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I have not invited Katrina personally for Jackpot's premiere, says Kaizad Gustad! - www.bolegaindia.com/gossips/I_have_not_invited_Katrina_pe...
MAY DAY IN WHITSTABLE
From my blog: rangefinderchronicles.blogspot.co.uk/2014/08/may-day-in-w...
Plaubel Makina 67
willowgrovedaycamp.com/willows.html
The Willows at Willow Grove Day Camp is a camp for 3 and 4 year old children. This unique camp experience offers your child an early opportunity to learn and socialize with children their own age.
During the first week of camp, lots of fun was had as the children and counselors got to know each other. “Sun and Surf” was our first week theme. The children really enjoyed decorating their bucket and shovel memo pads during Arts and Crafts. Along with this activity, the Polar Bears and Penguins enthusiastically participated in Nature, Gymnastics, Dance, Tennis and Soccer. We are looking forward to the next seven weeks of fun-filled activities.
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on the Willows and Willow Grove Day Camp please visit: willowgrovedaycamp.com/willows.html
Sprinkler Repair Colorado Springs CO.
www.lawnpros.biz/sprinkler-repair-colorado-springs.html
3335 Landmark Lane
Colorado Springs CO 80910.
719.963.6267
720.221.3606
As your landscape matures, you're Monument Colorado irrigation system may become inefficient. Plants grow and cover-up sprinklers. Heads may become clogged with mineral deposits. Pipes may start to corrode or break. If you're looking to upgrade or retrofit your system, we can offer our expertise in making your system work right. If your looking for sprinkler repair companies in Colorado Springs we are your people.
Our Sprinkler Repair Services Include:
Repair and/or Replace Sprinkler Timers (Clock)
Repair and/or Replace Broken Sprinkler Heads
Add New Sprinkler Heads or Entire Zone(s) of Sprinkler Heads Drip Systems
Repair Broken Sprinkler Pipes and/or Fittings
Install, Repair and/or Replace Automatic Rain Freeze Sensors
Check System for Coverage & Operation of all Heads & Zones
Diagnose & Repair Low-Pressure Problems
Sprinkler Leaks Found & Eliminated
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Sprinkler Maintenance Programs
And Much More
If you are in need of having your sprinklers repaired, Lawn Pros Sprinkler Services is the sprinkler company for you. Our expert irrigation technicians are trained to troubleshoot the oldest to newest sprinkler systems in the industry. Even if your sprinkler system consists of old brass and cooper parts we can take care of your system. Our irrigation technicians can repair anything including broken heads, valves, manifolds, backflows, leaks, timers and rain sensors.
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Pierre Auguste Renoir（1841 - 1919）
Huile sur toile
73 x 93 cm
www.musee-orsay.fr/fr/collections/catalogue-des-oeuvres/n...
Musée d'Orsay, Paris
sociology.ucsc.edu/whorulesamerica/power/wealth.html
In the United States, wealth is highly concentrated in a relatively few hands. As of 2007, the top 1% of households (the upper class) owned 34.6% of all privately held wealth, and the next 19% (the managerial, professional, and small business stratum) had 50.5%, which means that just 20% of the people owned a remarkable 85%, leaving only 15% of the wealth for the bottom 80% (wage and salary workers).
en.wikipedia.org/wiki/Wealth_in_the_United_States
www.999ideas.com/redistribution-of-wealth.html
There's nothing wrong with being wealthy, but how you get there matters. In a fair and free society getting rich does not cause anyone's impoverishment. Historically, we have all benefited from an economy that rewards those who create the most value. . . . The danger of great wealth is that it buys great power, which can be used to take advantage of the poor and middle class. This is what has been happening more and more in recent years. Laws and regulations have been lobbied for and passed which allow the redistribution of wealth from the poor and middle class to the wealthy.
#112 in a series for one photo a day for a year
Deep Space - Hubble Photo
See more:
www.nasa.gov/mission_pages/hubble/science/xdf.html
FROM NASA:
Called the eXtreme Deep Field, or XDF, the photo was assembled by combining 10 years of NASA Hubble Space Telescope photographs taken of a patch of sky at the center of the original Hubble Ultra Deep Field. The XDF is a small fraction of the angular diameter of the full moon.
The Hubble Ultra Deep Field is an image of a small area of space in the constellation Fornax, created using Hubble Space Telescope data from 2003 and 2004. By collecting faint light over many hours of observation, it revealed thousands of galaxies, both nearby and very distant, making it the deepest image of the universe ever taken at that time.
The new full-color XDF image is even more sensitive, and contains about 5,500 galaxies even within its smaller field of view. The faintest galaxies are one ten-billionth the brightness of what the human eye can see.
This video zooms into the small areas of sky that the Hubble Space Telescope was aimed at to construct the eXtreme Deep Field, or XDF. The region is located in the southern sky, far away from the glare of the Milky Way, the bright plane of our galaxy. In terms of angular size, the field is a fraction the angular diameter of the full moon, yet it contains thousands of galaxies stretching back across time. (Credit: NASA; ESA; and G. Bacon and Z. Levay, STScI)
› Download video (13 MB mp4)
Magnificent spiral galaxies similar in shape to our Milky Way and the neighboring Andromeda galaxy appear in this image, as do the large, fuzzy red galaxies where the formation of new stars has ceased. These red galaxies are the remnants of dramatic collisions between galaxies and are in their declining years. Peppered across the field are tiny, faint, more distant galaxies that were like the seedlings from which today's magnificent galaxies grew. The history of galaxies -- from soon after the first galaxies were born to the great galaxies of today, like our Milky Way -- is laid out in this one remarkable image.
Hubble pointed at a tiny patch of southern sky in repeat visits (made over the past decade) for a total of 50 days, with a total exposure time of 2 million seconds. More than 2,000 images of the same field were taken with Hubble's two premier cameras: the Advanced Camera for Surveys and the Wide Field Camera 3, which extends Hubble's vision into near-infrared light.
image showing relative size of the moon compared to portion of the sky shown in Hubble XDF image
This illustration compares the angular size of the XDF field to the angular size of the full moon. A finger held at arm's length would appear to be about twice the width of the moon in this image. Note that this illustration does not show the actual observation of the XDF relative to the location of the moon. (Illustration Credit: NASA; ESA; and Z. Levay, STScI; Moon Image Credit: T. Rector; I. Dell'Antonio/NOAO/AURA/NSF)
› Larger image
"The XDF is the deepest image of the sky ever obtained and reveals the faintest and most distant galaxies ever seen. XDF allows us to explore further back in time than ever before", said Garth Illingworth of the University of California at Santa Cruz, principal investigator of the Hubble Ultra Deep Field 2009 (HUDF09) program.
2009 updated Hubble Ultra Deep Field image
This image from 2009 shows an updated version of the Hubble Ultra Deep Field. The new eXtreme Deep Field could be considered a more detailed view of a portion of this image. (Credit: NASA; ESA; G. Illingworth, UCO/Lick Observatory and the University of California, Santa Cruz; R. Bouwens, UCO/Lick Observatory and Leiden University; and the HUDF09 Team)
› Larger image
› More info from HubbleSite.org
The universe is 13.7 billion years old, and the XDF reveals galaxies that span back 13.2 billion years in time. Most of the galaxies in the XDF are seen when they were young, small, and growing, often violently as they collided and merged together. The early universe was a time of dramatic birth for galaxies containing brilliant blue stars extraordinarily brighter than our sun. The light from those past events is just arriving at Earth now, and so the XDF is a "time tunnel into the distant past." The youngest galaxy found in the XDF existed just 450 million years after the universe's birth in the big bang.
Before Hubble was launched in 1990, astronomers could barely see normal galaxies to 7 billion light-years away, about halfway across the universe. Observations with telescopes on the ground were not able to establish how galaxies formed and evolved in the early universe.
Hubble gave astronomers their first view of the actual forms and shapes of galaxies when they were young. This provided compelling, direct visual evidence that the universe is truly changing as it ages. Like watching individual frames of a motion picture, the Hubble deep surveys reveal the emergence of structure in the infant universe and the subsequent dynamic stages of galaxy evolution.
The infrared vision of NASA's planned James Webb Space Telescope will be aimed at the XDF. The Webb telescope will find even fainter galaxies that existed when the universe was just a few hundred million years old. Because of the expansion of the universe, light from the distant past is stretched into longer, infrared wavelengths. The Webb telescope's infrared vision is ideally suited to push the XDF even deeper, into a time when the first stars and galaxies formed and filled the early "dark ages" of the universe with light.
The Hubble Space Telescope is a project of international cooperation between NASA and the European Space Agency. NASA's Goddard Space Flight Center in Greenbelt, Md., manages the telescope. The Space Telescope Science Institute (STScI) in Baltimore, Md., conducts Hubble science operations. STScI is operated by the Association of Universities for Research in Astronomy, Inc., in Washington.
[crosseye stereograph, see 3D with your right eye on the left image, and left on right.]
Southern Pacific Railway Post Office #12, Travel Town, Griffith Park, Los Angeles, California
This narrowgauge truck set, cast in Sacramento, CA by Southern Pacific, is one of two designs of 're-gauge-able' trucks on display inside the Travel Town Museum building. The wheels can be detatched from the replaceable axle by four bolts within the inside face, and a new beam can be cut from wood for the bolster support and kingpin. The sliding bearings on the end of each axle predated roller or ball bearings, and could generate a great deal of heat from friction. Hopefully the grease packed under the hinged covers was warm enough to liquify and penetrate the bearing gap. One of the primary reasons a caboose had bay windows or a coupula above, and it's placement at the end of the train, was to keep a vigilant watch for the "hotbox" - an improperly lubricated bearing would cause excessive wear, or start a fire!
Notice that there are no springs in this design, any spring action is from the steel and wood supports.
The axles and crossblocks on this Southern Pacific Railway Post Office #12 bogie truck are fabricated of wood a design to facilitate re-gauging this 3' narrow-gauge truck to standard gauge 4'8½". The trucks are unsprung, which is to say the design does not incorporate springs, and there is a very narrow bolster around the kingpin. So, in addition to feeling every gap in the uneven and wavy rail, swaying and rocking was magnified at speeds above 12 miles per hour - working to precisely sort mail along the route was a very uncomfortable occupation.
SOUTHERN PACIFIC RAILWAY POST OFFICE #12
BUILT: c.1880 BY CARTER BROTHERS
WEIGHT: 13 TONS
LENGTH: 43'
DONATED: 1960 BY SOUTHERN PACIFIC RAILROAD
This pre-20th Century, wooden car was put to a variety of uses by its owners: caboose, baggage car, railway postal car, and most notably, a baggage-mail combination. Mail transportation by rail had existed as long as the railroads themselves. In Britain, mail was already being sorted within rail cars in the late 1830's. This practice was imitated on a few American railroads, but came into widespread use only after the Civil War. Perhaps no more efficient mail system could have existed than that of the railway postal system. Both local and long-distance trains included a car equipped with pigeonholes, sorting bags and tables, cancellation stamps, and one or more frenzied clerks trying to sort a bag of mail picked up at one station, before arriving at the next station each would be only ten or twenty minutes down the road. Early in their history, these railway postal cars (RPO's) shared space with express baggage service. Later, as the system grew more elaborate, entire 60- or 80-foot RPO cars were specially built for that purpose, and resembled small versions of a post office.
As with other aspects of railroading, RPO cars and their clerks have a lore all their own. The metal arms which swung out from the side of the car to catch a hanging mail bag when the train was not scheduled to stop at a station are collectors items, as are any existing cancellation stamps. Clerks carried guns for protection against outlaws wanting to steal the mail. In the first decades, clerks worked on cars furnished either with fire-causing wood stoves or without any heat at all. Doors could not be left open for security reasons, so the cars were barely ventilated in the summer heat. If they
had toilet facilities at all, they were crude and rarely private. Sometimes a lone clerk, sometimes a handful of men tripping over and stepping on each other, slaved at sorting and canceling mail, catching a new bag every twenty minutes, and simultaneously kicking off a bag sorted for that stop.
By the 1960's, railway mail, like railway passenger service and some railway freight service, was failing in favor of air transport of mail. The last RPO ran between Washington D. C. and New York in June 30, 1977.
dsc04445, 2008:04:27 14:37:30, 3D, Travel Town, RPO, Railway Post Office #12
Our Lady & The English Martyrs, Cambridge
stepneyrobarts.blogspot.co.uk/2013/02/our-lady-english-ma...
Yesterday I revisited St Peter for internals and finished of Cambridge, visiting seven Victorian built churches only one of which, Our Lady & The English Martyrs, is worth writing up.
At first sight I wrote OLEM off as a Victorian Gothic monstrosity but as I wandered around the exterior I was struck by the quality of the building and the interior stunned me with lots of rather good glass and impressive architecture (oh and apart from three revisits, Babraham, Guilden Morden and Stow cum Quy, that finished the north west quadrant).
The Church of Our Lady and the English Martyrs, or OLEM, is situated in the heart of the city of Cambridge. An imposing example of the 19th Century Gothic Revival, it was built to the designs of Dunn & Hansom of Newcastle between 1885 and 1890, and founded solely by Mrs Yolande Marie Louise Lyne-Stephens, a former ballet dancer at the Paris Opera and Drury Lane, London, and widow of a wealthy banker. She promised to build the church on the feast of Our Lady of the Assumption, and Monsignor Christopher Scott - the first Rector - also wished to commemorate the Catholic Martyrs who died between 1535 and 1681, over thirty of whom had been in residence at the University.
Designed by architects Dunn and Hansom of Newcastle and built by the Cambridge firm of Rattee and Kett, OLEM is constructed in Casterton, Ancaster and Combe Down Stone. The church is a traditional cruciform structure in the early-decorated style with a large tower at the crossing, a polygonal apse and a west bell tower with a 65-metre spire, visible for miles around Cambridge. Quite often, it is quoted by visitors and local residents as a location point. The approximate internal dimensions of the church are: length 48 meters [156 ft] width across the aisles 16 meters [51 ft] width at the transepts 22 meters [71 ft], the height of the nave 15 meters [71ft].
Inside and over the west door stands the figure of Our Lady of the Assumption crowned with lilies and standing on the crescent moon with the vanquished serpent beneath. The west window shows the English Martyrs arranged in two principal groups, the clergy on the south side with St John Fisher in their midst and the laity on the north grouped round St Thomas More.
Beside the South aisle is an ancient statue of Our Lady with the Child Jesus. This statue is understood to be a gift in 1850 from Emmanuel College, which was built on the site of a Dominican Priory dating back to 1274. The Church of the Black Friars of Cambridge contained a statue of Our Blessed Lady to which much pilgrimage was had. Although unconfirmed this could be that statue.
The Chapel of the Holy Souls with the book of Remembrance is located at the west end of the south aisle. The sculpture above the altar depicts the solace and relief of the Holy Souls in Purgatory through the intercession of Our Lady and the angel who comforted Our Lord in Gethsemane. The Chapel is now appropriately used at the two great Christian celebrations: at Easter for the Empty Tomb indicating the Risen Lord, and at Christmas for the Crib.
The aisle windows were almost completely destroyed when the church was struck by a bomb on 1941, but were subsequently replaced in their original form. They epitomise the various sufferings of the English Martyrs, their being brought before the Council, racked, hung, drawn and quartered in the sight and sympathy of the faithful. The windows of the north aisle portray Carthusians, St Thomas Moore, B. Margaret Pole and others, while the south aisle is made a “Fisher Aisle”, devoted to scenes from the life of St John, Cardinal Bishop of Rochester, who in so many important ways is identified with Cambridge.
The best general impression of the interior is obtained from the gateway in the iron screen dividing the nave from the ante-chapel. The heads of the four great preachers of Our Lady’s Graces are carved in the four corners of the nave. The windows along the nave represent saints connected with the Church in Britain, arranged approximately in chronological order from east to west with a few additional figures in the eastern windows.
The Rood which is between the nave and the sanctuary is of the type known as “Majestas”; the figure of Our Lord, with glorified wounds, robed in alb, stole and pallium [as High Priest] and crowned [as King “reigning from the Tree”]. This was the earliest type of crucifix; the realistic figure, now almost universal, did not come into general use until the beginning of the thirteenth century. The cross, inspired by that at Nuremberg, is about 6 metres high, carved in oak; the figures of Christ and of Our Lady and of Saint John are of Kauri pine. They were carved locally by Mr. B. Maclean Leach and completed and blessed in 1914.
Beyond the present, modern altar is the High Altar with the relics of Saints Felix and Constantia, martyrs of the early Church. The tabernacle and ornaments of the altar are of exquisite French workmanship from Lyons. The baldacchino which covers the High Altar is similar to that over the tomb of Robert the Wise (1275-1343) at Santa Chiara, Naples. It is one of the earliest forms of adornment of a Christian altar. At the top is the figure of Our Lord in glory supported on each side by angels in act of adoration.
The design and the re-ordering of the sanctuary was done by Mr. Gerard Goalen of Harlow after the Second Vatican Council. On 7th April, 1973, Bishop Charles Grant consecrated the present central. The original High Altar has subsequently been used mainly for reservation of the Blessed Sacrament.
CIF CENTRAL SECTION CHAMPIONSHIP
Liberty High School - Wednesday, May 14, 2008
www.andynoise.com/valley08.html
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
Girls track
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
PAKET WISATA BANDUNG DARI Bekasi, Jawa Barat KE TRANS STUDIO BANDUNG KLIK DISINI lembangtour.com/paket-wisata-bandung-bekasi-jawa-barat-ke...
Paket Wisata TRANS STUDIO BANDUNG Dari Bekasi, Jawa Barat
Paket Wisata TRANS STUDIO BANDUNG Bekasi, Jawa Barat ke TRANS STUDIO BANDUNG adalah program liburan , rekreasi, wisata dan tour traveling ke TRANS STUDIO BANDUNG dari Ibu kota Bekasi, Jawa Barat
Paket Wisata TRANS STUDIO BANDUNG dari Bekasi, Jawa Barat ini butuh waktu sekitar 2 hari. Dimana start pemberangkatan dari Bekasi, Jawa Barat pada malam hari. Tiba di TRANS STUDIO BANDUNG pada pagi hari
Harga Tiket Masuk TRANS STUDIO BANDUNG Terbaru 2016
Berikut Ini Adalah Daftar HARGA TRANS STUDIO BANDUNG.
Berlaku untuk Siswa, Mahasiswa, Guru, Dosen, dan praktisi pendidikan serta pendamping siswa
CATATAN:
mahasiswa diwajibkan untuk mengenakan jas almamater atau memperlihatkan ID /KTM yang masih berlaku.
Gathering guru /dosen melampirkan Srt Keterangan dari pihak instansi.
HTM Rp. 145.000,-/orang (min. 100 pax/group) Berlaku di weekdays
Sudah termasuk :
Tiket masuk Trans Studio Bandung
1 (satu) Paket Edutainment (hanya untuk group min. 100 pax)
Sertifikat per group (berdasarkan modul yg diambil)
Bermain di semua wahana
Meals (1 nasi putih + 1 fried chicken + 1 mineral cup)
Pilihan Modul Edutainment : Fun with Science – Get into Broadcast – How to build a Spectaculer Show (Behind The Stage) – Go with My Team (Team Building) – What will I be (various professions in the theme park)
*)Fun Science Report (bagi yang mengambil modul Science) dapat dibeli seharga Rp. 10.000,00 /buku
Pilihan Ekskursi (Bidang) : Information Technology – Theme Park Business Management – Marketing Communication – HSE (Health Safety Environment) – Engineering (Rides Maintenance)
HTM Dan PROMO TRANS STUDIO BANDUNG Terbaru 2016
tahun 2016 Trans Studio Bandung :
HTM Publish Weekdays (Senin-Jumat)
Rp. 170.000,-
HTM Publish Weekends (Sabtu – Minggu & Public Holiday Long Weekend)
Rp. 270.000,-
HTM Rp. 270.000,-/orang (min. 100 pax/group) Berlaku di weekend /holiday season
Sudah termasuk :
Tiket masuk Trans Studio Bandung
Bermain di semua wahana
Meals (1 nasi putih + 1 fried chicken + 1 mineral cup)
Serang, Banten 19. Samarinda, Kalimantan Timur 18. Denpasar, Bali 17. Padang, Sumatera Barat 16. Malang, Jawa Timur 15. Bandar Lampung, Lampung 14. Pekanbaru, Riau 13. Batam, Kepulauan Riau 12. Bogor, Jawa Barat 11. Tangerang Selatan, Banten 10. Makassar, Sulawesi Selatan 9. Palembang, Sumatera Selatan 8. Semarang, Jawa Tengah 7. Depok, Jawa Barat 6. Tangerang, Banten 5. Medan, Sumatera Utara 4. Bekasi, Jawa Barat 3. Bandung, Jawa Barat 2. Surabaya, Jawa Timur 1. Jakarta, DKI JakartaS
Alamat dan Tiket Masuk Trans Studio Bandung – Sudah tahu tentang Trans Studio Bandung dan apakah anda sedang berencana pergi kesini dalam waktu dekat ? Apakah anda merasa kesulitan dalam mencari informasi dan mengetikannya di google ‘Trans Studio bandung alamat ‘ ? Buat anda yang masih ragu daripada kesasar menuju trans studio bandung lebih baik anda menggunakan jasa Lembang Tour yang memberikan berbagai paket wisata murah, selain itu anda juga akan diceritakan mengenai sejarah dan asal usul seputar trans studio bandung oleh guide.
Hal itu sangat mudah dan tidak perlu lagi susah payah mencarinya di berbagai sumber. Dimanakah tempat TRANS STUDIO BANDUNG ini ? dan berapa harga tiket masuk Trans Studio Bandung ? Serahkan semua urusan anda kepada Lembang Tour dan duduklah dengan rapih. Jika sekarang anda sedang berada di luar Bandung, segera beranjaklah dan pesan tiket masuk ke TRANS STUDIO BANDUNG melalui Lembang Tour sekarang juga dan berbelanjalah dengan puas disana. Jangan sampai anda kehabisan tiket dan kecewa dengan rencana yang sudah anda siapkan
Paket Wisata Ke Trans Studio Bandung – Tak salah lagi memang Bandung merupakan kota yang difavoritkan banyak keluarga untuk menghabiskan liburan karena Bandung mempunyai banyak tempat asik untuk dijadikan sarana pelepas penat dan stress yang melanda. Salah satu tempat wisata menarik untuk dikunjungi adalah wisata ke trans studio bandung yang tentunya sudah dikenal masyarakat Indonesia secara luas. Untuk anda yang ingin praktis dan tak perlu repot merencakan liburan ke Trans Studio Bandung maka ada baiknya anda menghubungi Lembang Tour untuk dibuatkan paket wisata trans studio bandung, terutama bagi anda yang berasal dari luar kota maka Lembang Tour dapat mengatur segala fasilitas yang anda butuhkan selama berlibur di Bandung mulai dari penginapan, tempat makan, dll.
Yang tentu saja bisa disesuaikan dengan keinginan anda. Tahukah anda bahwa Trans Studio Bandung menyajikan banyak wahana spektakuler dan menantang, berani ?. Wahana permainan disini patut anda coba, terutama untuk anak-anak sangat senang bila diajak kesini. Segera luangkan waktu anda untuk pergi ke wisata trans studio bandung. Banyak yang bisa dilakukan disini, selain bermain, keluargapun bisa belajar dari segala apapun yang ada di tempat wisata ini. jadi segeralah ajak keluarga anda untuk bermain dan belajar disana.
Lembang Tour. Merupakan layanan reservasi online paket wisata di TRANS STUDIO BANDUNG. Menyediakan paket wisata TRANS STUDIO BANDUNG, Paket Wisata Kota BANDUNG ,Paket Wisata BANDUNG ATAU TRANS STUDIO BANDUNG, Wisata Kawah PUTIH, Wisata BANDUNG, Paket Arung Jeram Rafting BANDUNG, wisata Pulau BATU CINTA, wisata alam, wisata pendidikan, wisata sejarah, trekking Adventure, wisata out bond BANDUNG, eco tourism, event organizer, paket meeting dan sebagainya.
Wisata TRANS STUDIO BANDUNG telah di dukung dengan Staf yang profesional dan berpengalaman di bidangnya. Keramahan dan rasa kekeluargaan kami junjung tinggi dan Lembang Tour utamakan dalam melayani setiap client kami. Maka Lembang Tour dengan percaya diri bisa memberikan pelayanan yang memuaskan dan terbaik untuk liburan wisata anda di TRANS STUDIO BANDUNG
Wisata TRANS STUDIO BANDUNG, merupakan layanan informasi dan penginapan sekitar Kota BANDUNG, Hotel di BANDUNG, Hotel di LEMBANG, BANDUNG Hotel, Hotel DI BANDUNG. Lembang Tour juga melayani reservasi booking Hotel di atas dan menyediakan voucher kamar Hotel sesuai permintaan anda.
Selain melayani Paket wisata BANDUNG dan Jawa BARAT Wisata BANDUNG UTARA BANDUNG SELATAN juga menyediakan sewa berbagai macam jenis kendaraan mobil, Elf dan Bus wisata serta transportasi lainnya untuk kenyamanan perjalanan wisata Anda.Dan tentunya dengan transportasi terbaru, aman dan terawat.
TRANS STUDIO BANDUNG Indoor Theme Park adalah yang terbesar kedua di Indonesia setelah Makassar. TRANS STUDIO BANDUNG lebih spektakuler dan lebih kuat daripada yang ada Trans Studio Makassar membuat TRANS STUDIO BANDUNG, tidak hanya di Indonesia tetapi juga di dunia.
TRANS STUDIO BANDUNG beroperasi 20 pertandingan hiburan dan berbagai bentuk hiburan yang tersedia di 3 daerah dengan tema yang berbeda dan unik. Para pengunjung dapat merasakan bagaimana menjadi seorang bintang di depan kamera serta orang – orang di belakang layar dari acara – TRANS acara TV favorit dan TRANS 7, seperti yang lain, Roaming. Si Bolang, dan banyak wahana seru lainnya.
Bandung TRANS STUDIO BANDUNG Theme Park
Selamat datang di dunia penuh keajaiban yang khusus diciptakan untuk Anda. Membawa impian Anda menjadi kenyataan, dan Anda bias untuk bertemu langsung dengan karakter idola. Nikmati 20 wahana permainan menawarkan hiburan menantang dan menarik dengan gaya Broadway yang terkenal.
Studio Central
Hollywood terkenal! Kawasan Hollywood di depan mata Anda. Pergi melalui daerah dan tanah liat ini artis yang di Walk of Fame? Anda akan dimanjakan dengan gaya Hollywood arsitektur 60-an. Anda sebagai negara melangkah di pusat hiburan. Cari bintang favorit Anda juga seperti Merlyn Monroe, Elvis Presley, Michael Jackson, dll
Lost City
Mempersiapkan diri untuk sebuah petualangan! Di daerah ini Anda akan bepergian besar. Simpan kru Trans TV di ekspedisi, memasuki safari jejak hutan. Semua petualangan menarik menjadi bagian dari eksplorasi Anda. Jelajahi Lost City!
Magic Corner
Wonders dimulai dari sini. Sentuhan magis yang akan memukau perjalanan Anda. Anda akan hanyut dalam arti sihir di zona ini. Suasana magis akan mempesona Anda segera dan membuat Anda begitu yakin hal-hal ajaib yang terjadi di sini. Satu – satunya tempat yang penuh keajaiban dan petualangan menarik dan menakjubkan
Programação de layout desenvolvido pela agência CYB Comunicação para a empresa Aritana.
Sistema: Wordpress
Funções do tema:
- Sistema de troca de banners
- cadastro de produtos e categorias
Site em HTML5 e CSS3
Créditos de layout: wwww.cybcomunicação.com.br
CIF CENTRAL SECTION CHAMPIONSHIP
Liberty High School - Wednesday, May 14, 2008
www.andynoise.com/valley08.html
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
Girls track
Central Section Grand Masters
At Liberty
Team standings--unavailable.
400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.
Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.
Mémoire2cité il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain. archipostcard.blogspot.com/search?updated-max=2009-02-13T... - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive
le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
Lieux géographiques : la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye
www.dailymotion.com/playlist/x34ije_territoiresgouv_cinem... - mémoire2cité - le monde de l'Architecture locative collective et bien plus encore - mémoire2cité - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
Le Joli Mai (Restauré) - Les grands ensembles BOBIGNY l Abreuvoir www.youtube.com/watch?v=eUY9XzjvWHE … et la www.youtube.com/watch?v=hK26k72xIkU … www.youtube.com/watch?v=xCKF0HEsWWo …
Genève Le Grand Saconnex & la Bulle Pirate - architecte Marçel Lachat -
Un film de Julien Donada içi www.youtube.com/watch?time_continue=1&v=4E723uQcpnU … … .Genève en 1970. pic.twitter.com/1dbtkAooLM è St-Etienne - La muraille de Chine, en 1973 ce grand immeuble du quartier de Montchovet, existait encore photos la Tribune/Progres.
www.youtube.com/watch?v=AJAylpe8G48 …, - la tour 80 HLM située au 1 rue Proudhon à Valentigney dans le quartier des Buis Cette tour emblématique du quartier avec ces 15 étages a été abattu par FERRARI DEMOLITION (68). VALENTIGNEY (25700) 1961 - Ville nouvelle-les Buis 3,11 mn www.youtube.com/watch?v=C_GvwSpQUMY … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline Montreynaud la ZUP de Raymond Martin l'architecte & Alexandre Chemetoff pour les paysages de St-Saens.. la vidéo içi * Réalisation : Dominique Bauguil www.youtube.com/watch?v=Sqfb27hXMDo … … - www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije : mécanisation, rationalisation et élaboration industrielle de la production. Des exemples concrets sont présentés afin d'illustrer l'utilisation des différentes innovations : les coffrages outils, coffrage glissant, le tunnel, des procédés pour accélérer le durcissement du béton. Le procédé dit de coffrage glissant est illustré sur le chantier des tours Pablo Picasso à Nanterre. Le principe est de s'affranchir des échafaudages : le coffrage épouse le contour du bâtiment, il s'élève avec la construction et permet de réaliser simultanément l'ensemble des murs verticaux. Au centre du plancher de travail, une grue distribue en continu le ferraillage et le béton. Sur un tel chantier les ouvriers se relaient 24h / 24 , www.dailymotion.com/video/xwytke?playlist=x34ije , www.dailymotion.com/video/x1bci6m?playlist=x34ije
Le reportage se penche ensuite sur la préfabrication en usine. Ces procédés de préfabrication en usine selon le commentaire sont bien adaptés aux pays en voie de développement, cela est illustré dans le reportage par une réalisation en Libye à Benghazi. Dans la course à l'allégement des matériaux un procédé l'isola béton est présenté. Un chapitre sur la construction métallique explique les avantage de ce procédé. La fabrication de composants ouvre de nouvelles perspectives à l'industrie du bâtiment.
la Grande Borne 91, le Vaudreuil 27, Avoriaz, Avenue de Flandres à Paris, tours Picasso à Nanterre, vues de la défense, Benghazi Libye 1975 Réalisateur : Sydney Jézéquel, Karenty
la construction des Autoroutes en France - Les liaisons moins dangereuses 1972 www.dailymotion.com/video/xxi0ae?playlist=x34ije - Ministère de l'Équipement et de l'Aménagement du Territoire - Dotation par la France d'autoroutes modernes "nécessité vitale" pour palier à l'inadaptation du réseau routier de l'époque voué à la paralysie : le reportage nous montre des images d'embouteillages. Le ministre de l'Équipement et de l'Aménagement du Territoire dans les deux gouvernements de Pierre Messmer, de 1972 à 1974, Olivier Guichard explique les ambitions du programme de construction qui doit atteindre 800 km par ans en 1978. L'ouverture de section nouvelles va bon train : Nancy / Metz par exemple. Le reportage nous montre l'intérieur des bureaux d'études qui conçoivent ces autoroute dont la conception est assistée par ordinateurs dont le projet d'ensemble en 3D est visualisé sur un écran. La voix off nous informe sur le financement de ces équipements. Puis on peut voir des images de la construction du pont sur la Seine à Saint Cloud reliant l'autoroute de Normandie au périphérique, de l'échangeur de Palaiseau sur 4 niveau : record d'Europe précise le commentaire. Le reportage nous informe que des sociétés d'économies mixtes ont étés crées pour les tronçons : Paris / Lille, Paris / Marseille, Paris / Normandie. Pour accélérer la construction l’État a eu recours à des concessions privées par exemple pour le tronçon Paris / Chartres. "Les autoroutes changent le visage de la France : artères économiques favorisant le développement industriel elles permettent de revitaliser des régions en perte de vitesse et de l'intégrer dans le mouvement général de l'expansion" Sur le plan européen elles vont combler le retard de la France et réaliser son insertion. Images de l'inauguration de l'autoroute entre Paris et Bruxelles par le président Georges Pompidou. Le reportage rappel que l'autre fonction capitale des autoroute est de favoriser la sécurité. La question de la limitation de vitesse est posée au ministre de l’Équipement, qui n'y est favorable que sur certains tronçons. Un des facteur de sécurité selon le commentaire est l'humanisation des autoroutes : aires de repos, restaurants, signalisation touristiques... "Rien n'est impossible aux techniques modernes" nous apprend la voix off qui prend comme exemple le déplacement sur rail de 65 mètres d'un château classé afin de faire passer l'autoroute Lille / Dunkerque.Durée : 4 minutes 30 secondes
Sur les routes de France les ponts renaissent 1945 reconstruction de la France après la Seconde Guerre mondiale www.dailymotion.com/video/xuxrii?playlist=x34ije , Quelques mois après la fin de la Seconde Guerre mondiale, un triste constat s'impose : 5 944 passages sont coupés, soit plus de 110 km de brèches ; de nombreuses villes se trouvent isolées.Les chantiers s'activent dans toute la France pour "gagner la bataille des communications routières". Mais outre la pénurie de main d’œuvre, il faut faire face au manque de matériaux (béton, métal) et donc déployer des trésors d'imagination pour reconstruire les ponts détruits. Si le savoir faire des tailleurs de pierre est exploité, le plus spectaculaire est le relevage des ponts, comme le pont de Galliéni à Lyon, où 7 à 800 tonnes d'acier sont sorti de l'eau avec des moyens de l'époque. En avril 1945, il reste 5 700 ponts à reconstruire soit 200 000 tonnes d'acier, 600 000 tonnes de ciment, 250 000 m3 de bois, 10 millions de journées d'ouvrier, prix de l'effort de reconstruction.1945
Auteurs / réalisateurs : images : G.Delaunay, A.Pol, son : C.Gauguier Production : Direction Technique des Services des Ponts et Chaussées / Ministère des Travaux Publics et des Transports Support original : 16 mm noir et blanc Durée : 14 min Thèmes principaux : infrastructures-ouvrages d'art Mot clés : chantier, pont, Reconstruction, restauration, béton précontraint, ministère des travaux publics et des transportsLieux : Lyon, Tournon, Caen - Le Bosquel, un village renait 1947 l'album cinématographique de la reconstruction, réalisation Paul de Roubaix production ministère de la Reconstruction et de l'Urbanisme, village prototype, architecte Paul Dufournet, www.dailymotion.com/video/xx5tx8?playlist=x34ije - Demain Paris 1959 dessin animé présentant l'aménagement de la capitale dans les années 60, Animation, dessin animé à vocation pédagogique visant à promouvoir la politique d’aménagement suivie dans les années 60 à Paris. Un raccourci historique sur l’extension de Paris du Moyen Âge au XIXe siècle (Lutèce, œuvres de Turgot, Napoléon, Haussmann), ce dessin animé retrace la naissance de la banlieue et de ses avatars au XXe siècle. Il annonce les grands principes d’aménagement des villes nouvelles et la restructuration du centre de Paris (référence implicite à la charte d’Athènes). Le texte est travaillé en rimes et vers. Une chanson du vieux Paris conclut poétiquement cette vision du futur. Thèmes principaux : Aménagement urbain / planification-aménagement régional Mots-clés : Banlieue, extension spatiale, histoire, quartier, ville, ville nouvelle Lieu géographique : Paris 75 Architectes ou personnalités : Eugène Haussmann, Napoléon, Turgot Réalisateurs : André Martin, Michel Boschet Production : les films Roger Leenhardt
www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije , Film d'archive actualités de 1952 Reconstruction de la France sept ans après la fin de la seconde guerre mondiale état des lieux de la crise du logement , Actualités de 1952. Sept ans après la fin de la seconde guerre Mondiale état des lieux de la reconstruction de la France et de la crise du logement à l’œuvre, pénurie de logement, logements insalubres. Les actualités montrent des images d'archives de la destruction de la France, les Chars de la division Leclerc qui défilent sur les Champs Elysees. Le commentaire dénonce la lenteur de la reconstruction et notamment des manifestations qui ont eu lieue à Royan afin d''accélérer la reconstruction de la ville détruite.Le film montre à Strasbourg, Mulhouse, des réalisation moderne de grands ensembles et des images d'archive de la reconstruction du Havre de Saint Nazaire.Le film se termine à Marseille sur les réalisation nouvelles autour du vieux port puis on assiste à l'inauguration de la Cité Radieuse par le ministre de la Reconstruction et de l'Urbanisme Eugène Claudius-Petit en présence de son architecte Le Corbusier à qui le ministre remet la cravate de commandeur de la légion d'honneur. www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...
willowgrovedaycamp.com/willows.html
We have just finished our third week of camp. The Willows campers have been kept very busy these past three weeks. The days have been flying by way too quickly. It was very exciting to have all our Willows family members join us for an outstanding visiting day. The children were extremely excited to share their activities with their parents, while the parents had fun pretending to be campers. We hope you had as much fun as we did and lunch together was terrific.
The children enjoyed this weeks theme of “I Spy”. They had fun decorating binoculars in Camper Creations. In Ceramics, each child enjoyed making their favorite food out of clay with the help of their parents. Their ceramic projects will be sent home shortly. To end our wonderful week, The Willows campers joined the rest of camp at Waterworld. The children drove
water boats and joined in other great water activities. A terrific time was had by all!
Willow Grove Day Camp provides summer fun for kids who live in Willow Grove, Abington, Blue Bell, Hatboro, Horsham, Huntingdon Valley, Lafayette Hill, Philadelphia, Plymouth Meeting, Southampton and the surrounding areas. For more information on Willow Grove Day Camp and the services they provide please visit: willowgrovedaycamp.com/willows.html
Well done reportage for the austrian TV where Thierry Geoffroy / Colonel present it s format Biennalist www.emergencyrooms.org/biennalist.html , the film show with his students , part of a critical run and a slow dance
at the Maldives pavilion : "Can we rank emergencies ? "
see the TV video
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lists of artists participating at the Venice Biennale :
Hilma af Klint, Victor Alimpiev, Ellen Altfest, Paweł Althamer, Levi Fisher Ames, Yuri Ancarani, Carl Andre, Uri Aran, Yüksel Arslan, Ed Atkins, Marino Auriti, Enrico Baj, Mirosław Bałka, Phyllida Barlow, Morton Bartlett, Gianfranco Baruchello, Hans Bellmer, Neïl Beloufa, Graphic Works of Southeast Asia and Melanesia, Hugo A. Bernatzik Collection, Ștefan Bertalan, Rossella Biscotti, Arthur Bispo do Rosário, John Bock, Frédéric Bruly Bouabré, Geta Brătescu, KP Brehmer, James Lee Byars, Roger Caillois, Varda Caivano, Vlassis Caniaris, James Castle, Alice Channer, George Condo, Aleister Crowley & Frieda Harris, Robert Crumb, Roberto Cuoghi, Enrico David, Tacita Dean, John De Andrea, Thierry De Cordier, Jos De Gruyter e Harald Thys, Walter De Maria, Simon Denny, Trisha Donnelly, Jimmie Durham, Harun Farocki, Peter Fischli & David Weiss, Linda Fregni Nagler, Peter Fritz, Aurélien Froment, Phyllis Galembo, Norbert Ghisoland, Yervant Gianikian & Angela Ricci Lucchi, Domenico Gnoli, Robert Gober, Tamar Guimarães and Kasper Akhøj, Guo Fengyi, João Maria Gusmão & Pedro Paiva, Wade Guyton, Haitian Vodou Flags, Duane Hanson, Sharon Hayes, Camille Henrot, Daniel Hesidence, Roger Hiorns, Channa Horwitz, Jessica Jackson Hutchins, René Iché, Hans Josephsoh, Kan Xuan, Bouchra Khalili, Ragnar Kjartansson, Eva Kotátková, Evgenij Kozlov, Emma Kunz, Maria Lassnig, Mark Leckey, Augustin Lesage, Lin Xue, Herbert List, José Antonio Suárez Londoño, Sarah Lucas, Helen Marten, Paul McCarthy, Steve McQueen, Prabhavathi Meppayil, Marisa Merz, Pierre Molinier, Matthew Monahan, Laurent Montaron, Melvin Moti, Matt Mullican, Ron Nagle, Bruce Nauman, Albert Oehlen, Shinro Ohtake, J.D. ‘Okhai Ojeikere, Henrik Olesen, John Outterbridg, Paño Drawings, Marco Paolini, Diego Perrone, Walter Pichler, Otto Piene, Eliot Porter, Imran Qureshi, Carol Rama, Charles Ray, James Richards, Achilles G. Rizzoli, Pamela Rosenkranz, Dieter Roth, Viviane Sassen, Shinichi Sawada, Hans Schärer, Karl Schenker, Michael Schmidt, Jean-Frédéric Schnyder, Friedrich Schröder-Sonnenstern, Tino Sehgal, Richard Serra, Shaker Gift Drawings, Jim Shaw, Cindy Sherman, Laurie Simmons e Allan McCollum, Drossos P. Skyllas, Harry Smith, Xul Solar, Christiana Soulou, Eduard Spelterini, Rudolf Steiner, Hito Steyerl, Papa Ibra Tall, Dorothea Tanning, Anonymous Tantric Paintings, Ryan Trecartin, Rosemarie Trockel, Andra Ursuta, Patrick Van Caeckenbergh, Stan VanDerBeek, Erik van Lieshout, Danh Vo, Eugene Von Bruenchenhein, Günter Weseler, Jack Whitten, Cathy Wilkes, Christopher Williams, Lynette Yiadom-Boakye, Kohei YoshiyUKi, Sergey Zarva, Anna Zemánková, Jakub Julian Ziółkowski ,Artur Żmijewski.
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other Biennales (Biennials ) : Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial
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.Description
This is the cover photo of my set Spring Celebration 2011 [বসন্ত উথসব ২০১১(Bashanto Uthsob) ]
This Photo was taken on 13th Feb 2011 / 01 Falgun 1417 Bangoli Calender Yr at 4:30 pm , from Rabindro Sorobor [ A open air Cultural Venue ] Dhaka BANGLADESH . All the photos are Candid and with less treatment, The Spring Celebration here in BANGLADESH is Commonly known as Bashanto Uthsob,[ Bashanto is :
A name of Color
A name of most soothing weather
A name of flowery days
and Most Interesting season here in Bangladesh ]
This is the 1st Day of Falgun[ Falgun is a Bangoli Calendar Month ] Every Bangoli Calendar Year on 13th February comes as Our celebration day, Same As Valentine day on 14th Feb , We Follow both the day as our Valentine day, 13th Feb as for Bangoli and 14th Feb as FOR western culture,
The First day of Falgun is memorable for its colorful celebration. People from all age and categories celebrate this day with joy amd Festivities to welcome the spring season . They celebrate this day with folk dances , music, recitations and rallies throughout the country to commemorate the Bashanta Uthsob. Girls ware Yellow sarees and Boys wear Yellow Panjabees to celebrate the day, Most of the youth and children’s Painted their faces to make the day more colorful . At the same time , people hope that the coming days will be full of light and Joy,
The Spring [BASHANTO ] Comes to Bangladesh is the end state of Winter and the beginning of Summer, with new leafs in the branches of trees ,
Beds are full with Flowers in the garden and The Bird [KOKIL] Twitted are all the Happening in Spring [Bashanto ]
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www.lapressegratuite.com/2014/02/expo-in-the-city-le-prem...
Expo in the City est le premier magazine gratuit dédié aux expositions parisiennes ; l’occasion nous a été donnée de poser quelques questions à Fleur Baudon, directrice de la publication et Arnaud Chedal-Anglay, fondateur et rédacteur en chef du magazine.
Bonjour à tous les deux, racontez-nous l’idée de départ, sa concrétisation et parlez-nous de l’équipe !
L’idée de départ : rendre un peu « sexy » les expos, dépoussiérer tout ça. Créer un magazine urbain, sympathique, résolument moderne, qui donne envie de sortir pour aller voir une expo avec ses amis, son amour, ses parents ou ses enfants.
Un magazine convivial, qui se partage, tout comme ses bons plans.
Un magazine pratique qui tient dans la poche.
Un magazine gratuit, pour une vraie promotion de l’Art à Paris, sans clivage.
Pour la première fois, un classement des expos en ligne avec les envies et les attentes des parisiens. Pas d’expo ‘’beaux arts’’ ou ‘’ sciences et techniques’’, mais les expos à faire le soir après le boulot, les expos gratuites, celles à faire en amoureux ou en famille. Les expos pour frimer le lundi matin au bureau, ou pour occuper les beaux parents qui débarquent !
Expo in the City souhaite faire de chaque sortie expo un vrai bon moment, sympa et inoubliable. Pour cela, nous avons créé les premiers « duos expos », de bonnes petites adresses parisiennes avec les meilleures expositions. Cela permet de prolonger le plaisir de la sortie avec un petit brunch, un resto, un apéro, ou un jardin caché, une boutique insolite…
La concrétisation de cette idée a mis 2 ans, 2 ans pendant lesquels nous avons fait et refait des maquettes de magazines, en interrogeant des parisiens pour vraiment comprendre leurs attentes et leurs envies, et leur offrir le meilleur des expos, dans une version colorée et joyeuse.
L’équipe : Fleur et Arnaud, aidés par nos proches, amis, et familles. Nous avons créé une association qui a pour but de promouvoir l’Art à Paris, de manière accessible et sympa. Nous sommes des indépendants, loin des grands groupes de presse. Des idéalistes ? Des ‘’fous’’ peut-être ? Des passionnés évidemment !
En octobre de cette année, vous avez rassemblé des fonds sur le site de financement participatif KissKissBankBank, comment cela s’est-il passé ?
La démarche nous a permis de récolter 5 000 euros ! Cela nous a permis de nous lancer, en finançant l’impression du premier numéro, et une partie du site web. C’était fou de voir comme ce projet a pu mobiliser des soutiens, nous appuyant dans cette démarche audacieuse.
Présentez-nous la ligne éditoriale de Expo in the City, le positionnement du mag.
Expo in the City est un magazine bimestriel, format poche extrêmement qualitatif, 100 pages en couleur, distribué gratuitement à 20 000 exemplaires dans le cœur de Paris, aux métros, entrées des cinémas, théâtres et musées.
Le ‘’petit livre’’ des expos toujours sur soi !
Nous souhaitons toucher tous les gens passionnés par l’art, mais pas seulement ! L’idée est vraiment d’ouvrir l’art à tous, en faisant re-découvrir les expos de Paris et la richesse culturelle de la capitale, par un classement inédit des expos, pour que chacun puisse trouver l’expo qui lui ressemble, ou l’expo qui convient à chaque occasion.
Nous avons voulu créer le 1er magazine qui ne se jette pas, avec sa sélection d’expos, ses bons plans, ses actus, son format poche ultra-pratique. Nous avons créé un magazine pour chacun et pour tous.
Où peut-on trouver le magazine aujourd’hui ? Peut-on s’abonner ?
Tous les 2 mois, Expo in the City est distribué pendant 2 semaines dans le centre de Paris et en région Parisienne. Aux stations de Métro, dans les files de musées, de cinés, de théâtre, en 20 000 exemplaires. Expo in the City est aussi accessible sur le web www.expointhecity.com/, avec des actus inédites et complémentaires, et des avis d’internautes. Pour ceux qui souhaitent recevoir leur magazine chez eux, nous proposons une formule d’abonnement à 24 euros par an (magazine gratuit + frais de gestion et d’envois), offrant en plus un pass pour Pompidou.
Vous êtes également présent sur le web, pourquoi éditer un magazine papier et un site web ?
Pour nous les deux supports sont complémentaires. L’un se consulte en se feuilletant, dans le métro, dans son salon, dans un café, il se lit. Nous étions très attachés au support papier car nous aimons personnellement lire, et garder nos livres et guides pour les reconsulter à l’envi.
Le site internet est un support complémentaire qui nous permet de suivre l’actualité à la semaine, voire chaque jour. Nous donnons la parole à nos internautes pour nous donner leur avis sur les expos et aider les autres internautes à faire leur choix d’expos. Internet est très vivant, évolue chaque jour. Le magazine est une valeur sûre qui se garde sur soi.
Des projets de développement ? L’envie de décliner le magazine dans une autre ville ?
Nous avons plein d’idées de développement !
Notre premier souhait est de faire grandir Expo in the City, en restant libres et indépendants, ce qui est assez difficile car nos moyens ne sont pas ceux des grands groupes. Nous souhaitons étendre les services que nous proposons à nos lecteurs, toujours dans un esprit de convivialité, par exemple en créant une carte Club permettant d’inviter gratuitement une personne avec soi dans les musées, en organisant des soirées vernissages, des discussions sur des sujets d’expos... Tout en restant sur Paris, peut-être étendrons nous le magazine à la rentrée, a une version sur l’Art en général (musique, théâtre, cinéma, écriture…).
Merci et longue vie à Expo in the City !
HotelsHot www.hotelshot.ru/2016/07/blog-post_15.html
ЗАБРОНИРОВАТЬ
Этот 5-звездочный отель расположен в 2 минутах ходьбы от Исаакиевского собора. К услугам гостей номера с кондиционером, бесплатным Wi-Fi и принадлежностями для чая/кофе. Стойка регистрации работает круглосуточно.
Все комфортабельные номера отеля Domina оформлены в необычном стиле. В каждом номере имеются рабочий стол, сейф, а также телевизор с плоским экраном и спутниковыми каналами. Ванная комната укомплектована тапочками и халатами.
В ресторан Arcobaleno можно зайти через отдельный вход с улицы. Здесь подают блюда итальянской кухни, а также фирменные кушанья от шеф-повара в стиле фьюжн. Гости могут отдохнуть или организовать встречу в коктейль-баре Nove, в котором проводятся различные мероприятия, включая фортепианные вечера, кинопоказы, тематические вечерники и эногастрономические мастер-классы.
Отель Domina находится в 2 минутах ходьбы от автобусной остановки «Исаакиевская площадь», от которой можно без пересадок доехать до Московского вокзала. Расстояние до Эрмитажа составляет всего 1 км, а поездка до аэропорта Пулково занимает 30 минут.
Адмиралтейский район — отличный выбор, если вам интересны история,архитектура и музеи.
Это любимая часть города Санкт-Петербург среди наших гостей согласно независимым отзывам.
Здесь лучшее соотношение цены и качества в Санкт-Петербурге! По сравнению с другими вариантами в этом городе, гости получают больше за те же деньги.
Номеров в отеле: 108, Сеть отелей: Domina Hotels & Resorts
www.dailymail.co.uk/health/article-11228101/Why-mild-Covi...
Why even MILD Covid is now being linked to long-term heart trouble: Millions of us have had the infection - and recovered in days. Now worrying research suggests there could be a nasty sting in the tail
Two weeks after falling ill with Covid TV doctor Xand van Tulleken thought he was on the mend, when he suddenly took a turn for the worse.
‘I woke at 3am with my heart rate rushing at 170 beats per minute [it should have been about 60] and in a chaotic rhythm. I felt bad: faint, sweaty, breathless, panicky,’ he says.
This was March 2020, at the start of the pandemic, when little was known about the typical course of the infection.
But Xand’s training as a public health doctor left him in little doubt that he had developed atrial fibrillation, a dangerous heart rhythm disorder where abnormal electrical impulses cause an irregular and often racing heartbeat. It can lead to stroke and, in extreme cases, heart failure.
‘I believed that my heart-rhythm problem arose most likely as a result of the virus inflaming my heart,’ he says. Realising the seriousness of the situation he raced by taxi to University College Hospital in London.
‘The emergency doctors shocked my heart to stop it temporarily, allowing it to restart in a normal rhythm, a process called cardioversion,’ he adds.
With his heart beating more normally, Xand was prescribed bisoprolol, a type of beta-blocker — medication that alters the heart’s response to nerve impulses, slowing its rate to reduce the risk of further heart-rhythm problems. But it didn’t.
‘My heart went into atrial fibrillation several times after that, meaning I had to go through the cardioversion process repeatedly,’ he says.
A year after his original infection, in 2021 Xand had to return to hospital for an ablation, a procedure that uses freezing liquid nitrogen to ‘burn’ heart tissue, creating scarring that disrupts the electrical signals that cause irregular heartbeats.
‘Surgery took about 90 minutes and I was awake throughout,’ he recalls. ‘It wasn’t painful but it definitely wasn’t enjoyable. When it got to the bit where they froze the heart tissue with liquid nitrogen in a balloon threaded through my artery, I was gripped by a sense of impending doom.’
Xand now feels recovered, mercifully. But millions of fellow Britons have been left facing similarly dangerous and debilitating heart problems in the wake of Covid.
Some 23 million Covid infections have been recorded in the UK, although it’s estimated that many more cases have gone unrecorded because those affected weren’t tested.
Two million people in the UK are living with long Covid, data from the Office for National Statistics (ONS) revealed in June. It classified long Covid as experiencing symptoms more than four weeks after a coronavirus infection.
Fatigue is the most common, followed by shortness of breath, loss of sense of smell and difficulty concentrating, according to the ONS, but more worryingly there are also significant reports of long-term heart-related problems.
In March, the potential scale of such problems was revealed by a paper in the BMJ. The study of more than 47,000 people who’d been hospitalised with Covid-19 showed that they were about three times more likely than uninfected people to face major cardiovascular problems within eight months of being taken to hospital.
It’s not only people who were hospitalised who have been affected. A study in March of 150,000 Americans found serious heart complications can occur in people who seem to have recovered from a mild infection. The report in the journal Nature Medicine, led by Dr Ziyad Al-Aly, an epidemiologist at Washington University, St Louis, in the U.S., found that people who’d had Covid faced substantially increased risks for 20 conditions, including heart attacks and strokes, in the following 12 months.
In patients who’d been admitted to intensive care the risk of conditions, such as myocarditis (inflammation of the heart that reduces its pumping ability) and blood clots in the lungs, was at least 20 times higher than in uninfected people. But even those who had not been hospitalised had increased risks of many conditions, ranging from an 8 per cent increase in heart attacks to a 247 per cent increase in myocarditis.
Scientists have long known that respiratory infections such as flu can trigger heart disease. This is because they cause inflammation, which plays a major role in cardiovascular illnesses.
However, a Covid infection seems to cause a much higher incidence of problems, and following much milder levels of initial illness.
‘It is not only surprising but also profoundly consequential that the risk is evident even in those [who had mild infections],’ says Dr Al-Aly. ‘That’s what makes this likely a serious public health problem.’
But why? One possibility is that the virus’s spike protein — which it uses to invade human cells — can cause an outbreak of localised inflammation in heart tissue that is so intense that it damages the muscle. Dr Zhiqiang Lin, an assistant professor of cardiology at the Masonic Medical Research Institute in New York, exposed human heart tissue in the lab to spike proteins from Covid-19 and HCoV-NL63, a coronavirus that infects the respiratory system without harming hearts.
He found Covid-19 sparks an immune response in heart cells whereas the other coronavirus did not. He believes that causes excessive inflammation which damages heart cells and causes myocarditis.
But Covid may also harm cardiovascular health in another way, according to a study by Houston Methodist Academic Medical Centre, Texas, published in August. This found that patients with long Covid heart symptoms may have double the normal risk of having unhealthy endothelial cells, which line the inside of the heart and blood vessels.
Endothelial cells play a key role in dilating the arteries and helping to get blood to the heart when we do physically strenuous activities. Patients with unhealthy endothelial cells, a condition known as microvascular dysfunction, are at higher risk of heart failure and death.
Dr Mouaz Al-Mallah, a cardiologist who co-authored the paper, explains in the journal JACC: Cardiovascular Imaging: ‘When a patient exercises they need more blood delivered to the heart to be able to provide blood to the entire body ... But in some patients with Covid, we noted it’s not increasing to the degree it should be.’
Dr Al-Mallah’s team scanned the hearts of nearly 400 patients with long Covid. The scans showed they were twice as likely to have unhealthy endothelial cells inside the heart and blood vessels. ‘This may potentially explain why some patients are having chest pain and shortness of breath because their heart is not getting that extra blood,’ Dr Al-Mallah wrote.
Not everyone is convinced that the dangers are widespread, however. In a small study of 52 people, Professor Gerry McCann, a cardiac-imaging specialist at the University of Leicester, found that people who had recovered after being hospitalised with Covid-19 had no greater rate of heart disease than people who had similar underlying cardiovascular conditions such as high blood pressure, but who had remained uninfected by the virus.
He is working on a larger study with around 1,200 participants. ‘The more data we’re acquiring, the less impressed we are with the degree of myocardial injury,’ he told Good Health.
‘There is no doubt Covid is associated with heart problems in hospitalised patients, although it is relatively uncommon. Those who are hospitalised tend to have other risk factors such as older age, obesity and pre-existing cardiovascular disease.’
He adds: ‘There are mixed reports on the extent of heart problems from researchers using imaging techniques. Some of the abnormal findings are of uncertain clinical significance and we are not sure how much of the changes are related to pre-existing conditions.’
Other British researchers disagree that the extent of cardiovascular dangers are exaggerated.
Colin Berry, a professor of cardiology and imaging at the University of Glasgow, said: ‘Professor McCann’s study has serious limitations because it only studied 52 patients. I would concentrate on much larger studies that have greater statistical power such as the American ones, which do show widescale problems.’
Professor’s Berry’s own study, published in Nature Medicine in May, covered 1,306 former Covid patients. It found that one in eight people who had been hospitalised with the virus between May 2020 and March 2021 were later diagnosed with myocarditis.
‘Prior to Covid they had been fit and healthy,’ he says. ‘I think that the damage is more than just to these patients’ hearts but to their wider cardiovascular systems.
‘It may also involve their blood vessels, which helps to explain why such long Covid patients are showing physical problems and loss of quality of life.’
Dr David Strain, a senior clinical lecturer at the University of Exeter who specialises in viral infections, also believes Professor McCann’s results may not represent the whole picture.
‘The patients he studied are generally being followed up after they have left hospital, when the main danger period has passed,’ he says. ‘Beyond three months there seems to be a negligible risk of bad cardiovascular things happening.’
Dr Strain argues instead that the majority of heart problems emerge in a period that lasts from six to eight weeks after Covid infection. ‘This is the period when we see rates of heart attacks, strokes and blood clots going up,’ he says. ‘During this post-infection danger period, Covid picks on your weakest parts, such as your heart and arteries.’ Over the longer term Dr Strain says worrying evidence is mounting to suggest that the virus can hide dormant in our bodies for months or even years.
‘If the virus can hide in the body then anything that weakens a person’s immune defences — such as physical stress, infection or reinfection with another strain of Covid — may allow the virus to re-emerge,’ he says. ‘There is evidence to suggest long Covid can be caused by the virus persisting, and having surges subsequently may cause cardiovascular disease.’
This, Dr Strain says, is why it is crucial people getting over Covid take things very easy when recuperating from the virus. ‘From what we see, people who return to work early are more likely to get post-Covid problems,’ he warns.
Professor Berry agrees. ‘I advise long Covid patients to keep active, but to stay within their own limit,’ he explains. ‘Go for short leisurely walks and if you can do that well, try brisk walks — but don’t overdo it.’
Xand van Tulleken wishes he had taken things more slowly two years ago in the wake of his Covid infection. ‘I did not try to take it easy,’ he says. ‘Even on the day I suffered the first bout of atrial fibrillation, I went straight into work.’
As a result, ‘I went into a downward spiral. Being post-Covid and with heart worries, I felt depressive, miserable,’ he says.
‘Lots of people have gone through this stuff. Fortunately I had the support of my parents, who encouraged me to exercise gently and cooked for me. My twin brother Chris has been hugely helpful with recovering my health by getting me to eat well, not eating junk food and ultraprocessed foods to aid my general health.’
He adds: ‘Professor Toby Hillman was my doctor at the clinic for people with Covid complications. He said his best advice for anyone with long Covid is to rest.’
Thanks to a combination of Xand taking this on board, and having the successful cardioversion op, he says: ‘I now feel amazing.
‘I can go for a run every morning and feel healthy.
‘Convalescence is what we all need after Covid. It sounds such an old-fashioned word, but as a nation we have lost the concept of convalescence. We need to get it back.’
fortune.com/well/2022/09/20/bf-7-new-covid-subvariant-ris...
Just in time for fall, there’s a brand-new COVID variant making headway in the U.S.
A new COVID strain started to create waves among virus trackers this week, outpacing nearly all other variants of interest scientists are tracking in the U.S. this autumn.
The variant, which scientists have named BF.7—short for BA.5.2.1.7—comprised 1.7% of sequenced infections last week in the U.S., according to new data from the U.S. Centers for Disease Control and Prevention. Other variants jockeying for the top spot right now—held by BA.5, at 85%—include BA.4.6, which comprised 10.3% of infections, and BA.2.75, which comprised 1.3%.
Scientists are taking notice of BF.7 because it’s making headway in an increasingly crowded field of Omicron subvariants. For months they’ve watched BA.2.75—dubbed Centaurus by the Twitterverse—as a variant of interest with potential to surge this fall. But this week, BF.7 surpassed it.
Potentially more transmissible than BA.5
BF.7 is only beginning to grow off in the U.S., but it’s already taken off in other countries.
So far Belgium has seen the lion’s share of BF.7 cases identified globally: 25%. Denmark, Germany, and France have each seen 10% of the world’s identified cases so far, according to cov-lineages.org, a COVID data repository updated daily by contributors from universities in England, Scotland, and Australia, among others.
The new subvariant was first reported by the CDC as part of cases of BA.5, which rose to prominence this summer. But the CDC recently broke it out into its own category when cases topped 1%, Dr. Stuart Ray, vice chair of medicine for data integrity and analytics at Johns Hopkins Department of Medicine, told Fortune.
“The same growth advantage in multiple countries makes it reasonable to think that BF.7 is gaining a foothold,” and that it’s potentially more transmissible than parent BA.5, Ray said. Children of variants “don’t grow relative to their parent unless they have an advantage.”
While nothing is known about the severity of disease BF.7 might cause, so far all Omicron subvariants have had similar severity, he added.
The new subvariant has a change in the spike protein—a feature that allows it to enter cells—seen in other Omicron strains making headway. It also has a change in the nucleotide sequence—sometimes referred to as the blueprint of an organism—that could cause it to behave differently than other subvariants. But the extent to which it will diverge, if it does at all, is currently unknown, Ray said.
COVID is continually evolving to become more immune evasive, according to Ray, and Omicron is spawning exponentially. He added he wouldn’t be surprised to see a new variant altogether this fall.
“It’s been a while since we went from Alpha to Beta to Gamma to Delta, then to Omicron,” he said. “We may be complacent. This may be feeding into the notion that this is behind us.”
The tangle of Omicron spawns—with or without a new parent variant—could make for a rough fall and winter, Ray said.
His advice? Continue to mask and get your booster. And remember that the pandemic isn’t over.
“There are people who predicted COVID would be over by Easter of last year,” he said.
Peter Sommeregger (* 1946 in Wien), Schriftsteller und Musikjournalist
Humanistisches Gymnasium in Wien. Buchhändler in München und Berlin. Ab 2005 Rezensionen für das Opernmagazin Orpheus. Rezensionen und redaktionelle Beiträge für Operalounge und info-netz-musik. Lexikalische Beiträge für MUGI (Musik und Gender im Internet).
Bibliographie (Auswahl)
Die drei Leben der Jetty Treffz – der ersten Ehefrau des Walzerkönigs
Wien : Seifert Verlag, 2018, ISBN 978-3-902924-76-6
"Wir Künstler sind andere Naturen" : das Leben der sächsischen Hofopernsängerin Margarethe Siems
Wien : Seifert Verlag, 2016, ISBN 978-3-902924-64-3
Frida Leider - Sängerin im Zwiespalt ihrer Zeit / Eva Rieger ; unter Mitarbeit von Peter Sommeregger
Hildesheim ; Zürich ; New York : Georg Olms Verlag, 2016, ISBN 978-3-487-08579-1
In: Leo Blech : Komponist - Kapellmeister - Generalmusikdirektor / Centrum Judaicum. Jutta Lambrecht (Hg.)
Berlin : Hentrich & Hentrich, 2015, ISBN 978-3-95565-091-9
1. detsember - Marsa Alam
The indigenous tribes of Wadi Al-Gemal and its surroundings. The Beja Tribe is one of the Red Sea mountains' main ethnicity as it reaches from southern Egypt into eastern Sudan, Somalia and Eritrea. It can be divided into four main tribes: Bisharin, Ababda, Hadendoa and Beni Amer. Only the first two inhabit Egyptian territories, mainly in the southern parts of the eastern desert. Ababda are the original dwellers of Wadi Al-Gemal, while Bisharins are inhabitants of the Jabel Elba region located in the southeastern most corner of Egypt. While both are nomadic pastorals, Ababda have abandoned their original tradition of livestock herding due to extended drought conditions that have forced them to live in areas closer to commercial urban centres. This in return has exposed them to a wider range of income generating alternatives. Though both tribes originally speak different dialects of an oral language called "To Bedawie" or Rotana as is commonly known, Ababda have deserted their mother tongue for Arabic.
Though Bisharins, inhabitants of the Jabal Elba region, also live in a drought prone area, their territory is actually part of Egypt's biggest national park -- Mountain Elba National Park -- in addition to being a politically disputed area between Egypt and Sudan. Both the remoteness of the area and the difficulties associated with reaching and entering it have both helped the Bisharins to maintain their pastoral nomadism and preserve their original culture and traditional way of living.
weekly.ahram.org.eg/2005/754/tr3.htm
www.ethnologue.com/14/show_language.asp?code=BEI
Beja البيجا
Believed to be in Public Domain From Library of Congress, Prints and Photographs Collections. More on copyright: What does "no known restrictions" mean?
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Public Domain. Suggested credit: By Shahn, Library of Congress Additional information from source:
TITLE: Bus station, Marion, Ohio
CALL NUMBER: LC-USF33- 006544-M4 [P&P]
REPRODUCTION NUMBER: LC-DIG-fsa-8a18301 (digital file from original neg.)
LC-USF3301-006544-M4 (b&w film dup. neg.)
MEDIUM: 1 negative : nitrate ; 35 mm.
CREATED/PUBLISHED: 1938 Summer.
CREATOR:
Shahn, Ben, 1898-1969, photographer.
NOTES:
Title and other information from caption card.
LOT 1022 (Location of corresponding print.)
Transfer; United States. Office of War Information. Overseas Picture Division. Washington Division; 1944.
SUBJECTS:
United States--Ohio--Marion.
FORMAT:
Nitrate negatives.
PART OF: Farm Security Administration - Office of War Information Photograph Collection (Library of Congress)
REPOSITORY: Library of Congress Prints and Photographs Division Washington, DC 20540 USA
DIGITAL ID: (digital file from original neg.) fsa 8a18301 hdl.loc.gov/pnp.loc/fsa.8a18301
CARD #: fsa1997018234/PP
© Álbum 2487
By Catedrales e Iglesias
Arquidiócesis Primada de México
Parroquia de Nuestra Señora de Guadalupe
Sitio Oficial de la Parroquia
www.laguadalupita.org.mx/menu.html
Párroco: P. Ricardo Junius Sander
Vicaría: II Decanato; 3
Joaquín García No. 39
Col. San Rafael
Del. Cuauhtémoc
Tel. 5546-6974 y
Tel. 55359788
La Guadalupita,un templo que respira vida
Escrito por Mauricio Carmona R.
Parroquia de Nuestra Señora de Guadalupe
La Guadalupita, un templo que respira vida
La mancha urbana ocultó el templo, pero no el ánimo de los fieles.
El testimonio de los sacerdotes hace que la feligresía tenga “hambre de Dios”.
Mauricio Carmona R.
Entre las calles de la Colonia San Rafael, plagada de teatros y centros nocturnos, subsiste la iglesia de la “Guadalupita”, como lo llaman los vecinos. Y a pesar de que pareciera una zona cerrada a la Palabra de Dios, los sacerdotes y la comunidad han hecho ver lo contrario.
El templo
Image
Narra la historia que donde hoy se levanta el Palacio de Bellas Artes, vivió la familia Aguilar Reyes, católicos nobles y buenos, cuya vivienda desapareció luego de un terrible incendio. La madre había quedado atrapada en el interior de la casa, por lo que se encomendó a una imagen de la Guadalupana que se hallaba en la recámara; a cambio de salir con vida de esa catástrofe, le prometió a la Virgen un oratorio.
La Reina de los Cielos escuchó las súplicas, pues pronto un vecino tendió una escalera y otros más le ayudaron a descender hasta quedar a salvo. El fuego consumió todo, excepto el cuadro milagroso de la Santísima Virgen de Guadalupe.
Pasados algunos meses, la familia se dio a la tarea de construir una capilla a la Morenita en una propiedad de la naciente Colonia San Rafael. Viendo la devoción que los vecinos tenían a la imagen, pidieron permiso a la Sagrada Mitra para celebrar Misa todos los domingos en el pequeño recinto.
El Arzobispo de México, entonces Mons. Luis María Martínez, viendo la cantidad de fieles que acudían, decretó que la capilla fuera elevada a rango de parroquia, delegando el cuidado pastoral a los sacerdotes Misioneros Oblatos de María Inmaculada. Con grandes esfuerzos, el amplio y hermoso templo fue concluido y dedicado el 12 de octubre de 1954, con el nombre de “Iglesia de la Guadalupita”, convirtiéndose además en la casa madre de la orden.
La comunidad
A pesar del gran tamaño del templo, tanto en profundidad como en altura, la mancha urbana no cedió terreno y dejó casi invisible el recinto. Ni los enormes puentes del Circuito Interior ni los numerosos teatros y locales de la zona dejan ver con facilidad la iglesia.
Pese a ello, la comunidad no cede ante cualquier dificultad, y en verdad que las tiene. Las distintas calles que rodean el templo se han visto plagadas por centros nocturnos y pequeños “antros”, que han hecho de aquellos parajes una zona roja; incluso, parecía retador el hecho de que justo a las puertas de la parroquia se encontrara uno de estos bares. La comunión y solidaridad de los vecinos de la Guadalupita no se hizo esperar para resolver la situación y, después de largos acuerdos, se logró el cierre del establecimiento. El P. Ricardo Junius, párroco del lugar, nos comenta la satisfacción que siente por encontrarse en medio de una comunidad actuante.
“Pienso que somos una comunidad muy unida y con ganas de compartir nuestra fe”, explicó el sacerdote de origen estadounidense. “Estamos ansiosos de propagar con más devoción el Evangelio, sobre todo con los vecinos que llegan a los nuevos departamentos que han construido”. Y es que en los últimos años, la zona ha quedado repleta de condominios, generando con ello, más dificultades para transmitir el mensaje de Cristo.
La Pastoral
La iglesia de la Guadalupita ha quedado oculta por la mancha urbana, pero no ha sucedido lo mismo con el espíritu de trabajo de los fieles, el cual deja entrever el esfuerzo que han hecho los padres Oblatos en la actividad pastoral que se destaca.
“Muchas personas se han mudado a otras partes de la ciudad y algo que nos entusiasma es ver sus rostros cada domingo en Misa o en nuestros grupos parroquiales. Vienen desde lejos a su parroquia”, confesó el P. Ricardo.
El trabajo que han realizado los sacerdotes ha hecho eco en la comunidad. “Nos llena mucho ver a los padres trabajar desde muy temprano y hasta avanzada hora la noche”, comentó la señora Felicita, quien además explicó que “los sacerdotes nos han hecho sentir hambre de Dios y de Su Palabra ¿Y cómo no sentirlo al ver el testimonio y ejemplo de nuestros padres?”
Por ello, y a solicitud de la comunidad, iniciará un Curso de Evangelización a partir del 5 de febrero, fiesta de san Felipe de Jesús. “Será un curso muy completo donde se descubrirá a Cristo, paz y alegría permanente, y que logrará nuestro objetivo principal que es ser representantes vivos del Evangelio”.
Entre los proyectos de esta comunidad, cabe destacar también la creación de nuevos grupos parroquiales como son los ministros extraordinarios, equipo litúrgico, renovación carismática y un foro de debates sobre temas fuertes de interés para la Iglesia Católica”.
Finalmente, los fieles, como don Ramiro, no pierden la esperanza de que este hermoso templo pueda llegar a ser una basílica menor, puesto que el número de asistentes es grande y “tal vez a nuestra Madre le gustaría que esta casita suya también se considerara santuario de oración”
Η αληθινή ιστορία πίσω από το έργο στην Εποχή της Λύτρωσης
Ολόκληρο το σχέδιο της διαχείρισής Μου, ένα σχέδιο που εκτείνεται σε διάστημα έξι χιλιάδων ετών, αποτελείται από τρία στάδια ή τρεις εποχές: στην αρχή η Εποχή του Νόμου, η Εποχή της Χάριτος (που είναι επίσης και η Εποχή της Λύτρωσης) και τις έσχατες ημέρες η Εποχή της Βασιλείας. Το έργο Μου στις τρεις αυτές εποχές διαφέρει σε περιεχόμενο σύμφωνα με την φύση της κάθε εποχής, αλλά σε κάθε στάδιο είναι σε συμφωνία με τις ανάγκες του ανθρώπου – ή, για να είμαστε πιο ακριβείς, γίνεται σύμφωνα με τα κόλπα που ο Σατανάς εφαρμόζει στον πόλεμο που διεξάγω εναντίον του. Ο σκοπός του έργου Μου είναι να νικήσω τον Σατανά, να εκδηλώσω την σοφία Μου και την παντοδυναμία Μου, να αποκαλύψω όλα τα κόλπα του Σατανά και μ’ αυτόν τον τρόπο να σώσω ολόκληρο το ανθρώπινο γένος το οποίο ζει υπό τη σφαίρα επιρροής του. Είναι για να δείξω τη σοφία Μου και την παντοδυναμία Μου ενώ ταυτόχρονα ν’ αποκαλύψω την αβάσταχτη αποκρουστικότητα του Σατανά. Ακόμη περισσότερο είναι για να διδάξω στα πλάσματά Μου να διακρίνουν μεταξύ του καλού και του κακού, να γνωρίζουν ότι εγώ είμαι ο Κυβερνήτης όλων των πραγμάτων, να δουν ξεκάθαρα ότι ο Σατανάς είναι εχθρός της ανθρωπότητας, ο πιο χαμηλός των χαμηλών, ο σατανικός, και να διακρίνουν με απόλυτη βεβαιότητα τη διαφορά μεταξύ καλού και κακού, αλήθειας και ψεύδους, αγιότητας και βρομιάς και τι είναι σημαντικό και τι ποταπό. Μ’ αυτόν τον τρόπο, η αδαής ανθρωπότητα θα μπορεί να γίνει μάρτυρας για Μένα, ότι δεν είμαι εγώ που διαφθείρω την ανθρωπότητα και μόνο εγώ – ο Κύριος της δημιουργίας – μπορώ να σώσω την ανθρωπότητα, μπορώ να δώσω στον άνθρωπο πράγματα για την απόλαυσή του. Και θα γνωρίσει ότι Εγώ είμαι ο Κυβερνήτης όλων των πραγμάτων και ο Σατανάς είναι απλώς ένα από τα όντα που δημιούργησα και αργότερα στράφηκε εναντίον Μου. Το σχέδιο διαχείρισης Μου των έξι χιλιάδων ετών χωρίζεται σε τρία στάδια για να επιτευχθεί το παρακάτω αποτέλεσμα: να μπορέσουν οι δημιουργίες Μου να γίνουν μάρτυρές Μου, να κατανοήσουν το θέλημά Μου και να γνωρίζουν ότι εγώ είμαι η αλήθεια. Έτσι, κατά τη διάρκεια της αρχικής φάσης του έργου στο σχέδιο διαχείρισής Μου των έξι χιλιάδων ετών, έκανα το έργο του νόμου που ήταν το έργο στο οποίο ο Ιεχωβά οδήγησε τους ανθρώπους Του. Το δεύτερο στάδιο ξεκίνησε το έργο της Εποχής της Χάριτος στα χωριά της Ιουδαίας. Ο Ιησούς αντιπροσωπεύει όλο το έργο της Εποχής της Χάριτος. Ενσαρκώθηκε και σταυρώθηκε στον σταυρό κι επίσης εγκαινίασε την Εποχή της Χάριτος. Σταυρώθηκε για να ολοκληρώσει το έργο της λύτρωσης, να τελειώσει την Εποχή του Νόμου και να ξεκινήσει την Εποχή της Χάριτος κι έτσι ονομάστηκε ο «Υπέρτατος Αρχηγός», η «Προσφορά για την αμαρτία», ο «Λυτρωτής». Έτσι, το έργο του Ιησού διέφερε σε περιεχόμενο από το έργο του Ιεχωβά, παρόλο που ήταν τα ίδια στις αρχές τους. Ο Ιεχωβά ξεκίνησε την Εποχή του Νόμου, εδραίωσε τη βάση του οίκου, δηλαδή το σημείο της αρχής του έργου Του στην γη και εξέδωσε τις εντολές. Αυτά ήταν δύο από τα κατορθώματά Του, τα οποία αντιπροσωπεύουν την Εποχή του Νόμου. Το έργο που έκανε ο Ιησούς την Εποχή της Χάριτος δεν ήταν για να εκδώσει εντολές αλλά για να εκπληρώσει τις εντολές και μ’ αυτόν τον τρόπο να οδηγήσει στην Εποχή της Χάριτος και να καταλήξει με την Εποχή του Νόμου που είχε διαρκέσει δύο χιλιάδες χρόνια. Ήταν ο πρωτοπόρος που ήρθε για να ξεκινήσει την Εποχή της Χάριτος, ωστόσο το κύριο μέρος του έργου Του ήταν για τη λύτρωση. Οπότε τα κατορθώματά Του ήταν επίσης διπλά: ξεκίνησε μια νέα εποχή και ολοκλήρωσε το έργο της λύτρωσης μέσω της σταύρωσής Του. Στη συνέχεια αναχώρησε. Στο σημείο αυτό, η Εποχή του Νόμου έφτασε στο τέλος της και η ανθρωπότητα εισήλθε στην Εποχή της Χάριτος.
……
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
Όροι Χρήσης: el.kingdomsalvation.org/disclaimer.html
This is a Hex excavated Truncated Cube "truncated hexahedron" composed entirely of square and triangle origami units.
I made this for my niece. She loves the color purple and dragons.
There are 6 central faces that used Dragon artwork in the center of Double stopper modules. used 3 different dragon pictures.
**Purple-gray-dragon image cube centers: 6 Double Stopper modules (Tomoko Fuse's Kusudama Origami, page 52) I used images of purple dragons edited to the correct size to for the center of the double stoppers. I used 3 different dragon images between 6 faces.
**Floral print Square cube walls: 12 Square Flat Unit modules (from Tomoko Fuse's Unit Polyhedron Origami, page 8.) They're made from two whole sheets of paper, allowing me to color each side of the squares differently. I used 3 different floral patterns.
**Purple tetrahedron walls: 24 Equilateral-triangular Flat Unit II modules (from Kunihiko Kasahara's Origami Omnibus, page 204.) I started using regular triangle modules that had 3 flaps ( from Tomoko Fuse) that had 3 flaps, however the complexity of the units persuaded me to revert back to the equilateral triangles which have 3 pockets no flaps These units have three flaps and no pockets, requiring joining tabs to be folded so they could insert into the sides of the roomy Square Flat Unit modules.
**Black tetrahedron corners/bases: 8 Equilateral-triangular Flat Unit II modules (from Kunihiko Kasahara's Origami Omnibus, page 204.) I glued all but one corner , Where I only glued 1 flap, so it acts as a door to reveal a hidden compartment that I hid a pewter dragon inside.
All of the units used in this have a side length which is exactly 1/2 the length of the original sheet of paper, meaning they are all compatible.
Total of 65 sheets of paper to complete this project, including 24 sheets of Floral/Japanese Print Origami paper. ( Not including the joining tabs)
Excuse the poor photo quality do to inadequate lighting. I will try to get a better picture.
This model and my Valentine Themed Cube
were inspired by Ardoniks halloween-hexexcavated-truncated-cube
From Edmunds (http://www.edmunds.com/ford/taurus/2008/review.html) -
What Edmunds.com says
The reborn 2008 Ford Taurus hits the dance floor with some fresh moves courtesy of a 263-horsepower V6. The engine upgrade, along with the Five Hundred's pre-existing comfortable cabin, cavernous trunk and top-notch safety scores, make the new Taurus a worthy candidate for a full-size sedan.
Pros
Extra-large backseat and trunk, outstanding crash test scores, comfortable ride, good visibility, available all-wheel drive.
Cons
High front seats create an odd driving position that might be uncomfortable for taller drivers, transmission occasionally slow to downshift.
What's New for 2008
Ford resurrects the Taurus nameplate for 2008 by affixing it to a much-improved Five Hundred. A more powerful engine, a nicer and quieter cabin, a retuned suspension and a corporate three-bar grille are the major highlights.
Introduction
Name recognition and awareness are no doubt important for automotive manufacturers. For example, look no further than the 2008 Ford Taurus. Ford has pulled the Taurus nameplate out of its one-year dirt nap in hopes of getting back into the thick of the large family sedan game. But is the public's awareness of the Taurus name a good thing or bad? Though a hero car back in the 1980s and early '90s, more recent iterations of the Taurus were dated and anonymous, a favorite of image-dulling rental car agencies and a not-so-favorite of middle management types who received them as company cars.
The Taurus revival is combined with the death of the Ford Five Hundred, a large sedan introduced a few years ago that never sold like the company had hoped. Although it offered a large cabin and an impressive ride and handling balance, the Five Hundred was let down by weak engine performance and a lack of refinement.
Thankfully, the 2008 Ford Taurus gains a number of improvements as part of its return. Under that familiar Five Hundred sheet metal are much improved running gear and additional features. In fact, Ford says there are more than 500 changes. A 263-hp V6 replaces the lame 203-hp V6, and a more responsive six-speed automatic replaces the sluggish continuously variable transmission (CVT) across all trim levels.
Other improvements for this large family sedan include the adoption of stability control, a "Ford Sync" system (that allows hands-free use of mobile phones and digital music players), improved cabin materials and more sound insulation for a quieter ride.
With its major performance infusion, addition of key safety and luxury features, and available all-wheel drive, the Ford Taurus is the best it's been in a long time. Given the Taurus' size (along with the fact that the Ford Fusion now battles stalwarts like the Honda Accord and Toyota Camry), you'll probably want to cross-shop it against full-size sedans like the Chrysler 300, Hyundai Azera or Toyota Avalon. Though still slightly deficient in terms of style (compared to the 300) or all-around polish, the Taurus is certainly worth consideration.
Our Lady & The English Martyrs, Cambridge
stepneyrobarts.blogspot.co.uk/2013/02/our-lady-english-ma...
Yesterday I revisited St Peter for internals and finished of Cambridge, visiting seven Victorian built churches only one of which, Our Lady & The English Martyrs, is worth writing up.
At first sight I wrote OLEM off as a Victorian Gothic monstrosity but as I wandered around the exterior I was struck by the quality of the building and the interior stunned me with lots of rather good glass and impressive architecture (oh and apart from three revisits, Babraham, Guilden Morden and Stow cum Quy, that finished the north west quadrant).
The Church of Our Lady and the English Martyrs, or OLEM, is situated in the heart of the city of Cambridge. An imposing example of the 19th Century Gothic Revival, it was built to the designs of Dunn & Hansom of Newcastle between 1885 and 1890, and founded solely by Mrs Yolande Marie Louise Lyne-Stephens, a former ballet dancer at the Paris Opera and Drury Lane, London, and widow of a wealthy banker. She promised to build the church on the feast of Our Lady of the Assumption, and Monsignor Christopher Scott - the first Rector - also wished to commemorate the Catholic Martyrs who died between 1535 and 1681, over thirty of whom had been in residence at the University.
Designed by architects Dunn and Hansom of Newcastle and built by the Cambridge firm of Rattee and Kett, OLEM is constructed in Casterton, Ancaster and Combe Down Stone. The church is a traditional cruciform structure in the early-decorated style with a large tower at the crossing, a polygonal apse and a west bell tower with a 65-metre spire, visible for miles around Cambridge. Quite often, it is quoted by visitors and local residents as a location point. The approximate internal dimensions of the church are: length 48 meters [156 ft] width across the aisles 16 meters [51 ft] width at the transepts 22 meters [71 ft], the height of the nave 15 meters [71ft].
Inside and over the west door stands the figure of Our Lady of the Assumption crowned with lilies and standing on the crescent moon with the vanquished serpent beneath. The west window shows the English Martyrs arranged in two principal groups, the clergy on the south side with St John Fisher in their midst and the laity on the north grouped round St Thomas More.
Beside the South aisle is an ancient statue of Our Lady with the Child Jesus. This statue is understood to be a gift in 1850 from Emmanuel College, which was built on the site of a Dominican Priory dating back to 1274. The Church of the Black Friars of Cambridge contained a statue of Our Blessed Lady to which much pilgrimage was had. Although unconfirmed this could be that statue.
The Chapel of the Holy Souls with the book of Remembrance is located at the west end of the south aisle. The sculpture above the altar depicts the solace and relief of the Holy Souls in Purgatory through the intercession of Our Lady and the angel who comforted Our Lord in Gethsemane. The Chapel is now appropriately used at the two great Christian celebrations: at Easter for the Empty Tomb indicating the Risen Lord, and at Christmas for the Crib.
The aisle windows were almost completely destroyed when the church was struck by a bomb on 1941, but were subsequently replaced in their original form. They epitomise the various sufferings of the English Martyrs, their being brought before the Council, racked, hung, drawn and quartered in the sight and sympathy of the faithful. The windows of the north aisle portray Carthusians, St Thomas Moore, B. Margaret Pole and others, while the south aisle is made a “Fisher Aisle”, devoted to scenes from the life of St John, Cardinal Bishop of Rochester, who in so many important ways is identified with Cambridge.
The best general impression of the interior is obtained from the gateway in the iron screen dividing the nave from the ante-chapel. The heads of the four great preachers of Our Lady’s Graces are carved in the four corners of the nave. The windows along the nave represent saints connected with the Church in Britain, arranged approximately in chronological order from east to west with a few additional figures in the eastern windows.
The Rood which is between the nave and the sanctuary is of the type known as “Majestas”; the figure of Our Lord, with glorified wounds, robed in alb, stole and pallium [as High Priest] and crowned [as King “reigning from the Tree”]. This was the earliest type of crucifix; the realistic figure, now almost universal, did not come into general use until the beginning of the thirteenth century. The cross, inspired by that at Nuremberg, is about 6 metres high, carved in oak; the figures of Christ and of Our Lady and of Saint John are of Kauri pine. They were carved locally by Mr. B. Maclean Leach and completed and blessed in 1914.
Beyond the present, modern altar is the High Altar with the relics of Saints Felix and Constantia, martyrs of the early Church. The tabernacle and ornaments of the altar are of exquisite French workmanship from Lyons. The baldacchino which covers the High Altar is similar to that over the tomb of Robert the Wise (1275-1343) at Santa Chiara, Naples. It is one of the earliest forms of adornment of a Christian altar. At the top is the figure of Our Lord in glory supported on each side by angels in act of adoration.
The design and the re-ordering of the sanctuary was done by Mr. Gerard Goalen of Harlow after the Second Vatican Council. On 7th April, 1973, Bishop Charles Grant consecrated the present central. The original High Altar has subsequently been used mainly for reservation of the Blessed Sacrament.
visite en photos de la guadeloupe, des saintes, de la désirade et de Marie Galante
"Photos antilles" "photo antilles" "photos guadeloupe" Guadeloupe rhp0.perso.neuf.fr/ www.voyage-antilles-guadeloupe.com/ marie-galante désirade "ilet caret" "visite caret" "les saintes" deshaies "marie galante" "location guadeloupe" "voyage guadeloupe" rhp0.perso.neuf.fr/diapomariegalante.html rhp0.perso.neuf.fr/diapograndeterre.html rhp0.perso.neuf.fr/diapobasseterre.html rhp0.perso.neuf.fr/diapodesirade.html rhp0.perso.neuf.fr/diapocaret.html rhp0.perso.neuf.fr/diapolessaintes.html "voyages guadeloupe" "voyages antilles" "voyage antilles" "guadeloupe travel" "plongée guadeloupe" "plongée deshaies" "plongée les saintes" "sec paté" "plongée sous marine" "petite-terre" "visite petite terre" "excursion petite terre" "rhum guadeloupe" "visite mangrove"
photo de Guadeloupe voyage, travel photographer Guadeloupe, photo Guadeloupe FRANCE
guadeloupe, désirade, plage, beach, island, rhp, antilles, gwada, vacances, soleil, mer, Deshaies, guadeloupe, gite, location, blue, Marie Galante, Saintes, caraibe, caribbean, domtom, papillon, karukera, ka, ile, les saintes, archipel, caribbe, sun, guadeloupe sunset, bleu, sunrise guadeloupe, location guadeloupe, guadeloupe écotourisme, tourisme guadeloupe, gites guadeloupe, Rhum
El Templo de Viracocha ( Cultura incaica - Imperio incaico )
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www.inkaexpress.com.pe/eng/raqchi.php
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Raqchi es un sitio arqueológico de los Incas en la región Cusco en Perú también conocido como el Templo de Wiracocha. Un pueblo cercano tiene el mismo nombre. Ambos se encuentran alo lado del Río Vilcanota ( Rio Urubamba ). El sitio ha experimentado un reciente aumento en el turismo en los últimos años, con 83.334 visitantes al sitio en 2006, frente a 8.183 en 2000 y 452 en 1996.
A 117 km ( 2 horas ) desde la ciudad Cusco se encuentra una de las construcciones mas grandes de los Incas. El templo fue destruido en la conquista, pero lo que hoy queda es suficiente para encender la imaginacion y ver cuan grandioso fue 92 metros ( 302 ft ) de largo y 25.5 metros ( 84 ft ) de ancho. El templo es de paredes de adobe y la base de piedras volcanicas ( el Andesita ) en el estilo tipico de los Incas. Esto Templo se compone de un muro de adobe central de la altura entre 18 y 20 metros. Está flanqueada a cada lado por una hilera de once columnas. Antes de su destrucción por los españoles, el templo tenía el mayor techo en el tiempo de Imperio Inca, que tiene su pico en la pared central ( 18 y 20 metros ), a continuación, se extiende sobre las columnas en anchura de 25 metros ( 82 ft ) más allá de cada lado. El templo solo para ser el edificio más grande en el Imperio Inca.
El complejo tambien incluye areas residenciales y graneros, donde se guardaban alimentos. Junto al templo al norte son doce viviendas, que habría albergado a los sacerdotes y los administradores locales. El salón está dividido en lotes separados cuadrado mayor de los cuales es aproximadamente 4x6m. Todos tienen nichos en las paredes que podrían haber sido utilizados para el almacenamiento. Para el lado oriental del templo son unos 100 qolqas (.almacenes rondas.) en líneas paralelas, cada uno mide unos 10 metros ( 33 ft ) de diámetro. Estos almacenes se utiliza para mantener los granos, como el maíz y quinoa. Los depósitos también son únicos ya que a diferencia de otras estructuras en todo el imperio que no son cuadrados acorralado. La razón de esto es desconocido. Un empleo ritual de los productos alimenticios y una economía de campo perfecta se consideran como probable. las hambrunas eran desconocidas antes de la llegada de los españoles en el imperio de los Incas.
Al oeste del templo es un gran campo, ahora se utilizan por los lugareños para la agricultura,
que podría haber sido un parque de atracciones o mantener desbordamiento de fieles desde el mismo templo. En el extremo occidental de este campo es un conjunto de baños como en los sitios importantes a lo largo del imperio.
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Viracocha - Lugar de la adoración del Creador Grandes - Viracocha - por los Incas
Viracocha también llamado el dios de la varas es el
más destacado entre los dioses del ámbito andino.
________________________________________________________________
Viracocha
una deidad de creador pre-andina
otras versiones de nombre Viracocha
Huiracocha y Huiraccocha, Ticci, Tiqsi o Tiksi.
p.ej. - - - en quechua
Qun Tiqsi Wiraqucha
Kon Titi Wiracocha
antes de la conquista por los españoles ( Conquista )
de todos los pueblos del espacio cultural de los Andes adüera
Viracocha es puesto a menudo ( sin embargo por las incas )
inmediatamente con el creador mundial Pachakamaq ( Pachacámac ),
esporádicamente también el nombre compuesto Pachakamaq-Wiraqucha en.
En la mitología de inca "Qun Tiksi Wiraqucha" es el creador de la civilización
y una de las deidades más importantes en la mitología la inca.
En una leyenda es contado,
él tenía con su mujer mamá Qucha ( la madre el mar )
un hijo, Inti ( el sol ) y una hija, la mamá Killa ( la luna )
Los cronistas señalan que Viracocha vino de Tiahuanaco.
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Saturday 26 October 2013: Mandalay (မန္တလေး)
Our free day in Mandalay (မန္တလေး) (map) started with a walking tour of Ze Cho / Zegyo market, led by Josh, which was really interesting. The group then split into those who did a sight seeing tour with Josh as an optional extra (why not include it - as we found out, DIY in Mandalay is far harder than elsewhere), and Joelle, Anna, Miriam and I who opted to try out hand at taking in the sights on public transport.... where we had variable success: finding the bus stops near the market was tricky, but we had lots of help from local people (and even more offers from taxi drivers who wanted to take us on a tour), but unfortunately our first bus got a flat type somewhere on 32nd Street, and the next bus we hopped on to get us up to the cluster of pagodas north east of the Mandalay Palace (မန္တလေး နန်းတော်) complex charged us 1000k each (I think the local fare was closer to 100k-200k).... At least our adventures on public transport meant I got familiar with numbers written in Burmese script.
Along with the Palace, several of the pagodas are covered by a $10 combined ticket, but we decided to avoid those and focused instead on "the world's biggest book" - aka the inscribed marble 'tomb stones' at Kuthodaw Pagoda (ကုသိုလ်တော်ဘုရား) (although getting into it we took the "scenic route" around the perimeter walls and through some goat-filled woods). We did get to see the beautiful carved teak of the Shwe Nandaw Kyaung / Shwenandaw Monastery (ရွှေနန်းတော်ကျောင်း) through the bars of the railings that surround it, and the outside of the Atumashi Kyaung (အတုမရှိကျောင်း) monastery next door. We did a lot of walking, in vain, in search of the Sandamundi Pagoda - I think our directions/info was wrong as we wandered along long N-S streets and the military compounds that sit to the east of Mandalay Hill.
Having sat on a very slow bus back to the Ze Cho / Zegyo market area, we cut out losses and negotiated with a private taxi driver to take us to the sights south west of the city centre, which proved 3000k each well spent as he took us to the quiet (free) entrances to the stunning Maha Muni Pagoda (မဟာမုနိဘုရားကြီး), where the (male) faithful stick gold leaf offerings onto the ever growing Sacred Living Image of the Buddha, and the Shwe In Bin Kyaung, where we got to go inside the beautiful carved teak monastery building and to wander around the grounds (almost) all by ourselves.
At 4 o'clock we rendezvoused in the reception of the Silver Star Hotel, and were driven to Mandalay Hill (မန္တလေးတောင်), where sadly the rain impinged on our sunset views over Mandalay but (re)visting the Kuthodaw Pagoda en route (would have been nice to have been told that this morning). Still, dinner at the really super Super 81 made up for the rain - a feast, and a bargain to boot!
Saturday 26 October 2013: Mandalay (မန္တလေး)
Our free day in Mandalay (မန္တလေး) (map) started with a walking tour of Ze Cho / Zegyo market, led by Josh, which was really interesting. The group then split into those who did a sight seeing tour with Josh as an optional extra (why not include it - as we found out, DIY in Mandalay is far harder than elsewhere), and Joelle, Anna, Miriam and I who opted to try out hand at taking in the sights on public transport.... where we had variable success: finding the bus stops near the market was tricky, but we had lots of help from local people (and even more offers from taxi drivers who wanted to take us on a tour), but unfortunately our first bus got a flat type somewhere on 32nd Street, and the next bus we hopped on to get us up to the cluster of pagodas north east of the Mandalay Palace (မန္တလေး နန်းတော်) complex charged us 1000k each (I think the local fare was closer to 100k-200k).... At least our adventures on public transport meant I got familiar with numbers written in Burmese script.
Along with the Palace, several of the pagodas are covered by a $10 combined ticket, but we decided to avoid those and focused instead on "the world's biggest book" - aka the inscribed marble 'tomb stones' at Kuthodaw Pagoda (ကုသိုလ်တော်ဘုရား) (although getting into it we took the "scenic route" around the perimeter walls and through some goat-filled woods). We did get to see the beautiful carved teak of the Shwe Nandaw Kyaung / Shwenandaw Monastery (ရွှေနန်းတော်ကျောင်း) through the bars of the railings that surround it, and the outside of the Atumashi Kyaung (အတုမရှိကျောင်း) monastery next door. We did a lot of walking, in vain, in search of the Sandamundi Pagoda - I think our directions/info was wrong as we wandered along long N-S streets and the military compounds that sit to the east of Mandalay Hill.
Having sat on a very slow bus back to the Ze Cho / Zegyo market area, we cut out losses and negotiated with a private taxi driver to take us to the sights south west of the city centre, which proved 3000k each well spent as he took us to the quiet (free) entrances to the stunning Maha Muni Pagoda (မဟာမုနိဘုရားကြီး), where the (male) faithful stick gold leaf offerings onto the ever growing Sacred Living Image of the Buddha, and the Shwe In Bin Kyaung, where we got to go inside the beautiful carved teak monastery building and to wander around the grounds (almost) all by ourselves.
At 4 o'clock we rendezvoused in the reception of the Silver Star Hotel, and were driven to Mandalay Hill (မန္တလေးတောင်), where sadly the rain impinged on our sunset views over Mandalay but (re)visting the Kuthodaw Pagoda en route (would have been nice to have been told that this morning). Still, dinner at the really super Super 81 made up for the rain - a feast, and a bargain to boot!
DSC02347_small
faizakhalida.blogspot.com.br/2008/08/blog-post_31.html
A questão do preconceito que eu passava no meu trabalho como professora da rede pública municipal não era relatada pela Procuradoria Municipal de Belford Roxo e pela Secretaria de Educação (SEMED). Ao contrário, a prática da Secretaria Municipal de Educação foi o de abafar o problema do preconceito, da discriminação e do bullying quando por exemplo eu fui chamada na Secretaria de Educação pela funcionária Ivani (Maria Ivani Daher de Oliveira Mattos - mat. 46960) para reescrever o processo em 2006 onde eu relatava que sofria constrangimentos na Escola Municipal Jorge Ayres de Lima porque a Secretária de Educação Maíses Rangel Suhett não gostou do que eu escrevi. A funcionária Ivani me disse que caso eu não retirasse os relatos que informavam que eu sofria preconceito em um novo processo, eu não receberia o meu pagamento.
PROCESSO 04/3977/06 - PREFEITURA MUNICIPAL DE BELFORD ROXO - Data: 20/10/2006 - Requerente: Faiza Khálida Fagundes Coutinho (relatei inúmeros constrangimentos, brincadeiras ridículas debochando da minha sexualidade) from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
ESTADO DO RIO DE JANEIRO
PREFEITURA MUNICIPAL DE BELFORD ROXO
NÚMERO DO PROCESSO: 04/0003977
Ano: 2006
Data Entrada: 23/10/2006
Requerente: FAIZA KHALIDA FAGUNDES COUTINHO
Assunto: Abono de faltas
SubAssunto: Abono de faltas
Rota: 1 Abono de faltas
Data: 23/10/2006 - PROCESSO 04/3977/06 - Proibição de usar saia ou vestido na escola municipal Jorge Ayres de Lima dez meses após "cirurgia de mudança de sexo" e 3 meses após decisão judicial retificando sexo da professora transexual Faiza Khálida from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
FOLHA 05 - PROCESSO 04/3977/06 - Esse diretor já me fez passar por inúmeros constrangimentos ... sempre usando brincadeiras ridículas perante as pessoas debochando da minha sexualidade e inclusive me proibia de trabalhar de saia ou vestido from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
FOLHA 05 - PROCESSO 04/3977/06
Esse diretor já me fez passar por inúmeros constrangimentos sempre usando brincadeiras ridículas perante as pessoas debochando da minha sexualidade que não diz respeito a ele. Esse diretor proibiu até onde pôde de assinar o meu nome Faiza Khálida no ponto da escola e inclusive me proibia de trabalhar usando saia ou vestido outra situação ridícula e fica debochando da foto em meus assentos funcionais que se encontra na SEMED. Preciso ser respeitada em meus direitos como pessoa e funcionária pública.
Faiza Khálida Fagundes Coutinho
Professora - Escola Municipal Jorge Ayres de Lima
Matrícula 5508
Identidade 09089680-4
CPF 024114147-81
Preciso ser respeitada em meus direitos como pessoa e funcionária pública - FOLHA 06 - PROCESSO 04/3977/06 - Professora transexual Faiza Khálida Fagundes Coutinho da Escola Municipal Jorge Ayres de Lima EM BELFORD ROXO - Data Entrada: 23/10/2006 from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
A Secretária de Educação Maíses Rangel Suhett se negava a tomar alguma providência frente a um relato que dizia que eu era discriminada na escola municipal Jorge Ayres de Lima (EMJAL). As atitudes da Secretária de Educação Maíses foram mandar me dizer que ela não gostou do que eu escrevi e mandar arquivar o processo. Ela não apenas se recusava a tomar conhecimento de que eu era discriminada, como também acobertava e não tomava nenhuma atitude.
"A luta contra o preconceito depois da mudança de sexo
Após uma operação bem-sucedida na Tailândia, Faiza Khálida ainda enfrenta dificuldades em escola municipal". (Jornal Extra, 2008)
FOTO: Escola Municipal Jorge Ayres de Lima
FOTO: SECRETÁRIA MUNICIPAL DE EDUCAÇÃO DE BELFORD ROXO
MAÍSES RANGEL SUHETT
Na Secretaria Municipal de Educação, além de eu ter que refazer o processo, escrevendo apenas o que a funcionária Ivani me ditava, eu era tratada como sendo um homem pela funcionária Ivani de religião católica. Ela me dizia a todo instante "professor, o senhor professor, eu não me acostumo, nem nunca vou me acostumar com isso, não adianta fazer mudança de sexo", esses fatos e situações constrangedoras me abalavam ainda mais.
FOTO: Funcionária da secretaria de educação de Belford Roxo Maria Ivani Daher Oliveira Mattos (mat. 46960)
Nos computadores da Secretaria Municipal de Educação de Belford Roxo em 2009 havia 21 processos meus para consulta geral com nome de homem e sexo masculinos. Isso ocorria mesmo com a Procuradoria Municipal de Belford Roxo e a Secretaria Municipal de Educação sabendo que havia sido expedida uma decisão judicial em 2005, 4 anos antes, determinando a retificação de nome e sexo em todos os meus registros civis.
Na Secretaria Municipal de Educação ainda havia o meu assentamento individual que registrava os meus dados pessoais e trazia uma foto masculina. As pessoas faziam referência a essa foto que se encontrava nos meus assentamentos na secretaria de educação com desdém. Esta situação me deixava em uma situação de muito desconforto e constrangimento sendo alvo de piadas, deboches e chacotas na própria escola por parte de professores e, principalmente, do diretor José Carlos Neto Filho ( mat. 11/05236 - PMBR ).
Um dos conhecidos do diretor Neto, Marcelino Santos de Araujo, funcionário municipal de Belford Roxo que transitava dentro da Secretaria de Educação me chamava publicamente de galinha, traveco, bichona. Dizia que eu era a sodomita número 1 de Belford Roxo, entre outras ofensas e transfobia.
Marcelino santos de araújo (mat. 17994) ofendia professora transexual na internet. Foi descoberto pela delegacia de crimes virtuais . Ele é funcionário público municipal de Belford Roxo no cargo de eletricista de baixa tensão. from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
FOTO: Marcelino Santos de Araújo
(funcionário público da Prefeitura Municipal de Belford Roxo no cargo de eletricista de baixa tensão mat. 17994)
A questão do preconceito nunca chegou a ser reconhecida pela Secretaria Municipal de Educação e pela Procuradoria Municipal de Belford Roxo mesmo com a publicação deste fato em 2008 na capa e no interior de um jornal conceituado de grande circulação no estado do Rio de Janeiro.
Em 2008 o Jornal Extra fez uma abordagem sobre o preconceito que eu enfrentava no meu trabalho como professora de língua estrangeira na rede municipal de Belford Roxo.
A matéria repercutiu de forma ampla. Todas as pessoas que trabalhavam na Prefeitura Municipal de Belford Roxo na época ficaram sabendo ou leram esta reportagem, apesar do jornal ter se esgotado rapidamente, principalmente nos locais onde eu interagia. A matéria trouxe a foto do meu rosto dentro e fora do jornal, mais precisamente na capa.
Apesar de o jornal relatar sobre a questão do preconceito que eu enfrentava e a questão da minha transexualidade que se tornou pública e exigia no meu caso a necessidade de acompanhamento endocrinológico ininterrupto, o uso de hormônios femininos em dosagem individualizada e adequada para o resto da vida, o acompanhamento psicológico e psiquiátrico especializados e o acompanhamento de uma assistente social, a Secretaria de Educação e a Procuradoria Geral do Município de Belford Roxo fechou os olhos para essas questões que ocorriam comigo durante o processo transexualizador.
Sempre que foram realizados inquéritos administrativos determinados pela Procuradoria Municipal de Belford Roxo ou eram enviados documentos fundamentando esses inquéritos, esses fatos eram omitidos, não eram mencionados. Era do conhecimento público que eu quatro anos após me submeter a uma cirurgia para reassentamento genital ainda sofria preconceito na escola que eu lecionava inglês em Belford Roxo. O Jornal Extra em 2008 trouxe uma declaração em que eu dizia "Já sofri muito. Todo dia é uma luta". O título na capa do jornal era discriminação na Baixada. E embaixo da foto na capa do jornal havia outra legenda: A professora de inglês Faiza Khálida ... vítima do preconceito.
Eram muitos os traumas, as vivências traumáticas e isso fragilizava o meu estado emocional e psíquico. Eu já havia passado o fantasma de ser ameaçada de morte antes pela Secretária de Educação Rosângela em 2002 na própria Secretaria de Educação (SEMED). Eu já havia sido perseguida com o uso de relatório mentiroso antes com orientadora pedagógica me prejudicando dando falso testemunho. Eu já havia chegado a um estado que eu passei a escrever no próprio diário de classe em 2007 cujas cópias foram enviadas para a Procuradoria Municipal que eu não aguentava mais o preconceito, o assédio moral e trabalhava chorando muito, sentindo dores de cabeça e outros sintomas psicológicos preocupantes.
Eu já havia sido condenada também por causa de Igreja cristã e da Bíblia. Um desses casos constou em um processo administrativo onde um procurador municipal de Belford Roxo chegou até a autorizar que a professora Leila Bonine de história e religião católica da Escola Municipal São Bento tomasse conhecimento da lei que pune o crime de preconceito contra homossexuais no estado do Rio de Janeiro porque esta professora dizia na escola para alunos que a Igreja Católica me condenava, que eu devia ser condenada e permanecer fora da escola por ser homossexual.
Procurador Municipal e Presidente da Comissão Permanente de Inquérito Administrativo José Domingos Lucena (mat 11/20.972) diz no processo 04/002743/03 em 24/10/2005 que a professora Leila Bonine deve ser convidada a ler a lei antidiscriminatória from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
Não era necessário que a situação fosse publicada no Jornal Extra para que os órgãos da Prefeitura tomassem conhecimento de que eu sofria preconceito.
Desde 2003, havia processos administrativos em que eu trazia essa questão ao conhecimento da Prefeitura Municipal de Belford Roxo.
Era desrespeitada no exercício da minha função, dava aulas sendo chamada de viado, discriminada, me jogavam terra. Os alunos realizaram manifestação na Escola, na SEMED e ao vereador local pedindo o meu retorno à Escola, que me aceitassem (04/2743/03) from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
Em muitas ocasiões eu escrevia sobre isso movida pela pressão social, sem estar mais aguentando esta situação, como um pedido de socorro, de ajuda, para instâncias superiores, ou para o conhecimento das instâncias superiores de que eu havia chegado ao meu limite e não tinha mais condições de continuar suportando tamanha carga de preconceito.
FOLHA 03 DO PROCESSO ADMINISTRATIVO 04/2743/03 - Fiquei perturbada, fragilizada, desorientada, com os nervos pronto pra explodir, paranoica, EM DEPRESSÃO com as pessoas que ficavam me chamando de Xxxxxxxxx debochando da minha sexualidade - Discriminação from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
PARTE DO PROCESSO DE 2003 escrito à mão COM ASSINATURA E MATRÍCULAS MUNICIPAIS. "... Peço a Prefeitura que custeie para mim um tratamento Psicológico e Psiquiátrico pois sei que não me encontro mais, depois de tudo isso, no meu senso normal ..." de Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
Em 2007, após ter escrito no ano anterior em processo administrativo sem sucesso e não conseguindo mais desempenhar as minhas funções adequadamente, cheguei ao desespero e ao desequilíbrio psíquico e emocional de registrar o fato de que eu não estava bem nos diários de classe das turmas em que eu lecionava, na parte das observações, para o conhecimento das autoridades responsáveis, porque isso atingia não somente a mim e a minha saúde, mas também o trabalho que era realizado, o meu desempenho profissional e o resultado daquilo que era ou não era realmente feito em sala de aula.
Eu não conseguia auxiliar aos alunos em suas necessidades e dificuldades porque eu estava doente. O meu trabalho e o resultado do meu trabalhado estavam comprometidos por aquele contexto.
DECLARAÇÃO MÉDICA (20/08/2007)
A Sra Faiza Khálida apresentava tristeza, falta de prazer nas atividades, choro fácil, irritabilidade, impaciência com os alunos, insônia, ansiedade, cefaleias frequentes e dificuldades para cumprir suas tarefas no trabalho.
20/08/2007 - A Sra Faiza Khálida apresentava tristeza, falta de prazer nas atividades, choro fácil, irritabilidade, impaciência com os alunos (era professora), insônia, ansiedade, cefaleias frequentes E DIFICULDADES PARA CUMPRIR SUAS TAREFAS NO TRABALHO from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
Eu precisava que a Prefeitura, a Secretaria de Educação e a Procuradoria Municipal de Belford Roxo enxergassem uma situação que eles não queriam ver.
Foram feitas manifestações nos diários de classe das turmas 601, 602, 604, 605 e 701 da Escola Municipal Jorge Ayres de Lima na parte destinada as observações no ano de 2007.
No diário da turma 605, por exemplo, eu declarei que tinha fortes dores de cabeça na escola e que a escola era para mim um lugar de traumas profissionais e emocionais.
A atitude da Procuradoria Municipal foi apenas me punir e silenciar por ter feito esses registros nos diários de classe sem sequer averiguar a questão do preconceito e da minha saúde mental.
A Secretaria Municipal de Educação e a Procuradoria Municipal de Belford Roxo desconsideraram as questões relativas ao meu estado emocional, ao preconceito que eu passava e até a obrigatoriedade da correção de todos os meus registros com nome e sexo femininos. Fatos que eram tão importantes foram abafados, omitidos, ignorados, desconsiderados e não fizeram parte de relatórios, relatos, ocorrências, procedimentos e inquéritos administrativos referentes a mim que foram utilizados para me prejudicar ainda mais.
(Professora Faiza Khálida Fagundes Coutinho - Prefeitura Municipal de Belford Roxo, matrículas 5508 e 14725, Identidade 09089680-4, CPF 024114147-81)
Bendito é o preciosíssimo sangue do Senhor Jesus Cristo.
Jesus é o caminho.
Louvado seja o Senhor Jesus Cristo para sempre.
1- Em 2009, o subsecretário municipal de Educação de Belford Roxo Miguel de Sousa Ramiro que prometeu mandar a minha frequência pelo período coberto pelo LAUDO MÉDICO PSIQUIÁTRICO, 2 semanas depois disse para mim que havia esquecido de tudo inclusive do MEU LAUDO MÉDICO mediante a pressão do supervisor educacional, consultor e assessor jurídico Jorge Silva (mat. 54368). OFÍCIOS REFERENTES A MIM FORAM EXTRAVIADOS NA SEMED (secretaria municipal de educação de Belford Roxo).
2- A PREFEITURA MUNICIPAL DE BELFORD ROXO, A PROCURADORIA MUNICIPAL E A SECRETARIA DE EDUCAÇÃO NUNCA ADMITIAM EM PUNIÇÃO, OCORRÊNCIA, RELATOS, RELATÓRIOS, PROCEDIMENTOS ADMINISTRATIVOS E INQUÉRITOS, INCLUSIVE OS QUE ME DEMITIRAM DEFINITIVAMENTE DO FUNCIONALISMO PÚBLICO MUNICIPAL, QUE EU ATRAVESSAVA TANTO UM PROCESSO BIOQUÍMICO DIÁRIO QUE AFETAVA TODA A MINHA MENTE E TODO O MEU CORPO COMO TAMBÉM ATRAVESSAVA UMA REALIDADE QUE ME CAUSAVA SOFRIMENTO.
3- Procurador de Belford Roxo LORIVAL ALMEIDA DE OLIVEIRA mentiu dizendo que eu havia recebido cópia de processo para ter como me defender. Na ESCOLA MUNICIPAL JORGE AYRES DE LIMA não me deram cópia de nada e de nenhum processo. Não me deixaram ler o processo ou tirar cópia dele.
4- Em processo administrativo de 2003 eu pedi para que a Prefeitura Municipal de Belford Roxo custeasse um tratamento Psicológico e Psiquiátrico para mim alegando que eu não me encontrava mais depois de tudo que havia passado no serviço público da rede de educação em condições de desempenhar minhas funções equilibradamente, mas eu não fui atendida. No mesmo parágrafo do processo de 2003 arquivado pela Procuradoria do Município, eu registrei " que inúmeras vezes me encontrava chorando e relembrando esses tristes episódios no trabalho que não conseguia mais tirá-los da minha cabeça sentindo um vazio muito grande e outros sintomas psiquiátricos que não conseguia explicar pedindo em nome do Senhor Jesus Cristo ajuda médica ".
PARTE DO PROCESSO DE 2003 escrito à mão COM ASSINATURA E MATRÍCULAS MUNICIPAIS. "... Peço a Prefeitura que custeie para mim um tratamento Psicológico e Psiquiátrico pois sei que não me encontro mais, depois de tudo isso, no meu senso normal ..." de Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
5- Procuradores de Belford Roxo e Agentes de Inquérito Administrativo ignoravam o preconceito, o processo transexualizador, o uso de medicações psicotrópicas, hormônios e alterações bioquímas e hormonais.
6- Relatório técnico de conhecimento de supervisores educacionais de Belford Roxo que posteriormente sumiu e foi anunciado como inexistente foi usado para me ameaçar e impedir que eu acessasse, permanecesse e trabalhasse em escola que lecionava a 8 anos.
7- Os danos ocasionados pelo relatório técnico e procedimento administrativo decorrente nunca foram resolvidos.
8- Continuação dos danos ocasionados pelo relatório técnico de 2002 e procedimento administrativo decorrente.
9- Minha doença profissional começou em 2002 quando inclusive fui ameaçada de morte. Em 2003 após conseguir procurar ajuda médica passei a fazer uso de remédios psicotrópicos para conseguir exercer minhas funções como professora da rede municipal de Belford Roxo.
Data 10 de julho de 2003 registro dos sintomas psiquiátricos no trabalho da rede municipal de educação de Belford Roxo. (Doença do trabalho na Prefeitura Municipal de Belford Roxo e sintomas depressivos). Relatos de discriminação em processos de 2003. from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
10- Após ser novamente ameaçada de morte em 2007 pela orientadora pedagógica que disse que eu tinha que sair da escola por ser transexual e que me perseguia voltei a ter agravamento de quadro psicológico e emocional.
11- Em meio ao contexto de perseguição meus 2 aparelhos de som que eu utilizava para dar aulas foram roubados ao mesmo tempo nas 2 escolas municipais de Belford Roxo em que eu lecionava e minha câmera digital danificada propositamente.
12- Era mostrado nas escolas que segundo a Bíblia e Igrejas católicas e evangélicas eu era uma pessoa pecadora, condenada. Que a minha existência era contra a vontade de Deus. Que eu não poderia ser amada pelos alunos.
13- Em maio de 2008 a médica psiquiátrica verificou que dificilmente haveria SOLUÇÃO do meu QUADRO DE DEPRESSÃO porque NÃO HAVIA RESOLUÇÃO DOS PROBLEMAS SOCIAIS referentes ao meu trabalho que me estressavam.
14- Orientadora se mobilizava para me tirar de escola municipal de Belford Roxo e me prejudicava. Experiência de exclusão e de isolamento.
15- Mais um evento traumático comigo ficou impune devido ao meu estado de abatimento, apatia e inércia. Eu fui retirada à força de dentro do banheiro feminino da Prefeitura e jogada no chão da escada por aproximadamente 8 guardas-municipais a mando do subsecretário Paulo Allevato.
Registro de ocorrência na Delegacia de Polícia da transfobia do subsecretário municipal de Duque de Caxias Paulo Allevato RG 3473270 IFP no banheiro do prédio do IPTU da prefeitura municipal. from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
Segunda parte do registro de ocorrência na delegacia de polícia da transfobia do subsecretário municipal de Duque de Caxias Paulo Allevato RG 3473270 IFP no banheiro do prédio do IPTU da Prefeitura Municipal de Duque de Caxias. from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
16- O RELATÓRIO SOBRE O II CONSELHO DE CLASSE DE 2007 NA ESCOLA MUNICIPAL JORGE AYRES DE LIMA FEITO PELA ORIENTADORA PEDAGÓGICA CONCEIÇÃO COM O OBJETIVO discriminatório DE ME PREJUDICAR.
17- Procuradora de Belford Roxo DÉBORA FERNANDES CORDEIRO PINTO (matrícula 80/28.585) também ligada a igreja evangélica recusou por 2 vezes o meu pedido de readmissão. FOI CURTA E GROSSA. NÃO COMENTOU SOBRE O LAUDO MÉDICO APRESENTADO. NÃO SE INTERESSOU EM AVERIGUAR O QUADRO PSIQUIÁTRICO. NÃO FEZ REFERÊNCIA AOS PROBLEMAS SOCIAIS E AO PRECONCEITO NO TRABALHO. IGNOROU TUDO SIMPLESMENTE.
18- Não condene alguém com transtorno bipolar com sintomas psicóticos no mundo do trabalho. É o que eu posso ensinar às pessoas para que o mundo seja um pouco melhor diante do quadro em que eu vivi no meu emprego de professora concursada e efetiva da Prefeitura Municipal de Belford Roxo.
19- Folha 03 do Processo 04/002061/03 - Diretora Vera e orientadora pedagógica Fátima da Escola Municipal São Bento sacanearam a professora Faiza Khálida mentindo em relatório técnico de 2002 dizendo que ela não entregou o planejamento.
Folha 03 do Processo 04/002061/03 - Diretora Vera e orientadora pedagógica Fátima da Escola Municipal São Bento sacanearam a professora Faiza Khálida mentindo em relatório técnico de 2002 dizendo que ela não entregou o planejamento from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
20- O RELATÓRIO TÉCNICO APARECEU para ME chantagear e PARA ME AFASTAR DA ESCOLA MUNICIPAL. 8 supervisores da Secretaria de Educação de Belford Roxo analisaram o relatório. Depois, O RELATÓRIO SUMIU. Depois, O RELATÓRIO nunca EXISTIU na Secretaria de Educação de Belford Roxo. (processo 04/3149/03)
21- Em processo administrativo de 2003 arquivado pela PROCURADORIA eu pedi socorro e registrei "que inúmeras vezes me encontrava chorando e relembrando esses tristes episódios no trabalho que não conseguia mais tirá-los da minha cabeça sentindo sintomas psiquiátricos pedindo em nome do Senhor Jesus Cristo ajuda médica e psicológica ".
PARTE DO PROCESSO DE 2003 escrito à mão COM ASSINATURA E MATRÍCULAS MUNICIPAIS. "... Peço a Prefeitura que custeie para mim um tratamento Psicológico e Psiquiátrico pois sei que não me encontro mais, depois de tudo isso, no meu senso normal ..." from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
22- O PROCESSO ADMINISTRATIVO DA PREFEITURA MUNICIPAL DE BELFORD ROXO NÚMERO 04/002743/03 - Assunto: PROVIDÊNCIAS POR DISCRIMINAÇÃO - Data: 07/10/2003 - Era desrespeitada no exercício da minha função, dava aulas sendo chamada de viado, discriminada, me jogavam terra. Fiquei perturbada, fragilizada, desorientada, com os nervos pronto pra explodir, paranoica, EM DEPRESSÃO com as pessoas que ficavam me chamando de Xxxxxxxxx debochando da minha sexualidade.
Era desrespeitada no exercício da minha função, dava aulas sendo chamada de viado, discriminada, me jogavam terra. Os alunos realizaram manifestação na Escola, na SEMED e ao vereador local pedindo o meu retorno à Escola, que me aceitassem (04/2743/03) from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
FOLHA 03 DO PROCESSO ADMINISTRATIVO 04/2743/03 - Fiquei perturbada, fragilizada, desorientada, com os nervos pronto pra explodir, paranoica, EM DEPRESSÃO com as pessoas que ficavam me chamando de Xxxxxxxxx debochando da minha sexualidade - Discriminação from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
23- Processo Administrativo 04/001497/03 - Data 04/06/2003 - HOMOFOBIA - " Tem muita gente que tem ódio de homossexual e o preconceito é muito grande nas escolas. É um ambiente doentio. Eu sendo professora não aguentei. Fui humilhada muitas vezes. Me disseram que eu teria de ser perfeita se quisesse continuar a ser professora ".
Fui humilhada muitas vezes. Tem muita gente que tem ódio de homossexual e o preconceito é muito grande nas escolas. Eu sendo professora não aguentei. É um ambiente doentio. (Professora em processo transexualizador Faiza Khálida) - 04 de junho de 2003 from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
24- A falta de aceitação social, intolerância, maldade e preconceito me causavam sofrimento.
REGISTRO DO CENTRO DE ATENÇÃO PSICOSSOCIAL LESLIE CHAVIN 17/07/2003 - DEPRESSÃO diagnóstico sindrômico PROBLEMAS NO TRABALHO DE PROFESSOR EM BELFORD ROXO Histórico de adoecimento psíquico MEDICAÇÃO ENCAMINHAMENTO - professora municipal Faiza Khálida. from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
25- Preciso ser respeitada em meus direitos como pessoa e funcionária pública - FOLHA 06 - PROCESSO 04/3977/06 - Professora transexual Faiza Khálida Fagundes Coutinho da Escola Municipal Jorge Ayres de Lima EM BELFORD ROXO - Data Entrada: 23/10/2006 - Esse diretor já me fez passar por inúmeros constrangimentos sempre usando brincadeiras ridículas perante as pessoas debochando da minha sexualidade que não diz respeito a ele. Esse diretor proibiu até onde pôde de assinar o meu nome Faiza Khálida no ponto da escola e inclusive me proibia de trabalhar usando saia ou vestido outra situação ridícula e fica debochando da foto em meus assentos funcionais que se encontra na SEMED.
FOLHA 05 - PROCESSO 04/3977/06 - Esse diretor já me fez passar por inúmeros constrangimentos ... sempre usando brincadeiras ridículas perante as pessoas debochando da minha sexualidade e inclusive me proibia de trabalhar de saia ou vestido de Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
Preciso ser respeitada em meus direitos como pessoa e funcionária pública - FOLHA 06 - PROCESSO 04/3977/06 - Professora transexual Faiza Khálida Fagundes Coutinho da Escola Municipal Jorge Ayres de Lima EM BELFORD ROXO - Data Entrada: 23/10/2006 de Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
26- Meu estado psicológico e mental era ignorado como se me ver mal e transtornada fosse justamente o que se desejasse.
20/08/2007 - A Sra Faiza Khálida apresentava tristeza, falta de prazer nas atividades, choro fácil, irritabilidade, impaciência com os alunos (era professora), insônia, ansiedade, cefaleias frequentes E DIFICULDADES PARA CUMPRIR SUAS TAREFAS NO TRABALHO from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
27- Funcionários públicos municipais de Belford Roxo desrespeitavam a identidade de gênero de transgêneros, travestis e transexuais.
Marcelino santos de araújo (mat. 17994) ofendia professora transexual na internet. Foi descoberto pela delegacia de crimes virtuais . Ele é funcionário público municipal de Belford Roxo no cargo de eletricista de baixa tensão. from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
Procurador Municipal e Presidente da Comissão Permanente de Inquérito Administrativo José Domingos Lucena (mat 11/20.972) diz no processo 04/002743/03 em 24/10/2005 que a professora Leila Bonine deve ser convidada a ler a lei antidiscriminatória from Ruim no Psicológico .por PRECONCEITO, BULLYING, INJUSTIÇA
28- Em 1/10/2005 o Jornal O DIA informava na sua reportagem que eu havia começado a tomar hormônios em 2002 e a fazer procedimentos como o laser, que eu enfrentava um processo transexualizador e que eu necessitava inclusive da adequação burocrática e administrativa. O jornal O DIA também informava que eu fazia acompanhamento com psicólogos e tomava remédios como calmantes e antidepressivos por determinação médica.
Ninguém precisa ser trans para lutar contra a transfobia.
Inspired by justaddwater.dk/2007/01/05/more-visual-html-jokes/
Image from www.flickr.com/photos/macten/133944332/
Coincidentally, this might be the only semantically proper use of the tt tag...
www.agglo-plainecentrale94.fr/missions-et-actions/product...
Une démarche de développement durable
Le centre de production horticole, c'est 13 300 m2 de serres qui figurent sans doute parmi les plus modernes et performantes du pays. "Nous n'avons pas voulu nous contenter de remplacer les vieilles serres de Créteil et Limeil-Brévannes, explique Thierry
Deman, responsable de la production florale et arboricole de Plaine centrale. Notre objectif, c'était de créer un site de production qui garantisse un haut rendement, respecte l'environnement et offre au personnel de bonnes conditions de travail. C'est
pourquoi nous nous sommes inscrits dans une démarche HQE (haute qualité environnementale) de développement durable."
C'est ainsi que les constructions ont été intégrées dans leur environnement, que les serres ont été travaillées et disposées pour limiter au maximum l'impact visuel, que les arbres et les haies existants ont été préservés et que les matériaux choisis (bois,
verre, aluminium, acier inoxydable, linoléum, peintures sans solvant) l'ont été pour leurs faibles nuisances environnementales.
À l'intérieur, la plupart des réseaux ont été enterrés et l'éclairage a été réalisé avec des luminaires basse luminancepour améliorer le confort visuel.
Les équipements bruyants ont été mis dans des lieux isolés pour limiter les nuisances sonores, des siphons ont été placés régulièrement sur les dallages pour faciliter le nettoyage du sol, des ouvrants de pignons et de toiture ont été installés pour permettre
le brassage et le renouvellement de l'air.
Des économies d'eau et d'énergie
Mais le respect de la démarche HQE est surtout sensible dans la gestion économique et écologique de l'énergie et de l'eau.
De nombreuses dispositions ont ainsi été prises pour réaliser des économies de chauffage et améliorer le confort de travail du personnel (énergie humaine) : orientation des serres dans l'axe nord-sud pour un ensoleillement maximum, utilisation d'un verre spécial pour une filtration positive des rayons solaires (rétention
des UVA), régulation informatisée du climat et installation d'une chaudière à grand volume d'eau, mise en place de chaînes de production pour diminuer les déplacements, les efforts et contraintes physiques, concentration des aires de culture
autour de la galerie de travail.
Par ailleurs, tout a été conçu pour limiter les prélèvements d'eau et supprimer les rejets. C'est ainsi qu'un bassin de récupération des eaux de toiture a été réalisé et qu'un système d'arrosage, fondé sur le drainage et le recyclage des eaux de sol
a été mis en œuvre (voir encadré).
Ce sont bien, ainsi, des serres du XXIe siècle qui ont ouvert à Mandres-les-Roses. Un univers de fleurs et de plantes vertes certes, mais aussi de tapis de convoyage, de ponts roulants et de chariots mécaniques, car l'automatisation est omniprésente et a
permis à chaque étape de la production (rempotage, fertilisation ...) et de la manutention (transport du terreau, des plaques de culture ...) d'éliminer la plupart des tâches pénibles. Quant aux ordinateurs dont la présence peut également surprendre, ils
gèrent, ni plus ni moins que le chauffage, l'arrosage et le climat.
Un système d'arrosage innovant
En matière de développement durable et de protection de l'environnement, les serres communautaires se situent à la pointe de la technologie. Alors que les dégâts causés aux nappes phréatiques par les engrais et traitements divers sont depuis longtemps avérés et que l'eau devient un bien de plus en plus précieux, les serres communautaires ne polluent pas et permettent de réaliser des économies. Elles le doivent à l'installation d'un système d'arrosage qui met en œuvre le recyclage des eaux d'arrosage et la récupération des eaux de pluie (ou eaux de toiture). Comme le montre le schéma ci-dessous, le recyclage des eaux d'arrosage s'effectue par filtration à travers une toile perméable et une couche de roche volcanique au pouvoir tampon, disposées sous les plantes. Les eaux de pluie, elles, sont récupérées dans un bassin de 500 m3. Après mélange et fertilisation dans une station de pompage, eaux de pluie et d'arrosage sont dirigées sur les rampes d'arrosage.
Golden West Invitational
@ Cutler Park in Visalia
www.andynoise.com/goldenwestxc08.html
Varsity Girls
Team Scores:
1. Clovis East 51 2. Reseda (LA) 75 3. North 182 4. Bakersfield 193 5. Highland 199 6. El Diamante 231 7. Golden West 235 8. Yosemite 245 9. Exeter 247 10. Firebaugh 300 11. Monache 309 12. McFarland 317 13. Central Valley Christian 329 14. Redwood 336 15. Tulare Western 336 16. Sanger 375 17. Hoover 421 18. Cesar Chavez 438 19. Woodlake 448 20. Wasco 461 21. Delano 522 22. Porterville 558 23. Sierra 737 24. Fowler 737 24. Fowler 777 25. Parlier 779 26. Farmersville 785 27. Hanford 791 28. Orosi 818
Team Scores by Divisions:
Extra Large Schools: 1. Clovis East 37 2. Reseda 53 3. Bakersfield 104 4. North 106 5. Highland 114 6. Tulare Western 166 7. Sanger 178 8. Hoover 201 9. Delano 227
Large Schools: 1. Golden West 46 2. El Diamante 49 3. Monache 75 4. Redwood 80 5. Cesar Chavez 106 6. Porterville 138 7. Hanford 205
Medium Schools: 1. Yosemite 42 2. Exeter 52 3. McFarland 61 4. Woodlake 91 5. Wasco 100 6. Parlier 188 7. Orosi 201
Small Schools: 1. Firebaugh 27 2. Central Valley Christian 29 3. Fowler 99 4. Sierra 101 5. Farmersville 110
Individual Results (3.0 miles): 1. Katie Fry (Exeter) 19:23.7 2. Ashley Katchadourian (Clovis East) 19:53.0 3. Celcilia Lopez (North) 20:10.2 4. Jetzabel Velazquez (Reseda) 20:12.2 5. Kacy Kurushima (Clovis East) 20:24.7 6. Courtney Sharar (Clovis East) 20:28.7 7. Colleen Warmerdam (Yosemite) 20:37.7 8. Sarah Baker (Bakersfield) 20:38.7 9. Shelby Sutton (Exeter) 20:39.7 10. Chandler Feigel (Sanger) 20:41.5 11. Michelle Vasquez (Reseda) 20:53.3 12. Sarah Tomamichel (Clovis East) 20:58.0 13. Linda Ramos (Firebaugh) 20:59.7 14. Nichole Berry (Highland) 21:02.3 15. Yanet Uranga (Reseda) 21:04.5 16. Gabby Lerma (Bakersfield) 21:06.2 17. Molly Pahkamaa (El Diamante) 21:06.9 18. Kacie Van Hofwegen (Central Valley Christian) 21:09.3 19. Cebriana Avina (Tulare Western) 21:10.4 20. Alejandra Gutierrez (Wasco) 21:14.1 21. Dennise Mercado (Highland) 21:14.8 22. Nato Germano Zashuili (Reseda) 21:24.4 23. Andrea Monzon (Reseda) 21:31.5 24. Corina Garcia (McFarland) 21:34.6
Varsity Boys
Team Scores:
1. McFarland 30 2. Clovis East 74 3. Avenal 125 4. Tulare Western 172 5. Highland 198 6. Parlier 204 7. Golden West 206 8. Wasco 216 9. Reseda (LA) 10. Redwood 303 11. Woodlake 310 12. Cesar Chavez 392 13. Yosemite 411 14. Bakersfield 440 15. North 472 16. El Diamante 476 17. Farmersville 481 18. Monache 502 19. Sanger 510 20. Delano 526 21. Orosi 529 22. Firebaugh 533 23. Tranquillity 545 24. Exeter 568 25. Porterville 677 26. Sierra 758 27. Central Valley Christian 794 28. Kingsburg 815 29. Hanford 818 30. Strathmore 904
Team Scores by Divisions:
Extra Large Schools: 1. Clovis East 20 2. Tulare Western 56 3. Highland 65 4. Reseda 92 5. Bakersfield 158 6. North 167 7. Sanger 175 8. Delano
Large Schools: 1. Golden West 37 2. Redwood 58 3. Cesar Chavez 76 4. El Diamante 96 5. Monache 96 6. Porterville 146 7. Hanford 192
Medium Schools: 1. McFarland 15 2. Parlier 79 3. Wasco 82 4. Woodlake 5. Yosemite 136 6. Orosi 165 7. Exeter 167 8. Kingsburg 227
Small Schools: 1. Avenal 15 2. Farmersville 74 3. Firebaugh 84 4. Tranquillity 90 5. Sierra 141 6. Central Valley Christian 148 7. Strathmore 187
Individual Results (3.0 miles): 1. Justin Vilhauer (Redwood) 15:40.9 2. Germay Tesfai (Hoover) 16:02.2 3. Alfonso Cisneros (McFarland) 16:14.0 4. Jesus Chavez (Golden West) 16:21.1 5. Marco Camaigo (McFarland) 16:21.6 6. Marco Perez (McFarland) 16:23.4 7. Noe Cruz (Clovis East) 16:25.5 8. Jason Freeman (Clovis East) 16:26.9 9. Zach Segouia (Clovis East) 16:32.0 10. Eddie Garcia (McFarland) 16:34.9 11. Edward Bautista (McFarland) 16:35.7 12. Francisco Nava (McFarland) 16:37.0 13. Matt Morris (Golden West) 16:37.7 14. Martin Rios (Cesar Chavez) 16:40.3 15. Jonathan Garcia (Parlier) 16:41.5 16. Gerardo Alcala (McFarland) 16:51.6 17. Ramon Guzman (Woodlake) 16:52.8 18. Jose Ramirez (Avenal) 16:53.7 19. Christian Gonzales (Exeter) 16:55.7 20. Jose Perez (Parlier) 16:56.4 21. Julio Martinez (Avenal) 16:57.6 22. Roberto Rodriguez (Tulare Western) 17:00.1 23. Joseph Rosales (Clovis East) 17:01.4 24. Brandon Croft (El Diamante) 17:04.0 25. Roberto Lopez (Avenal) 17:05.3
CHESTER GOULD
Chester Gould / DICK TRACY (November 20 ,1900 –May 11 ,1985 ) was a U.S. cartoonist and the creator of the Dick Tracy comic strip , which he wrote and drew from 1931 to 1977 . Gould was known for his use of colorful, often monstrous, villains .
Early years
Chester Gould was born and raised in Pawnee, Oklahoma . In 1919 , his family moved to Stillwater, Oklahoma where he attended Oklahoma A & M (now Oklahoma State University ) and was a member of the Lambda Chi Alpha Fraternity, until 1921 . That year, he moved to Chicago where he transferred to Northwestern University . He graduated from Northwestern in 1923. Fascinated by the comics since childhood, Gould quickly found work as a cartoonist and was hired by the William Randolph Hearst 's Chicago Evening American newspaper for whom he produced his first comic strips "Fillum Fables" beginning in 1924 and "The Radio Catts". He also produced a topical strip about Chicago, "Why It's a Windy City." Gould married Edna Gauger in 1926 and their daughter, Jean, was born in 1927.
Dick Tracy
In 1931 , Gould was hired as a cartoonist with the Chicago Tribune and introduced the Dick Tracy cartoon. He drew the comic strip for the next 46 years from his home in Woodstock, Illinois . His work on the strip won him the Reuben Award for 1959 and 1977. He was also given a Special Edgar Award from the Mystery Writers of America in 1980.
Gould's stories were rarely extensively preplanned as he preferred to improvise his stories as he drew them. While fans praised this style as creating exciting stories, it sometimes created awkward plot developments that were difficult to resolve. A notorious case was when Gould had Tracy trapped in an inescapable deathtrap in a caisson . Gould first depicted Tracy addressing Gould personally and having the cartoonist magically extract him. It was a move that his publisher, Joseph Patterson , personally vetoed and ordered a redraw of the sequence.
Gould visited the workshop of an engineer friend named Al Gross who invented the walkie-talkie , a portable two-way radio and the pager . Gross was working on a wrist-watch version of the two-way radio which he showed to Gould. Gould asked Al Gross if he could use this concept in his Dick Tracy comic strip. Gross said yes and in January 1946, Dick Tracy started wearing the wrist radio. [2] Gould created a cartoon character named Brilliant, an engineer who worked for a company run by cartoon character Diet Smith. Brilliant was modeled after Al Gross. Whenever Gould needed a futuristic invention that his cartoon characters could use, Al Gross would give him ideas such as the video security camera, handheld video camera, and wrist video camera.
Late in the period of Gould's control of it, the Tracy strip was widely criticized as too right-wing in character, and as excessively supportive of the police . This commentary argued that Gould was using the strip to push his own right-wing agenda such as attacking the rights of the accused at the expense of storytelling. Additionally, the late 1950s saw a changing newspaper readership that was perhaps less tolerant of Gould's grotesque style. Whereas in the 1940s when Gould introduced an odoriferous, chewing tobacco spitting character, B.O. Plenty, with little significant complaint from readers; the later introduction of the crooked lawyer named "Flyface" and his relatives, all of whom were surrounded by swarming flies at all times, created a negative reader reaction strong enough for papers to drop the strip in large numbers. There was then a dramatic change in the strip's paradigm to feature science fiction plot elements, with regular visits to the moon. This led to an increasingly fantastic procession of enemies and stories that largely abandoned the strip's format of urban crime drama. The Apollo 11 moon landing prompted Gould to abandon this phase. Finally, Dick Tracy was beset by the overall trend in newspaper comics away from strips with continuing story lines and toward those whose stories are largely resolved within one series of panels.
Gould, his characters and improbable plots were satirized in the Fearless Fosdick sequences (supposedly drawn by "Lester Gooch") appearing within Al Capp 's comic strip Li'l Abner ; a notable villain was Bomb Face , a gangster whose head was a bomb.
Gould retired December 25, 1977 and died May 11, 1985 of congestive heart failure. His life and creations are memorialized in the Chester Gould-Dick Tracy Museum in Woodstock, Illinois.
www.blouseroumaine.com/orderthebook_p1.html
Since mid 19th c paris was the playground of Romanian aristocrats. A huge Romanian community is established here which produced worthies such as Brancusi, Ionesco, Cioran, Bibesco, Noailles, Enesco, Vacaresco.
The great and the good crowded the literary salons of Anna de Noailles, Marthe Bibesco, Helene Vacaresco or Helene Soutso.
The Romanian painter Theodor Pallady was a friend of Henri Matisse with whom he had a llifelong correspondence.
Pallady introduced Matisse to the attraction of Romanian embroidered blouses which formed a recurrent theme in Matisse's work.
www[dot]blouseroumaine[dot]com/orderthebook_p1[dot]html
www.herreshoff.org/hmm/index.html
The Buzzards Bay-14 was designed by L.Francis Herreshoff in 1945 as a follow-on to the Herreshoff 12 1/2 designed by his father, N.G. Herreshoff.
These are beautiful, classic wooden boats. We usually build them with a fir or purpleheart stem and keel, mahogany transom (seen in this picture) and western red cedar planking. The boats are usually a two year project for us.
In this photograph, the hull has been completed, caulked and paid (caulking covered with a waterproof material). The hull is being sanded to a smooth curve. The gray paint over the white primer helps the students, like the generations of boatbuilders before them, to see the bumps and hollows in the hull so it can be smoothed out.
The Northwest School of Wooden Boatbuilding is located in Port Hadlock WA and is a private, accredited non-profit vocational school.
Our mission is to teach and preserve the fine art of wooden boatbuilding and traditional maritime crafts.
You can find us on the web at www.nwboatschool.org .
You can reach us via e-mail at info@nwboatschool.org or by calling us at 360-385-4948.
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Olympus E-P3 12mm f/2
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Liu Zhizhong is a pastor at a local house church in China. He's been a believer for over 30 years, and has constantly maintained that "The Holy Bible is inspired by God," "The Holy Bible represents God, believing in God is believing in the Bible, believing in the Bible is believing in God." In his heart, the Bible is paramount. Due to his adoration for and blind faith in the Bible, he has never studied or looked to Almighty God's work of the last days. Until one day, when he blocked believers from reading the words of Almighty God online, he had a chance encounter with the preachers from the Church of Almighty God. After undergoing intense debates about the truth, was he finally able to see the relationship between the Holy Bible and God clearly? Was he able to move away from the Bible to understand that Christ is the truth, the way, and the life? Will he be raptured before God?
www.emergencyrooms.org/biennalist.html
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Biennalist is an Art Format by Thierry Geoffroy / Colonel debating with artistic tools on Biennales and other cultural managed events . Often those events promote them selves with thematics and press releases faking their aim . Biennalist take the thematics of the Biennales very seriously , and test their pertinance . Artists have questioned for decade the canvas , the pigment , the museum ... since 1989 we question the Biennales .Often Biennalist converge with Emergency Room providing a burning content that cannot wait ( today before it is too late )
Countries( nations ) that will participate at the Venice Biennale 55 th ( 2013 Biennale di Venezia ) in Italy ( at Giardini or Arsenale or ? ) , Encyclopedic Palace is curated by Massimiliano Gioni
Albania, Andorra, Argentina, Australia, Austria, Azerbaijan, Bangladesh, Belarus, Belgium, Brazil, Bulgaria,
Costa Rica, Croatia, Cuba, Cyprus, Czech , Slovenia, South Africa, Spain, Canada, Chile, China, Congo,
Slovak Republic, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Haiti, Hungary, Iceland, India, Iran, Iraq, Ireland, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia,
Mexico, Moldova, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore
Sweden, Switzerland, Syrian Arab Republic, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States of America, Uruguay, Venezuela, Zimbabwe
the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay
Eight countries will also participate for the first time in next year's biennale: the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay. In 2011, 89 international pavilions, the most ever, were accessible in the Giardini and across the city.