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This one took me a couple of tries before I really figured out what I wanted to do with it. I knew I wanted something with bright colors - something I've never really done before, not counting a few Mac clones I put together - and with a higher image:text ratio on the taskbar. But the rest took an unusual amount of trial and error.
I'm really surprised by how much I'm liking the double-height taskbar. I'll probably go back to the single eventually, but it's nice to discover the flexibility. What I've done here is created artificial space for a few Rainmeter skins by adding the Quicklaunch and Links toolbars, which are, of course, empty. I suppose this could easily be mistaken for a Windows 7 taskbar; I'll have to try and duplicate it once I've made the switch. (If anyone knows how to center the taskbar tabs when there's only one row, please let me know.)
Rollover the notes for more details; I've added plenty, including some sneak previews of the new skins I'll be slipping into the Enigma 2.6 patch release. :)
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Liquid Crystal Discourse
I proooooomise, I still plan to start posting regularly on my customization blog. It's just a matter of finding the time; I'm fortunate to have been kept busy working on Enigma, Rainmeter 1.0, and a few other projects. But there are a couple desktops in the Lifehacker pool that I'm interested in featuring in the near future, so I hope you'll keep an eye on it. :)
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Desktop
Theme:
- H.E.A.V.E.N.. Requires patched uxtheme.dll - patcher here.
- Wallpaper: unnamed, from learntolikeit (third row from the bottom).
Startups:
- Autohotkey.
- Launchy. Skin: RooLa, customized.
Programs running:
- Rainmeter. Skin: Enigma 2.6 Beta, customized with Amana Icons.
- Yod'm 3D 1.4.
Modèle : www.lilou77.book.fr. Et www.instagram.com/lilou.modelephoto77 www.instagram.com/lilou.french.modele
www.flickr.com/photos/196287806@N03
photographe : chriscou77
flickriver.com/photos/javier1949/popular-interesting/
Centro de Expresión e Innovación de Nuevas Tecnologías de Madrid
“Catedral de las nuevas tecnologías” Nave Boetticher
C. Cifuentes, s/n. Villaverde Cruce Madrid
Nave Boetticher: Ingeniero: Manuel Cámara Muñoz: 1949 - 1950
Reforma y ampliación: Concurso: 2006. Arquitectos: José María Churtichaga, Joaquín Lizasoain, Rolf Brülisauer y Mauro Doncel. Colaboradora Ophelia Mantz.
Obras: Lizasoain-Churtichaga arquitectos 2010 - 2012.
La nave Boetticher es una de las cinco que formaban el complejo industrial, dedicado fabricación de ascensores y escaleras mecánicas, turbinas para la producción de energía eléctrica, equipamiento de puertos (grúas…), compuertas para pantanos y centrales hidroeléctricas, etc., que Gustavo Boetticher y José Luis Gómez Navarro levantan en Villaverde en la década de1940, y cuyos primeros edificios se construyen según proyecto firmado en 1940 el arquitecto Ricardo Gómez Abad con la colaboración del ingeniero Eduardo Torroja. Por ello, pese a no encontrarse el proyecto de esta zona concreta de la fábrica, y dada su espectacular estructura de hormigón armado con dimensiones de 140 x 42 m y más de 20 de altura, se ha considerado autor de la gran nave de producción del conjunto al ingeniero Eduardo Torroja junto al arquitecto Ricardo Gómez Abad, autores del resto del complejo fabril. De hecho era conocida como Nave Torroja, también como La Catedral por sus dimensiones e interior impactante. Hoy según un estudio encargado por el Instituto Torroja (del CSIC), que consideraba que el diseño estructural de la nave conocida como “la Catedral” no tenía las características propias de la obra del famoso ingeniero, puede afirmarse que fue obra del ingeniero Manuel Cámara Muñoz.
Construida entre 1949 y 1950, su gran estructura de hormigón armado resultó muy novedosa en plena posguerra. Constaba de tres naves, de tipología basilical, una gran nave central, definida como un espacio diáfano cubierto con una bóveda de cañón rebajada, dividida en 16 tramos integrados en un sistema constructivo que se apoya en las dos laterales (de menor tamaño y altura), concebidas a modo de contrafuertes y sustentadas, a su vez, por un entramado de dobles pórticos de hormigón. Los muros de cerramiento y los testeros eran de fábrica de ladrillo.
En 1992 la empresa Boetticher y Navarro quiebra y comienza una larga historia de abandono y progresivo deterioro de sus instalaciones, pese a haberse protegido, por el planeamiento municipal, la nave principal como edificio singular siendo obligada su conservación. Grafiteada, usada como refugio por mendigos y convertida en campo de voleibol cubierto por los inmigrantes, hasta que en 2003 la antigua fábrica y sus terrenos pasan a pertenecer al Ayuntamiento mediante un convenio urbanístico. La parcela de más de 68.000 m2 recalifica su uso industrial pasando a ser el de equipamiento singular, y se proyecta la rehabilitación de la nave para Centro de Expresión de Nuevas Tecnologías. En 2006 el Ayuntamiento junto con el Colegio de Arquitectos convocaron un concurso de ideas para la recuperación de la nave, concurso que es ganado por el proyecto “Banda Ancha” presentado por el equipo formado por José María Churtichaga, Joaquín Lizasoaín, Rolf Brülisauer y Mauro Doncel, con la colaboración de Ophelia Mantz. Aunque estaba prevista su inauguración en 2008 no se puso la primera piedra del nuevo conjunto hasta 2009 y se concluye en 2012. La recuperación incluye una serie de construcciones anejas entre las que destaca una icónica torre. En 2015, con las obras concluidas, aún permanece sin uso.
¿Cómo se transforma una nave de industria pesada, tan siglo XX, en un templo de tecnofilia? "Nuestra apuesta fue no construir nada dentro", dicen Lizasoain y Churtichaga, los arquitectos responsables de la remodelación. "Propusimos una plaza flexible, un gran vacío: no queríamos hacer nada para poder hacerlo todo". El espacio es enorme -140 metros de largo, 40 de ancho y 20 de alto-, "de esos que ya no quedan en Madrid". El reto: que el monstruo no quede desangelado. "El quid era conservar su crudeza pero crear un lugar agradable". "Respetamos sus arrugas y sus cicatrices, pero los muebles le darán alegría y los chispazos de color la cargan de energía". Se pueden ver en la colorista celosía vertical que rodea el inmueble -y que los arquitectos llaman "los pelos"- y en los espectaculares lucernarios. Delante de la nave han construido una torre de oficinas diáfanas que sirve "de faro", ese que se supone llevará al degradado barrio de Villaverde a buen puerto tecnológico.
La propuesta ganadora respeta la nave como elemento central, añadiendo además otros espacios, conserva y restaura la estructura original de la nave y su valor arquitectónico, realzando la amplitud de sus dimensiones y la fuerza de su presencia en el paisaje urbano, planteando una obra estéticamente impactante, acorde a la importante función que tendrá en toda la ciudad.
El nuevo complejo está compuesto por varias zonas diferenciadas, destinadas a distintas facetas de la promoción de la tecnología y de la innovación, tanto para los ciudadanos como para empresas y profesionales. En torno a la vieja nave, se construye una amplia zona congresual, que consta de un salón de actos, con capacidad para 1.000 personas y equipado con la más moderna tecnología, así como de varias salas multifunciones. En esta zona se posibilitará el encuentro de profesionales en conferencias y congresos de carácter eminentemente tecnológico. La antigua nave Boetticher se dedicará a actividades de divulgación y exhibición de las nuevas tecnologías, informática, telecomunicaciones, ingeniería, nano y biotecnología, nuevos materiales, y sus aplicaciones a la vida diaria de las ciudades, las empresas y las personas. También se dará espacio a exposiciones temporales e itinerantes de la misma temática y se creará una “Innovateca”, que se constituirá como un auténtico “almacén digital” de información y conocimiento sobre multitud de aspectos relacionados con la innovación y las nuevas tecnologías al alcance de todos los ciudadanos y empresas de España.
Un edificio de seis alturas, situado en plaza norte del complejo, se destinará a “Factoría de Innovación”, un “centro de alto rendimiento” en innovación destinado a fomentar la cultura innovadora y la creatividad en las empresas. Junto a la factoría estará el “Escaparate de la Innovación” que se situará en un lateral de la calle interior del complejo tecnológico. Estas dos zonas contribuirán a que el centro se convierta en un polo de innovación con importantes efectos de desarrollo económico en el distrito.
Se ha utilizado acero para los refuerzos de la nave, se han rehabilitado más de 27.000 m2 de estructura y además se han empleado micropilotes para su cosido. En cuanto a instalaciones de telecomunicaciones se han tendido 8.184 m. de fibra óptica, más de 35 km. de líneas y circuitos eléctricos, 146.200 m. de cableado de altas prestaciones y 150 puntos de acceso wifi. También, se han utilizado energías renovables, instalando 61 paneles fotovoltaicos con una superficie de captación de 99,3 m2 y un sistema geotérmico de apoyo, formado por 11 pozos de más de 100 m. de profundidad cada uno.
Todo el conjunto se ha rodeado de una celosía vertical de colores, los de la fibra óptica, símbolo de las nuevas tecnologías, azul, verde, gris, naranja… gama que sirve igualmente para la decoración interior y en las medianeras interiores se han conservado alguno de los graffitis existentes.
www.cspcoordinacion.com/index.php/en/projects/singular-co...
artedemadrid.wordpress.com/2015/10/12/nave-boetticher/
www.lacatedraldelasnuevastecnologias.com
elpais.com/diario/2011/10/08/madrid/1318073064_850215.html
elpais.com/tag/boetticher_y_navarro/a/
www.arqueologiaypatrimonioindustrial.com/2010/05/lacatedr...
www.espormadrid.es/2008/12/en-marcha-el-centro-de-nuevas....
patrindustrialquitectonico.blogspot.com.es/2012/02/antigu...
www.madrid.es/UnidadesDescentralizadas/UDGParticipacionCi...)Contenidos/02_2.PlanesEspec.DistYDesa/D_7.Villaverde/7_1_4/PROYECTO%20NAVE%20B%C3%96ETTICHER%2017%2010%2007%20(PEI).pdf
METALLICA
Youtube: Dream Factory
SONISPHERE FESTIVAL
25/26/27 JUNE 2010 BJK INONU (İNÖNÜ) STADIUM
FOR THE FIRST TIME IN HISTORY: THE BIG FOUR
Sonisphere Festival Istanbul © <---- My blog. Do you want to see?
Photograph by Yusuf Alioglu
FACEBOOK GROUP <--- Are you a fan of my photos?
Twitter <--- Maybe you want to look?
youtu.be/mqD7pkVyoOw Highlight Reel
Starring Ursula Andress, Peter Cushing, Bernard Cribbins, John Richardson, Rosenda Monteros, and Christopher Lee. Directed by Robert Day.
synopsis
Hammer Films co-produced this lavishly mounted adventure, the fourth adaptation of the novel by H. Rider Haggard. In Jerusalem, Leo Vincey (John Richardson) meets with a slave girl, Ustane (Rosenda Monteros), who has been charged with bringing him to an immortal queen, Ayesha (Ursula Andress). Ayesha, who desires Leo because of his resemblance to her long-dead lover, offers riches if he will travel to her lost city in the mountains, where a magical flame will also give him eternal life. Accompanied by his adventurous friend Major Horace Holly (Peter Cushing), Leo sets out for the fabled city across the desert, but along the way Ustane causes trouble when she decides she wants Leo for her own. She (1965) was followed by a sequel, The Vengeance of She (1968), although the follow-up did not star Andress.
Hammer Films, best known as the House of Horror, enjoyed a long history reaching as far back as the 1930s when it began as a production unit of the distribution company Exclusive Films. Exclusive had been started by William Hinds and Enrique Carreras, and Hammer remained a family-run firm throughout its heyday as a producer of small-budget but stylish horror movies. James Carreras, son of Enrique, presided over Hammer's famous repertory group of horror directors, writers, actors, editors, production designers, and composers, bringing his son Michael into the fold as a producer in the 1960s alongside William Hinds's son, Tony.
Though a small company with a modest studio at Bray, Hammer proved to be successful enough by the 1960s to attract the interests of Hollywood, and studios such as 20th Century Fox, Warner Bros., and MGM made deals with the House of Horror to coproduce films and distribute them in the U.S. Taking advantage of these deals, Hammer sought to maximize profits and diversify their output by increasing budgets and branching out into other genres. She, released in 1965, proved a successful foray into a new direction for Hammer, though Michael Carreras soon grew leery of the increased budgets that accompanied his studio's change in course.
She, H. Rider Haggard's story of a lost world in the jungles of Africa, was destined for cinema almost from the beginning. Haggard published his novel in 1887, and by 1908, a one-reeler of the story had been directed by Edwin S. Porter for Thomas Edison's company. In 1917, a longer interpretation was released by Fox Film starring forgotten actress Valeska Suratt, promoted in publicity materials as the Vampire Woman. Eight years later, an English version surfaced with Betty Blythe as the title character. Prior to Hammer's production, the most well-known interpretation of She was produced by Merian C. Cooper for RKO in 1935. Cooper changed the setting to the frozen north and cast Helen Gahagan as She in her only film role. The material was ripe for an update when Hammer took on the project in 1963.
Originally, Universal partnered with Hammer to produce She, and the project was assigned to Tony Hinds. He hired John Temple Smith to write the first draft of the script, which mirrored the original novel, but the content proved too dark and violent for Universal. Hinds had the script rewritten by Berkeley Mather, but Universal still did not warm up to the material. The project passed to Michael Carreras, who asked David T. Chantler to write another version and steer it toward an adventure tale. MGM stepped in to co-finance and coproduce, tripling the budget of the average Hammer film and making She its most expensive production to date. But MGM knew how to exploit the film, which starred Ursula Andress--famous for her turn as the bikini-clad Bond Girl walking out of the ocean in Dr. No. The posters for She featured Andress's impressive physique, and publicity took advantage of her jet-set lifestyle. She became a commercial hit on two continents.
The film opens in Palestine just after World War I. Three adventure-loving war buddies, Leo Vincey, Holly, and Holly's valet, Job, are enjoying themselves in a bar when a sultry local named Ustane approaches them. Hammer stalwart Peter Cushing plays Holly with his typical charisma and charm, while Bernard Cribbins complements him as his right-hand man Job--a fitting name for a character who is defined by his devotion to his employer. John Richardson costars as leading man Leo Vincey, though he lacks the magnetism of Cushing. Unknown to the men, Ustane secretly serves She, called Ayesha, and the young maiden recognizes Vincey as the reincarnation of her queen's long-dead lover, Kallikrates. Ayesha had murdered Kallikrates 2,000 years earlier for being unfaithful to her, but she pines for him regardless.
Based on Ustane's story, the trio is lured by the idea of a quest for a lost civilization and set out on a journey across the desert. They soon discover they are lost, though they are not without the creature comforts of the upper-crust adventurer. Job the valet, who never forgets his place, serves Holly and Leo their whiskey despite the dire circumstances. The trio reunites with Ustane in her desert village, where her father rules a lost tribe who guard the entrance to Kuma, Ayesha's kingdom. The three adventurers enter Kuma, which had been the scheming queen's long-term plan all along. Ustane has fallen in love with Leo, but Leo has become entranced by Ayesha, known variously as She Who Waits and She Who Must Be Obeyed. Ayesha wants Leo to step into her eternal flame so the two can be united for all eternity, but her priest, Billali, played by Hammer legend Christopher Lee, is jealous of the newcomer. A beautiful but selfish despot, Ayesha does not care about her subjects, including Ustane. She foolishly executes several of her subjects, causing an uprising and complicating the situation for the adventurers.
She was the first film from Hammer to be built around a female star. Tall and statuesque, Ursula Andress was a perfect choice to play Ayesha, though in retrospect she claims to have disliked the role. Andress has been criticized by reviewers for her icy demeanor and aloof detachment, but these characteristics proved beneficial for playing the steely-eyed Ayesha. Costumed in a selection of warm-colored, Grecian-styled gowns and gold jewelry, she glows onscreen, partly due to the flattering, high-key lighting of cinematographer Harry Waxman. Born in Switzerland to German parents, the exotic-looking beauty spoke with an accent, which Hammer's producers found too distracting. Andress's entire role was then re-voiced and dubbed over by an actress named Monica Van Der Syl, who mimicked a slight Swiss accent so audiences did not suspect the truth. John Richardson's lines were also dubbed in post-production by the actor himself, perhaps to give his line readings an added emphasis, since he tended to be overshadowed by Cushing and Lee.
The large budget for She is apparent on screen in the effective location shooting. Instead of the original jungle setting of the novel, writer David T. Chantler opted for a Middle Eastern background. The production shot for two weeks in Israel's Negev desert and then returned to England to shoot the interiors. Hammer's modest Bray Studio proved too small for the scale of the lavish Kuma sets, so the production set up at Elstree Studios. The authentic desert scenes gave She an epic quality not associated with Hammer's stylish but intimate horror films.
She did propel Hammer in a new direction, launching its so-called Hammer Glamour films of the 1960s, which starred or spotlighted female characters. A sequel, The Vengeance of She, was released in 1968, starring Olinka Berova in the starring role. It was yet another Hammer adventure tale with a sexy female lead that quickly outshone Andress and She at the box office. Released in 1966, One Million Years B.C. starred Raquel Welch in a role that propelled her to stardom and created one of the most memorable movie posters of the 1960s. Hammer would continue to place emphasis on women characters into the 1970s, but, just as Michael Carreras predicted, the big budgets that allowed for the location work in She and One Million Years B.C. quickly evaporated. Due to changes in tax laws and industry financing, American studios pulled out of British coproduction deals in the late 1960s, leaving Hammer with higher budgets and higher financial expectations from unions.
roseyourstylesl.wixsite.com/roseyourstylesl/single-post/2...
As the name says these are Warpaints painted all over the body. I remembering that Rose Your Life celebrates Premiere with Warpaints at these Faire.
Inside is a Lara Hud / Omega appliers and system layers.
pose
IE - Female Stand 1F
India Tiger safari trip.
Our second park, Pench.
An impeccable place to walk down the memory lanes of your childhood days of the famous story ‘The Jungle Book’.
In the heart of India, Madhya Pradesh, Pench National Park is located in the districts of Seoni and Chhindwara. Named after the pristine River Pence which flows through the park, Pench National Park is one of the most popular wildlife reserves in India. The park also has its mention in the famous story of 1894, ‘The Jungle Book’, penned down by the renowned English Author Rudyard Kipling. The story was worldwide applauded, and hence, the national park became one of the popular national parks in the world in the 1970s and also a prominent tourist attraction in India. Since then, every year oodles of wildlife buffs flock to this place just to spot the famous characters of the book, Akela (The Indian Wolf), Raksha (the female Wolf), Baloo (Sloth Bear), and the vicious Shere Khan (Royal Bengal Tiger).
Sprawls over a massive area of 758 sq km, including the core area, Pench National Park has a rich wildlife which proffers visitors an opportunity to indulge into one of the finest wildlife experiences in India. Since its inception in 1965 as a wildlife sanctuary, the park has serving as the cosy nest of numerous wild creatures including the Royal Bengal tiger, jackal, peafowl, wild dog, wild boar, sloth bear, Indian leopard, fox, striped hyena, monkey, gaur, barking deer, four-horned antelope, Indian wolf, and more such enthralling species. However, later in the year 1975 and 1992, the sanctuary got the recognition of national park and tiger reserve, respectively.
The Bengal tiger is a Panthera tigris tigris population native to the Indian subcontinent. It is threatened by poaching, loss, and fragmentation of habitat, and was estimated at comprising fewer than 2,500 individuals by 2011. None of the Tiger Conservation Landscapes within its range is considered large enough to support an effective population of more than 250 adult individuals. India's tiger population was estimated at 1,706–1,909 individuals in 2010. By 2018, the population had increased to an estimated 2,603–3,346 individuals. Around 440 tigers are estimated in Bangladesh, 163–253 tigers in Nepal and 103 tigers in Bhutan.
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Location:- Cheddar, Somerset, England, UK
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Beautiful sunset from Yaquina Head Outstanding Natural Area last weekend – photos: Meredith Matherly, BLM
🌊 How to visit this weekend! www.blm.gov/learn/interpretive-centers/yaquina
Photo, video library for Yaquina Head ONA: goo.gl/zlg0BV
🐋 Did you know: Oregon’s newest license plate may just feature Yaquina Head Lighthouse? goo.gl/qSs9k3
😮 Photos of gray whales coming close to shore at Yaquina Head: goo.gl/opHgAi
Wildlife photo essay: Breeding season drama at Yaquina Head: goo.gl/KWxbsH
Photos captured Nov. 10, 2017
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i had a photo shoot yesterday for the artwork that is going to be on display on the walls of a new restaurant/bar opening here in Tallahassee. It's all pin-up girl themed and this is a behind the scenes shot of what we did yesterday.
This was toward the end of the shoot when we didn't have 4 hair/make up people, other models, another photog, and just random people coming in and out.
It was super hectic, but the images that I got are hands down some of my best. Super excited to post some of them!
strobist: if it's not obvious:
ab800 through socked beauty dish
ab800 to the right had different gels shooting onto the background
ab800 to the left as a little rim light
all fired via pocket wizardry
Guimerà, Lleida (Spain).
ENGLISH
Guimerà is a municipality of the region of the Urgell, in Lleida.
It is located in the valley of the Corb river. The main body of houses, formerly walled, rests on the North slope of the valley. The streets and the houses extend above mountain from the river-bed.
Still part of the walls is conserved, with their 9 gates, the watchtower of the castle of Guimerà and centennial houses, as well as the medieval store of snow.
Also Guimerà is known as “the nine Glasses”, since the view of the town from the river is an accumulation of houses on others.
The main activity of the town is the dry land agriculture.
In the middle of August a medieval fair is celebrated, with stands of craftsmen and old offices, and some performances.
The most remarkable buildings of the municipality are the rest of the castle and the church of Santa Maria.
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CASTELLANO
Guimerà es un municipio de la comarca del Urgell, en Lleida.
Se sitúa en el valle del río Corb. El núcleo principal de casas, antiguamente amurallado, reposa sobre la vertiente norte del valle. Las calles y las casas se extienden montaña arriba desde el lecho del río.
Aún se conservan parte de las murallas, con sus 9 puertas, la atalaya del castillo de Guimerà y casas centenarias, así como la nevera medieval.
También se conoce Guimerà como 'El nueve de Copas', ya que la vista del pueblo desde el río es un amontonamiento de casas unas sobre otras.
La actividad principal del pueblo es la agricultura de secano.
A mediados de agosto se celebra una feria medieval, con puestos de artesanos y de oficios antiguos, y algunas actuaciones.
Los edificios más notables del municipio son los restos del castillo y la iglesia de Santa María.
Más info (en catalán): ca.wikipedia.org/wiki/Guimer%c3%a0, www.guimera.info
Mi cover para esta obra maestra :)
www.youtube.com/watch?v=leJ84aTDH3w
I like it, like it (3x)
I I like it, like it
I like it, like it (3x)
Na na na, come on
I like it, like it
Na na na, come on
I I like it, like it
Na na na na na na, come on
I like it, like it
Na na na, come on, come on, come on
Na na na na na na
Feels so good being bad
There’s no way I’m turning back
Now the pain is my pleasure
Cause nothing could measure
Love is great, love is fine
Out the box, out of line
The affliction of the feeling
Leaves me wanting more
[Chorus x2]
Cause I may be bad
But I’m perfectly good at it
Sex in the air
I don’t care
I love the smell of it
Sticks and stones
May break my bones
But chains and whips
Excite me
Na na na, come on, come on, come on
I like it, like it, come on, come on, come on
I like it, like it, come on, come on, come on
I like it, like it, come on, come on, come on
I like it, like it
[Britney Spears]
Just one night full of sin
Feel the pain on your skin
Tough, I don’t scream mercy
It’s your time to hurt me
Yeah
If I’m bad tie me down
Shut me up, gag and bound me
Cos the pain is my pleasure
Nothing comes better
Yeah
[Chorus:]
Cause I may be bad
But I’m perfectly good at it
Sex in the air
I don’t care
I love the smell of it
Sticks and stones
May break my bones
But chains and whips
Excite me
Na na na, come on, come on, come on
I like it, like it, come on, come on, come on
I like it, like it, come on, come on, come on
I like it, like it, come on, come on, come on
I like it, like it
S…S…S
And
M…M…M
S…S…S
And
M…M…M
Oh
I love the feeling you bring to me
Oh, you turn me on
It’s exactly what I’ve been yearning for
Give it to me strong
And meet me in my boudoir
With my body suit on, on, on
I like it, like it
[Chorus x2]
Cause I may be bad
But I’m perfectly good at it
Sex in the air
I don’t care
I love the smell of it
Sticks and stones
May break my bones
But chains and whips
Excite me
Na na na, come on, come on, come on
I like it, like it, come on, come on, come on
I like it, like it, come on, come on, come on
I like it, like it, come on, come on, come on
I like it, like it
Like it
S…S…S
And
M…M…M
S…S…S
And
M…M…M
S…S…S
And
M…M…M
S…S…S
And
M…M…M
From the site of Frijão (See Silva, A estação arqueológica da Idade do Ferro do Frijão (Braga, Norte de Portugal), p. 79, fig. 48, n. 1).
Dated to the Portuguese Early Iron Age, ca. 6th/4th to 2nd c. BCE
On display in the Museu Regional de Arqueologia "D. Diogo de Sousa" (Official website; Braga Digital; Braga Romana; pt.wikipedia; en.wikipedia)
Braga, Portugal (Ancient Bracara Augusta: Pleiades; PECS - Perseus; en.wikipedia)
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top – Sn@tch, Lace Diva Body Suit, black
skirt – Sn@tch, Angela Pencil Skirt, black
shoes – MIAMAI_Le Blanc – Heel Cyanfree (for last week’s Lazy Sunday)
necklace – 7mad;Ravens Autumn’s End Necklace (for last week’s Lazy Sunday)
ring – Kungler’s Extra, Lotus ring, circa 2011
hair – [monso] My Hair – Yoni (black/brown)
skin: Glance, eyes: Poetic Colors, makeup: Izzie’s (lips), League (eyes), nails: Hello Dave, poses: Le Poppycock
Photography by Cajsa Lilliehook
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Apple Fall AF Backgammon Table 1 @The Arcade Sept 2013
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Enjoy The Little Things from Alright Gacha Yard Sale
"Les jurys européens et français du concours "Streetphotography" organisé par HP se sont réunis ce 14 juin pour désigner les lauréats qui seront exposés à Arles.
Stuart Franklin, qui préside le jury européen, n'a pas encore rendu son verdict.
Le jury du concours national réservé aux résidents français et doté par HP France a quant à lui élu les quatre lauréats qui seront chacun récompensé d'une imprimante professionnelle HP et verront également leurs photos exposées à Arles durant les rencontres de la photographie qui débuteront le 3 juillet prochain.
Le jury de ce concours Streetphotography France était composé de François Hebel, Directeur des rencontres d'Arles, de Bernard Perrine, Conseiller de la Rédaction du magazine Le Photographe, de Carole Guiomar et Patrice Bernou, de la société HP, et de Guillaume Cuvillier, Rédacteur en Chef du magazine Le Photographe. 205 photographes étaient inscrits à ce concours qui ont présenté un total de 732 photos. Une participation massive et de qualité. François Hebel remarquait en examinant les photos que la production ainsi réunie montrait « des pratiques et des profils différents qui réunissent amateurs et professionnels autour d'un thème que l'on peut aussi bien traiter en bas de chez soi qu'à l'autre bout du monde. » Il se félicitait également de constater que « la photographie évolue bien, et que si l'on retrouve toujours certaines influences, les stéréotypes s'estompent pour laisser place à une interprétation plus libre et personnelle favorable à la diversité. »
Ce jury a désigné Farid Bernat-Ortells comme grand gagnant, avec une image représentant le tumulte d'une bouche de métro pris en pose longue. Il remporte une imprimante HP Designjet Z3100.
Les trois autres gagnants sont Stéphane Klein, Eric Vazzoler et Hughes Leglise-Bataille."
Guillaume CUVILLIER, magazine Le Photographe du 15/06/2007
_______________________________________________________________
By the way, as a result, I'll be in Arles at least a couple of days between the 4 and the 8th. If anyone's planning to be there, would be cool to meet up :-)
Singer Chris Robinson of The Black Crowes.
Check out the full set along with the complete shooting notes at www.ishootshows.com.
--
Yes, despite over processing this shot, this place is real and to me is proof that our Government has been in contact with an alien race.
patrickjoust | flickr | tumblr | IG | prints for sale
...
Nikon AF600
Kentmere 400 developed in Xtol (1:2)
#DenunciaACN Calles de la Zona Industrial se encuentran deterioradas t.co/QmUPCEnNZ7 #acn (via Twitter twitter.com/AgenciaCN/status/798908915727667201)
es.wikipedia.org/wiki/Wurzburgo
de.wikipedia.org/wiki/W%C3%BCrzburg
en.wikipedia.org/wiki/W%C3%BCrzburg
____________________________________________________
Copyright Notice
Please do not use my images without my permission. This includes blogging them without my consent. All my photos are my copyright and may not be used or reproduced in any way without my express permission.
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- - -
The Volkswagen Transporter series, also referred to as the Volkswagen Group T platform series, refers to several generations of motor vehicles from Volkswagen Group, starting with the original Volkswagen Type 2.
These vehicles are traditionally in the light commercial vehicle sector; and comprise vans, minivans, minibuses, pick-ups, campervans, and other derived vehicles, spanning over 60 years of production from 1950. Throughout their generations, they have generally been available worldwide. Its traditional competitors are the Toyota Hiace and Mercedes-Benz Vito.
Though the T1 to T3 generations were named unofficially and retrospectively, the T series is now considered an official Volkswagen Group automotive platform.
(Wikipedia)
- - -
VW-Bus oder VW-Transporter ist der Name des werksintern als VW Typ 2 benannten Kleintransporters, des zweiten zivilen Volkswagens nach dem VW Käfer (VW Typ 1). Er ist auch als Bulli bekannt. 1948 wurde der erste Prototyp gebaut und 1950 begann die Serienfertigung. Inzwischen wird als 5. Generation der T5 hergestellt, die vorangegangenen heißen T1, T2, T3 und T4, nicht zu verwechseln mit der Baureihenbezeichnung Typ 2. Der VW Transporter wird als Kleinbus, Kastenwagen und Pritschenwagen angeboten.
(Wikipedia)
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
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Week 7 ran from August 8, 2011 Week until August 12, 2011 ! During week 7 basketball skill guru Irv Magill ran a clinic for our Senior Camp Basketball Club and our CIT basketball team. He stressed posture, balance, and advanced ball handling skills. Also, the CITs took a 3 day 2 night trip to the Poconos! We hope everyone enjoyed themselves! We have just one week left before camp ends! Let's make week 8 the best!
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: www.willowgrovedaycamp.com
Week 3 beginning July 11, 2011 Week ending July 17, 2011 has come to an end! The summer is flying by but that did not stop our campers from having a great week!
The third week of camp was filled with more of our campers favorite summer activities! The campers at Willow Grove Day Camp participated in activities such as: swimming, softball, tennis, ceramics, tee ball, basketball and so much more! Not only did our campers have fun at camp but some of the groups went on trips. Our Jr. Camp Girls went to Chuck E. Cheese and the CITs went tubing. The week was topped off with Water worldNot only did our campers have fun playing but they also had some great food! On the menu for the week was some of childhood's favorite food: grilled cheese, tacos, turkey sandwiches, and PIZZA!
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: www.willowgrovedaycamp.com
Estoy inaugurando esta exposición virtual con los amigos de La Radio para el espacio ArteArteArte.
Excelente la propuesta, muy agradecido!
www.laradio.live/arte-arte-arte-blog/2016/6/14/arte-arte-...
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