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Salvia curviflora?

Si c'est bien elle (je n'ai pas vu les pétales inférieurs enroulés, tout de même à l'origine de son nom! mais c'est la même forme de feuille et la même taille) elle est à essayer chez nous, elle vient du Mexique et aime le chaud

- condamnée à passer l'hiver en pot en région froide, mais se bouturerait aisément

www.dobbies.com/products/plants/salvia/salvia-curviflora-...

 

deux autres dans cette teinte

Salvia buchananii? la taille est moindre mais le site (australien) signale des fleurs veloutées

This is a compact plant only 50cm tall. It has shiny foliage and quite large velvety cerise flowers, which appear mainly in late spring and early summer, though spot flowers will appear all through summer. It can tolerate a degree of shade and can be grown in a pot. With its compact size, it is perfect to mix with cottage-style perennials...

Pas elle, ses feuilles sont lisses et brillantes selon

nature.jardin.free.fr/vivace/ft_salvia_buc.html

-dite herbacée ou arbustive, selon les sites

 

Salvia chiapensis?

This is an excellent plant which flowers basically all year round. It is dainty, and grows to about 60cm with shiny leaves and slender flower stems with velvety cerise little flowers giving a haze of colour. It needs a spot where it won't be overgrown by bigger plants. It does tolerate a bit of shade but is most floriferous in a sunny spot. It looks pretty with silver or cerise leaves nearby; pink or blue flowers are also attractive with it - it is very pretty in a cottage-style garden.

Semble plus mauve sur la plupart des autres sites - Origine : Mexique (province de Chiapas) et elle est moins élancée

 

un massif avec plusieurs sortes de sauges, et diverses autres plantes.

C'est en urgence que que suis revenue les prendre, car les massifs sont en cours de renouvellement, sur l'autre côté de la rue, ils étaient en train de les arracher quand nous allions à la boulangerie.

Et ça fait bizarre de voir le plateau du camion, tout fleuri, plein de pétunias et autres, encore très beaux qui partent au compost.

 

lire:

www.lesjardinsdelaboirie.com/p/les-sauges.html

stories.rbge.org.uk/archives/tag/salvia

 

P1020008

Carolina Herrera’nın dokunduğu her parçada, meleklere özgü bir hava hissediliyor. Yeni gelinlik modellerinde de, bu sihirsel güzelliği görebiliyoruz.

     

17

     

27

     

37

     

47

        

www.kadincam.net

  

www.kadincam.net/moda/carolina-herrera-2017-gelinlik-mode...

05062009

der als die stadt zu war.

 

www.welt.de/politik/article701170/Der_paranoide_Wahn_der_...

 

www.politik.de/forum/showthread.php?t=144688#result

 

www.spiegel.de/spiegel/vorab/0,1518,377389,00.html

 

www.60xdeutschland.de/honecker-schenkt-schmidt-in-gustrow...

  

VON ERIKA LERNEN HEISST SIECHEN LERNEN

(oder: Das Merkel, die letzte Rache der Stasi?)

  

Wem das Märchen einer trauten Innigkeit zwischen der deutschen Kanzlerin und

dem "Neuen Messias Amerikas" keine Tränen der Rührung in die Augen treibt, kann

wenigsten mit boshafter Gehässigkeit (oder besser: noch funktionierendem

politischen Gedächniss) der Glanzzeiten deutsch-deutscher Freundschaftsrituale

gedenken. Wie die oberste Verwaltungschefin der Deutschland GmbH mit ihrem

Personal (vielleicht richtiger: Untertanen) umgeht, zeigt der Besuch Obama´s in Dresden.

Für über 24 Stunden war die historische Altstadt (oder das, was nach den verhehrenden

Angriffen durch englische und amerikanische Bomber im Februar 1945 davon übrig

blieb und in den nachfolgenden 65 Jahren noch entgültig dem Bagger zum Opfer fiel

oder als steingewordener Zeitgeist bis heute der Nachwelt zugemutet wurde) für alle

gesperrt, die nicht als Anwohner oder zugelassener Dienstleister mit handverlesenen

Genehmigungen im Dunstkreis des US-Präsidenten und seiner deutschen Kolonial-

verwalterin ausweisen konnten, gesperrt. Öffentliche Gebäude (z.B. die Kunsthochschule

an der Brühlschen Terasse und die innerstädtischen Museen) blieben geschlossen,

Geschäfte machten dicht und das ganze Areal diente als gigantische Kulisse für den

Drill: WIR KÖNNEN MIT EUCH MACHEN WAS WIR WOLLEN!

 

Nicht nur, das der ganze Autoverkehr aus der Innenstadt verbannt, die zentrumsnahen

Straßenbahn und Busverkehr weiträumig umgeleitet wurde und das nervige Dröhnen

der Überwachungshubschrauber oder die vielfarbigen Polizeieinheiten ihren martialischen

Auftritt (zu Wasser, zu Lande und zur Luft) demonstrierten - höflich, aber lauernd bestimmt,

den vorlauten oder renitenten Bürger in die Schranken wiesen, auch die Absperrung der

Elbebrücken (Albertbrücke, Marienbrücke, Flügelwegbrücke) für Fußgänger und Radfahrer,

die erst nach Stunden aufgehoben wurde, gehörte mit zum WELCOM MR. PRESIDENT-

Programm.

 

Erinnern wir uns (die wir durch die Gnade der verfrühten Geburt, das zweifelhafte Glück hatten

den ersten deutschen Arbeiter- und Bauernstaat zu erleben, richtiger wohl: zu überleben)

doch noch zu gut an die dunklen Tage Helmut Schmidts bei seinem Besuch des Dach-

deckers auf dem Güstrower Weihnachtsmarkt 1981. Damals bemühte sich die Stasi ja noch

ein Volk zu imitieren (während die Anwohner, weg vom Fenster, dem innigen Treiben fernge-

halten wurde). Das hat wohl die FDJ-Sekretärin so sehr beeindruckt, das sie diesmal kurzerhand

das Volk ganz ausschloß. Sicher ist sicher oder wie es Lenin zugeschrieben wird: Vertrauen

ist gut, Kontrolle ist besser und bei den Milliarden aus der Portokasse zuküftiger Generationen

für verbrecherische Finanzhaie sind ja die Kosten für solche Polizeieinsätze eher Peanuts

(wie man als Amerikaner sagen würde), oder?

 

Mir bleibt über so viel Sicherheitsgetue nur der beissende Spott übrig: haben die da Oben

soviel Angst vor uns hier unten oder soll uns gezeigt werden, wer der Herr im Staate ist?

Egal, als Trost bleibt mir das schlechte Wetter und der Spruch Erich Kästners:

"Wir lassen uns nicht soweit erniedrigen, den Kakao zutrinken, durch den man uns zieht."

 

CvS

_________________________________________

 

Zu Überschrift:

Erika war wohl der IM-Name von Angela Merkel als sie zufälligerweise im Kontakt zu den Havemann´s stand.

Einer der ewigen Wahrheiten aus dem Hause der SED-Propaganda war: "Von der Sowjetunion lernen heißt siegen lernen"

aus dem der freche sächsische Volksmund das SIEGEN mundartlich zum `siechen` machte, das ja bekanntlich für den

Niedergang stand... Ja, ja, auch im Osten wurde gelacht.

 

Corregida automáticamente con picnik. Me lo perdonaréis, ¿verdad?

 

www.castelldepenyafort.net/p/historia-del-castell-de-peny...

 

Complex arquitectònic que integra construccions de diferents èpoques, des de l'edat mitjana fins l'actualitat. Entre les edificacions medievals destaca una torre (de 5,6 m de diàmetre i parets de més d'1,5 m de gruix), amb una petita sala circular a l'interior; dues petites sales corbades perimetrals a la torre, comunicades amb portes de mig punt d'estil romànic; una sala absidial possiblement emprada com a baptisteri i que conserva pintures murals d'interès; l'atri de l'església, una sala rectangular que està decorada també amb pintures murals i inclou una volta d'aresta gòtica amb una clau que mostra les armes dels Espuny (senyors del castell a les darreries de l'edat mitjana i fins al segle XVII); i una sala amb una escala que condueix a la part residencial.

L'església és d'una sola nau, coberta amb volta d'aresta amb arcs torals, amb absis rectangular i cripta funerària accessible. La decoració és molt senzilla, amb una gran motllura a la imposta de la volta, finestres cegues i lesenes que continuen fins a terra els arcs torals. L'amplada aparent es veu incrementada per sis capelles a cada costat, que ocupen els espais lliures entre els contraforts de la volta. Al costat de l'epístola del presbiteri hi ha la sagristia. En la primera i la tercera capelles del costat de l'evangeli hi ha portes que comuniquen amb el pati interior del conjunt, i a les capelles dels peus portes que duen a sales annexes. Als peus de la nau hi ha un gran cor de fusta, amb accés des de la mateixa església i des de la torre rodona. A ambdós costats, damunt la sagristia i les capelles laterals, i a nivell del cor, hi ha dues fileres de petites habitacions. Darrera de l'absis de l'església hi ha un edifici de planta rectangular i dos pisos. La planta baixa de la resta de l'edifici té forma de L. L'ala que queda al cos principal de l'edifici, està força compartimentada. L'ala de ponent compta amb una gran nau que en origen era destinada a celler. A la porta, enconat, hi ha un cartell que es data a l'any 1693. A l'extrem del celler hi ha una altra edificació de dues plantes rectangulars, amb accés també des de l'exterior. La planta residencial ha estat en ús fins a l'actualitat. La primera planta ocupa dues ales de l'edifici, amb un total de vint-i-tres espais, sense comptar els passadissos. Tres són cuines que encara conserven els fogons de carbó, i hi ha quatre banys. Dos espais més es troben dins les edificacions medievals de la torre rodona, i comuniquen amb el cor de l'església. De cara al pati interior, hi ha una gran sala-menjador, i una altra sala habilitada com a menjador situada prop de l'angle nord-occidental del conjunt. Hi ha setze dormitoris, dos conserven l'estructura de cambra i alcova. Tots donen a l'exterior, amb finestra o balcó, i la major part estan coberts per voltes catalanes rebaixades, que els donen una presència imponent. Prop del menjador hi ha un gran terrat, que permet accedir a una sala, aïllada de la resta, que es troba en mal estat de conservació. Damunt de les ales residencials hi ha les golfes, on es pot observar la cara interna de les voltes que cobreixen els passadissos i les habitacions, així com les encavallades de fusta. Estan il·luminades per finestres arran de terra. Damunt l'angle de les dues naus hi ha un gran mirador amb tres arcades a cada costat curt i cinc als costats llargs. Bona part de les arcades estan tapiades. A ponent, hi ha un cos annex. Es tracta d'una porxada parcialment tapiada, amb grans arcs de mig punt de més de tres metres de llum, que donen al jardí. L'edifici compta amb dos grans jardins. Un ocupa l'espai central i l'altre queda al costat de ponent. Aquest últim inclou una avinguda envoltada de xiprers que mena fins a la bassa. Al costat de la bassa hi ha un gran pou de planta ovalada, creuat per una arcada d'origen molt probablement medieval. Per últim, a una certa distància a ponent del conjunt edificat hi ha la torre d'un antic molí de vent i les ruïnes d'un altre edifici.

La part més antiga d'aquest conjunt arquitectònic, és el que queda de la casa natal de Raimon Penyafort (1175 / 1185 - 1275), una petita fortificació depenent del castell d'Olèrdola. La majoria d'edificis que es conserven es van construir després de la canonització el sant. L'any 1602 començarem les obres de construcció del convent dominicà de Penyafort, amb una església de dimensions considerables i dues ales de planta rectangular, amb la planta baixa destinada a usos agrícoles i el pis a espais residencials. El 1707 es construí el portal de l'església, que tenia un gran retaule que va ser robat el 1815.

L'any 1835 el castell-convent va ser desamortitzat i passà a mans privades. A les darreries del segle XIX pertanyia a l'enginyer Puig i Llagostera, que va renovar l'edifici i l'adaptà com a mansió senyorial. L'any 1936 l'església va ser saquejada i se'n van cremar les relíquies que conservava. Aleshores va ser transformada en presó per a captius de guerra, mentre els propietaris i els masovers seguien emprant la part residencial. Després d'un període de deteriorament i successius canvis de mans, el conjunt va ser adquirit l'any 1980 per la senyora Gallemí. El conjunt va ser declarats el 8 de gener de 1988 Bé d'Interès Cultural, amb la categoria de Monument Nacional. L'any 1997 es creà l'Associació d'Amics del Castell de Penyafort, amb la finalitat de vetllar per la conservació física i els usos socials del castell. L'any 2002, l'ajuntament de Sta. Margarida i els Monjos adquireix el castell - convent

patrimonicultural.diba.cat/

http://www.sunicamarkovic.com/news.html

http://www.cdbaby.com/cd/sunica2

...

 

December 7, 2009

 

Blue Whale ‘Song of Death’ Says Warns World Of 2012 Catastrophe

 

By: Sorcha Faal, and as reported to her Western Subscribers

A most interesting FSB report from the Russian Far Eastern Chukchi Peninsula circulating in the Kremlin today states that the tribal shamanic elders of the Siberian Yupik peoples have convened in their most holy of conclaves for the first time since the June, 30 1908 Tunguska explosion, which at over 1,000 times the power of the atomic bombs dropped by the US on Japan during World War II these Arctic peoples warned was a sign that our human race had placed itself upon a path of ‘total’ destruction by its placing the worship of science over that of nature for the first time in its modern history and thus failing to have learned the lessons of the ancients who suffered a similar fate when they too sought godhood.

 

Interesting to note about the Yupik shaman council warning of June, 1908 was that it was indeed followed by the July, 1908 Young Turk Revolution that began the demise of the Ottoman Empire, and then followed by the October, 1908 Bosnian Crisis which began when Bulgaria declared its independence and the Austria-Hungary Empire announced the annexation of Bosnia and Herzegovina, both of which events ‘lit the fuse’ for our World’s first ever Total Global Conflict called World War I that killed nearly 15 million.

 

Note: World War I saw the defeat of the German Empire with its signing of the disastrous Treaty of Versailles which plunged Germany into economic chaos and set the stage for World War II. Germany has also just announced it will make its final World War I reparations payment on October 3, 2010, ninety-one years after this conflict ended.

 

This latest Yupik shaman council warning is stating that our World is now in even more danger than in 1908 as humanity has failed to learn the lessons of over a century of war, which these Arctic peoples say is evidenced by the Blue Whale ‘Guardians of our Earth’ now singing the “Song of Death” as an ‘announcement’ to all human beings to prepare for the ending of all things.

 

To the Blue Whales ‘Song of Death’ the Yupik shamans are referring to, baffled Western Scientists are now also reporting that these largest animals our World has ever known have indeed begun to mysteriously change their ‘songs’, all over our Planet for the first time in recorded history, and in what John Calombokidis, a blue whale expert at the Cascadia Research Collective, notes is a “fascinating finding”.

 

But to what Western scientists are now noting to their puzzlingly alarm as to the changing of the Blue Whales song the World over, the Yupik shamans first noted during a 2002 meeting in Yanrakynnot, Russia when in examining the ‘strange portents’ occurring throughout the Arctic Regions of our Planet warned that only 10 years were left before the ‘Time of the Great Ending’ was upon us all again.

 

The importance of the Yupik shamans warning of 2012 being a ‘time of ending’ should not be taken likely either as it agrees with the ancient Mayan Calendar [photo 2nd left] which also puts a great Global portent on this 2012 year and new research now showing the linkage of these ancient Maya peoples of the Americas with the Yupik and other Arctic peoples through their shared Na-Dene language origins.

 

Though many Western scientists have long theorized that the peopling of the Americas was due to the Arctic peoples from Asia once crossing an ice bridged Bering Straight, Russian scientists, and the Arctic peoples themselves, have long stated the reverse is true and that after our World’s last ‘overturning’ the refugees for those humans who survived expanded outwards from the Americas to the rest of the World.

 

The 16th Century French seer Michel de Nostredame (Nostradamus) further eludes to this when in his book of predictions named The Prophecies (Century VI Quatrains 21) he predicts the uniting of the Arctic peoples in the ‘last days’ by his stating:

 

When those of the arctic pole are united together,

 

Great terror and fear in the East:

 

Newly elected, the great trembling supported,

 

Rhodes, Byzantium stained with Barbarian blood.

 

Also interesting to note is that though the governments of this World continue to deny the significance of 2012 their preparations for it continue, including the stocking of the Svalbard Global Seed Vault (also known as the Doomsday Vault) on the Arctic Norwegian island of Spitsbergen to hold samples of all of our World’s seeds, and the American President Barack Obama recently stating that all of the US Military Forces in Iraq and Afghanistan will start returning home in 2011.

 

Even more interesting to note about all of these events is that changing of our World’s Blue Whales ‘song’ involves a shifting in their time frequency as predicted by the renowned University of Chicago and Princeton scientist Dr. José Argüelles, who in his 2002 book Time and the Technosphere devises and promotes a notion that he calls the “Law of Time”, in part framed by his interpretations of how Maya calendrical mathematics functioned.

 

In this notional framework Argüelles claims to have identified a “fundamental law” involving two timing frequencies: one he calls “mechanized time” with a “12:60 frequency”, and the other “natural [time] codified by the Maya [that is] understood to be the frequency 13:20”.

 

To Argüelles, “the irregular 12-month [Gregorian] calendar and artificial, mechanized 60-minute hour” is a construct that artificially regulates human affairs, and is out-of-step with the natural “synchronic order”. He proposes the universal abandonment of the Gregorian calendar and its replacement with Argüelles' thirteen-moon calendar, in order to “get the human race back on course” by the adoption of “[his] calendar of perfect harmony so the human race could straighten its mind out again.”

 

Also needing to be mentioned is that since the Blue Whales began singing their ‘Song of Death’ warning to humanity the numbers of crop circles relating to the Mayan Calendar have, likewise, been increasing throughout the World.

 

In the Sorcha Faal’s book “Battle Begins For Throne of This World: The Return of the Einherjar Warriors”, she points out that one of these Arctic peoples most ancient sayings is “We don’t believe. We fear.” A saying, perhaps, those wise enough to understand should adopt so as not to be lulled into the same kind of complacency that kept billions of human beings unprotected during our World’s last great ending.

 

© December 7, 2009 EU and US all rights reserved

 

www.whatdoesitmean.com/index1306.htm

 

Audio, and more at www.utterli.com/u/utt/u-MTAxMTMzMzA

The famous cliffs with arches and needles at Etretat, Normandy (Normandie) France

 

en.normandie-tourisme.fr/articles/etretat-386-2.html

Children Hoodies in New You are able to, NY is really a private company categorized under Designer Clothing Stores.

 

The childrenswear sector is not safe from the impact from the recession, with EU expenditure collapsing 3.5% in '09. However, its alternative-driven character has stored sales comparatively resilient, outperforming other clothing groups. Consequently, both value and-finish clothing merchants have broadened their childrenswear ranges, with lots of dedicating additional space for this category, resulting in intense competition. To outlive within the heated fight for customer spend, childrenswear specialists are diversifying their offer and trading heavily in network expansion. As birth rates keep falling, competition will intensify further, leading childrenswear specialists to employ progressively innovative methods and battling mid-market merchants being squashed from the market.

 

Ralph Lauren Kids series, the brand new 2012 spring catalog. Ralph Lauren this year RL Gang, and every member to exhibit personal style. The sporty style to include a tool mark, stripes and paste bits of handsome floral pattern dresses, crop cultivation and also the elegant and delightful signature design all placed on spring colors to ensure that children will be ready to attend different occasions, spent a years of the very wonderful season. A sportswear eye-catching and practical put on, signature Children Short Sleeved Polos, inlaid with pleasing art style of the people, fully using the restless personality like Adventure Mission.

 

Ralph Lauren is really a deep breath slowly the flavour from the designer brand, style highly stylized two well-known make of Ralph Lauren's "Lauren Ralph Lauren" (Ralph Lauren Women) and "cheap ralph lauren polo, (Ralph Lauren Polo, men's) common qualities. Additionally to fashion, Ralph Lauren (Ralph Lauren) brand includes perfume, children's clothing, household along with other items.

Reference:Ralph Lauren childrenswear spring and summer in 2012

 

From the website at Bosque,http://www.bosquedelcabo.com/aboutus/conservation/index.html

 

"Bosque del Cabo is dedicated to conservation on the Osa Peninsula and has made a commitment to practice and teach sustainable tourism. Our desire to protect the biodiversity and pristine natural condition of the Osa Peninsula, with a specific focus on the area in the corridor from where Bosque is located on Matapalo point up to Corcovado National Park, was a natural and unstoppable compulsion that we felt from the moment we discovered this beautiful land. From our first trip to Costa Rica and the Osa Peninsula we were awed by the wildlife and the forests here. The raw natural state of the Osa, even in its most hostile versions (for instance, in the middle of rainy season in the mid 1980´s when there were no bridges over raging rivers, no electricity to provide lights and no schools, supermarkets or paved airstrips on the peninsula) was astounding in the feeling, the very pulse of life that radiated from every inch of this magnificent area. Of course Bosque is a business, but we started the lodge in order to give us an excuse to stay and live in this amazing place. We wanted our guests to be able to experience that feeling of wonder and awe that we felt (and still feel every day). We feel very strongly that we are stewards of this land and that it is our responsibility to protect it and help the area to flourish. To this end, we personally use most of the proceeds from Bosque to purchase as much property in this area as we can that we feel is threatened with development or non-conservation minded use. We also work with the conservation groups in this area to facilitate and strengthen their efforts. We include information about all these groups in the literature at the lodge and in the accommodations so that our guests can also help if they so wish. The amazing thing is that our guests can make a donation to one of these causes and really make a difference! Further, we at Bosque are committed to practicing and teaching sustainable tourism (please see the ¨sustainable tourism¨ section of this website for more information)."

The Birds of Ireland: A Field Guide with Jim Wilson

Shorebirds of Ireland with Jim Wilson.

Freshwater Birds of Ireland with Jim Wilson (now out of print)

www.markcarmodyphotography.com

 

The European Stonechat (Saxicola rubicola) is a small passerine bird that was formerly classed as a subspecies of the Common Stonechat. Long considered a member of the thrush family Turdidae, genetic evidence has placed it and its relatives in the Old World flycatcher family Muscicapidae. It is slightly smaller than the European Robin. Both sexes have distinctively short wings. The summer male has black upperparts, a black head, an orange throat and breast, and a white belly and vent. It also has white half-collar on the sides of its neck, a small white scapular patch on the wings, and a very small white patch on the rump often streaked with black. European Stonechats breed in heathland, coastal dunes and rough grassland with scattered small shrubs and bramble, open gorse, tussocks or heather. They are short-distance migrants or non-migratory. The male's song is high and twittering like a Dunnock. Both sexes have a clicking call like stones knocking together. Saxicola rubicola hibernans occurs in northwestern Europe in Atlantic coastal areas, in southwestern Norway, Great Britain, Ireland and northwestern France. (wikipedia)

 

This winter-plumaged female was holding territory with a male on Bull Island, Co. Dublin. Great to see this species rebounding after the hard winters in 2010/2011.

_Fujichrome Velvia 50 RVP, Yashica Mat, Aug 2016_.

 

Originally posted at atomicules.co.uk/2017/01/18/Gozo-motorbike.html

Explore Pulau Kelapa selama 2 hari 1 malam beraktivitas di jajaran pulau-pulau kecil sekitar Pulau Kelapa dan Pulau Harapan di Kepulauan Seribu bagian Utara Jakarta.

 

Paket Wisata Gabungan atau Open Trip ini sudah termasuk biaya Tiket Kapal dari Muara Angke Jakarta - Pulau Harapan PP, Makan 3 kali selama berwisata, menginap satu malam di Homestay Pulau Kelapa atau Pulau Harapan dan aktivitas jelajah pulau dan snorkeling sudah termasuk sewa perahu jelajah.

 

Termasuk maskot utama dari paket wisata ini adalah jelajah pulau ke Pantai Perawan Pulau Dolphin di Pulau Kelapa.

 

Destinasi Wisata Pulau Kelapa - Pulau Dolphin

● Pulau Harapan

● Pulau Perak

● Pulau Perawan Dolphin

● Pulau Bulat

● Pulau Bira

 

Spot Snorkeling Wisata Pulau Kelapa

● Spot Snorkeling Pulau Putri

● Spot Snorkeling Pulau Macan Gundul

● Spot Snorkeling Pulau Kayu Angin Genteng

 

Aktivitas Wisata Pulau Kelapa - Pulau Dolphin

● Sunset/Sunrise Pulau Harapan atau Pulau Bulat

● Snorkeling Pulau Macan, Pulau Putri dan Pulau Kayu Angin Genteng

● Jelajah Pulau (Hopping Island) Pulau Bira, Pulau Perak, Pulau Bulat dan Pulau Gosong

● Penangkaran Penyu di Taman Biota Laut Pulau Harapan

 

Destinasi Wisata Pulau Kelapa - Pulau Dolphin

● Pulau Harapan

● Pulau Perak

● Pulau Perawan Dolphin

● Pulau Bulat

● Pulau Bira

 

Spot Snorkeling Wisata Pulau Kelapa

● Spot Snorkeling Pulau Putri

● Spot Snorkeling Pulau Macan Gundul

● Spot Snorkeling Pulau Kayu Angin Genteng

 

Aktivitas Wisata Pulau Kelapa - Pulau Dolphin

● Sunset/Sunrise Pulau Harapan atau Pulau Bulat

● Snorkeling Pulau Macan, Pulau Putri dan Pulau Kayu Angin Genteng

● Jelajah Pulau (Hopping Island) Pulau Bira, Pulau Perak, Pulau Bulat dan Pulau Gosong

● Penangkaran Penyu di Taman Biota Laut Pulau Harapan

the Pithora paintings :http://www.indianexpress.com/res/web/pIe/ie/daily/19981124/32851064.html

 

`Babo Pithoro' is a ritual painting style of the Rathwas that springs from their faith in the village witch doctor's powers to heal all grievances. ``The witch doctor, or lakahara, is held in highest esteem by the Rathwas who seek his consultation for any ill that befalls a family. It is he who visualizes the Babo Pithoro and directs the family to organise the ritual to bade away the evil by invoking the gods,'' said Ghosalkar.

 

The five-day ceremony is extensive and expensive, sometimes costing the family as much as Rs 30,000. While the preparation starts 15 days in advance with the family going door-to-door with invitations, the first 24 hours are devoted to the painting, inside the host's house followed by the ind, a ceremony invoking the gods by carving sculptures of 11 teak wood pillars. Alongside, is song, dance, food, locally brewed wines, tadi and mahura and merry-making.

 

A small group of painters chitaras are assigned the job of completing the painting within 24 hours under the supervision of the lakhara who decides on the figures to be painted, their position and the colours to be used. An offering of a slain chicken and wine is first made to the deity (Gamdev) at the makund, the holiest site in the village. The work starts from the wall on the left side of the house with the figure of the evil bhootdev followed by sequential paintings of ancestors, warriors, horses, the sun and moon and traditional Pithora figurines. No shade of black is used in the paintings, as it is considered inauspicious by the tribals.

 

``The paintings depict the socio-economic conditions of the Rathwa life and emphasise their strong belief in religion. While the styles vary with every Bhil group, they hold a deep social relevance,

 

While revelry fills the air for the five-day period, Ghosalkar said this was also a time when murders were frequent in the community. ``The Rathwas are hot-headed people, with the Rathwa populated tribal areas recording 800 murders in a year, most following petty quarrels over crops or land,''

  

en.wikipedia.org/wiki/Pithora_(painting)

Pithora is a ritualistic painting done on the walls by the Rathwa and Bhilala tribes who live in central Madhya Pradesh. Pithora paintings are executed on three inner walls of their houses. These paintings have significance in their lives and executing the Pithora paintings in their homes brings peace, prosperity and happiness. There is never an attempt to imitate nature: a horse or a bull, which might be a vision of a god, impresses him with only one central quality.

 

Pithora paintings are more of a ritual than an art form. These rituals are performed either to thank God or for a wish or a boon to be granted. The Bhadwa or the head priest of the tribe is summoned and the problems are narrated. These problems can vary from dying cattle, to unwell children in the family. The concerned person is given a solution and is asked, by the Bhadwa, to perform the ritual and the painting. The presence of Pithora Baba is considered as a solution to all the problems. A Pithora is always located at the threshold, or the Osari, outside the first front wall or inside on the walls of the first room as one enters a house. The painting usually floods the entire wall with figures. Three walls are prepared for the painting, the front wall and the two on either side of it. The front or central wall is very large, twice the size of each of the sidewalls. These walls are treated with two layers of cow dung paste and one layer of white chalk powder. Unmarried girls bring in these materials. This procedure is called Lipna. The main wall of the verandah that divides it from the kitchen is considered sacred to the Pithoro. The wall paintings related to the legends of creation and Pithoro, are done on this wall. The two sidewalls of the veranda are also painted with figures of minor deities, ghosts and ancestors.

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Sidewinder Photo Colour Balancer "F2-C17" (x-platform) SIMPLE BASIC DIGITAL PHOTO EDITOR

windsolarhybridaustralia.x10.mx/LinuxSideWinderPhotoColou...

 

(Bottom right corner - the shot is a yard or two before the end of the window, the end of the window is effectively the right end of the photo).

From time to time as a photographer you get problems that do not make sense. Often that is it cannot be logical how something managed to appear in a photo !

The most common (other people get or notice as a photgrapher or just home quick snaps) is a person in an empty room or building that cannot be explained as been present as there is no possible way !

In this , the increments of size and position subtley do not make sense you cannot see through something on one side as a reflection or it would block the reflecttion further behind it, however the real world of the pub internals in the background show through it as does the reflection !!!

---Where the two glasses are with the unexplained face , a wine glass and a beer middy glass, these are reasonably real to my memory as also the two actual people a man and a woman that were sitting there(NOT the two that ARE in the photo at the same bench - a different pair) around that time but had leaved their seats shortly before i lined up the photo.

You may think it's easy to justify from some other angle, however it is simply not possible.

I have a photo of the two when they came back to the window for their drinks but its quality has real problems in showing a clean description that they are real and definitely has some logical light refraction and reflection problems but they are real for what i watched of the evenings interactions inside the pub the short while i was their on the pavement outside.

 

The first i ever noticed was in around 1998 with colour negative film when i took a photo from the moving suburban train in complete midday daylight of the suburban scenery and found a person whoms lower body had the bricks of the front yard wall showing through the person in unison to position ! The camera shot was around 1/500th and the train not particularly bumpy or fast.

 

"Fantasma" : (note one of my photos shows someone sitting there later not dissimilar to the face HOWEVER that translucency is not possible!)!

I am only 3 yards at the most from this window at the time!

In the bottom right corner , the car reflection passes-shows through the face putting the face for accuracy "behind the car across the road" but is too large to be at that distance , but the face has the background walls of the pub show through.

The other face between the person with the white shirt and face merged with the car is not possible between the window and the car although around that perspective size to the shot.

www.youtube.com/watch?v=TFLRHPUWBI8

the Pithora paintings :http://www.indianexpress.com/res/web/pIe/ie/daily/19981124/32851064.html

 

`Babo Pithoro' is a ritual painting style of the Rathwas that springs from their faith in the village witch doctor's powers to heal all grievances. ``The witch doctor, or lakahara, is held in highest esteem by the Rathwas who seek his consultation for any ill that befalls a family. It is he who visualizes the Babo Pithoro and directs the family to organise the ritual to bade away the evil by invoking the gods,'' said Ghosalkar.

 

The five-day ceremony is extensive and expensive, sometimes costing the family as much as Rs 30,000. While the preparation starts 15 days in advance with the family going door-to-door with invitations, the first 24 hours are devoted to the painting, inside the host's house followed by the ind, a ceremony invoking the gods by carving sculptures of 11 teak wood pillars. Alongside, is song, dance, food, locally brewed wines, tadi and mahura and merry-making.

 

A small group of painters chitaras are assigned the job of completing the painting within 24 hours under the supervision of the lakhara who decides on the figures to be painted, their position and the colours to be used. An offering of a slain chicken and wine is first made to the deity (Gamdev) at the makund, the holiest site in the village. The work starts from the wall on the left side of the house with the figure of the evil bhootdev followed by sequential paintings of ancestors, warriors, horses, the sun and moon and traditional Pithora figurines. No shade of black is used in the paintings, as it is considered inauspicious by the tribals.

 

``The paintings depict the socio-economic conditions of the Rathwa life and emphasise their strong belief in religion. While the styles vary with every Bhil group, they hold a deep social relevance,

 

While revelry fills the air for the five-day period, Ghosalkar said this was also a time when murders were frequent in the community. ``The Rathwas are hot-headed people, with the Rathwa populated tribal areas recording 800 murders in a year, most following petty quarrels over crops or land,''

  

en.wikipedia.org/wiki/Pithora_(painting)

Pithora is a ritualistic painting done on the walls by the Rathwa and Bhilala tribes who live in central Madhya Pradesh. Pithora paintings are executed on three inner walls of their houses. These paintings have significance in their lives and executing the Pithora paintings in their homes brings peace, prosperity and happiness. There is never an attempt to imitate nature: a horse or a bull, which might be a vision of a god, impresses him with only one central quality.

 

Pithora paintings are more of a ritual than an art form. These rituals are performed either to thank God or for a wish or a boon to be granted. The Bhadwa or the head priest of the tribe is summoned and the problems are narrated. These problems can vary from dying cattle, to unwell children in the family. The concerned person is given a solution and is asked, by the Bhadwa, to perform the ritual and the painting. The presence of Pithora Baba is considered as a solution to all the problems. A Pithora is always located at the threshold, or the Osari, outside the first front wall or inside on the walls of the first room as one enters a house. The painting usually floods the entire wall with figures. Three walls are prepared for the painting, the front wall and the two on either side of it. The front or central wall is very large, twice the size of each of the sidewalls. These walls are treated with two layers of cow dung paste and one layer of white chalk powder. Unmarried girls bring in these materials. This procedure is called Lipna. The main wall of the verandah that divides it from the kitchen is considered sacred to the Pithoro. The wall paintings related to the legends of creation and Pithoro, are done on this wall. The two sidewalls of the veranda are also painted with figures of minor deities, ghosts and ancestors.

 

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SYNOPSIS ET DÉTAILS : A la mort du ""Roi des Pirates"", son trésor connu sous le nom de ""One Piece"" fut caché quelque part sur ""Grand Line"". Monkey D. Luffy rêve de retrouver ce trésor légendaire. Après avoir mangé un fruit du démon, il possède un pouvoir lui permettant de réaliser son rêve. Il lui faut maintenant trouver un équipage pour partir à l'aventure !. Z, un ancien amiral de la Marine, débarque avec son équipage sur une île du Nouveau Monde. Le but de leur voyage : dérober un minerai renfermant une énergie phénoménale capable de rivaliser avec la puissance des armes antiques. Luffy et son équipage naviguent sur les mers à la recherche du légendaire trésor ""One Piece"" et doivent faire face à de nombreux pirates. Le plus dangereux d’entre eux, Shiki le Lion d’or, passé pour mort, réapparait vingt ans après avoir disparu, déterminé à prendre sa revanche. Dans sa quête du One Piece, l’équipage au Chapeau de Paille arrive sur Grantesoro, capitale mondiale du divertissement, où les hommes fortunés viennent jouer au casino et assister aux spectacles les plus grandioses. Luffy et son équipage s’apprêtent à participer au plus grand rassemblement des pirates du monde entier : Le PIRATE FEST, organisé par le machiavélique Buena Festa.

 

✬Est un site de films gratuits permettant de diffuser des films en ligne Mulan en qualité HD. Ce site de film a un design épuré et une bonne navigation afin que chaque nouvel utilisateur d’Internet puisse utiliser ce site facilement et sans problèmes. C'est l'un des meilleurs sites pour regarder gratuit de nouveaux films en ligne. Vous pouvez trouver votre film préféré en utilisant la barre de recherche. Vous pouvez également rechercher par genre. Vous trouverez ici le Mulan meilleur film HD en ligne. Ou vous voulez Regarder Mulan (2020): film WEB-DL gratuit. aperçu. Regardez le meilleur Mulan film HD en ligne, Qualité Mulan Film HD, Mulan film DVDSCR gratuit, téléchargez Mulan film DVDRip, regardez le Mulan film BluRay, au format Mulan movie tv, téléchargez Mulan movie 4kUHD , film Mulan WEB-DL gratuit, meilleur film Mulan HDTV à regarder, téléchargez le film Mulan HDTVRip, streaming Mulan film fullHD, téléchargez Mulan film WEBRip, téléchargez Mulan film BluRay, regardez Mulan Film 1080, film HDTS Mulan gratuit, télécharger Mulan film DVD, Streaming Mulan film WEB-DL, télécharger Mulan film BRRIP, télécharger Mulan film mp4.

 

▼▼ lien ci-dessous ▼▼

 

4K UHD | 1080P FULL HD | 720P HD | MKV | MP4 | DVD | BLU-RAY

 

Acteurs: Liu Yifei, Yoson An, Gong Li, Donnie Yen, Jason Scott Lee, Ron Yuan, Jet Li, Tzi Ma, Jimmy Wong, Doua Moua

 

Date de sortie: 2020-07-23

 

Durée: 120 Minutes

 

Genres: Drame, Action, Guerre

 

La revue: Lorsque l’Empereur de Chine publie un décret stipulant qu’un homme de chaque famille du pays doit intégrer l’armée impériale pour combattre des envahisseurs venus du nord, Hua Mulan, fille ainée d’un vénérable guerrier désormais atteint par la maladie, décide de prendre sa place au combat. Se faisant passer pour un soldat du nom de Hua Jun, elle se voit mise à l’épreuve à chaque étape du processus d’apprentissage, mobilisant chaque jour un peu plus sa force intérieure pour explorer son véritable potentiel…

Commence alors pour Mulan un voyage épique qui transformera la jeune fille en une guerrière aux faits d’armes héroïques, honorée par tout un peuple reconnaissant et faisant la fierté de son père.

 

✬Télécharger le film Mulan (2020) L'un des impacts les plus importants de l'industrie du streaming de films a été sur l'industrie du DVD, qui a effectivement fait face à sa disparition avec la popularisation massive du contenu en ligne. La montée du streaming multimédia a provoqué la chute de nombreuses sociétés de location de DVD telles que Blockbuster. En juillet 2015, un article du New York Times a publié un article sur les services DVD de Netflix. Alehd.com Il a déclaré que Netflix poursuit ses services de DVD avec 5,3 millions d'abonnés, ce qui représente une baisse importante par rapport à l'année précédente. D'un autre côté, leurs services de streaming comptent 65 millions de membres. Dans une étude de mars 2016 évaluant «l'impact du streaming de films sur la location de films DVD traditionnels», il a été constaté que les répondants n'achetaient plus autant, sinon jamais, de films DVD, car le streaming a pris le dessus sur le marché. Regarder le film Mulan (2020), les téléspectateurs n'ont pas trouvé la qualité du film très différente entre le DVD et la diffusion en ligne. Les questions qui, selon les répondants, devaient être améliorées avec la diffusion en continu de films comprenaient des fonctions d'avance rapide ou de rembobinage, ainsi que des fonctions de recherche. L'article souligne que la qualité du streaming de films en tant qu'industrie n'augmentera qu'avec le temps, car les revenus publicitaires continuent de monter en flèche sur une base annuelle dans l'ensemble de l'industrie, incitant à la production de contenu de qualité.

 

✬Combien de temps vous êtes-vous endormi pendant le film? La musique, l'histoire et le message sont phénoménaux dans. Je n'ai jamais pu voir un autre film cinq fois comme je l'ai fait. Revenez et regardez pour la deuxième fois et faites attention. Regarder des films WEB-DL Cela perd des fichiers moins boiteux du streaming, comme Netflix, Amazon Video. Hulu, Crunchy roll, DiscoveryGO, BBC iPlayer, etc. Ce sont également des films ou des émissions de télévision qui sont téléchargés via des sites de distribution en ligne, comme iTunes. La qualité est assez bonne car elle n'est pas ré-encodée. Les flux vidéo (H.264 ou H.265) et audio (AC3) sont généralement extraits d'iTunes ou d'Amazon Video, puis réinstallés dans le conteneur MKV sans sacrifier la qualité. Il s’agit également d’un film ou d’une émission de télévision téléchargée via un site de distribution en ligne, tel que iTunes. La qualité est assez bonne car ils ne sont pas réencodés. Les flux vidéo (H. 264 ou H. 265) et audio (AC3) sont généralement extraits de la vidéo itunes ou Amazon et ensuite réutilisés dans un conteneur MKV sans sacrifier la qualité.L’un des impacts les plus importants de l’industrie de la diffusion en continu de films a été l’industrie du DVD, qui a effectivement répondu à sa demande avec la popularisation massive du contenu en ligne. La montée du streaming médiatique a provoqué la chute de nombreuses sociétés de location de DVD telles que Blockbuster. En Juillet 2015, un article du New York Times a publié un article sur les serAlehds de Netflix. Elle a déclaré que Netflix poursuit ses ventes de DVD serAlehds avec 5,3 millions d’abonnés, ce qui représente une baisse importante par rapport à l’année précédente.

 

✬D’autre part, leurs serAlehds streaming ont 65 millions de membres. Dans une étude de Mars2016 évaluant l â€Impact de la diffusion en continu de films sur les DVD traditionnels MovieRentalâ€, il a été constaté que les répondants n’achètent pas de films DVD presque aussi muchanymore, si jamais, que la diffusion en continu a pris le dessus sur le marché. Regarder le film Alehd, les téléspectateurs n’ont pas trouvé la qualité du film d’être significativement différent entre le DVD et le streaming en ligne. Les questions qui, selon les répondants, nécessitaient une amélioration de la diffusion en continu des films comprenaient des fonctions de rediffusion ou de rediffusion rapide, ainsi que des fonctions de recherche. L’article souligne que la qualité de la diffusion en continu de films en tant qu’industrie ne fera qu’augmenter avec le temps, car les recettes publicitaires continuent de monter en flèche chaque année dans l’ensemble de l’industrie, ce qui incite à produire du contenu de qualité.Les rips Blu-rayor Bluray sont encodés directement à partir du disque Blu-ray à 1080p ou 720p(selon la source du disque), et utilisent le codec x264. Ils peuvent être arrachés à partir de disques BD50 ou BD25 (ou UHD Blu-ray à des résolutions plus élevées). Les BDRip proviennent d’un disque de rayons-aBlu et sont encodés à une résolution plus faible à partir de leur source (c.-à -d. 1080p à 720p/576p/480p). Une BRRip est une vidéo déjà encodée à une résolution HD (généralement 1080p) qui est alors transcodée à une résolution SD. Regarder le film de Alehd BD / BRRip dans la résolution DVDRip semble mieux,peu importe, parce que l’encodage est d’une source de qualité supérieure. Les brrip ne passent que d’une résolution HD à une résolution SD alors que les BDRip peuvent passer de 2160p à 1080p, ETC tant qu’ils descendent en résolution du disque source. Regardez film de Alehd FullBDRip N’est pas un transcode et peut fluxatedownward pour l’encodage, mais BRRip ne peut descendre aux résolutions SD car ils sont transcodés. BD / BRRips dans les résolutions DVDRip peuvent varier entre XviD ou x264codecs (généralement 700 MB et 1,5 Go de taille ainsi que plus grande DVD5 ou DVD9: 4.5 Go ou 8.4 Go), la taille varie en fonction de la longueur et la qualité des versions, mais plus la taille est élevée, plus ils sont susceptibles d’utiliser le codec x264.

 

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Kern Invite - 11/01/08

Hart Park - Bakersfield, CA

 

www.andynoise.com/kernxcinvite08.html

 

Varsity Boys - 2008 Kern County Cross Country

Championships

School Athlete Time Overall Scoring Team

 

1. Foothill Chris Schwartz 14:59.76 1 1 1

2. McFarland Alfonso Cisneros 15:33.49 2 2 1

3. McFarland Francisco Nava 15:48.44 3 3 2

4. McFarland Marco Perez 15:48.85 4 4 3

5. Stockdale Curtis Kelly 15:50.33 5 5 1

6. Ridgeview Brian Solis 15:50.81 6 6 1

7. Wasco A. Mendoza 15:51.72 7 7 1

8. Ridgeview Alex Garcia 15:52.70 8 8 2

9. Shafter Chris Handel 15:53.96 9 9 1

10. McFarland Gerardo Alcala 15:54.28 10 10 4

11. Shafter Jesus Villalpondo 16:05.48 11 11 2

12. Highland Colin Lewis 16:06.79 12 12 1

13. Centennial Nathan Vincent 16:08.77 13 13 1

14. Ridgeview Robby Baker 16:13.01 14 14 3

15. McFarland Eduardo Bautista 16:18.69 15 15 5

16. BHS Andrew Ariey 16:21.59 16 16 1

17. Garces Connor O'Malley 16:23.32 17 17 1

18. Stockdale Blair Slaton 16:25.15 18 18 2

19. Ridgeview Jerrio Lewis 16:25.61 19 19 4

20. East Jose Ramirez 16:25.97 20 20 1

21. East Mose Valdez 16:26.30 21 21 2

22. Highland Thomas Turner 16:26.59 22 22 2

23. Golden Valley Daymon Sandles 16:26.91 23 23 1

24. Foothill Jose Lopez 16:27.22 24 24 2

25. Ridgeview Miguel Munoz 16:30.13 25 25 5

26. Wasco G. Linares 16:34.10 26 26 2

27. Shafter Josh Wittenberg 16:34.61 27 27 3

28. Highland Jake Van Zandt 16:36.62 28 28 3

29. East Charlie Zaragoza 16:39.22 29 29 3

30. BHS Andrew Edquist 16:41.12 30 30 2

31. Cesar Chavez Martin Rios 16:45.91 31 31 1

32. Highland Ivan Esquivias 16:47.91 32 32 4

33. BHS Zachary Holt 16:48.98 33 33 3

34. Stockdale Anthony Dao 16:49.30 34 34 3

35. Cesar Chavez Ruben Galaviz 16:49.67 35 35 2

36. Wasco O. Mirando 16:50.04 36 36 3

37. Shafter Alex Moreno 16:51.14 37 37 4

38. Wasco E. Sanchez 16:52.02 38 38 4

39. Wasco E. Ramirez 16:53.29 39 39 5

40. East Camilo Mosqueda 16:53.84 40 40 4

41. East Vincente Herrera 16:54.31 41 41 5

42. Foothill Erick Bautista 16:54.82 42 42 3

43. Arvin Ben Orozco 16:57.57 43 43 1

44. Shafter Hector Montoya 17:01.02 44 44 5

45. Garces Jesus Guzman 17:02.28 45 45 2

46. Garces Michael Bedard 17:02.88 46 46 3

47. Frontier Tanner Urmston 17:03.48 47 47 1

48. BHS John Purcell 17:04.08 48 48 4

49. Centennial Ty Heiter 17:04.73 49 49 2

50. Frontier Richard Peralta 17:05.73 50 50 2

51. Shafter Cristian Barrios 17:07.93 51 51 6

52. Centennial Gehrig Smith 17:08.86 52 52 3

53. BHS Christopher Anderson 17:09.32 53 53 5

54. Highland Justin Burnett 17:10.77 54 54 5

55. Wasco J. DeJulian 17:11.97 55 55 6

56. Stockdale Stephen Burke 17:16.30 56 56 4

57. Arvin Juan Calderon 17:16.89 57 57 2

58. Wasco Cesar Patino 17:19.39 58 58 7

59. Cesar Chavez Tim Yanez 17:21.10 59 59 3

60. Highland Ariel Hurtado 17:23.69 60 60 6

61. North Adam Ralls 17:24.02 61 x 1

62. Ridgeview Michael Anseno 17:24.53 62 61 6

63. Ridgeview Jaime Madrigal 17:31.18 63 62 7

64. Foothill Patrick Manrique 17:32.75 64 63 4

65. Frontier Will Beechinor 17:33.57 65 64 3

66. East Alex Estrada 17:38.64 66 65 6

67. Burroughs Jesse Wigfield 17:38.99 67 66 1

68. Centennial Eric Millan 17:39.50 68 67 4

69. Burroughs Daniel Lathrop 17:39.91 69 68 2

70. Shafter Jacob Vasquez 17:40.47 70 69 7

71. Garces David Freed 17:40.91 71 70 4

72. Centennial Jake Howry 17:42.54 72 71 5

73. Burroughs Andrew Szczpiorski 17:44.05 73 72 3

74. Frontier D. Sclafani 17:47.26 74 73 4

75. Stockdale Max Morales 17:48.38 75 74 5

76. Burroughs Eduardo Carrillo 17:51.64 76 75 4

77. Burroughs Keith Christman 17:57.59 77 76 5

78. Golden Valley Jose Salgado 17:59.82 78 77 2

79. Cesar Chavez Rudy Sandoval 18:00.34 79 78 4

80. Centennial Brad Hinsley 18:04.58 80 79 6

81. Arvin Yessuri Villsenor 18:05.30 81 80 3

82. Burroughs Nathan Cheadle 18:10.33 82 81 6

83. Foothill Javier Garcia 18:11.22 83 82 5

84. Foothill Ernest Marquez 18:11.57 84 83 6

85. BC Kevin Yarian 18:27.47 85 84 1

86. North Chris Emmett 18:29.51 86 x 2

87. Cesar Chavez Andres Rodriguez 18:30.45 87 85 5

88. Tehachapi Corey Torres 18:32.16 88 86 1

89. Frontier Michael Sclafani 18:33.62 89 87 5

90. Garces Patrick Gomez 18:37.52 90 88 5

91. Highland Humberto Ramirez 18:37.98 91 89 7

92. Golden Valley David Gamino 18:40.22 92 90 3

93. Frontier Ricky Gonzales 19:03.13 93 91 6

94. Garces Chris Real 19:06.29 94 92 6

95. Stockdale D. Sherrill 19:08.29 95 93 6

96. Garces Dillon Lyles 19:16.75 96 94 7

97. Tehachapi Christian Torres 19:19.03 97 95 2

98. BC Mark McCutcheon 19:20:78 98 96 2

99. Golden Valley Nick Cruz 19:22.49 99 97 4

100. Golden Valley Daniel Perez 19:25.13 100 98 5

101. Foothill Christian Paredes 19:32.03 101 99 7

102. Arvin Adrian Rodriguez 19:32.67 102 100 4

103. BC Thomas Beard 19:59.04 103 101 3

104. West Michael Branquino 19:59.63 104 x 1

105. BHS Nick Flores 20:04.27 105 102 6

106. Tehachapi Logan Collier 20:07.47 106 103 3

107. Kern Valley C. Woodward 20:22.63 107 x 1

108. Arvin Christian Guerrero 20:31.41 108 104 5

109. Burroughs Daniel Meade 20:41.26 109 105 7

110. Golden Valley Ryan Davis 20:41.26 110 106 6

111. BHS Robby Harris 20:42.01 111 107 7

112. East Hector Fuentes 20:42.57 112 108 7

113. Frontier Alex Blanton 20:56.97 113 109 7

114. Cesar Chavez Joel Hernandez 21:02.22 114 110 6

115. Tehachapi Trent Sherman 21:02.94 115 111 4

116. Tehachapi Shaddi Haddad 21:18.14 116 112 5

117. BC Austin Adee 21:25.45 117 113 4

118. BC Aaron Stephens 21:31.77 118 114 5

119. Kern Valley J. Pistocco 23:15.37 119 x 2

120. Tehachapi Corey Hebron 23:19.78 120 115 6

121. West Kevin Serrano 23:48.05 121 x 2

el.kingdomsalvation.org/discussing-church-life-and-everyd...

Ο Θεός λέει: «Η εκκλησιαστική ζωή είναι μόνο ένα είδος ζωής όπου οι άνθρωποι συγκεντρώνονται για να απολαύσουν τα λόγια του Θεού Θεού , και χρειάζεται μόνο ένα μικρό κομμάτι της ζωής ενός ατόμου. Αν η πραγματική ζωή ενός ανθρώπου θα μπορούσε να μοιάζει με την εκκλησιαστική του ζωή, περιλαμβάνοντας μια σωστή πνευματική ζωή, απολαμβάνοντας κατάλληλα τα λόγια του Θεού, με σωστή Προσευχή και παρουσία κοντά στον Θεό με σωστό τρόπο, ζώντας μια πραγματική ζωή όπου το κάθε τι εκτελείται σε συμφωνία με το θέλημα του Θεού, ζώντας μια πραγματική ζωή όπου όλα πραγματοποιούνται σύμφωνα με την αλήθεια, ζώντας μια πραγματική ζωή κάνοντας πράξη τις προσευχές και μένοντας ήσυχος μπροστά στον Θεό, κάνοντας πράξη την υμνωδία και τον χορό, μόνο μια τέτοια ζωή θα έφερνε τον άνθρωπο σε μια ζωή των λόγων του Θεού».

από το βιβλίο «Ο Λόγος Ενσαρκώνεται»

Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού

 

Νομική Γνωστοποίηση και Όροι Χρήσης:

el.kingdomsalvation.org/disclaimer.html

clickeventonline.com/event/politica/131024-ConceptoyAplic...

¿Qué es la democracia? ¿Cómo la identificamos? ¿Qué grado de participación deseamos en su aplicación? Son algunas de las preguntas que deseamos someter al análisis de un panel que examina sus perspectivas desde la óptica de quienes viven en Cuba y la de los cubanos que viven en el exterior, con el propósito de despertar un intercambio de ideas e identificar vías de solución en el proyecto de promover una transformación democrática en Cuba.

 

INVITADA: Ing. Ofelia Acevedo, esposa de Oswaldo Payá, Miembro del Consejo Coordinador y co-fundadora del Movimiento Cristiano Liberación.

 

BIENVENIDA: Marta Menor, Presidenta, Cultivamos Una Rosa Blanca

 

PRESENTADOR DEL TEMA: Gerardo Martínez-Solanas, Director, Democracia Participativa net. Economista y Politólogo con maestría en ambas disciplinas (CUNY). Autor de Gobierno del Pueblo: Opción para un Nuevo Siglo.*

 

MODERADOR: Dr. José Azel Investigador Asociado, ICCAS, Universidad de Miami. Licenciatura y maestría en administración de negocios, doctorado en estudios Internacionales de la Universidad de Miami. Autor del libro Mañana in Cuba.*

 

PANELISTAS:

Julio M. Shiling: Director del foro político y la publicación digital Patria de Martí, politólogo y articulista. Maestría en ciencias políticas de la Universidad Internacional de la Florida (FIU) autor del libro Dictaduras y sus Paradigmas ¿Por quė algunas dictaduras se caen y otras no?"

 

Gustavo Pardo: Ex Presidente de la Academia Cubana de Altos Estudios Masónicos (2005-2011), autor del libro Martí Mason, Nuevos Elementos y de los ensayos Gabinete de Reflexiones o la Llave Dorada del Simbolismo Masónico

 

Pedro Pablo Álvarez: Expulsado de la Universidad cursando 5to año de Construcción de Maquinarias; Secretario general del Consejo Unitario de Trabajadores Cubanos, encarcelado en 2003 sentenciado a 25 años, desterrado a España en 2008 con el grupo de los 75. Uno de los principales gestores de los Comité Ciudadanos por el Proyecto Varela.

Panorama Shot (3 photos autostitched) of the entrance in the eastern wall of a nemeton (sacred place of the Celts) in the forest South of Munich, Deisenhofen/Kreuzpullach. Have a look on this winter photo of the same site and of the western wall.

 

See below at the comments' section the English translation done by mikescottnz. Thanks a lot, Mike!!

 

===

 

Als Kelten- oder Viereckschanze bezeichnet man die vor allem in Süddeutschland anzutreffenden Reste von quadratischen, manchmal auch rechteckigen Gevierten mit Wall und umlaufendem Graben. Alleine in Bayern und Baden-Württemberg sind mehr als 300 dieser Anlagen bekannt. Daneben gibt es, wenn auch (bisher) deutlich seltener erkannt, Viereckschanzen in der Schweiz, in Österreich, in Böhmen sowie in Nordfrankreich.

 

Zwischen Deisenhofen und Wolfratshausen findet man die größte Anzahl an Keltenschanzen in Deutschland. Allein rund um Deisenhofen sind sechs Schanzen erhalten, darunter die 2 größten in Süddeutschland. Diese, die südlichst gelegene Schanze von Deisenhofen und für mich eine der Schönsten im Umkreis, befindet sich nordöstlich von Kreuzpullach.

 

Beschreibung von einer Hinweistafel des Landratsamts München:

Im Gegensatz zu den Keltenschanzen im freien Gelände, wie z.B. im Lanzenhaarer Feld (östlich von Deisenhofen), wurde diese im Hachinger Holz gelegene Schanze aus dem letzten Jahrhundert vor Christi Geburt später vom Wald überwachsen.

 

Die viereckigen Wälle mit vorgelagerten Gräben (hier 75 auf 90 m Seitenlänge) umgrenzen eine Kultstätte des Volkes der Kelten. Im Innern des Rechtecks, das durch ein Tor im Ostwall betreten werden konnte, vollzog man in kleinen hölzernen Tempeln und tiefreichenden Schächten religiöse Handlungen.

 

In der Nähe befinden sich noch eine Hügelgräbergruppe aus der späten Bronzezeit (um 1300 v.Chr.).

 

Die Schanze besitzt auf allen vier Seiten gut erhaltene Wälle und Gräben. Die Wälle mit einer durchschnittlichen Höhe von etwa vier Metern und einer Breite von vier bis fünf Metern zeigen die schanzentypischen Erhöhungen (etwa einen halben Meter) in den Eckbereichen. Die Gräben besitzen eine Tiefe von rund zwei Metern bei einer Breite von drei bis vier Metern. Das Bodenniveau der Schanzen-Innenfläche liegt etwa einen halben Meter erhöht über dem Bodenniveau der äußeren Umgebung.

 

Weitere Informationen:

Kelten in Bayern: Karte der Keltenschanzen südlich München

www.alpiticus.de/Webseiten/Keltenschanze/keltenschanze.htm

www.efodon.de/html/archiv/schanzen/geise/pull.htm

el.godfootsteps.org/videos/meaning-of-prayer-hymn.html

 

Εκκλησιαστικοί ύμνοι | Η σημασία της προσευχής

 

I

 

Η

προσευχή είν' απ' τους τρόπους που ο άνθρωπος

 

συνεργάζεται με τον Θεό,

 

το Πνεύμα να επικαλεστεί κι απ' τον Θεό να αγγιχτεί.

 

Όσο προσεύχεστε, τόσο θ' αγγίζεστε,

 

διαφωτισμένοι και αποφασιστικοί.

 

Τέτοιοι άνθρωποι μπορούν να γίνουν τέλειοι.

 

Όσο προσεύχεστε, τόσο θ' αγγίζεστε,

 

διαφωτισμένοι και αποφασιστικοί.

 

Τέτοιοι άνθρωποι μπορούν να γίνουν τέλειοι.

 

II

 

Όσοι δεν προσεύχονται, νεκροί είναι χωρίς πνεύμα.

 

Απ' τον Θεό δεν αγγίζονται,

 

το έργο Του δεν ακολουθούν.

 

Χωρίς προσευχή χάνουν την πνευματική ζωή,

 

απ' τον Θεό απομακρύνoνται, δε θα τους εγκρίνει.

 

Χωρίς προσευχή χάνουν την πνευματική ζωή,

 

απ' τον Θεό απομακρύνoνται, δε θα τους εγκρίνει.

 

III

 

Όσο προσεύχεστε, τόσο θ' αγγίζεστε,

 

διαφωτισμένοι και αποφασιστικοί.

 

Τέτοιοι άνθρωποι μπορούν να γίνουν τέλειοι.

 

Όσο προσεύχεστε, τόσο θ' αγγίζεστε,

 

διαφωτισμένοι και αποφασιστικοί.

 

Τέτοιοι άνθρωποι μπορούν να γίνουν τέλειοι.

 

Τέτοιοι άνθρωποι μπορούν να γίνουν τέλειοι.

 

Τέτοιοι άνθρωποι μπορούν να γίνουν τέλειοι.

 

από το βιβλίο «Ο Λόγος Ενσαρκώνεται»

 

Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού

Όροι Χρήσης: el.godfootsteps.org/disclaimer.html

Lagu Rohani Kristen Terbaru 2019 - Nyanyikan Pujian bagi Tuhan Mahakuasa

Tuhan Mahakuasa, Tuhan yang indah,

kami nyanyikan pujian bagi-Mu s'lamanya!

Tuhan Mahakuasa, Tuhan yang indah,

kami nyanyikan pujian bagi-Mu s'lamanya!

I

Kau Tuhan yang b'nar yang t'lah muncul dalam daging,

Jurus'lamat yang t'lah datang!

Engkaulah Tuhan yang benar, yang s'lalu bekerja

'tuk kes'lamatan kemanusiaan!

Kau pimpin manusia ke masa s'karang.

'Tuk s'penuhnya menyucikan,

Kau berinkarnasi dalam daging dua kali!

Tuhan Mahakuasa, Tuhan yang indah,

kami nyanyikan pujian bagi-Mu s'lamanya!

Tuhan Mahakuasa, Tuhan yang indah,

kami nyanyikan pujian bagi-Mu s'lamanya!

II

Kau t'lah mend'rita dan dianiaya.

Kau dipermalukan, ditolak oleh zaman yang kejam.

Harga yang Kau bayar dengan darah, k'ringat, air mata,

s'penuhnya tunjukkan kasih-Mu 'tuk manusia.

Kehendak, kekudusan-Mu diungkapkan.

Watak-Mu yang benar,

t'lah diungkapkan pada kami!

Tuhan Mahakuasa, Tuhan yang indah,

kami nyanyikan pujian bagi-Mu s'lamanya!

Tuhan Mahakuasa, Tuhan yang indah,

kami nyanyikan pujian bagi-Mu s'lamanya!

Kau sungguh indah, layak dapat pujian kekal.

Kami nikmati kasih-Mu, kami ingin membalasnya.

Tuhan Mahakuasa, kami mengasihi-Mu!

Dengan lagu, tarian kami puji watak-Mu yang b'nar!

Biarkan kami tunjukkan kasih bagi-Mu!

III

Kau ungkap kebenaran, sirami dengan firman-Mu,

agar kami hidup di hadirat-Mu.

Kau curahkan keb'naran hidup ke dunia,

agar Kau bisa s'lamatkan kami!

S'telah lakukan firman-Mu,

kami bertumbuh, pahami keb'naran.

Firman-Mu hakimi, murnikan,

jadikan kami manusia baru.

Tuhan Mahakuasa, Tuhan yang indah,

kami nyanyikan pujian bagi-Mu s'lamanya!

Tuhan Mahakuasa, Tuhan yang indah,

kami nyanyikan pujian bagi-Mu s'lamanya!

IV

Kau pulihkan hidup normal kemanusiaan,

bawa kami ke tempat tujuan yang indah.

Kau t'lah kalahkan Iblis dan s'penuhnya

s'lamatkan kami, dapat kemuliaan!

Puji hikmat-Mu, kami akan s'lalu tinggikan Engkau.

Puji kemahakuasaan-Mu, kami bersaksi tentang-Mu!

Kami nyanyikan pujian bagi-Mu!

Tuhan Mahakuasa, Tuhan yang indah,

kami nyanyikan pujian bagi-Mu s'lamanya!

Tuhan Mahakuasa, Tuhan yang indah,

kami nyanyikan pujian bagi-Mu s'lamanya!

 

Dengarkan lebih banyak lirik lagu rohani terbaru 2019.

 

Dr. Richard Burr was a general physician before the start of the Civil War. After realizing the profit to be made as an embalming surgeon, he took up the cause and set to work. He served briefly with the 72nd PA Volunteer Infantry. Several sources testify that Burr was not the most reputable of undertakers. He was well noted for his price gouging and made a habit of selling and reselling the same grave marker for locally buried soldiers. There are also stories of him robbing the dead or dying as he scoured the battlefields. Despite this bad reputation, Dr. Burr is credited with designing the basic structure of modern arterial embalming in which the veins of the dead are filled with chemical preservatives in place of blood. As most victims bled to death, arterial embalming proved to be the path of least resistance. Burr injected the chemicals through an incisor in the armpit. It was fast, easy, left almost no marks on the body and by-passed the filling of the abdominal cavity altogether. With a pile of corpses to work on, speed was of the essence.

 

In the 1850s embalming had been chiefly used not to prepare bodies for funerals but to contribute to the study of anatomy and pathology by providing cadavers preserved for dissection.

 

It was during the war that embalming first became more widely practiced, not just generating a transformation in physical treatment of the dead but establishing a procedure that would serve as a foundation for the emergence of the funeral industry and the professionalization of the undertaker.

 

But more was operating here than purely practical concerns about how to arrest decomposition of bodies in order to ship them home. Americans did not want to endure the unprecedented separation from deceased kin that war had introduced. Families sought to see their lost loved ones in as lifelike a state as possible, not just to be certain of their identity but also to bid them farewell. Embalming offered families a way to combat at least some of the threats the war posed to the principles of the Good Death. To contemplate one’s husband, father, or son in a state of seemingly sleeplike repose was a means of resisting death’s terror—and even, to a degree, its reality; it offered a way of blurring the boundary between life and death. Corpses, at least those that had not been dismembered in combat, could be made to look lifelike, could be made to appear as if they were on the verge of awakening in a new life to come.

from This Republic of Suffering, Drew Gilpin Faust

 

canción cristiana | Dios ha dado todo Su amor a la humanidad

 

I

Ya sea mostrando Su justicia,

Su majestad o ira,

Dios lleva a cabo Su gestión

y salva al hombre por amor.

Hay quien pregunta,

¿cuánto amor?

Pero la respuesta no es cuánto,

el amor de Dios es 100% amor.

Porque si Su amor fuese menos,

la gente no se salvaría.

Por la humanidad

Dios dio todo Su amor.

Dios da todo Su amor.

Dios da todo Su amor.

Dios da todo Su amor.

Dios da todo Su amor.

Dios da todo Su amor

a la humanidad.

Él da todo Su amor.

Él da Su amor.

II

¿Por qué Dios se ha encarnado?

Para salvar al hombre

no escatima en nada.

Su encarnación contiene

todo Su amor.

El hombre muestra

sus extremos contra Dios.

El hombre ya ha pasado el punto

de Su salvación.

Entonces Dios debe encarnarse

para sacrificarse

por el hombre.

Dios da todo Su amor.

Dios da todo Su amor.

Dios da todo Su amor.

Dios da todo Su amor.

Dios da todo Su amor

a la humanidad.

Él da todo Su amor.

Él da Su amor.

III

Dios no se encarnaría

si no amase al hombre.

Dios podría

enviar rayos del cielo,

y podría desatar Su ira.

La humanidad así colapsaría,

y no habría necesidad

de que Dios

sufriese el humillante

costo de hacerse carne, no.

Se sacrificó por la humanidad,

dio Su amor por la humanidad.

Se sacrificó por la humanidad,

dio Su amor por la humanidad.

Dios prefirió sufrir el dolor

y la opresión,

la humillación y el rechazo.

Aún con todo esto,

salvó a la humanidad.

La misma definición del amor.

Dios da todo Su amor.

Dios da todo Su amor.

Dios da todo Su amor.

Dios da todo Su amor.

Dios da todo Su amor

a la humanidad.

Él da todo Su amor.

Él da Su amor.

Él da todo Su amor.

Él da Su amor.

Él da Su amor.

 

De "Registros de las pláticas de Cristo"

 

Fuente: Iglesia de Dios Todopoderoso

CIF CENTRAL SECTION CHAMPIONSHIP

 

Liberty High School - Wednesday, May 14, 2008

www.andynoise.com/valley08.html

 

Central Section Grand Masters

 

At Liberty

 

Team standings--unavailable.

 

400 relay--1. Bakersfield (Hunt, Turner, Johnson, Norwood), 42.28; 2. Clovis East (Bourbon, Scott, Smith, Woods), 42.58; 3. Redwood (Stewart, Ray, Root, Coles), 43.07; 4. Central (Newsome, Bigelow, Hammack, Phillips), 43.15. 1,600--1. Chris Schwartz, Foot, 4:15.80; 2. Jonathan Sanchez, Buch, 4:17.48; 3. Eric Battles, CW, 4:20.34; 4. Jesse Arellano, Mad, 4:21.56. 110H--1. Ethan DeJongh, MtW, 14.49; 2. Sean Johnson, Buch, 14.66; 3. Jon Funch, CW, 14.81; 4. Isiah Crunk, Wash, 15.17. 400--1. Maurice Lewis, Ed, 49.08; 2. Isiah Purvis, Lib, 49.13; 3. Daniel Lozano, Stock, 49.35; 4. Jelani Hendrix, Ed, 49.62. 100--1. Brendon Bigelow, Central, 10.62; 2. Emmanuel Turner, Bak, 10.81; 3. Matt Sumlin, Gar, 10.91; 4. Chris Lopez, GW, 10.98. 800--1. Anthony Mitchell, North, 1:54.19; 2. Aric Champagne, MtW, 1:54.97; 3. Andrew Campbell, CW, 1:55.69; 4. Arturo Ramirez, Centennial, 1:55.83. 300H--1. DeJongh, MtW, 37.93; 2. Cody Alves, Sel, 37.94; 3. James Smith, CE, 39.03; 4. Sean Johnson, Buch, 39.28. 200--1. Brendon Bigelow, Central, 21.29; 2. Isiah Purvis, Lib, 21.96; 3. Mario Navarette, Sanger, 22.04; 4. Chris Lopez, GW, 22.29. 3,200--1. Chris Schwartz, Foot, 9:24.19; 2. Jonathan Sanchez, Buch, 9:24.99; 3. Jon Ross, CE, 9:26.42; 4. Danny Vartanien, Buch, 9:26.42. 1,600 relay--1. Edison (Hendrix, Carter, Boughton, Lewis), 3:17.86; 2. Liberty (Hill, Garside, Affentranger, Purvis), 3:18.95; 3. Bakersfield (Miller, Turner, Johnson, Gooden), 3:20.06; 4. Clovis East (Ellis, Defonska, Woods, Smith), 3:22.40. PV--1. Andrew Lohse, Mad, 15-0; 2. Michael Peterson, CE, 15-0J; 3. Jeff Brenner, Cl, 14-6; 4. Frankie Puente, Sel, 14-0. SP--1. Dayshan Ragans, Foot, 60-7; 2. Matt Darr, Fron, 52-8.75; 3. Troy Rush, CW, 52-8.5; 4. Christian Millard, CE, 51-10.5. TJ--1. Johnny Carter, Ridge, 48-3; 2. Tyler Thompson, Shaf, 47-3; 3. Chris Kelly, Ridge, 46-11.5; 4. Jordan Smith, Central, 46-10.5. D--1. Dayshan Ragans, Foot, 199-2; 2. Jacob Budwig, Fowl, 168-8; 3. Niko Gomes, Cl, 164-10; 4. Matt Darr, Fron, 157-7. LJ--1. Kenny Phillips, Central, 23-4; 2. Tyler Thompson, Shaf, 21-11.5; 3. Dillon Root, Red, 21-11; 4. Kevin Norwood, GV, 21-8.75. HJ--1. Kenny Phillips, Central, 6-8; 2. Isiah Griggs, Bak, 6-6; 3. George Robbins, West, 6-4; 4. Jeff Brenner, Cl, 6-4J.

 

Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.

 

Girls track

 

Central Section Grand Masters

 

At Liberty

 

Team standings--unavailable.

 

400 relay--1. Edison (Eng, Scott, Thompson, Sears), 47.16; 2. Bullard (J. Williams, Riddlesprigger, Baisch, L. Williams), 48.17; 3. Tulare Western, 48.73; 4. Bakersfield (Torres, Belt, Brown, Wandick), 48.80. 1,600--1. Saleh Barsarian, Cl, 5:02.98; 2. Meghan Marvin, Cl, 5:03.02; 3. Chloe Allen, CW, 5:04.62; 4. Allison Gonzales, Ex, 5:11.52; 100H--1. Alyssa Monteverde, CW, 14.59; 2. Brianny Williams, Ed, 14.60; 3. Taylor Jackson, Fr, 15.04; 4. Jen Melton, CW, 15.37. 400--1. Breanna Thompson, Ed, 56.64; 2. Dedrea Wyrik, Sun, 57.49; 3. Lasasha Aldredge, Central, 58.12; 4. Taylor Donaldson, Reed, 58.13. 100--1. Megan Del Pino, CW, 11.66; 2. Jenna Prandini, Cl, 11.74; 3. Lynn Williams, Bul, 12.00; 4. Brushay Wandick, Bak, 12.01. 800--1. Allysa Mejia, Reed, 2:17.47; 2. Molly Pahkamaa, ElD, 2:17.73; 3. Katie Fry, Ex, 2:18.74; 4. Ashlee Thomas, Centennial, 2:19.77. 300H--1. Alyssa Monteverde, CW, 43.92; 2. Taylor Jackson, Fron, 44.86; 3. Brianny Williams, Ed, 45.69; 4. Alana Alexander, Centennial, 46.12. 200--1. Megan Del Pino, CW, 23.94; 2. Dominique Whittington, Lem, 24.65; 3. Brushay Wandick, Bak, 24.69; 4. Breanna Thompson, Ed, 24.90. 3,200--1. Jordan Hasay, MP, 10:24.78; 2. Meghan Marvin, Cl, 10:59.96; 3. Chloe Allen, CW, 11:06.19; 4. Corina Mendoza, Mad, 11:32.06. 1,600 relay--1. Edison (Burk, Thompson, Scott, Smith), 3:54.89; 2. Stockdale (Cady, Anderson, Mello, S. Anderson), 3:58.26; 3. Clovis West (Laidley, Capriotti, Del Pino, Monteverde), 3:59.02; 4. Reedley, 3:59.07. D--1. Anna Jelmini, Shaf, 162-5; 2. Alex Collatz, Stock, 148-6; 3. Carey Tuuamalemalo, Taft, 130-9; 4. Janae Coffee, CW, 121-6. LJ--1. Jenna Prandini, Cl, 18-7.25; 2. Lynn Williams, Bul, 18-0.75; 3. Alana Alexander, Centennial, 17-6.75; 4. Ja'Nia Sears, Ed, 17-6.5. HJ--1. Alyssa Monteverde, CW, 5-4; 2. Cristina Muro, GW, 5-2; 3. Katherine Mahr, Buch, 5-2; 4. Marish Riddlesprigger, Bul, 5-2J. SP--1. Anna Jelmini, Shaf, 44-0.75; 2. Destanie Yarbrough, CE, 37-10; 3. Heather Vermillion, Red, 37-9; 4. Tasha Firstone, CW, 36-6.5. TJ--1. Alana Alexander, Centennial, 38-3.75; 2. Jenna Prandini, Cl, 38-3; 3. Goziam Okolie, 36-10.5; 4. Alex Collatz, Stock, 36-2. PV--1. Allison Berryhill, CW, 11-6; 2. Amanda Klinchuch, Lib, 11-6J; 3. Cheree Jones, King, 10-6; 4. Emily Falkenstein, Buch, 10-6J.

 

Notes: Top three in each event advance to state meet, May 30-31 in Norwalk. The two wild cards with the best times/marks from all sections also advance.

 

Demo by VFA 122 The Flying Eagles

www.vfa122.navy.mil/demo.html

 

Manufacturer Boeing

Service USN

Speed Mach 1.7

Range 1,275 nm

 

Armament

One M61A1/A2; AIM 9 Sidewinder, AIM-9X, AIM 7 Sparrow, AIM-120 AMRAAM, Harpoon, Harm, SLAM, SLAM-ER, Maverick missiles; Joint Stand-Off Weapon; Joint Direct Attack Munition; Data Link Pod; Paveway Laser Guided Bomb

 

Categories

Fighter Aircraft, Navy Fighters, Attack Aircraft, Navy Attack Aircraft, Navy Aircraft, Military Aircraft, Navy Equipment, Tanker Aircraft

The F/A-18E/F Super Hornet is the U.S. Navy’s primary strike and air superiority aircraft. It is an updated version of the F-18C/D, featuring a 20 percent larger airframe, 7,000 lb heavier empty weight, and 15,000 lb heavier maximum weight than the original Hornet. The Super Hornet carries 33 percent more internal fuel, increasing mission range by 41 percent and endurance by 50 percent over the earlier Hornet.

 

The F/A-18 E/F acquisition program was an unparalleled success. The aircraft emerged from Engineering and Manufacturing Development meeting all of its performance requirements on cost, on schedule and 400 pounds under weight. All of this was verified in Operational Verification testing, the final exam, passing with flying colors receiving the highest possible endorsement.

 

The first operational cruise of Super Hornet, F/A-18 E, was with VFA-115 onboard the USS Abraham Lincoln (CVN 72) on July 24, 2002, and saw initial combat action on Nov. 6, 2002, when they participated in a strike on hostile targets in the "no-fly" zone in Iraq.

 

Super Hornet, flew combat sorties from Abraham Lincoln during Southern Watch, demonstrating reliability and an increased range and payload capability. VFA 115 embarked aboard Lincoln expended twice the amount of bombs as other squadrons in their airwing (with 100% accuracy) and met and exceeded all readiness requirements while on deployment. The Super Hornet cost per flight hour is 40% of the F-14 Tomcat and requires 75% less labor hours per flight hour.

 

The forward fuselage is unchanged from the C/D Hornet, but the remainder of the aircraft shares little with earlier F/A-18C/D models. The fuselage was stretched by 34 inches to make room for fuel and future avionics upgrades and increased the wing area by 25%. However, the Super Hornet has 42% fewer structural parts than the original Hornet design. The General Electric F414 engine, developed from the Hornet's F404, has 35% additional thrust over most of the aircraft's flight envelope. The Super Hornet can return to an aircraft carrier with a larger load of unspent fuel and munitions than the original Hornet.

 

Other differences include approximately rectangular intakes for the engines and two extra wing hard points for payload (for a total of 11), retaining previous hardpoints on the bottom centerline, wingtips, and two conformal fuselage positions. Among the most significant aerodynamic changes are the enlarged leading edge extensions which provide improved vortex lifting characteristics in high angle of attack maneuvers, and reduce the static stability margin to enhance pitching characteristics. This results in pitch rates in excess of 40 degrees per second, and high resistance to departure from controlled flight.

 

The F/A-18E/F Super Hornet is an attack aircraft as well as a fighter through selected use of external equipment and advanced networking capabilities to accomplish specific missions. This “force multiplier” capability gives the operational commander more flexibility in employing tactical aircraft in a rapidly changing battle scenario. In its fighter mode, it serves as escort and fleet air defense. In its attack mode, it provides force projection, interdiction, and close and deep air support.

  

www.military.com/equipment/f-a-18e-f-super-hornet

  

  

 RASPBERRY RED MAXI JERSEY HIJAB

 

Our soft, lightweight maxi jersey hijabs are a must have in every

wardrobe! Drape delicately to achieve elegant and sophisticated folds

and volume as seen in our Vintage Collection lookbook, or wear using a

simple wrap technique for a comfortable and simplistic, everyday look.

Our jersey hijabs are extremely practical and versatile making them an

absolute essential for all seasons!

 

Material: Jersey

Colour Group: Red

 

We also recommend some hijab pins, hijab caps and abayas to go with it.

 

EBONY ABAYA

 

COLOUR-BLOCK HIJAB PIN SET

 

Murad Ali:

   

It was the best service I have ever had. Your staff responds so

quick and answers all the queries with such detailed information and

really makes us satisfied before our purchase. Love you all. Hope to get

in touch with you in future INSHALLAH. JAZAKALLAH KHAIRAN (AUSTRALIA)

 

Read More Customer Comments here

 

Visit Inayah Collection to view full range of hijabs fashion.

 

rockvillesl.blogspot.co.uk/2015/02/eeeek.html

 

Fifty Linden Fridays, probably my favourite sale on second life and I am a true addict and have been for a long long time. Today's offerings (20th feb 2015) were plentiful but I took a photo of a select few to share with you today.

 

Fifty Linden Friday Goodies:

 

Background

Funky Junk - Blue Country Cupboard - maps.secondlife.com/secondlife/So%20caL/64/132/24

Pilot - Vanity [Mint] maps.secondlife.com/secondlife/MudHoney/63/155/28

 

Wearing

Glow Studio - Sepia flowers hairband - maps.secondlife.com/secondlife/Imogen/205/109/28

 

Wasabi Pills - Breeze mesh hair - crystal pink - maps.secondlife.com/secondlife/Coraline/203/104/1004

 

Luxuria - Temptress Bodysuit - Strawberry pink (for slink & Maitreya) - maps.secondlife.com/secondlife/Nouveau/209/96/27

 

Other stuff not from this weeks Fifty linden Friday:

 

Maitreya - Lara mesh body maps.secondlife.com/secondlife/Maitreya%20Isle/128/133/25

Glam affair - Sia skin (fairy tales) -http://maps.secondlife.com/secondlife/Beauty%20Avatar%20couture/164/134/27

Izzie's - Unisex socks (Maitreya applier) The dressing room fusion. - maps.secondlife.com/secondlife/Imogen/198/153/27

Mount Moiwa (藻岩山, Moiwa-yama) is one of several small, forested mountains southwest of central Sapporo. The mountain is a popular sightseeing spot that is known for the spectacular view out over the city from an observation deck at its summit. The view is especially beautiful after sunset.

 

The Mount Moiwa Ropeway climbs from the base of the mountain three quarters up the mountain to a transfer station. From there a rather unique mini cablecar travels the rest of the way to the upper station at the summit where there is an observation deck and restaurant with nice views out over the city. The station also houses a planetarium and theater. The ropeway and building complex at the summit were reopened in 2012 after extensive renovations. Source: www.japan-guide.com

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Sapporo (札幌市 Sapporo-shi) is the fifth largest city of Japan by population, and the largest city on the northern Japanese island of Hokkaido. Located in Ishikari Subprefecture, it is the capital of Hokkaido Prefecture, and an ordinance-designated city of Japan.

 

Sapporo is known outside Japan for having hosted the 1972 Winter Olympics, the first ever held in Asia, and for the city's annual Yuki Matsuri, internationally referred to as the Sapporo Snow Festival, which draws more than 2 million tourists from around the world. The city is also home to Sapporo Brewery, and the white chocolate biscuits called shiroi koibito (白い恋人, "white sweetheart"). Source: en.wikipedia.org

Demo by VFA 122 The Flying Eagles

www.vfa122.navy.mil/demo.html

 

Manufacturer Boeing

Service USN

Speed Mach 1.7

Range 1,275 nm

 

Armament

One M61A1/A2; AIM 9 Sidewinder, AIM-9X, AIM 7 Sparrow, AIM-120 AMRAAM, Harpoon, Harm, SLAM, SLAM-ER, Maverick missiles; Joint Stand-Off Weapon; Joint Direct Attack Munition; Data Link Pod; Paveway Laser Guided Bomb

 

Categories

Fighter Aircraft, Navy Fighters, Attack Aircraft, Navy Attack Aircraft, Navy Aircraft, Military Aircraft, Navy Equipment, Tanker Aircraft

The F/A-18E/F Super Hornet is the U.S. Navy’s primary strike and air superiority aircraft. It is an updated version of the F-18C/D, featuring a 20 percent larger airframe, 7,000 lb heavier empty weight, and 15,000 lb heavier maximum weight than the original Hornet. The Super Hornet carries 33 percent more internal fuel, increasing mission range by 41 percent and endurance by 50 percent over the earlier Hornet.

 

The F/A-18 E/F acquisition program was an unparalleled success. The aircraft emerged from Engineering and Manufacturing Development meeting all of its performance requirements on cost, on schedule and 400 pounds under weight. All of this was verified in Operational Verification testing, the final exam, passing with flying colors receiving the highest possible endorsement.

 

The first operational cruise of Super Hornet, F/A-18 E, was with VFA-115 onboard the USS Abraham Lincoln (CVN 72) on July 24, 2002, and saw initial combat action on Nov. 6, 2002, when they participated in a strike on hostile targets in the "no-fly" zone in Iraq.

 

Super Hornet, flew combat sorties from Abraham Lincoln during Southern Watch, demonstrating reliability and an increased range and payload capability. VFA 115 embarked aboard Lincoln expended twice the amount of bombs as other squadrons in their airwing (with 100% accuracy) and met and exceeded all readiness requirements while on deployment. The Super Hornet cost per flight hour is 40% of the F-14 Tomcat and requires 75% less labor hours per flight hour.

 

The forward fuselage is unchanged from the C/D Hornet, but the remainder of the aircraft shares little with earlier F/A-18C/D models. The fuselage was stretched by 34 inches to make room for fuel and future avionics upgrades and increased the wing area by 25%. However, the Super Hornet has 42% fewer structural parts than the original Hornet design. The General Electric F414 engine, developed from the Hornet's F404, has 35% additional thrust over most of the aircraft's flight envelope. The Super Hornet can return to an aircraft carrier with a larger load of unspent fuel and munitions than the original Hornet.

 

Other differences include approximately rectangular intakes for the engines and two extra wing hard points for payload (for a total of 11), retaining previous hardpoints on the bottom centerline, wingtips, and two conformal fuselage positions. Among the most significant aerodynamic changes are the enlarged leading edge extensions which provide improved vortex lifting characteristics in high angle of attack maneuvers, and reduce the static stability margin to enhance pitching characteristics. This results in pitch rates in excess of 40 degrees per second, and high resistance to departure from controlled flight.

 

The F/A-18E/F Super Hornet is an attack aircraft as well as a fighter through selected use of external equipment and advanced networking capabilities to accomplish specific missions. This “force multiplier” capability gives the operational commander more flexibility in employing tactical aircraft in a rapidly changing battle scenario. In its fighter mode, it serves as escort and fleet air defense. In its attack mode, it provides force projection, interdiction, and close and deep air support.

  

www.military.com/equipment/f-a-18e-f-super-hornet

  

 

Inayah Collection has long maxi cardigans that will go with your abayas and look perfect muslim clothing.

  

Check out this OATMEAL COCOON CARDIGAN

This cosey knitted oatmeal cardigan has been designed with a cocoon

cut and batwing sleeves, with added length at the back to create modest

drapes and folds. Layer up in style and comfort and combine this

cardigan with one of our unique abayas to complete your look.

Machine washable; see care instructions for details.

 

We also recommend some hijabs, abayas and hijab pins.

  

BLACK GLARE ABAYA

  

MUSTARD SOFT GEORGETTE HIJAB

 

SOIGNE ABAYA - CLEARANCE

 

SPIKE HIJAB PIN SET

  

Don't forget to visit our website for more information on islamic fashion.

 

Become a fan on facebook

 

 

 

 

 

 

 

 

  

I won this book in a competition on Design Shack.

The book is really good for those who are starting to learn about HTML and CSS.

 

See the book's cover.

*** DIVISION III * BOYS 5K/3.1 MILES - TEAM RESULTS ***

Team Tie Breaker = 6

 

Results by PRO RACE GROUP of Fresno - www.proracegroup.com

 

www.andynoise.com/valleyxc08.html

  

TEAM TOTAL 5-MEMBER TEAM TIME

PLCE POINTS SCHOOL (Average Total)

====================================================================

Year Race Ovrll Finish

NAME CLASS NO. PLACE TIME

  

1. 50 MAD-S/Madera South ( 16:47 1:23:55)

====================================================================

1 3 Isaiah Lorenzo So 180 3 16:16

2 5 Chris Brown Sr 181 5 16:39

3 12 Alfonso Castillo Sr 182 12 16:56

4 13 Angel Flores So 183 13 16:57

5 17 Alex Guzman Sr 184 17 17:07

6 ( 19) Juan Navia Fr 186 19 17:11

7 ( 20) Seferino Hernandez Fr 185 20 17:12

 

3. 89 RIDG-B/Ridgeview - Bakersfield ( 17:06 1:25:27)

====================================================================

1 8 Robby Baker Jr 606 8 16:43

2 10 Brian Solis Jr 605 10 16:51

3 11 Jerrid Lewis Jr 607 11 16:54

4 15 Alex Garcia Jr 604 15 17:01

5 45 Miguel Munoz Jr 608 45 17:58

6 ( 52) Michael Anseno Sr 610 53 18:05

7 ( 55) Jaime Madrigal So 609 56 18:10

 

4. 128 WASC/Wasco High ( 17:26 1:27:07)

====================================================================

1 6 Asencion Mendoza Sr 108 6 16:39

2 21 Oscar Miranda Sr 109 21 17:13

3 28 Oswaldo DeJulian Sr 111 28 17:34

4 36 Eric Sanchez Jr 113 36 17:48

5 37 Juan Ayala Sr 110 37 17:53

6 ( 43) Eddie Ramirez Jr 112 43 17:56

7 ( 53) Gregorio Linares Fr 114 54 18:09

 

5. 159 SHAF/Shafter High ( 17:37 1:28:02)

====================================================================

1 14 Jesus Villapondo So 778 14 16:59

2 23 Christian Barrios Jr 774 23 17:26

3 30 Joshua Wittenberg Sr 775 30 17:36

4 34 Alex Moreno Jr 777 34 17:47

5 58 Hector Montoya Sr 779 59 18:14

6 ( 64) Jakob Velasquez Jr 780 65 18:22

7 ( 74) Christopher Handel Jr 776 76 18:36

 

6. 200 FT-B/Foothill - Bakersfield ( 17:39 1:28:14)

====================================================================

1 1 Chris Schwartz Sr 406 1 15:49

2 26 Jose Lopez Jr 407 26 17:30

3 32 Erick Bautista Jr 408 32 17:45

4 62 Genaro Quintanar Fr 409 63 18:20

5 79 Patrick Manrique Sr 411 81 18:50

6 ( 89) Justin Meyer Fr 410 92 19:03

7 ( 96) Daniel Rodriguez So 412 99 19:12

 

8. 251 FRON-B/Frontier - Bakersfield ( 18:04 1:30:16)

====================================================================

1 25 Richard Peralta Jr 420 25 17:28

2 48 Michael Golich Sr 419 49 17:59

3 54 Tanner Urmston So 423 55 18:10

4 57 Will Beechinor So 422 58 18:14

5 67 Dustin Scalani So 424 68 18:25

6 (128) Michael Sclafani Jr 421 133 20:07

7 (136) Ricky Gonzales So 425 142 20:50

 

13. 368 ARV/Arvin High ( 18:48 1:34:00)

====================================================================

1 29 Juan Calderon Jr 231 29 17:35

2 33 Ben Orozco Sr 230 33 17:46

3 70 Yessuri Villasenor Sr 232 72 18:31

4 99 Adrian Rodriguez Jr 234 103 19:17

5 137 Omar Tinoco Sr 233 143 20:51

6 (138) Christian Guerrero So 235 144 20:52

 

14. 398 TEHA/Tehachapi High ( 18:51 1:34:13)

====================================================================

1 44 Adam Moreno Sr 789 44 17:57

2 69 Keenan Cohditz Sr 791 70 18:30

3 81 Nathan Rowe Sr 790 84 18:54

4 83 Charles Hansen Fr 793 86 18:56

5 121 Jason Trost Jr 795 125 19:56

6 (135) Corey Bowman Sr 792 141 20:44

7 (148) Michael Shaw Sr 794 154 22:05

 

19. 473 GV-B/Golden Valley - Bakersfield ( 19:11 1:35:54)

====================================================================

1 16 Daymon Sandles So 592 16 17:04

2 106 Jose Salgado Sr 593 110 19:26

3 111 Daniel Perez Jr 596 115 19:39

4 113 David Gamino Jr 594 117 19:42

5 127 Francisco Rueda Jr 595 132 20:03

  

21. 529 SBAK/South Bakersfield ( 19:30 1:37:27)

====================================================================

1 92 Jose Valdez Sr 60 95 19:07

2 97 Jose Romero Sr 54 100 19:12

3 107 Alex Espinoza Sr 55 111 19:30

4 116 Rudy Castro Sr 59 120 19:46

5 117 Rodolfo Salgado Sr 57 121 19:52

6 (139) David Little Jr 56 145 21:02

7 (140) Ezekiel Gonzalez Jr 58 146 21:03

handmade gift #1

Made using Pink Chalk Studio Note Taker pattern.

The patchwork is made from 5" charm squares.

Pattern can be found here. www.pinkchalkstudio.com/orderpage101.html

venice-biennale-biennalists.blogspot.dk/2013/06/national-...

 

------

 

------------------------

 

VENICE BIENNALE / VENEZIA BIENNIAL 2013 : BIENNALIST

 

www.emergencyrooms.org/biennalist.html

 

Biennalist is an Art Format by Thierry Geoffroy / Colonel debating with artistic tools on Biennales and other cultural managed events . Often those events promote them selves with thematics and press releases faking their aim . Biennalist take the thematics of the Biennales very seriously , and test their pertinance . Artists have questioned for decade the canvas , the pigment , the museum ... since 1989 we question the Biennales .Often Biennalist converge with Emergency Room providing a burning content that cannot wait ( today before it is too late )

 

please contact before using the images : Thierry Geoffroy / Colonel 1@colonel.dk

www.colonel.dk

 

---------------

 

Countries( nations ) that will participate at the Venice Biennale 55 th ( 2013 Biennale di Venezia ) in Italy ( at Giardini or Arsenale or ? ) , Encyclopedic Palace is curated by Massimiliano Gioni

 

Albania, Andorra, Argentina, Australia, Austria, Azerbaijan, Bangladesh, Belarus, Belgium, Brazil, Bulgaria,

Costa Rica, Croatia, Cuba, Cyprus, Czech , Slovenia, South Africa, Spain, Canada, Chile, China, Congo,

Slovak Republic, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Haiti, Hungary, Iceland, India, Iran, Iraq, Ireland, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia,

Mexico, Moldova, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore

Sweden, Switzerland, Syrian Arab Republic, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States of America, Uruguay, Venezuela, Zimbabwe

the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay

 

Eight countries will also participate for the first time in next year's biennale: the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay. In 2011, 89 international pavilions, the most ever, were accessible in the Giardini and across the city.

 

please contact before using the images : Thierry Geoffroy / Colonel 1@colonel.dk

.........

innisfreegarden.org/garden.html

 

We arrived at Innisfree as soon as it opened at 10AM one mid-August morning when the entire Northeastern US was in the middle of a record heatwave. Despite the heat and humidity, we were able to make a quick 1.5 mile circle on the path around the deep glacial lake at the heart of this 150 acre garden before we wilted and had to return to our air conditioned car. The harsh mid-day light made photography challenging, as you can see. We learned that Innisfree, said by some to be one of the world's Ten Great Gardens, opens at sunrise on three occasions each year, and we are already planning another trip to the Hudson River Valley in the future when we hope we can see and photograph this amazing place under better conditions.

 

"Like the pyramids of Egypt or the Great Wall of China, Innisfree helps us to define what we mean by ‘civilization’. It’s one of the few places in this world that lived up to — nay, exceeded — my expectations."

David Wheeler, Editor, Hortus (2013)

 

"In the late 1920s, Walter Beck and his wife, avid gardener and heiress Marion Burt Beck, began work on Innisfree, their country residence in Millbrook, New York. Walter Beck’s fascination with Asian art influenced his painting, the collecting he and his wife pursued, and their ideas on garden design. In the 1930s, Beck discovered the work of 8th-century Chinese poet, painter and garden maker Wang Wei. Studying scroll paintings of his famed garden, the Wangchuan Villa, Beck observed that Wang created carefully defined, inwardly focused gardens and garden vignettes within a larger, naturalistic landscape. Wang’s place-making technique — christened “cup gardens,” by Beck — influenced centuries of Chinese and Japanese garden design. It is also the principal design motif in the Innisfree landscape. Like his Chinese predecessor, Beck created three-dimensional pictures in the garden, incorporating both rocks from the site and horticultural advice from his wife. Unlike Wang Wei, or perhaps more familiar figures like Lawrence Johnston, who used his cup-like rooms at Hidcote in England to draw one through a sequence of events and create an overall sense of place, Beck focused more on individual compositions. Relating these to each other and to the landscape as a whole was the genius of Lester Collins."

 

The genius of this place lies not so much in the ideas which the designers formulated for the cup gardens, many of which are disarmingly simple, but in the way they have been maintained over the years. Essentially, everything is allowed to settle into the prevailing spirit of the place; if it does not, it is removed. It is this sensitivity, care and attention to the qualities of landscape, natural and made, that make Innisfree such a memorable success.

Tim Richardson, Great Gardens of America (2000)

 

Western gardens are usually designed to embrace a view of the whole. Little is hidden. The garden, like a stage set, is there in its entirety, its overall design revealed in a glance. The traditional Chinese garden is usually designed so that a view of the whole is impossible. [It] requires a stroll over serpentine, seemingly aimless arteries. The observer walks into a series of episodes, like Alice through the looking glass."

Lester Collins, Innisfree: An American Garden (1994)

On Isola Bella in Lake Maggiore.

  

A look around the Borromeo Palace and it's amazing gardens.

  

Isola Bella (Lago Maggiore)

 

Isola Bella (lit. 'beautiful island') is one of the Borromean Islands of Lago Maggiore in north Italy. The island is situated in the Borromean Gulf 400 metres from the lakeside town of Stresa. Isola Bella is 320 metres long by 400 metres wide and is divided between the Palace, its Italianate garden, and a small fishing village.

 

Until 1632 the island—known only as l’isola inferiore or isola di sotto—was a rocky crag occupied by a tiny fishing village: but that year Carlo III of the influential House of Borromeo began the construction of a palazzo dedicated to his wife, Isabella D'Adda, from whom the island takes its name. He entrusted the works to the Milanese Angelo Crivelli, who was also to be responsible for the planning the gardens. The works were interrupted around middle of the century when the Duchy of Milan was struck by a devastating outbreak of the plague.

 

Construction resumed when the island passed to Carlo’s sons, Cardinal Giberto III (1615–1672) and Vitaliano VI (1620–1690); the latter in particular, with the financial backing of his elder brother, entrusted the completion of the works to the Milanese architect Carlo Fontana and turned the villa into a place of sumptuous parties and theatrical events for the nobility of Europe.

 

The completion of the gardens, however, was left to his nephew Carlo IV (1657–1734). They were inaugurated in 1671.

 

The island achieved its highest level of social success during the period of Giberto V Borromeo (1751–1837) when guests included Edward Gibbon, Napoleon and his wife Joséphine de Beauharnais, and Caroline of Brunswick, the Princess of Wales. It is said that Caroline, having fallen in love with the place, did her best to convince the Borromeo family to sell her Isola Madre or the Castelli di Cannero islands; her request being turned down, she established herself on the banks of Lake Como at Cernobbio in the Villa d’Este.

  

gardens of the Borromeo Palace.

  

The Elisa Conservatory

نحتاج لـ :

 

عجينة المطبق

حشوة دجاج مضاف لها طماطم ، بصل أخضر ، كراث ، بيضتين .

 

نحط الحشوة عالرقائق ونطبقها

وع الصاج ..

  

forum.ma3ali.net/t833268.html#post13472428

www.emergencyrooms.org/formats.html

 

----------------

 

Biennalist is an Art Format by Thierry Geoffroy / Colonel debating with artistic tools on Biennales and other cultural managed events . Often those events promote them selves with thematics and press releases hidding their aims and motivations . Biennalist take the thematics of the Biennales very seriously , and test their pertinance . Artists have questioned for decade the canvas , the pigment , the museum ... since 1989 we question the Biennales .Often Biennalist converge with Emergency Room providing a burning content that cannot wait ( today before it is too late )

 

Countries( nations ) that will participate at the Venice Biennale 55 th ( 2013 Biennale di Venezia ) in Italy ( at Giardini or Arsenale or ? ) , Encyclopedic Palace is curated by Massimiliano Gioni

 

Albania, Andorra, Argentina, Australia, Austria, Azerbaijan, Bangladesh, Belarus, Belgium, Brazil, Bulgaria,

Costa Rica, Croatia, Cuba, Cyprus, Czech , Slovenia, South Africa, Spain, Canada, Chile, China, Congo,

Slovak Republic, Egypt, Estonia, Finland, France, Georgia, Germany, Greece, Haiti, Hungary, Iceland, India, Iran, Iraq, Ireland, Israel, Italy, Japan, Korea, Latvia, Lithuania, Luxembourg, Macedonia,

Mexico, Moldova, Montenegro, Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Russia, San Marino, Saudi Arabia, Serbia, Singapore

Sweden, Switzerland, Syrian Arab Republic, Thailand, Turkey, Ukraine, United Arab Emirates, United Kingdom, United States of America, Uruguay, Venezuela, Zimbabwe

the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay

 

Eight countries will also participate for the first time in next year's biennale: the Bahamas, the Kingdom of Bahrain, the Republic of Kosovo, Kuwait, the Maldives, Côte d'Ivoire, Nigeria and Paraguay. In 2011, 89 international pavilions, the most ever, were accessible in the Giardini and across the city.

 

large

 

We have done some reorganization around the house: we added a few bookshelves upstairs and emptied the lowest ones in the living room.

Then we collected all the toys we could find, were stunned at how much we actually have, and packed them all in boxes.

 

Now Karel and Madelief have a box of bricks, a box of teddy bears and a plastic seesaw in their bedroom, and downstairs in the living room they have two pushcarts, a spiral thingy, a box of legos, a box of teddy bears and one out of eight numbered boxes with all sorts of toys (to be replaced at regular intervals).

 

With less toys, they get to play more. And the empty bookshelves don't necessarily hold toy boxes, they're also a good place to store little children.

  

Kleine meisjes? Tweede plank van beneden, net onder de woordenboeken

 

We hebben hier in huis een kleine reorganisatie doorgevoerd: we hebben boven een paar boekenplanken toegevoegd en in de woonkamer de onderste planken leeggemaakt.

Daarna hebben we alle speeltjes verzameld die we maar konden vinden in huis - verbazingwekkend hoeveel rommel we hebben - en dat allemaal in dozen gesorteerd.

 

Nu hebben Karel en Madelief op hun kamer een blokkendoos, een doos beertjes en een plastic wipwap, en in de woonkamer hebben ze twee duwwagentjes, een spiraalgeval, een doos duplo, een doos beertjes en een van acht genumerde dozen met allerlei speelgoed (roulerend in te zetten).

 

Met minder speeltjes spelen ze meer. En de lege boekenplanken zijn niet alleen handig om speelgoeddozen op te bergen, je kunt er ook heel goed kleine kindjes op kwijt.

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