View allAll Photos Tagged hyperrealism
"Autumn is the year's last, loveliest smile."
— William Cullen Bryant
"So Long, Sweet Summer."
Thank you all so much for your visits, your warm and friendly words, your faves, but most of all your friendship!
Hugs to you by me and Beethoven
Wow, thank you so much for EXPLORE, September 12, 2024, position 106 ! my Explore page
pp: done with a texture by Tota and a Topaz filter
"It's remarkable how quickly a good and favorable wind can sweep away the maddening frustrations of shore living.” —Ernest K. Gann
The birds are waving us goodbye! ;-)
Enjoy you weekend my dear friends.
Thank you so much for watching and visits.
Hugs by me and a cuddle by Beethoven
Thank you so much for Explore, August 9, 2024,
position 425 ;-)
pp: -re-released-
I have changed the texture (by Joes Sistah) and I used a Topaz filter
My † Alfie , nearly 10 years ago.
Sweet memories left ♥
“Perhaps one reason we are fascinated by cats is because such a small animal can contain so much independence, dignity, and freedom of spirit. Unlike the dog, the cat’s personality is never bet on a human’s. He demands acceptance on his own terms.”
– Lloyd Alexander
Image is from my archive
pp: done with topaz simplify4 painted.
MidJourney AI Art
Keywords :Wrath in human form, depth of field, Hyperrealism, Volumetric lighting, Rembrant lighting
Maif, Paris_2024
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exposition "Faisons corps"
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programmation.maifsocialclub.fr/evenements/faisons-corps/
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Élisabeth Daynès est une artiste paléo dont les sculptures sont exposées dans les musées les plus prestigieux du monde : Field Museum, Chicago ; Musée Perot, Dallas ; Musée de la préhistoire Jeongok, Séoul ; Musée des Sciences CosmoCaixa, Barcelone ; Institut national d’anthropologie et d’histoire, Mexique ; Musée Narodni, Prague ; Musée de l’Homme, Paris… Depuis une décennie, elle ajoute à ses reconstructions scientifiques, un travail original traversé par une réflexion sur les enjeux de la figure humaine et du corps dans notre époque contemporaine.
Dès les débuts de sa carrière de plasticienne au théâtre, elle est fascinée par la question de la métamorphose physique et du jeu avec les apparences. Avec une première exposition consacrée à La Vérité des visages, elle entame une méditation sur l’identité et l’incarnation qu’elle poursuivra dans de nombreuses autres expositions comme Humans, Curieux face-à-face, Bouche B. Son exposition très appréciée Find Yourself présentée à Art up Lille en 2019 a donné lieu à plusieurs autres expositions à la Galerie du jour Agnès b. à Paris, la galerie 836M à San Francisco et la galerie Loo & Lou à Paris.
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I'm sure you don't really need to know that I organize my photo files by year, month and camera.
But since I'm starved for human company, I thought I'd tell you as if you were here with me.
Yesterday in Lightroom I clicked on the 2017 folder, and began working my way from 31 December toward the earlier parts of the year. It's something I haven't done before. Usually I look at a folder which has a particular camera's photos for a particular month. Lightroom chose to show me the images by capture date which meant as I worked my way toward earlier in the year, I might see something shot with the phone, or one of the Fujis, depending upon the date.
I came across this and realized that I haven't posted any bench photos for awhile. I thought my supply of them had been drained.
The native iPhone 7 camera app is almost too good. Its algorithms render edges too sharp to be believed. I had to copy the background layer in Ps a couple times. One I blurred about 1.7 pixels and masked all but the edges of the leaves. Against the sky the edges looked too sharp and unreal. The second copy I blurred 0.5 pixels over the entire image. I even had to desaturate and lighten the blue of the sky a little.
Now the image doesn't look so hyperreal.
Sorry about rambling on so.
Even introverts like me begin to feel the isolation after awhile.
Happy Bench Monday!
Steel trusses stack - Business Park - Avenida De La Carlota and Commerce Center Drive -Laguna Hills, CA
Despite the peeling paint, these stairs from the Gothic Chalmers Church in Launceston still look good in the late afternoon sun. The high saturation levels in these two photographs today are intended to create a sense of hyperreality.
This began as a straight photo of a Eucalyptus tree but letting my imagination flow, it turned into what may be called hyperrealism.
Hyperrealism is the young art form of creating illusions by enhancing reality. Artists of this genre take their works beyond purely photographic quality by placing added focus on visual, social, and cultural details of everyday life. They play with colour intensity, lighting, contrast, and sharpness to shape a more vivid depiction of what we can see with the naked eye. This is what separates Hyperrealism from its more naturalistic predecessor, Photorealism.
Best viewed large.
HSS
"The flowers of life are but illusions.
How many fade away and leave no trace."
~ Johann Wolfgang von Goethe
Happy Sunday my friends and have a good start of your new week! Thank you so much for your visits, your comments, your faves but most of all your friendship! ♥ Addy and Beethoven
pp: thanks Joes Sistah for your texture my dear!
Beethoven in the stormy seas with parrots on his shoulders. His ship is having a hard time, I hope he makes it on the Meowdy Mary and that he arrives safely back to shore.
I know Beety, this is just for fun, but those waves.......
Made possible with Night Café Creations.
Carole A. Feuerman is an American sculptor and artist working in Hyperrealism. Feuerman utilizes a variety of media including resin, marble, and bronze.
Canon EOS REBEL T3i
Winner: Beautiful Capture of Sleeping Subjects Contest of the Beautiful Capture Group; 17 Dec, 2023.
Musée Cinéma et Miniature in the heart of Vieux Lyon (Lyon’s old town). This museum unites miniaturist and founder Dan Ohlmann’s two passions: the magic of film special effects and the art of miniatures.
Les miniatures de Dan Ohlmann
Toutes les scènes hyperréalistes de Dan Ohlmann sont réunies dans son musée à Lyon, fruit de 20 années de passion créatrice.
Cet ancien ébéniste et architecte d’intérieur réalise ses miniatures animé d’une seule envie : inviter le spectateur à découvrir ou retrouver différentes ambiances et atmosphères de la vie quotidienne. Dan Ohlmann révèle la poésie qui s’empare de tout lieu lorsqu’il est fortement chargé d’histoire et de vécu.
Frozen hand with tiny winter landscape inside, snow-covered trees and lake embedded in palm, small glowing cabin, ice crystals on fingertips, pale blue lighting, magical winter surrealism, hyperreal detail.
💛 ❤️ 🔗 AI-created images blend imagination with precision — a fusion of human vision and machine mastery, where dreams take form in light and texture. They’re beauty born from code, yet filled with soul.” 💛 ❤️ 🔗
🌟🌟🌟“Inspiration does exist, but it must find you working.” – Pablo Picasso I firmly believe that being an artist is not about talent, it's about practice, practice, practice!🌟🌟🌟
Even when visiting the prairie you can forget the colors of the prairie. There seems a bright yellow and dull brown, a dusty and muted pall draped over the landscape.
The grasses are green. The grasses are brown. And your eyes can only notice the reds and blues at glances, if at all.
Apart from dawn and dusk, the sky shifts endlessly from white to blue to white while clouds build across the parching afternoon.
In summer there are few flowers, but even those come missing more often than not.
The colors in this photo are at once surreal and hyperreal. They exist in that uncertain light between the lens and the film.
The colors on the prairie are few, but giving into it feels more colorful; allowing yourself over to the prairie, scrambling with life, overcome with place and being, there exists an endless color spectrum of light.
This is how the prairie can feel.
I will often say something like "I try to make my color photos express how a place felt rather than how it looked," and that is what is happening here - though I cannot imagine it so for everyone.
Most see these nearly-desert places as empty, featureless, and ultimately colorless: the beauty is show through black & white, if at all. But here, in this photo (and with any luck in most of the prairie photos), our notions and expectations are merely the foundations for possibilities. Even this is little more than a starting place.
This photo shows nothing that wasn't already there. It invents nothing. It imagines nothing. It rearranges no design. What it does (I hope) is simply show you what is possible.
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'A Poet Without'
Camera: Mamiya RB67
Film: Agfa Color XRS 400; x-90s
Process: DIY ECN-2
Nebraska
July 2023
Exposition Hyperréalisme au musée Maillol à Paris : l’art au-delà du réel, du malaise à la fascination
Après avoir été présentée à Bilbao, Rotterdam, Bruxelles ou Lyon, l’exposition-événement « Hyperréalisme. Ceci n’est pas un corps » s’installe à Paris au musée Maillol jusqu’au 5 mars. Emprunté à René Magritte, son titre annonce la couleur. Si les sculpteurs réunis ici ont pour préoccupation première de s’approcher au plus près du réel, l’acte même de création induit un décalage.
Sans être un mouvement établi, l’hyperréalisme naît dans les années 1960 aux États-Unis, d’abord en peinture, en réaction contre l’abstraction. Au fil des décennies suivantes, les artistes ne cesseront d’interroger ce rapport au réel, indissociable d’une réflexion sur le corps.
Two worlds, two separate universes collide
shifting, shattering, meshing together
blurring the lines of night and day
The harsh blazing sun crashes into
the calm white moon.
The clouds bend with the stars
the sharp colors layer with dull dark
As orange mingles with indigo
catching the breath of the few
to witness this spectacle
at the peak of its crescendo
The world is bathed clean, new again
the scars of forgotten wounds
began to disappear as the blue hour nears
For a moment I stand suspended in air
eyes widen, hands reach out
With the end of another day
is the hope of a new beginning
to wash the face of our lives
enabling us to try once again.
Cottage Home
Hyperreal late gothic stellar ribbed vault . The original is in the parish church Hirschegg . Styria . Austria . Europe
I'm not used to being self-referential, but when asked by a colleague, who thought that a picture was a drawing, I replied that, in that case, it was a photo. I think that led me to the idea of making public, something that only friends know. These drawings published by I made them, some time ago, Hyperrealism, was for a long time, my passion and I have worked on these drawings, I think that you want to reach perfection, that is to say that with a pencil it can make it look like A photograph, was my great struggle. Stress made me leave it for a while
Exposition Hyperréalisme au musée Maillol à Paris : l’art au-delà du réel, du malaise à la fascination
Après avoir été présentée à Bilbao, Rotterdam, Bruxelles ou Lyon, l’exposition-événement « Hyperréalisme. Ceci n’est pas un corps » s’installe à Paris au musée Maillol jusqu’au 5 mars. Emprunté à René Magritte, son titre annonce la couleur. Si les sculpteurs réunis ici ont pour préoccupation première de s’approcher au plus près du réel, l’acte même de création induit un décalage.
Sans être un mouvement établi, l’hyperréalisme naît dans les années 1960 aux États-Unis, d’abord en peinture, en réaction contre l’abstraction. Au fil des décennies suivantes, les artistes ne cesseront d’interroger ce rapport au réel, indissociable d’une réflexion sur le corps.