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Our Indie Kit takes our Cine Kit a step further by allowing the entire rig to be used shoulder-mounted. The Indie Kit includes all of the mounting equipment needed for the independent filmmaker – you can mount a matte box, follow focus, wireless microphone receiver and external monitor. The mount behind the shoulder pad holds batteries to power the monitor and accessories and provide a counter balance to offset the weight of the camera and accessories. The rig can be easily balanced with a few quick adjustments and will give any professional camcorder the stability of a larger shoulder-mounted camera.
Zacuto’s baseplate kits are universal and quick-releasable; they can be used with any 15mm lightweight accessories, follow focuses & matte boxes. The kits are designed to be used with current and future models of cameras & camcorders such as the: Panasonic HVX200a, DVX100a/b,Canon XL-H1, XL2, GL2, XH-A1 Sony XDCAM EX1, EX3, SO-HVR-Z1U, VX2000,PD-150, PD-170, JVC GY-HD100U, HD200U, HD250U, Silicon Imaging SI2K,RED ONE, and many more.
Designed and manufactured by Zacuto. Made in the USA. Zacuto lifetime warranty.
Indie Baseplate Kit Includes:
- Universal Baseplate
- Doublemount
- Red Plate
- Battery Plate (v-mount or 3 stud)
- Wireless Plate
- Zround Mount
- Zicromount III
- Zamerican V3 Large Arm
- Zmount II
- Shoulder Pad
- Zgrips
- Zoffset
On our second day in Rome, Mike and I visited St. Peter's Basilica and the Vatican Museums. We explored the interior of the basilica early that morning, then headed to the museums for our 10:30 a.m. guided tour. After the tour, we departed the Sistine Chapel through the exit door at the rear right, which allowed us to return to the basilica without going through security again.
When we arrived at the basilica, we joined the queue to purchase tickets that would allow us to access the roof and Michelangelo's famous dome, which was completed in 1590 (26 years after his death). Visitors have the option to climb 551 stairs from ground level to the observation area atop the dome, or pay a slightly higher ticket price to take an elevator to the roof/base of the dome and ''only'' have to climb 320 steps to reach the observation area at the base of the lantern. We chose the latter option.
After exiting the elevator, we took a brief stroll along the gallery at the inner base of the dome and snapped a few photos before commencing our climb to the top. I took this shot facing across to the opposite side of the dome; the left arch leads into the apse while the right arch leads into the north transept. Between the two arches, you can see one of four mosaics representing the evangelists; this one depicts St. John with an eagle. The text running along the lower edge of the dome reads ''Tu es Petrus et super hanc petram aedificabo ecclesiam mean et tibi dabo claves regni caelorum'' (''Thou art Peter, and upon this rock I will build my Church, and I will give you the keys of the kingdom of heaven'').
The Vatican website offers a 360-degree virtual tour that includes a panorama as seen from the papal altar; if you shift the view upwards, you can see the dome high above. The tour also offers a close-up view of the apse and the north transept.
Ménsulas del balcón volado
viajarconelarte.blogspot.com/2012/11/santiago-de-composte...
Cuenta la leyenda, que a principios del siglo IX en un bosque llamado Libredón, una estrella guió a un hombre llamado Paio hasta el lugar donde en el siglo I se habían enterrado los restos del Apóstol Santiago el Mayor, que habían sido trasladados desde Jerusalem tras su martirio en una barca de piedra. Poco tiempo después del descubrimiento de la Tumba, la sede episcopal asentada en Iria (Padrón) se trasladó a Compostela. El hallazgo del Sepulcro fue la base sobre la que se cimentó la ciudad.
viajarconelarte.blogspot.com/2012/11/santiago-de-composte...
IGLESIA
Los arquitectos que trabajaron en la iglesia fueron el portugués Mateo López, que se encargó de las primeras trazas; el granadino Bartolomé Fernández Lechuga, que construye la magnífica cúpula nervada y organiza el espacio interior consiguiendo una gran majestuosidad; el salmantino Peña y Toro, que se encarga de las obras de contención pues habían cedido los muros, y finalmente, fray Tomás Alonso y fray Gabriel Casas, con distintas aportaciones en la fachada del monasterio, claustros, campanario y dependencias monacales. Sobre la puerta se despliega una vistosa fachada plateresca. Presiden en la parte central, entre la puerta y el óculo, la Virgen, San Bieito y San Bernardo, mientras que en el frontón que corona la portada está San Martiño repartiendo su capa con un pobre. Las torres se levantan sólo hasta la altura de la fachada, debido a la oposición del cabildo catedralicio, temeroso de que la basílica perdiese visibilidad. Para vencer el desnivel del terreno, el benedictino Plácido Camiña construyó la hermosa escalera de acceso a la puerta, sin duda inspirada en la que da acceso a la Catedral desde la fachada del Obradoiro. El templo posee planta de cruz latina con tres naves en el brazo principal y una en el transversal, recorridas por una tribuna. Se emplea la bóveda de cañón en la que se enmascaran los nervios a modo de falsos casetones. Varias capillas comunicadas entre sí, se abren a cada lado del brazo longitudinal. En el interior llama poderosamente la atención el fastuoso retablo mayor de estilo barroco diseñado por F. de Casas y Novoa y ejecutado por Romay.
listas.20minutos.es/lista/santiago-de-compostela-la-ciuda...
Esta foto participó en el juego En un lugar de Flickr
Se trataba de adivinar el lugar de la fotografía.
June 8, 2019 - West Central, South Central Nebraska
Prints Available...Click Here
All Images are also available for...
stock photography & non exclusive licensing...
Watch the Storm Chasing Video from that day's Chase on Flickr Click Here
No tornadoes on this day's chase, but some incredible supercell structure out on the plains of Nebraska.
We started the day with a supercell that had several meso structures being reported from radar. This storm was tracking slowly about 12 knots cresting from the northwest to southeast. Classic June storm structure for this time of year in Nebraska. Northwest of North Platte Nebraska it had reported wall cloud and we definitely wanted a piece of this action.
We arrived as it was gaining strength as it has pushed through Maxwell Nebraska. We stopped in Brady, just to the southeast via I-80 corridor to get the bugs off of the windshield and as the storm was gaining strength. We had stopped just a few miles to the south of Brady we set up shop to catch this storm. Nice clear beautiful structure accompanied the underbelly of this supercell. Though we had a clear cut defined wall cloud this storm never did show us her tornadic teeth.
After about an hour on this storm in the same position (rare for us to do this) we eventually had to back off and get back to the east. We had to get south of Gothenburg just a few miles off the I-80 exit area for the next structured shot of this supercell. Oh we got just what we were looking for! Phenomenal base rotation!
Eventually we had backed off again as the hail core was approaching. Plus this cell was loosing its steam. We moved back to the I-80 corridor then south of Cozad Nebraska and this cell was in redevelopment mode and we had some waiting to do. Though not a long wait as this original cell fizzled out but we had one more chance for good structure south of Overten Nebraska. We headed to Loomis Nebraska for another treat to end the day. Oh did I say treat? We got a whole bunch more eye candy than expected.
Just to the east of Loomis Nebraska we encountered some incredible supercell structure. This storm wasn't going to be shy, and she eventually showed us some teeth.
Personal Note: For some odd reason I didn't clear my memory card on my last chase, and I ran out of room on my SD Card. I had to stop shooting after the wall cloud was right over my location my Loomis Nebraska. I didn't have time to pull out my spare card and load it due to the strength and this fast moving cell. This storm cell became outflow dominate and man do I mean dominate. We got caught in the outflow boundary several times with tons of gustnadoes and almost haboobish. I did have my trusty camera with me... I was in the drivers seat so when we had a chance, I did capture some incredible pics that blew me away literally. Either I'll make another short video to proceed this one or you'll have to wait till I get them posted on my Flickr site flickr.com/nebraskasc.
All in all. I'm not always about catching the tornado. I had some good friends and fellow storm chasers along side that day. In my opinion... just another EPIC chase day in Nebraska!!! Woot Woot. More to come!
*** Please NOTE and RESPECT the Copyright ***
Copyright 2019
Dale Kaminski @ NebraskaSC Photography
All Rights Reserved
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
#ForeverChasing
#NebraskaSC
www.internationalfolkart.org/mayolica/contemporary/spain-...
Santa Catalina Cerámica Regional
Pedro de la Cal Rubio (1907-2000)
Owner, Santa Catalina Cerámica Regional
Puente del Arzobispo, Toledo, Spain
Pedro de la Cal is credited with reviving the ceramics industry in the town of Puente del Arzobispo. His grandfather and father were both potters and he was instructed in the art at an early age. In his youth, he would go into nearby areas to collect plants and minerals for his pigments, which were then prepared in the courtyard of his house, and ground and mixed in a mill that was powered by a donkey. Greens and yellows predominate in his artwork in a style that was characteristic of ceramics in Puente in the late 18th and 19th centuries.
(Museum of International Folk Art, Santa Fe, New Mexico)
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Santa Catalina Cerámica Regional
Pedro de la Cal Rubio (1907-2000)
Propietario, Santa Catalina Cerámica Regional
Puente del Arzobispo, Toledo, España
A Pedro de la Cal se le acredita por revivir la industria de la cerámica en la población de Puente del Arzobispo. Tanto su abuelo como su padre fueron loceros y lo instruyeron en el arte desde una temprana edad. En su juventud, exploraba las zonas aledañas donde coleccionaba plantas y minerales para hacer sus propios pigmentos, los cuales se preparaban en el patio de su casa en un molino impulsado por una mula. Los verdes y amarillos predominan en sus obras con un estilo característico de la cerámica en Puente a fines del siglo XVIII y durante el siglo XIX.
(Museum of International Folk Art, Santa Fe, New Mexico)
Believed to be in Public Domain From Library of Congress, Prints and Photographs Collections. More on copyright: What does "no known restrictions" mean?
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Source Description and Credit Info: Library of Congress
Tap dancing class in the gymnasium at Iowa State College. Ames, Iowa
CALL NUMBER: LC-USW3- 002809-D [P&P]
REPRODUCTION NUMBER: LC-USW3-002809-D (b&w film neg.)
LC-DIG-ppmsc-00250 (digital file from print)
MEDIUM: 1 negative : safety ; 3 1/4 x 3 1/4 inches or smaller.
CREATED/PUBLISHED: 1942 May.
CREATOR:
Delano, Jack, photographer.
NOTES:
Title and other information from caption card.
LOT 0120 (Location of corresponding print.)
Transfer; United States. Office of War Information. Overseas Picture Division. Washington Division; 1944.
Film copy on SIS roll 2, frame 328.
SUBJECTS:
United States--Iowa--Story County--Ames.
FORMAT:
Safety film negatives.
PART OF: Farm Security Administration - Office of War Information Photograph Collection (Library of Congress)
REPOSITORY: Library of Congress Prints and Photographs Division Washington, D.C. 20540
DIGITAL ID: (digital file from intermediary roll film of original neg.) fsa 8d04633 hdl.loc.gov/loc.pnp/fsa.8d04633
(digital file from print) ppmsc 00250 hdl.loc.gov/loc.pnp/ppmsc.00250
CARD #: owi2001005066/PP
Quilt for Moda Bake Shop using Kate Spain's line called Central Park.
Click here for full photo tutorial: www.modabakeshop.com/2011/01/geese-in-park.html#more
title.
In front of Brooklyn Bridge. Sunday. in the morning.
The Tokyo Big Sight booth has been decided.
It is as follows.
designfesta.com/about-artist-detail/?md=detail&id=t0%...
Booth No. H-40
■ Venue MAP (available in PDF)
designfesta.com/jp/wp-content/uploads/2019/03/vol49_map.pdf
If you have time, I will see you.
:)
( LUMIX G3 shot )
Manhattan . New York. USA. 2017. shot ... 4 / 6
(Today 's picture, it is unpublished.)
Images…
Cabaret Noir - Ballade Du Nuage
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Profile.
In November 2014, we caught the attention of the party selected to undertake the publicity for a mobile phone that changed the face of the world with just a single model, and will conclude a confidentiality agreement with them.
stealaway.cocolog-nifty.com/stealaway/2019/02/2019-profil...
youpic.com/photographer/mitsushironakagawa/
_________________________________
_________________________________
Interviews and novels.
About my book.
I published a book in old days.
At that time, I was uploading my interview on the net on the net.
That Japanese and English.
I will make it public for free.
Details were explained to the Amazon site.
How to write a novel.
How to take pictures.
Distance to the work.
They all have a common item.
I made a sentence about what I felt, and left it.
I hope that my text can be read by many people.
Thank you.
Mitsushiro.
1 Interview in English
「interview_eng.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
2 novels. unforgettable 'English version.(This book is Dedicated to the future artist.)
「novel_unforgettable_eng.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
3 Interview Japanese version
drive.google.com/file/d/1w5l2hrV5a6lraDiC_Lz2tG_HqatqUCO5...
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
4 novels. unforgettable ' JPN version.
「novel_unforgettable_jpn.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
5 A streamlined trajectory. only Japanese.
「streamlined_trajectory.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
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iBooks. Electronic Publishing. It is free now.
0.about the iBooks.
stealaway.cocolog-nifty.com/stealaway/2017/03/about-digit...
1.unforgettable '(ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
2.unforgettable '(JNP.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3. Streamlined trajectory.(For Japanese only.)
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8... =11
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My Novel >> Unforgettable'
(This book is Dedicated to the future artist.)
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
There are two reasons why a person faces the sea.
One, to enjoy a slice of shine in the sea like children bubbling over in the beach.
The other, to brush the dust of memory like an old man who misses old days, staring at the shine
quietly.
Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.
I face myself to change tomorrow, a vague day into something certain.
That is the meaning of a rebirth.
I had a very sweet girlfriend when I was 18.
After she left, I knew the meaning of gentleness for the first time and also a true pain of loss. After
she left, how many times did I depend too much on her, doubt her, envy her and keep on telling lies
until I realized it is love?
I wonder whether a nobody like me could have given something to her who was struggling in the
daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.
I had been thinking about such a thing.
However, I guess what she saw in me was because I had nothing. That‘s why she tried to see
something in me. Perhaps she found a slight possibility in me, a guy filled with ambiguous, unstable
tomorrow. But I wasted days depending too much on her gentleness.
Now I finally can convey how I felt in those days when we met.
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
_________________________________
_________________________________
Title of my book > unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...
_________________________________
_________________________________
The schedule of the next novel.
Still would stand all time. (Unforgettable '2)
(It will not go away forever)
Please give me some more time. That is Japanese.
_________________________________
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An exhibition in 2019.
May 18th. 19th.
theme.
Silence Is the Way.
designfesta.com/about-artist-detail/?md=detail&id=t0%...
Booth No. H-40
■ Venue MAP (available in PDF)
designfesta.com/jp/wp-content/uploads/2019/03/vol49_map.pdf
place. Tokyo Big Site.
Sponsoring. Design festa.
2020.
Date unknown.
DIC Kawamura Memorial Art Museum attached gallery.
place. Sakura City, Chiba Prefecture.
theme.
From that day, forever ...
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flickr.
www.flickr.com/photos/stealaway/
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YouTube.
www.youtube.com/user/mitsushiro/
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instagram.
www.instagram.com/mitsushiro_nakagawa/
_________________________________
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Pinterest.
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YouPic
youpic.com/photographer/mitsushironakagawa/
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fotolog
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twitter.
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facebook.
www.facebook.com/mitsushiro.nakagawa
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Do you want to hear my voice?
:)
I updated Youtube.
It is only in Japanese.
I explained comments on photos etc.
If your time is permitted, please look.
:)
1
About the composition of the picture posted to Flicker. First type.
2
About the composition of the picture posted to Flicker. Second type.
3
About when I started Fotolog. Architect 's point of view.
Four
Why did not you have a camera so far?
Five
What is the coolest thing? The photo is as it is.
6
About the current YouTube bar. I also want to tell, I want to leave.
7
About Japanese photographers. Japanese YouTube bar is Pistols.
8
The composition of the photograph is sensibility. Meet the designers in Milan. Two questions.
9
What is a good composition? What is a bad composition?
Ten
What is the time to point the camera? It is slow if you are looking into the viewfinder or display.
11
Family photos. I can not take pictures with others. The inside of the subject.
12
About YouTube 's photographer. Camera technology etc. Sensibility is polished by reading books.
13
About the Japanese newspaper. A picture of a good newspaper is Reuters. If you continue to look at useless photographs, it will be useless.
14
About Japanese photographers. About the exhibition.
Summary. I wrote a novel etc. What I want to tell the most.
New Year’s greetings 2019.
www.youtube.com/user/mitsushiro/
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Japanese is the following.
Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2
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タイトル。
ブルックリンブリッジの手前。日曜日。午前中。
( LUMIX G3 shot )
２０１９年の展示。
5月１８日。１９日。
designfesta.com/about-artist-detail/?md=detail&id=t0%...
テーマ。
Silence Is the Way.
ブースNo.H-40
■会場MAP(PDFでご覧いただけます)
designfesta.com/jp/wp-content/uploads/2019/03/vol49_map.pdf
場所。東京ビッグサイト。
Sponsoring. Design festa.
Manhattan . New York. USA. 2017. shot ... 4 / 6
(Today 's picture, it is unpublished.)
Images…
Cabaret Noir - Ballade Du Nuage
次の小説のイメージ。
Still would stand all time.(unforgettable'2)
（いつまでもなくならないだろう）
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プロフィール。
2014年11月、たった1機種で世界を塗り替えた携帯電話の広告を請け負った選考者の目に留まり、秘密保持同意書を結ぶ。
stealaway.cocolog-nifty.com/stealaway/2019/02/2019-profil...
youpic.com/photographer/mitsushironakagawa/
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インタビューと小説。
僕の本について。
僕は、昔に本を出版しました。
その際に、僕のインタビューをPDFでネット上へアップロードしていました。
その日本語と英語。
僕は、無料でを公開します。
詳細は、アマゾンのサイトへ解説しました。
小説の書き方。
写真の撮影方法。
作品への距離感。
これらはすべて共通項があります。
僕は、僕が感じたことを文章にして、残しました。
僕のテキストが多くの人に読んでもらえることを望みます。
ありがとう。
Mitsushiro.
１ インタビュー 英語版
「interview_eng.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
２ 小説。unforgettable’ 英語版。
「novel_unforgettable_eng.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
３ インタビュー 日本語版
drive.google.com/file/d/1w5l2hrV5a6lraDiC_Lz2tG_HqatqUCO5...
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
４ 小説。unforgettable’ 日本語版。(この小説は未来のアーティストへ捧げます)
「novel_unforgettable_jpn.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
５ 流線形の軌跡。 日本語のみ。
「streamlined_trajectory.pdf」
stealaway.cocolog-nifty.com/stealaway/2018/08/interviews-...
_________________________________
_________________________________
iBooks.電子出版。（現在は無料）
0.about the iBooks.
stealaway.cocolog-nifty.com/stealaway/2017/03/about-digit...
1.unforgettable’ ( ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
For Japanese only.
2.unforgettable’ ( JNP.ver.)(この小説は未来のアーティストへ捧げます)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3.流線形の軌跡。
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8...
_________________________________
_________________________________
僕の小説。英語版
My Novel Unforgettable' (This book is Dedicated to the future artist.)
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
_________________________________
_________________________________
Title of my book > unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...
_________________________________
_________________________________
次の小説の予定。
Still would stand all time.(unforgettable'2)
（いつまでもなくならないだろう）
もう少し時間をください。それは日本語です。
_________________________________
_________________________________
２０１９年の展示。
5月１８日。１９日。
テーマ。
Silence Is the Way.
designfesta.com/about-artist-detail/?md=detail&id=t0%...
ブースNo.H-40
■会場MAP(PDFでご覧いただけます)
designfesta.com/jp/wp-content/uploads/2019/03/vol49_map.pdf
場所。東京ビッグサイト。
Sponsoring. Design festa.
２０２０年。
日時未定。
DIC川村記念美術館付属ギャラリー。
場所。千葉県佐倉市。
テーマ。
あの日から、ずっと…
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flickr.
www.flickr.com/photos/stealaway/
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YouTube.
www.youtube.com/user/mitsushiro/
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
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YouPic
youpic.com/photographer/mitsushironakagawa/
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fotolog
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twitter.
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facebook.
www.facebook.com/mitsushiro.nakagawa
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あなたは僕の声を聞きたいですか？
:)
僕はYoutubeを更新しました。
日本語だけです。
僕は写真などの解説をしました。
もしも、あなたの時間が許されれば、見てください。
:)
1
フリッカーへ投稿した写真の構図について。１種類目。
2
フリッカーへ投稿した写真の構図について。２種類目。
3
Fotologを始めた時について。 建築家の視点。
4
なぜ、今までカメラを手にしなかったのか？
5
何が一番かっこいいのか？ 写真はありのままに。
6
現在のユーチューバーについて。僕も伝え、残したい。
7
日本人の写真家について。日本のユーチューバーはピストルズ。
8
写真の構図は、感性。ミラノのデザイナーに会って。二つの質問。
9
良い構図とは？ 悪い構図とは？
10
カメラを向ける時とは？ ファインダーやディスプレイを覗いていては遅い。
11
家族写真。他人では撮れない。被写体の内面。
12
ユーチューブの写真家について。カメラの技術等。感性は、本を読むことで磨く。
13
日本の新聞について。良い新聞の写真はロイター。ダメな写真を見続けるとダメになる。
14
日本の写真家について。その展示について。
まとめ。僕が書いた小説など。僕が最も伝えたいこと。
www.youtube.com/user/mitsushiro/
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新年の挨拶ほか
ブログに書きましたが、諸事情により今回アップした動画のフルバージョンは以下です。(^O^)／
Newyearsg2019.mov - drive.google.com/file/d/1-inz3c7QVLO3rFx1YYC9X3ukH1-eTRWh...
容量が大きいのでスマフォには落とさないように注意してください(^O^)／
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Japanese is the following.
Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2
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E
Book: www.lulu.com/shop/giles-watson/pearl/paperback/product-20...
Reading: www.youtube.com/watch?v=AhjMlz2lYUU
The story so far: The Dreamer loses his Pearl in a grassy mound - evidently her grave. He swoons with grief, and awakens in an earthly paradise, through which there runs a beautiful stream. The land on the opposite bank seems even more beautiful. He wanders further down the stream, hoping to find a bridge or a ford. Just when he starts to become afraid of the dangers that may be in store for him, he sees a young woman sitting at the foot of a crystal cliff on the opposite bank, and instantly recognises her as his lost Pearl. He hails his Pearl and expresses his relief that she still exists, but she begins to reprove him for his lack of faith. She criticises him for only believing that her soul is immortal now that he can see her, and is shocked by his suggestion that he - a mortal man - has a hope of joining her in Paradise without first experiencing death. He tells her that for him to walk away from her now that he has found her again would be to suffer a fresh bereavement. She replies that it is divinely decreed that he cannot cross over to her. The Dreamer pleads with his Pearl to accept that his rash questions were borne out of his great grief, and asks her to describe her life in Paradise. She relents, and tells him that she is crowned Queen of Heaven, and is married to the Lamb. The Dreamer is shocked by this assertion. He says that he thought only the Virgin Mary was Queen of Heaven. Pearl replies with a description of a-semi egalitarian heaven in which all inhabitants are kings and queens, and asserts that although Mary has pre-eminence, none of those in heaven would ever question it, because she is so “courteous”. She cites the Pauline notion that the church is the body of Christ in support of her claim. The Dreamer is even less convinced than before. He wonders how she can have been instantly crowned a Queen of Heaven when she was on the earth for less than two years. She replies at length, citing the parable of the labourers in the vineyard as justification for her rapid advancement in the kingdom of Heaven. She continues to retell the parable, and concludes by insisting that like the workers who worked less than two hours in the vineyard, she was first in line for God’s reward when she reached Heaven. The Dreamer cannot understand. Surely, he argues, those who have endured a lifetime’s pain and temptation must have precedence. She responds that those who die as children die innocent, whereas those who have lived longer are more likely to be tainted by the world, and argues that the Dreamer is underestimating the grace of God. She continues by expounding a series of Biblical texts on the theme of righteousness and justification, culminating with the scene from the gospels in which Christ welcomes the children, and reproves his disciples for attempting to repel them. She continues to expound on this theme, reminding the Dreamer that Christ insisted that one must become like a little child in order to approach him. The Dreamer admits that she is stupendously beautiful, but wonders how she can have won the title of Queen and bride of Christ, in the face of stiff competition: all those other women who have gone to heaven. Her reply draws upon the Old Testament prophets and the Book of Revelation: the Lamb which was slain in Jerusalem will return to govern the New Jerusalem as its King, with a company of a hundred and forty-four thousand wives – one of whom is the Pearl. She begins to describe the state of bliss experienced by all the brides of the Lamb.
Pearl: Part 15
“Jerusalem’s Lamb bears no tint
Of any pigment but pure white.
No spot or stain adheres to it –
The wool luxuriant and bright.
Each soul that never bore a spot
Becomes the Lamb’s stainless wife,
And there is no place for spite
Among our thousands – blessed with life:
Each thousand, multiplied by five,
Would only make us praise and bless
The more. In a host, love can thrive
And wax in honour, never less.
None of us is less in bliss
Who bears a pearl upon her breast.
Those whom a spot belies,
With pearls or crowns are never blessed.
Although our corpses are clad in clods
And you are grieving without rest,
We have new life beyond old loss
And in one death place all our trust:
The Lamb our joy, from cares released,
Moved to delight at every Mass –
And each bride’s bliss is brightest, best
Of all – none is honoured any the less.
You give less credence to my tale
Than you should. Look in the Apocalypse:
‘I say,’ says John, ‘the Lamb stands tall
On Mount Zion, is lovely, and thrives,
A hundred thousand in his trail –
Forty four thousand more than this!
And on their foreheads, true to tell:
The Lamb’s name, and the Father’s –
A choir from Heaven uplifts and sings
Like overflowing rivers, floods
And thunder rumbling in the clouds –
A rising clamour, and never less.
Nevertheless, though that shout is sharp
And though the myriad voice is loud,
A new sound makes my spirits leap.
To listen is to love: a great cloud
Of spirits plucking upon harps,
The new song clearly declaimed
In discourse sonorous and steep:
Harmonies, melodies, undefiled
Before God’s throne – a flood
Of song. Four beasts bow and bless;
The aldermen, the grave and good,
Sing it loudly, and never less.
Nevertheless, none is so skilled in song
For all the craft they might possess
That they could sing the slightest strain
Of that hymn – except for those
Of the Lamb’s company, the earth’s slain:
First fruits, set aside as God’s –
The Lamb’s treasures, kept from spoiling,
Like him in colour, clad in clothes
Of Heaven, dressed in truth and love’s
Assurance. Their sweet tongues confess:
Their spotless, indissoluble, heavenly lives
Are in their matchless Master – never less.’”
“Nevertheless, I cannot help but thank
You, Pearl,” I say, “though I chose
To question heavenly wisdom with rank
Worldliness. To Christ’s chamber you arose
While I floundered in mud and muck,
And you sprang up so rich – a rose,
A living bloom on this blissful bank,
Where delight’s angels never close
Their eyes on the beauty I must lose:
My fleeting hind. How can I express
My worldly thoughts, rough-hewn and coarse?
Yet grant me one boon, nevertheless...”
Late fourteenth century poem, written in a north-west midland dialect of Middle English, paraphrased by Giles Watson. This section of the poem is one stanza longer than the others. Some editors have suggested that the second stanza is not original, although I think the third is a more likely candidate, since it repeats material from section 14. However, if all six stanzas are included, the poem has 101 stanzas. So does Sir Gawain and the Green Knight – an attractive argument for authenticity, given that the poet was so meticulous in his deployment of structural devices. Pearl’s descriptions of heavenly life are drawn from the Book of Revelation and Ezekiel.
The picture shows a part of the mediaeval ceiling at Ewelme church.
www.feriadesanmarcos.gob.mx/inicio.html
www.youtube.com/watch?v=Z1aaoO7uyOk
Feria Nacional de San Marcos. De Wikipedia, la enciclopedia libre
La Feria de San Marcos considerada como "la Feria de México" es el festejo popular más importante de la ciudad de Aguascalientes realizado en honor a San Marcos evangelista, santo patrono designado del barrio del mismo nombre. Es considerada una feria de importancia nacional en México y tiene un gran prestigio aún a nivel internacional. Se realiza en la ciudad de Aguascalientes, México, en el barrio de San Marcos. El día más importante dentro de la feria es el 25 de abril, que coincide con el día de San Marcos.
En un principio, la fiesta se encontraba íntimamente unida con la vendimia ya que Aguascalientes era un importante productor de uva. Sin embargo, esta tradición sobrevive sólo durante las corridas de toros, donde se toma vino tinto mezclado con brandy de las tradicionales botas.
Durante el periodo (abril-mayo, dos últimas semanas y dos primeras semanas, respectivamente) que dura esta festividad, la zona del festejo se convierte en escenario de eventos artísticos, culturales y sociales abiertos a todo el público. No se restringe el acceso general al público ya que la zona que forma gran parte del escenario es ahora muy céntrica y abarca una buena parte del centro histórico de la ciudad.
En 2010 empezará su internacionalización donde la feria se hermanará con las ferias mas importantes y de mayor prestigio como son la de Sevilla en España, Nimes, Francia; Pomona, California; y Calgary, Canadá.
Historia
Su celebración se remonta a 1828, del 20 de octubre al 20 de noviembre, para vender el producto de las cosechas y la ganadería. En aquel entonces competía con las ferias de Acapulco, Jalapa y San Juan de los Lagos.
Al comienzo era celebrada en el Parián (palabra de origen filipino) que es un centro comercial que todavía existe y se localiza a dos cuadras de la plaza principal, esto hasta 1848. En 1842 la balaustrada externa del Jardín de San Marcos, de estilo neoclásico, fue construida en un terreno donado por la Iglesia Católica y se conserva hasta hoy; al ser completado el jardín la celebración fue cambiada de noviembre a abril para coincidir con las fiestas en honor del Santo Patrono.
Desde 1924 se organiza un concurso de belleza para elegir a la Reina de la Feria. En 1958 la feria fue elevada al rango "Nacional" por el Presidente Adolfo López Mateos.
La construcción de la plaza de toros San Marcos comenzó en 1896 y fue terminada en sólo 48 días. Fue inaugurada por Juan Jimenez "El Ecijano" lidiando toros de la ganadería de Venadero el 24 de Abril de ese mismo año. Esta plaza es entre las que permanecen en pie, una de las más antiguas del país. Desde entonces las corridas de toros son incluidas en las festividades. Debido a la gran tradición taurina en Aguascalientes y al creciente afluente de visitantes a la feria, en los años 70 fue construida una de las más bellas plazas de toros del mundo, la Plaza Monumental de Aguascalientes, misma que amplió, en 1992, su cupo de 7,500 a 15,000 personas cómodamente sentadas.
En 2009, por 1era. vez en toda la historia de la Feria, fue suspendida después de solo diez días debido a la Pandemia de gripe A (H1N1) de 2009 que afectó al país. Esta eventualidad mostró claramente la gran importancia de esta feria para Aguascalientes, ya que la economía local se afecto notoriamente por dicha causa.
Actividades
Esta feria abarca desde la tercera semana de abril hasta la primera semana de mayo (tres o cuatro semanas, es variable cada año), y es famosa internacionalmente por su(s):
1. Serial taurino. En el cual es común que se presenten las máximas figuras del momento a nivel mundial. Históricamente se han presentado toreros de la talla de Manolo Martínez, Manuel Capetillo, Rafael Rodríguez "El volcán de Aguascalientes", Manuel Benítez "El Cordobés", Curro Rivera, Paquirri, Alfonso Ramírez "El Calesero", Eloy Cavazos, El Juli, Zotoluco, Armillita, Manuel Espinosa, Pablo Hermoso de Mendoza,Jose Tomas,Arturo Macias "El Cejas", Enrique Ponce,César Rincón, Sebastian Castella y un largo etcétera (se invita a los taurinos de Aguascalientes a añadir los nombres más connotados).
2. Campeonato Nacional Charro, tradición del deporte nacional mexicano (la Charrería) organizado por la Unión de Asociaciones Charras de Aguascalientes, y que en este 2011 se llevará a cabo del 5 al 8 de Mayo en la Villa Charra "José Refugio Esparza Reyes" de la capital.
3. Peleas de gallos. Donde se presentan peleas participando bandos de todo el país y donde es legal apostar. En dicho escenario también se presentan los cantantes populares más reconocidos del momento en México.
4. Casino (único con permiso para operar legalmente en México). Donde se puede jugar a la redina (similar a la ruleta), black jack, baccarat, poker, albures, entre otros juegos de azar.
5. Modernas instalaciones (espacios abiertos, casi en el centro de la ciudad), que incluyen un Centro de Convenciones, zona de antros, teatros cerrados y al aire libre, Megavelaria, entre otras conectadas por amplios y elegantes andadores.
6. Juegos mecánicos de Atracciones García y Tsunami, la montaña rusa más grande del centro de México. también ahora en Isla San Marcos.
7. Amplia y variada Exposición Ganadera. Esta se realiza desde el 2008 en una nueva zona de la ciudad llamada "Isla San Marcos" que incluye un bello lago artificial y un reloj floral monumental.
8. Carreras de caballos. también se realizan en Isla San Marcos.
9. Eventos deportivos (donde se incluyen partidos profesionales de fútbol soccer del Necaxa, lucha libre y más).
10. Eventos culturales (como el Ferial) que es un espectáculo de danza y música de primer nivel que se renueva cada año con el fin de mantener el interés y conservarlo al día con la cultura popular del momento. Se lleva a cabo en el moderno Teatro Aguascalientes diseñado por el arquitecto Abraham Zabludovsky.
11. Eventos artísticos (como la variedad artística en el palenque "Sol-Federico Méndez")
12. Teatro del pueblo en la Megavelaria
13. Voladores de Papantla. Este se presenta en la explanada del templo de San Marcos.
14. Exposiciones diversas de países invitados que son diferentes cada año. En 2006 se invitó a Cuba, a Brasil en 2007, a España en 2008, a Francia en 2009 y a Italia en 2010. También se invita a un estado de México diferente cada año.
15. Jardín y templo de San Marcos.
16. Vida nocturna (centros nocturnos, antros, bares, merenderos y cantinas)
17. Restaurantes y hoteles.
18. Fuegos Artificiales y Recorridos desde el centro de la ciudad (Exedra) hasta la "Isla" San Marcos.
www.vivaaguascalientes.com Información Turistica de Aguascalientes
Feria Nacional de San Marcos Página oficial de San Marcos 180 años, La Feria de México
Feria Nacional de San Marcos Feria Nacional de San Marcos
Gobierno de Aguascalientes Portal de Gobierno del Estado de Aguascalientes.
Feria de San Marcos - Feria de México
from: www.philippinecountry.com/philippine_festivals/masskara_f...
The Masskara Festival through the years gives the people of Negros, as well as local and foreign visitors, a chance to drink and be merry for 20 days. Originally designed to show the hardships of the people of Negros, the Masskara Festival has become a tool of escapism and a way to generate revenues for big business. It has indeed come a long way, and it is clear that the path turn away from the progressive goal.
Bacolod City is known for the popular Masskara Festival which takes place here Oct. 1-20. Local and foreign visitors get a chance to enjoy 20 days of merry making, beer drinking, dining and street dancing. On the weekend nearest to 19 October, the biggest party in Bacolod is scheduled to take place. Bacolod is the capital city of the country's sugar-producing province of Bacolenos.
The term Masskara is created from two words: mass, meaning crowd, and the Spanish word cara, for face; thus the double meaning for "mask" and "many faces". It was coined by Ely Santiago, a painter, cartoonist, and cultural artist, who devoted show in his art works the many faces of Negrenses overwhelmed with various crises.
A smiling mask, which is the symbol of the fiesta was conceived by the organizers to show the happy spirit of the Negrenses despite experiencing bad times in the sugar industry.
The Masskara festival was first envisioned in 1980 to add color and jollity to the Bcolod City's celebration of its Charter Day anniversary, on 19 October. The symbol of the festival - a smiling mask - was adopted by the organizers to dramatize the Negrenses happy spirit, in spite of periodic economic downturns in the sugar industry.
Throughout the week, people from all over the Visayas, gather to the town plaza. They join Bacoleños in the non-stop round of festivities. Even if you don't feel like dancing and singing, the pig catching and pole climbing competitions are musts. Some are also trying their luck and testing their skills in mask-making contests, disco king and queen competitions, coconut-milk drinking to name a few.
traveladventureeverywhere.blogspot.com/2017/10/russia-voy...
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
Book: www.lulu.com/shop/giles-watson/pearl/paperback/product-20...
Reading: www.youtube.com/watch?v=012W9MjMwpM
The story so far: The Dreamer loses his Pearl in a grassy mound - evidently her grave. He swoons with grief, and awakens in an earthly paradise, through which there runs a beautiful stream. The land on the opposite bank seems even more beautiful. He wanders further down the stream, hoping to find a bridge or a ford. Just when he starts to become afraid of the dangers that may be in store for him, he sees a young woman sitting at the foot of a crystal cliff on the opposite bank, and instantly recognises her as his lost Pearl. He hails his Pearl and expresses his relief that she still exists, but she begins to reprove him for his lack of faith. She criticises him for only believing that her soul is immortal now that he can see her, and is shocked by his suggestion that he - a mortal man - has a hope of joining her in Paradise without first experiencing death. He tells her that for him to walk away from her now that he has found her again would be to suffer a fresh bereavement. She replies that it is divinely decreed that he cannot cross over to her. The Dreamer pleads with his Pearl to accept that his rash questions were borne out of his great grief, and asks her to describe her life in Paradise. She relents, and tells him that she is crowned Queen of Heaven, and is married to the Lamb. The Dreamer is shocked by this assertion. He says that he thought only the Virgin Mary was Queen of Heaven. Pearl replies with a description of a-semi egalitarian heaven in which all inhabitants are kings and queens, and asserts that although Mary has pre-eminence, none of those in heaven would ever question it, because she is so “courteous”. She cites the Pauline notion that the church is the body of Christ in support of her claim. The Dreamer is even less convinced than before. He wonders how she can have been instantly crowned a Queen of Heaven when she was on the earth for less than two years. She replies at length, citing the parable of the labourers in the vineyard as justification for her rapid advancement in the kingdom of Heaven. She continues to retell the parable, and concludes by insisting that like the workers who worked less than two hours in the vineyard, she was first in line for God’s reward when she reached Heaven. The Dreamer cannot understand. Surely, he argues, those who have endured a lifetime’s pain and temptation must have precedence. She responds that those who die as children die innocent, whereas those who have lived longer are more likely to be tainted by the world, and argues that the Dreamer is underestimating the grace of God. She continues by expounding a series of Biblical texts on the theme of righteousness and justification, culminating with the scene from the gospels in which Christ welcomes the children, and reproves his disciples for attempting to repel them. She further expounds on this theme:
“Righteous Christ told his disciples:
‘There is a Kingdom you’ll never win
Unless you come as a little child.
The grown are barred – they’ll not get in.
The harmless, helpless, undefiled,
Unspotted by some smearing sin:
They stand and knock, shy and mild,
And on its hinge, the door swings
Wide open. Bliss beckons them within:
That bliss for which the jeweller searched
And sold his goods, both wool and linen,
To buy a pearl so unbesmirched.
That pearl is unbesmirched, so dear
The jeweller sold off all his goods:
It’s like a globe of heaven, clear
As Yahweh’s firmament and flood,
For it is flawless – crystal clear –
Round and endless, like the world,
The jewel of all whose holy fear
Was cleansing.’ At my breast it glowed –
My Lord, the Lamb, who spouted blood,
He set it there, pledged peace, and reached
Into my heart. Forsake this raging, wild
World. Buy this Pearl. It’s unbesmirched.”
“You, Pearl, unbesmirched and pure,
Who wears, I swear, the Pearl of Price,
What maker formed your fair figure?
Who made your clothes? – For he was wise.
Your beauty bedazzles mere nature –
Pygmalion failed to paint your face
And Aristotle couldn’t conjure
Out of words your virtues, grace
And properties. You shame the fleur-de-lys.
Your radiant face is angel-touched.
What oyster opened to unleash
A Pearl so pale and unbesmirched?”
“My unbesmirched Lamb amended all,”
She says, “Bade me be his bride –
And I, unworthy of his call
By worldly rules, could not deny
Him. I left your dank world – the Fall
Mouldered it. He blessed me, high
As Heaven: ‘Come here!’ I couldn’t forestall.
‘No spot or stain is to be scried
In your white skin.’ He gave beauty, swilled
My clothes in blood amidst his church,
And crowned, cleansed, acquitted, plied
Me with pearls – all unbesmirched.”
“Unbesmirched bride who burns like flame,
Consort to Christ, rich and alive,
What kind of creature is this Lamb
Who woos with you and makes you wife –
And with such competition? How’d you climb
To lead with him a Lady’s life?
So many women must come, comb
Their hair, flutter eyelashes, give strife
To Christ! D’you have the skill to drive
Them all away? Don’t they screech
At you? Are you so powerful and alive –
A matchless maiden, and unbesmirched?”
Late fourteenth century poem, written in a north-west midland dialect of Middle English, paraphrased by Giles Watson. The concatenation centres on the word “maskelles”, which means “spotless”, but which is easily – and once deliberately – confused with “makeless”, or “matchless”. Pearl’s argument makes reference to the parable of the Pearl of Price (Matthew 13: 45-6), and she also refers to the Song of Solomon (4: 7-8) in her metaphor of the mystical marriage to Christ. The assertion that the Pearl is “round and endless” (“endelez rounde”) is an image of perfection which underpins the structure of the whole poem: the complex interrelationships set up by the concatenation in different sections, combined with the circular pattern of the whole, which begins and ends with the same imagery and lexis, are an attempt on the part of the poet to mirror in words the spherical perfection of the pearl. It has been argued that the references to Pygmalion and Aristotle are derived from the Romance of the Rose, but it is more likely that these were simply traditional comparisons. The passage about the oyster is controversial. In the only surviving manuscript, the word looks like “offys” (“office”), and modern translations usually conform to this: “Tell me, fair maid, what kind of office/ Bears the pearl so matchless.” However, one scholar has suggested that a small pen-stroke could have made all the difference, and the word becomes “ostriys” (“oysters”). This suggestion is so attractive, and so consistent with the poem’s central image, that I have followed it. (See ref. to Bradley, unpublished, in Malcolm Andrew and Ronald Waldron, The Poems of the Pearl Manuscript: Pearl, Cleanness, Patience, Sir Gawain and the Green Knight, Exeter, 2002, p. 89n.) It is unusual for the Gawain poet to rhyme twice on the same word. I have preserved his repetition of "clear" in this section, because it is clearly deliberate, and for emphasis.
London, Warwick Gardens, W14 postcode
Taken from www.catholicauthors.com/chesterton.html
The paternal great-grandfather, grandfather and father of G. K. Chesterton were engaged in the business of selling houses (estate agents as they are called in England). His father, Edward, married Marie Grosjean, whose family had long been English, but had originally come from French Switzerland. They had three children, Gilbert, born on May 29, 1874, Cecil, five years his junior, and Beatrice, who died in childhood.
Gilbert's father distinguished between living and making a living: a successful businessman, he had a dozen hobbies, not the least of them the making of a toy-theatre, and he was widely read, especially in English literature.
A happy childhood in a happy home laid the foundation for Gilbert's sane and sensible outlook on life. As a little boy he read fairy tales; as a big boy he wrote and illustrated them, some of which are preserved in his book The Coloured Lands. Gilbert first attended Colet Court School, entering St. Paul's as a day student when he was twelve. The reports on him for his six years there (1887-92) were that he was a good boy but an indifferent student, a dreamer, interested chiefly in drawing and English literature. In his "dramatic journal,"kept irregularly from his sixteenth year, he dramatized scenes from Scott and burlesqued portions of Shakespeare. He later acknowledged the strong influence on his youthful formation made by the Junior Debating Club, of which he was chairman. It met weekly at the home of one of its dozen teenage members and, following tea, one of them read a paper which was then debated. In the issues of its organ, The Debater, his first prose and verse were printed; his essays on Milton, Pope, Gray, Cowper, Burns, and Wordsworth being noteworthy. In his last year at St. Paul's (1892), he entered a competition for a prize poem (on St. Francis Xavier), and won it. From 1892 to 1895 he studied art at the Slade School and during part of the time he attended lectures on English literature at University College. A fellow-student whose family controlled the publishing firm of Hodder & Stoughton gave him some art books to review in the firm's monthly, The Boohman. And upon leaving Slade, he entered the office of a publisher of spiritualistic literature and later the office of the general publisher, Fisher Unwin. There he began to write Greybeards at Play as well as to revise, edit and counsel the works of others.
At St. Paul's Gilbert formed lifelong friendships with the future writer Edmund C. Bentley and with Lucian Oldershaw. In 1896 Lucian was courting Ethel Blogg (anglicized from Blogue) and took Gilbert with him to call. At first sight he fell in love with her sister Frances and, after a courtship extended by his then meager earnings, they were married in 1901. It was Lucian who, in 1900, also introduced the twenty-six-year old Gilbert to the thirty-year-old Belloc. Their reciprocal influence was lifelong as was their friendship.
In 1899 Gilbert began writing for The Speaker, a Liberal weekly. His first book, a volume of comic verse which he also illustrated, Greybeards at Play, was successfully published in 1900; later that year, his father financed publication of his second book, The Wild Knight and Other Poems. But it was his brilliant though unpopular pro-Boer stand on the Boer War which first brought him to public attention, and by 1901 he also was writing regularly for The Daily News. His third book, The Defendant (1901), comprised some of his essays from The Speaker, and is suffused with paradoxes, a literary form which has since been associated with his name. ("I did not acquit Chesterton of paradox," wrote his great admirer Msgr. Knox, "but, after all, what was a paradox but a statement of the obvious so as to make it sound untrue?")
He prided himself on being a journalist, and much of his work was first published in the popular journals of the day, many of his books being collected and edited from these essays, and much more of it has never been collected at all.
He was a tall man-six-foot two, and a stout one- nearly three hundred pounds; he dressed unconventionally in a wide-brimmed slouch hat and a flowing cloak; and carried a walking stick; he had a leonine head and a rather straggly blonde mustache. By the time he was only thirty-two he had become famous, instantly recognized in public and in caricature. True, some of his most popular works had been published by then: G. F Watts (1902), Twelve Types (1902), Robert Browning (in the English Men of Letters series, 1903), The Napoleon of Notting Nill, which he called his first important book (1904), The Club of Queer Trades (1905), Heretics (1905), and Charles Dickens (1906). And in social intercourse he was already one with such personalities of the day as Joseph Conrad, Henry James, Laurence Binyon, James M. Barrie, Max Beerbohm, Swinburne, George Meredith, Yeats, and Granville Barker.
In 1904, Sir Oliver Lodge invited him to become a candidate for the Chair of Literature at Birmingham University, but he declined. The invitation was doubtless extended on the strength of his books on Browning and on Dickens. The success of the latter was such that he was requested to write a series of prefaces to all of Dickens' novels.
At the time of his marriage he believed in the basic Christian religious truths but in no particular religion. His wife was a convinced Anglo-Catholic, and she was particularly pleased when in 1905 he accepted an invitation to be the first of a series of lay preachers in St. Paul's Church, Covent Garden.
From this time on there was an almost constant stream of lecture engagements far and wide and to almost every type of organization,-religious, literary, social, and even political. He was famous, he was wanted, and he couldn't say no. His wife became his secretary recording times, places, subjects, and arranging itineraries. He became so pressed for time that he had to write at odd moments and to do his newspaper essays at deadline. This constant pressure extended from 1904 to 1908. He was notoriously absent-minded. Typical was the telegram he sent his wife when he was en route to give a lecture: "Am in Market Harborough. Where ought I to be?~' He hated physical exertion as much as he reveled in mental activity.
Another phantasy, The Man Who Was Thursday (1907) was followed by Orthodoxy (1908). When Gilbert had attacked the philosophy of G. S. Street, he retorted that he would worry about it when G.K. would clarify his own. The tesult was Orthodoxy, a series of positive arguments for Christianity. Etienne Gilson considered it ''The best piece of apologetic the century has produced." Incidentally, Gilbert sold the manuscript outright for about $400.00. The meager returns on his numerous and popular writings moved him at this time to employ a literary agent; with gratifying results.
He began a weekly column, "Our Notebook,'' in The Illustrated London News in 1905 and continued it until his death thirty-one years later.
In 1909 he and his wife moved from Battersea, London, to the suburban town of Beaconsfield, which was to be their home for the rest of their lives. Their desire for children was never to be fulfilled; later they adopted Dorothy Collins who had become Gilbert's secretary in 1926. At Overroads, their Beaconsfield home, he was removed from the bustle and bars of Fleet Street and had more leisure for his friends: Max Beerbohm, Jack Phillmore, Msgr. O'Connor, Maurice Baring, Belloc, George Wyndham, Msgr. Knox, and a host of others. But his social life did not deter the stream of his books, as witness The Ball and the Cross, What's Wrong With the World (changed by his publishers from What's Wrong? and in which he formulated his sociology), Alarms and Discursions, and Blake (all published in 1910), Criticisms and Appreciations of Dickens, The Innocence of Father Brown, and, what many deem his greatest writing, The Ballad of the White Horse (all published in 1911). Too, his interest in politics, which he had had from boyhood, became more active: he began by fighting the sale of peerages as a means of secretly raising party funds, and continued blasting every other form of political corruption. Of necessity this interest included social reform, public education, a free press, etc. He resigned from the Liberal owned Daily News (a property of Cadbury of Cadbury's Cocoa) to write for the Daily Herald. He doubtless resigned just before being asked to, for his recent statements regarding the Liberal party leaders included: "Some of them are very nice oldgentlemen, some of them are very nasty old gentlemen, and some of them are old without being gentlemen at all." And again, "The best of His Majesty's Ministers are agnostics, and the worst are devil worshippers." This hit hard because at least nominally Church of England men (some ecclesiastics) were the predominant rulers of the realm.
Reacting against what they believed wrong with the English social-economic condition, Gilbert, his brother Cecil, and Belloc formulated their own program: Distributism. One of their principal points of controversy was over private ownership, chiefly ownership of the land which was tragically curtailed by the law of enclosure by which some five million acres ceased in effect to be the common property of the poor and became the private property of the rich. In books and articles they carried on their fight for the liberty of Englishmen against increasing enslavement to a plutocracy, and to expose and combat corruption in public life. As their audience increased and took form, they decided upon publishing their own paper. It was called The Eye Witness, from 1911-12, The New Witness, from 1912-23, G.K.'s Weekly, from 1925-36, and The Weekly Review, since 1936. It was edited at various times by each of the three. In the Marconi case, they contended that Godfrey Isaacs had used Rulus Isaacs to purchase ministerial favor. The court verdict in this complicated litigation was a gentle rebuke to the Isaacs and a small fine for editor Cecil. So small in view of the serious charges made that the Chesterbelloc considered it a moral victory. But the government then showed its contempt for integrity by appointing Godfrey Isaacs as the Viceroy of India and giving Rufus the title of Lord Reading.
Gilbert's books in this period included Manalive (1911), A Miscellany of Men, essays (1912), The Victorian Age in Literature (1913), The Wisdom of Father Brown (1914), and The Flying Inn (1914). His poetic play, Magic, was produced in England in October 1913, and in Germany soon afterward. And following a conversation with Msgr. O'Connor on the subject, he wrote his best known single poem, "The Ballad of Lepanto" (19 12).
In September 1916, Cecil enlisted as a private in the army and died in France on December 6, 1918. Upon his enlistment, Gilbert succeeded him as editor of The New Witness.
Gilbert went on a lecture tour to Palestine (which became a determining factor in his conversion) in 1919, to Italy in 1920, and to the United States in 1921-22 and again in 1930-31. From these travels came The New Jerusalem (1920), What I Saw in America (1922) and Sidelights on New London and Newer York (1932). His American tour included a series of thirty-six lectures on Victorian literature and history at the University of Notre Dame (his poem "The Arena" commemorates his visit), as well as talks delivered at San Francisco, Omaha, Oklahoma City, Nashville, New York, Chicago, Detroit, Philadelphia, Boston, and other cities.
The same period witnessed the publication of his Irish Impressions (1919), The Uses of Diversity (1920), The Superstition of Divorce (1920), Eugenics and Other Evils (1922), The Man Who Knew Too Much (1922), and Fancies Versus Fads (1923). Some idea of his intellectual fertility is indicated by the fact that at one time he had thirty books contracted for with various publishers.
Gilbert's brother Cecil had become a Catholic shortly before going to war and Gilbert himself had been forming a Catholic mind slowly but steadily from about the same time. But he was not one to be hurried and fortunately even his closest friends, Maurice Baring and Ronald Knox (themselves converts), though he acknowledged their influence upon him, did not try to hurry him. Eventually it was Father O'Connor who received him into the Church in 1922. On the same day he wrote his celebrated poem "The Convert." By her own conscience his wife followed him into the fold four years later.
The time between the death of The New Witness in 1923 and the birth of G.K.'s Weekly in 1925 gave him sufficient leisure to write two of his most important books: St. Francis of Assisi (1923) and The Everlasting Man (1925) . But to the paper which enshrined his brother's memory though it now bore his own initials, Gilbert devoted much of his time as editor from 1925 to 1930. Most of those who knew him regarded it as a sacrifice. Besides Belloc and himself, a steady contributor was Eric Gill; out of friendship for Gilbert, Shaw and Wells contributed occasionally.
In 1926 the social and economic program of the paper feathered the Distributist League, of which Gilbert was elected president. He stated that ''Their simple idea was to restore possession." To restore property and prosperity to the people from whom it had been taken by big government and big business. Distributism was to be a practical alternative to Capitalism and Socialism. Branches were soon established throughout England and the circulation of its organ, G.K.'s Weekly, rose from 4,650 to 8,000 copies. The influence of the movement far exceeded its numbers; men like Father McNabb, O.P., in England (whom some hold fathered rather than was a disciple of the movement), Msgr. Ligutti in the United States, Dr. Coady and Dr. Tompkins in Canada, as well as others in Australia and New Zealand, acknowledged its influence upon their labors.
Despite the yearly loss by the paper and his constant charity to the needy, from panhandlers to causes, Gilbert helped to build the Church at Beaconsfield, until then a mission of High Wycomb parish. It became his memorial.
In 1926 were published The Outline of Sanity, The Catholic Church and Conversion, The Incredulity of Father Brown (as Gilbert said to Father Rice, "My publishers have demanded a fresh batch of corpses"), and The Queen of the Seven Swords; in 1926, his Collected Poems, The Return of Don Quixote (which first appeared serially in G.K.'s Weekly), Robert Louis Stevenson, The Secret of Father Brown, and a play, The Judgment of Dr. Johnson. Like his Magic, it was successful as literature, not as theatre. The Father Brown detective stories brought him charter membership in the Detection Club (1929) and soon afterwards its presidency.
He spent a month of 1927 in Poland, a nation whose true place in Europe he held high. Two years later his visit to Rome resulted in The Resurrection of Rome (1930). His more successful books of this period were his Catholic essays, The Thing (1929), and the two volumes of general essays, Come to Think of It (1930) and All Is Grist (1931), and his reflections flowing from the Eucharistic Congress which he and his wife attended in 1932, Christendom in Dublin, his studies of Chaucer and of St. Thomas Aquinas. Of this last, Etienne Gilson, a foremost Thomistic scholar, said: "I consider it as being without possible comparison the best book ever written on St. Thomas. And P'ere Gillet, O.P., MasterGeneral of the Dominican Order, lectured on and from it to large meetings of Dominicans.
From 1932 until his death he engaged increasingly in radio lectures, delivering as many as forty a year over the B.B.C. The B.B.C. is a state monopoly (as such, Gilbert attacked it: "It is wicked to nationalize mines and railroads; but we lose no time in nationalizing tongues and talk''), and he had to submit a manuscript for each lecture; but, for the sake of spontaneity, he was not held to the letter of it. These talks were so well received that a B.B.C. official remarked after his death that "G.K.C. in another year or so would have become the dominating voice from Broadcasting House." Too, they reached untold thousands who had never read his writings.
While in Rome, Gilbert interviewed Mussolini and had an audience with the Holy Father. In 1934 he was elected, honoris causa, to the Athenaeum Club. Both he and Belloc were invested as Papal Knight Commanders of the Order of St. Gregory with Star. At his death in 1936 the Holy See cabled Cardinal Hinsley: "Holy Father deeply grieved death Mr. Gilbert Keith Chesterton devoted son of Holy Church gifted Defender of the Catholic Faith. His Holiness offers paternal sympathy people of England, assures prayers dear departed, bestows Apostolic Benediction."
The panegyric was delivered in Westminster Cathedral by Msgr. Ronald Knox. His monument was designed by Eric Gill and burial was at Beaconsfield. His wife survived him by a little more than two years.
He had employed his great God-given gifts with humility and charity; indeed these two virtues characterized his life.
Books on him are numerous: first in time and also very important is G. K. Chesterton: a Criticism (1908), published anonymously but later learned to be by his brother Cecil; Belloc's brief but brilliant The Place of Chesterton in English Letters (1940); Father Brown on Chesterton (1937) by Msgr. John O'Connor; The Laughing Prophet (1937) by Emile Cammaerts is concerned more with the man than with the writer; Chesterton As Seen by His Contemporaries (1939), includes material by Gilbert himself, edited by Cyril Clemens; Gilbert's Autobiography (published posthumously in 1936), in which, with characteristic humility, he seems bent upon writing about everyone but himself; and the definitive biography, G. K. Chesterton (1943) by his long-time friend, Maisie Ward (Mrs. Frank J. Sheed).
Película cristiana en español | "¿Quién es mi Señor?" ¿Sabes la relación entre la Biblia y Dios?
Liu Zhizhong es anciano de una iglesia clandestina local de China. Lleva creyendo más de 30 años y siempre ha mantenido que "La Biblia viene de la inspiración de Dios", "La Biblia representa a Dios, creer en Dios es creer en la Biblia, creer en la Biblia es creer en Dios". La Biblia es suprema en su corazón. Por su idolatría y fe ciega en la Biblia, nunca ha estudiado ni buscado la obra de Dios Todopoderoso de los últimos días. Hasta que un día en que impidió que los creyentes leyeran las palabras de Dios Todopoderoso en internet se encontró inesperadamente con los predicadores de la Iglesia de Dios Todopoderoso. Tras unos intensos debates sobre la verdad, ¿llegó a ver clara la relación entre la Biblia y Dios? ¿Se pudo apartar de la Biblia, comprender que Cristo es la verdad, el camino y la vida, y ser arrebatado ante Dios?
VENICE BIENNALE / VENEZIA BIENNIAL 2013 : BIENNALIST
www.emergencyrooms.org/biennalist.html
Biennalist is an Art Format by Thierry Geoffroy / Colonel debating with artistic tools on Biennales and other cultural managed events . Often those events promote them selves with thematics and press releases faking their aim . Biennalist take the thematics of the Biennales very seriously , and test their pertinance . Artists have questioned for decade the canvas , the pigment , the museum ... since 1989 we question the Biennales .Often Biennalist converge with Emergency Room providing a burning content that cannot wait ( today before it is too late )
please contact before using the images : Thierry Geoffroy / Colonel 1@colonel.dk
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lists of artists participating at the Venice Biennale :
Hilma af Klint, Victor Alimpiev, Ellen Altfest, Paweł Althamer, Levi Fisher Ames, Yuri Ancarani, Carl Andre, Uri Aran, Yüksel Arslan, Ed Atkins, Marino Auriti, Enrico Baj, Mirosław Bałka, Phyllida Barlow, Morton Bartlett, Gianfranco Baruchello, Hans Bellmer, Neïl Beloufa, Graphic Works of Southeast Asia and Melanesia, Hugo A. Bernatzik Collection, Ștefan Bertalan, Rossella Biscotti, Arthur Bispo do Rosário, John Bock, Frédéric Bruly Bouabré, Geta Brătescu, KP Brehmer, James Lee Byars, Roger Caillois, Varda Caivano, Vlassis Caniaris, James Castle, Alice Channer, George Condo, Aleister Crowley & Frieda Harris, Robert Crumb, Roberto Cuoghi, Enrico David, Tacita Dean, John De Andrea, Thierry De Cordier, Jos De Gruyter e Harald Thys, Walter De Maria, Simon Denny, Trisha Donnelly, Jimmie Durham, Harun Farocki, Peter Fischli & David Weiss, Linda Fregni Nagler, Peter Fritz, Aurélien Froment, Phyllis Galembo, Norbert Ghisoland, Yervant Gianikian & Angela Ricci Lucchi, Domenico Gnoli, Robert Gober, Tamar Guimarães and Kasper Akhøj, Guo Fengyi, João Maria Gusmão & Pedro Paiva, Wade Guyton, Haitian Vodou Flags, Duane Hanson, Sharon Hayes, Camille Henrot, Daniel Hesidence, Roger Hiorns, Channa Horwitz, Jessica Jackson Hutchins, René Iché, Hans Josephsoh, Kan Xuan, Bouchra Khalili, Ragnar Kjartansson, Eva Kotátková, Evgenij Kozlov, Emma Kunz, Maria Lassnig, Mark Leckey, Augustin Lesage, Lin Xue, Herbert List, José Antonio Suárez Londoño, Sarah Lucas, Helen Marten, Paul McCarthy, Steve McQueen, Prabhavathi Meppayil, Marisa Merz, Pierre Molinier, Matthew Monahan, Laurent Montaron, Melvin Moti, Matt Mullican, Ron Nagle, Bruce Nauman, Albert Oehlen, Shinro Ohtake, J.D. ‘Okhai Ojeikere, Henrik Olesen, John Outterbridg, Paño Drawings, Marco Paolini, Diego Perrone, Walter Pichler, Otto Piene, Eliot Porter, Imran Qureshi, Carol Rama, Charles Ray, James Richards, Achilles G. Rizzoli, Pamela Rosenkranz, Dieter Roth, Viviane Sassen, Shinichi Sawada, Hans Schärer, Karl Schenker, Michael Schmidt, Jean-Frédéric Schnyder, Friedrich Schröder-Sonnenstern, Tino Sehgal, Richard Serra, Shaker Gift Drawings, Jim Shaw, Cindy Sherman, Laurie Simmons e Allan McCollum, Drossos P. Skyllas, Harry Smith, Xul Solar, Christiana Soulou, Eduard Spelterini, Rudolf Steiner, Hito Steyerl, Papa Ibra Tall, Dorothea Tanning, Anonymous Tantric Paintings, Ryan Trecartin, Rosemarie Trockel, Andra Ursuta, Patrick Van Caeckenbergh, Stan VanDerBeek, Erik van Lieshout, Danh Vo, Eugene Von Bruenchenhein, Günter Weseler, Jack Whitten, Cathy Wilkes, Christopher Williams, Lynette Yiadom-Boakye, Kohei YoshiyUKi, Sergey Zarva, Anna Zemánková, Jakub Julian Ziółkowski ,Artur Żmijewski.
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other pavilions at Venice Biennale
Andorra Artists: Javier Balmaseda, Samantha Bosque, Fiona Morrison
Commissioner: Henry Périer Deputy Commissioners: Francesc Rodríguez, Ermengol Puig, Ruth Casabella
Curators: Josep M. Ubach, Paolo De GrandisAngola Artist: Edson Chagas Commissioner: Ministry of Culture
Curators: Beyond Entropy (Paula Nascimento, Stefano Rabolli Pansera), Jorge Gumbe, Feliciano dos Santos
Argentina Artist: Nicola Costantino Commissioner: Magdalena Faillace Curator: Fernando Farina
Armenia Artist: Ararat SarkissianCurator: Arman Grogoryan /AustraliaArtist: Simryn Gill Commissioner: Simon Mordant Deputy Commissioner: Penelope Seidler Curator: Catherine de Zegher /AustriaArtist: Mathias Poledna ,Curator: Jasper Sharp /AzerbaijanArtists: Rashad Alakbarov, Sanan Aleskerov, Chingiz Babayev, Butunay Hagverdiyev, Fakhriyya Mammadova, Farid Rasulov /Commissioner: Heydar Aliyev FoundationCurator: Hervé Mikaeloff
Bahamas Artist: Tavares Strachan Commissioner: Nalini Bethel, Ministry of Tourism Curators: Jean Crutchfield, Robert HobbsDeputy Curator: Stamatina Gregory/BangladeshChhakka Artists’ Group: Mokhlesur Rahman, Mahbub Zamal, A. K. M. Zahidul Mustafa, Ashok Karmaker, Lala Rukh Selim, Uttam Kumar Karmaker. Dhali Al Mamoon, Yasmin Jahan Nupur, Gavin Rain, Gianfranco Meggiato, Charupit School/Commissioner/Curator: Francesco Elisei. , Curator: Fabio Anselmi./BahrainArtists: Mariam Haji, Waheeda Malullah, Camille Zakharia /Commissioner: Mai bint Mohammed Al Khalifa, Minister of Culture /Curator: Melissa Enders-Bhatiaa/BelgiumArtist: Berlinde De Bruyckere
Commissioner: Joke Schauvliege, Flemish Minister for Environment, Nature and Culture .Curator: J. M. Coetzee ,Deputy Curator: Philippe Van Cauteren /Bosnia and Herzegovina
Artist: Mladen Miljanovic .Commissioners: Sarita Vujković, Irfan Hošić
Brazil Artists: Hélio Fervenza, Odires Mlászho, Lygia Clark, Max Bill, Bruno Munari
Commissioner: Luis Terepins, Fundação Bienal de São Paulo,Curator: Luis Pérez-Oramas ,Deputy Curator: André Severo
CanadaArtist: Shary Boyle /Commissioner: National Gallery of Canada / Musée des beaux-arts du Canada ,Curator: Josée Drouin-Brisebois/Central AsiaArtists: Vyacheslav Akhunov, Sergey Chutkov, Saodat Ismailova, Kamilla Kurmanbekova, Ikuru Kuwajima, Anton Rodin, Aza Shade, Erlan Tuyakov
Commissioner: HIVOS (Humanist Institute for Development Cooperation)
Deputy Commissioner: Dean Vanessa Ohlraun (Oslo National Academy of the Arts/The Academy of Fine Art)
Curators: Ayatgali Tuleubek, Tiago Bom
Scientific Committee: Susanne M. Winterling
ChileArtist: Alfredo JaarCommissioner: CNCA, National Council of Culture and the Arts Curator: Madeleine Grynsztejn
ChinaArtists: He Yunchang, Hu Yaolin, Miao Xiaochun, Shu Yong, Tong Hongsheng, Wang Qingsong, Zhang Xiaotao
Commissioner: China Arts and Entertainment Group (CAEG) ,Curator: Wang Chunchen
Costa Rica Artists: Priscilla Monge, Esteban Piedra, Rafael Ottón Solís, Cinthya Soto
Commissioner: Francesco EliseiCurator: Francisco Córdoba, Museo de Arte y Diseño Contemporáneo (Fiorella Resenterra)
Croatia Artist: Kata Mijatovic ,Commissioner/Curator: Branko Franceschi.
CubaArtists: Liudmila and Nelson, Maria Magdalena Campos & Neil Leonard, Sandra Ramos, Glenda León, Lázaro Saavedra, Tonel, Hermann Nitsch, Gilberto Zorio, Wang Du, H.H.Lim, Pedro Costa, Rui Chafes, Francesca Leone ,Commissioner: Miria ViciniCurators: Jorge Fernández Torres, Giacomo Zaza
CyprusArtists: Lia Haraki, Maria Hassabi, Phanos Kyriacou, Constantinos Taliotis, Natalie Yiaxi, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter Sinister /Louli Michaelidou
Deputy Commissioners: Angela Skordi, Marika Ioannou/Curator: Raimundas Malašauskas
Czech Republic & Slovak RepublicArtists: Petra Feriancova, Zbynek Baladran ,Commissioner: Monika Palcova, Curator: Marek Pokorny /DenmarkArtist: Jesper Just in collaboration with Project ProjectsEgypt
Artists: Mohamed Banawy, Khaled Zaki
EstoniaArtist: Dénes Farkas ,Commissioner: Maria Arusoo ,Curator: Adam Budak
FinlandArtist: Antti Laitinen , Commissioner: Raija Koli , Curators: Marko Karo, Mika Elo, Harri Laakso
FranceArtist: Anri Sala ,Curator: Christine Macel
GeorgiaArtists: Bouillon Group,Thea Djordjadze, Nikoloz Lutidze, Gela Patashuri with Ei Arakawa and Sergei Tcherepnin, Gio Sumbadze/Commissioner: Marine Mizandari, First Deputy Minister of Culture Curator: Joanna Warsza
GermanyArtists: Ai Weiwei, Romuald Karmakar, Santu Mofokeng, Dayanita Singh Commissioner/Curator: Susanne Gaensheimer /Great BritainArtist: Jeremy Deller ,Commissioner: Andrea Rose , Curator: Emma Gifford-Mead
Holy SeeArtists: Lawrence Carroll, Josef Koudelka, Studio Azzurro ,Curator: Antonio Paolucci
Hungary , Artist: Zsolt Asztalos , Curator: Gabriella Uhl
Iceland , Artist: Katrín Sigurðardóttir ,Commissioner: Dorotheé Kirch
Curators: Mary Ceruti , Ilaria Bonacossa/IndonesiaArtists: Albert Yonathan Setyawan, Eko Nugroho, Entang Wiharso, Rahayu Supanggah, Sri Astari, Titarubi
Deputy Commissioner: Achille Bonito Oliva , Assistant Commissioner: Mirah M. Sjarif
Curators: Carla Bianpoen, Rifky Effendy
IraqArtists: Abdul Raheem Yassir, Akeel Khreef, Ali Samiaa, Bassim Al-Shaker, Cheeman Ismaeel, Furat al Jamil, Hareth Alhomaam, Jamal Penjweny, Kadhim Nwir, WAMI (Yaseen Wami, Hashim Taeeh)
Commissioner: Tamara Chalabi (Ruya Foundation for Contemporary Culture)Curator: Jonathan Watkins.
IrelandArtist: Richard MosseCommissioner, Curator: Anna O’Sullivan
Israel , Artist: Gilad Ratman , Commissioners: Arad Turgeman, Michael GovCurator: Sergio Edelstein
ItalyArtists: Francesco Arena, Massimo Bartolini, Gianfranco Baruchello, Elisabetta Benassi, Flavio Favelli, Luigi Ghirri, Piero Golia, Francesca Grilli, Marcello Maloberti, Fabio Mauri, Giulio Paolini, Marco Tirelli, Luca Vitone, Sislej Xhafa ,Commissioner: Maddalena Ragni
Curator: Bartolomeo Pietromarchi /Ivory Coast Artists: Frédéric Bruly Bouabré, Tamsir Dia, Jems Koko Bi, Franck Fanny
Commissioner: Paolo De Grandis , Curator: Yacouba Konaté
Japan ,Artist: Koki Tanaka ,Curator: Mika Kuraya
KenyaArtists: Kivuthi Mbuno, Armando Tanzini, Chrispus Wangombe Wachira, Fan Bo, Luo Ling & Liu Ke, Lu Peng, Li Wei, He Weiming, Chen Wenling, Feng Zhengjie, César MeneghettiCommissioner: Paola Poponi ,Curators: Sandro Orlandi, Paola Poponi /Korea (Republic of)Artist: Kimsooja
KosovoArtist: Petrit Halilaj ,Commissioner: Erzen Shkololli ,Curator: Kathrin Rhomberg
KuwaitArtists: Sami Mohammad, Tarek Al-Ghoussein
Commissioner: Mohammed Al-Asoussi ,Curator: Ala Younis /Latin AmericaIstituto Italo-Latino Americano
Artists:Marcos Agudelo, Miguel Alvear & Patricio Andrade, Susana Arwas, François Bucher, Fredi Casco, Colectivo Quintapata (Pascal Meccariello, Raquel Paiewonsky, Jorge Pineda, Belkis Ramírez), Humberto Díaz, Sonia Falcone, León & Cociña, Lucía Madriz, Jhafis Quintero, Martín Sastre, Guillermo Srodek-Hart, Juliana Stein, Simón Vega, Luca Vitone, David Zink Yi. /Harun Farocki & Antje Ehmann. In collaboration with: Cristián Silva-Avária, Anna Azevedo, Paola Barreto, Fred Benevides, Anna Bentes, Hermano Callou, Renata Catharino, Patrick Sonni Cavalier, Lucas Ferraço Nassif, Luiz Garcia, André Herique, Bruna Mastrogiovanni, Cezar Migliorin, Felipe Ribeiro, Roberto Robalinho, Bruno Vianna, Beny Wagner, Christian Jankowski ,Commissioner: Sylvia Irrazábal ,Curator: Alfons Hug
Deputy Curator: Paz Guevara /Latvia Artists: Kaspars Podnieks, Krišs Salmanis ,Commissioners: Zane Culkstena, Zane Onckule ,Curators: Anne Barlow, Courtenay Finn, Alise Tifentale
LithuaniaArtist: Gintaras Didžiapetris, Elena Narbutaite, Liudvikas Buklys, Kazys Varnelis, Vytaute Žilinskaite, Morten Norbye Halvorsen, Jason Dodge, Gabriel Lester, Dexter SinisterCommissioners: Jonas Žokaitis, Aurime Aleksandraviciute Curator: Raimundas Malašauskas /LuxembourgArtist: Catherine LorentCommissioner: Clément Minighetti Curator: Anna Loporcaro /MexicoArtist: Ariel Guzik ,Commissioner: Gastón Ramírez Feltrín ,Curator: Itala Schmelz
Montenegro ,Artist: Irena Lagator Pejovic .Commissioner/Curator: Nataša Nikcevic
The Netherlands ,Artist: Mark Manders
Commissioner: Mondriaan Fund ,Curator: Lorenzo Benedetti
New Zealand Artist: Bill Culbert ,Commissioner: Jenny Harper ,Deputy Commissioner: Heather Galbraith ,Curator: Justin Paton /Finland: ,Artist: Terike Haapoja ,Commissioner: Raija Koli ,Curators: Marko Karo, Mika Elo, Harri Laakso
Norway:Artists: Edvard Munch, Lene Berg
Curators: Marta Kuzma, Pablo Lafuente, Angela Vettese
Paraguay Artists: Pedro Barrail, Felix Toranzos, Diana Rossi, Daniel Milessi ,Commissioner: Elisa Victoria Aquino Laterza
Deputy Commissioner: Nori Vaccari Starck , Curator: Osvaldo González Real
Poland Artist: Konrad Smolenski Commissioner: Hanna Wróblewska Curators: Agnieszka Pindera, Daniel Muzyczuk
Portugal Artist: Joana Vasconcelos Curator: Miguel Amado
RomaniaArtists: Maria Alexandra Pirici, Manuel Pelmus Commissioner: Monica Morariu Deputy Commissioner: Alexandru Damia Curator: Raluca VoineaArtists: Anca Mihulet, Apparatus 22 (Dragos Olea, Maria Farcas,Erika Olea), Irina Botea, Nicu Ilfoveanu, Karolina Bregula, Adi Matei, Olivia Mihaltianu, Sebastian MoldovanCommissioner: Monica Morariu ,Deputy Commissioner: Alexandru Damian ,Curator: Anca Mihulet
Russia Artist: Vadim Zakharov ,Commissioner: Stella Kasaeva ,Curator: Udo Kittelmann
Serbia Artists: Vladimir Peric, Miloš Tomic .Commissioner: Maja Ciric
SloveniaArtist: Jasmina CibicCommissioner: Blaž Peršin ,Curator: Tevž Logar
South Africa Commissioner: Saul Molobi ,Curator: Brenton Maart
Spain Artist: Lara Almarcegui , Commissioner/Curator: Octavio Zaya
Switzerland Artist: Valentin Carron Commissioners: Pro Helvetia - Sandi Paucic and Marianne Burki
Curator: Giovanni CarmineVenue: Pavilion at Giardini
Syrian Arab RepublicArtists: Giorgio De Chirico, Miro George, Makhowl Moffak, Al Samman Nabil, Echtai Shaffik, Giulio Durini, Dario Arcidiacono, Massimiliano Alioto, Felipe Cardena, Roberto Paolini, Concetto Pozzati, Sergio Lombardo, Camilla Ancilotto, Lucio Micheletti, Lidia Bachis, Cracking Art Group, Hannu Palosuo
Commissioner: Christian Maretti Curator: Duccio Trombadori
Taiwan Artists: Bernd Behr, Chia-Wei Hsu, Kateřina Šedá + BATEŽO MIKILU Curator: Esther Lu
Thailand Artists: Wasinburee Supanichvoraparch, Arin Rungjang
Curators: Penwadee Nophaket Manont, Worathep Akkabootara
Turkey Artist: Ali Kazma Commissioner: Istanbul Foundation for Culture and Arts Curator: Emre Baykal
Ukraine Artists: Ridnyi Mykola, Zinkovskyi Hamlet, Kadyrova Zhanna Commissioner: Victor Sydorenko
Curators: Soloviov Oleksandr, Burlaka Victoria
United Arab Emirates Artist: Mohammed Kazem /Commissioner: Dr. Lamees Hamdan Curator: Reem Fadda
Uruguay Artist: Wifredo Díaz Valdéz
Commissioner: Ricardo Pascale Curators: Carlos Capelán, Verónica Cordeiro
USA Artist: Sarah Sze Commissioners/Curators: Carey Lovelace, Holly Block
Venezuela Colectivo de Artistas Urbanos Venezolanos , Commissioner: Edgar Ernesto González Curator: Juan Calzadilla
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Encyclopedic Palace is curated by Massimiliano Gioni
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Other Biennales (Biennials ) : Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
Reference: Photo 24/(135)
From the Girdwood Collection held by the British Library.
This image is part of the Europeana Collections 1914-1918
Date: 25 Jul 1915
See also:
- View this at the British Library's site
www[dot]blouseroumaine[dot]com/orderthebook_p1[dot]html
The Queen of Romania is a descendant of the prince of Moldavia (Jeremy Movila) via Maria Leczynska Queen of Louis XV of France and through their descendants to the Bourbob-Parme branch of the French and Danish Royal Families.
Prince Ieremia Movila was a great patron of the arts and founder of the painted convents of Bucovina. During his reign the principality of Moldavia experienced a renaissance of its decorative arts, especially the post-byzantine style religious embroideries.
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Regina Ana, Printesa de Danemarca si de Bourbon-Parma se trage, asa cum spune numele din Bourboni,
mai precis din ramura spaniola a Bourbonilor care erau si Duci de Parma.
Pornind pe linie directa ascendenta a familiei de Bourbon-Parma, deci pe linie barbateasca ,ajungem la Ferdinand I de Bourbon, Duce de Parma (1751-1802) nepotul Lui Filip V regele Spaniei si Duce de Anjou (1683, Versailles - 1746 Madrid).
Acest Ferdinand I Infante de Spania (1751-1802),care preceda cu sase generatii pe Ana de Bourbon-Parma a noastra [sper si a domniei tale] ) era casatorit cu printesa Louise Elisabeth de France (1727-1759), fiica lui Ludovic al XV regele Frantei si a sotiei lui Maria Leczynska ( 1703-1768) regina Frantei, care la randul ei era fiica lui Stanislas Lesczynski regele Poloniei si Duce de Lorena (1677-1766).
Acum, ca sa ajungem la Movilesti trebuie sa trecem pe ramurile femeiesti:
Bunica materna a lui Stanislas Lesczinski (socrul lui Ludovic XV) era Maria Ana Printesa Jabolonowska (1643-1687) nascuta contesa Kasanowska, iar bunica materna a acesteia din urma era Domnita Maria Movila ( 1591-1638) (fata lui Ieremia Voda), domnita moldoveanca al carui sot era Contele Stefan Potocki, Palatin de Wroclaw si prin care casatorie era cunoscuta in Polonia drept Marya Mohylanka.
Aceasta inseamna, bine inteles, ca prin stramosii ei Movilesti, Regina Ana de Romania se trage, prin Iermia Voda Movila, chiar din Petru Rares si din Stefan cel Mare si Sfant, iar prin acesta din urma din Dragos Voda primul descalecator al Moldovei.
Despre domnita Maria Movila contesa Potocka ne vorbeste istoricul Constantin GANE (1885-1962) in celebra lui lucrare "Trecute Vieti de Doamne si Domnite".
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"Blouse Roumaine - the Unsung Voices of Romanian Women"
Presented and Selected by Constantin ROMAN
Anthology E-BOOK (11BM)
DISTRIBUTION: Online with credit card
COST: $ 54.99, £34.99 (ca Euros 35.50)
LINK: www.blouseroumaine.com/orderthebook_p1.html
CONTENTS:
2,250,000 words,
over 1,000 pages,
ca 160 illustrations in text
160 critical biographies,
58 social categories/professions,
600 quotations (mostly translated into English for the first time),
circa 3,000 bibliographical references (including URLs and credits)
6 Indexes (alphabetical, by profession, timeline, quotation Index, place
index and name index)
AUTHOR: Constantin Roman is a Scholar with a Doctorate from Cambridge and a Member of the Society of Authors (London). He is an International Adviser, Guest Speaker, Professor Honoris Causa and Commander of the Order of Merit.
INDEX BY PROSFESSION: 58 CATEGORIES by Call, Profession or Social Status
Academics (22), Actresses (9), Anti-Communist Fighters (14), Architects/Interior Designers (2), Art Critics (9), Artist Book Binders (1), Ballerinas (6), Charity Workers/Benefactors (20), Communist Public Figures (2), Courtesans (3), Designers (2), Diplomats (4), Essayists (11), Ethnographers (6), Exiles & First-generation Romanians born abroad (87), Explorers (1), Feminists (12), Folk Singers (1), Gymnasts, Dressage Riders (2), Historians (5), Honorary Romanian Women (15), Illustrators (3), Journalists (13), Lawyers (4), Librarians (3), Linguists (2), Literary Critics (1), Media (15), Medical Doctors/Nurses (5), Memoir Writers (16), Missionaries and Nuns (4), Mountainéers (2), Museographers (1), Musical Instruments Makers (1), Novelists (24), Opera Singers (16), Painters (14), Peasant Farmers (6), Philosophers and Philosophy Graduates (4), Pianists (6), Pilots (4), Playwrights (5), Poets (29), Political Prisoners (30), Politicians (5), Revolutionaries (2), Royals and Aristocrats (34), Scientists (8), Sculptors (4), Slave (1), Socialites/Hostesses (20), Spouses/Relations of Public Figures (51), Spies (2), Tapestry Weavers (4), Translators (25), Unknown Illustrious (6), Violinists (4), Workers (3)
NOTE:
Most of the above 160 Romanian women, in the best tradition of versatility, are true polymaths and therefore nearly each one of them falls in more than just one category, often three or more. This explains why adding the numbers of the 57 individual categories bears no relation to the actual total of the above 160 women included in Blouse Roumaine.
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LIST OF 160 CRITICAL BIOGRAPHIES (each supported by Quotations and Bibliography)
AA *Gabriela Adamesteanu *Florenta Albu *Nina Arbore *Elena Arnàutoiu *Ioana Raluca Voicu-Arnàutoiu, *Laurentia Arnàutoiu *Mariea Plop - Arnàutoiu *Ana Aslan *Lady Elizabeth Asquith Bibescu
BB *Lauren Bacall *Lady Florence Baker *Zoe Bàlàceanu *Ecaterina Bàlàcioiu-Lovinescu *Victorine de Bellio *Pss. Marta Bibescu *Adriana Bittel *Maria Prodan Bjørnson *Ana Blandiana *Yvonne Blondel *Lola Bobescu *Smaranda Bràescu *Elena Bràtianu *Élise Bràtianu *Ioana Bràtianu *Elena Bràtianu- Racottà *Letitzia Bucur
CC *Anne-Marie Callimachi *Georgeta Cancicov *Madeleine Cancicov *Pss. Alexandra Cantacuzino *Pss.Maria Cantacuzino (Madame Puvis de Chavannes) *Pss. Maruca Cantacuzino-Enesco* Pss. Catherine Caradja *Elena Caragiani-Stoenescu *Marta Caraion-Blanc, *Nina Cassian, *Otilia Cazimir *Elena Ceausescu *Maria Cebotari *Ioana Celibidache *Hélène Chrissoveloni (Mme Paul Morand)*Alice Cocea *Irina Codreanu *Lizica Codreanu *Alina Cojocaru *Nadia Comàneci *Denisa Comànescu *Lena Constante *Silvia Constantinescu *Doina Cornea *Hortense Cornu *Viorica Cortez*Otilia Cosmutzà *Sandra Cotovu *Ileana Cotrubas *Carmen-Daniela Cràsnaru *Mioara Cremene *Florica Cristoforeanu *Pss. Elena Cuza
DD *Hariclea Darclée *Cella Delavrancea *Alina Diaconú *Varinca Diaconú *Anca Diamandy *Marie Ana Dràgescu *Rodica Dràghincescu *Bucura Dumbravà *Natalia Dumitrescu
EE *Micaela Eleutheriade *Queen Elisabeth of Romania (‘Carmen Sylva’) *Alexandra Enescu *Mica Ertegün
FF *Lizi Florescu, *Maria Forescu *Nicoleta Franck *Aurora Fúlgida
GG *Angela Gheorghiu *Pss Grigore Ghica *Pss. Georges Ghika (Liane de Pougy) *Veturia Goga *Maria Golescu *Nadia Gray *Olga Greceanu *Pss. Helen of Greece *Nicole Valéry-Grossu *Carmen Groza
HH *Virginia Andreescu Haret *Clara Haskil *Lucia Hossu-Longin
II *Pss. Ileana of Romania *Ana Ipàtescu *Marie-France Ionesco *Dora d’Istria *Rodica Iulian
JJ *Doina Jela *Lucretia Jurj
KK *Mite Kremnitz
LL *Marie-Jeanne Lecca *Madeleine Lipatti *Monica Lovinescu *Elena Lupescu
MM *Maria Mailat *Ileana Màlàncioiu *Ionela Manolesco *Lilly Marcou *Silvia Marcovici *Queen Marie of Romania *Ioana A. Marin *Ioana Meitani *Gabriela Melinescu *Veronica Micle *Nelly Miricioiu *Herta Müller *Alina Mungiu-Pippidi *Agnes Kelly Murgoci
NN *Mabel Nandris *Anita Nandris-Cudla *Lucia Negoità *Mariana Nicolesco *Countess Anna de Noailles *Ana Novac
OO *Helen O’Brien *Oana Orlea
PP *Hortensia Papadat-Bengescu *Milita Pàtrascu *Ana Pauker *Marta Petreu *Cornelia Pillat *Magdalena Popa *Elvira Popescu
RR *Ruxandra Racovitzà *Elisabeta Rizea *Eugenia Roman *Stella Roman *Queen Ana de România, *Pss. Margarita de România *Maria Rosetti *Elisabeth Roudinesco
SS *Annie Samuelli *Sylvia Sidney *Henriette-Yvonne Stahl *Countess Leopold Starszensky *Elena Stefoi *Pss. Marina Stirbey *Sanda Stolojan *Cecilia Cutzescu-Storck
TT *Maria Tànase *Aretia Tàtàrescu *Monica Theodorescu *Elena Theodorini
UU *Viorica Ursuleac
VV *Elena Vàcàrescu *Leontina Vàduva *Ana Velescu *Marioara Ventura *Anca Visdei *Wanda Sachelarie Vladimirescu *Alice Steriade Voinescu
WW *Sabina Wurmbrand
ZZ *Virginia Zeani
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Κυριαρχία του Θεού
Ο Θεός λέει: «Αυτές οι μεταβάσεις από την άνοιξη στο καλοκαίρι, στο φθινόπωρο και στον χειμώνα – αυτές οι αλλαγές συμβαίνουν όλες σύμφωνα με τους νόμους που θέσπισε ο Θεός. Καθοδηγεί όλα τα πλάσματα και τους ανθρώπους χρησιμοποιώντας αυτούς τους νόμους και έχει θεσπίσει έναν πλούσιο και πολύχρωμο τρόπο ζωής για το ανθρώπινο γένος, προετοιμάζοντας ένα περιβάλλον για επιβίωση που έχει διαφορετικές θερμοκρασίες και διαφορετικές εποχές. Υπό αυτά τα μεθοδικά περιβάλλοντα επιβίωσης, οι άνθρωποι μπορούν επίσης να επιβιώσουν και να πολλαπλασιαστούν με οργανωμένο τρόπο. Οι άνθρωποι δεν μπορούν να αλλάξουν αυτούς τους νόμους και ούτε ένα άτομο ή πλάσμα δεν μπορεί να τους παραβεί. Δεν έχει σημασία τι ριζοσπαστικές αλλαγές συμβαίνουν στον κόσμο, αυτοί οι νόμοι συνεχίζουν να υπάρχουν και υπάρχουν επειδή υπάρχει ο Θεός. Αυτό συμβαίνει χάρη στη διακυβέρνηση και τη διαχείριση του Θεού. Με αυτού του είδους το οργανωμένο, ευρύτερο περιβάλλον, η ζωή των ανθρώπων προχωρά μέσα στα πλαίσια αυτών των νόμων και κανονισμών. Αυτοί οι νόμοι καλλιέργησαν τη μια ανθρώπινη γενιά μετά την άλλη και ολόκληρες γενιές ανθρώπων έχουν επιβιώσει μέσα στα πλαίσια αυτών των νόμων. Οι άνθρωποι απολαμβάνουν τα όντα και αυτό το τακτικό περιβάλλον για επιβίωση που δημιούργησε ο Θεός για ολόκληρες γενιές ανθρώπων. Παρόλο που οι άνθρωποι αισθάνονται ότι αυτοί οι τύποι νόμων είναι έμφυτοι, παρόλο που τους απορρίπτουν πλήρως και παρόλο που δεν μπορούν να νιώσουν ότι ο Θεός ενορχηστρώνει αυτούς τους νόμους, ότι ο Θεός κυβερνά πάνω από αυτούς τους νόμους, ό,τι και να γίνει, ο Θεός είναι πάντα απασχολημένος με αυτό το αμετάβλητο έργο. Ο σκοπός Του σε αυτό το αμετάβλητο έργο είναι η επιβίωση του ανθρώπινου γένους, έτσι ώστε να συνεχίσουν να ζουν οι άνθρωποι. ...»
από το βιβλίο «Ο Λόγος Ενσαρκώνεται»
Αγία Τριάδα
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
Όροι Χρήσης： el.godfootsteps.org/disclaimer.html
Esculápio, Museu Chiaramonti, Braccio Nuovo.
Following, a text, in english, from Speedy look, at the address www.speedylook.com/Esculape.html .
Esculape is the Roman equivalent of the Greek god Asclépios.
Wire of Apollo and Coronis, only daughter of Phlégias, king of Béotie, Esculape were born on the Mont Titthion, on the side of Épidaure, in the Peloponnese. He is the father of Télesphore. Like the word κορώνη / korốnê in Greek means crow , one said that Esculape had been born from an egg of this bird, under the figure of a Serpent. It is added that Phlégyas, irritated against Apollon who had returned his daughter mother of Esculape, put fire at the temple of Delphes and which it is eternally punished by it in the Tartar where a large rock, suspended above its head, at every moment threatens to crush it in its fall.
According to others, Coronis was killed by Diane, or Apollon in an access of jealousy, and its body was already placed on the funeral Bûcher, when Mercure or Apollo himself put Esculape at the day. The child, initially entrusted to a named nurse Trygone, passed soon to the school Centaure Chiron where it made fast progress in the knowledge of simple and in the composition of the remedies; he practiced with such an amount of skill and success art to cure the wounds and the diseases which he was regarded as the god of the surgery and the Médecine.
He accompanied Hercules and Jason in forwarding by the Colchide and rendered great services to the Argonautes. Not very glad to cure the patients, it ressuscita even deaths. One saw, in the fable of Apollo, how this temerity was punished. Esculape seeming to usurp the rights of the supreme, main divinity thus of the life of the men, Jupiter exterminated it of a love at first sight. But, after his death, one did not leave return the divine honors to him.
Certain authors claimed that it formed in the sky the constellation which one called the Serpentaire. According to Pausanias, its descendants reigned in part of the Messénie, and it was from there that Machaon and Podalire, its two sons, left for the Trojan War.
All is only wonder in this fable. If, for example, Apollon bored his arrows the mother of Esculape, it is that the corbel had wrongfully accused Coronis to have other loves. Soon, the god reproached himself for having lent the ear to this calumny, and was avenged for the corbel by changing into black his white plumage hitherto.
Its worship was established initially in Épidaure, place of its birth; from there, it spread soon in all the Greece. One honoured it in Épidaure in the form with a snake.
An ivory and gold statue, works Trasymède of Paros, represented it under the figure of a man sitting on a throne, having a stick of a hand, and pressing the other on the head of a snake, with a dog lying close to him.
The cock, the snake and the tortoise, symbols of vigilance and prudence necessary to the Doctor S, were especially devoted to him. One nourished Couleuvre S deprived in the temple of Épidaure, and one even claimed that it was under this figure that it was let see; at least, the Romains believed that it had come on their premises in this form, when they sent an embassy to Épidaure to beseech the protection of the god against the plague which afflicted their city.
Athens and Rome solemnly celebrated the festivals called Épidauries or Esculapies in the honor of this god. In the shape of statues, Esculape is generally represented under the features of a man serious, bearded, and carrying a crown of bay-tree; it holds with a hand a Patère, other a twisted stick of a snake.
Esculápio
A seguir um texto, em português, da Wikipédia, a Enciclopédia livre:
Esculápio (em latim: Aesculapius) era o deus romano da medicina e da cura. Foi herdado diretamente da mitologia grega, na qual tinha as mesmas propriedades mas um nome sutilmente diferente: Asclépio (em grego: Ἀσκληπιός, transl. Asklēpiós).
Segundo reza o mito, Esculápio nasceu como mortal, mas depois da sua morte foi-lhe concedida a imortalidade, transformando-se na constelação Ofiúco. Dentre seus filhos encontram-se Hígia e Telésforo.
Curiosamente, na província da Lusitânia, correspondente ao atual território de Portugal, Esculápio era especialmente venerado, enquanto em Roma era considerado uma divindade menor.
O culto a Esculápio foi muito prestigiado no mundo antigo. Os santuários erigidos em sua homenagem se converteram em sanatórios.
Na Ilíada de Homero, Esculápio é apresentado como um hábil cirurgião. Píndaro e Hesíodo detalham como Zeus acabou por fulminar Asclépio com um raio. Consta que a atitude do deus foi porque Asclépio pretendia igualar-se aos deuses tornando os seres humanos imortais.
Depois de algum tempo, Esculápio passou a ser considerado como filho de Apolo com a mortal Corônis, tendo então o poder de curar aos enfermos.
No Peloponeso, no século VI a.C., foram erigidos um templo chamado de Epidauro e um teatro. Lá eram acolhidos os peregrinos e enfermos que acorriam para a festa em honra de Esculápio, a Epidauria. Patrono dos médicos, sua figura aparecia nos ritos místicos de Elêusis.
Em Roma, por ordem das profecias sibilinas, que foram um conjunto de oráculos do ano 293 a.C., o culto a Esculápio foi iniciado.
Esculápio era representado como um homem barbudo, com o ombro direito descoberto, de olhar sereno ao horizonte, ora acompanhado de sua filha Hygiea (Higia, a saúde), ora sozinho. Seu braço esquerdo, sempre aparece apoiado num cajado, confundido às vezes com o caduceu de Mercúrio, que possui duas serpentes, enquanto em volta de seu bastão há apenas uma serpente. O caduceu de Asclépio ou bordão de Esculápio se transformou no símbolo da medicina.
Roll of Honour site
www.roll-of-honour.com/Norfolk/LittleWalsingham.html
And also this site dedicated to the Walsingham area, which I found after I’d done much of the initial legwork,, but is just the kind of local site I would rather you went and looked at rather than read through my ramblings
www.walsingham-memories.co.uk/war/19141918/littlewalsingh...
Herbert Baker
199 to choose from
No match on Norlink
Military Geneology has Herbert born Guestwick, while Roll of Honour has Age 21 in 1914 living in E Barsham in 1901
On the 1901 Gensus there is a Herbert George, aged 7, born Swanton Morley, who is recorded at “The Cottage near the Bridge”, East Barsham, in the district of Walsingham. This is the household of his parents, Walter, (aged 34 and a Gardener from Streatham, Surrey) and Mary Ann, (aged 36 and from Colton). They also have a daughter, Mildred M, aged 5, born Swanton Morley. Their address seems to put them very near East Barshan Hall, at least on the Census page, so possibly Walter was employed in the grounds.
On the 1901 census there is also a Herbert Baker, aged 16 and a Butcher who was born Stiffkey. He is recorded at Wells Road, Stiffkey, in the District of Walsingham. This is the household of his parents, Charles, (aged 54 and a Fish Hawker from Stiffkey), and Rebecca, (aged 54 and from Stiffkey). Their other children are:-
George………..aged 12.……….born Stiffkey
John J…………aged 18.……….born Stiffkey…..Blacksmith
Osborn………..aged 14.……….born Stiffley…..Bricklayers Labourer
Only Herbert George appears to be on the 1911 census, and is still recorded in the District of Walsingham, along with parents Walter and Mary Ann and sister Mildred.
Given the above, and that father Walter appears to be either itinerant or in demand, then this individual becomes a possibility- right age, right fathers names and mothers first initials. In addition there doesn’t appear to be a Herbert living in Shipdham on the 1901 census, while on the 1911 census, there are two, but one was born circa 1902 at Yaham, and the other circa 1905 at Harringey, London.
Name: BAKER, HERBERT GEORGE
Rank: Private
Regiment: Cameron Highlanders
Unit Text: 5th Bn.
Age: 22
Date of Death: 18/10/1915
Service No: 3/5738
Additional information: Son of Walter and M. A. Baker, of The Green, Shipdham, Thetford.
Grave/Memorial Reference: C. 6. Cemetery: BLAUWEPOORT FARM CEMETERY
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=445705
Herbert appears on the Shipdam Roll of Honour
www.breckland-rollofhonour.org.uk/shipdham.html
The 5th Camerons were engaged in the battle of Loos at this time, there first time in battle. Despite significant successes on the 25th September, where they advanced further than neighbouring units, as a consequence they became isolated and were forced to retreat across open country, suffering horrendously as a result. there are various dayes for the end of the Battle of Loos between the 15th and 18th October 1915.
John Beckham
Probably
Name: BECKHAM Initials: J
Rank: Private
Regiment: Queen's Own (Royal West Kent Regiment)
Unit Text: 7th Bn.
Date of Death: 21/11/1918
Service No: 206377
Grave/Memorial Reference: XVII A. 22. Cemetery: COLOGNE SOUTHERN CEMETERY
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=900851
(only two others - a James and a John James born in Australia)
John Beckham
Born Melton Constable 1896
Enlisted Fakenham, Living in Walsingham
206377, 7th Battalion, Queen's Own (Royal West Kent Regiment)
(formerly 3593, Norfolk Regiment)
May have been a PoW
www.walsingham-memories.co.uk/war/19141918/littlewalsingh...
No match on Norlink
The 5 year old John, born Melton Constable, is recorded on the 1901 census at Melton Yards, Melton Constable. It looks like he has a twin brother, Jacob. This is the household of his parents, Herbert, (aged 37 and a Farm Foreman from Hindolveston), and Lucy, (aged 37 and from Briston). Their other children are :-
Albert…………..aged 3.………………born Melton Constable
Alice……………aged 7.………………born Melton Constable
Beatrice…………aged 14.……………born Briston…..Worker at Home
Dora…………….aged 1.………………born Melton Constable
Fauncett………….aged 8.………………born Melton Constable
George…………..aged 11.……………..born Briston
Jacob……………aged 5,………………born Melton Constable
James……………aged 15.…………….born Briston……..Stable Lad
The baptism of John and Jacob took place on the 18th June 1895 at St Peter, Melton Constable. Their date of birth is given as the 15th June 1895.Parents are Herbert John and Lucy Maria Beckham, and fathers occupation is given as Labourer. This is listed as a private baptism.- possibly being twins they may not have been expected to survive.
The Cologne cemetery was used during the war to bury PoW’s who died in captivity, and after the war it was chosen as the principal cemetery to consolidate the graves of those who had died all over Germany. However, post the armistice, it was also used for the burial of members of the Army of Occupation. Who died. As John doesn’t appear to be on the Roll of Honour for those who died as PoW;s it’s a working assumption that his death came into the latter category.
Robert Codman
Name: CODMAN, ROBERT
Rank: Lance Corporal
Regiment/Service: Machine Gun Corps (Infantry)
Unit Text: 32nd Bn.
Age: 33
Date of Death: 09/11/1918
Service No: 57015
Additional information: Son of the late Ambrose and Phoebe Codman, of Walsingham, Norfolk; husband of the late Lily Maria Codman.
Grave/Memorial Reference: D. 69. Cemetery: MAUBEUGE-CENTRE CEMETERY
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=286430
Maubeuge possessed a French military aerodrome, and it was H.Q., R.F.C., from the 16th to the 23rd August 1914. It was captured by the Germans on the 7th September, 1914, and it remained in their hands until it was entered by the 3rd Grenadier Guards in the early morning of the 9th November, 1918.
CWGC www.cwgc.org/search/cemetery_details.aspx?cemetery=29100&...
Norlink picture archive has a picture of Lance Corporal Robert Codman, Machine Gun Corps.
norlink.norfolk.gov.uk/02_Catalogue/02_013_PictureTitleIn...
The accompanying notes read
Born at Walsingham, November 1885, Lance Corporal Codman was educated at Walsingham National School. He enlisted 19th July 1916 and was killed in action in France, 9th November 1918. The photograph was donated by his sister.
The 15 year old Robert , born Little Walsingham and already working as a Warehouse Boy, is recorded at Cokers Hill, Little Willingham. This is the household of his widower father, Ambrose, (a 43 year old Postman from Little Walsingham). His other children are:-
Ada…………………….aged 13.……………….born Little Walsingham
Ambrose……………….aged 11.………………born Little Walsingham
Harriett…………………aged 5.……………….born Little Walsingham
Horatio…………………aged 9.………………..born Little Walsingham
Jack…………………….aged 7.…………………born Little Walsingham
Laura…………………..aged 3.…………………born Little Walsingham
Making up the household is a Charlotte Claxton, listed as a step-daughter and who is employed as Housekeeper.
Living two doors away is an Ambrose Codman, a 67 year old Widower, who has living with him a 17 year old grandson, William, who is a Wheelwrights apprentice.
Going back to the 1891 census, the family appear to still be at the same address. Ambrose’s wife Phoebe, is still alive, (she was born Bircham), and there are two older daughters, Lottie and Ada.. Ambose is listed as a Shoemaker and Postman.
Percy Curson
Name: CURSON, PERCIVAL SIDNEY
Rank: Bugler
Regiment Norfolk Regiment
Unit Text: 9th Bn.
Age: 19
Date of Death: 30/09/1915
Service No: 15574
Additional information: Son of Sidney and Louie Curson, of Walsingham, Norfolk. Grave/Memorial Reference: II. E. 1. Cemetery: ABBEVILLE COMMUNAL CEMETERY
CWGC: www.cwgc.org/search/casualty_details.aspx?casualty=75862
For much of the First World War, Abbeville was headquarters of the Commonwealth lines of communication and No.3 BRCS, No.5 and No.2 Stationary Hospitals were stationed there variously from October 1914 to January 1920. The communal cemetery was used for burials from November 1914 to September 1916, the earliest being made among the French military graves.
www.cwgc.org/search/cemetery_details.aspx?cemetery=7500&a...
No match on Norlink
Born Binham 1896
www.walsingham-memories.co.uk/war/19141918/littlewalsingh...
The 4 year old Percy, born Binham, is recorded on the 1901 census at “Near the Cross” Binham, This is the household of his parents, Sidney, (aged 31 and a Grocer & Draper from Notting Hill, London), and Louisa, (aged 28 and from Burnham.). They also have daughters Sybil, (aged 1, born Binham), and Vera, (aged 3, born Binham). The Curson’s also have a live in servant.
Percy probably died of wounds received in the 9th Battalions first and disastrous taste of action on the 26th September.
The 9th (Service) Battalion was formed at Norwich in September 1914 as part of K3, Kitcheners Third Army. In September 1914 it was attached to the 71st Brigade, 24th Division. The Battalion was assembled around Shoreham during September 1914 and it then spent 11 months in training after formation. Uniforms, equipment and blankets were slow in arriving and they initially wore emergency blue uniforms and carried dummy weapons. The battalion crossed to France between 28th August and 4th September 1915 where they joined X1 Corps and were sent up the line for the developing Battle of Loos. They disembarked at Boulogne almost 1000 strong, but 8 days later were reduced to 16 officers and 555 other ranks. The battalion lost a total of 1,019 men killed during the First World War. It marched from Montcarrel on the 21st September reaching Bethune on the 25th, before moving up to Lonely Tree Hill south of the La Basée Canal. They formed up for an attack in support of 11th Essex but were not engaged. At 03:30 on 26th September orders were received to assist 2nd Brigade on an attack on quarries west of Hulluch. At 05:30 the Battalion were in what had, the day before, been the German front trenches. The attack was launched at 06:45 under heavy fire, especially from snipers, after a full night of marching on empty stomachs and little or no progress was made before the Norfolks sought cover in the trenches. At 16:00 2nd Battalion of the Worcestershire Regiment passed through to attack. At 19:00 the Germans opened fire and the Norfolks were forced to fall back to trenches in the rear to take cover before being relieved by the Grenadier Guards whereupon they returned to Lonely Tree Hill. They had lost 5 officers killed and 9 wounded, with 39 other ranks killed, 122 wounded and 34 missing, a total of 209 casualties sustained in their first action
forum.planetalk.net/viewtopic.php?t=4844&sid=b3e7614b...
Alfred Flegg
Probably
Name: FLEGG, ALFRED
Rank: Private
Regiment: Essex Regiment
Unit Text: 2nd Bn. Date of Death: 01/09/1918 Service No: 44622 Casualty Type: Commonwealth War Dead Grave/Memorial Reference: Panel 7. Memorial: VIS-EN-ARTOIS MEMORIAL
CWGC: www.cwgc.org/search/casualty_details.aspx?casualty=1742396
Born Little Walsingham, Enlisted Westminster, Living in Walworth, Surrey
www.walsingham-memories.co.uk/war/19141918/littlewalsingh...
No match on Norlink
The only obvious Alfred Flegg of the 5 listed on the Genes Reunited Transciption of the 1901 Census for England and Wales was already aged 36. He was born Little Walsingham, (although could as easily read Gt Walsingham), was single, employed as an Agricultural Labourer, and was recorded at Swan Entry, Little Walsingham,. This was the household of his widowed mother, Phoebe , (aged 77 and from Wighton), plus a Mary Wright, (aged 34 and from Wighton), who has three children including a 1 year old Alfred Wright, (born Little Walsingham). This is speculation on my part but if Alfred the Labourer married Mary Wright, then his step-children may well have taken his surname, and so this could be the Alfred Flegg we are looking for.
Going on to the 1911 census, we do indeed have an Alfred John Flegg, born circa 1900, Little Walsingham, and still recorded in the Walsingham District., living in a household that includes an Alfred (born Great Walsingham) and a Mary Maria Flegg, (born Wighton)
Throughout the latter part of August 1918 the 2nd battalion Essex Regiment (12th Brigade, 4th Division) had been involved in pushing the Germans back to the Drocourt-Queant Line (“Wotanstellung”). This trench was part of the Hindenburg Line and is located halfway between Arras and Cambrai. On the night of 1st September 1918 the 2nd Essex pushed on taking more German trenches with little difficulty but they were then halted by withering machine gun fire which kept them pinned down for several hours.
www.chippingcampden.org/index.php?/section/C12/
Eldred Frary
Name: FRARY, ELDRED JOHN
Rank: Private
Regiment: Essex Regiment
Unit Text: 1st Bn.
Age: 31
Date of Death: 13/08/1915
Service No: 20552
Additional information: Son of Mrs. Harriett Frary.
Grave/Memorial Reference: Panel 144 to 150 or 229 to 233. Memorial: HELLES MEMORIAL
CWGC: www.cwgc.org/search/casualty_details.aspx?casualty=682721
There is a picture of Private Frary on Norlink
norlink.norfolk.gov.uk/02_Catalogue/02_013_PictureTitleIn...
The accompanying notes read
Private Frary was born at Little Walsingham and educated at Little Walsingham National School. He enlisted in 1915 and drowned on the Royal Edward, 13th August 1915
The 8 year old Eldred, born Little Walsingham, is recorded on the 1901 census at High Street, Little Walsingham. This is the household of his step-father Henry M, Bishop,(aged 59 and a Fish Hawker from Little Walsingham), and his mother Harriet M. (aged 51 and from Little Walsingham). Making up the household are:-
Charlotte M Bishop…………..aged 12.………….born Little Walsingham
Herbert M Bishop…………….aged 10.………….born Little Walsingham
Mabel M. Bishop…………….aged 17.………….born Little Walsingham
Mary M Bishop……………….aged 15.………….born Little Walsingham
Herbert Frary…………………aged 10.…………born Little Walsingham
Lily F Frary…………………..aged 17.………….born Little Walsingham….Laundry Maid \ Washerwoman
Completing the household is a John Bishop, a widower aged 17 who’s occupation is listed as Fish Hawker and relationship to head of household is given as boarder.
HMT Royal Edward, 11,117 grt, sunk 13th August 1915 by German submarine SMU UB14, 6 miles W from Kandeliusa, Aegean Sea, carrying goverment stores from Avonmouth & Alexandria to Mudros. Owned by Canadian Northern Steamships Ltd-Toronto. 132 crew died. Out of a total compliment of 1586 (crew and troops) less than 500 were saved.
1/Essex lost 174 O.R's, but 172 of them were volunteers who'd transfer from the Norfolk's (3rd Special Reserve) based at Felixstowe, 100 on 23 June and 200 on 24 July.
A passage from the History of Norfolk Regiment tells the rest of the story: Colonel Tonge refers to the loss of 300 men, the best draft that ever left Felixstowe. These men volunteered to join the Essex Regiment and appear to have constituted the drafts of June 23 and July 24 1915. They were part of the reinforcements carried by the transport "Royal Edward" which was torpedoed and sunk in the Aegean Sea on August 14th 1915. She sank two and a half minutes after the torpedo struck her.Of the 1,400 men she carried only 600 were saved,and the drowned included all but 18 of the 300 Norfolk men. The men who had had a route march just before leaving Alexandria, were waiting on deck for foot inspection at about 9.20 am. Their lifebelts were down below, and when the ship was unexpectedly struck most of them ran below to fetch the belts. Owing to the ship's sudden heeling over and sinking, these never got up again. Those who escaped were picked up by a hospital ship which responded to the s.o.s. signal. To partly replace this sad loss, another draft of 150 men to the Essex Regiment was dispatched on September 29, 1915. Addenda 1994 From: "Men of Gallipoli"(David & Charles,1988) by kind permission of the publishers. One of the features of the Cape Helles monument is the rows of names of men drowned in the torpedoing of the Royal Edward,which sank in the Eastern Mediterranean on 13th August with a loss of over 850 lives.A.T.Fraser in the Border Regiment,was in a deckchair on the afterdeck starboard side when suddenly dozens of men ran past him from port to starboard. The explosion came before he had time to ask what was the matter."The ship had no escort and we had not been ordered to have our life-belts with us.The hundreds on deck ran below to get their life-belts and hundreds below would have met them on their way up.I shared a cabin accessible from the deck I was on and I raced there to get my life-belt and ran to my life-boat station which was on the star- board side.As the men arrived they fell in two ranks. Already the ship was listing and this prevented our boats from being lowered,so we were ordered to jump for it.I saw no panic,but of course one could imagine what was happening on the inside stairs. I swam away from the ship and turned to see the funnels leaning towards me.When they reached the sea,all the soot was belched out,there was a loud whoosh and the ship sank. No explosion,no surge.So I was alone.The little waves were such that in the trough you saw nothing,on the crest you saw a few yards.The water was warm.I wondered if there were sharks". Fraser found some wood to rest on and he was joined by a seaman,an older man who had twice previously been torpedoed.This brought the young Scot confidence.An up turned Royal Edward lifeboat was to provide 17 of the survivors with a little more security though in what Fraser calls half-hourly recurring turbulence,the boat turned over,offering them conventional but completely waterlogged accommodation every alternate half hour but at least providing them with something to do.There was no singing and little conversation. The first ship that passed hailed the scattered men and promised to signal for help. It could not stop as it had high explosives for Lemnos. Some of the men became depressed and showed unwillingness to clamber back in the life boat when it overturned,but on each occasion all were persuaded. Finally the hospital ship SOUDAIN arrived to pick them up in her life-boats,and at 2 o'clock Fraser was safely aboard her after just under five hours in the sea. He remembers that"a large number of men lost their false teeth as we were constantly sick in the sea- and these men were sent back to England.We the younger ones,were clothed and kitted and on another ship three days later for Gallipoli
www.geocities.com/heartland/acres/5564/royaledward.html
Henry Harris
365 potential matches on CWGC
RoH has Henry William
Private DM2/190292, 406th Mechanical Transport Company, Royal Army Service Corps attached 278th Siege Battery, Royal Garrison Artillery who died of wounds on Sunday 15th July 1917 Age 20. Born Walsingham, enlisted Norwich, resident Walsingham. Son of Alfred and Annie E. Harris, of Bridewell St., Walsingham, Norfolk. Buried in Lijssenthoek Military Cemetery Poperinge, West-Vlaanderen, Belgium. Grave XVI. B. 13A. Lijssenthoek Cemetery 12 kms west of Ypres
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=144531
No match on Norlink
The 3 year old Henry W, born Little Walsingham, is recorded on the 1901 census at Common Place, Little Walsingham. This is the household of his parents, Alfred, (aged 50 and a Rural Postman from Middlesex)
and Anne E, (aged 45 and from Little Walsingham).. Their other children are:-
Ellen M……………..aged 9.…………….born Little Walsingham
Herbert F……………aged 13.…………born Little Walsingham
John A………………aged 16.………….born Little Walsingham…..Rural Postman
William Harvey
158 potential matches
No match on Norlink
There is a 27 year William Harvey, born North Barsham, employed as a Coachman, who is recorded on the 1901 census at “Near The Street” Binham, in the District of Walsingham. He is married to Clara, (aged 25 and from Weasenham All Saints). Their children are:-
Emma……………….aged 5.………………born Shereford, Norfolk
Hilda………………..aged 2.………………born Fakenham
Robert………………aged u/1.……………born Binham
Neither the Roll of Honour or Walsingham sites have any additional information on this man.
Francis Hayler
I had initially thought this was a Private F C Hayler of "K" Supply Coy. (Aldershot), Army Service Corps , who died 28/01/1915 and is buried : Near North-West corner of Church Cemetery: WARNHAM (ST. MARGARET) CHURCHYARD
CWGC: www.cwgc.org/search/casualty_details.aspx?casualty=402551
However, Norlink has a picture of a Francis William Hayler, 2nd Bedfordshire Regiment.
norlink.norfolk.gov.uk/02_Catalogue/02_013_PictureTitleIn...
The accompanying notes read
Francis William Hayler, 2nd Bedfords (War Office Khartoum). Born at Spalding, Lincs, April 27 1878. Educated at Walsingham Grammar School. Enlisted Dec 13 1895. Died from a disease contracted in the Sudan, Jan 31 1918. Buried at parish church, Chiswick.
This individual does not appears on the CWGC database. A check of Chiswick cemeteries in the same database shows there are three. One contains civilian war dead from WW2 only. One was opened after the Great War and the only CWGC maintained graves come from WW2. The old, urban cemetery which is shared with a parish church has 69 graves maintained by the CWGC. None of these are for an individual with a similar sounding surname, (Tayler, Mayler, etc), there are no Francis William’s, (in case he changed his name for whatever reason or used an alias), there is no-one from either unit listed - 2nd Bedfords or War Office Khartoum, and there is no-one who died on the 31/01/1918.
The death of a Francis Hayler, aged 39, was recorded in Brentford in the January to March 1918.
I suspect therefore, as I’ve found with other individuals, that Francis had been discharged prior to death, and while the CWGC probably does maintain his grave, by some bureaucratic rule he is not included on the published CWGC database,
On further investigation, my original thought, F C Hayler is definitely ruled out as he is a Frederick Charles who was born Broadbridge Heath, which is close to where he was buried.
Francis doesn’t appear to be on the 1901 census - presumably because he had already enlisted and was serving overseas, The 2nd Bedfords arrived at Cape Town with 12 Brigade of 6 Division on January 8, 1900. The first thing they did in accordance with Lord Roberts' call for more mounted men was to form two mounted infantry companies.
www.rootsweb.ancestry.com/~engbdf/Military/BedsRegtinBoer...
However he doesn’t appear to be on the 1891 or the 1881 census - he certainly seems a man able to disappear from official records ! There also don’t appear to be any Hayler’s recorded in Spalding or Walsingham.
John Holmes
207 potential matches
RoH has Born in Wighton 1892. No further information currently
Lance Corporal John James Holmes
Born in Wighton 1892
12340, 7th Battalion, Norfolk Regiment
Killed in action on 18th October 1915 age 23
www.walsingham-memories.co.uk/war/19141918/littlewalsingh...
Armed with that information we can now find him on the CWGC database.
Name: HOLMES, JOHN JAMES
Rank: Lance Corporal
Regiment: Norfolk Regiment
Unit Text: 7th Bn.
Date of Death: 18/10/1915
Service No: 12340
Grave/Memorial Reference: Panel 30 and 31. Memorial: LOOS MEMORIAL
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=732116
The 8 year John, born Wighton, can be found on the 1901 census at Chapel Yard, Wighton. This is the household of his widowed mother Ellen, (aged 37 and a charwoman from Wighton). Ellen also has a daughter, Lily, (aged 12, born Wighton).
Going back to the 1891 census, Ellen and Lily are at Malt House Yard, Wighton, along with another daughter, Mary Jane, who was then aged 5. Ellen is still head of the household, but is described as wife of a sailor away from home.
The baptism of John James took place at All Saints, Wighton, on the 22nd January 1893. Unfortunately no date of birth is listed. However parents names are listed as Robert Edward and Ellen, with Roberts occupation being listed as Labourer. The baptism of Lily Elizabeth took place in the same church, but her fathers occupation is then listed as “Tailor” - perhaps a transcription error !
In the battalion war diary for the period, the location of the battalion is given as in the trenches opposite the quarries. The Battalion was engaged in the Battle of Loos, which some sources show as ending on the 18th October. The Quarries may also be the same location where the 9th Battalion had its baptism of fire on the 26th September, (see Percival Curson).
The period from the 16th to the 18th is bracketed together with the note that “During these days, nothing of much importance happened, except how shelling continued with much vigour on both sides. A further draft of 17 NCO’s received on the 16th, and on the 17th 146 NCO’s and men joined. Our line was breached in three places but was soon repaired.”
At 5pm on the 18th, there is an additional note. Brigade Bombers took line (poss) of the QUARRIES. This was consolidated by the ESSEX REGT.
George Howe
99 potential matches
Norlink has a picture of Private George Howe.1st East Kent Regiment.(The Buffs)
norlink.norfolk.gov.uk/02_Catalogue/02_013_PictureTitleIn...
Accompanying notes read
Private Howe was born at Little Walsingham, 13th July 1885 and educated at Little Walsingham School. He enlisted 24th May 1918 and was killed in action in France, 7th October 1918
RoH site has Private G/25982, 1st Battalion, The Buffs (East Kent Regiment). Died on Monday 7th October 1918. Age 34. Born 13th July 1885 educated, resided & enlisted 24th May 1918 in Walsingham. Son of Alfred and Mary Ann Howe, of Coker's Hill, Walsingham; husband of Margaret Mary Long (formerly Howe), of Church St., Walsingham. Buried in Bellicourt British Cemetery, Aisne, France. Grave VI. P. 2.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=238286
On 7th Oct 1918, 2 men (Howe and Pack) were killed as the Battalion
moved up from Magny la Fosse to Preselle Farm in preparation
for a major attack on Beauregard the following morning.
www.walsingham-memories.co.uk/war/19141918/littlewalsingh...
The 15 year old George, already a Bakers Apprentice, was recorded on the 1901 census at Cokers Hill, Little Walsingham. This is the household of his parents, Alfred, (aged 44 and an Ordinary Agricultural Labourer from Tattersett), and Mary A, (aged 46 and from Little Walsingham). Their other children are:-
Alice W……………..aged 4.…………..born Little Walsingham
Allan………………..aged 7.…………..born Little Walsingham
Frederick C…………aged 11.…………born Little Walsingham
Ivan Howell
Name: HOWELL, IVAN JAMES
Rank: Private
Regiment: Royal Fusiliers
Unit Text: 20th Bn.
Age: 20
Date of Death: 21/08/1916
Service No: PS/2803
Additional information: Son of John W. and Nellie S. Howell, of Walsingham, Norfolk. Grave/Memorial Reference: F. 4. Cemetery: MILLENCOURT COMMUNAL CEMETERY EXTENSION
CWGC: www.cwgc.org/search/casualty_details.aspx?casualty=43905
No match on Norlink
The 4 year old Ivan J, born Little Walsingham, is recorded on the 1901 census at Egmere Road, Little Walsingham. This is the household of parents, John W, (aged 32 and a Farmer&Butcher from Little Walsingham), and Nellie S, (aged 26 and from Stow Bardolph). Their other children are:-
Joan……………….aged 5 months………………….born Little Walsingham
Joyce M……………aged 1.…………………………born Little Walsingham
The Howells also have three live in servants.
The 33rd Division, of which the 20th Royal Fusiliers were definitely in the front line, north of Delville Wood on the Somme Battlefield on the 24th, but I can’t find them in the front line or in action at all on the 21st or in the preceding few days.
John Humphreys
Name: HUMPHREYS, JOHN
Rank: Private
Regiment: Manchester Regiment
Unit Text: 23rd Bn.
Age: 32
Date of Death: 22/10/1917
Service No: 53005
Additional information: Son of William and Emma Humphreys, of High St., Walsingham, Norfolk.
Grave/Memorial Reference: Panel 120 to 124 and 162 to 162A and 163A. Memorial: TYNE COT MEMORIAL
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=1632701
Norlink has a picture of Private John Humphrey, 23rd Battalion, Manchester Regiment
norlink.norfolk.gov.uk/02_Catalogue/02_013_PictureTitleIn...
Accompanying notes read.
Private Humphrey was born at Welshpool, 12th March 1885 and educated there. He lived at Little Walsingham and enlisted in 10th August 1914. He was killed in action in France, 22nd October 1917
The 16 year old John, born Welshpool, Montgomery, is recorded on the 1901 census at 36 Lledan Crescent, Welshpool. This is the household of his uncle, William Humphreys, and his aunt Emma and their two daughters, Mary, (aged 10) and Susannah, (aged 22). The same arrangement applied on the 1891 census, although the family were at a different address then - Frochas, Ward 3, Forden, Welshpool. By the time of the 1911 census, he was recorded in the Pontypridd District.
There is one Humphreys family living in Walsingham by the time of the 1911 census, and they do come from Welshpool, and looking at the details it would appear to headed by John’s Uncle and Aunt.
William ……….born circa 1858 Welshpool
Emma Amealie…born circa 1859 Welshpool
Mary Jane………born circa 1891 Welshpool
Lilian May……..born circa 1892 Deytheur, North Wales
Alice……………born circa 1897 Eynsbury, St Neots, Hunts.
22/10/1917
HouthulstForest
35th Div
104 Bde
The brigade attacked with 17th Bn, Lancashire Fusiliers and 23rd Bn, Manchester Regt. In support was 20th Bn, Lancashire Fusiliers and 17th Bn, Royal Scots was in reserve.
The Mancs advanced to their first objective easily but ran into stiffer resistance on the way to the second. Eventually 50 men unsuccessfully attacked some pillboxes at Six Roads in conjunction with some 34th Div troops. The survivors then withdrew.
forum.irishmilitaryonline.com/showthread.php?t=11535&...
The War Diary of the 20th (Service) Battalion (4th Salford) Lancashire Fusiliers records
At 8.38am orders were received from the G.O.C. 104th Infantry Brigade to send two companies to the line ADEN HOUSE – LES CINQ CHEMINS, with a view to reinforcing the 23rd Manchesters and gaining touch with the troops on the right and left. The telegram containing the order also gave information that the 23rd Manchesters were believed to be back in our original line. “W” and “Z” Companies were ordered to move up under the command of Captain WA Swarbrick, who was instructed to report to OC 23rd Manchesters at EGYPT HOUSE. Captain Swarbrick reached EGYPT HOUSE at 10.15am and received the following information from OC 23rd Manchesters: (1). The 23rd Manchesters, having suffered severe casualties had withdrawn from original line. (2). Nothing was known of the 101st Brigade on the right. (3). The 18th Lancashire Fusiliers had advanced but the position on their right flank was unknown. (4). The 17th Lancashire Fusiliers had reached their final objective.
www.lancs-fusiliers.co.uk/feature/Fielding_MM/feilding_mm...
William Knowles
Name: KNOWLES, WILLIAM CHARLES
Rank: Lance Corporal
Regiment: Devonshire Regiment
Unit Text: 5th Bn.
Age: 34
Date of Death: 30/03/1919
Service No: 241461
Additional information: Son of Charles William Knowles, of Walsingham; husband of Winifred Elizabeth Knowles, of 6, Hope Place Petersham Rd., Ham Common, Surrey. Grave/Memorial Reference: Opposite South porch. Cemetery: LITTLE WALSINGHAM (ST. MARY) CHURCHYARD
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=2803551
There is a picture of Lance Corporal Knowles when he was still a Private in the Norfolk Regiment, on Norlink.
norlink.norfolk.gov.uk/02_Catalogue/02_013_PictureTitleIn...
Accompanying notes read
Private Knowles was born at Walsingham, Norfolk, on 21st March 1885. He was educated at Little Walsingham School. He enlisted on 17th February 1915 and died from diseases contracted during the war on 30th March 1919. He is buried at Little Walsingham
The 16 year old John C, born Walsingham is recorded on the 1901 as being employed as a domestic servant, a page, at 2 Seamore Place, Hanover Square, London. His employers are Archibald, Lord Blythswood, a retired Army Colonel, and Augusta, Lady Blythswood.
Going back to the 1891 census we find him recorded at Main Street, Houghton-in-the Hole. This is the household of his parents, Charles W, (a farm Labourer from Great Snoring), and Emma, (from Stiffkey). Unfortunately their ages have been heavily scored through.
As an aside - Lord Blythswood was certainly an interesting character - perhaps not so much for re-invigorating the Conservative Party in Scotland as his contributions to science, both as an amateur scientist in his own right, but also in the Laboratory that he funded at the ancestral home of Blythswood House and made available to the fledgling science of Nuclear Physics.
www.douglashistory.co.uk/history/campbell_campbell.htm
John Lake
42 potential matches
RoH has Private 96, 54th (1st/1st East Anglian) Casualty Clearing Station, Royal Army Medical Corps who died on Friday 13th August 1915. Age 24. Presumed lost on HMS Royal Edward. Son of Mrs. Elena Elizabeth Lake, of Knight St., Walsingham, Norfolk. Commemorated on Helles Memorial, Turkey. The Helles Memorial stands on the tip of the Gallipoli Peninsula.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=682951
No obvious match on the 1901 or 1911 census for either John or Elena\Helena,
For details of the loss of the Royal Edward, see Eldred Frary above.
Jesse Mann
Try Great War Roll of Honour - no obvious Jesse on CWGC
There is a picture of Private Jesse Fisher Mann , Middlesex Regiment, on Norlink.
norlink.norfolk.gov.uk/02_Catalogue/02_013_PictureTitleIn...
Accompanying notes read
Private Mann was born in Walsingham on 14th November 1886. Educated at Walsingham National School, he enlisted in April 1904. He died from wounds received at Hill 60 on 23rd April 1915, and is buried at Boulogne, France
RoH has[Aka Jesse Seaman FISHER] Private 9748 4th Bttn Middlesex Regiment (Duke of Cambridge's Own). He died from wounds received at Hill 60 on Friday 23rd April 1915, age 28. Born in Walsingham on 14th November 1886. (Jesse Maura ?). Educated at Walsingham National School, enlisted in April 1904. Son of Rosa Fisher, of New Walsingham, Norfolk; husband of Margaret Fisher, of 14, New St., Park Rd., Chesterfield. Buried in Boulogne Eastern Cemetery Pas de Calais, France. Grave VIII. A. 13
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=49802
The 15 year old “Jessie” Mann is recorded , born Walsingham, working as a General Domestic Servant at The Red House, Holkham, (the head of the household is described as Lodging House Proprietor, so presume that was what The Red House was). Going back to the 1891 census, we find Jesse recorded at Knight Street, Little Walsingham. This is the household of his widower grandfather, William, a carpenter from Little Walsingham. Unfortunately, for most of the family their ages are heavily scored, so all I can tell you is that Williams children were all born Little Walsingham and in age order were Rosannah, (a charwoman), William, (aged 14 and a Bricklayers Boy), and Daisy. William also has a grand-daughter, Edith, living with him, who is presumably Jesse‘s sister.
Samuel Meek
4 potentials - no obvious match
RoH has Sergeant TF/279, 1st/9th Battalion, Middlesex Regiment (Duke of Cambridge's Own) who died on Wednesday 6 October 1915. Born Little Walsingham 1884, (Blacksmith's apprentice 1901), enlisted Hendon. Living Hendon. Buried in Dum Dum New Cemetery. Commemorated on Madras 1914-1918 War Memorial, Chennai India.
CWGC www.cwgc.org/search/casualty_details.aspx?casualty=1465920
Nothing obvious on the 1901 census. The 1901 census has a Samuel James, born “Norfolk” circa 1885, and now recorded in the District of Westminster,
Samuel does appear on the 1891 census, but as part of an entry that has been carried over from the previous page. While it tells us that he was living at The Market Place, Little Walsingham,and the son of the head of household, there are no details about who the head of the household was. There are three other children shown, but they are listed as grand-children of the head of the household. The writing is far from clear, but they appear to be William Pigg\Pegg\Page, and his sister Clara, and brother Henry.
1/9th Battalion
August 1914 : in Willesden Green. Part of Middlesex Brigade in Home Counties Division. Moved on mobilisation to Sheerness and then to Sittingbourne.
30 October 1914 : sailed from Southampton for India, arriving Bombay on 2 December 1914. The Bn eventually moved to Mesopotamia, arriving Basra on 24 November 1917, and joined the 53rd Brigade of the 18th Indian Division. It remained in that theatre until the end of the war.
FUENTE: www.samasabe.es/historia_y_arte.html
NOTAS ARTÍSTICAS
El templo, único edificio español levantado íntegramente en estilo neobizantino, fue obra del prestigioso arquitecto D. Fernando de Arbós y Tremanti (1840-1916), académico de San Fernando.
Se presenta al exterior como un potente bloque de mármol blanco concebido para sustentar una airosa cúpula forrada de cobre rojo, decorada con arquerías ojivales ciegas, y rematada por una estilizada linterna coronada con una bola y una cruz. En el cuerpo central, de planta octogonal como corresponde a un edificio funerario, se disponen cuatro vanos monumentales. A los lados de estos ventanales, emparejadas de dos en dos, se levantan ocho torrecillas, decoradas con diseños geométricos, que contribuyen a aligerar el aspecto exterior y funcionan como contrafuertes para la cúpula. En el tambor de la misma se abren dieciséis ventanales de características similares a las anteriores, que vierten al interior un caudal de luz. A los pies del edificio, junto a la entrada principal y unida por su base al cuerpo de la iglesia, se alza una magnífica torre cuadrada, dividida en cuatro cuerpos.
En el interior nos encontramos con una curiosa disposición espacial, mezcla de planta central y cruz latina en la que sus brazos se conforman de manera diversa. El ábside, de planta semicircular, acoge el altar mayor realizado en mármol blanco de Macaél e incrustaciones geométricas de varios colores, presidido por una imagen del Salvador cuya altura es de dos metros y medio, y dos laterales, ambas de un metro y treinta centímetros, representando a San Agustín y San José, esculpidas las tres en mármol de Carrara. En la bóveda, cubierta de mosaicos, se encuentra la figura sedente de Cristo, Señor del universo, bendiciendo y sosteniendo la bola del mundo en la mano derecha, acompañado de los doce apóstoles, identificados por su iconografía tradicional y separados por palmeras triunfales de frondosas hojas.
La capilla funeraria de planta rectangular, localizada en el brazo derecho del templo, está presidida por un altar de mármol de Carrara dedicado a San Benito, cuya imagen, de metro treinta de alto, lo representa en hábito monástico y está situada en la parte central bajo un templete de líneas clásicas. Sobre el ara se eleva una columna muy estilizada que sustenta un ángel funerario con las alas desplegadas, su blancura deslumbrante destaca sobre el fondo decorado con un mosaico estrellado. A ambos lados del altar descrito se sitúan los sepulcros de los fundadores, el de D. Manuel Caviggioli a la izquierda y el de D.ª Benita Maurici a la derecha.
Entre el ábside del altar mayor y la capilla funeraria se encuentra el púlpito realizado en mármol de Macaél de varios colores, predominando el blanco. El tornavoz de forma pentagonal como el púlpito inferior, está coronado por el "Águila de Hipona" con las alas desplegadas, en clara alusión a San Agustín, maestro de oratoria sagrada.
En el brazo izquierdo se encuentra la capilla de Santa Rita. De planta pentagonal, cubierta por bóveda facetada y adornada con mosaicos que siguen el estilo general del templo, custodia un altar central, trabajado en mármol de Carrara, en el que se sitúa la imagen de Santa Rita, religiosa agustiniana, bajo un templete de características similares al del altar de la capilla funeraria. En los laterales se han dispuestos dos pequeños altares cuyos retablos están formados por arcos góticos trilobulados en forma de nicho. Carentes de imágenes en el momento de la realización del templo, en ellos se han situado dos tallas de escaso valor artístico, realizadas poco después de haberse finalizado el templo. Una imagen de Ntra. Sra. de la Consolación, que intenta plasmar modelos barrocos de mejor fortuna, ocupa el lateral derecho. El izquierdo está dedicado a la Virgen del Camino, concebida como una "piedad" que sigue el típico modelo del gótico de transición, protegida bajo un baldaquino de metal plateado. Esta última imagen fue donada por una asociación de "Señoras de León" que celebraba la advocación mariana del Camino en esta iglesia y que terminó su existencia con la guerra civil. En esta capilla se ha entronizado el 25 de octubre de 2000 la imagen de Ntra. Sra. de Luján, patrona de Argentina, para que la colonia argentina en España tenga un lugar en Madrid donde manifestar su devoción a la venerada imagen. Desde octubre del año 2007 se pueden venerar también en esta capilla las reliquias de los Beatos Mártires Agustinos del siglo XX en España.
A los pies del templo, donde se abre la puerta principal del mismo, se encuentra, situado en el coro alto, el magnífico órgano construido por la casa alemana "Walcker" de Stuttgart en 1910 y que fue restaurado en 1977. Las solemnidades litúrgicas y las diversas celebraciones se han realzado siempre con su música y con las voces del coro fundado en 1911. Han destacado también sus organistas: Moreno Ballesteros y su hijo Moreno Torroba, Larrínaga y Guridi. El mejor momento del órgano y del coro comienza, sin embargo, a partir de 1961 cuando se hace cargo de ambos el agustino P. Domingo Losada, auténtico maestro que no limita su intervención al acompañamiento litúrgico sino que ofrece y organiza en el templo numerosos conciertos -30ª Ediciones de la Semana Internacional de Órgano- que acreditan su talento musical y refuerzan la dedicación cultural que es característica particular de la Orden Agustiniana,
La cúpula, sustentada sobre pechinas en las que se encuentran mosaicos representando los símbolos de los evangelistas, se despliega sobre el cuerpo central del edificio. Profusamente iluminada por los dieciséis ventanales apuntados y trilobulados que se abren en su base, está cubierta en su totalidad por mosaicos en los que se han representado dieciséis santos y beatos relacionados con San Agustín y la Orden. La cúpula, con sus mosaicos, es sin duda el elemento artístico de mayor entidad del conjunto. La decoración fue realizada, como el resto de los que adornan el edificio, por la firma "Facchina et Cia." de París y su coste ascendió a 130.000 ptas. de 1908. En el tambor se puede leer el siguiente versículo del salmo 85: "Omnes gentes quascumque fecisti venient et adorabunt coram te, Domine, et glorificabunt nomen tuum. Quoniam magnus es tu faciens mirabilia. Tu es Deus solus". "Todos los pueblos vendrán a postrarse en tu presencia, Señor, bendecirán tu nombre. Grande eres tú, y haces maravillas, tu eres el único Dios".
NOTAS HISTÓRICAS
La Iglesia de San Manuel y San Benito, situada en la madrileña calle de Alcalá, enfrente del histórico parque del Retiro, comenzó su andadura litúrgico-pastoral el día 1 de enero de 1911. La historia de este centenario templo madrileño, sin embargo, se remonta a comienzos de siglo cuando en 1902 la Ilma. Sra. D.ª Benita Maurici, Vda. de Caviggioli, se comprometía con los Agustinos de la Provincia de Filipinas a construir una Iglesia, que serviría de panteón para su marido, ya difunto, y ella misma, y un convento cuya planta baja se dedicaría a la instrucción gratuita de obreros y a cuyo frente se encontraría una fundación que recibiría posteriormente el nombre de "Fundación Caviggioli". La primera piedra se colocó el 4 de mayo de 1903 y la donación se formalizó mediante escritura pública realizada el 18 de marzo de 1904. En los años siguientes se continuaron las obras de construcción que finalizaron en 1910. El templo fue consagrado el 31 de diciembre de ese año por el Agustino Fray Francisco Valdés, obispo de Salamanca.
Desde ese momento la comunidad agustiniana puso todo su empeño y dedicación al servicio de las actividades litúrgicas, religiosas, culturales y sociales, que se realizaban en la iglesia-convento de San Manuel y San Benito, convirtiéndose en poco tiempo en el centro espiritual de mayor prestigio del señorial barrio de Salamanca. Quince años después, el 12 de septiembre de 1926, nació en el seno de la Provincia de Filipinas la Provincia Agustiniana de España, que recibió, junto con otras casas, la de San Manuel y San Benito, convertida desde entonces en residencia del Prior Provincial.
En 1936 la Guerra Civil interrumpió la trayectoria iniciada 25 años antes. Los Agustinos fueron expulsados y cinco religiosos de la comunidad murieron asesinados, entre ellos el Prior Provincial P. Facundo Mendiguchía y su secretario el P. Francisco de Mier. La iglesia fue cerrada al culto y transformada en almacén, la sacristía y los locales anejos se destinaron a economato, y el convento se convirtió en sede del Comité Ejecutivo del Partido Comunista y residencia de milicianos afiliados al Partido.
Terminada la guerra fratricida, retornaron los Agustinos a su casa y comenzaron la rehabilitación del edificio. Poco a poco fueron reparándose los daños que había sufrido el edificio durante la contienda, pero algunos bienes como la biblioteca, la sillería coral dotada de veintisiete sitiales tallados en nogal macizo y adornados con toques de oro, los confesonarios y la mayor parte del mobiliario del templo se había perdido para siempre. También habían desaparecido los objetos destinados al culto, las vestiduras y paramentos litúrgicos y la magnífica custodia donada por la fundadora.
Durante los años posteriores se continuó la línea iniciada antes de la guerra. Las misas, ejercicios espirituales, y las funciones litúrgicas celebradas en San Manuel y San Benito, volvieron a convertir el templo en el preferido de la sociedad madrileña y de los intelectuales del momento. Agustinos como los PP. Félix García y César Vaca destacaron en esos momentos. En San Manuel y San Benito vivieron su religiosidad, antes y después de la Guerra Civil, personajes de la talla de Muñoz Seca, Carlos Arniches, Sánchez Guerra, Antonio Maura, Gregorio Marañón, Vázquez Mella, Víctor Pradera, Concha Espina, Víctor de la Serna, Ricardo León, Pedro Sainz Rodríguez, Jacinto Benavente y tantos otros que harían esta lista interminable.
En 1965, atendiendo la solicitud de la Archidiócesis de Madrid, la iglesia se convirtió en Parroquia. Desde ese momento un equipo de Agustinos ha dedicado sus esfuerzos a la atención, no sólo de los feligreses que le correspondían, sino también de los muchos madrileños que acuden a diario a proclamar y cultivar su fe, vivir la Eucaristía, o celebrar su matrimonio y otros sacramentos en el artístico templo. Al frente de ese equipo, como párrocos, han figurado los siguientes religiosos: P. Leovigildo Tabernero (1965), P. Remigio Paramio (1966-1970), P. Gonzalo Gómez-Zamalloa (1970-1971), P. Mariano Martín (1971-1979), P. Rafael del Olmo (1979-1983), P. Rafael de la Torre (1983-1995), P. Matías Pérez (1995-1999), P. Ángel Camino (1999-2006), P. Ignacio Alonso (2006-2012), y desde el año 2012 P. Agustín Otazo Redondo.
NOTAS HISTÓRICAS
La Iglesia de San Manuel y San Benito, situada en la madrileña calle de Alcalá, enfrente del histórico parque del Retiro, comenzó su andadura litúrgico-pastoral el día 1 de enero de 1911. La historia de este centenario templo madrileño, sin embargo, se remonta a comienzos de siglo cuando en 1902 la Ilma. Sra. D.ª Benita Maurici, Vda. de Caviggioli, se comprometía con los Agustinos de la Provincia de Filipinas a construir una Iglesia, que serviría de panteón para su marido, ya difunto, y ella misma, y un convento cuya planta baja se dedicaría a la instrucción gratuita de obreros y a cuyo frente se encontraría una fundación que recibiría posteriormente el nombre de "Fundación Caviggioli". La primera piedra se colocó el 4 de mayo de 1903 y la donación se formalizó mediante escritura pública realizada el 18 de marzo de 1904. En los años siguientes se continuaron las obras de construcción que finalizaron en 1910. El templo fue consagrado el 31 de diciembre de ese año por el Agustino Fray Francisco Valdés, obispo de Salamanca.
Desde ese momento la comunidad agustiniana puso todo su empeño y dedicación al servicio de las actividades litúrgicas, religiosas, culturales y sociales, que se realizaban en la iglesia-convento de San Manuel y San Benito, convirtiéndose en poco tiempo en el centro espiritual de mayor prestigio del señorial barrio de Salamanca. Quince años después, el 12 de septiembre de 1926, nació en el seno de la Provincia de Filipinas la Provincia Agustiniana de España, que recibió, junto con otras casas, la de San Manuel y San Benito, convertida desde entonces en residencia del Prior Provincial.
En 1936 la Guerra Civil interrumpió la trayectoria iniciada 25 años antes. Los Agustinos fueron expulsados y cinco religiosos de la comunidad murieron asesinados, entre ellos el Prior Provincial P. Facundo Mendiguchía y su secretario el P. Francisco de Mier. La iglesia fue cerrada al culto y transformada en almacén, la sacristía y los locales anejos se destinaron a economato, y el convento se convirtió en sede del Comité Ejecutivo del Partido Comunista y residencia de milicianos afiliados al Partido.
Terminada la guerra fratricida, retornaron los Agustinos a su casa y comenzaron la rehabilitación del edificio. Poco a poco fueron reparándose los daños que había sufrido el edificio durante la contienda, pero algunos bienes como la biblioteca, la sillería coral dotada de veintisiete sitiales tallados en nogal macizo y adornados con toques de oro, los confesonarios y la mayor parte del mobiliario del templo se había perdido para siempre. También habían desaparecido los objetos destinados al culto, las vestiduras y paramentos litúrgicos y la magnífica custodia donada por la fundadora.
Durante los años posteriores se continuó la línea iniciada antes de la guerra. Las misas, ejercicios espirituales, y las funciones litúrgicas celebradas en San Manuel y San Benito, volvieron a convertir el templo en el preferido de la sociedad madrileña y de los intelectuales del momento. Agustinos como los PP. Félix García y César Vaca destacaron en esos momentos. En San Manuel y San Benito vivieron su religiosidad, antes y después de la Guerra Civil, personajes de la talla de Muñoz Seca, Carlos Arniches, Sánchez Guerra, Antonio Maura, Gregorio Marañón, Vázquez Mella, Víctor Pradera, Concha Espina, Víctor de la Serna, Ricardo León, Pedro Sainz Rodríguez, Jacinto Benavente y tantos otros que harían esta lista interminable.
En 1965, atendiendo la solicitud de la Archidiócesis de Madrid, la iglesia se convirtió en Parroquia. Desde ese momento un equipo de Agustinos ha dedicado sus esfuerzos a la atención, no sólo de los feligreses que le correspondían, sino también de los muchos madrileños que acuden a diario a proclamar y cultivar su fe, vivir la Eucaristía, o celebrar su matrimonio y otros sacramentos en el artístico templo. Al frente de ese equipo, como párrocos, han figurado los siguientes religiosos: P. Leovigildo Tabernero (1965), P. Remigio Paramio (1966-1970), P. Gonzalo Gómez-Zamalloa (1970-1971), P. Mariano Martín (1971-1979), P. Rafael del Olmo (1979-1983), P. Rafael de la Torre (1983-1995), P. Matías Pérez (1995-1999), P. Ángel Camino (1999-2006), P. Ignacio Alonso (2006-2012), y desde el año 2012 P. Agustín Otazo Redondo.
From discoverchester.co.uk/St.John's.html
"The ancient Church of John's was founded by the Saxon King Aethelred of Mercia in AD 689. It was later enlarged in AD 907 by Aethelreda, the daughter of King Alfred the Great and her husband Aethelred. At that time Foregate Street will have been a mere track through the forest, outside the ancient city walls.
According to legend: "King Ethelred, minding to build a church, was told that where he should see a white hind, there he should build a church, which hind he saw in the place that S. John's now standeth".
Another legend says King Edgar spent time at St. John's in AD 973 to receive homage of the sub-kings of England Scotland and Wales. Legend has it that King Edgar the Peaceful was crowned in Bath, in 972, and was then rowed up the river Dee by eight vassal Kings from North-western Britain, as a token of their submission, from Chester Castle to the church of St. John's where he took oaths of obedience."
From Peter Jones flic.kr/p/9x9wjH
"Stained glass window by Trena M Cox (1969), in St John the Baptist church, Chester. It seems that this window replaced a 1930 window by the same artist on the same subject.
Read more about Trena Cox in the 19th edition of Historic Churches magazine, at www.buildingconservation.com/articles/trena-cox/trena-cox... "
For more of Trena's windows see Peter's album www.flickr.com/photos/trena-cox/albums/72157626133597424/
Kurt Weiser is Professor in Ceramics at ASU. Follow link below.
art.asu.edu/ceramics/index.html
In the hands of Kurt Weiser, (b. 1950) the centuries-old tradition of china paint on porcelain is given new life. Weiser’s sumptuous, provocative teapots and jars, resplendent with lush jungle scenes, can be both alluring and unsettling. Detailed depictions of tropical splendor become wayward reveries as radiant colors and subtle distortions transform classic porcelain vessels.
Weiser, trained in ceramics at the Kansas City Art Institute and the University of Michigan, originally worked in an abstract, non-representational style with minimal surface decoration. While director of the Archie Bray foundation in Helena, Montana from 1977-88, he began to feel limited by this approach and contemplated new ways of working. Around 1990, he took the first step towards his current style when he covered a porcelain teapot with intricate botanical imagery using black and white sgraffito. After making a series of visits to Thailand, where he was inspired by the region’s luxuriant, intensely colored flora and fauna, a black and white palette no longer satisfied him. Seeking to capture Thailand’s richness, he began to experiment with China paints. Soon his skill as a colorist became an indispensable element of his work.
With the introduction of color into his work, Weiser also began to indulge his narrative impulses by incorporating figurative elements, drawn both from fantasy and art history, into his jungle scenes. Weiser’s figures, often nude and distorted across the planes of his vessels, move through steamy, Eden-like landscapes, interacting with the natural world they encounter. Themes of lust, predation, scientific curiosities, and the vulnerability of both man and nature abound in these scenes, resonating curiously with the cultivated vessel forms and refined medium Weiser has chosen.
Although Weiser has worked in this style for more than ten years, his work continues to evolve. The technical challenge of the overglazing process he uses, which requires multiple firings for each vessel and careful attention to the order in which colors are applied, forces him to thoroughly consider each piece he creates. Through refining this method of working, he has learned to take full advantage of the three-dimensionality of his surfaces by extending his scenes to fully encompass each vessel. In his recent work, he says that the softened, amorphous forms of his vessels should blend with their seamlessly painted surfaces so that the pots fade from view and “the painting is the three dimensional reality” floating in space as would a dream or reverie. Whether Weiser’s work is interpreted as three-dimensional painting or sensuously decorated porcelain, the pots he creates are among the most vivid and decadent of modern ceramics, providing a distinctive contribution to the ever-expanding medium.
Awards
1999 Arizona Commission on the Arts, Artist Fellowship
Regents Professorship A.S.U.
1998 Asian Cultural Council, Artist Fellowship
Research and Creative Activity Award, A.S.U.
1992 Artists Fellowship: National Endowment for the Arts
1990 Artists Project Award: Arizona Commission on the Arts
1989 Artists Fellowship: National Endowment for the Arts
1986 Artists Fellowship: Montana Arts Council
Education
1976 M.F.A. University of Michigan, Ann Arbor
1972 B.F.A. Kansas City Art Institute, Missouri
1967 Interlochen Arts Academy, Interlochen, Michigan
Museum Collections
Archie Bray Foundation, Helena, Montana
Arizona State University Art Museum, Tempe
Carnegie Mellon Museum of Art, Pittsburgh, Pennsylvania
Ceramics Monthly Magazine, Columbus, Ohio
Charles A.Wustum Museum of Fine Arts, Racine, Wisconsin
Crocker Art Museum, Sacramento, California
The George M. Gardiner Museum of Art, Toronto, Canada
Hallmark Cards, Inc., Kansas City, Missouri
Hamline University, Minneapolis, Minnesota
Helsinki Museum of Applied Arts, Helsinki, Finland
Kansas City Art Institute, Kansas City, Missouri
Los Angeles County Museum of Art, Los Angeles
Mesa Arts Center, Mesa, Arizona
Mint Museum of Art, Charlotte, North Carolina
Muscarelle Museum of Art, Williamsburg, Virginia
Museum of Contemporary Ceramics, Shigaraki, Japan
National Museum of American Art, Smithsonian Institution, Washington, DC
National Museum of History, Republic of China, Taipei, Taiwan
Nora Eccles Harrison Museum of Art, Utah State University, Logan, Utah
Portland Art Museum, Portland, Oregon
Rhode Island School of Design Museum of Art, Providence, Rhode Island Schien-Joseph International Museum of Ceramic Art at Alfred University,
Alfred, New York
University of Nebraska, Lincoln, Nebraska
Valley National Bank, Phoenix, Arizona
Victoria & Albert Museum, London, England
Washington University Art Museum, St. Louis, Missouri
Winnipeg Art Museum, Winnipeg, Manitoba, Canada
Yellowstone Arts Center, Billings, Montana
Selected Solo Exhibitions
2001 Frank Lloyd Gallery, Santa Monica
2000 Garth Clark Gallery, New York
1999 Working His Way Around China, Montgomery Museum of Art, Montgomery, Alabama
1998 Frank Lloyd Gallery, Santa Monica
1996 Garth Clark Gallery, New York
Joanne Rapp Gallery, Scottsdale, Arizona
1995 Garth Clark Gallery, New York
1994 Garth Clark Gallery, Los Angeles
1993 Garth Clark Gallery, New York
Joanne Rapp Gallery, Scottsdale, Arizona
1992 Garth Clark Gallery, Los Angeles
1990 Garth Clark Gallery, New York
1986 Lawrence Gallery, Portland, Oregon
Salem Art Association, Salem, Oregon
1985 White Bird Gallery, Cannon Beach, Oregon
Paris Gibson Square, Great Falls, Montana
1984 Yellowstone Art Center, Billings, Montana
Anderson Ranch Arts Center, Aspen, Colorado
Lawrence Gallery, Portland, Oregon
1983 Brentwood Gallery, St. Louis, Missouri
Hand and Spirit Gallery, Scottsdale, Arizona
The Craftsmen’s Gallery, Omaha, Nebraska
1982 Surroundings Gallery, New York
The Craftsmen’s Gallery, Scarsdale, New York
Garth Clark Gallery, Los Angeles
1981 White Bird Gallery, Cannon Beach, Oregon
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
sldesignnotebook.blogspot.com/2014/10/just-two-rooms.html
The Dust Bunny Maple Cottage is soooo adorable. It has only two rooms, but i love it anyway.
Apple Fall has a sweet dining set, chandelier and plates at The Chapter Four. I scooped them right up and put them in this darling house.
The Chapter Four
maps.secondlife.com/secondlife/Dreamlove/100/134/1236
Dust Bunny
The First Aerial Travellers (detail)
Gracia Haby
artists' book
2011
The first aerial travellers is an artists book I have made especially for Louise and my piece for the group exhibition In Suspense (further details here). It features across the pages of a King Penguin book on ballooning (first published 1948), collages aplenty.
In Suspense
Thursday November 3rd – Saturday November 26th, 2011
Hand Held Gallery
Suite 18, Paramount Arcade, 108 Bourke Street, Melbourne (VIC)
Gallery opening hours
Tuesday–Saturday 12–5pm
Recent posted,
Loosen up, unwind, unbend, and take it easy.
Una Escorts ||
Kota Escorts ||
Pali Escorts ||
Tonk Escorts ||
Agra Escorts ||
Gautam Buddha Nagar Escorts ||
Mau Escorts ||
Mau Escorts ||
Etah Escorts ||
Rewa Escorts ||
Guna Escorts ||
Dhar Escorts ||
Jind Escorts ||
Jind Escorts ||
Jind Escorts ||
Nuh Escorts ||
Moga Escorts ||
Juhu Escorts ||
Pune Escorts ||
Beed Escorts ||
Baga Escorts ||
Goa Escorts ||
Gaya Escorts ||
Leh Escorts ||
Durg Escorts ||
The Birds of Ireland: A Field Guide with Jim Wilson
Shorebirds of Ireland with Jim Wilson.
Freshwater Birds of Ireland with Jim Wilson
www.markcarmodyphotography.com
The Common Starling (Sturnus vulgaris), also known as the European Starling or just Starling, is a passerine bird in the family Sturnidae.
This species of starling is native to most of temperate Europe and western Asia. It is resident in southern and western Europe and southwestern Asia, while northeastern populations migrate south and west in winter to these regions, and also further south to areas where it does not breed in Iberia and north Africa. It has also been introduced to Australia, Argentina, New Zealand, North America, and South Africa.
There are several subspecies of the European Starling, which vary in the iridescence of adult plumage. With gradual variation over geographic range and extensive intergradation, the subspecies are said to be clinal. Acceptance of different subspecies varies between different authorities. (wikipedia)
Taken in Howth, Co. Dublin. A stunning bird in winter plumage, much maligned!
.........
innisfreegarden.org/garden.html
We arrived at Innisfree as soon as it opened at 10AM one mid-August morning when the entire Northeastern US was in the middle of a record heatwave. Despite the heat and humidity, we were able to make a quick 1.5 mile circle on the path around the deep glacial lake at the heart of this 150 acre garden before we wilted and had to return to our air conditioned car. The harsh mid-day light made photography challenging, as you can see. We learned that Innisfree, said by some to be one of the world's Ten Great Gardens, opens at sunrise on three occasions each year, and we are already planning another trip to the Hudson River Valley in the future when we hope we can see and photograph this amazing place under better conditions.
"Like the pyramids of Egypt or the Great Wall of China, Innisfree helps us to define what we mean by ‘civilization’. It’s one of the few places in this world that lived up to — nay, exceeded — my expectations."
David Wheeler, Editor, Hortus (2013)
"In the late 1920s, Walter Beck and his wife, avid gardener and heiress Marion Burt Beck, began work on Innisfree, their country residence in Millbrook, New York. Walter Beck’s fascination with Asian art influenced his painting, the collecting he and his wife pursued, and their ideas on garden design. In the 1930s, Beck discovered the work of 8th-century Chinese poet, painter and garden maker Wang Wei. Studying scroll paintings of his famed garden, the Wangchuan Villa, Beck observed that Wang created carefully defined, inwardly focused gardens and garden vignettes within a larger, naturalistic landscape. Wang’s place-making technique — christened “cup gardens,” by Beck — influenced centuries of Chinese and Japanese garden design. It is also the principal design motif in the Innisfree landscape. Like his Chinese predecessor, Beck created three-dimensional pictures in the garden, incorporating both rocks from the site and horticultural advice from his wife. Unlike Wang Wei, or perhaps more familiar figures like Lawrence Johnston, who used his cup-like rooms at Hidcote in England to draw one through a sequence of events and create an overall sense of place, Beck focused more on individual compositions. Relating these to each other and to the landscape as a whole was the genius of Lester Collins."
The genius of this place lies not so much in the ideas which the designers formulated for the cup gardens, many of which are disarmingly simple, but in the way they have been maintained over the years. Essentially, everything is allowed to settle into the prevailing spirit of the place; if it does not, it is removed. It is this sensitivity, care and attention to the qualities of landscape, natural and made, that make Innisfree such a memorable success.
Tim Richardson, Great Gardens of America (2000)
Western gardens are usually designed to embrace a view of the whole. Little is hidden. The garden, like a stage set, is there in its entirety, its overall design revealed in a glance. The traditional Chinese garden is usually designed so that a view of the whole is impossible. [It] requires a stroll over serpentine, seemingly aimless arteries. The observer walks into a series of episodes, like Alice through the looking glass."
Lester Collins, Innisfree: An American Garden (1994)
Benedictine sisters to shutter midtown monastery
By Johanna Willett Arizona Daily Star
20160927
For about 75 years, the Benedictine Sisters of Perpetual Adoration have called the monastery at 800 N. Country Club Road home.
But no more.
This past weekend, the sisters announced to volunteers, benefactors and other friends that the monastery will shut its doors within the next two years.
“It was a difficult decision to come to, but it has to do with basically a fewer number of sisters today and the fact that everyone is aging,” said Sister Joan Ridley, superior of the Tucson Monastery. “We don’t have many newer members, so we want to regroup forces and consolidate sisters in one spot.”
The 16 Tucson sisters are part of a larger congregation based in Clyde, Missouri. Including the Tucson nuns, there are about 65 sisters, Ridley said.
Leadership at both sites has worked toward this decision for about a year with the hope that consolidation will revitalize the aging order.
The decision is still too new for the sisters to say for sure whether all will leave Tucson for Clyde. Some of the nuns have lived here for about 25 years, Ridley said.
Stay or go, they will all have to develop a few new habits. The sisters plan to sell the property, which is about 7 acres between East Speedway and East Fifth Street.
“We may be in touch with some other national Catholic organizations that purchase property and convert it to senior housing or things like that,” Ridley said. “Our first desire is that it would be used for the good of seniors and stay within the religious tradition.”
The Tucson convent’s history as documented on its website begins in 1935 with an invitation from Diocese of Tucson Bishop Daniel Gercke to the Benedictine Sisters of Perpetual Adoration. Until the completion of the Tucson Monastery in 1940, the sisters lived in the Steinfeld Mansion , 300 N. Main Ave. Architect Roy Place designed the current monastery.
“The Benedictine Sisters have been a blessing and gift in our community since 1935,” said Bishop Gerald Kicanas of the Diocese of Tucson in a prepared statement. “They have held us in prayer and opened their home to us all. … They cannot imagine the impact they have had on us, not just as Catholics but all in our community.”
Valencia orange and date palm trees dot the property, along with an ancient avocado tree that Ridley suspects is one of the oldest in Tucson.
The sisters sell soaps, salves and lotions and make liturgical vestments, or clothing.
Every day, the monastery holds four services in its chapel, along with Mass on Sunday.
“We’re very sad,” Ridley said. “It’s a real loss to the city of Tucson and the people that we have grown to love and who love us.”
Contact reporter Johanna Willett at jwillett@tucson.com or 573-4357. On Twitter: @JohannaWillett
democracystreet.blogspot.co.uk/2013/03/handsworth-park-hi...
On Saturday morning I was guide for a history tour of Handsworth Park - at first called Victoria Park, like many others at the time, in honour of the Queen. The chilly weather and the snow, still falling now and then, did not deter over 15 people turning up. I've been doing tours of Handsworth Park for years. This one was included in a more ambitious enterprise dreamed by my friend Aftab Rahman of Legacy West Midlands. Handsworth Park is one of ten other places with historical resonance included in the East Handsworth and Lozells Heritage Trail
Legacy WM won a Heritage Lottery Fund (HLF) grant to develop a heritage trail for Lozells and East Handsworth training 15 volunteers in a greater appreciation and understanding of local history so they can give guided tours. Legacy WM is working with South and City College to develop an accredited course, being run at St Mary's Convent, with the aim of launching the trail on the 25th May 2013. Once trained the volunteers will give guided tours to the community, people across the city and visitors to Birmingham, tours that will include:
Soho House
St Mary's Convent - Hunters Road
Hamstead Road - 9 restored Georgian houses built around 1836 - with 9 amazing gardens
Asian Resource Centre - Old Toll House
James Watt Gate House - West Drive
St Mary's Church - where lie the remains of James Watt, Matthew Boulton and William Murdoch
Handsworth Park and bandstand
Thornhill Road Police Station – formerly Staffordshire Court
Handsworth Library - Soho Road
Handsworth College - once Handsworth Council House, Soho Road
This was how journalist Tom Rowley described the tour in The Telegraph in February 2013....
[QUOTE] Birmingham's new tourist trail - but will coach parties want to visit East Handsworth?
Do tourists really want a guided tour of the once riot-scarred streets of Birmingham?
Walking tours of Oxford begin by the gates of Trinity College. In Bath, the eager participants gather at the Pump Rooms, and in Edinburgh the route starts at the foot of The Mound, near the Royal Mile. But our rendezvous today is the Asian Resource Centre.
I’m the first visitor to sample Britain’s newest – and most controversial – walking tour, and my eager guide, dressed in hardy boots and a baggy cagoule, is Aftab Rahman. Rather than lingering by a Bridge of Sighs, though, the two-hour route will see us walk through two of the country’s most deprived and notorious neighbourhoods – Lozells and East Handsworth – in search of their industrial heritage.
The wards, two miles from Birmingham city centre, are not an obvious tourist draw. One in four of the population is unemployed and a recent police newsletter warns of anti-social behaviour, prostitution and drugs. More than four-fifths of locals are from ethnic minorities. It was here that racial and economic tension sparked the riots in 1985, when two brothers burnt to death in the Post Office they ran and 45 shops were looted. In 2005, further rioting claimed another two lives and injured a police officer.
It is perhaps surprising, then, that the Heritage Lottery Fund has given £38,000 to launch the tour. When it begins in May, volunteers in Victorian garb will guide visitors around the area for free each Saturday.
The local MP, Khalid Mahmood, thinks it is a huge waste of money. “We’re talking about the middle of Birmingham,” he sighs. “I don’t think it is picturesque. We haven’t got the sort of sites they have in York, for example. Of course we have some history, but we’re not in that league. We’ve got to understand where we are. We’ve got better things to spend that money on than walking a group of Japanese tourists around.”
Lottery funding should go towards regenerating the area or helping residents find jobs, he argues. “I think they should provide pamphlets for people to explore the area themselves. Then visitors could interact with local businesses and put some money back into the community.”
Undeterred, we set off in driving snow, and Aftab dismisses Mr Mahmood’s concerns. “The MP should be promoting his own area, not putting it down,” he tells me, as we pass the “Eat Well” Caribbean vegetarian takeaway on Hamstead Road.
Aftab, 42, emigrated from Bangladesh to Lozells with his family when he was six. He admits that the area has generated a bad press over the years. “I came here in 1976 and it wasn’t always rosy,” he recalls. “There was a lot of violent racism in the early days and the riots when I was 15 were devastating. Shops were burnt down, there were petrol bombs and stand-offs with the police.”
Walking tours in unlikely areas are a recent phenomenon and not confined to the West Midlands. Visitors to Belfast will soon be offered a walkabout that includes a dozen sites associated with the worst atrocities of the Troubles. Last year, an enterprising bus company launched a £15 tour of the M25. The chance to spend four hours in a jam seems unlikely to become a major draw. Aftab, on the other hand, is determined that his tour will work. “Ultimately, I want people from London and across the world to come,” he insists. “We have enough to showcase here for the world to see.”
It is impossible not to be cheered by Aftab’s enthusiasm. Whether he is pointing out Soho House, a grand Georgian home where the industrialist Matthew Boulton lived in the 1700s, or “one of only six bandstands in the West Midlands” in the park, he is proud to call himself a local.
Aftab, a former youth worker with Worcester city council, is an energetic supporter of the community and has set up several charities to help young people into work. He will run the walking tour in his role as director of Legacy West Midlands, an organisation he set up to promote the area’s history.
But some of Aftab’s showpieces are, frankly, of limited appeal. The “first Halal slaughterhouse in the West Midlands”, where customers used to be able to select a chicken to be killed, is, perhaps, of minor cultural interest. Similarly, a row of nine Georgian houses, sympathetically restored, have little to commend them beyond charming sash windows.
But the route also takes us into St Mary’s convent on Hunters Road. Built in 1841, it is the work of Augustus Pugin, more famous for much of the interior design of the House of Commons. Two of the nuns greet Aftab warmly and show us Flemish carvings and a grandfather clock by Pugin.
Our final stop is St Mary’s church, back on Hamstead Road. The Norman tower is magnificent but Aftab heads straight to a marble mausoleum where James Watt, the Scottish engineer and inventor whose improvements to the steam engine were key to the Industrial Revolution, is interred.
“This is what my trail is all about,” he says. “We have these hidden gems here that people don’t know about. It is beautiful and we need to make a song and dance about it. People think of Lozells and East Handsworth as a riot hotspot with gang affiliation. But it is not like that. Give this area another 10 years and it will be one of the most desirable places to live. What was Brixton like 10 years ago? The community is growing slowly and it is just a matter of time. Give it a chance.”
Our tour may be over, but Aftab will never tire of walking around his neighbourhood – even if coachloads of tourists fail to turn off the M40 at Junction 16. [END QUOTE]
docs.google.com/file/d/0B425ifMGvdTtSWVERE1vaTdwU0U/edit?...
To quote Khalid Mahmoud, our MP, again...“We’re talking about the middle of Birmingham. I don’t think it is picturesque. We haven’t got the sort of sites they have in York, for example. Of course we have some history, but we’re not in that league. We’ve got to understand where we are. We’ve got better things to spend that money on than walking a group of Japanese tourists around.”
Our MP's words angered Linda, my wife
"He's rubbishing his own constituency'
I enjoy quotes like this though. They are a challenge.
Handsworth, modern Handsworth where we've lived since 1979, has a reputation I rather enjoy, not only because it discourages visits by the kind of people who made comments like this below Rowley's carping piece...
(QUOTE) "....as you can work out for yourself, the area is a dump. you could work out your own guided tour out with a book on birmingham architecture. i wouldn't recommend someone white do it, as your safety could not be guaranteed. it still has a black presence so mugging is a distinct possibility, and it is now overwhelmingly muslim, so not to be recommended for non muslim women, especially white women, as some of these people regard non muslim women as easy meat (especially if you happen to be very young, white, and from a dysfunctial background). thinking about it, as a brummy i have to say it would be better to take a trip out to worcestershire or gloucestershire and see what england use to/should look like. birmingham is rapidly looking more like a 3rd world country, and i can't see why anyone wishing to sight-see england would want to look at that. sorry to disappoint."(END QUOTE)
...but much more important because the history that resides in this area is entirely formidable. I've been taking people around Handsworth Park, including my entranced Japanese students, for decades, telling them how "in this place the modern world was invented"
For years I've lived amid the echoes of this astounding source. Only in the last twenty years or so have I begun to grasp the causes and consequences strewn around me - this place where the industrial revolution was seeded.
Ironically there is part of me that cherishes the concealment that hides this significance from so many people, including our MP who talks unknowingly of "understanding where we are". It may seem a paradox but I don't want this area to become a museum replete with commodified history. I value it too much for its present life including its risks and the things that anger me as well as those things in which I rejoice.
I'm protective, even possessive, cherishing Handsworth the way I might cherish a chest of private family treasures that, as an old man, I might ease open with false reluctance in response to the pleas of curious grandchildren, encouraging their small eager fingers to touch and hold; their ears to listen, uncritically, to my crafted accounts of amazing things; their innocent eyes to gaze untroubled, wondering and happy at what one day they will be taught as 'history'.
On the matter of our MP's opinion that £35K could be better spent on other things. What comes at once to mind is education, health and crime prevention. He cues an important argument about the allocation of scarce resources - in this case the public money granted for the development by Aftab and people like myself of a Heritage Trail in our area. It is absolutely fair that those of us using the £35,000 in question should be able to show how its investment in a local Heritage Trail is as good a way as any more direct investment in promoting education, sport or health and reducing crime. A decade ago we made that case in campaigning for the investment of Heritage Lottery money in the restoration of Handsworth Park and other urban green spaces.
This was my contribution to that debate:
docs.google.com/file/d/0B425ifMGvdTtZGI5Y3l4Ml95YkE/edit?...
I am confident that the same case can be made for the East Handsworth and Lozells Heritage Trail
E-mail me to arrange a history tour of Handsworth Park simon@baddeley.be
From pacificwrecks.com/ships/maru/hirokawa.html
Hirokawa Maru (Bonegi 1)
IJN
Cargo
6,872 Tons
Ship History
Built by Kawasaki Kisen Kaisha at Kobe. Laid down April 6, 1939 as a 6,872-ton cargo ship. Launched May 10, 1940 as Hirokawa Maru. Completed October 12, 1940 and delivered to Kawasaki Kisen, K. K. Line for use on the K line cargo service.
Wartime History
On February 8, 1941 requisitioned by the Imperial Japanese Army (IJA) as No. 846 and converted into a Boku Kikansen (anti-aircraft) armed transport with six Type 88 75mm anti-aircraft guns and four Type 98 20mm cannons. On November 6, 1941 departs Moji bound for Wusong off Shanghai. On November 28, 1941 arrives Samah on Hainan Island.
PARTIAL HISTORY
On December 4, 1941 at 6:00am departs Samah as part of a convoy transporting the Japanese Army 25th Army to the Gulf of Thailand escorted by light cruisers, destroyers, minesweepers and subchaser. Hirokawa Maru, Sagami Maru, Kinka Maru, Tozan Maru escorted by destroyers Shinonome and Shirakumo are detached as part of the as part of the Pattani invasion force. On December 7, 1941 arrives off Pattani in Saim (Thailand) and successfully lands the Ando Detachment.
PARTIAL HISTORY
Part of a convoy of eleven transports: Arizona Maru, Kumagawa Maru, Sado Maru, Nagara Maru, Nako Maru, Canberra Maru, Brisbane Maru, Kinugawa Maru, Hirokawa Maru, Yamaura Maru, and Yamatsuki Maru escorted by twelve destroyers.
On November 13, 1942 departed Shortland and steamed down "The Slot" bound for Guadalcanal. Although scheduled to arrive during the night of November 13, 1942, the convoy was recalled to Shortland, due to the First Naval Battle of Guadalcanal.
During the afternoon of November 13, 1942 the convoy again departed Shortland again bound for Guadalcanal. Spotted by American aircraft, air attacks began hitting the convoy during the morning of November 14, and overwhelmed the escorting Japanese aircraft and sank six transports and forced one to turn back damaged, and later sank.
The remaining four transports and four destroyers continued to Guadalcanal. After nightfall, they stopped to the west of Guadalcanal, awaiting the conclusion of the Second Naval Battle of Guadalcanal.
Sinking History
On November 15, 1942 at 4:00am, the remaining four transports Kinugawa Maru, Hirokawa Maru, Yamaura Maru, and Yamatsuki Maru beached themselves on western Guadalcanal. Kinugawa Maru beached the furthest to the east at Bonegi.
Beginning at 5:55am, American aircraft from Henderson Field and elsewhere plus field artillery bombarded the ships. Later, destroyer USS Meade approached and opened fire for an hour with 5" shells, leaving them "blazing with many internal explosions."
These attacks set all four transports afire and destroyed most equipment not unloaded before dawn. Most of their ammunition and food supplies were lost. Approximately 2,000 troops with 260 cases of ammunition and 1,500 bags of rice made ashore.
Shipwreck
Hirokawa Maru was sunk off Bonegi to the east of Kinugawa Maru. Locally known as "Bonegi 1", "Bonegi No. 1" or "Bonegi One". The shipwreck rests with her mangled bow in shallow water with her amidships section is fairly intact. Her stern at 180' / 55m is covered with gun cartridges and deteriorated.
Well broken up by enemy bombing, she is now covered in soft and hard coral growth. A deck gun is still recognizable. Penetration of this wreck is not advised because deterioration leaves the wreckage unstable.
8/5/2015
COPENHAGEN ULTRACONTEMPORARY BIENNALE @ Venice Biennale
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The COPENHAGEN ULTRACONTEMPORARY BIENNALE will be done in 3 platforms
the parliament is platform 2
Artist have to express closer to decision makers . in time , in the NOW
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a presentation of COPENHAGEN ULTRACONTEMPORARY BIENNALE will be done at the Venice Biennale 2015 ---
check date and place here www.facebook.com/CopenhagenBiennale
COPENHAGEN ULTRACONTEMPORARY BIENNALE
main : copenhagenbiennale.org/
www.facebook.com/CopenhagenBiennale
www.emergencyrooms.org/formats.html
meanwhile during Venice Biennale contemporary art will be shown by
ABBOUD, Jumana Emil .ABDESSEMED, Adel .ABONNENC, Mathieu Kleyebe
ABOUNADDARA.ACHOUR, Boris ADKINS, Terry AFIF, Saâdane
AKERMAN, Chantal AKOMFRAH, John AKPOKIERE, Karo
AL SOLH, Mounira ALGÜN RINGBORG, Meriç ALLORA, Jennifer & CALZADILLA, Guillermo
ATAMAN, Kutlug BAJEVIC, Maja BALLESTEROS, Ernesto
BALOJI, Sammy BARBA, Rosa
BASELITZ, Georg BASUALDO, Eduardo BAUER, Petra
BESHTY, Walead BHABHA, Huma BOLTANSKI, Christian
BONVICINI, Monica BOYCE, Sonia
BOYD, Daniel BREY, Ricardo BROODTHAERS, Marcel BRUGUERA, Tania
BURGA, Teresa CALHOUN, Keith & McCORMICK, Chandra CAO, Fei
CHAMEKH, Nidhal CHERNYSHEVA, Olga CHUNG, Tiffany
COOPERATIVA CRÁTER INVERTIDO CREATIVE TIME SUMMIT
DAMIANI, Elena DELLER, Jeremy DJORDAJDZE, Thea DUMAS, Marlene
E-FLUX JOURNAL EDWARDS, Melvin EFFLATOUN, Inji EHMANN, Antje & FAROCKI, Harun
EICHHORN, Maria EVANS, Walker FAROCKI, Harun FLOYD, Emily
FRIEDL, Peter FUSCO, Coco FUSINATO, Marco
GAINES, Charles GALLAGHER, Ellen GALLARDO, Ana GARCIA, Dora
GATES, Theaster GENZKEN, Isa GLUKLYA GOMES, Sônia GROSSE, Katharina
GULF LABOR GURSKY, Andreas HAACKE, Hans
HADJITHOMAS, Joana & JOREIGE, Khalil HARRY, Newell HASSAN, Kay
HIRSCHHORN, Thomas HÖLLER, Carsten HOLT, Nancy & SMITHSON, Robert
IM, Heung Soon INVISIBLE BORDERS: Trans-African Photographers ISHIDA, Tetsuya
JI, Dachun JULIEN, Isaac K., Hiwa KAMBALU, Samson KIM, Ayoung
KLUGE, Alexander KNGWARREYE, Emily Kame LAGOMARSINO, Runo LEBER, Sonia & CHESWORTH, David
LIGON, Glenn MABUNDA, Gonçalo MADHUSUDHANAN MAHAMA, Ibrahim
MALJKOVIC, David MAN, Victor MANSARAY, Abu Bakarr MARKER, Chris
MARSHALL, Kerry James MARTEN, Helen MAURI, Fabio McQUEEN, Steve
MOHAIEMEN, Naeem MORAN, Jason MÜLLER, Ivana MUNROE, Lavar MURILLO, Oscar
MUTU, Wangechi NAM, Hwayeon NAUMAN, Bruce NDIAYE, Cheikh NICOLAI, Olaf
OFILI, Chris OGBOH, Emeka PARRENO, Philippe PASCALI, Pino PIPER, Adrian
PONIFASIO, Lemi QIU, Zhijie RAISSNIA, Raha RAQS MEDIA COLLECTIVE
(NARULA, Monica; BAGCHI, Jeebesh; SENGUPTA, Shuddhabrata) REYNAUD-DEWAR, Lili
RIDNYI, Mykola ROBERTS, Liisa ROTTENBERG, Mika SCHÖNFELDT, Joachim SELMANI, Massinissa
SENGHOR, Fatou Kand SHETTY, Prasad & GUPTE, Rupal SIBONY, Gedi
SIMMONS, Gary SIMON, Taryn SIMPSON, Lorna SMITHSON, Robert SUBOTZKY, Mikhael
SUHAIL, Mariam SZE, Sarah THE PROPELLER GROUPthe TOMORROW
TIRAVANIJA, Rirkrit TOGUO, Barthélémy XU, Bing YOUNIS, Ala
ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
Xanadu
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Dream Amsterdam Foundation
Universities and Associations that have joined the project
Sotheby’s Institute of Art, London / St Lucas University College of Art & Design, Antwerp / University of Washington - College of Arts & Sciences, Seattle / Iowa State University - College of Design, Ames / Universität für angewandte Kunst, Vienna
Venice International University / Università Ca’ Foscari, Venezia / Università Ca’ Foscari, Venezia - Dipartimento di Filosofia e Beni Culturali / Università IUAV di Venezia / Università Commerciale Luigi Bocconi, Milano - Dipartimento di Marketing / Accademia di Belle Arti di Brera, Milano - Ufficio Relazioni Internazionali. Erasmus Office / Politecnico di Milano - Scuola del Design. Laurea in Design degli Interni / Università di Roma Sapienza - Facoltà di Architettura / Associazione Cinemavvenire, Roma / Università per Stranieri di Perugia / Università per Stranieri di Siena
Central Pavilion at the Giardini (3,000 sq.m.) to the Arsenale
Bice Curiger Massimiliano Gioni
A Parliament for a Biennale
Paolo Baratta, President of la Biennale di Venezia
Okwui Enwezor the ARENA Karl Marx’s Das Kapital
Theaster Gates Chris Rehberger Joseph Haydn Cesare Paveset David Adjaye Olaf Nicolai Joana Hadjithomas and Khalil Joreige Marsilio Editori. emergency cinema.” Abounaddara
Mathieu KleyebeCharles Gaines’Jeremy Deller Jason Moran , venedig biennale biennial
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
www.wehrbauten.at/stmk/hauenstein/hauenstein.html
de.wikipedia.org/wiki/Burg_Hauenstein_%28Steiermark%29
DIE SAGE
Im innersten Winkel des oberen Kainachtales, zu Füßen der Roßbachalpe, liegt auf einer 938 Meter hohen Felskuppe die Ruine der alten Burg Hanstein, auch Hauenstein genannt, die der Landesfürst im 13. Jahrhundert dem Edelgeschlecht der Hanauer verliehen hatte. Die Burg war so angelegt, daß sie die wichtige Straße über den Gleinalmsattel ins obere Murtal sperren konnte. Den Hanauern folgten die Laun, dann war der unglückliche Greißenegger Inhaber; 1483 erwarb das Stift Lambrecht die Feste, dann die Stadt Judenburg und zuletzt wurde sie mit der Herrschaft Piber vereinigt. — Die Ringmauer ist noch erhalten, und durch drei Tore kommt man in den innersten Hof, wo an höchster Stelle das dreistöckige Turmhaus (Wohnturm) steht. Schon bald nach 1500 wird die Burg als „öde'', d. h. unbewohnbar, geschildert.
Eine Sage behauptet, daß die Burg Hanstein mit der Burg Klingenstein im Sallatal durch einen geheimen unterirdischen Gang verbunden gewesen sei, was aber wegen der allzu großen Entfernung (13 km Luftlinie!) ganz unmöglich ist.
*
Ein Bauerndirndl ließ eines Tages ihre Schafe vor der Ruine grasen. Plötzlich kam eine altertümlich gekleidete Frau aus dem Burgtor heraus und hatte Nüsse in der Schürze, die sie dem Mädchen schenken wollte mit den Worten: „Greif zu, sie gehören dir!'' Das Mädchen aber fürchtete sich, nahm die Gabe nicht an und versteckte sich. Da jammerte die Frau laut: „Törichtes Kind, du hättest mich erlösen können und wärst überdies reich geworden, denn die Nüsse hätten sich in Gold verwandelt. Nun muß ich wieder viele hundert Jahre warten, bis mich ein tapferes Mädchen erlösen wird.'' — Mit diesen Worten verschwand die Gestalt heftig weinend im alten Gemäuer.
Am Oswaldbach, eine gute Gehstunde vom Dorf Kainach entfernt, steht die Hankersäge. Die Leute dort nennen das Bächlein auch „Silberwasserl". Im kristallklaren Wasser soll ein silberglänzendes Fischlein herumschwimmen, das in seinem Körper ein Silberringlein stecken hat. Wer dieses Ringfischlein fängt, kann sich den Schatz in der Ruine Hauenstein holen.
Quelle: Was die Heimat erzählt, Die Weststeiermark, Das Kainach-, Sulm- und Laßnitztal. Herausgegeben von Franz Brauner. Steirische Heimathefte. Graz 1953.
© digitale Version: www.SAGEN.at
3/3/2015 a group of artists exhibited NOW about the NOW as warm up for
COPENHAGEN ULTRACONTEMPORARY BIENNALE
main : copenhagenbiennale.org/
www.facebook.com/CopenhagenBiennale
www.emergencyrooms.org/formats.html
www.emergencyrooms.org/biennalist.html
--- a presentation of COPENHAGEN ULTRACONTEMPORARY BIENNALE will be done at the Venice Biennale 2015 ---
check date and place here www.facebook.com/CopenhagenBiennale
meanwhile contemparary art will be shownn by
ABBOUD, Jumana Emil .ABDESSEMED, Adel .ABONNENC, Mathieu Kleyebe
ABOUNADDARA.ACHOUR, Boris ADKINS, Terry AFIF, Saâdane
AKERMAN, Chantal AKOMFRAH, John AKPOKIERE, Karo
AL SOLH, Mounira ALGÜN RINGBORG, Meriç ALLORA, Jennifer & CALZADILLA, Guillermo
ATAMAN, Kutlug BAJEVIC, Maja BALLESTEROS, Ernesto
BALOJI, Sammy BARBA, Rosa
BASELITZ, Georg BASUALDO, Eduardo BAUER, Petra
BESHTY, Walead BHABHA, Huma BOLTANSKI, Christian
BONVICINI, Monica BOYCE, Sonia
BOYD, Daniel BREY, Ricardo BROODTHAERS, Marcel BRUGUERA, Tania
BURGA, Teresa CALHOUN, Keith & McCORMICK, Chandra CAO, Fei
CHAMEKH, Nidhal CHERNYSHEVA, Olga CHUNG, Tiffany
COOPERATIVA CRÁTER INVERTIDO CREATIVE TIME SUMMIT
DAMIANI, Elena DELLER, Jeremy DJORDAJDZE, Thea DUMAS, Marlene
E-FLUX JOURNAL EDWARDS, Melvin EFFLATOUN, Inji EHMANN, Antje & FAROCKI, Harun
EICHHORN, Maria EVANS, Walker FAROCKI, Harun FLOYD, Emily
FRIEDL, Peter FUSCO, Coco FUSINATO, Marco
GAINES, Charles GALLAGHER, Ellen GALLARDO, Ana GARCIA, Dora
GATES, Theaster GENZKEN, Isa GLUKLYA GOMES, Sônia GROSSE, Katharina
GULF LABOR GURSKY, Andreas HAACKE, Hans
HADJITHOMAS, Joana & JOREIGE, Khalil HARRY, Newell HASSAN, Kay
HIRSCHHORN, Thomas HÖLLER, Carsten HOLT, Nancy & SMITHSON, Robert
IM, Heung Soon INVISIBLE BORDERS: Trans-African Photographers ISHIDA, Tetsuya
JI, Dachun JULIEN, Isaac K., Hiwa KAMBALU, Samson KIM, Ayoung
KLUGE, Alexander KNGWARREYE, Emily Kame LAGOMARSINO, Runo LEBER, Sonia & CHESWORTH, David
LIGON, Glenn MABUNDA, Gonçalo MADHUSUDHANAN MAHAMA, Ibrahim
MALJKOVIC, David MAN, Victor MANSARAY, Abu Bakarr MARKER, Chris
MARSHALL, Kerry James MARTEN, Helen MAURI, Fabio McQUEEN, Steve
MOHAIEMEN, Naeem MORAN, Jason MÜLLER, Ivana MUNROE, Lavar MURILLO, Oscar
MUTU, Wangechi NAM, Hwayeon NAUMAN, Bruce NDIAYE, Cheikh NICOLAI, Olaf
OFILI, Chris OGBOH, Emeka PARRENO, Philippe PASCALI, Pino PIPER, Adrian
PONIFASIO, Lemi QIU, Zhijie RAISSNIA, Raha RAQS MEDIA COLLECTIVE
(NARULA, Monica; BAGCHI, Jeebesh; SENGUPTA, Shuddhabrata) REYNAUD-DEWAR, Lili
RIDNYI, Mykola ROBERTS, Liisa ROTTENBERG, Mika SCHÖNFELDT, Joachim SELMANI, Massinissa
SENGHOR, Fatou Kand SHETTY, Prasad & GUPTE, Rupal SIBONY, Gedi
SIMMONS, Gary SIMON, Taryn SIMPSON, Lorna SMITHSON, Robert SUBOTZKY, Mikhael
SUHAIL, Mariam SZE, Sarah THE PROPELLER GROUPthe TOMORROW
TIRAVANIJA, Rirkrit TOGUO, Barthélémy XU, Bing YOUNIS, Ala
ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
Xanadu
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Dream Amsterdam Foundation
Universities and Associations that have joined the project
Sotheby’s Institute of Art, London / St Lucas University College of Art & Design, Antwerp / University of Washington - College of Arts & Sciences, Seattle / Iowa State University - College of Design, Ames / Universität für angewandte Kunst, Vienna
Venice International University / Università Ca’ Foscari, Venezia / Università Ca’ Foscari, Venezia - Dipartimento di Filosofia e Beni Culturali / Università IUAV di Venezia / Università Commerciale Luigi Bocconi, Milano - Dipartimento di Marketing / Accademia di Belle Arti di Brera, Milano - Ufficio Relazioni Internazionali. Erasmus Office / Politecnico di Milano - Scuola del Design. Laurea in Design degli Interni / Università di Roma Sapienza - Facoltà di Architettura / Associazione Cinemavvenire, Roma / Università per Stranieri di Perugia / Università per Stranieri di Siena
Central Pavilion at the Giardini (3,000 sq.m.) to the Arsenale
Bice Curiger Massimiliano Gioni
A Parliament for a Biennale
Paolo Baratta, President of la Biennale di Venezia
Okwui Enwezor the ARENA Karl Marx’s Das Kapital
Theaster Gates Chris Rehberger Joseph Haydn Cesare Paveset David Adjaye Olaf Nicolai Joana Hadjithomas and Khalil Joreige Marsilio Editori. emergency cinema.” Abounaddara
Mathieu KleyebeCharles Gaines’Jeremy Deller Jason Moran , venedig biennale biennial
other Biennale :(Biennials ) : Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
Cómo orar a Dios | Mi enfermedad se recuperó milagrosamente mientras oraba a Dios y confiando en Él
Soy cristiana y tengo setenta años. Una vez me quedé paralítica debido a una enfermedad y poco faltó para sufrir muerte cerebral. Durante ese período, renuncié a cualquier esperanza de sobrevivir, pero en un momento crítico, las palabras de Dios me dieron fe y me permitieron recuperar milagrosamente mi vida. Si Dios no me hubiera salvado, yo habría dejado este mundo hace mucho tiempo.
El 19 de abril de 2017, después de levantarme de la cama, tuve un terrible dolor de cabeza. De repente, tropecé y me caí sobre la cama. No podía mover la mitad de mi cuerpo, y gradualmente perdí el conocimiento.
Más tarde, mis familiares me llevaron a la sala de emergencias del hospital, donde me hicieron una tomografía computarizada. El médico dijo que la hemorragia en mi tronco cerebral fue causada por una ruptura de una pared arterial, y que si no detenían el sangrado, mi vida estaría en peligro. Mi hija sollozó al escuchar eso, pues estaba desconsolada. El médico no se arriesgó a aplazar el tratamiento y les dijo a las enfermeras que me llevaran a la unidad de reanimación de emergencia.
Allí, el médico les dijo a las enfermeras: “vigilen a la anciana, porque está a punto de perder la capacidad de respirar. Quítenle los pendientes, los anillos y el collar, y entréguenlos a su familia para que puedan prepararse mentalmente y comenzar con los preparativos para el fallecimiento”. Aunque no podía abrir mis ojos ni moverme en absoluto, yo estaba totalmente consciente. Cuando escuché que estaba a punto de morir, sentí miedo y tristeza. Aunque sabía que todas las personas mueren, no esperaba hacerlo de una manera tan rápida y repentina. No había tenido tiempo de despedirme de mis seres queridos, todavía no había contemplado este mundo por última vez y, a pesar de creer en Dios, no había adquirido la verdad ni la comprensión de Dios... En ese momento, sentí que mi vida era demasiado corta. La idea de tener que abandonar este mundo de una manera tan repentina, con tantas cosas que quedaban por hacer, me dejó el corazón cargado de pena y arrepentimiento.
...
Fuente: www.biblia-es.org/el-poder-de-la-oracion.html
Recomendación: La bendición de Dios