inextricably linked to identity. If you don't know your history, if you don't know your family, who are you?" (Mary Pipher)
submitted to 100 words
45/100 words: identity
Logo and identity concept for the new Museum of Etnography in Budapest, Hungary (2020). Selected for the (best 10) shortlist by the Museum:
www.behance.net/gallery/116084765/Identity-concept-Museum...
Atherton Fleetline 4972 was an early recipient of GMN livery and like the other vehicles that were first out the paint shops it was devoid of fleetnames. As it was our chosen crate for rallies in 1993 we opted to source some GM Buses vinyls from the stores and fix them on rather than run the bus round 'bald'.
It is seen after our arrival at Heaton Park for the annual Trans-Lancs rally in September 93.
ShadowForge87 (or Dave to his friends and family) walked into the Internet Cafe and looked around. His laptop had run out of power and he'd forgotten to bring his power cable, so this place was his only choice if he wanted to get online.
Sitting down at the nearest desk, he entered the login details he'd been given by the pale looking assistent and waited. This could take a while, he thought, considering the computer looked like
something out of the 90s, but within a few seconds he was logged in.
Before he began visiting his usual sites, like BrickLink and Eurobricks, he'd better check to make sure there was nothing running that would track his actions. He was all too aware of the dangers of identity theft and you couldn't be too careful in a place like this.
In the basement of the Internet Cafe, another computer screen flared into life:
... Terminal 2 Activated ...
... Cloning Facility Online ...
... Cloning Process Initiated ...
====================================================================
This vignette was created for the Eurobricks Collectable LEGO Minifigs Series 7 contest as a display setting for the Computer Programmer minifig.
For the creativeLIVE - Fashion Flair with Lindsay Adler
Breaking the rule of thirds and Shooting with straight horizons
Our identity is being lost amongst many of the locals; it is only remembered once a year ...
Everyday is a national day. - Abdulla
Copyright 2008 - Abdulla (ThE~uNiQuE)
Detail of the beautiful mid-14th century canopy of the Percy Tomb on the north side of the high altar. The tomb itself has disappeared and the exact identity of its occupant remains unclear, though Lady Eleanor (d.1328) is considered a likely candidate.
beverleyminster.org.uk/visit-us-2/percy-canopy/
There is a danger of running out of superlatives when trying to describe Beverley Minster. It is not only the second finest non-cathedral church in the country but is architecturally a far finer building than most of our cathedrals themselves! It will come as a surprise to many visitors to find this grand edifice simply functions today as a parish church and has never been more than collegiate, a status it lost at the Reformaton. What had added to its mystique and wealth was its status as a place of pilgrimage housing the tomb of St John of Beverley, which drew visitors and revenue until the Reformation brought an end to such fortunes and the shrine was destroyed (though the saint's bones were later rediscovered and reinterred in the nave). That this great church itself survived this period almost intact is little short of a miracle in itself.
There has been a church here since the 8th century but little remains of the earlier buildings aside from the Saxon chair near the altar and the Norman font in the nave. The present Minster's construction spans the entirety of the development of Gothic architecture but forms a surprisingly harmonious whole nevertheless, starting with Early English in the 13h century choir and transepts (both pairs) with their lancet windows in a building phase that stopped at the first bays of the nave. Construction was then continued with the nave in the 14th century but only the traceried windows betray the emergent Decorated style, the design otherwise closely followed the work of the previous century which gives the Minster's interior such a pleasingly unified appearance (the only discernable break in construction within can be seen where the black purbeck-marble ceased to be used for certain elements beyond the eastern bay of the nave). Finally the building was completed more or less by 1420 with the soaring west front with its dramatic twin-towers in Perpendicular style (the east window must have been enlarged at this point too to match the new work at the west end).
The fabric happily survived the Reformation intact aside from the octagonal chapter-house formerly adjoining the north choir aisle which was dismantled to raise money by the sale of its materials while the church's fate was in the balance (a similar fate was contemplated for the rest of the church by its new owners until the town bought it for retention as a parish church for £100). The great swathes of medieval glass alas were mostly lost, though seemingly as much to neglect and storm-damage in the following century than the usual iconoclasm. All that survived of the Minster's original glazing was collected to form the patchwork display now filling the great east window, a colourful kaleidoscope of fragments of figures and scenes. Of the other furnishings the choir stalls are the major ensemble and some of the finest medieval canopied stalls extant with a full set of charming misericords (though most of these alas are not normally on show).
There are suprisingly few monuments of note for such an enormous cathedral-like church, but the one major exception makes up for this, the delightful canopied Percy tomb erected in 1340 to the north of the high altar. The tomb itself is surprisingly plain without any likeness remaining of the deceased, but the richly carved Decorated canopy above is alive with gorgeous detail and figurative embellishments. There are further carvings to enjoy adorning the arcading that runs around the outer perimeter of the interior, especially the north nave aisle which has the most rewarding carved figures of musicians, monsters and people suffering various ailments, many were largely restored in the 19th century but still preserve the medieval spirit of irreverent fun.
To summarise Beverley Minster would be difficult other than simply adding that if one enjoys marvelling at Gothic architecture at its best then it really shouldn't be missed and one should prioritise it over the majority of our cathedrals. It is a real gem and a delight to behold, and is happily normally open and welcoming to visitors (who must all be astonished to find this magnificent edifice is no more than a simple parish church in status!). I thoroughly enjoyed this, my second visit here (despite the best efforts of the poor weather!).
We are chameleons; we often act differently depending on the situation or our surrounding.
We have our bright and darks sides.
We try to emerge from the darkness, but we end up going back.
What is would life be without its ups and downs?
Too much joy or too much sorrow?
British postcard in the Film Shots series by Film Weekly. Photo: Universal. Paul Lukas and Elissa Landi in By Candlelight (James Whale, 1933).
By Candlelight (James Whale, 1933) is one of the sophisticated precodes revolving around a series of mistaken identities and misrepresentations. It is an adaptation of the Austrian play, 'Bei Kerzenlicht', by writers Siegfried Geyer and Karl Farkas. Josef (Paul Lukas) is the valet for Count von Rommer (Nils Asther) and is well trained in the philandering ways of his master. Mistaken for the Count by a maid, Marie (Elissa Landi), whom he thinks is an aristocrat, Josef shows her a merry time in the Count's Monte Carlo villa. Meanwhile, the Count escapes a situation with Countess von Rischenheim (Dorothy Revier), when her husband Count von Rischenheim (Lawrence Grant) makes an unscheduled appearance, by posing as the butler.
Director Robert Wyler had failed to be able to make a satisfactory start with By Candlelight so Universal asked James Whale to continue the film. Whale took Ted Kent, his favourite cutter, and John Mescall as the camera director. Whale started the film over from the beginning. He filmed the script as it was for the most part, but he also made a game of it, putting in his special tricks of the trade. Producer Carl Laemmle was very happy with the result. He liked the film himself, and it brought in good money just in the nick of time to help save the studio once more, adding some good revenue to the spectacular revenues from Whale's The Invisible Man which were then really piling up. Mark Waltz at IMDb: "This art-deco gem, a fast-moving, well-acted comedy of manners (or lack of...). Lukas, who up to that point was known in Hollywood as the leading man of many women's films, proves himself to be much more debonair than presented in the past. With Landi, he shares some great scenes on a train ride where they mingle with common folk at a town fair. Landi is good in a drunk scene, but it's Lukas and Asther who get acting honours here. Whale does a great job with every single detail from the sets, photography, and unmannered performances that remain fresh today as they were in 1933." Hal Erickson at AllMovie: "By Candlelight is chock full of delightfully double-entendre pre-Code dialogue and dextrous directorial touches".
Sources: Hal Erickson (AllMovie), Mark Waltz (IMDb), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
ShadowForge87 (or Dave to his friends and family) walked into the Internet Cafe and looked around. His laptop had run out of power and he'd forgotten to bring his power cable, so this place was his only choice if he wanted to get online.
Sitting down at the nearest desk, he entered the login details he'd been given by the pale looking assistent and waited. This could take a while, he thought, considering the computer looked like
something out of the 90s, but within a few seconds he was logged in.
Before he began visiting his usual sites, like BrickLink and Eurobricks, he'd better check to make sure there was nothing running that would track his actions. He was all too aware of the dangers of identity theft and you couldn't be too careful in a place like this.
In the basement of the Internet Cafe, another computer screen flared into life:
... Terminal 2 Activated ...
... Cloning Facility Online ...
... Cloning Process Initiated ...
====================================================================
This vignette was created for the Eurobricks Collectable LEGO Minifigs Series 7 contest as a display setting for the Computer Programmer minifig.