View allAll Photos Tagged hyperrealism
This photograph is copyrighted and may not be used anywhere, including blogs, without my express permission.
Exposition Hyperréalisme au musée Maillol à Paris : l’art au-delà du réel, du malaise à la fascination
Après avoir été présentée à Bilbao, Rotterdam, Bruxelles ou Lyon, l’exposition-événement « Hyperréalisme. Ceci n’est pas un corps » s’installe à Paris au musée Maillol jusqu’au 5 mars. Emprunté à René Magritte, son titre annonce la couleur. Si les sculpteurs réunis ici ont pour préoccupation première de s’approcher au plus près du réel, l’acte même de création induit un décalage.
Sans être un mouvement établi, l’hyperréalisme naît dans les années 1960 aux États-Unis, d’abord en peinture, en réaction contre l’abstraction. Au fil des décennies suivantes, les artistes ne cesseront d’interroger ce rapport au réel, indissociable d’une réflexion sur le corps.
Pastel art on Pastelmat paper 32x24 cm
Credit goes Annabeell Bedeau for her wonderful reference photo of willow branches
My digital painting of a black and white photograph of the Mersey Bluff Lighthouse provides a hyperreal landscape. The steps involved in this process can be seen in the video I posted on The Art of Painting Photographs.
THIS IS NOT AI. (Though AI would get me thousands of views.)
"My only concern is putting the right shapes in the right colours in the right places. It is always the geometry." - Jeffrey Smart.
I've always been fascinated by the work of Australian artist Jeffrey Smart (1921-2013). www.artgallery.nsw.gov.au/collection/artists/smart-jeffrey/
Smart lived most of the latter part of his life in Italy, but his mature work identified the shapes and colours of industrial landscapes wherever they be in the world. Industrialism is a truly global phenomenon.
Whenever these sorts of scenes present themselves, I always think of (and miss) Jeffrey Smart. It seems to me he continued the surrealism of the early Giorgio de Chirico, and extended it into the realms of hyperrealism and Modernist abstraction.
www.menziesartbrands.com/blog-post/jeffrey-smart-waiting-...
"We are all inventors, each sailing out on a voyage of discovery, guided each by a private chart, of which there is no duplicate. The world is all gates, all opportunities."
~ Ralph Waldo Emerson
Have a great new week my friends.
I do it with gates I have found in Blois, La France,
during a holiday years ago.
I created it with PSE '25 and emphasized the second gate.
Exposition Hyperréalisme au musée Maillol à Paris : l’art au-delà du réel, du malaise à la fascination
Après avoir été présentée à Bilbao, Rotterdam, Bruxelles ou Lyon, l’exposition-événement « Hyperréalisme. Ceci n’est pas un corps » s’installe à Paris au musée Maillol jusqu’au 5 mars. Emprunté à René Magritte, son titre annonce la couleur. Si les sculpteurs réunis ici ont pour préoccupation première de s’approcher au plus près du réel, l’acte même de création induit un décalage.
Sans être un mouvement établi, l’hyperréalisme naît dans les années 1960 aux États-Unis, d’abord en peinture, en réaction contre l’abstraction. Au fil des décennies suivantes, les artistes ne cesseront d’interroger ce rapport au réel, indissociable d’une réflexion sur le corps.
Silicone and resin.
Drawing on ancient myths is a common factor in the art of Sam Jinks. These are archetypal images proving that despite the fact we feel so "modern", we are still ancient beings at heart.
Today, there's no collaboration. No mixing and matching. This is a full, top-to-bottom look built from the ground up using only one brand: S-RANK.
When a creator's catalog is this deep and this flawless, you can build an entire persona. The foundation is the "KAREEM" Skin and the full "KHAIRO" Body Skin & Overhaul system every muscle, pore, and striation is pure S-RANK.
Layered on their "KAIZO" Body Hair, "FAISAL" & "ABDUL" facial hair, and the "KIRZO" hairbase. The fit is the iconic "AMERIKAN" Flight Jacket, "DIMA" Industrial Jeans, and "SANTI" Rain Boots.
This is what happens when you commit to quality. S-RANK is in a league of its own.
— C R E D I T S —
▸ Everything: S-RANK
▸ Skin & Body: "KAREEM" Skin // "KHAIRO" Body Skin, Full Body Overhauls (Torso, Leg, Arm, Back, Hand, Foot, Neck), Striations, Nipple, Neck Blend
▸ Facial BOM: "YOUNES" Eyebrows, "YOUNES" Furrowed Brow, "SALIM" Gaunt Cheekbones, "DARKER UNDEREYES", "CHEEK BLUSH", "BEAUTY MARK", "FACE SCARS", "FACE GLOSS", "NOSE SCAR", "FAISAL" MUSTACHE, "ABDUL" STUBBLE, "NECK SHADOW", "KAREEM" Face Shading & Pores, "ABDUL" Face Pores
▸ Body BOM: "KAIZO" Body Hair (Pubic, Legs, Chest), "KAIZO" Body Pores
▸ Hairbase: "KIRZO" BUZZ CUT HAIRBASE V2
▸ Eyes: "AMIR" MESH EYES ▸ Jacket: "AMERIKAN" FLIGHT JACKET / LEGACY M V2
▸ Jeans: "DIMA" INDUSTRIAL JEANS / LEGACY M V2
▸ Boots: "SANTI" RAIN BOOTS / LEGACY
▸ Head: LeLutka EvoX CAMDEN 4.0
▸ Background - PALETO - Somewhere
Silicone, pigment, resin, human hair.
Apart from the fact this kneeling woman is about one half natural size, one must do a double take not to be convinced this is just sculpture.
Sam Jinks uses his media to create forms of uncanny precision - hyperrealism. "Yet beneath this realism lies a well of contemplative journeying into the unspoken poetics of emotional vulnerability." [From the exhibition guide.]
Leurs deux pieds gauches suscitent l’interrogation du promeneur, frappé par la démesure qui sublime ces objets ordinaires. Comme souvent, les objets « hyperréalistes » mais plus grands que nature de Lilian Bourgeat interrogent la limite entre fonctionnalité et démesure.
I'm not used to being self-referential, but when asked by a colleague, who thought that a picture was a drawing, I replied that, in that case, it was a photo. I think that led me to the idea of making public, something that only friends know. These drawings published by I made them, some time ago, Hyperrealism, was for a long time, my passion and I have worked on these drawings, I think that you want to reach perfection, that is to say that with a pencil it can make it look like A photograph, was my great struggle. Stress made me leave it for a while
by Ron Mueck
I don't remember the original title any more, if somebody knows it, be my guest!...;-)
P.S. The original title by Ron Mueck is "Drift"...
From Knightlore to Fallout 1, isometric projection provides immersive experience for computer gamers with relatively low requirements to the hardware. I would love to play this remastered high-res map in UFO against the landed Battleship team of Etherials ;)
I'm not used to being self-referential, but when asked by a colleague, who thought that a picture was a drawing, I replied that, in that case, it was a photo. I think that led me to the idea of making public, something that only friends know. These drawings published by I made them, some time ago, Hyperrealism, was for a long time, my passion and I have worked on these drawings, I think that you want to reach perfection, that is to say that with a pencil it can make it look like A photograph, was my great struggle. Stress made me leave it for a while
NIGHTCAFE AI
Here I reversed the text of a prompt by my good friend and prompt-pong buddy creator.nightcafe.studio/u/IAmWhoIWasNot
and ran it several times, wide screen, with various models.
PROMPT:
Junk Files of Life; Pencil drawing by Otto Rapp in a post apocalyptic wonderland, in heaven everything is fine by lady in the radiator and brothers quay, inspired by Paulo Cunha, H.R. Giger, Hieronymus Bosch, Art Nouveau, intricately detailed, hyperrealism, fantasy, pencil drawing, Bogomils Universe
Devant la boutique Bulgari
Carole A. Feuerman est reconnue comme une des figures pionnières de la sculpture Hyperréaliste. Avec Hanson et De Andrea, elle est une des premières a lancer le mouvement de l’Hyperréalisme, à la fin des années 70 en réalisant des sculptures qui représentent les modèles dans une façon très fidèle à la réalité. L’historien de l’art John T. Spike l’a baptisé la "reine du super-réalisme", consolidant ainsi sa place dans l’histoire de l’art.
Neuf œuvres de l’artiste sont exposées avenue George V.
Exposition GV Monumental - 1ère édition
Du 15 octobre au 14 novembre 2019
Exposition Hyperréalisme au musée Maillol à Paris : l’art au-delà du réel, du malaise à la fascination
Après avoir été présentée à Bilbao, Rotterdam, Bruxelles ou Lyon, l’exposition-événement « Hyperréalisme. Ceci n’est pas un corps » s’installe à Paris au musée Maillol jusqu’au 5 mars. Emprunté à René Magritte, son titre annonce la couleur. Si les sculpteurs réunis ici ont pour préoccupation première de s’approcher au plus près du réel, l’acte même de création induit un décalage.
Sans être un mouvement établi, l’hyperréalisme naît dans les années 1960 aux États-Unis, d’abord en peinture, en réaction contre l’abstraction. Au fil des décennies suivantes, les artistes ne cesseront d’interroger ce rapport au réel, indissociable d’une réflexion sur le corps.
Pure lines, accentuated contrasts, flat colors, this "marine aesthetic" is close to American painters' hyperrealism.
* * *
Lignes pures, contrastes accentués, couleurs en aplats, cette "esthétique marine" est proche de l'hyperréalisme des peintres américains.
Prompts: Abstract Surrealism in the style of Stefan Gesell, hyperrealism, minimalism --ar 9:16 --c 33 --s 333
Created with #midjourney #photoshop
Thank you for your visit, faves, and kind comments. 😊
© AI Art Legends 2022
I'm not used to being self-referential, but when asked by a colleague, who thought that a picture was a drawing, I replied that, in that case, it was a photo. I think that led me to the idea of making public, something that only friends know. These drawings published by I made them, some time ago, Hyperrealism, was for a long time, my passion and I have worked on these drawings, I think that you want to reach perfection, that is to say that with a pencil it can make it look like A photograph, was my great struggle. Stress made me leave it for a while