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The Burcht, a small ringshaped fortress is argueably the oldest building in Leiden. The first wooden structures found during archaeological surveys were dated around 1,000 AD. The first remains of the stone stronghold are from 1200.
When I was in my teens and early 20’s me and my friends used to come here during the long summer nights to play guitar, sing, drink beer smoke weed. I have quite a few happy memories that are still wandering around that place.
Some traditions never seem to die. When I was walking around Leiden with Fotomom, I met these kids who were happy lively souls having a good time with eachother. When I asked if I could take their picture they were rather aprehensive. The girl on the left with the scarf told me I’d better take a happy picture of them. A week or so before they had been photographed by a journalist from a local paper and they were portrait as bad lazy kids who had nothing else to do than to hang out and be loud. I thought that was rather unfair. They reminded me of me and my friends. And I told them I had been hanging out with my friends at the Burcht just like they did, but that it was now only a happy memory, since it had been 15 years ago or so.
That is why I asked them to act silly and cheerful so I could portray them in a more positive way. This is the result. Unfortunately I don’t have any of their e-mail addresses, because I would love to send them this picture.
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De Burcht, een klein ringvormig fort is waarschijnlijk het oudste gebouw in Leiden. De eerste houten structuur die is gevonden tijdens archeologische opgravingen werd rond 1.000 N.C. gedateerd. De eerste stenen overblijfselen zijn van 1200.
In mijn tienerjaren en later kwamen mijn vrienden en ik hier om de lange zomeravonden te vieren. We speelden gitaar, zongen, dronken bier en rookten soms wat wiet zoals kinderen van die leeftijd nou eenmaal doen. Er dwalen nog steeds veel mooie herinneringen van mij rond op die plaats.
Sommige tradities lijken nooit verloren te gaan. Toen ik er met Fotomom rondliep, ontmoette ik deze kinderen die lekker vrollijk waren en het uitstekend naar hun zin hadden. Ik vroeg ze of ik een foto van ze mocht nemen, maar daar waren ze niet zo blij mee. Het meisje links met de sjaal vertelde mij dat ik er maar beter een vrolijke foto van zou maken. Een week daarvoor waren ze door een journalist van een plaatselijke krant gefotografeerd en in zijn artikel werden ze afgeschilderd als agressieve luie kinderen die de hele dag niets anders te doen hadden dan maar wat rondhangen en mensen lastig vallen. En dat vond ik niet eerlijk. Ze waren precies zoals ik en mijn vrienden. Dus zei ik ze dat ik precies hetzelfde als zij hadden gedaan. Maar dat was nu nog slechts een mooie herinnering want het was al minstens 15 jaar geleden.
Dus vroeg ik ze om lekker gek te doen voor ik de foto nam zodat ik ze op een positieve manier kon vastleggen. Hier zie je het resultaat. Helaas heb ik van geen van hen een e-mail adres, want ik zou ze maar wat graag deze foto sturen.
Detail: 1905 Memorial window designed by Christopher Whall
www.flickr.com/gp/52219527@N00/3ri9wu "In memory of Monica Peveril Turnbull 13th June 1878 - 4th March 1901 & Dorothea Peveril Turnbull 2nd June 1880 - 27th April 1901
With joy and gladness shall they be brought and shall enter into God's palace"
Monica & Dorothea were the only children of Peveril Turnbull 1851–1926 & his wife Phyllis Anne Kay 1849–1946 of Sandybrook Hall. They died of multiple burns aged 22 & 20 in June & April after a fire in February
This is described in George Shaw’s book ‘People of the Millennium in Ashbourne, from Cockayne to the Queen’ and a personal letter.
‘One of the greatest tragedies to occur in Ashbourne happened on the 9th February 1901 at Sandybrook Hall, the home of the Turnbull family. Peveril Turnbull had just bought a new lamp for the dinner table, and had been warned that it should not be carried whilst lit. For some reason he had not taken the advice and whilst walking out of the dining room the lamp flared and he dropped it. The lamp fell at the feet of his younger daughter Dorothea and her dress burst into flames. Her sister Monica ran to her aid but her dress also caught fire. Both girl’s injuries proved fatal. Monica died 3 weeks later on 4th March, while Dorothea lived for 2 months longer & despite attempted skin grafts, she also died on the 27th April. Their parents later became involved in the care of children in need and in Windmill Lane they built an orphanage St Monica's Home " (St Monica was the patron saint of patience)
Their deaths were reported in the local papers:
SISTER'S FATAL BRAVERY
Miss Monica Turnbull, eldest daughter of Mr. Peveril Turnbull, J.P., of Sandibrook Hall, Ashbourne, Derbyshire, died on Monday morning under exceedingly painful circumstances. A few days ago a paraffin lamp was upset in the drawing room, and her sister Dorothea was set on fire. Miss Monica ran to her aid, but before the flames were extinguished both ladies were terribly burnt. The heroic action of the elder sister cost her her life.
Cornish & Devon Post - 9 March 1901
PATHETIC DEATH OF TWO SISTERS
An inquest was held at Sandybrook Hall, Ashbourne, on Monday, on the body of Miss Dorothea Turnbull, younger daughter of Mr. Peveril Turnbull, J.P., who died from the effects of burns caused by the upsetting of a lamp on February 9th. Miss Monica Turnbull, the elder sister, lost her life in attempting to extinguish the flames, but Miss Dorothea lingered on and died from exhaustion. A verdict of "Accidental death" was returned.
Leigh Chronicle and Weekly District …
The window contains images of the Virgin Martyr Saints with portraits of the sisters as St Barbara and St Dorothea on either side of St Cecilia who is seen falling asleep to the sounds of celestial music, a symbol of death. Small winged angel children play the organ and sing under a sorrowing angel. The celestial city is visible in one panel, viewed through a thicket of thorns.
The face of St Cecilia is that of Christopher Whall's wife Florence, www.flickr.com/gp/52219527@N00/540jWm whilst the sorrowing angel rising from the flames holding a martyrs palm at the top is his daughter, Veronica. www.flickr.com/gp/52219527@N00/5T1d36
Whall’s signature on this stained glass was his own thumbprint.
MEMORIAL UNVEILED - On Tuesday the Bishop of Southwell unveiled in the Parish Church a memorial window dedicated to Monica and Dorothea Peveril Turnbull. ............ After the service, a public tea and garden party was held in the Hall Hotel Grounds. Subsequently, his Lordship addresses a public meeting in the Town Hall on church work and service.
Staffordshire Advertiser - 1 July 1905
Monica & Dorothea are buried in the churchyard , www.findagrave.com/memorial/185143294/dorothea-peveril-tu... their gravestone inscribed:
"Thou thy worldly task hast done, home art gone"
In memory of Monica Peveril Turnbull born 13 Jun 1878, died 4 Mar 1901 and of Dorothea Peveril Turnbull born 2 Jun 1880, died 27 Apr 1901 beloved & only daughters of Peveril & Phyllis Turnbull
"Lighten our darkness, We beseech thee O Lord"
Church of St Oswald, Ashbourne, Derbyshire
Flynn, John, 1880-1951
Title devised by cataloguer based on accompanying documentation.; Part of the Australian Inland Mission collection.; Attribution is uncertain.; Condition: Good.; "Colored by T W Cameron 110 Lygon St Carlton Victoria Australia" -- Printed at bottom of slide.; Also available in an electronic version via the Internet at: nla.gov.au/nla.pic-an24508753.
Persistent URL
Tetamanu pass in Fakarava on Google Earth l Fakarava on wikipedia l Raimiti Inn, Fakarava l
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Drone Photography DJI MAVIC Air
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Traditionnal Fish park in Tetamanu Pass Fakarava, Frenc Polynesia
Plantarum indigenarum et exoticarum icones ad vivum coloratae, oder, Sammlung nach der Natur gemalter Abbildungen inn- und ausländlischer Pflanzen, für Liebhaber und Beflissene der Botanik /.
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D. Marcus Elieser Bloch's, ausübenden Arztes zu Berlin ... Oeconomische Naturgeschichte der Fische Deutschlands ....
Berlin :Auf Kosten des Verfassers und in Commission bei dem Buchhändler Hr. Hesse,1782-1795..
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Photo by Olympus PEN-F PENF + Panasonic Leica DG 12mm f/1.4
En Biodiversidad virtual y también en Instagram como @proyectoagua.
Quizá para pescar gotas de agua limpia Bambusina borreri lanza sus cañas en los fondos del Lago de Sanabria con su cuerpo de collar, y pone sus broches de joya verde en la densa maraña que forma el tapiz parduzco que ahora viste su lecho. Desde hace años, lo que antes fue una superficie de arena gruesa y roca desnuda bajo unas aguas de cristal, se ha convertido en una huerta sumergida, abonada por aguas sin depurar que tiñen de neblina verde su transparencia original, esa que Bambusina quiere pescar para ella y para el Lago. .
Entre ese manto de de filamentos de algas y de cianobacterias enmarañadas, nunca antes conocido, en el que se tejen selvas inexpugnables, Bambusina como una excepción, asoma su cuerpo tenue, con sus cuentas repetidas y hermosas recordando que nunca se pierda la esperanza, esperanza de aguas limpias y aire limpio que disuelva las aguas sucias y su tristeza.
Como un bambú de transparencia de cristal Bambusina forma tallos bajo el agua como cuenta su nombre, aunque Bambusina ni es bambú ni sus tallos transparentes están hechos de cristal. Bambusina es alga solitaria y sus hilos se desgranan cuando sopla la corriente, sembrando el agua de las pequeñas joyas de turquesas que forman sus tiernas cañas.
La forma de los filamentos de esta pequeña alga que crece en las aguas ácidas es inconfundible, cada célula está formada por dos mitades que recuerdan a macetas colocadas una enfrente de la otra. Es en esta zona de unión entre las dos mitades donde se situa el centro de la célula, con un casi inapreciable itsmo y en cuyo interior se halla el núcleo.
Bambusina borreri forma filamentos rectos, que con facilidad se desarticulan y se desgranan en el agua en fragmentos de dos o varias células.
Las células de Bambusina borreri son relativamente pequeñas, de 14 a 25 micras de anchura y pueden alcanzar entre las 25 y 39 micras de longitud. Su pared celular presenta unas finísima ornamentación de poros dispuestos en filas transversales y cerca de los extremos de la célula aparecen unas estrías que sólo se aprecian bien cuando se vacía su contenido.
Los cloroplastos en Bambusina son siempre dos, uno en cada semicélula y se puede apreciar en ellos su configuración estrellada cuando se observa la célula desde uno de sus extremos.
El género Bambusina se puede reproducir asexualmente mediante la división transversal de sus células, pero no es infrecuente observar mecanismos de reproducción sexual que se lleva a cabo mediante la conjugación de los filamentos de una forma parecida a como lo hacen Mougeotia o Spirogyra
Con diferencia, la especie más extendida de este género es la que mostramos hoy aquí Bambusina borreri, de distribución cosmopolita y poco citada en nuestro país, aunque ya en 1913 Bachmann la señaló de las zonas altas de Sanabria donde también fue señalada por Margalef en los años 1955 y 1956.
Bambusina borreri se suele encontrar en aguas ácidas pobres en nutrientes y su presencia en el Lago está relacionada con los aportes de un buen número de especies que llegan desde las turberas y lagunas de la alta Sanabria a través del río Tera. Cuando llegan al Lago de Sanabria, afectado de la contaminación de aguas residuales desde hace años, sus días estarán contados, pero siempre dejan en él la luz de una esperanza para su recuperación
Las fotografías que mostramos, se han realizado a 400 aumentos empleando las técnicas de contraste de interferencia contraste de fases y epifluorescencia, se han tomado sobre una muestra recolectada a cuatro metros de profundidad, el 12 de marzo de 2018 por Tomás y Mª José en las inmediaciones de la Isla de Moras en el Lago de Sanabria (Zamora), desde el catamarán Helios Sanabria el primer catamarán construido en el Planeta propulsado por energía eólica y solar.
LIBRO: Lago de Sanabria 2015, presente y futuro de un ecosistema en desequilibrio
Presentación ponencia congreso internacional de Limnología de la AIL
Informes de contaminación en el Lago de Sanabria
informe de evolución de la contaminación en el Lago de Sanabria
PRG 1218/34/1262h Aboriginal children in line at Ernabella School. The children are lined up in what appears to be oldest to youngest, with their billy cans placed nearby. Taken by CP Mountford.
This image depicts Australian Aboriginal people or aspects of their culture. Please refer to the State Library's Conditions of use
ID: 003780
This picture is (c) Copyright Frank Titze, all rights reserved.
It may NOT be reproduced, copied, edited, published, transmitted or uploaded in any way without my permission.
See more pictures on frank-titze.art.
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Processing: Digital
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Exposure: 07/2015
Processing: 08/2015
Published: 12/2015
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Epic goddess video: www.youtube.com/watch?v=NtlVGi_K-Bk
Nikon D800E photography of Pretty Brunette Swimsuit Bikini Model Goddess @ the 45SURF Summer Beach House! Gorgeous Blue Eyes! I'm thinking about adding a deck and a pool to the beach house / surf shack with the famous black 45SURF surfboard, and some cool beach reading for goddesses--Shakespeare, Homer's Iliad and Odyssey, and Melville's Moby Dick! You'll have to visit!
Join/like my facebook page! www.facebook.com/45surfHerosJourneyMythology
Follow me on facebook! facebook.com/elliot.mcgucken
Classic California--an athletic model goddess in a black Gold 45 Revolver bikini with the Moving Dimensions Theory Equation on it: dx4/dt=ic! Tall, thin, fit and very, very pretty!
Here's some new epic video of the epicly pretty brunette goddess--shooting stills & video @ the same time!:
www.youtube.com/watch?v=wHvI4Uyd_FY
www.youtube.com/watch?v=NtlVGi_K-Bk
Be sure to enjoy the epic videos in full screen HD! :)
Photos shot with the AMAZING Nikon D800 E and Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens and the B W 77mm XS-Pro Kaesemann Circular Polarizer with Multi-Resistant Nano Coating. Classic California Brunette Beach Babe! Beautiful Swimsuit Bikini Model Goddess with Pretty Blue Eyes and wavy brown/black hair!
Shot in both RAW & JPEG, but all these photos are RAWs finished in Lightroom 5 ! :)
Modeling the classic 45surf t-shirts and the Gold 45 Revolver Gold'N'Virtue Bikini on a sunny Malibu summer afternoon--my favorite for shooting on the beautiful socal beach!
Shot with the new Nikon D800E and Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens.
Captured in both RAW and JPEG.
Modeling the black & gold "Gold 45 Revolver" Gold'N'Virtue swimsuits with the main equation to Moving Dimensions Theory on the swimsuits: dx4/dt=ic. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:
herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!
May the Hero's Journey Mythology Goddess inspire you (as they have inspired me!) along your own artistic journey! Love, love, love the 70-200mm F/2.8 Lens! :)
All the Best on Your Epic Hero's Journey from Johnny Ranger McCoy!
May the classic California HJM Goddesses guide, inspire, and exalt ye along yer heroic artistic journey!
Spergularia marina (Saltmarsh sand spurry)
Habitat noddies on ladder at Pier Eastern Island, Midway Atoll, Hawaii.
June 05, 2008
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Ultracontemporary art works / periode Venice Biennale 2019
www.emergencyrooms.org/biennalist.html
www.emergencyrooms.org/formats.html
more here about the Biennale :
Ralph Rugoff has declared: «May You Live in Interesting Times will no doubt include artworks that reflect upon precarious aspects of existence today, including different threats to key traditions, institutions and relationships of the “post-war order.” But let us acknowledge at the outset that art does not exercise its forces in the domain of politics. Art cannot stem the rise of nationalist movements and authoritarian governments in different parts of the world, for instance, nor can it alleviate the tragic fate of displaced peoples across the globe (whose numbers now represent almost one percent of the world’s entire population).»
ALBANIA
Maybe the cosmos is not so extraordinary
Commissioner: Ministry of Culture Republic of Albania. Curator: Alicia Knock.
Exhibitor: Driant Zeneli.
ALGERIA***
Time to shine bright
Commissioner/Curator: Hellal Mahmoud Zoubir, National Council of Arts and Letters Ministry of Culture. Exhibitors: Rachida Azdaou, Hamza Bounoua, Amina Zoubir, Mourad Krinah, Oussama Tabti.
Venue: Fondamenta S. Giuseppe, 925
ANDORRA
The Future is Now / El futur és ara
Commissioner: Eva Martínez, “Zoe”. Curators: Ivan Sansa, Paolo De Grandis.
Exhibitor: Philippe Shangti.
Venue: Istituto Santa Maria della Pietà, Castello 3701
ANTIGUA & BARBUDA
Find Yourself: Carnival and Resistance
Commissioner: Daryll Matthew, Minister of Sports, Culture, National Festivals and the Arts. Curator: Barbara Paca with Nina Khrushcheva. Exhibitors: Timothy Payne, Sir Gerald Price, Joseph Seton, and Frank Walter; Intangible Cultural, Heritage Artisans and Mas Troup.
Venue: Centro Culturale Don Orione Artigianelli, Dorsoduro 919
ARGENTINA
El nombre de un país / The name of a country
Commissioner: Sergio Alberto Baur Ambasciatore. Curator: Florencia Battiti. Exhibitor: Mariana Telleria.
Venue: Arsenale
ARMENIA (Republic of)
Revolutionary Sensorium
Commissioner: Nazenie Garibian, Deputy Minister. Curator: Susanna Gyulamiryan.
Exhibitors: "ArtlabYerevan" Artistic Group (Gagik Charchyan, Hovhannes Margaryan, Arthur Petrosyan, Vardan Jaloyan) and Narine Arakelian.
Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596
AUSTRALIA
ASSEMBLY
Commissioner: Australia Council for the Arts. Curator: Juliana Engberg. Exhibitor: Angelica Mesiti.
Venue: Giardini
AUSTRIA
Discordo Ergo Sum
Commissioner: Arts and Culture Division of the Federal Chancellery of Austria.
Curator: Felicitas Thun-Hohenstein. Exhibitor: Renate Bertlmann.
Venue: Giardini
AZERBAIJAN (Republic of )
Virtual Reality
Commissioner: Mammad Ahmadzada, Ambassador of the Republic of Azerbaijan.
Curators: Gianni Mercurio, Emin Mammadov. Exhibitors: Zeigam Azizov, Orkhan Mammadov, Zarnishan Yusifova, Kanan Aliyev, Ulviyya Aliyeva.
Venue: Palazzo Lezze, Campo S. Stefano, San Marco 2949
BANGLADESH (People’s Republic of)
Thirst
Commissioner: Liaquat Ali Lucky. Curators: Mokhlesur Rahman, Viviana Vannucci.
Exhibitors: Bishwajit Goswami, Dilara Begum Jolly, Heidi Fosli, Nafis Ahmed Gazi, Franco Marrocco, Domenico Pellegrino, Preema Nazia Andaleeb, Ra Kajol, Uttam Kumar karmaker.
Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596
BELARUS (Republic of)
Exit / Uscita
Commissioner: Siarhey Kryshtapovich. Curator: Olga Rybchinskaya. Exhibitor: Konstantin Selikhanov.
Venue: Spazio Liquido, Sestiere Castello 103, Salizada Streta
BELGIUM
Mondo Cane
Commissioner: Fédération Wallonie-Bruxelles. Curator: Anne-Claire Schmitz.
Exhibitor: Jos de Gruyter & Harald Thys.
Venue: Giardini
BOSNIA and HERZEGOVINA
ZENICA-TRILOGY
Commissioner: Senka Ibrišimbegović, Ars Aevi Museum for Contemporary Art Sarajevo.
Curators: Anja Bogojević, Amila Puzić, Claudia Zini. Exhibitor: Danica Dakić.
Venue: Palazzo Francesco Molon Ca’ Bernardo, San Polo 2184/A
BRAZIL
Swinguerra
Commissioner: José Olympio da Veiga Pereira, Fundação Bienal de São Paulo.
Curator: Gabriel Pérez-Barreiro. Exhibitor: Bárbara Wagner & Benjamin de Burca.
Venue: Giardini
BULGARIA
How We Live
Commissioner: Iaroslava Boubnova, National Gallery in Sofia. Curator: Vera Mlechevska.
Exhibitors: Rada Boukova , Lazar Lyutakov.
Venue: Palazzo Giustinian Lolin, San Marco 2893
CANADA
ISUMA
Commissioner: National Gallery of Canada. Curators: Asinnajaq, Catherine Crowston, Josée Drouin-Brisebois, Barbara Fischer, Candice Hopkins. Exhibitors: Isuma (Zacharias Kunuk, Norman Cohn, Paul Apak, Pauloosie Qulitalik).
Venue: Giardini
CHILE
Altered Views
Commissioner: Varinia Brodsky, Ministry of Cultures, Arts and Heritage.
Curator: Agustín Pérez. Rubio. Exhibitor: Voluspa Jarpa.
Venue: Arsenale
CHINA (People’s Republic of)
Re-睿
Commissioner: China Arts and Entertainment Group Ltd. (CAEG).
Curator: Wu Hongliang. Exhibitors: Chen Qi, Fei Jun, He Xiangyu, Geng Xue.
Venue: Arsenale
CROATIA
Traces of Disappearing (In Three Acts)
Commissioner: Ministry of Culture of the Republic of Croatia. Curator: Katerina Gregos.
Exhibitor: Igor Grubić.
Venue: Calle Corner, Santa Croce 2258
CUBA
Entorno aleccionador (A Cautionary Environment)
Commissioner: Norma Rodríguez Derivet, Consejo Nacional de Artes Plásticas.
Curator: Margarita Sanchez Prieto. Exhibitors: Alejandro Campins, Alex Hérnandez, Ariamna Contino and Eugenio Tibaldi. Venue: Isola di San Servolo
CYPRUS (Republic of)
Christoforos Savva: Untimely, Again
Commissioner: Louli Michaelidou. Curator: Jacopo Crivelli Visconti. Exhibitor: Christoforos Savva.
Venue: Associazione Culturale Spiazzi, Castello 3865
CZECH (Republic) and SLOVAK (Republic)
Stanislav Kolíbal. Former Uncertain Indicated
Commissioner: Adam Budak, National Gallery Prague. Curator: Dieter Bogner.
Exhibitor: Stanislav Kolibal.
Venue: Giardini
DOMINICAN (Republic) *
Naturaleza y biodiversidad en la República Dominicana
Commissioner: Eduardo Selman, Minister of Culture. Curators: Marianne de Tolentino, Simone Pieralice, Giovanni Verza. Exhibitors: Dario Oleaga, Ezequiel Taveras, Hulda Guzmán, Julio Valdez, Miguel Ramirez, Rita Bertrecchi, Nicola Pica, Marraffa & Casciotti.
Venue: Palazzo Albrizzi Capello, Cannaregio 4118 – Sala della Pace
EGYPT
khnum across times witness
Commissioner: Ministry of Culture. Curator: Ahmed Chiha.
Exhibitors: Islam Abdullah, Ahmed Chiha, Ahmed Abdel Karim.
Venue: Giardini
ESTONIA
Birth V
Commissioner: Maria Arusoo, Centre of Contemporary Arts of Estonia. Curators: Andrew Berardini, Irene Campolmi, Sarah Lucas, Tamara Luuk. Exhibitor: Kris Lemsalu.
Venue: c/o Legno & Legno, Giudecca 211
FINLAND (Alvar Aalto Pavilion)
A Greater Miracle of Perception
Commissioner: Raija Koli, Director Frame Contemporary Art Finland.
Curators: Giovanna Esposito Yussif, Bonaventure Soh Bejeng Ndikung, Christopher Wessels. Exhibitors: Miracle Workers Collective (Maryan Abdulkarim, Khadar Ahmed, Hassan Blasim, Giovanna Esposito Yussif, Sonya Lindfors, Bonaventure Soh Bejeng Ndikung, Outi Pieski, Leena Pukki, Lorenzo Sandoval, Martta Tuomaala, Christopher L. Thomas, Christopher Wessels, Suvi West).
Venue: Giardini
FRANCE
Deep see blue surrounding you / Vois ce bleu profond te fondre
Commissioner: Institut français with the Ministry for Europe and Foreign Affairs and the Ministry of Culture. Curator: Martha Kirszenbaum. Exhibitor: Laure Prouvost.
Venue: Giardini
GEORGIA
REARMIRRORVIEW, Simulation is Simulation, is Simulation, is Simulation
Commissioner: Ana Riaboshenko. Curator: Margot Norton. Exhibitor: Anna K.E.
Venue: Arsenale
GERMANY
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office, Germany. Curator: Franciska Zólyom. Exhibitor: Natascha Süder Happelmann.
Venue: Giardini
GHANA ***
Ghana Freedom
Commissioner: Ministry of Tourism, Arts and Culture. Curator: Nana Oforiatta Ayim.
Exhibitors: Felicia Abban, John Akomfrah, El Anatsui, Lynette Yiadom Boakye, Ibrahim Mahama, Selasi Awusi Sosu.
Venue: Arsenale
GREAT BRITAIN
Cathy Wilkes
Commissioner: Emma Dexter. Curator: Zoe Whitley. Exhibitor: Cathy Wilkes.
Venue: Giardini
GREECE
Mr Stigl
Commissioner: Syrago Tsiara (Deputy Director of the Contemporary Art Museum - Metropolitan Organization of Museums of Visual Arts of Thessaloniki - MOMus).
Curator: Katerina Tselou. Exhibitors: Panos Charalambous, Eva Stefani, Zafos Xagoraris.
Venue: Giardini
GRENADA
Epic Memory
Commissioner: Susan Mains. Curator: Daniele Radini Tedeschi.
Exhibitors: Amy Cannestra, Billy Gerard Frank, Dave Lewis, Shervone Neckles, Franco Rota Candiani, Roberto Miniati, CRS avant-garde.
Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118
GUATEMALA
Interesting State
Commissioner: Elder de Jesús Súchite Vargas, Minister of Culture and Sports of Guatemala. Curator: Stefania Pieralice. Exhibitors: Elsie Wunderlich, Marco Manzo.
Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118
HAITI
THE SPECTACLE OF TRAGEDY
Commissioner: Ministry of Culture and Communication.
Curator: Giscard Bouchotte. Exhibitor: Jean Ulrick Désert.
Venue: Circolo Ufficiali Marina, Calle Seconda de la Fava, Castello 2168
HUNGARY
Imaginary Cameras
Commissioner: Julia Fabényi, Museo Ludwig – Museo d’arte contemporanea, Budapest.
Curator: Zsuzsanna Szegedy-Maszák. Exhibitor: Tamás Waliczky.
Venue: Giardini
ICELAND
Chromo Sapiens – Hrafnhildur Arnardóttir / Shoplifter
Commissioner: Eiríkur Þorláksson, Icelandic Ministry of Education, Science and Culture.
Curator: Birta Gudjónsdóttir. Exhibitor: Hrafnhildur Arnardóttir / Shoplifter.
Venue: Spazio Punch, Giudecca 800
INDIA
Our time for a future caring
Commissioner: Adwaita Gadanayak National Gallery of Modern Art.
Curator: Roobina Karode, Director & Chief Curator, Kiran Nadar Museum of Art. Exhibitors: Atul Dodiya, Ashim Purkayastha, GR Iranna, Jitish Kallat, Nandalal Bose, Rummana Hussain, Shakuntala Kulkarni.
Venue: Arsenale
INDONESIA
Lost Verses
Commissioner: Ricky Pesik & Diana Nazir, Indonesian Agency for Creative Economy.
Curator: Asmudjo Jono Irianto. Exhibitors: Handiwirman Saputra and Syagini Ratna Wulan.
Venue: Arsenale
IRAN (Islamic Republic of)
of being and singing
Commissioner: Hadi Mozafari, General Manager of Visual Arts Administration of Islamic Republic of Iran. Curator: Ali Bakhtiari.
Exhibitors: Reza Lavassani, Samira Alikhanzadeh, Ali Meer Azimi.
Venue: Fondaco Marcello, San Marco 3415
IRAQ
Fatherland
Commissioner: Fondazione Ruya. Curators: Tamara Chalabi, Paolo Colombo.
Exhibitor: Serwan Baran.
Venue: Ca’ del Duca, Corte del Duca Sforza, San Marco 3052
IRELAND
The Shrinking Universe
Commissioner: Culture Ireland. Curator: Mary Cremin. Exhibitor: Eva Rothschild.
Venue: Arsenale
ISRAEL
Field Hospital X
Commissioner: Michael Gov, Arad Turgeman. Curator: Avi Lubin. Exhibitor: Aya Ben Ron.
Venue: Giardini
ITALY
Commissioner: Federica Galloni, Direttore Generale Arte e Architettura Contemporanee e Periferie Urbane, Ministero dei Beni e delle Attività Culturali. Curator: Milovan Farronato.
Exhibitors: Enrico David, Liliana Moro, Chiara Fumai.
Venue: Padiglione Italia, Tese delle Vergini, Arsenale
IVORY COAST
The Open Shadows of Memory
Commissioner: Henri Nkoumo. Curator: Massimo Scaringella. Exhibitors: Ernest Dükü, Ananias Leki Dago, Valérie Oka, Tong Yanrunan.
Venue: Castello Gallery, Castello 1636/A
JAPAN
Cosmo-Eggs
Commissioner: The Japan Foundation. Curator: Hiroyuki Hattori. Exhibitors: Motoyuki Shitamichi, Taro Yasuno, Toshiaki Ishikura, Fuminori Nousaku.
Venue: Giardini
KIRIBATI
Pacific Time - Time Flies
Commissioner: Pelea Tehumu, Ministry of Internal Affairs. Curators: Kautu Tabaka, Nina Tepes. Exhibitors: Kaeka Michael Betero, Daniela Danica Tepes, Kairaken Betio Group; Teroloang Borouea, Neneia Takoikoi, Tineta Timirau, Teeti Aaloa, Kenneth Ioane, Kaumai Kaoma, Runita Rabwaa, Obeta Taia, Tiribo Kobaua, Tamuera Tebebe, Rairauea Rue, Teuea Kabunare, Tokintekai Ekentetake, Katanuti Francis, Mikaere Tebwebwe, Terita Itinikarawa, Kaeua Kobaua, Raatu Tiuteke, Kaeriti Baanga, Ioanna Francis, Temarewe Banaan, Aanamaria Toom, Einako Temewi, Nimei Itinikarawa, Teniteiti Mikaere, Aanibo Bwatanita, Arin Tikiraua.
Venue: European Cultural Centre, Palazzo Mora, Strada Nuova 3659
KOREA (Republic of)
History Has Failed Us, but No Matter
Commissioner: Arts Council Korea. Curator: Hyunjin Kim. Exhibitors: Hwayeon Nam, siren eun young jung, Jane Jin Kaisen.
Venue: Giardini
KOSOVO (Republic of)
Family Album
Commissioner: Arta Agani. Curator: Vincent Honore. Exhibitor: Alban Muja.
Venue: Arsenale
LATVIA
Saules Suns
Commissioner: Dace Vilsone. Curators: Valentinas Klimašauskas, Inga Lāce.
Exhibitor: Daiga Grantiņa.
Venue: Arsenale
LITHUANIA
Sun & Sea (Marina)
Commissioner: Rasa Antanavičıūte. Curator: Lucia Pietroiusti.
Exhibitors: Lina Lapelyte, Vaiva Grainyte and Rugile Barzdziukaite.
Venue: Magazzino No. 42, Marina Militare, Arsenale di Venezia, Fondamenta Case Nuove 2738c
LUXEMBOURG (Grand Duchy of)
Written by Water
Commissioner: Ministry of Culture of Luxembourg.
Curator: Kevin Muhlen. Exhibitor: Marco Godinho.
Venue: Arsenale
NORTH MACEDONIA (Republic of )
Subversion to Red
Commissioner: Mira Gakina. Curator: Jovanka Popova. Exhibitor: Nada Prlja.
Venue: Palazzo Rota Ivancich, Castello 4421
MADAGASCAR ***
I have forgotten the night
Commissioner: Ministry of Communication and Culture of the Republic of Madagascar. Curators: Rina Ralay Ranaivo, Emmanuel Daydé.
Exhibitor: Joël Andrianomearisoa.
Venue: Arsenale
MALAYSIA ***
Holding Up a Mirror
Commissioner: Professor Dato’ Dr. Mohamed Najib Dawa, Director General of Balai Seni Negara (National Art Gallery of Malaysia), Ministry of Tourism, Arts and Culture of Malaysia. Curator: Lim Wei-Ling. Exhibitors: Anurendra Jegadeva, H.H.Lim, Ivan Lam, Zulkifli Yusoff.
Venue: Palazzo Malipiero, San Marco 3198
MALTA
Maleth / Haven / Port - Heterotopias of Evocation
Commissioner: Arts Council Malta. Curator: Hesperia Iliadou Suppiej. Exhibitors: Vince Briffa, Klitsa Antoniou, Trevor Borg.
Venue: Arsenale
MEXICO
Actos de Dios / Acts of God
Commissioner: Gabriela Gil Verenzuela. Curator: Magalí Arriola. Exhibitor: Pablo Vargas Lugo.
Venue: Arsenale
MONGOLIA
A Temporality
Commissioner: The Ministry of Education, Culture, Science and Sports of Mongolia.
Curator: Gantuya Badamgarav. Exhibitor: Jantsankhorol Erdenebayar with the participation of traditional Mongolian throat singers and Carsten Nicolai (Alva Noto).
Venue: Bruchium Fermentum, Calle del Forno, Castello 2093-2090
MONTENEGRO
Odiseja / An Odyssey
Commissioner: Nenad Šoškić. Curator: Petrica Duletić. Exhibitor: Vesko Gagović.
Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE (Republic of)
The Past, the Present and The in Between
Commissioner: Domingos do Rosário Artur. Curator: Lidija K. Khachatourian.
Exhibitors: Gonçalo Mabunda, Mauro Pinto, Filipe Branquinho.
Venue: Palazzo Mora, Strada Nova, 3659
NETHERLANDS (The)
The Measurement of Presence
Commissioner: Mondriaan Fund. Curator: Benno Tempel. Exhibitors: Iris Kensmil, Remy Jungerman. Venue: Giardini
NEW ZEALAND
Post hoc
Commissioner: Dame Jenny Gibbs. Curators: Zara Stanhope and Chris Sharp.
Exhibitor: Dane Mitchell.
Venue: Palazzina Canonica, Riva Sette Martiri
NORDIC COUNTRIES (FINLAND - NORWAY - SWEDEN)
Weather Report: Forecasting Future
Commissioner: Leevi Haapala / Museum of Contemporary Art Kiasma / Finnish National Gallery, Katya García-Antón / Office for Contemporary Art Norway (OCA), Ann-Sofi Noring / Moderna Museet. Curators: Leevi Haapala, Piia Oksanen. Exhibitors: Ane Graff, Ingela Ihrman, nabbteeri.
Venue: Giardini
PAKISTAN ***
Manora Field Notes
Commissioner: Syed Jamal Shah, Pakistan National Council of the Arts, PNCA.
Curator: Zahra Khan. Exhibitor: Naiza Khan.
Venue: Tanarte, Castello 2109/A and Spazio Tana, Castello 2110-2111
PERU
“Indios Antropófagos”. A butterfly Garden in the (Urban) Jungle
Commissioner: Armando Andrade de Lucio. Curator: Gustavo Buntinx. Exhibitors: Christian Bendayán, Otto Michael (1859-1934), Manuel Rodríguez Lira (1874-1933), Segundo Candiño Rodríguez, Anonymous popular artificer.
Venue: Arsenale
PHILIPPINES
Island Weather
Commissioner: National Commission for Culture and the Arts (NCCA) / Virgilio S. Almario.
Curator: Tessa Maria T. Guazon. Exhibitor: Mark O. Justiniani.
Venue: Arsenale
POLAND
Flight
Commissioner: Hanna Wroblewska. Curators: Łukasz Mojsak, Łukasz Ronduda.
Exhibitor: Roman Stańczak.
Venue: Giardini
PORTUGAL
a seam, a surface, a hinge or a knot
Commissioner: Directorate-General for the Arts. Curator: João Ribas. Exhibitor: Leonor Antunes.
Venue: Fondazione Ugo e Olga Levi Onlus, Palazzo Giustinian Lolin, San Marco 2893
ROMANIA
Unfinished Conversations on the Weight of Absence
Commissioner: Attila Kim. Curator: Cristian Nae. Exhibitor: Belu-Simion Făinaru, Dan Mihălțianu, Miklós Onucsán.
Venues: Giardini and New Gallery of the Romanian Institute for Culture and Humanistic Research (Campo Santa Fosca, Palazzo Correr, Cannaregio 2214)
RUSSIA
Lc 15:11-32
Commissioner: Semyon Mikhailovsky. Curator: Mikhail Piotrovsky. Exhibitors: Alexander Sokurov, Alexander Shishkin-Hokusai.
Venue: Giardini
SAN MARINO (Republic of)
Friendship Project International
Commissioner: Vito Giuseppe Testaj. Curator: Vincenzo Sanfo. Exhibitors: Gisella Battistini, Martina Conti, Gabriele Gambuti, Giovanna Fra, Thea Tini, Chen Chengwei, Li Geng, Dario Ortiz, Tang Shuangning, Jens W. Beyrich, Xing Junqin, Xu de Qi, Sebastián.
Venue: Palazzo Bollani, Castello 3647; Complesso dell’Ospedaletto, Castello 6691
SAUDI ARABIA
After Illusion بعد توهم
Commissioner: Misk Art Insitute. Curator: Eiman Elgibreen. Exhibitor: Zahrah Al Ghamdi.
Venue: Arsenale
SERBIA
Regaining Memory Loss
Commissioner: Vladislav Scepanovic. Curator: Nicoletta Lambertucci. Exhibitor: Djordje Ozbolt.
Venue: Giardini
SEYCHELLES (Republic of)
Drift
Commissioner: Galen Bresson. Curator: Martin Kennedy.
Exhibitors: George Camille and Daniel Dodin.
Venue: Palazzo Mora, Strada Nova, 3659
SINGAPORE
Music For Everyone: Variations on a Theme
Commissioner: Rosa Daniel, Chief Executive Officer, National Arts Council (NAC).
Curator: Michelle Ho. Exhibitor: Song-Ming Ang.
Venue: Arsenale
SLOVENIA (Republic of)
Here we go again... SYSTEM 317
A situation of the resolution series
Commissioner: Zdenka Badovinac, Director Moderna galerija / Museum of Modern Art, Ljubljana. Curator: Igor Španjol. Exhibitor: Marko Peljhan.
Venue: Arsenale
SOUTH AFRICA (Republic of)
The stronger we become
Commissioner: Titi Nxumalo, Console Generale. Curators: Nkule Mabaso, Nomusa Makhubu. Exhibitors: Dineo Seshee Bopape, Tracey Rose, Mawande Ka Zenzile.
Venue: Arsenale
SPAIN
Perforated by Itziar Okariz and Sergio Prego
Commissioner: AECID Agencia Espanola de Cooperacion Internacional Para El Desarrollo. Ministerio de Asuntos Exteriores, Union Europea y Cooperacion. Curator: Peio Aguirre.
Exhibitors: Itziar Okariz, Sergio Prego.
Venue: Giardini
SWITZERLAND
Moving Backwards
Commissioner: Swiss Arts Council Pro-Helvetia: Marianne Burki, Sandi Paucic, Rachele Giudici Legittimo. Curator: Charlotte Laubard. Exhibitors: Pauline Boudry/Renate Lorenz.
Venue: Giardini
SYRIAN ARAB (Republic)
Syrian Civilization is still alive
Commissioner/Curator: Emad Kashout. Exhibitors: Abdalah Abouassali, Giacomo Braglia, Ibrahim Al Hamid, Chen Huasha, Saed Salloum, Xie Tian, Saad Yagan, Primo Vanadia, Giuseppe Biasio.
Venue: Isola di San Servolo; Chiesetta della Misericordia, Campo dell'Abbazia, Cannaregio
THAILAND
The Revolving World
Commissioner: Vimolluck Chuchat, Office of Contemporary Art and Culture, Ministry of Culture, Thailand. Curator: Tawatchai Somkong. Exhibitors: Somsak Chowtadapong, Panya Vijinthanasarn, Krit Ngamsom.
Venue: In Paradiso 1260, Castello
TURKEY
We, Elsewhere
Commissioner: IKSV. Curator: Zeynep Öz. Exhibitor: İnci Eviner.
Venue: Arsenale
UKRAINE
The Shadow of Dream cast upon Giardini della Biennale
Commissioner: Svitlana Fomenko, First Deputy Minister of Culture. Curators: Open group (Yurii Biley, Pavlo Kovach, Stanislav Turina, Anton Varga). Exhibitors: all artists of Ukraine.
Venue: Arsenale
UNITED ARAB EMIRATES
Nujoom Alghanem: Passage
Commissioner: Salama bint Hamdan Al Nahyan Foundation.
Curators: Sam Bardaouil and Till Fellrath. Exhibitor: Nujoom Alghanem.
Venue: Arsenale
UNITED STATES OF AMERICA
Martin Puryear: Liberty
Commissioner/Curator: Brooke Kamin Rapaport. Exhibitor: Martin Puryear.
Venue: Giardini
URUGUAY
“La casa empática”
Commissioner: Alejandro Denes. Curators: David Armengol, Patricia Bentancur.
Exhibitor: Yamandú Canosa.
Venue: Giardini
VENEZUELA (Bolivarian Republic of)
Metaphore of three windows
Venezuela: identity in time and space
Commissioner/Curator: Oscar Sottillo Meneses. Exhibitors: Natalie Rocha Capiello, Ricardo García, Gabriel López, Nelson Rangelosky.
Venue: Giardini
ZIMBABWE (Republic of)
Soko Risina Musoro (The Tale without a Head)
Commissioner: Doreen Sibanda, National Gallery of Zimbabwe. Curator: Raphael Chikukwa. Exhibitors: Georgina Maxim, Neville Starling , Cosmas Shiridzinomwa, Kudzanai Violet Hwami.
Venue: Istituto Provinciale per L’infanzia “Santa Maria Della Pietà”. Calle della Pietà Castello n. 3701 (ground floor)
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invited artist :
Lawrence Abu Hamdan (Jordan / Beirut)
Njideka Akunyili Crosby (Nigeria / USA),Halil Altındere (Turkey),Michael Armitage (Kenya / UK),Korakrit Arunanondchai (Thailand / USA),Alex Gvojic (USA),Ed Atkins (UK / Germany / Denmark),Tarek Atoui (Lebanon / France),
Darren Bader (USA),Nairy Baghramian (Iran / Germany,
Neïl Beloufa (France),Alexandra Bircken (Germany),Carol Bove (Switzerland / USA,
Christoph Büchel (Switzerland / Iceland,
Ludovica Carbotta (Italy / Barcelona),Antoine Catala (France / USA),Ian Cheng (USA),George Condo (USA
Alex Da Corte (USA),Jesse Darling (UK / Germany),Stan Douglas (Canada),Jimmie Durham (USA / Germany),Nicole Eisenman (France / USA,
Haris Epaminonda (Cyprus / Germany),Lara Favaretto (Italy),Cyprien Gaillard (France / Germany), Gill (India),Dominique Gonzalez-Foerster (France),Shilpa Gupta (India),Soham Gupta (India),Martine Gutierrez (USA),Rula Halawani (Palestine),Anthea Hamilton (UK),Jeppe Hein (Denmark / Germany),Anthony Hernandez (USA),Ryoji Ikeda (Japan / France),Arthur Jafa (USA),Cameron Jamie (USA / France / Germany),Kahlil Joseph (USA),Zhanna Kadyrova (Ukraine),Suki Seokyeong Kang (South Korea),Mari Katayama (Japan),Lee Bul (South Korea),Liu Wei (China),Maria Loboda (Poland / Germany),Andreas Lolis (Albania / Greece),Christian Marclay (USA / London),Teresa Margolles (Mexico / Spain),Julie Mehretu (Ethiopia / USA),Ad Minoliti (Argentina),Jean-Luc Moulène (France),Zanele Muholi (South Africa),Jill Mulleady (Uruguay / USA),Ulrike Müller (Austria / USA),Nabuqi (China),Otobong Nkanga (Nigeria / Belgium),Khyentse Norbu (Bhutan / India),Frida Orupabo (Norway),Jon Rafman (Canada).Gabriel Rico (Mexico),Handiwirman Saputra (Indonesia),Tomás Saraceno (Argentina / Germany),Augustas Serapinas (Lithuania),Avery Singer (USA),Slavs and Tatars (Germany),Michael E. Smith (USA),Hito Steyerl (Germany),Tavares Strachan (Bahamas / USA),Sun Yuan and Peng Yu (China),Henry Taylor (USA),Rosemarie Trockel (Germany),Kaari Upson (USA),Andra Ursuţa (Romania),Danh Vō (Vietnam / Mexico),Kemang Wa Lehulere (South Africa),Apichatpong Weerasethakul (Thailand) and Tsuyoshi Hisakado (Japan),Margaret Wertheim and Christine Wertheim (Australia / USA) ,Anicka Yi (South Korea/ USA),Yin Xiuzhen (China),Yu Ji (China / Austria)
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other Biennale :(Biennials ) :Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
وینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
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Thierry Geoffroy / Colonel
artfair copenhagen
Reference: Photo 24/(117)
From the Girdwood Collection held by the British Library.
This image is part of the Europeana Collections 1914-1918
Date: 25 Jul 1915
See also:
- View this at the British Library's site
Format: Photographic print.
Rights Info: No known restrictions on publication.
Part Of: Powerhouse Museum Collection
General information about the Powerhouse Museum Collection is available at www.powerhousemuseum.com/collection/database
Persistent URL: www.powerhousemuseum.com/collection/database/?irn=389104
Acquisition credit line: Gift of Dorothy Stuckey, 1987
Photography by Cajsa Lilliehook
Store info at Blogging Second Life
****SHOPPING LIST******
Poses: Furnishing and Sweet Lovely Cute AO
Skin: [PXL] Aeryn NAT ~ Makeup 03 MEB C2 @ Skin Fair
Eyes: [UMEBOSHI] Eon eyes dark Green (med)
Lashes: Lelutka Diva Lashes
Mesh Attachments:
Slink Avatar Enhancement Feet High Left V2.0
Slink Avatar Enhancement Feet High Right V2.0
Slink Avatar Enhancement Hands V2 - L - Relaxed
Slink Avatar Enhancement Hands V2 - R - Elegant1
Slink Physique Mesh Body V2.3.1
Mani/Pedi: FLAIR
Hair: ::Exile::Touch so Warm @ Collabor88
Clothing: Emery Donna V-Neck Sweater Emerald_Small @ Collabor88
Emery Josie Pencil Skirt Sky_Small @ Collabor88
Shoes: fri. - Audrey.Pumps (Teal) - Slink @ Collabor88
Jewelry: EarthStones Celtic Claddagh Earrings, Necklace and Ring
(stones and metal change with touch script)
EarthStones Celtic Claddagh Ring
Location:
At Collabor88
+Half-Deer+ owls
Trompe Loeil - Palmer Lodge, Trompe Loeil - Audrey's Chair Chevron PG
Second Spaces - Cooper Desk - grey, Second Spaces - Cooper Chair - black/white w/black frame, Second Spaces - Cooper Desk - tape recorder for Diane
floorplan. forest print, floorplan. chevron sideboard, floorplan. leaning lamp
Apt B // Chevron Clock, Apt B // Owl Wood Frame, Apt B // Bang Bang Neon Sign
Schadenfreude There's a Fish in the Percolator (closed)
Schadenfreude Red Room Mug, empty (display)
flowey x Teawood: Saturn Lamp / Baby Blue [R]
At The Arcade
MudHoney Leather Bag - Black, Pocket Clutter, Earphones, Bill Pile, Smart Phone, Cat keyring
Miamai_Sprites_Display FREE
AITUI - Messy Bedroom - Striped Area Rug
-David Heather-Weapons Bag RARE, -David Heather-Money Briefcase RARE, Case, -David Heather-Rotary Phone/Black, -David Heather-Date Book
[Commoner] The Murphy Collection / Cluster of Candles, [Commoner] The Murphy Collection / Row of Books
-tres blah- Hodgepodge - Stacked Magazines, Paper Pile, Cup of Joe, Dirty Dishes, Refreshments and Breakfast Clutter
Le Primitif: :::LP::: Fashion Magazine - [Women's] Open, :::LP::: FOS
Lenses Display
Sari-Sari - Cafe Happy - Take-Out Bag
xin. desk fan + red
18 - 8f8 - primavera in Toscana Sofa
Older Items
[HANDverk]Stickley Settle.stripe.adult
MudHoney Eva Coffee Table, Rug
MudHoney Agate Coaster 4
Sari-Sari - Twig Table
:::LP::: Fried_Rice Takeout Box, :::LP::: Bottle Soda - Lemon Lime
MudHoney Wooden Boxes w/ Metal Diamond
MudHoney Books w/ Apple
3D Trees
Bazar Toronto-Study armchair
MudHoney Zelia Plant, MudHoney Horn Sculptur
floorplan. diner chair / red, floorplan. small diner table
Trompe Loeil - Retro Kitchen Cherry Red {A}
ISPACHI - The Arrival - Frolicking Foxes
ISPACHI - The Arrival - The Bear and The Fox RARE
ISPACHI - The Arrival - March of the Mallards
ISPACHI - The Arrival - The Wisest Owl
ISPACHI - The Arrival - Between Two Squirrels
:
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Primaire présidentielle écologiste, série complète : www.flickr.com/photos/sebastienduhamel/sets/7215762989588...
Albums Écologie, Éducation, Société et Politiques : www.flickr.com/photos/sebastienduhamel/collections/721576...
Projets/Reportages Fondation Nicolas Hulot : www.flickr.com/photos/sebastienduhamel/collections/721576...
____________________________________________________
Nicolas Hulot : "J’ai décidé d’être candidat"
Déclaration de candidature à l’élection présidentielle, le 13 avril 2011 à Sevran.
Changeons de cap,
Depuis 35 ans, je parcours le monde et je l’ai vu changer. J’ai exploré ses beautés, j’ai partagé ses bonheurs. En même temps, j’ai mesuré l’aggravation simultanée des inégalités et des destructions de la nature. L’humanité est devenue la proie d’une épidémie de crises qui accable le plus grand nombre. Les équilibres sociaux chancellent, ceux du climat et du vivant s’effondrent. Les hommes et les femmes de ce temps sont désemparés. Ils craignent pour leur emploi, leur sécurité, leur environnement, leur santé et l’avenir de leurs enfants. La marche triomphante du progrès prend les allures d’un immense malentendu. En France aussi les conditions de vie se dégradent. Les difficultés s’accumulent. La précarité devient un sentiment prégnant. C’est, pour beaucoup de nos compatriotes, la peur quotidienne du chômage, du déclassement, de l’exclusion, c’est l’angoisse des factures et des fins de mois difficiles, le piège de l’endettement, le stress de la compétition, le mal être récurrent, la perte des repères, la dissolution du lien collectif et des solidarités.
L’urgence et le devoir nous obligent à changer de cap.
Un autre monde est non seulement possible, il est nécessaire. La créativité humaine ne fait pas défaut. Fixons lui des priorités sans confondre progrès et performance. L’économie, la technologie, l’argent lui même, ne sont pas des fins mais des moyens. Leur donner du sens, c’est la seule expression de la modernité. La volonté, les compétences, la citoyenneté, la générosité, l’envie d’agir et le désir de changer sont partout. Je le sais, j’y puise mon énergie. Le changement est déjà en marche dans la société civile. Il faut l’encourager, le légitimer, l’accompagner par la cohérence de l’action publique en fixant ensemble de nouvelles priorités qui rompent avec le capitalisme sauvage.
Ouvrons maintenant la porte de l’avenir en engageant la transformation écologique et sociale de la société.
J’ai pour ma part franchi un cap. Jusqu’ici je crois que mon mode d’engagement a été utile. En conscience, j’estime qu’il doit passer maintenant à une autre étape. J’ai donc décidé d’être candidat à l’élection présidentielle et de mettre au service du changement le capital de confiance que j’ai pu accumuler auprès des Françaises et des Français. Dans ce moment de gravité et de complexité que traverse notre pays, je n’ai pas d’autre ambition que de contribuer à ouvrir la voie d’une société nouvelle, écologique et sociale. Je le ferai avec modestie mais détermination, sans arrogance mais avec toute ma volonté et mon énergie.
L’heure est maintenant au changement de cap pour refonder l’espoir. Changer de cap, c’est d’abord s’appuyer sur le meilleur de l’humanité : la solidarité, le partage, la justice, la démocratie, la tolérance, la modération, la sobriété, la diversité, le juste échange. Changer de cap, c’est libérer la société et les esprits des diktats d’un mode production et de consommation contaminé par l’illusion de la croissance quantitative, s’émanciper d’un monde happé par la frénésie du toujours plus et par la compétition agressive, s’affranchir du profit et du marché sans limite, réhabiliter l’esprit public.
Changer de cap, c’est engager dès maintenant une transition vers la société nouvelle, écologique et sociale, à travers un train de mesures clés et concrètes que je développerai au cours de ma campagne. Je proposerai au débat, pour que chacun s’en empare et en devienne l’acteur, une transformation progressive des activités et des comportements. Les solutions existent pour améliorer l’emploi, mieux redistribuer les richesses, installer une croissance qualitative et sélective. Des leviers existent pour engager d’autres manières de produire, de s’alimenter, de se loger, de se déplacer, pour encourager les innovations et les investissements, économiser l’énergie et les ressources naturelles, déployer la fiscalité plus équitablement et plus efficacement. Des moyens existent pour faire décroître l’empreinte écologique, protéger la santé, soustraire les biens communs à la spéculation, remettre la finance à sa place, tisser les solidarités ici et avec les pays du Sud, fortifier la démocratie.
Changer de cap, c’est enfin concourir à l’apaisement de la société en rassemblant les énergies plutôt qu’en encourageant les affrontements. Les postures de division chronique sont désormais un luxe indécent face à l’urgence et à la complexité des enjeux. La société est fatiguée des idéologies creuses. J’invite chacun à prendre sa part dans la mutation en veillant évidemment à une répartition juste et équitable des efforts. Aux peurs et aux pulsions identitaires qui désagrègent les liens du vivre ensemble, il faut opposer un projet de société constructif et partagé. Le meilleur atout pour réussir le changement, c’est la diversité.
Dans ce défi majeur, je sais que la France ne détient qu’une partie des solutions. Mais je sais aussi qu’elle a les moyens de se montrer novatrice et audacieuse, notamment dans l’espace européen qui est devenu notre biotope commun. La France et l’Europe peuvent devenir le centre d’émergence d’un nouveau modèle de développement et retrouver ainsi un éclat de référence et de fierté dans le monde.
L’élection présidentielle va mettre nos concitoyens et nos concitoyennes en situation de responsabilité. Dans un an, il s’agira de choisir : prolonger le statu quo d’un système périmé en s’entêtant dans un modèle de développement qui n’est plus la solution mais le problème ou engager la dynamique du changement vers une société nouvelle, écologique et sociale.
Soyons clairs : je le dis sans dogmatisme ni agressivité, le projet d’un nouveau modèle de développement est de mon point de vue incompatible avec les politiques que le pouvoir en place et sa majorité développent en France. Ma candidature s’inscrit dans le sens de l’intérêt général. Elle se situe donc à l’opposé des choix qui privilégient inégalités et exacerbation des peurs et qui sacrifient les priorités écologiques et sociales.
Cela ne vaut pas pour autant blanc-seing pour ceux qui, à gauche ou au centre, se proposent de diriger le pays. Dans mon esprit, il n’y aura aucun soutien automatique à qui que ce soit. L’exigence écologique et sociale ne peut plus s’accommoder de quelques corrections à la marge ou de compromis politiciens, elle suppose de la part des partenaires la prise en compte sincère des nouveaux paramètres et un niveau de réponse approprié. Seule compte à mes yeux une volonté indéfectible de partager l’immense chantier écologique et social. C’est à cette unique condition de cohérence politique que nous pourrons engager avec d’autres le contrat de la métamorphose.
Répondre aux crises et aux angoisses, c’est proposer un modèle de développement qui bâtisse l’avenir et retrouve l’espoir. Pour le porter, je sollicite le soutien de l’ensemble des écologistes et notamment de mes amis d’Europe Ecologie-Les Verts, mais aussi plus largement de toutes celles et de tous ceux qui ne se résignent pas au déclin conjoint de l’humanité et de la nature. J’en appelle à celles et ceux qui savent qu’on ne peut plus s’exonérer de toute limite, notamment des limites physiques de la planète. J’en appelle à celles et à ceux qui refusent de s’abandonner à la fuite en avant productiviste et aux délires ultra libéraux, de consentir aux inégalités et à la régression sociale, de subir un endettement massif, d’exacerber les tensions entre les peuples, les cultures et les religions.
J’en appelle aux citoyens et aux citoyennes pour qu’ils se rassemblent et se mobilisent afin de transformer une volonté individuelle en énergie collective.
Au service d’un mouvement tourné vers l’avenir, je souhaite que ma candidature devienne un levier pour agréger les énergies autour d’un nouveau modèle de développement dont les impératifs écologiques et sociaux soient le moteur. Je souhaite ainsi favoriser l’émergence d’une nouvelle majorité politique pour mettre en œuvre ce changement de cap et cette refondation de l’espoir.
Ensemble, décidons du monde que nous voulons dans les champs du possible. Ensemble, construisons l’alternative qui ne soit pas seulement une alternance de pouvoir. Ensemble, bâtissons l’avenir.
Nicolas Hulot - 13 avril 2011 à Sevran
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Fukushima a complètement bouleversé Nicolas Hulot qui annoncera sa candidature le 13 avril 2011.
L'effet Fukushima y est pour beaucoup. Mais ce n'est pas la seule raison.
Ses fidèles le répétaient en choeur, Nicolas Hulot ne s'exprimerait pas jusqu'à son annonce de candidature, qui devrait avoir lieu le 13 avril à Sevran (Seine-Saint-Denis). Mais voilà: la catastrophe de la centrale de Fukushima a tout changé.
Dans la forêt amazonienne, l'animateur de TF1 a interrompu un tournage d'Ushuaïa pour donner une interview, le 13 mars, sur France Inter. Les ravages de l'atome valaient bien une exception. "On voit bien que, quand il y a une paille dans le système, on est complètement dépassé par les événements, s'est-il alarmé en direct de l'Amérique du Sud. [...] Le nucléaire, en l'état, ne peut pas être la réponse à nos besoins énergétiques
"Fukushima a complètement bouleversé Hulot", constate son fidèle ami Jean-Paul Besset. Naguère, Hulot était loin d'être hostile au nucléaire. Il en reconnaissait les limites, mais aussi les atouts - son faible rejet de CO2 dans l'atmosphère. "Le nucléaire [...] ne représente pas l'avenir énergétique de la planète, expliquait-il en 2006 dans L'Express. Mais il ne faut pas fermer la porte à la quatrième génération de réacteurs, qui pourrait donner de meilleurs rendements et produire moins de déchets."
Dans son fameux Pacte écologique, soumis à tous les candidats à la présidentielle en 2007, il n'y avait pas un mot, ou presque, sur le nucléaire. "A aucun moment, il n'a été question d'y faire figurer le moratoire sur l'EPR", note l'eurodéputé Vert Yannick Jadot, à propos d'une des principales revendications écologistes.
Fier de son positionnement par-delà les clivages habituels, Hulot se voulait pondéré sur le sujet. "Choisir de renoncer aux EPR, c'est risquer de substituer, aux risques inhérents au nucléaire, une augmentation d'émission de gaz à effet de serre", argumentait-il dans Le Figaro en 2003. L'icône médiatique est influencée depuis longtemps par le spécialiste de l'environnement Jean-Marc Jancovici. Un défenseur affirmé de l'énergie nucléaire, qui siège parmi les experts de la Fondation Nicolas Hulot.
EDF est un des principaux contributeurs de sa fondation
"Son évolution prouve qu'il n'est pas fermé sur ses certitudes", avance le député Vert François de Rugy. Prise de conscience d'un écologiste authentique? Avec, même, un brin d'opportunisme électoral? Hulot le sait, les thèses apparaissant comme pronucléaires ne passent pas du tout auprès de l'électorat vert.
Ses détracteurs ne se privent pas déjà de rappeler que sa fondation compte EDF, rétorque Hulot, lequel ne jure que par sa liberté de parole.
En février dernier, un rapport parlementaire semblait en douter. "Des liens troubles existent avec les grandes entreprises qui financent [les fondations sur l'environnement], voire qui siègent à leur conseil d'administration, notaient les députés Geneviève Gaillard (PS) et Jean-Marie Sermier (UMP), sans apporter pour autant la moindre preuve précise. [...]
Dès lors, comment interpréter, par exemple, la position très mesurée de Nicolas Hulot sur l'énergie nucléaire?
Récemment, Le Canard enchaîné semait un peu plus le trouble en révélant qu'Hulot, de retour d'Amazonie, s'était empressé de rencontrer discrètement, le 29 mars, le PDG d'EDF, Henri Proglio, pour discuter du financement de la fondation pour 2011.
Le présentateur d'Ushuaïa cherche à la quitter, après l'annonce de sa candidature, en laissant les caisses pleines. Selon nos informations, il a obtenu, à la suite de ce rendez-vous, une première subvention de 360 000 euros. En 2010, EDF avait versé 480 000 euros à sa Fondation pour la nature et l'homme. Pour Hulot, clairement, a sonné l'heure des choix.
Marcelo Wesfreid
communaute.lexpress.fr/journaliste/marcelo-wesfreid
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Séquence politique pour Nicolas Hulot.
A 55 ans, l’écologiste le plus populaire et le plus cathodique de France doit déclarer sa candidature à la présidentielle de 2012 mercredi prochain. Pour préserver «sa valeur ajoutée et ne pas réduire son périmètre à celui d’un parti», il se présentera comme le candidat «de l’autonomie de l’écologie politique» (dixit un proche). Avec un pied dehors et un pied dans Europe Ecologie-les Verts (EE-LV). Objectif : «créer une lame de fond» pour noyer la candidature d’Eva Joly. Ou, à défaut, renégocier le cadre de la primaire arrêté le week-end dernier par EE-LV et jugé «trop restreint» et défavorable par son entourage.
Après les «séquences émotion» en ULM à la télévision, la séquence du «pacte écologique» signé par 750 000 personnes - dont Ségolène Royal et Nicolas Sarkozy -, lors de la campagne présidentielle de 2007 ; après le naufrage dans les salles du Syndrome du Titanic, son documentaire sur l’impact social de la crise écologique, et le crash de «sa» taxe carbone et du Grenelle de l’environnement, cette fois il ne se dérobera pas. «J’ai franchi un cap psychologique», confiait Hulot à Libération fin janvier. «Je serai incapable d’expliquer quel est l’argument qui m’a fait franchir ce cap», ajoutait-il, mardi. «Il y a ce qui s’est passé au Japon et au Brésil.
Pendant quinze jours, j’ai partagé la vie du chef Raoni. Il m’a convaincu de m’engager», raconte celui qui vient d’achever en Amazonie le tournage de ce qui sera le dernier numéro d’Ushuaïa, l’émission de TF1 qui, en vingt ans, a développé son image et sa conscience d’écologiste. Un autre élément a emporté sa décision : la poussée de Marine Le Pen et du national-populisme, «le fait que dans cette campagne nauséabonde nos sujets ne soient pas pris en compte à leur échelle», explique-t-il.
En 2007, Nicolas Hulot avait entretenu le suspense jusqu’au bout annonçant qu’il ne serait pas candidat après avoir énuméré ses raisons de l’être. Pas de surprise cette fois. Son entourage et lui-même ont distillé les fuites pour installer sa candidature, depuis sa réapparition à Lyon, le 13 novembre lors de la fusion d’Europe Ecologie et des Verts. Reste à ne pas louper l’atterrissage en terre politique inconnue. De nombreuses interrogations subsistent sur la ligne et le cadre de sa candidature.
La cérémonie
D’où l’importance de l’annonce de la candidature. Une déclaration solennelle. «Il va délivrer son message et puis taïaut», raconte l’eurodéputé Jean-Paul Besset, ex-plume du pacte écologique et directeur de campagne officieux. Lequel a peaufiné les détails de cette grand-messe mercredi à Paris avec l’avocat Pascal Durand, chargé de la coopérative, Annabelle Jaeger et Matthieu Orphelin, élus régionaux d’EE-LV en Paca et Pays-de-la-Loire, chacun étant passé par la Fondation Nicolas Hulot.
Où aura-t-elle lieu ? «Ils m’ont dit sous le sceau du secret que ça serait à Sevran, et je l’ai lu dans le Canard enchaîné!» rigolait hier Daniel Cohn-Bendit. Sauf revirement de dernière minute l’événement devrait donc se tenir dans cette ville de Seine-Saint-Denis, l’une des plus pauvre et endettées de France. L’impétrant y sera accueilli par Stéphane Gatignon, un des seuls maires de banlieue à avoir quitté le PCF pour Europe Ecologie. Tout un symbole. «Cela fait des années que Hulot parle de la nécessité de trouver des solutions économiques et sociales. L’écologie, il la voit à travers la misère des gens. Il faut être de mauvaise foi comme Dany pour le réduire à une vision environnementaliste du monde», plaide Durand.
Un site Internet sera lancé dans la foulée sous la forme d’un appel «Pour un autre monde» avec Nicolas Hulot 2012. Avec signatures à la clé. Dans les semaines à venir, le candidat devrait multiplier des rencontres de terrain hors caméra et participer à des chats. Objectif : s’imposer face à Eva Joly. «Il faudra trouver un compromis pour qu’Eva sorte par le haut. Peut-être sous la forme d’un ticket», envisage Denis Baupin, un autre de ses fervents soutiens.
Le bras de fer de la primaire
Le week-end dernier, lors du conseil fédéral, les cadres d’EE-LV ont joué le repli sur soi à tous les étages. «Un retour en arrière sur l’esprit d’ouverture d’EE-LV depuis deux ans» se désespéraient plusieurs responsables. «Le samedi, Cécile Duflot et Jean-Vincent Placé ont verrouillé l’appareil pour garder la mainmise sur le congrès en juin. Et, le dimanche, ils ont laissé faire sur les primaires. Cécile s’est bornée à réclamer un débat sur un mode doux !» critique un dirigeant. Résultat : une alliance de circonstance entre les amis d’Eva Joly et les nouveaux convertis, «plus verts et sectaires que les Verts», selon le député François de Rugy, a abouti à fixer les primaires en juin pour que le projet soit incarné avant l’été. Quand Hulot voulait septembre pour dérouler une campagne plus courte. Mais c’est la décision de réserver aux 12 000 adhérents et aux 2 000 coopérateurs actuels le droit de désigner le candidat qui a mis le feu aux poudres. «Si c’est en juin ce sera sans moi», a d’abord tonné Hulot par SMS dimanche. Avant de se radoucir. «Les arguments du timing s’ils ne m’arrangent pas, sont rationnels, reconnaît-il, en revanche, donner l’impression d’évoluer en circuit fermé est un signal tragique.» Les amis d’Eva Joly, eux, rappellent que Hulot s’est engagé à participer à la primaire pour qu’il n’y ait pas deux candidatures écologistes. Les pro-Hulot rétorquent que les décisions du week-end«lui ont rendu sa liberté».
La tentation du cavalier seul
Pour calmer le jeu, dès dimanche soir, Duflot a téléphoné à Cohn-Bendit pour proposer de réduire de 20 à 5 euros le droit d’inscription à la coopérative. Hier, François de Rugy a plaidé pour «l’élargissement du corps électoral». Jean-Vincent Placé a souhaité que le prochain conseil fédéral du 14 mai «ouvre davantage» la primaire. Dominique Voynet, candidate des Verts en 2007 et dont la campagne avait été parasitée par les hésitations de Hulot, a martelé sur Canal + que ce dernier était le «bienvenu à EE-LV». Autant d’initiatives destinées à éviter «le scénario catastrophe d’une double candidature écologiste».«Ce serait dramatique pour Hulot et pour nous. Le seul bénéficiaire en serait Nicolas Sarkozy», dénonce Yannick Jadot, directeur de campagne de Joly. Bien décidé à faire porter à Hulot le chapeau de la division.
«Nicolas ne veut pas faire cavalier seul, EE-LV est son biotope», assure Besset. Pas question néanmoins pour l’ex-animateur et ses proches de mettre la main «dans la tambouille». D’où leur refus de participer, ce matin, à une commission de conciliation sur les primaires. Comptant engranger des signatures sur leur site Internet, ils pourraient exiger dans un second temps la fusion de ce fichier avec celui de la coopérative d’EE-LV.
Ses soutiens
Outre Yves Cochet et Denis Baupin «tous deux aussi catastrophistes que Hulot mais fascinée par sa pédagogie et sa popularité, ironise un proche de Joly, Hulot bénéficie de la neutralité bienveillante de Cécile Duflot, toujours du côté où il y a le plus de lumière». Plusieurs figures écologistes devrait annoncer leur soutien à Hulot dans la foulée de sa déclaration. Comme José Bové ou Dominique Voynet, dont le directeur de cabinet est déjà sorti du bois. Tous attendent néanmoins qu’il donne des gages sur sa ligne politique : appellera-t-il à battre la droite au soir du premier tour ? Une étude sur les électorats potentiels des deux candidats montre que Nicolas Hulot, «le catho de droite» selon son expression, devenu écologiste habité, ratisse des électeurs de Nicolas Sarkozy et du centre (lire ci-contre).
La ligne politique
Pour qui roule Hulot ? Ces derniers mois, il a multiplié les contacts et les entrevues. De Dominique Strauss-Kahn à son ami Jean-Louis Borloo. «Borloo a tenté en vain d’obtenir le soutien de Hulot à son éventuelle candidature à la présidentielle», confie un de ses proches. L’intéressé est revenu de son rôle de lobbyiste auprès du pouvoir UMP. «Paradoxalement, la droite en a plus fait pour l’écologie que la gauche. Maintenant elle n’ira pas plus loin. Pire, elle va revenir en arrière», estimait-il fin janvier. Si à ses yeux «le clivage gauche-droite est obsolète», Hulot s’estime «obligé de respecter ce schéma». Et si la «gauche n’a pas fait sa conversion», il est «logique de négocier avec elle pour montrer qu’elle peut aller plus loin que le greenwashing».
Mercredi, Hulot devrait se situer sur une ligne autonome, prêt à jouer le rapport de force avec le PS au soir du premier tour. Depuis plusieurs mois, il a lu et relu Lester Brown, Tim Jackson, Edgar Morin et Patrick Viveret, à la recherche d’un chemin «entre la décroissance, hérésie pour les économistes et la croissance qui hérisse les écologistes». Reste à faire miroiter aux électeurs le profit qu’ils pourraient tirer à court terme des changements à opérer pour s’engager dans la conversion écologique. Là est son pari. «Si, dans un mois et demi, il a fait des interventions sur le terrain et les médias et que cela se répercute dans les sondages, il aura réussi», estime Cohn-Bendit. Refusant de choisir entre «Eva» et «Nicolas». Mais appréciant le «fait que Hulot est un média a lui tout seul».
Matthieu Ecoiffier.
www.liberation.fr/auteur/1870-matthieu-ecoiffier
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Le film "Le Syndrome du Titanic" : vimeo.com/64741962
Le Syndrome du Titanic est un film documentaire réalisé en 2008 par Nicolas Hulot et Jean-Albert Lièvre, sorti le 7 octobre 2009
fr.wikipedia.org/wiki/Le_Syndrome_du_Titanic
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Le film "Une Vérité qui Dérange" : www.youtube.com/watch?v=GZ4izGzj9r0
Une vérité qui dérange (An Inconvenient Truth) est un documentaire américain de Davis Guggenheim sorti en 2006. Traitant du changement climatique, il est basé en grande partie sur une présentation multimédia que Al Gore, ancien vice-président des États-Unis et prix Nobel de la paix en 2007 (partagé avec le GIEC) a préparé pour sa campagne de sensibilisation sur le réchauffement planétaire
fr.wikipedia.org/wiki/Une_vérité_qui_dérange
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Photographie de Sébastien Duhamel, professionnel de l’image : www.sebastien-duhamel.com/présentation-références/
Derniers sujets photos : www.flickr.com/photos/sebastienduhamel/collections/721576...
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Tournages : vimeo.com/137495739
www.dailymotion.com/user/Sebastien_Duhamel/1
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Photo / Conditions : www.sebastien-duhamel.com/conditions-tarifs/
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Catalogue of the fossil fishes in the British Museum (Natural History) ....
London,Printed by order of the Trustees,1889-1901..
picryl.com/media/lifemagazine8dec1910-c85645
Life Magazine Cover (8 Dec 1910)
James Montgomery Flagg (1877 - 1960)
•
American artist, comics artist and illustrator. He worked in media ranging from fine art painting to cartooning, but is best remembered for his political posters, particularly his 1917 poster of Uncle Sam created for United States Army recruitment during World War I.
www.myspace.com/thepinkertones
Next uploads:
2010-06-17: Sonar Festival 2010
2010-06-21: Between The Buried And Me + Vortice + The Eyes @ Salamandra
2010-06-22: Atreyu + Unearth + 36Crazyfists @ Razzmatazz 2
2010-06-23: Atreyu + Unearth + 36Crazyfists @ Sala Totem (Pamplona)
2010-06-24: Dawn Of The Maya photoshoot @ Pamplona
2010-06-25: Berri Txarrak @ Reus
2010-06-30: Day Of Rising @ Rocksound
------------------- Julio 2010 -------------------
2010-07-02: Berri Txarrak @ Avinyó
2010-07-06: Alice In Chains @ Razzmatazz
2010-07-16: Cruilla BCN 2010 @ Parc del Fòrum
2010-07-17: Cruilla BCN 2010 @ Parc del Fòrum
2010-07-18: Joey Cape & Tony Sly @ Platja d'Ocata
2010-07-21: Toots & The Maytals @ Santana 27 (Bilbao)
2010-07-22: Pre-TakioFest @ Suances
2010-07-23: Takio Fest 2010 @ Suances
2010-07-24: Takio Fest 2010 @ Suances
2010-07-29: Resurrection 2010 @ Viveiro
2010-07-30: Resurrection 2010 @ Viveiro
2010-07-31: Resurrection 2010 @ Viveiro
------------------- Agosto 2010 -------------------
2010-08-05: Soziedad Alkoholika @ Erromoko Jaiak
2010-08-06: Habeas Corpus @ Astrabuduako Jaiak
2010-08-08: Berri Txarrak @ Gasteizko Jaiak
2010-08-14: Living LikeNothing Happened + Umbrella Corpse + Far'n'Hate + Clouds Over Normandy @ Be Cool
2010-08-19: Hammered Fest @ Donosti
2010-08-20: Hammered Fest @ Donosti
2010-08-21: Marvin Photoshoot @ Pamplona
------------------- Septiembre 2010 -------------------
2010-09-02: Clouds Over Normandy + All Fall Out @ Qtres
2010-09-03: Sintonitzza 2010 @ Santako
2010-09-04: Sintonitzza 2010 @ Santako
2010-09-04: Balkatalan Experience @ Santako
2010-09-06: La Pegatina + Los Barrankillos @ Santako
2010-09-16: Limp Bizkit @ Razzmatazz
2010-09-18: Not Available @ Estraperlo Club del Ritme
2010-09-23: BAM 2010 - La Pegatina + Obrint Pas + Balkatalan Experience @ Parc del Fòrum
2010-09-24: BAM 2010 @ Plaça Del Rei + Parc del Fòrum
2010-09-25: BAM 2010 @ Fabrica Damm + Toundra + Parc del Fòrum
------------------- Octubre 2010 -------------------
2010-10-07: elbicho @ Razzmatazz
2010-10-07: Cardiac @ The Metal Bar (Razz 4)
2010-10-08: Bigott @ La [2]
2010-10-10: Mad Caddies @ Estraperlo Club del Ritme
2010-10-15: D'Callaos @ Apolo
2010-10-15: Muchachito Bombo Infierno @ Salamandra
2010-10-16: Muchachito Bombo Infierno @ Faktoria d'Arts (Terrassa)
2010-10-17: La Pegatina @ Cerdanyola del Vallès
2010-10-18: Vans Music Night - Anti-Flag + The Swellers + Pulled Apart By Horses @ Razzmatazz 2
2010-10-20: Avenged Sevenfold @ Sant Jordi Club
2010-10-22: Standstill "Room" @ L'Auditori
2010-10-24: Sick Of It All + Madball + Anal Hard @ Razzmatazz 2
2010-10-29: Balkatalan Experience @ La Farinera del Clot
------------------- Noviembre 2010 -------------------
2010-11-04: Noiseast @ The Metal Bar (Razz 4)
2010-11-06: LCD Soundsystem @ Razzmatazz
2010-11-10: Festin Canibal - Che Sudaka + Bomba Estereo + The Bares Band @ Apolo
2010-11-11: The Eastpak Antidote Tour - Sum 41 + The Black Pacific + Veara @ Sant Jordi Club
2010-11-11: Berri Txarrak @ Mundo Canibal
2010-11-12: These New Puritans @ City Hall
2010-11-12: Toundra + Carontte @ La Peixera (Manresa)
2010-11-13: Nothink + Toundra @ Sala Bikini
2010-11-20: Primal Scream @ Razzmatazz
2010-11-21: Four Year Strong + A Loss For Words + The Holybuttons @ Razzmatazz 3
2010-11-22: Rolo Tomassi + Clouds Over Normandy @ Sala Moog
2010-11-26: Israel Vibration + Txilum @ Salamandra
2010-11-27: Mantisa + Read My Lips + Potlach @ Rocksound
2010-11-30: Manu Chao "concierto clandestino" @ Salamandra
------------------- Diciembre 2010 -------------------
2010-12-02: Evergreen Terrace + Casey Jones + Read My Lips @ Estraperlo Club del Ritme
2010-12-03: The Bloody Betroots @ Apolo
2010-12-03: Yelle @ Razzmatazz Clubs
2010-12-07: M.I.A. @ Razzmatazz
2010-12-07: Semi Precious Weapons @ Razzmatazz Clubs
2010-12-10: Two Door Cinema Club @ Razzmatazz Clubs
2010-12-11: Ke$ha @ Razzmatazz 2
2010-12-11: Bongo Botrako @ Salamandra 2
2010-12-12: No Hunger Festival - Mendetz + Manos de Topo + Klaudia + El dia de la barbota @ Apolo
2010-12-16: Revolta - No Children + Marvel Hill + Hurricade @ La [2]
2010-12-17: Best Coast + Furguson @ Razzmatazz 2
2010-12-17: Nothing But Noise + The Wolf @ Sala Moog
2010-12-17: Sanjays @ La Ovella Negra
2010-12-17: Cola Jet Set + Papa Topo @ Razzmatazz Clubs (POP Bar)
2010-12-21: Muchachito Bombo Infierno @ Sala Apolo
2010-12-22: Muchachito Bombo Infierno @ Sala Apolo (segunda fecha)
2010-12-22: El niño de los recaos @ Sala Apolo
2010-12-27: Emir Kusturica & The No Smoking Orchestra @ Palau de la Musica Catalana
------------------- Enero 2011 -------------------
2011-01-15: Anal Hard @ Estraperlo
2011-01-17: The Sounds @ Nasty Mondays
2011-01-19: Nouvelle Vague @ Palau de la Musica Catalana
2011-01-21: Asking Alexandria + AID @ La [2]
2011-01-21: Breakdown Collapse + Yubarta + Clouds Over Normandy + Insmuz @ Qtres
2011-01-26: Bebe + Shinoflow @ Palau de la Musica Catalana
2011-01-26: Sherpah @ RumbaClub (La [2] de Apolo)
2011-01-28: Lori Meyers + Elastic Band @ Sala Apolo
2011-01-28: Cola Jet Set @ Ateneu de Gràcia
2011-01-29: Sólo Muchachito y Santos de Veracruz + Balkatalan Experience @ Sala Clap
------------------- Febrero 2011 -------------------
2011-02-02: Abril photoshoot
2011-02-05: Cavalera Conspiracy + Berri Txarrak + The Eyes + Vortice + Noiseast + The Lizards @ Razzmatazz
2011-02-12: A Day To Remember + Bayside + Pierce The Veil + Adept @ Razzmatazz 2
2011-02-13: Madee (concierto despedida) @ Sala Apolo
2011-02-16: Sanjays @ Moog
2011-02-17: Les Nits de la Kasba - Xøc + Brujo + Chalart58 @ Sidecar
2011-02-18: Fiestas Demoscópicas Mondosonoro - El Guincho + Aliment + Der Ventilator + The Free Fall Band @ Razzmatazz
2011-02-18: Los Toros @ El local de la Mary
2011-02-20: More Than A Thousand + Far'n'Hate + AID @ Mephisto
2011-02-22: Janelle Monáe @ Apolo
2011-02-24: Surface Festival fase 1: Cookie Monsters + Bustin' Out + Sons Of Meteora + Innverso + Tears In Rain + Defectos Físicos + Tribal Brothers @ La Resistencia
2011-02-25: Love Of Lesbian @ Razzmatazz
2011-02-25: Day Of Rising + Krilin + Cohen @ Rocksound
2011-02-25: Let's Festival - Christina Rosenvinge + Single @ Salamandra
------------------- Marzo 2011 -------------------
2011-03-02: La Pegatina @ Faktoria d'Arts de Terrassa
2011-03-03: Surface Festival fase 1: Silent Memories + Clouds Over Normandy + Devouring Doom + Traw + Leaves + Mobscure @ Sala Qtres
2011-03-04: Let's Festival - La Bien Querida + Nadadora @ Salamandra
2011-03-05: Dawn Of The Maya + Stained Blood + Blackmatadero + Dance Before Death @ Moog
2011-03-07: Hills Have Eyes + Clouds Over Normandy @ Moog
2011-03-09: Poutrelles Fever @ Canibal Sound System, Sala Apolo
2011-03-10: Morgan Heritage @ Cabaret Berlín
2011-03-11: Let's Festival - Depedro + Adanowsky @ Salamandra
2011-03-12: Rise Against + Coliseum @ Razzmatazz
2011-03-12: Let's Festival - Pony Bravo + Cuchillo @ Salamandra
2011-03-15: La Pegatina (presentación Xapomelön) @ Fnac Illa Diagonal
2011-03-15: Keren Ann @ Sala Bikini
2011-03-16: Balkatalan Experience @ Caníbal Sound System, Sala Apolo
2011-03-17: Surface Festival fase 1: Revolts + Caído de Paz + Donuts Hole + Ipsilon + Taquikardic Sinners + Random Feelings + Choke @ Sala Qtres
2011-03-18: Color Humano @ Salamandra
2011-03-18: Dorian @ Razzmatazz Clubs
2011-03-19: Tabaloko @ Sala KGB
2011-03-19: Sexy Sadie @ Razzmatazz Clubs
2011-03-24: Asian Dub Foundation @ Apolo
2011-03-25: La Pegatina @ Apolo
2011-03-26: La Pegatina @ Apolo
2011-03-28: Feeder @ Bikini
------------------- Abril 2011 -------------------
2011-04-01: Los Tiki Phantoms @ La [2] de Apolo
2011-04-01: The Go Team! @ Razzmatazz Clubs
2011-04-02: Cancer Bats @ La [2] de Apolo
2011-04-02: Tabaloko @ Farinera del Clot
2011-04-06: Aias @ La [2] de Apolo
2011-04-07: The Abyssinians + The Congos + Mojo Heritage @ Razzmatazz 2
2011-04-08: Los Delinqüentes + Bongo Botrako + Mishima + Pol 3.14 @ Telecogresca 2011
2011-04-09: We Are Scientists + Nada Surf + I Am Kloot + Arizona Baby... @ Jack Daniel's Music Day
2011-04-14: La Pegatina @ Sala Totem, Pamplona
2011-04-15: La Pegatina @ Jimmy Jazz, Vitoria
2011-04-16: La Pegatina @ Kafe Antzokia, Bilbao
2011-04-22: Groezrock 2011
2011-04-23: Groezrock 2011
2011-04-29: Viñarock 2011
2011-04-30: Viñarock 2011
------------------- Mayo 2011 -------------------
2011-05-01: Viñarock 2011
2011-05-05: Manos De Topo + Tarantula @ Apolo
2011-05-06: Alpha Blondy @ Razzmatazz
2011-05-07: La Pegatina @ Stroika, Manresa
2011-05-10: La Pegatina + Delafé Y Las Flores Azules + Rumborrachera @ Festes de Maig de Badalona
2011-05-11: Manel @ Festes de Maig de Badalona
2011-05-14: Funeral For a Friend + The Blackout + We Are The Ocean @ Razzmatazz 2
2011-05-18: Caliban + As Blood Runs Black + Adept + For Today @ Sala Mephisto
2011-05-19: Russian Red @ L'Auditori
2011-05-24: Julian Marley & The Uprising @ Razzmatazz 2
------------------- Junio 2011 -------------------
2011-06-01: La Troba Kung-Fú @ Apolo
2011-06-02: Cobra + The Capaces + Püdor Crónica @ La[2] de Apolo
2011-06-02: Rototom Sunsplash Launch Party @ Razzmatazz
2011-06-03: Standstill @ Razzmatazz Clubs
2011-06-04: Sôber @ Sala Bikini
2011-06-05: Freygolo + La Plebe + Bastardos @ Estraperlo
2011-06-08: Sami Yusuf @ Apolo
2011-06-09: Sólo Muchachito + Santos de Veracruz @ Salamandra 1
2011-06-10: La Pegatina @ Montcada i Reixac
2011-06-14: The Damned Things + Protest The Hero + Clouds Over Normandy @ Razzmatazz 2
2011-06-16: La Pegatina @ Els Genis
2011-06-16: Bloody Beetroots @ Razzmatazz Clubs
2011-06-17: Sonar Festival (viernes)
2011-06-18: Nikola Sarcevic @ Rocksound
2011-06-18: Sonar Festival (sábado)
2011-06-23: Unnim Etnival 2011 Girona - La Banda del Surdo + Malakatón + Bongo Botrako + Los De Abajo
2011-06-24: Unnim Etnival 2011 Girona - Very Pomelo + Zulu 9.30 + Lila Downs + Canteca de Macao
2011-06-25: Unnim Etnival 2011 Girona - Itaca Band + Txarango + Muyayo Rif + Molotov
2011-06-26: Parkway Drive @ Estraperlo
2011-06-28: One Blood photoshoot @ Barcelona
2011-06-28: Blackstarliners photoshoot @ Call & Play, Barcelona
------------------- Julio 2011 -------------------
2011-07-01: Nit Oberta Fest @ Burriana
2011-07-02: Barbacore Fest @ Valencia
2011-07-03: Marvin photoshoot @ Valencia
2011-07-07: La Pegatina @ Pamplona (San Fermín)
2011-07-08: CruillaBCN
2011-07-09: CruillaBCN
2011-07-11: Paramore @ Palacio Vistalegre, Madrid
2011-07-16: Does It Offend You, Yeah? @ Razzmatazz Clubs
2011-07-22: Skrillex @ Razzmatazz Clubs
2011-07-28: Resurrection Fest 2011
2011-07-29: Resurrection Fest 2011
2011-07-30: Resurrection Fest 2011
------------------- Agosto 2011 -------------------
2011-08-01: Sherpah photoshoot
2011-08-03: Los Barrankillos photoshoot
2011-08-04: La Pegatina @ Busker's Festival
2011-08-05: Delorean @ Razzmatazz Clubs
2011-08-06: Arenal Sound Festival 2011
2011-08-07: Arenal Sound Festival 2011
Icones florae Germanicae et Helveticae, simul Pedemontanae, Tirolensis, Istriacae, Dalmaticae, Austriacae, Hungaricae, Transylvanicae, Moravicae, Borussicae, Holsaticae, Belgicae, Hollandicae, ergo Mediae Europae.
Lipsiae,F. Hofmeister [etc.]1834-1912. [v. 1, 1850]
2015-03-27 Sichtbar werden mit Folie Gradinger, Fussball Niederösterreich, U19 Österreich vs U19 Kroatien, Ergebnis 2:0 (2:0), Schiedsrichter Mikhall Vilkov (RUS), Sportplatz SV Wiener Neustadt, Willkommen bei Sport Schriefl, Photografer Möhsner Gerhard, Bilderdatenbank Fotoblitz hier klicken
Das U19-Nationalteam bleibt bei der Heim-Eliterunde im Rennen um ein Ticket für die UEFA U19 EM 2015 in Griechenland. Die Mannschaft von Hermann Stadler siegte im zweiten Gruppenspiel gegen Kroatien mit 2:0 und wahrt die Chancen auf den Sieg in der Gruppe 6, der die Teilnahme an der Endrunde bedeutet. Voraussetzung ist, dass Schottland am letzten Spieltag gegen Kroatien nicht gewinnt. Italien und Schottland trennten sich im Parallelspiel torlos.
Daniel Ripic brachte die ÖFB-Elf in der 30. Minute per Elfmeter nach einem Foul an Marko Kvasina in Front. Bis zu diesem Zeitpunkt war ein leichtes Chancenplus auf der kroatischen Seite zu verzeichnen. Ein Treffer von Ivan Sunjic wurde wegen Abseits nicht gegeben. Mit der Führung im Rücken nutzte Mathias Honsak einen Abstimmungsfehler in der kroatischen Abwehr eiskalt zum Ausbau der Führung. (34.). Österreich ging mit einem 2-Tore-Vorsprung in die Kabine.
Nach der Halbzeit verwaltete Österreich den Vorsprung. In der 66. Minute stellte Schiedsrichter Vilkov nach einem Gerangel im kroatischen Strafraum Philipp Lienhart vom Platz. Österreich musste das Spiel also wie gegen Schottland in Unterzahl beenden. Im der 78. Minute beförderte Ante Coric den Ball über die Linie, befand sich aber in Abseitsposition. Auf der anderen Seite brachte Michael Endlicher das Spielgerät nach sehenswerter Vorarbeit von Sascha Horvath nicht im Tor unter (85.).
"Wir haben heute verdient gewonnen. Die Mannschaft hat gekämpft bis zum Schluss. Wir haben vielleicht nicht unseren schönsten Fußball gespielt, aber es sind die drei Punkte, die zählen, nicht der Schönheitspreis. Die Nachricht vom 0:0 im Parallelspiel hat den Spielern noch einen Schuss Extra-Motivation gegeben. Sie wollten es unbedingt schaffen", ist Teamchef Hermann Stadler zufrieden.
Am Dienstag (13.00 Uhr) kommt es zum abschließenden Duell mit Italien. Manuel Haas und Stefan Jonovic haben ihre Rot-Sperre abgesessen und wieder spielberechtigt.
In der Tabelle führt Schottland mit 4 Punkten vor Österreich (3), Italien (2) und Kroatien (1).
Österreich – Kroatien 2:0 (2:0)
Wiener Neustadt, SR Vilkov (RUS)
Tore: Ripic (31./FE), Honsak (34.)
Rot: Lienhart (66./Tätlichkeit)
'
Österreich spielte mit: Hadzikic; Gluhakovic, Domej (63. Peric), Lienhart, Rosenberger, Baumgartner, Honsak, Laimer, Horvath, Ripic (63. Endlicher), Kvasina (79. Grbic)
Bericht: ÖFB - Fotorechte: Diese Fotos stammen von Gerhard Möhsner und sind urheberrechtlich geschützt. Kopien, Vervielfältigungen für Veröffentlichungen dürfen nur mit ausdrücklicher schriftlicher Zustimmung gemacht werden !!
Zamioculcas zamiifolia (Zamioculcas, zz plant)
Habit at Walmart Kahului, Maui, Hawaii.
January 17, 2008
Bain News Service,, publisher.
Hot day in N.Y., after a swim in fountain.
[between ca. 1910 and ca. 1915]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Subjects:
Children
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.09775
Call Number: LC-B2- 2296-3
Presidential Candidate 總統候選人
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Tianliang Ma
~ a Taiwanese social reformer, philosopher, photographer and film director
“Touching Fairness and Justice”
馬天亮
~ 臺灣的社會改革者，哲學家，攝影師，和電影導演
《感動的公平與正義》
TianLiang Maa, alternative spelling: Tianliang Ma, also known as Theophilus Raynsford Mann; Ma, Tianliang; Chinese: 馬天亮; 马天亮.
SUMMARY
TianLiang Maa is a naturalist, occultist, Buddhist and Taoist. In 1982, Maa developed a technique for abstract photography, applied “Rayonism” into photographic works. Maa staged 32 individual, extraordinary exhibitions around Taiwan, who was the first exhibitor around Formosa. Maa’s works is the beginning of modernization in the modern abstract arts in the world. At the University of Oxford, Maa’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”; also an author at the University of California, Berkeley and the University of Michigan in the United States; an alumnus from Christ Church College at the University of Oxford in England, the University of Glamorgan in Wales, and National Taiwan University in Taipei on Taiwan. Maa’s works have been quoted by the scholars many times, making Maa one of the highly cited technological, artistic, and managing public administrators in the academia. Maa was listed in “Taiwan Who’s Who In Business” © 1984, 1987, 1989 Harvard Management Service.
Early Life and Record of Genealogy
TianLiang Maa possesses both Taiwanese and German surnames from birth. Usually, whenever anyone asks Maa about where he comes from, he would reply “Formosa” as he grew up and was educated in the Far East and lives in Taiwanese and Japanese lifestyles. Moreover, he often teaches and educates younger generations based on the methods of the Far Eastern teaching he experienced when he was young, though he does not oppose the Western ways of teaching and thinking. Maa takes great pride in his roots, which go back 150 years (since 1864); Maa’s ancestry originates and creates generations, and prepares younger generations to succeed their personality and ethical standards and integrity.
Education in Taiwan and a Brief of Latest Generation of History in Taiwan / Formosa
In 1980, Maa obtained his postgraduate certificate from the Graduate Institute of Electrical Engineering of National Taiwan University in Taipei; successfully completed another graduate studies in Information dBase III Plus and Taiwanese Traditional Chinese Mandarin Information System at National Sun Yat-Sen University in Kaohsiung in 1989.
In history, the Portuguese explorers discovered and called the island (Taiwan), “Formosa” (meaning “Beautiful Island”) in 1590. They are non-Chinese people; it was long a Chinese and Japanese pirate base. Fighting continued, between its original inhabitants of Taiwanese and the Chinese settlers, into the 19th century. In 1894-95 first Sino-Japanese War that ended in Manchus of the Qing (Ching) dynasty defeat, the late Manchu Qing Government forced to cede Formosa to Japan. This result was made by the Treaty of Shomonoseki in 1895 and remained under Japanese control until the end of the Second World War. Early on, Taiwan was conquered by the Qing in 1683 and for the first time became part of older China dynasty. However, today, the home country of Maa’s origin has around 165 institutions (93 universities) of higher education, which now has one of the best-educated populations in Asia. Among the major public (state) ones are the National Taiwan University (NTU) at Taipei, and National Sun Yat-Sen University (NSYSU) at Kaohsiung. NSYSU is also called National Chun-Shan University; according to Times Higher Education 2010-2011, NSYSU ranks as the 3rd university in Taiwan, 21st in Asia, and 163rd worldwide. National Taiwan University is ranked 51 to 60 ranks on Times Higher Education World University Rankings - Top Universities by Reputation 2013, the United Kingdom (see www.timeshighereducation.co.uk/world-university-rankings/...); King's College London (KCL) (21st in the world and 6th in Europe in the 2010, QS World University Rankings), the University of London, and University of Southern California (is one of the world's leading private research universities, located in the heart of Los Angeles), afterward.
Backing to Maa’s early school-time of Taiwan Provincial Kaohsiung Industrial Senior High School (Kaohsiung Municipal Kaohsiung Industrial High school), the professional technical education, which is equivalent to Advanced Level General Certificate of Education, commonly referred to as an A-level in the United Kingdom; China Electronic Engineering College, the distance learning programme, which is in equivalence as UK’s Diploma of Higher Education / Undergraduate Diploma (as an Associate Degree in the United States). An additional, his middle education was taught by the Kaohsiung Municipal Chihjh (Ci Sian) Junior High School; and Kaohsiung Municipal San Min Elementary School was his first school in Taiwan.
Early Career
In 1989, Maa instituted Maa’s Office of Electrical Engineer, he settled himself in electrical technology and industries as a chief engineer in his early years. He put his professional and precise knowledge to good account in business management. A formal business management with business relationship established to provide for regular services, dealings, and other commercial transactions and deed. He had many customers having a business and credit relationship with his firm then he was a successful engineer.
Study Abroad and Immigration into the United Kingdom
In 1998, Maa studied abroad when he arrived in Great Britain; he studied at School of Built Environment, the University of Glamorgan (Prifysgol Morgannwg) in Merthyr Tydfil, Pontypridd, Wales for a master of science in real estate appraisal. Until the summer of 2000, Maa completed an academic course on “Towns through the Ages” from Christ Church College at the University of Oxford (is ranked the 2nd place worldwide on The Times Higher Education, World University Rankings 2012-2013
www.timeshighereducation.co.uk/world-university-rankings/...) in England. Afterward, Maa immigrated into the United Kingdom in the early year of 2004.
PHILOSOPHICAL VIEWS
Maa is a naturalist; he trusts spiritual naturalism and naturalistic spirituality, which teaches that “the unknown” created this wonderful world. “The unknown” arranged the nature with its law so that everything in nature is kept balanced and in order. However, human beings failed to control themselves, deliberately went against the law of nature, and resulted in disasters, which we deserved. He also is an occultist, a Taoist, and a Buddhist; but in Britain, he frequently goes to Christian and Catholic churches, where he makes friends with pastors and fathers as well as churchgoers. In his mind, he recognizes “Belief is truth held in the mind; faith is a fire in the heart”. He is always a freethinker, does not accept traditional, social, and religious teaching, but based on his ideas: a thought or conception that potentially and actually exists in his mind as a product of mental activity - his opinion, conviction, and principle. If people have not come across eastern classics and philosophy, we are afraid that people would never understand TianLiang Maa. People cannot judge an eastern philosopher based on western ways of thinking. He studies I Ching discovering eastern classics of ancient origin consisting of 64 interrelated hexagrams along with commentaries. The hexagrams embody Taoist philosophy by describing all nature and human endeavour in terms of the interaction of yin and yang, and the classics may be consulted as an oracle.
Back in the 1990s when Maa just arrived at England, he had been offered places to do Ph.D. and LL.M. degrees (degree in Law and Politics of the European Union) by several western professors in the Great Britain. He has met all the requirements for postgraduate admissions to study at UK’s universities.
During his time at Oxford, he learnt a lot of British culture and folk-custom while carrying out research with many British and Western professors, experts, and archaeologists. This proves that Maa understands various aspects in British society, culture, and lifestyles. Of course, he does not fully understand about the perspectives of thinking of a typical British. For example, what would be the most valuable in life for a British person? What would a British want to gain from life? What is the goal in life for a British? Is it fortune or a lover? Alternatively, perhaps honour? On the other hand, maybe being able to travel around the world and see the world?
FAIRNESS and JUSTICE
As TianLiang Maa’s (馬天亮) saying are:
“Touching Fairness and Justice”
Feel good about themselves, but do not know the sufferings of the people...
Who can get easy life like them?
What is profile of modern society?
What type and style is truly solemn for this society identify?
Where “the characterization” is? Who can see? Did you see it?
《感動的公平與正義》
自我感覺良好, 不知民間疾苦...
誰能得到安逸的生活如同他們一樣？
這是個什麼樣子的社會？
這個社會認定什麼樣的類型和風格是真正莊重的?
「特徵」在那裡？誰可以看到？你看到了嗎？
Jurisprudence and Political Philosophy and Perspectives
Maa ever studied judicial review and governmental action, the impact of law and legal techniques, constitutional mechanisms for the protection of basic rights, and ensuring the integrity of commercial activity, the impact of law and legal techniques on government, policymaking, and administration, as well as the creation of markets. He tries to understand these critical trends in the political development of modern state. Maa will combine both theoretical and empirical approaches, and the conditions for democratic transition and the nature of state development in the ‘post-industrial’ era of globalisation and economic integration.
According as Maa’s legal experiences, he comprehend that “the knowledge of the law is like a deep well, out of which each man draught according to the strength of his understanding”, and, law and arbitrary power are in eternal enmity. He is also sure law and institutions are constantly tending to gravitate like clocks; they must be occasionally cleansed, and wound up, and set to true time.
The government issues a decree - an authoritative order having the force of law, which charged with putting into effect a country's laws and the administering of its functions. Any of the officials promulgate a law or put into practice relating to the government charged with the execution and administration of the nation's laws then they announce and carry out the creation of any order or new policy that will be responsible for the people.
Maa had knowledge in connexion with construction law; he also understands architectural arts, and as well learnt the forms by combining materials and parts include as an integral part concerning modern construct. I ever built urban buildings and rural architecture in different styles under new housing and building projects by the governmental administration and construction corporations.
Right now, Maa studies the problems caused by ethnic disputes and human armed conflicts in the modern society resulted code of mixed civil and criminal procedure. He wishes an agreement or a treaty to end human hostilities - the absence of war and other hostilities around the world. The interrelation and arrangement of freedom from quarrels and disagreement become harmonious relations living in peace with each other. Actually, erect peace in more friendly ways of making friendships for modern human society is comfortable in my ideal. It is like building monolithic architecture: houses and buildings for the people. Maa would like to do “something beautiful for `the unknown`”.
In the ethnic disagreement and armed conflicts as concerning the poor people and children notwithstanding they live through a bad environment on any of poor or crowded village or town in a particular manner - lived frugally. However, after years of industrialisation as a more educated population, becomes more aware of global plenum, continuing to be alive. Environmental groups are increasing and lobbing government will legislate to stop bad environmental and social practices. The establishments of human rights’ wide and untiring efforts will be alleviated people’s suffering. And as well the poor people shall meet and debate sustainable development and for a concerted government led action towards sustainability is an example that the younger generation are concerned for the future. It shall be making the younger easier for their life and make better on their lives, and help them to build a better future.
In present world, Maa really knows the full meanings of “Fundamental Human Rights and Equal Opportunities for the People”. He thinks ethics is the moral code governing the daily conduct of the individual toward those about him / her. It represents those rules or principles by which men and women live and work in a spirit of mutual confidence and service. Without going into the question of how an ethical code was formulated or why anybody should obey it, we can look at the matter in a common-sense fashion with reference to its influence upon our legal affairs. In brief, from the law point of view, a reputable ethical code embodies the qualities of accuracy, dependability, fair play, sound judgement, and service. It is based upon honesty.
No person can have an ethical code that concerns him / her alone. Living in society, as he / she must, a person encounters others whose rights must be respected as well as his / her own. An honest regard for the rights of others is an essential element of any decent code of ethics, and one that anyone must observe if anybody intends to follow that code. After all, ethics is not something apart from human beings. Indeed, there is no such thing apart from our actions and us. It is the duty, therefore, of every man and woman in legal affairs to see that his daily associations with others are truly in conformity with the plain meaning of the Ten Commandments: “Thou shalt not barratry, thou shalt not bear false witness, thou shalt not receive illegal fee and the rest”.
The knowledge Maa has, in connection with legal affairs, was usually come from his precious experiences of his past over ten year’s law and political careers. In an interval regarded as a distinct period of 1980s, he studied mixed civil and crime, and the code of mixed civil and criminal procedure for the problems caused by ethnic disputes and human armed conflicts in the modern society. He was especially one who maintains the language and customs of the group, and social security in Taiwan.
Since 30 July of 1988, Maa settled himself in law as a chief executive and scrivener at Central Legal, Real Estate, and Accounting Services Office; it is in the equivalent to a solicitor of the United Kingdom. The Office provided full legal, accounting, real estate, and commercial services to the public. He did his job as a person legally appointed by another to act as his or her agent in the transaction of business, specifically one qualified and licensed to act for plaintiffs and defendants in legal proceedings and affairs. Over and above Maa was a chairman and executive consultant at Taiwan Credit Information Company®, founded in 1994. The company offered services to the public in response to need and demand in the area of credit information.
Maa had excellent experiences in political and law work was pertaining to mixed civil and crime, the code of mixed civil and criminal procedure, construction, and commercial law abroad. The experiences of legal services related to the rights of private individuals and legal proceedings concerning these rights as distinguished. In the criminal proceedings, he did many cases for the defendants. Although an act committed or omitted in violation of a law forbidding or commanding it and for which punishment is imposed upon conviction; but he also laid legal claim, required as useful, just, proper, or necessary to the defendants under the human rights in the meantime. This provision ensures to the defendant a real voice in the subject.
The men whose judgement we respect are those who do not allow prejudices, preferences, or personalities to influence their decisions. Profit and self-aggrandisement are likewise ignored in their determination to reach an equitable and fair settlement. What are the basic principles upon which good judgement is founded? A keen intellect, a normal emotionally, a through understanding of human nature, experience of law work, sincerity, and integrity.
Developed a Technique for Abstract Photography and Abstractionist
In 1982, Maa developed a technique for abstractive photography, which applied “rayonism” to the photographic works. In November of 1984, Maa was 26-year-old, he instructed many professors and students of National Taiwan Normal University in photography of abstract impressionism and rayonnisme in Taipei, Taiwan. The word “rayonnisme” is French for rayonism - a style of abstract painting developed in 1911 in Russia.
Photographic Exhibitions
TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of “Rayonnisme / Rayonism” Tour - Invitational Exhibition of Taiwan 1983-84.
一九八三〜八四年中華民國臺灣 馬天亮攝影巡迴邀請展
TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of Rayonnisme / Rayonism (32 individual exhibitions) 1983~1985.
馬天亮『光影』攝影特展（個人展32場）1983〜1985年.
Maa staged 32 individual, extraordinary exhibitions and annual special exhibitions on photography of abstractive image and Rayonnisme around Taiwan / Formosa. Maa was the first exhibitor around the country. All of the invited displays were by the Chinese Government, cultural and artistic organisations, and sponsors. Maa’s earliest exhibition took place in the National Taiwan Arts Education Institute (Museum) on 19 December 1983 when Maa was 25 years old; Maa was the youngest exhibitor in the history of the Institute in any solo exhibitions. The Institute that was opened in March 1957, kept a collection of Maa’s work. It is currently updating the Institute’s internal organisation and strengthening co-operation with leading institutes and museums around the world. Meanwhile, it widened the institute’s scope to increase its emphasis on Taiwan’ regional culture and folk arts.
Modernization in the Modern Abstract Arts of Taiwan
Maa’s works is the beginning of modernization in the modern abstract arts of Taiwan, China and greater Chinese society in the world. The use of “modernisation” as a concept that is opposed to “Traditional” of “Conservative” ideas began with the approach of the 20th century. It spreads rapidly through academic circles, and was broadly accepted as a means to reform society. Chinese Manchu Qing (Ching) dynasty’s first steps toward modernisation began in the Tung-chih era (1862-1874) with the “Self-Empowerment Movement”. During the late 19th century, as late Manchu dynasty was confronted on all sides by foreign aggression, voices throughout society debated the most effective means to reform and strengthen the country. Some advocated “combining the best of East and West”, while others went so far as to call for “complete Westernisation”. Taiwan was at the centre of these waves of reform. Faced with direct threats against the island by foreign enemies, the Chinese Ching dynasty court took special steps to push Taiwan’s modernisation.
In a role just like that of a gardener wanting to create a rich and fertile environment for the seeds of culture, one in which Maa may sprout, grow and bloom. Maa aims to provide an educational stimulus for society by introducing his works - Maa can express the neo-romantic spirit deftly from various creations and supporting international artistic exchanges. Maa believes that the first step in creating such a new and independent state is the real emergence of culture and arts, for which the art and science of designing and erecting buildings, and fine arts (including photography and motion picture) of the civilization is a good measurement of success. For the foreseeable future, Maa should be continuing to forge ahead, working diligently and unceasingly towards its mission of raising China and Formosa / Taiwan’s culture in his spare time.
Became an Author and a Scholar
In 1980, TianLiang Maa completed his first book - scenario original “The Soul's Sentimentalizing”, also named: “Hun Yun : Jin Qi Tu Rui” 電影原著《魂韻》(衿契吐蕊) then Maa was at the age of 22. In 1983, The General Library of the University of California, Berkeley in the United States of America, collected and kept Maa’s writings - scenario original 「魂韻 : 衿契吐蕊」“Hun Yun : jin qi tu rui”, included a musical composition of his own – “Sonate Nr. 1 C-dur op. 3 für Klavier (piano)”, composed on 3rd April 1977 then Maa was 18 years old. The works were published in 1980; the theme was based on “The Soul's Sentimentalizing”. Another masterpiece was an Album of Academic Work for News Publication “TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibition of Rayonnisme / Rayonism”, published in 1985. The Hathi Trust Digital Library, the University of Michigan also collected and kept Maa’s writings.
Authorship
Maa’s articles and writings were published in more than 200 different kinds of domestic and foreign magazines, newspapers, and periodicals, in the period between May of 1972 and 1990s. It was all started when Maa was just 13-year-old. Many of which have been very influential. These have been quoted by Western and Eastern scholars many times in the last few years, making Maa one of the highly cited technological, artistic, and managing public administrators in the world in the late 20th and early 21st century. The Ministry of the Interior in Taiwan had registered Maa’s professional writings and given him two certificates of copyright. The numbers are 33080 and 33081 on 4th July of 1985; and Taiwan’s Gazette of The Presidential Office issue No. 4499, featured his writings on 4th September 1985.
Became an Academic and Film Director
Today, Maa is a professor at Space Time Life Research Academy, and a photographer, film director, and computer engineer now live and work in London.
Director Works:
FILMS:
Experimental Film “New Image for the Spring” © 1982
Documentary Film “Rayonnisme” © 2011
“The Soul's Sentimentalizing” of the feature film is based on the scenario original “The Soul's Sentimentalizing” (preparation)
FASHION SHOWS:
New Image for the Spring of Shapely Models International © 1982
High Lights on the Summer and Fall Fashion of Shapely Models Int’l © 1982
ART EXHIBITIONS:
The Cadillac Club International Fine Arts Exhibition © 1981
The Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts © 1981
Musician Work:
MUSIC COMPOSITION:
Sonate Nr. 1 C-dur op. 3 für Klavier (piano) © 1977, © 1980, © 1981, © 1983, the theme was based on “The Soul's Sentimentalizing”.
PHOTOGRAPHIC ALBUMS:
Portrait and Landscape in France © 2000
Portrait and Landscape in Scotland © 2001
Portrait and Landscape in England © 2009
Portrait at Queen Mary, University of London © 2010
Rayonism of London © 2011
Portrait at The University of Nottingham, United Kingdom © 2011
Snowy London © 2012
Portrait at King's College London © 2013
BOOKS:
Scenario Original「魂韻」(衿契吐蕊) “Hun yun: jin qi tu rui” © December 1980, © 1981, © 1983 (Date of First Publication: 31 December 1980, Second Edition on 29 July 1981, Date of Revision: Revised Edition on 8 May 1983), Languages: Chinese (traditional), and English language.
“Album of the Cadillac Club International Fine Arts Exhibition” © 1981
“Album of the Cinematic & Photographic Arts Salon and the Hall of the Arts, Pegasus Academy of Arts” © 1981
“Album of New Image for the Spring of Shapely Models International” © 1982
“Album of High Lights on the Summer and Fall Fashion of Shapely Models Int’l” © 1982
“Romantic Carol” © 1982
Album of Academic Work for News Publication: “TianLiang Maa (Theophilus Raynsford Mann) Photographic Exhibitions of Rayonnisme” © May 1985
新聞出版之學術著作專輯「馬天亮『光影』“Rayonism” 攝影展」© May 1985
New version of scenario original “The Soul's Sentimentalizing” (to be published)
「曾經輝煌到頂天立地」 “The Indomitable Spirit Was Brilliant to Upright” (individual biography, to be published)
“My Life, My History, and My Love” (based on a legend, to be published, a film scenario will be developed later)
「感動的公平與正義」“Touching Fairness and Justice” (political science and social studies, to be published)
Research Interests:
University of Oxford
Research Studies in Archaeology:
Maa’s attractive topic was “A View of Architectural History: Towns through the Ages from Winchester through London Arrived at Oxford in England”.
National Taiwan University
Graduate Certificate,
Graduate Institute of Electrical Engineering:
Maa’s monograph of seminar was “Applied the sequence control in the electric power distribution engineering”.
University of Glamorgan
M.Sc. Course,
Master of Science in Real Estate Appraisal:
Maa’s thesis - major subject, with relevant construction law was “The Assignment is under Economics of Construction Management in Architecture”.
National Sun Yat-Sen University
Postgraduate Certificate,
Postgraduate Studies in Computing:
Maa’s required subject was Information dBase III Plus and Taiwanese Traditional Mandarin Chinese Information System. He combined academic course work and practical laboratory sessions in “Applied Mandarin Phonetic Symbols into Traditional Taiwanese Personal Computer and Its Information System”.
Associations:
Since 1980, a member of Chinese Taipei Film Archive (CTFA, National Film Archive, Taiwan; founded in 1978), The Motion Picture Foundation, R.O.C. (member of Fédération Internationale des Archives du Film, FIAF; The International Federation of Film Archives was founded in Paris in 1938 by the British Film Institute, the Museum of Modern Art in New York City, the Cinémathèque Française and the Reichsfilmarchiv in Berlin.)
Commissioner of the cinema, photography, radio, and television committee of The Culture and Arts Association (Chinese Writers and Artists Association) of Taiwan ever since September 1983.
Classic member, the membership is equivalent to a doctorate membership of the Chinese Institute of Electrical Engineering since 23 March 1984.
On 15 March 1989, Maa promoted and founded the Consortium Juridical Person Mr. TianLiang Maa Social Benefit Foundation 財團法人馬天亮先生社會公益基金會 in Taiwan. near.archives.gov.tw/cgi-bin/near2/nph-redirect?rname=tre...
Classic member, the membership is equal to a professor or associate professor of The Chinese Institute of Engineers since 30 September 1991.
Honours:
Listed on ‘Taiwan Who’s Who In Business’, © 1984, © 1987, and © 1989 Harvard Management Service.
中華民國企業名人錄編纂委員會, 哈佛企業管理顧問公司.
On 26 August 1985, Maa was awarded a professional certificate of the Outdoor Artistry Activities issued by Education Bureau, Kaohsiung City Government, Taiwan. He acquired awards and certificates of honour about twenty times from National Taiwan Arts Education Center (Museum) on 24 December 1983; Kaohsiung Municipal Social Education Center on 17 March 1984, Kaohsiung Cultural Center, Taipei Cultural Center (Taipei Municipal Social Education Hall); and Taiwan Province Government, Taipei City Government, Kaohsiung City Government, and many cultural centres and art galleries, and so on.
Careers:
Honorary Professor at Space Time Life Research Academy, 7 June 2012 to present; Professor at Space Time Life Research Academy, 1 September 2011 to 1 June 2012 in London, United Kingdom:
Academia,
Teaching and Research:
business management and consultant, political philosophy, Chinese classics, Chinese humanities, modern Chinese language and literature, photography (portrait, fashion, commercial, digital, architectural, abstract photography), visual arts and film production.
教學與研究：
企業管理及顧問、政治哲學、中華經典 (古典漢學、文學、藝術、語言) 、中華人文、中華現代語言與文學、攝影 (人像、時裝、商業、數位/數碼、建築、抽象攝影) ，視覺藝術和影片製作。
Consultant and Translator at Eternal Life Consultants of Immigration and Translations Services, 10 March 2004 to present in London, United Kingdom:
consultants of immigration, translations, and legal services.
永生移民顧問翻譯服務社的移民諮詢顧問和翻譯：
移民事務，翻譯和法律服務。
Computer Hardware & Networking Engineer at Maa Office of Electrical Engineer, 8 March 2004 to present in London, United Kingdom:
Computer Engineering and Network Services. Repairing of Motherboards, Monitors, Power Supplies, CD-ROM Drives; UPS, Hard Disk Drives, H.D.D Data Recovery; BIOS Programming, and all types of Computer Hardware and Software Solutions.
計算機工程和網絡服務。維修主機板，顯示器，電源供應器，光碟機/光盘驱动器，不斷電系統，硬碟/硬盘，硬盤數據恢復，基本輸入輸出系統編程，以及所有類型的電腦/計算機硬體/硬件和軟體/軟件解決方案。
Film Director & Photographer at Photographer and Film Director (Shapely), 2 April 2007 to present in London, United Kingdom:
1) Photo, Video and Film Production; 2) Graphic Design, Web Design, Social Networking, Social Media and Advertising; 3) Architectural Design and Interior Design.
www.facebook.com/filmshapely/info
Reformer and Philosopher at Taiwanese Social Reformer and Philosopher, 7 April 2012 (location: Los Angeles, California) to present in London, United Kingdom:
Social Reform in Taiwan
www.facebook.com/twreform/info
《魂韻》(衿契吐蕊) - 馬天亮22歲寫的電影原著。TianLiang Maa (Theophilus Raynsford Mann) wrote “Hun Yun” (Jin Qi Tu Rui), scenario original “The Soul’s Sentimentalizing” © 1980, 1981, 1983, was at the age of 22.
Website
mtltwp.pixnet.net/album/set/1265174
photo.roodo.com/photos/mtltwp/albums/small/100469.html
Sonate Nr. 1 C-dur op. 3 für Klavier (piano) by Theophilus Raynsford Mann (TianLiang Maa 馬天亮) © 1977, © 1980, © 1981, © 1983. The Sonate composed on 3rd April 1977 then Maa was 18-year-old. The work was published in 1980; the theme was based on “The Soul's Sentimentalizing”.
Website
LINKS:
University of California, Berkeley
berkeley.worldcat.org/search?q=Ma%2C+Tianliang&dblist...
berkeley.worldcat.org/title/hun-yun/oclc/813684284?refere...
oskicat.berkeley.edu/record=b11283690~S1
University of Michigan
mirlyn.lib.umich.edu/Record/006237256
catalog.hathitrust.org/Record/006237256
WorldCat® Identities
www.worldcat.org/search?q=au%3AMa%2C+Tianliang%2C&dbl...
www.worldcat.org/wcidentities/np-ma,%20tianliang$1958
Google Books
books.google.co.uk/books?id=PkyaAAAAIAAJ&redir_esc=y
books.google.co.uk/books?id=JfxnMwEACAAJ&dq=editions:...
scholar.google.com/scholar?cluster=3569983911138966023&am...
National Bibliographic Information Network (NBINet)
nbinet3.ncl.edu.tw/search~S10?/a%7bu99AC%7d%7bu5929%7d%7b...
192.83.186.170/search*cht/a%E9%A6%AC%E5%A4%A9%E4%BA%AE
National Yang Ming University 國立陽明大學
library.ym.edu.tw/search~S7*cht?/tThe+Soul%27s+and+sentim...
National Taiwan University of Science and Technology 國立臺灣科技大學
millennium.lib.ntust.edu.tw/record=b1016706~S1
Wikimedia Commons 維基共享資源
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commons.wikimedia.org/wiki/File:TianLiang_Maa_馬天亮.jpg
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國家圖書館 期刊文獻資訊網, 臺灣期刊論文索引
readopac3.ncl.edu.tw/nclJournal/search/search_result.jsp?...
聲音藝術的審美角度, 大學雜誌, 天然
readopac3.ncl.edu.tw/nclJournal/search/detail.jsp?sysId=0...,
readopac3.ncl.edu.tw/nclJournal/search/detail.jsp?sysId=0...
為文化中心把脈, 幼獅文藝
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科學家與守財奴, 中國地方自治
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Yahoo, Bing, Google Search
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Atomzone
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lurvely.com www.lurvely.com/photographer/77438197_N03/
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Nature - National Library Board Singapore
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画像検索
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Japan Photos and Pictures
japan.pictures-photos.com/professor-tianliang-maa%E2%80%A6
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far-east-movement - Blogcu (Turkey)
far-east-movement.blogcu.com/professor-tianliang-maa/1226...
man fashion
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Travel Splash
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Country profile Taiwan
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itpints
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AskJot
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Who is talking
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University of California, Berkeley period
atomzone.co.uk/scaffold/images/search/University%20of%20C...
University of Michigan period
atomzone.co.uk/scaffold/images/search/University%20of%20M...
University of Oxford period
atomzone.co.uk/scaffold/images/search/University%20of%20O...
www.wer-ist.org/person/Oxford_Archaeology
University of Glamorgan period
atomzone.co.uk/images/search/University+of+Glamorgan+period
www.worldofbuildings.worldofbuildings.org/flickr/wob_flic...
University of Huddersfield period
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art galleries uk
artgalleriesuk.blogspot.co.uk/2012/08/bigandtall-stores-s...
Mitrasites system
sites.google.com/site/mitrasites/system/app/pages/customS...
articles.whmsoft
articles.whmsoft.com/related_search.php?keyword=Tianliang...
pantieslace-forwomen.blogspot.co.uk/2012/08/motherhood-ma...
3piece-suits.blogspot.co.uk/2012/07/nursing-shawl-become-...
3piece-suits.blogspot.co.uk/2012/08/body-briefers-childre...
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German
www.wer-ist.org/person/Jin_Mann
www.pediatr.org.tw/DB/News/file/1913-1.pdf
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Journal of the Royal Horticultural Society of London.
London.Printed for the Royal Horticultural Society by Spottiswoode & Co.
She's from Spain!
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A pretty goddess straight out of Homer's Iliad & Odyssey!
New Instagram! instagram.com/45surf
New facebook: www.facebook.com/45surfAchillesOdysseyMythology
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New blog!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown / Blond Hair!
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Check out my greatest hits compilation, and let me know what you think:
www.elliotmcguckenphotography.com/45surf/45SURF-Heros-Ody...
Epic Goddess Straight Out of Hero's Odyssey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's odyssey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Odyssey Mythology. I wouldn't be saying it if it hadn't happened to me.
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She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic odyssey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
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Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Truth, Beauty, and the Light of Physicist Dr. E's Moving Dimensions Theory's dx4/dt=ic . The fourth dimension is expanding relative to the three spatial dimensions at the rate of c. Ergo relativity, time, entropy, and entanglement.
New blog celebrating my philosophy of photography with tips, insights, and tutorials!
Ask me any questions! :)
Sony A7R RAW Photos of Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3 ! Pretty Hazel Eyes & Silky Brown Black Hair!
All the best on your Epic, Homeric, Heroic Odyssey into the Art of Photography from Johnny Ranger McCoy!
All 45surf Hero's Odyssey Mythology Photography is shot in the honor of Dynamic Dimensions Theory's First Law and equation: The fourth dimension is expanding relative to the three spatial dimensions at the rate of c: dx4/dt=ic.
Đã từ lâu, du lich Da Lat là điểm hẹn của những đôi lứa đang say trong hạnh phúc, những tuần trăng mật ngọt ngào của các cặp vợ chồng mới cưới,…Do đó, địa danh này được du khách ưu ái đặt cho những tên gọi rất lãng mạn, trữ tình như: thành phố tình yêu, thành phố ngàn hoa, thành phố sương mù,… Hãy cùng chúng tôi khám phá sự hấp dẫn của thành phố tình yêu Đà Lạt.
NHỮNG ĐỊA DANH DU LỊCH HẤP DẪN TẠI ĐÀ LẠT
1. Khám phá những thung lũng lãng mạn
- Thung lũng Tình Yêu - nơi hò hẹn
Thung lũng tình yêu là một trong những địa danh thơ mộng nhất tại Đà Lạt, cách trung tâm thành phố khoảng 6 km. Trong thung lũng có đập Đa Thiện, nơi quy tụ những dòng suối nhỏ chảy từ đồi núi cao, thành một hồ nước trong vắt uốn quanh thung lũng rợp bóng thông xanh. Trước kia, người Pháp gọi là Vallée d'Amour (Thung lũng tình yêu) sau đó, thung lũng này được đổi tên thành Thung lũng Hòa Bình và đến năm 1953 thì tên gọi thung lũng Tình Yêu được giữ lại cho tới ngày nay.
Thung lũng Tình Yêu thơ mộng và cuốn hút bởi độ sâu và đồi thông xanh ngát bao quanh. Năm 1972, đập ngăn nước được xây dựng vắt ngang qua thung lũng tạo thành hồ Đa Thiện, làm tăng thêm sức quyến rũ cho cảnh quan nơi đây.
Đến đây, du khách có thể đi dọc theo những lối mòn, leo những bậc thang để ngắm toàn cảnh thung lũng hoặc đi qua những cổng hoa với màu sắc rực rỡ để lên đồi Vọng Cảnh. Từ trên đồi Vọng Cảnh, du khách sẽ thấy hình ảnh thung lũng Tình Yêu hiện ra như một bức tranh vô cùng thơ mộng.
- Thung lũng Vàng - điểm đến lý tưởng
Từ trung tâm thành phố Đà Lạt mất khoảng 15 phút đi xe ô tô, du khách sẽ đến khu du lịch thung lũng Vàng. Đây là một trong những điểm du lịch sinh thái lãng mạn ở Đà Lạt, được sự ưu đãi đặc biệt của thiên nhiên với rừng thông bạt ngàn và mênh mông đồi cỏ. Đứng trên triền dốc nhìn xuống một vùng nước tĩnh lặng, mênh mông bát ngát, hàng thông rũ bóng xuống mặt hồ đẹp như một bức tranh thủy mặc.
2. Chinh phục Lang Biang – nóc nhà của Đà Lạt
Lang Biang với chiều cao 2.167 mét, là một ngọn núi hấp dẫn với những ai muốn thám hiểm, chinh phục độ cao. Nằm trong lòng thung lũng Lâm Viên, nơi đây rất thích hợp cho những chuyến tham quan, dã ngoại, cắm trại qua đêm.
Lang Biang còn được ví như "nóc nhà" nóc nhà của Đà Lạt, của cao nguyên Lâm Viên, là chốn lý tưởng để du khách tận hưởng những cảm xúc lạ, đáp ứng khát khao chinh phục, khám phá những điều bất ngờ của du khách.
Chinh phục đỉnh Lang Biang du khách còn được nghe một truyền thuyết về tình yêu say đắm của chàng Lang và nàng Bian huyền thoại.
3. Khám phá sự bí ẩn của những dòng thác
- Thác Cam Ly:
Thác Cam Ly nằm trên dòng suối Cẩm Lệ, cách trung tâm của thành phố Đà Lạt hơn 2km về hướng tây. Ngọn thác hùng vĩ cùng với đồi thông bao quanh đã tạo nên một thắng cảnh khó quên trong lòng du khách khi tới Đà Lạt.
- Thác Datanla
Từ quốc lộ 20 rẽ xuống dốc khoảng 300m, bạn sẽ gặp một thung lũng nhỏ, trong thung lũng có dòng thác Datanla với cảnh trí đầy hấp dẫn và đậm nét hoang sơ.
Nằm giữa đèo Prenn, thác Datanla không hùng vĩ, ồn ào như nhiều dòng thác khác ở Đà Lạt nhưng lại có sức cuốn hút đặc biệt đối với những du khách thích mạo hiểm phiêu lưu.
Datanla là tên gọi do các từ K’Ho ghép lại: “Đà –Tàm - N’ha” có ý nghĩa là “nước dưới lá”. Dòng nước của thác đổ xuống từ ghềnh cao 20m, len lỏi qua nhiều tầng của các khe đá rồi lẫn khuất giữa rừng sâu tạo thành một dòng suối.
Tại chân thác có những tảng đá nhẵn bóng thật đẹp, tương truyền rằng xưa kia đây là nơi các tiên nữ thường ghé xuống tắm suối và nô đùa tạo nên dòng Suối Tiên. Đến thăm dòng thác hung vỹ này, du khách sẽ gặp một hẻm vực sâu hun hút được gọi là vực Tử Thần. Đây là nơi có thể đáp ứng đam mê khám phá và chinh phục của các bạn trẻ.
- Thác Prenn
Thác Prenn nằm ở chân đèo Prenn cách trung tâm Đà Lạt khoảng 10 km, nằm ven quốc lộ 20. Thác Prenn mang một vẻ êm dịu và duyên dáng, có những dòng nước đổ nhè nhẹ từ độ cao 10m xuống một hồ nước nhỏ, được bao bọc bởi rừng thông xanh ngát.
Để vào thác, du khách sẽ được qua một chiếc cầu ngắn bắc ngang dòng suối đã được kè chắn bằng bêtông. Con đường xuống thác với những bậc đá ôm theo sườn đồi được bố trí đẹp mắt.
- Thác Pongour
Thác Pongour hay còn gọi là thác Bảy tầng nằm tại huyện Đức Trọng, tỉnh Lâm Đồng, cách Đà Lạt 50 km.
Thác này có dòng nước đổ từ độ cao gần 40 m, trải rộng hơn 100m. Bạn có thể tham quan sự huyền ảo của dòng thác qua hệ thống bậc thang bảy tầng. Bao quanh thác Pongour là khu rừng nguyên sinh có diện tích khoảng 2,5 ha với hệ thống động thực vật đa dạng và phong phú.
4. Đắm chìm vào muôn sắc hoa của công Viên hoa Đà Lạt
Công viên hoa Đà Lạt nằm quanh bờ phía Bắc của hồ Xuân Hương, trên thung lũng của Đồi Cù. Diện tích của công viên hoa rộng tới 7000 m², với cách bố trí ấn tượng với sự góp mặt của muôn vàn loài hoa.
Các loại hoa và cây cảnh ở đây đều được chăm sóc, cắt tỉa chu đáo. Thăm vườn hoa, quý khách sẽ “say” bởi cách bố trí những chậu hoa từ nhỏ đến lớn với những hình thù khác nhau cực bắt mắt.
Các festival hoa tổ chức hằng năm ở Đà Lạt đều thu hút lượng lớn du khách gần xa về với thành phố. Đồng thời đây cũng là dịp nhiều nhà đầu tư trong nước và nước ngoài chung tay phát triển hoa Đà Lạt trở thành thương hiệu và hình thành các trung tâm sản xuất, xuất khẩu hoa của cả nước và khu vực Đông Nam Á.
THƯỞNG THỨC NHỮNG ĐẶC SẢN HẤP DẪN XỨ CAO NGUYÊN
Bên cạnh những địa danh du lịch, Đà Lạt còn thu hút du khách bởi có vô số đặc sản hấp dẫn, độc đáo mà không nơi nào có được.
Đà Lạt có vô số trái cây miền ôn đới ngon nổi tiếng như: đào lông, dâu tây, dâu tằm, hồng, bơ,…Những loại trái cây này không chỉ đặc sản được nhiều du khách ưu chuộng mà còn là những nguyên liệu chế biến ra những món mứt vô cùng thơm ngon như: mứt hồng, mứt đào, mứt dâu tằm, …và vô số các loại rau củ sấy khô độc đáo khác.
Bên cạnh đó, rượu vang Đà Lạt cũng là thức uống được nhiều người ưu chuộng bởi vị ngọt thơm từ những trái cây của xứ sở sương mù này như: nho, đào,… Ngoài ra, Đà Lạt còn có đặc sản rượu cần của dân tộc bản địa ở đây. Rượu cần được ủ lên men tự nhiên bằng lá cây rừng, ngon không kém một loại rượu nổi tiếng nào.
Trà cũng là một đặc sản rất hấp dẫn ở Đà Lạt. Nổi tiếng nhất là trà hoa Atiso, tại Đà Lạt, loại trà này ngày càng được ưa chuộng vì công dụng tuyệt vời của nó.
Du lịch Đà Lạt bạn cũng đừng quên mua những món quà xinh xắn, những chiếc áo len,mũ len ấm áp, những lãng hoa bất tử về làm quà cho bạn bè và những người thân yêu.
Đà Lạt hấp dẫn du khách bởi cảnh thiên nhiên đẹp, thơ mộng có rất nhiều loại đặc sản hấp dẫn và điều thú vị và bí ẩn đang chờ bạn khám phá. Hãy khám phá Đà Lạt bằng hành trình của riêng bạn hoặc đòng hành cùng Du lịch Bến Nghé. Mọi chi tiết, vui lòng liên hệ: Công ty Cổ phần Du lịch Bến Nghé, 117/39 Nguyễn Hữu Cảnh, P.22, Bình Thạnh. ĐT: (08) 35144 132 – 0919 100 864.
Come play with us at wendyrago.typepad.com/project52 - mixed media challenge, due November 21, 2009
Title "Artsy Scrappy Mama" by Julie Ann Shahin
I decided my self-portrait would be a paper mache art doll because I didn't want to buy something, although I did look in a few stores. I wanted to actually make something and get my hands dirty, yet actually I wore "kitchen gloves" for the messy part! The wire mesh for the dress is no accident, I want you to see through it, to see the body has vintage sewing pattern tissue paper on it. I also wanted to attach items to the dress so this wire worked great, it is called "WireForm by Paragon" or "WireMesh by Paragon" depending on whether you want copper, brass, or aluminum diamond. Pam asked me what her name is, and I decided to name her "Artsy Scrappy Mama" because I wanted to show you a self-portrait of me in my studio, which is painted yellow, where I am happy and thriving.
The items on her dress include a cupcake charm (!!!), a handmade rose (tutorial coming soon), a deer brad because I see deer in my neighborhood all the time, a heart brad, an imagine charm for creativity and a nod to John Lennon, and a pin I saved from a trip to Toronto.
My technique: I wanted to use things that were on hand for paper mache. Make note of everything I recycled!
* The doll body was constructed from a toilet paper roll for the torso,
* and a wad of newspaper rolled into a ball for the head,
* taped together with masking tape.
* I used straws for the arms and legs,
* I punched a hole into the body for the legs and arms with my Crop-a-Dile
* Instead of using newspaper for paper mache, I used vintage music paper, vintage sewing patterns, and vintage book pages
* I made a 1-part flour to 1-part water mixture for the paper mache glue, and let each layer dry overnight
* The eyes and mouth were made on Claudine Hellmuth’s Sticky Back Canvas, cut out and applied
* The background behind her is also paper mache, made on a cardboard mailer. The newspaper article is about me, written several years ago, an interview I gave on hybrid scrapbooking when I was Creative Editor of Scrapbook Dimensions Magazine
* For her hair, I took 10 thin strips of fabric, tied a smaller strip of fabric around them at the top, then adhered one end at the crown of her head. I repeated this about 15 times. Then I tied various floral charms and beads to her hair.
Supplies: toilet paper roll, newspaper, masking tape, straws, vintage music paper (PERSONALITY), vintage sewing pattern(PERSONALITY), vintage book pages (FOUND at antique store), Claudine Hellmuth Sticky Back Canvas Paper, Hambly Transparency, pop dots, various fabric strips for hair, Prima flowers, fake eyelashes (FOUND in my cabinet), wire mesh (FOUND), ArtGirlz cupcake/imagine/feet charms (PERSONALITY); Art Matters Pin I saved from Toronto Museum (FOUND & PERSONALITY); chandelier crystal from flea market (FOUND); feather; brads; twist-ties (FOUND); Hard Rock Cafe stir stick (broke stick off) (PERSONALITY), binder clip (FOUND), chair, misc charms and beads, newspaper article (PERSONALITY)
Tools used: Martha Stewart Butterfly Punch; GlimmerMist by Tattered Angels Mist and Screens; Punchella; Acrylic Paints; Stickles glitter glue; Copic marker; oil pastels; water, flour, gloves Please see the forum for further tutorials on my paper mache art doll!
Your vote has value to the Koch Brothers
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The room is adapted from a Creative Commons licensed photo from Bruce Tuten's Flickr photostream. Jet image source in the Citizen's United money globe is from Nasa. All other elements are original photos and Photoshop paintings.
