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All of My Reviews|心得文:
Olympus MZD 17mm f/1.2 PRO Review
Olympus MZD 25mm f/1.2 PRO Review
Olympus MZD 45mm f/1.2 PRO Review
Panasonic LEICA DG 12mm f/1.4 Review
Panasonic LEICA DG 8-18mm f/2.8-4 Review
A Five-Year Photographic Journey with the M4/3 Series.
сайдинг под камень sotdel.ru/sajding-cokolnyj-nailite.html cайдинг под камень или цокольный #сайдинг под #камень #sotdel - цена и внешний вид являются самыми востребованными среди покупателей. www.facebook.com/110372909302943/photos/a.298950240445208...
Первое тюнинг-ателье по загородным домам - отделка фасадов, кровельные работы. Монтаж сайдинга под ключ. Гарантия 5 лет на монтаж сайдинга
Строительные блоки WOODBE из древесины www.sotdel.ru/stroitelnye-bloki-woodbe.html
Панели ДВП (Древесно Волокнистая Плита) www.sotdel.ru/paneli-dvp-drevesno-voloknistaya-plita/
ПАНЕЛИ KMEW fasadnye-panely.sotdel.ru/
Фартук для кухни (Кухонный фартук) www.sotdel.ru/fartuk-dlya-kuhni.html
Москва ул. Верхние Поля, 48а
пн–пт 09:00–18:00; сб 09:00–15:00
+7 (495) 258-62-08
Mas de Hershey:
www.taringa.net/posts/apuntes-y-monografias/8850093/Centr...
www.guije.com/pueblo/ahabana/hershey/hershey2006.htm
La renovación de todo se ha convertido en el pan nuestro de cada día, hoy se pretende renovar las computadoras cada 2 años, los gadgets electronicos cada 1 año y hasta las esposas y esposos cada vez que se pueda.
Sumado a que los precios siempre cambiantes, las estaciones cambian de meses en el año, las temperaturas dispares, todo se modifica aceleradamente.
A veces olvidamos que la palanca o el invento de la rueda, fueron eventos que aceleraron nuestro crecimiento de la humanidad y parecen historias olvidadas de un pasado remoto.
Hoy nos convertimos en esclavos de la tecnología y utilizamos mucho menos de todo lo que disponemos. A la velocidad que consumimos, dentro de unos años los terrenos con basura serán mas grandes que los que albergan nuestras casas.
Espero que podamos dar abrigo para el nuevo año a mucha luz y amor en nuestros corazones para que la agitada vida exterior no rija nuestros pasos.
The renewal of all has become our daily bread for each day, today it intends to renew the computers every 2 years, the electronic gadgets every 1 year and up to the husbands and wives each time that we can.
Added to the fact that the prices always changing, the seasons change months in the year, the crazy temperatures , everything can be modified rapidly.
Sometimes we forget that the lever, or the invention of the wheel, were events that accelerated our growth of humanity and seem to forgotten stories from a remote past.
Today we become slaves of technology and we use much less than everything we have.
At the speed that we consume, within a few years the land with garbage will be larger than our houses.
I hope that we can give shelter to the new year to much light and love in our hearts, so the hectic life outside does not govern our steps.
el.kingdomsalvation.org/gospel/on-the-third-day.html
Η χιλιετής βασιλεία
Ο Θεός λέει:« ...«Και είπεν ο Θεός, Ας βλαστήση η γη χλωρόν χόρτον, χόρτον κάμνοντα σπόρον, και δένδρον κάρπιμον κάμνον καρπόν κατά το είδος αυτού, του οποίου το σπέρμα να ήναι εν αυτώ επί της γης. Και έγεινεν ούτω». Καθώς ο Θεός μιλούσε, όλα αυτά τα πράγματα άρχισαν να δημιουργούνται με τη σκέψη και μόνο του Θεού και σε μια στιγμή, μια ποικιλία από λεπτεπίλεπτες μικρές μορφές ζωής έβγαλαν τα τρεμάμενα κεφαλάκια τους από το χώμα και πριν ακόμα τινάξουν τη σκόνη από πάνω τους, έγνεφαν ενθουσιωδώς χαιρετώντας το ένα το άλλο, κουνώντας τα κεφάλια τους και χαμογελώντας στον κόσμο. Ευχαρίστησαν τον Δημιουργό για τη ζωή που τους δόθηκε από Εκείνον κι ανήγγειλαν στον κόσμο ότι αυτά είναι μέρος όλων των πραγμάτων κι ότι το καθένα χωριστά θα αφιερώσει τη ζωή του στο να αναδεικνύει την εξουσία του Δημιουργού. Καθώς ο Θεός εκστόμιζε τα λόγια Του, η γη έγινε πλούσια και πράσινη, όλων των ειδών τα βότανα που μπορούσε να απολαύσει ο άνθρωπος φύτρωσαν στο χώμα και τα βουνά και οι πεδιάδες γέμισαν με δέντρα και δάση… Αυτός ο άγονος κόσμος, όπου δεν υπήρχε ίχνος ζωής, καλύφθηκε τάχιστα με μια αφθονία από χορτάρια, βότανα και δέντρα και ξεχείλισε από πρασινάδα… Η ευωδία από το χόρτο και το άρωμα από το χώμα σκόρπισαν στον αέρα και μια ποικιλία φυτών άρχισε να αναπνέει μαζί με τον αέρα που κυκλοφορούσε κι άρχισε η διαδικασία της ανάπτυξης.... »
από το βιβλίο «Ο Λόγος Ενσαρκώνεται»
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
title.
Lattice light.
Manhattan . New york city 2017. shot..... … 3 / 6
Day of departure from Japan, August 16, 2017.
The day I came back to Japan, 21 August 2017.
(4 nights 6 days.)
(Today's picture. That's unannounced.)
( ( Lumix G3 shot ) )
image.
Heartache ….. ONE OK ROCK
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Profile.
In November 2014, we caught the attention of the party selected to undertake the publicity for a mobile phone that changed the face of the world with just a single model, and will conclude a confidentiality agreement with them.
stealaway.cocolog-nifty.com/stealaway/2016/11/profile.html
youpic.com/photographer/mitsushironakagawa/
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iBooks. Electronic Publishing. It is free now.
0.about the iBooks.
stealaway.cocolog-nifty.com/stealaway/2017/03/about-digit...
1.unforgettable '(ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
For Japanese only.
2.unforgettable '(JNP.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3. Streamlined trajectory.
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8... =11
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
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YouPic
youpic.com/photographer/mitsushironakagawa/
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fotolog
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twitter.
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Japanese is the following.
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flickr . ( XL size )
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www.flickr.com/photos/stealaway/
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My Novel >> Unforgettable'
(This book is Dedicated to the future artist.)
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
There are two reasons why a person faces the sea.
One, to enjoy a slice of shine in the sea like children bubbling over in the beach.
The other, to brush the dust of memory like an old man who misses old days, staring at the shine
quietly.
Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.
I face myself to change tomorrow, a vague day into something certain.
That is the meaning of a rebirth.
I had a very sweet girlfriend when I was 18.
After she left, I knew the meaning of gentleness for the first time and also a true pain of loss. After
she left, how many times did I depend too much on her, doubt her, envy her and keep on telling lies
until I realized it is love?
I wonder whether a nobody like me could have given something to her who was struggling in the
daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.
I had been thinking about such a thing.
However, I guess what she saw in me was because I had nothing. That‘s why she tried to see
something in me. Perhaps she found a slight possibility in me, a guy filled with ambiguous, unstable
tomorrow. But I wasted days depending too much on her gentleness.
Now I finally can convey how I felt in those days when we met.
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
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3/9
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www.flickr.com/photos/stealaway/24515964952/in/dateposted...
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www.flickr.com/photos/stealaway/24588215562/in/dateposted...
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www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
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Title of my book > unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...
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Schedule of the next novel.
Still would stand all time.(unforgettable'2)
2018. Spring. It's expected to open it. That's Japanese.
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2018. spring.
theme.
This must be the place I waited years to leave.
place. Tokyo Big Site.
Sponsoring. Design festa.
2019.
Date unknown.
DIC Kawamura Memorial Art Museum attached gallery.
place. Sakura City, Chiba Prefecture.
theme.
From that day, forever ...
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
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YouPic
youpic.com/photographer/mitsushironakagawa/
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fotolog
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twitter.
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Japanese is the following.
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タイトル。
格子の光。
次の小説のイメージ。
Still would stand all time.(unforgettable'2)
(いつまでもなくならないだろう)
Manhattan . New york city 2007. shot … 3 / 6
(日本を出発した日。2017年8月16日。)
(日本へ帰ってきた日。2017年8月21日。)
(4泊6日。)
(今日の写真。それは未発表です。)
(( Lumix G3 shot ))
image.
Heartache ….. ONE OK ROCK
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プロフィール。
2014年11月、たった1機種で世界を塗り替えた携帯電話の広告を請け負った選考者の目に留まり、秘密保持同意書を結ぶ。
stealaway.cocolog-nifty.com/stealaway/2016/11/profile.html
youpic.com/photographer/mitsushironakagawa/
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iBooks.電子出版。(現在は無料)
0.about the iBooks.
stealaway.cocolog-nifty.com/stealaway/2017/03/about-digit...
1.unforgettable’ ( ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
For Japanese only.
2.unforgettable’ ( JNP.ver.)(この小説は未来のアーティストへ捧げます)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3.流線形の軌跡。
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8...
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
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YouPic
youpic.com/photographer/mitsushironakagawa/
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twitter.
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Japanese is the following.
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僕の小説。英語版
My Novel Unforgettable' (This book is Dedicated to the future artist.)
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
_________________________________
_________________________________
Title of my book > unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...
_________________________________
_________________________________
次の小説の予定。
Still would stand all time.(unforgettable'2)
(いつまでもなくならないだろう)
2018年。春。公開予定。それは日本語です。
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2018年。春。
テーマ。
This must be the place I waited years to leave .
場所。東京ビッグサイト。
Sponsoring. Design festa.
2019年。
日時未定。
DIC川村記念美術館付属ギャラリー。
場所。千葉県佐倉市。
テーマ。
あの日から、ずっと…
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
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YouPic
youpic.com/photographer/mitsushironakagawa/
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fotolog
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twitter.
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Japanese is the following.
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Critical Run @ Venice Biennale / art format Run and Debate about EMERGENCIES
Critical Run is an Art Format created by Thierry Geoffroy /Colonel
debate while running . Debate and Run together, Now , before it is too late.
The Art Format Critical Run has been activated in 40 differents countries with 112 different burning debates
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam. ZKM Karlsruhe, Liverpool Biennale ; Sprengel Museum etc..or have just happened on the spot because a debate was necessary here and now.
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
artist Thierry Geoffroy creates art formats
aim to develop awareness muscle
during Venice Biennale 2019
The Exhibition will develop from the Central Pavilion (Giardini) to the Arsenale, and will include 79 artists from all over the world.
Ralph Rugoff has declared: «May You Live in Interesting Times will no doubt include artworks that reflect upon precarious aspects of existence today, including different threats to key traditions, institutions and relationships of the “post-war order.” But let us acknowledge at the outset that art does not exercise its forces in the domain of politics. Art cannot stem the rise of nationalist movements and authoritarian governments in different parts of the world, for instance, nor can it alleviate the tragic fate of displaced peoples across the globe (whose numbers now represent almost one percent of the world’s entire population).»
ALBANIA
Maybe the cosmos is not so extraordinary
Commissioner: Ministry of Culture Republic of Albania. Curator: Alicia Knock.
Exhibitor: Driant Zeneli.
ALGERIA***
Time to shine bright
Commissioner/Curator: Hellal Mahmoud Zoubir, National Council of Arts and Letters Ministry of Culture. Exhibitors: Rachida Azdaou, Hamza Bounoua, Amina Zoubir, Mourad Krinah, Oussama Tabti.
Venue: Fondamenta S. Giuseppe, 925
ANDORRA
The Future is Now / El futur és ara
Commissioner: Eva Martínez, “Zoe”. Curators: Ivan Sansa, Paolo De Grandis.
Exhibitor: Philippe Shangti.
Venue: Istituto Santa Maria della Pietà, Castello 3701
ANTIGUA & BARBUDA
Find Yourself: Carnival and Resistance
Commissioner: Daryll Matthew, Minister of Sports, Culture, National Festivals and the Arts. Curator: Barbara Paca with Nina Khrushcheva. Exhibitors: Timothy Payne, Sir Gerald Price, Joseph Seton, and Frank Walter; Intangible Cultural, Heritage Artisans and Mas Troup.
Venue: Centro Culturale Don Orione Artigianelli, Dorsoduro 919
ARGENTINA
El nombre de un país / The name of a country
Commissioner: Sergio Alberto Baur Ambasciatore. Curator: Florencia Battiti. Exhibitor: Mariana Telleria.
Venue: Arsenale
ARMENIA (Republic of)
Revolutionary Sensorium
Commissioner: Nazenie Garibian, Deputy Minister. Curator: Susanna Gyulamiryan.
Exhibitors: "ArtlabYerevan" Artistic Group (Gagik Charchyan, Hovhannes Margaryan, Arthur Petrosyan, Vardan Jaloyan) and Narine Arakelian.
Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596
AUSTRALIA
ASSEMBLY
Commissioner: Australia Council for the Arts. Curator: Juliana Engberg. Exhibitor: Angelica Mesiti.
Venue: Giardini
AUSTRIA
Discordo Ergo Sum
Commissioner: Arts and Culture Division of the Federal Chancellery of Austria.
Curator: Felicitas Thun-Hohenstein. Exhibitor: Renate Bertlmann.
Venue: Giardini
AZERBAIJAN (Republic of )
Virtual Reality
Commissioner: Mammad Ahmadzada, Ambassador of the Republic of Azerbaijan.
Curators: Gianni Mercurio, Emin Mammadov. Exhibitors: Zeigam Azizov, Orkhan Mammadov, Zarnishan Yusifova, Kanan Aliyev, Ulviyya Aliyeva.
Venue: Palazzo Lezze, Campo S. Stefano, San Marco 2949
BANGLADESH (People’s Republic of)
Thirst
Commissioner: Liaquat Ali Lucky. Curators: Mokhlesur Rahman, Viviana Vannucci.
Exhibitors: Bishwajit Goswami, Dilara Begum Jolly, Heidi Fosli, Nafis Ahmed Gazi, Franco Marrocco, Domenico Pellegrino, Preema Nazia Andaleeb, Ra Kajol, Uttam Kumar karmaker.
Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596
BELARUS (Republic of)
Exit / Uscita
Commissioner: Siarhey Kryshtapovich. Curator: Olga Rybchinskaya. Exhibitor: Konstantin Selikhanov.
Venue: Spazio Liquido, Sestiere Castello 103, Salizada Streta
BELGIUM
Mondo Cane
Commissioner: Fédération Wallonie-Bruxelles. Curator: Anne-Claire Schmitz.
Exhibitor: Jos de Gruyter & Harald Thys.
Venue: Giardini
BOSNIA and HERZEGOVINA
ZENICA-TRILOGY
Commissioner: Senka Ibrišimbegović, Ars Aevi Museum for Contemporary Art Sarajevo.
Curators: Anja Bogojević, Amila Puzić, Claudia Zini. Exhibitor: Danica Dakić.
Venue: Palazzo Francesco Molon Ca’ Bernardo, San Polo 2184/A
BRAZIL
Swinguerra
Commissioner: José Olympio da Veiga Pereira, Fundação Bienal de São Paulo.
Curator: Gabriel Pérez-Barreiro. Exhibitor: Bárbara Wagner & Benjamin de Burca.
Venue: Giardini
BULGARIA
How We Live
Commissioner: Iaroslava Boubnova, National Gallery in Sofia. Curator: Vera Mlechevska.
Exhibitors: Rada Boukova , Lazar Lyutakov.
Venue: Palazzo Giustinian Lolin, San Marco 2893
CANADA
ISUMA
Commissioner: National Gallery of Canada. Curators: Asinnajaq, Catherine Crowston, Josée Drouin-Brisebois, Barbara Fischer, Candice Hopkins. Exhibitors: Isuma (Zacharias Kunuk, Norman Cohn, Paul Apak, Pauloosie Qulitalik).
Venue: Giardini
CHILE
Altered Views
Commissioner: Varinia Brodsky, Ministry of Cultures, Arts and Heritage.
Curator: Agustín Pérez. Rubio. Exhibitor: Voluspa Jarpa.
Venue: Arsenale
CHINA (People’s Republic of)
Re-睿
Commissioner: China Arts and Entertainment Group Ltd. (CAEG).
Curator: Wu Hongliang. Exhibitors: Chen Qi, Fei Jun, He Xiangyu, Geng Xue.
Venue: Arsenale
CROATIA
Traces of Disappearing (In Three Acts)
Commissioner: Ministry of Culture of the Republic of Croatia. Curator: Katerina Gregos.
Exhibitor: Igor Grubić.
Venue: Calle Corner, Santa Croce 2258
CUBA
Entorno aleccionador (A Cautionary Environment)
Commissioner: Norma Rodríguez Derivet, Consejo Nacional de Artes Plásticas.
Curator: Margarita Sanchez Prieto. Exhibitors: Alejandro Campins, Alex Hérnandez, Ariamna Contino and Eugenio Tibaldi. Venue: Isola di San Servolo
CYPRUS (Republic of)
Christoforos Savva: Untimely, Again
Commissioner: Louli Michaelidou. Curator: Jacopo Crivelli Visconti. Exhibitor: Christoforos Savva.
Venue: Associazione Culturale Spiazzi, Castello 3865
CZECH (Republic) and SLOVAK (Republic)
Stanislav Kolíbal. Former Uncertain Indicated
Commissioner: Adam Budak, National Gallery Prague. Curator: Dieter Bogner.
Exhibitor: Stanislav Kolibal.
Venue: Giardini
DOMINICAN (Republic) *
Naturaleza y biodiversidad en la República Dominicana
Commissioner: Eduardo Selman, Minister of Culture. Curators: Marianne de Tolentino, Simone Pieralice, Giovanni Verza. Exhibitors: Dario Oleaga, Ezequiel Taveras, Hulda Guzmán, Julio Valdez, Miguel Ramirez, Rita Bertrecchi, Nicola Pica, Marraffa & Casciotti.
Venue: Palazzo Albrizzi Capello, Cannaregio 4118 – Sala della Pace
EGYPT
khnum across times witness
Commissioner: Ministry of Culture. Curator: Ahmed Chiha.
Exhibitors: Islam Abdullah, Ahmed Chiha, Ahmed Abdel Karim.
Venue: Giardini
ESTONIA
Birth V
Commissioner: Maria Arusoo, Centre of Contemporary Arts of Estonia. Curators: Andrew Berardini, Irene Campolmi, Sarah Lucas, Tamara Luuk. Exhibitor: Kris Lemsalu.
Venue: c/o Legno & Legno, Giudecca 211
FINLAND (Alvar Aalto Pavilion)
A Greater Miracle of Perception
Commissioner: Raija Koli, Director Frame Contemporary Art Finland.
Curators: Giovanna Esposito Yussif, Bonaventure Soh Bejeng Ndikung, Christopher Wessels. Exhibitors: Miracle Workers Collective (Maryan Abdulkarim, Khadar Ahmed, Hassan Blasim, Giovanna Esposito Yussif, Sonya Lindfors, Bonaventure Soh Bejeng Ndikung, Outi Pieski, Leena Pukki, Lorenzo Sandoval, Martta Tuomaala, Christopher L. Thomas, Christopher Wessels, Suvi West).
Venue: Giardini
FRANCE
Deep see blue surrounding you / Vois ce bleu profond te fondre
Commissioner: Institut français with the Ministry for Europe and Foreign Affairs and the Ministry of Culture. Curator: Martha Kirszenbaum. Exhibitor: Laure Prouvost.
Venue: Giardini
GEORGIA
REARMIRRORVIEW, Simulation is Simulation, is Simulation, is Simulation
Commissioner: Ana Riaboshenko. Curator: Margot Norton. Exhibitor: Anna K.E.
Venue: Arsenale
GERMANY
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office, Germany. Curator: Franciska Zólyom. Exhibitor: Natascha Süder Happelmann.
Venue: Giardini
GHANA ***
Ghana Freedom
Commissioner: Ministry of Tourism, Arts and Culture. Curator: Nana Oforiatta Ayim.
Exhibitors: Felicia Abban, John Akomfrah, El Anatsui, Lynette Yiadom Boakye, Ibrahim Mahama, Selasi Awusi Sosu.
Venue: Arsenale
GREAT BRITAIN
Cathy Wilkes
Commissioner: Emma Dexter. Curator: Zoe Whitley. Exhibitor: Cathy Wilkes.
Venue: Giardini
GREECE
Mr Stigl
Commissioner: Syrago Tsiara (Deputy Director of the Contemporary Art Museum - Metropolitan Organization of Museums of Visual Arts of Thessaloniki - MOMus).
Curator: Katerina Tselou. Exhibitors: Panos Charalambous, Eva Stefani, Zafos Xagoraris.
Venue: Giardini
GRENADA
Epic Memory
Commissioner: Susan Mains. Curator: Daniele Radini Tedeschi.
Exhibitors: Amy Cannestra, Billy Gerard Frank, Dave Lewis, Shervone Neckles, Franco Rota Candiani, Roberto Miniati, CRS avant-garde.
Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118
GUATEMALA
Interesting State
Commissioner: Elder de Jesús Súchite Vargas, Minister of Culture and Sports of Guatemala. Curator: Stefania Pieralice. Exhibitors: Elsie Wunderlich, Marco Manzo.
Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118
HAITI
THE SPECTACLE OF TRAGEDY
Commissioner: Ministry of Culture and Communication.
Curator: Giscard Bouchotte. Exhibitor: Jean Ulrick Désert.
Venue: Circolo Ufficiali Marina, Calle Seconda de la Fava, Castello 2168
HUNGARY
Imaginary Cameras
Commissioner: Julia Fabényi, Museo Ludwig – Museo d’arte contemporanea, Budapest.
Curator: Zsuzsanna Szegedy-Maszák. Exhibitor: Tamás Waliczky.
Venue: Giardini
ICELAND
Chromo Sapiens – Hrafnhildur Arnardóttir / Shoplifter
Commissioner: Eiríkur Þorláksson, Icelandic Ministry of Education, Science and Culture.
Curator: Birta Gudjónsdóttir. Exhibitor: Hrafnhildur Arnardóttir / Shoplifter.
Venue: Spazio Punch, Giudecca 800
INDIA
Our time for a future caring
Commissioner: Adwaita Gadanayak National Gallery of Modern Art.
Curator: Roobina Karode, Director & Chief Curator, Kiran Nadar Museum of Art. Exhibitors: Atul Dodiya, Ashim Purkayastha, GR Iranna, Jitish Kallat, Nandalal Bose, Rummana Hussain, Shakuntala Kulkarni.
Venue: Arsenale
INDONESIA
Lost Verses
Commissioner: Ricky Pesik & Diana Nazir, Indonesian Agency for Creative Economy.
Curator: Asmudjo Jono Irianto. Exhibitors: Handiwirman Saputra and Syagini Ratna Wulan.
Venue: Arsenale
IRAN (Islamic Republic of)
of being and singing
Commissioner: Hadi Mozafari, General Manager of Visual Arts Administration of Islamic Republic of Iran. Curator: Ali Bakhtiari.
Exhibitors: Reza Lavassani, Samira Alikhanzadeh, Ali Meer Azimi.
Venue: Fondaco Marcello, San Marco 3415
IRAQ
Fatherland
Commissioner: Fondazione Ruya. Curators: Tamara Chalabi, Paolo Colombo.
Exhibitor: Serwan Baran.
Venue: Ca’ del Duca, Corte del Duca Sforza, San Marco 3052
IRELAND
The Shrinking Universe
Commissioner: Culture Ireland. Curator: Mary Cremin. Exhibitor: Eva Rothschild.
Venue: Arsenale
ISRAEL
Field Hospital X
Commissioner: Michael Gov, Arad Turgeman. Curator: Avi Lubin. Exhibitor: Aya Ben Ron.
Venue: Giardini
ITALY
Commissioner: Federica Galloni, Direttore Generale Arte e Architettura Contemporanee e Periferie Urbane, Ministero dei Beni e delle Attività Culturali. Curator: Milovan Farronato.
Exhibitors: Enrico David, Liliana Moro, Chiara Fumai.
Venue: Padiglione Italia, Tese delle Vergini, Arsenale
IVORY COAST
The Open Shadows of Memory
Commissioner: Henri Nkoumo. Curator: Massimo Scaringella. Exhibitors: Ernest Dükü, Ananias Leki Dago, Valérie Oka, Tong Yanrunan.
Venue: Castello Gallery, Castello 1636/A
JAPAN
Cosmo-Eggs
Commissioner: The Japan Foundation. Curator: Hiroyuki Hattori. Exhibitors: Motoyuki Shitamichi, Taro Yasuno, Toshiaki Ishikura, Fuminori Nousaku.
Venue: Giardini
KIRIBATI
Pacific Time - Time Flies
Commissioner: Pelea Tehumu, Ministry of Internal Affairs. Curators: Kautu Tabaka, Nina Tepes. Exhibitors: Kaeka Michael Betero, Daniela Danica Tepes, Kairaken Betio Group; Teroloang Borouea, Neneia Takoikoi, Tineta Timirau, Teeti Aaloa, Kenneth Ioane, Kaumai Kaoma, Runita Rabwaa, Obeta Taia, Tiribo Kobaua, Tamuera Tebebe, Rairauea Rue, Teuea Kabunare, Tokintekai Ekentetake, Katanuti Francis, Mikaere Tebwebwe, Terita Itinikarawa, Kaeua Kobaua, Raatu Tiuteke, Kaeriti Baanga, Ioanna Francis, Temarewe Banaan, Aanamaria Toom, Einako Temewi, Nimei Itinikarawa, Teniteiti Mikaere, Aanibo Bwatanita, Arin Tikiraua.
Venue: European Cultural Centre, Palazzo Mora, Strada Nuova 3659
KOREA (Republic of)
History Has Failed Us, but No Matter
Commissioner: Arts Council Korea. Curator: Hyunjin Kim. Exhibitors: Hwayeon Nam, siren eun young jung, Jane Jin Kaisen.
Venue: Giardini
KOSOVO (Republic of)
Family Album
Commissioner: Arta Agani. Curator: Vincent Honore. Exhibitor: Alban Muja.
Venue: Arsenale
LATVIA
Saules Suns
Commissioner: Dace Vilsone. Curators: Valentinas Klimašauskas, Inga Lāce.
Exhibitor: Daiga Grantiņa.
Venue: Arsenale
LITHUANIA
Sun & Sea (Marina)
Commissioner: Rasa Antanavičıūte. Curator: Lucia Pietroiusti.
Exhibitors: Lina Lapelyte, Vaiva Grainyte and Rugile Barzdziukaite.
Venue: Magazzino No. 42, Marina Militare, Arsenale di Venezia, Fondamenta Case Nuove 2738c
LUXEMBOURG (Grand Duchy of)
Written by Water
Commissioner: Ministry of Culture of Luxembourg.
Curator: Kevin Muhlen. Exhibitor: Marco Godinho.
Venue: Arsenale
NORTH MACEDONIA (Republic of )
Subversion to Red
Commissioner: Mira Gakina. Curator: Jovanka Popova. Exhibitor: Nada Prlja.
Venue: Palazzo Rota Ivancich, Castello 4421
MADAGASCAR ***
I have forgotten the night
Commissioner: Ministry of Communication and Culture of the Republic of Madagascar. Curators: Rina Ralay Ranaivo, Emmanuel Daydé.
Exhibitor: Joël Andrianomearisoa.
Venue: Arsenale
MALAYSIA ***
Holding Up a Mirror
Commissioner: Professor Dato’ Dr. Mohamed Najib Dawa, Director General of Balai Seni Negara (National Art Gallery of Malaysia), Ministry of Tourism, Arts and Culture of Malaysia. Curator: Lim Wei-Ling. Exhibitors: Anurendra Jegadeva, H.H.Lim, Ivan Lam, Zulkifli Yusoff.
Venue: Palazzo Malipiero, San Marco 3198
MALTA
Maleth / Haven / Port - Heterotopias of Evocation
Commissioner: Arts Council Malta. Curator: Hesperia Iliadou Suppiej. Exhibitors: Vince Briffa, Klitsa Antoniou, Trevor Borg.
Venue: Arsenale
MEXICO
Actos de Dios / Acts of God
Commissioner: Gabriela Gil Verenzuela. Curator: Magalí Arriola. Exhibitor: Pablo Vargas Lugo.
Venue: Arsenale
MONGOLIA
A Temporality
Commissioner: The Ministry of Education, Culture, Science and Sports of Mongolia.
Curator: Gantuya Badamgarav. Exhibitor: Jantsankhorol Erdenebayar with the participation of traditional Mongolian throat singers and Carsten Nicolai (Alva Noto).
Venue: Bruchium Fermentum, Calle del Forno, Castello 2093-2090
MONTENEGRO
Odiseja / An Odyssey
Commissioner: Nenad Šoškić. Curator: Petrica Duletić. Exhibitor: Vesko Gagović.
Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE (Republic of)
The Past, the Present and The in Between
Commissioner: Domingos do Rosário Artur. Curator: Lidija K. Khachatourian.
Exhibitors: Gonçalo Mabunda, Mauro Pinto, Filipe Branquinho.
Venue: Palazzo Mora, Strada Nova, 3659
NETHERLANDS (The)
The Measurement of Presence
Commissioner: Mondriaan Fund. Curator: Benno Tempel. Exhibitors: Iris Kensmil, Remy Jungerman. Venue: Giardini
NEW ZEALAND
Post hoc
Commissioner: Dame Jenny Gibbs. Curators: Zara Stanhope and Chris Sharp.
Exhibitor: Dane Mitchell.
Venue: Palazzina Canonica, Riva Sette Martiri
NORDIC COUNTRIES (FINLAND - NORWAY - SWEDEN)
Weather Report: Forecasting Future
Commissioner: Leevi Haapala / Museum of Contemporary Art Kiasma / Finnish National Gallery, Katya García-Antón / Office for Contemporary Art Norway (OCA), Ann-Sofi Noring / Moderna Museet. Curators: Leevi Haapala, Piia Oksanen. Exhibitors: Ane Graff, Ingela Ihrman, nabbteeri.
Venue: Giardini
PAKISTAN ***
Manora Field Notes
Commissioner: Syed Jamal Shah, Pakistan National Council of the Arts, PNCA.
Curator: Zahra Khan. Exhibitor: Naiza Khan.
Venue: Tanarte, Castello 2109/A and Spazio Tana, Castello 2110-2111
PERU
“Indios Antropófagos”. A butterfly Garden in the (Urban) Jungle
Commissioner: Armando Andrade de Lucio. Curator: Gustavo Buntinx. Exhibitors: Christian Bendayán, Otto Michael (1859-1934), Manuel Rodríguez Lira (1874-1933), Segundo Candiño Rodríguez, Anonymous popular artificer.
Venue: Arsenale
PHILIPPINES
Island Weather
Commissioner: National Commission for Culture and the Arts (NCCA) / Virgilio S. Almario.
Curator: Tessa Maria T. Guazon. Exhibitor: Mark O. Justiniani.
Venue: Arsenale
POLAND
Flight
Commissioner: Hanna Wroblewska. Curators: Łukasz Mojsak, Łukasz Ronduda.
Exhibitor: Roman Stańczak.
Venue: Giardini
PORTUGAL
a seam, a surface, a hinge or a knot
Commissioner: Directorate-General for the Arts. Curator: João Ribas. Exhibitor: Leonor Antunes.
Venue: Fondazione Ugo e Olga Levi Onlus, Palazzo Giustinian Lolin, San Marco 2893
ROMANIA
Unfinished Conversations on the Weight of Absence
Commissioner: Attila Kim. Curator: Cristian Nae. Exhibitor: Belu-Simion Făinaru, Dan Mihălțianu, Miklós Onucsán.
Venues: Giardini and New Gallery of the Romanian Institute for Culture and Humanistic Research (Campo Santa Fosca, Palazzo Correr, Cannaregio 2214)
RUSSIA
Lc 15:11-32
Commissioner: Semyon Mikhailovsky. Curator: Mikhail Piotrovsky. Exhibitors: Alexander Sokurov, Alexander Shishkin-Hokusai.
Venue: Giardini
SAN MARINO (Republic of)
Friendship Project International
Commissioner: Vito Giuseppe Testaj. Curator: Vincenzo Sanfo. Exhibitors: Gisella Battistini, Martina Conti, Gabriele Gambuti, Giovanna Fra, Thea Tini, Chen Chengwei, Li Geng, Dario Ortiz, Tang Shuangning, Jens W. Beyrich, Xing Junqin, Xu de Qi, Sebastián.
Venue: Palazzo Bollani, Castello 3647; Complesso dell’Ospedaletto, Castello 6691
SAUDI ARABIA
After Illusion بعد توهم
Commissioner: Misk Art Insitute. Curator: Eiman Elgibreen. Exhibitor: Zahrah Al Ghamdi.
Venue: Arsenale
SERBIA
Regaining Memory Loss
Commissioner: Vladislav Scepanovic. Curator: Nicoletta Lambertucci. Exhibitor: Djordje Ozbolt.
Venue: Giardini
SEYCHELLES (Republic of)
Drift
Commissioner: Galen Bresson. Curator: Martin Kennedy.
Exhibitors: George Camille and Daniel Dodin.
Venue: Palazzo Mora, Strada Nova, 3659
SINGAPORE
Music For Everyone: Variations on a Theme
Commissioner: Rosa Daniel, Chief Executive Officer, National Arts Council (NAC).
Curator: Michelle Ho. Exhibitor: Song-Ming Ang.
Venue: Arsenale
SLOVENIA (Republic of)
Here we go again... SYSTEM 317
A situation of the resolution series
Commissioner: Zdenka Badovinac, Director Moderna galerija / Museum of Modern Art, Ljubljana. Curator: Igor Španjol. Exhibitor: Marko Peljhan.
Venue: Arsenale
SOUTH AFRICA (Republic of)
The stronger we become
Commissioner: Titi Nxumalo, Console Generale. Curators: Nkule Mabaso, Nomusa Makhubu. Exhibitors: Dineo Seshee Bopape, Tracey Rose, Mawande Ka Zenzile.
Venue: Arsenale
SPAIN
Perforated by Itziar Okariz and Sergio Prego
Commissioner: AECID Agencia Espanola de Cooperacion Internacional Para El Desarrollo. Ministerio de Asuntos Exteriores, Union Europea y Cooperacion. Curator: Peio Aguirre.
Exhibitors: Itziar Okariz, Sergio Prego.
Venue: Giardini
SWITZERLAND
Moving Backwards
Commissioner: Swiss Arts Council Pro-Helvetia: Marianne Burki, Sandi Paucic, Rachele Giudici Legittimo. Curator: Charlotte Laubard. Exhibitors: Pauline Boudry/Renate Lorenz.
Venue: Giardini
SYRIAN ARAB (Republic)
Syrian Civilization is still alive
Commissioner/Curator: Emad Kashout. Exhibitors: Abdalah Abouassali, Giacomo Braglia, Ibrahim Al Hamid, Chen Huasha, Saed Salloum, Xie Tian, Saad Yagan, Primo Vanadia, Giuseppe Biasio.
Venue: Isola di San Servolo; Chiesetta della Misericordia, Campo dell'Abbazia, Cannaregio
THAILAND
The Revolving World
Commissioner: Vimolluck Chuchat, Office of Contemporary Art and Culture, Ministry of Culture, Thailand. Curator: Tawatchai Somkong. Exhibitors: Somsak Chowtadapong, Panya Vijinthanasarn, Krit Ngamsom.
Venue: In Paradiso 1260, Castello
TURKEY
We, Elsewhere
Commissioner: IKSV. Curator: Zeynep Öz. Exhibitor: İnci Eviner.
Venue: Arsenale
UKRAINE
The Shadow of Dream cast upon Giardini della Biennale
Commissioner: Svitlana Fomenko, First Deputy Minister of Culture. Curators: Open group (Yurii Biley, Pavlo Kovach, Stanislav Turina, Anton Varga). Exhibitors: all artists of Ukraine.
Venue: Arsenale
UNITED ARAB EMIRATES
Nujoom Alghanem: Passage
Commissioner: Salama bint Hamdan Al Nahyan Foundation.
Curators: Sam Bardaouil and Till Fellrath. Exhibitor: Nujoom Alghanem.
Venue: Arsenale
UNITED STATES OF AMERICA
Martin Puryear: Liberty
Commissioner/Curator: Brooke Kamin Rapaport. Exhibitor: Martin Puryear.
Venue: Giardini
URUGUAY
“La casa empática”
Commissioner: Alejandro Denes. Curators: David Armengol, Patricia Bentancur.
Exhibitor: Yamandú Canosa.
Venue: Giardini
VENEZUELA (Bolivarian Republic of)
Metaphore of three windows
Venezuela: identity in time and space
Commissioner/Curator: Oscar Sottillo Meneses. Exhibitors: Natalie Rocha Capiello, Ricardo García, Gabriel López, Nelson Rangelosky.
Venue: Giardini
ZIMBABWE (Republic of)
Soko Risina Musoro (The Tale without a Head)
Commissioner: Doreen Sibanda, National Gallery of Zimbabwe. Curator: Raphael Chikukwa. Exhibitors: Georgina Maxim, Neville Starling , Cosmas Shiridzinomwa, Kudzanai Violet Hwami.
Venue: Istituto Provinciale per L’infanzia “Santa Maria Della Pietà”. Calle della Pietà Castello n. 3701 (ground floor)
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invited artist :
Lawrence Abu Hamdan (Jordan / Beirut)
Njideka Akunyili Crosby (Nigeria / USA),Halil Altındere (Turkey),Michael Armitage (Kenya / UK),Korakrit Arunanondchai (Thailand / USA),Alex Gvojic (USA),Ed Atkins (UK / Germany / Denmark),Tarek Atoui (Lebanon / France),
Darren Bader (USA),Nairy Baghramian (Iran / Germany,
Neïl Beloufa (France),Alexandra Bircken (Germany),Carol Bove (Switzerland / USA,
Christoph Büchel (Switzerland / Iceland,
Ludovica Carbotta (Italy / Barcelona),Antoine Catala (France / USA),Ian Cheng (USA),George Condo (USA
Alex Da Corte (USA),Jesse Darling (UK / Germany),Stan Douglas (Canada),Jimmie Durham (USA / Germany),Nicole Eisenman (France / USA,
Haris Epaminonda (Cyprus / Germany),Lara Favaretto (Italy),Cyprien Gaillard (France / Germany), Gill (India),Dominique Gonzalez-Foerster (France),Shilpa Gupta (India),Soham Gupta (India),Martine Gutierrez (USA),Rula Halawani (Palestine),Anthea Hamilton (UK),Jeppe Hein (Denmark / Germany),Anthony Hernandez (USA),Ryoji Ikeda (Japan / France),Arthur Jafa (USA),Cameron Jamie (USA / France / Germany),Kahlil Joseph (USA),Zhanna Kadyrova (Ukraine),Suki Seokyeong Kang (South Korea),Mari Katayama (Japan),Lee Bul (South Korea),Liu Wei (China),Maria Loboda (Poland / Germany),Andreas Lolis (Albania / Greece),Christian Marclay (USA / London),Teresa Margolles (Mexico / Spain),Julie Mehretu (Ethiopia / USA),Ad Minoliti (Argentina),Jean-Luc Moulène (France),Zanele Muholi (South Africa),Jill Mulleady (Uruguay / USA),Ulrike Müller (Austria / USA),Nabuqi (China),Otobong Nkanga (Nigeria / Belgium),Khyentse Norbu (Bhutan / India),Frida Orupabo (Norway),Jon Rafman (Canada).Gabriel Rico (Mexico),Handiwirman Saputra (Indonesia),Tomás Saraceno (Argentina / Germany),Augustas Serapinas (Lithuania),Avery Singer (USA),Slavs and Tatars (Germany),Michael E. Smith (USA),Hito Steyerl (Germany),Tavares Strachan (Bahamas / USA),Sun Yuan and Peng Yu (China),Henry Taylor (USA),Rosemarie Trockel (Germany),Kaari Upson (USA),Andra Ursuţa (Romania),Danh Vō (Vietnam / Mexico),Kemang Wa Lehulere (South Africa),Apichatpong Weerasethakul (Thailand) and Tsuyoshi Hisakado (Japan),Margaret Wertheim and Christine Wertheim (Australia / USA) ,Anicka Yi (South Korea/ USA),Yin Xiuzhen (China),Yu Ji (China / Austria)
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other Biennale :(Biennials ) :Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
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Thierry Geoffroy / Colonel
el.kingdomsalvation.org/videos/kingdom-descends-upon-the-...
Ο συγκινητικός ύμνος της βασιλείας έχει αντηχήσει, αναγγέλλοντας σε όλο το σύμπαν την άφιξη του Θεού στην ανθρωπότητα! Η βασιλεία του Θεού έχει φτάσει! Όλοι οι άνθρωποι επευφημούν, όλα αγάλλονται! Τα πάντα στους ουρανούς ξεχειλίζουν από χαρά. Τι εντυπωσιακές σκηνές αγαλλίασης είναι αυτές;
Από τους ανθρώπους που ζουν μέσα στην οδύνη και έχουν υπομείνει χιλιάδες χρόνια διαφθοράς του Σατανά, ποιος δεν λαχταρά— δεν ποθεί — την άφιξη του Θεού; Πόσοι πιστοί και ακόλουθοι του Θεού ανά τους αιώνες υπέστησαν, υπό την επιρροή του Σατανά, βάσανα και αντιξοότητες, διώξεις και αποξένωση; Ποιος δεν ελπίζει ότι η βασιλεία του Θεού θα έρθει σύντομα; Αφού γευτεί τις χαρές και τις λύπες της ανθρωπότητας, ποιος άνθρωπος δεν επιθυμεί να πρυτανεύσει η αλήθεια και η δικαιοσύνη στους ανθρώπους;
Όταν έρθει η βασιλεία του Θεού, θα φτάσει επιτέλους η μέρα που περιμένουν απεγνωσμένα όλα τα έθνη και οι λαοί! Tι σκηνές θα εκτυλιχθούν τότε στους ουρανούς και στη γη; Πόσο όμορφη θα είναι η ζωή στη βασιλεία; Με το έργο «Ο ύμνος της βασιλείας: Η βασιλεία κατέρχεται στον κόσμο», οι προσευχές χιλιετιών θα πραγματοποιηθούν.
Πηγή εικόνας:
Εκκλησία του Παντοδύναμου Θεού
Όροι Χρήσης: el.kingdomsalvation.org/disclaimer.html
a wild palestinian tortoise (Testudo graeca - not sure of subspecies, for those interested check www.tortoisetrust.org/articles/newfloweri.html ), on our project site land. our old palestinian farmhouse in the background - bethlehem, west bank. if anyone is interested in visiting, volunteering on our permaculture farm, or donating - please contact me. for project brief see below...
BUSTAN QARAAQA
The Project:
Bustan Qaraaqa (the Tortoise Garden) is a permaculture initiative in the Palestinian West Bank, near to the city of Bethlehem. Working closely with our neighbours, we are creating a model permaculture farm and carrying out environmental education activities with the local community, youth, and farmers.
The aims of the project are fourfold:
•To address and combat the degradation of the Palestinian environment, and to actively pursue the conservation of native Palestinian species.
•To provide a space for experimentation and demonstration of easily replicable Permaculture methods for sustainable living systems, and to nurture an ongoing interest in these methods within the local community.
•To carry out environmental education activities with Palestinian youth groups, fostering the knowledge and skills to appreciate human impact on the environment and to take action for positive change in the way we interact with it.
•To encourage volunteers from all over the world to visit Palestine, and learn skills for sustainable living, whilst also learning about the situation in the Palestinian Territories, and the reality of life under military occupation.
The Site:
Bustan Qaraaqa takes its name from the numerous tortoises found roaming the site. The ancient farmhouse that is at the heart of the project is nestled in a beautiful wadi (valley) between the verdant mountains of Bethlehem and the spectacular Judean desert. The site includes twelve dunums (4 acres) of terraces and valley floor, as well as a large rooftop space, outbuildings and a number of caves.
We have room to house 8 short-term visitors in dormitory rooms in the oldest part of the house, which consists of beautiful caves carved into the side of the hill, in addition to three private rooms for long-term volunteers. There is also plentiful space on the roof for those who wish to sleep under the stars, or for camping in the caves that are spread throughout the site.
The prices include breakfast and are as follows:
Accomodation in the house – 60 shekels per night (1-14 days)
–50 shekels per night (> 14 days)
–1200 shekels per month (> 1 month)
–1000 shekels per month (> 2 months)
Sleeping on the roof – 25 shekels per night (150 shekels per week)
Camping in the caves – 25 shekels per night (150 shekels per week)
The Context:
The Palestinian environment and the Palestinian people face a unique set of challenges as a result of the ongoing Israeli military occupation and colonization of the Palestinian Territories. The Palestinian environment is degrading rapidly as a result of the combined pressures of population growth, industrialization and climate change. As an arid to semi-arid area, the Palestinian Territories faces problems with water scarcity and desertification which are likely to escalate as a result of global climate change. Overlaying these problems is the structure of the Israeli military occupation and the restrictions it imposes on Palestinian access to resources and the ability of Palestinians to manage and control their environment and their impact on it. Further complication is added by the network of Israeli settlements across the West Bank with their associated effects of land confiscation, movement restriction and monopolization of resources. These serious factors further compound on an already dire environmental situation which directly affects Palestinian lives; the very people who have no control over the land in which they live.
Over 60% of the land area of the West Bank is designated as Area C, which means that Israel retains full military and civil control over it. Palestinians cannot carry out development projects in Area C, such as the construction of sanitary landfills or sewage treatment plants, without first getting a permit from the Israeli authorities, a process that often takes years. The areas over which the Palestinian authorities do have control mainly comprise towns and villages which are densely populated and not suitable locations for such projects. Thus pollution of soil, air and groundwater as a result of almost non-existent waste management facilities is a serious and widespread problem.
Palestinian access to water is restricted and the Palestinian Territories are in the midst of an ongoing and worsening water crisis. Over 200 000 Palestinians are not connected to the public water network and are reliant on delivery of water by tankers which are often obstructed from reaching their destinations by road blocks, curfews and closures. The water supply to the population who are connected to the network is unreliable, with frequent cut-offs being experienced, particularly during summer months. 40% of the population receive an average of less than 50 litres of water per person per day, which is half the amount recommended by the World Health Organization to maintain a decent standard of living. Lack of access to water and high water prices limit the ability of Palestinians to grow their own food.
On top of all this, the Palestinian people are becoming increasingly urbanised and disconnected from the environment as a result of the construction of the Separation Wall (which will annex approximately 10% of the land area of the West Bank to Israel) and the ongoing expansion of Israeli settlements. In the Bethlehem area alone, over 18 000 acres of land are being cut off by the Wall, devastating the local farming economy and ghettoizing the population. As a result of this and of the general economic crisis in the Palestinian Territories, the food security of Palestinians is threatened, and Palestinian children are growing up in crumbling ghettoes under conflict conditions, disconnected from their natural heritage and facing daily hardships as environmental and economic conditions worsen.
Finding ways to live sustainably under such circumstances is an enormous challenge, and one that will require innovative thinking and determination. However, the difficulty of the problem is equalled by its urgency. Palestinians are struggling for their very existence in the midst of political, economic and environmental crises that threaten to destroy all quality of life, while resolution of the conflict with Israel at a political level seems as far away as ever. Therefore, work at a grassroots level which empowers people to take control of their lives and their environment is crucial.
Why Permaculture?
Permaculture is an integrated approach to the care of the earth and its people. It is about creating sustainable human habitats by following nature's patterns, using the stability and resilience of natural ecosystems to provide a framework and guidance for people to develop their own sustainable solutions to the problems facing their world. Permaculture seeks to foster the skills, confidence and imagination to enable people to become self-reliant, and to seek creative solutions to problems on a global or local scale.
Permaculture techniques can help restore and improve degraded soils, encourage species diversity, harvest and recycle water, maximize efficiency of water use throughout the system, and minimize harmful impacts on the environment from human activities through composting, creatively reusing materials and good waste management practice. Permaculture techniques are highly adaptable, cheap and easy to implement.
We believe that the application of Permaculture design and ethics to the Palestinian context can help ameliorate some of the problems faced by Palestinians. Restoration of robust natural ecosystems that also provide goods and services to the population can help to counteract environmental degradation, conserve species, provide food and materials to people suffering from economic crisis, and restore a sense of independence and dignity to people suffering under brutal military occupation.
Current Activities:
We are currently in the process of renovating the farmhouse to turn it into a functioning permaculture centre and guesthouse. The guesthouse is expected to open in May, when work will begin on laying the foundations of the permaculture farm: building rainwater harvesting systems, laying the graywater system, building greenhouses and propagating seeds. The construction of each of these components will be used as the framework for open workshops on permaculture techniques, when we will invite local youth groups to join us in learning about environmental problems, and ways of taking action to improve the situation.
In addition, we are partnering with Paidia (www.pidev.org) to hold a series of environmental awareness workshops with groups of Palestinian youth, focussing on the theme of environmental responsibility and solid waste management. The central activity of these workshops is to build a picnic area close to Paidia’s adventure playground out of discarded tyres and rubbish collected from the surrounding area.
We are also working on creating a community garden together with Lighting Candles (www.lightingcandles.org), a local Palestinian NGO working to support women and children whose lives are being adversely affected by the conflict. We are holding a series of workshops on Permaculture themes as we work together with the children to create a beautiful space for people to enjoy.
Upcoming Events:
We plan to hold a week long Permaculture course in July this year consisting of a series of workshops and lectures, with tuition from locally renowned Permaculturalists. The course will be open to both Palestinians and international participants, and will also incorporate lectures on the Palestinian environmental situation from representatives of local NGOs. The week’s activities will also serve as an opportunity to open our doors to the local community and share with them our vision as well as beginning an ongoing dialogue about ways in which we can support each other in creating positive change on the ground.
Funding:
We have so far successfully raised €8500 from donors based in the Netherlands for renovation of the farmhouse, and a further £1300 from UK sources to help with the ongoing material expenses of the project.
The running costs of the project each month including the rent for the site, utility bills, salaries for part-time Palestinian staff and pocket money for long-term international volunteers total £865. Ultimately we hope to be able to defray these costs from revenues raised from the guesthouse. However, we are still seeking small grants to help us secure the rent for the site, pay for set-up costs of the farm (including plants and building materials), support us in holding environmental education workshops with local youth groups, and to support the salaries of Palestinian project staff.
Long-term Vision
We have secured a renewable 5 year lease contract with the owners of the site, in which time we will aim to turn Bustan Qaraaqa into a fully functioning model Permaculture farm. During this time we also intend to create links and build trust within the local community, helping to propagate many permaculture initiatives with local partners and reaching out to many Palestinian youths. By the end of the first five years, it is our objective to have handed over decision making power and control over project activities to Palestinians. At this stage we will renegotiate the terms of the lease with the landowners, with the objective of securing a stable, long-term agreement to continue our work of building a grassroots Permaculture movement in the Palestinian Territories.
www.greenintifada.blogspot.com
for details about Bustan Qaraaqa guest house including rates and photos of rooms see: www.flickr.com/people/bustanqaraaqa/
Biennalist
Biennalist is an Art Format commenting on active biennials and managed cultural events through artworks.Biennalist takes the thematics of the biennales and similar events like festivals and conferences seriously, questioning the established structures of the staged art events in order to contribute to the debate, which they wish to generate.
About artist Thierry Geoffroy/Colonel:
en.wikipedia.org/wiki/Thierry_Geoffroy
en.wikipedia.org/wiki/Emergency_Room_(art)
www.emergencyrooms.org/formats.html
Biennalist :
Biennalist is an Art Format commenting on active biennials and managed cultural events through artworks.Biennalist takes the thematics of the biennales and similar events like festivals and conferences seriously, questioning the established structures of the staged art events in order to contribute to the debate, which they wish to generate.
-------------------------------------------
links about Biennalist :
Thierry Geoffroy/Colonel:
en.wikipedia.org/wiki/Thierry_Geoffroy
en.wikipedia.org/wiki/Emergency_Room_(art)
www.emergencyrooms.org/formats.html
—--Biennale from wikipedia —--
The Venice International Film Festival is part of the Venice Biennale. The famous Golden Lion is awarded to the best film screening at the competition.
Biennale (Italian: [bi.enˈnaːle]), Italian for "biennial" or "every other year", is any event that happens every two years. It is most commonly used within the art world to describe large-scale international contemporary art exhibitions. As such the term was popularised by Venice Biennale, which was first held in 1895. Since the 1990s, the terms "biennale" and "biennial" have been interchangeably used in a more generic way - to signify a large-scale international survey show of contemporary art that recurs at regular intervals but not necessarily biannual (such as triennials, Documenta, Skulptur Projekte Münster).[1] The phrase has also been used for other artistic events, such as the "Biennale de Paris", "Kochi-Muziris Biennale", Berlinale (for the Berlin International Film Festival) and Viennale (for Vienna's international film festival).
Characteristics[edit]
According to author Federica Martini, what is at stake in contemporary biennales is the diplomatic/international relations potential as well as urban regeneration plans. Besides being mainly focused on the present (the “here and now” where the cultural event takes place and their effect of "spectacularisation of the everyday"), because of their site-specificity cultural events may refer back to,[who?] produce or frame the history of the site and communities' collective memory.[2]
The Great Exhibition in The Crystal Palace in Hyde Park, London, in 1851, the first attempt to condense the representation of the world within a unitary exhibition space.
A strong and influent symbol of biennales and of large-scale international exhibitions in general is the Crystal Palace, the gigantic and futuristic London architecture that hosted the Great Exhibition in 1851. According to philosopher Peter Sloterdijk,[3][page needed] the Crystal Palace is the first attempt to condense the representation of the world in a unitary exhibition space, where the main exhibit is society itself in an a-historical, spectacular condition. The Crystal Palace main motives were the affirmation of British economic and national leadership and the creation of moments of spectacle. In this respect, 19th century World fairs provided a visual crystallization of colonial culture and were, at the same time, forerunners of contemporary theme parks.
The Venice Biennale as an archetype[edit]
The structure of the Venice Biennale in 2005 with an international exhibition and the national pavilions.
The Venice Biennale, a periodical large-scale cultural event founded in 1895, served as an archetype of the biennales. Meant to become a World Fair focused on contemporary art, the Venice Biennale used as a pretext the wedding anniversary of the Italian king and followed up to several national exhibitions organised after Italy unification in 1861. The Biennale immediately put forth issues of city marketing, cultural tourism and urban regeneration, as it was meant to reposition Venice on the international cultural map after the crisis due to the end of the Grand Tour model and the weakening of the Venetian school of painting. Furthermore, the Gardens where the Biennale takes place were an abandoned city area that needed to be re-functionalised. In cultural terms, the Biennale was meant to provide on a biennial basis a platform for discussing contemporary art practices that were not represented in fine arts museums at the time. The early Biennale model already included some key points that are still constitutive of large-scale international art exhibitions today: a mix of city marketing, internationalism, gentrification issues and destination culture, and the spectacular, large scale of the event.
Biennials after the 1990s[edit]
The situation of biennials has changed in the contemporary context: while at its origin in 1895 Venice was a unique cultural event, but since the 1990s hundreds of biennials have been organized across the globe. Given the ephemeral and irregular nature of some biennials, there is little consensus on the exact number of biennials in existence at any given time.[citation needed] Furthermore, while Venice was a unique agent in the presentation of contemporary art, since the 1960s several museums devoted to contemporary art are exhibiting the contemporary scene on a regular basis. Another point of difference concerns 19th century internationalism in the arts, that was brought into question by post-colonial debates and criticism of the contemporary art “ethnic marketing”, and also challenged the Venetian and World Fair’s national representation system. As a consequence of this, Eurocentric tendency to implode the whole word in an exhibition space, which characterises both the Crystal Palace and the Venice Biennale, is affected by the expansion of the artistic geographical map to scenes traditionally considered as marginal. The birth of the Havana Biennial in 1984 is widely considered an important counterpoint to the Venetian model for its prioritization of artists working in the Global South and curatorial rejection of the national pavilion model.
International biennales[edit]
In the term's most commonly used context of major recurrent art exhibitions:
Adelaide Biennial of Australian Art, South Australia
Asian Art Biennale, in Taichung, Taiwan (National Taiwan Museum of Fine Arts)
Athens Biennale, in Athens, Greece
Bienal de Arte Paiz, in Guatemala City, Guatemala[4]
Arts in Marrakech (AiM) International Biennale (Arts in Marrakech Festival)
Bamako Encounters, a biennale of photography in Mali
Bat-Yam International Biennale of Landscape Urbanism
Beijing Biennale
Berlin Biennale (contemporary art biennale, to be distinguished from Berlinale, which is a film festival)
Bergen Assembly (triennial for contemporary art in Bergen, Norway)www.bergenassembly.no
Bi-City Biennale of Urbanism\Architecture, in Shenzhen and Hong Kong, China
Bienal de Arte de Ponce in Ponce, Puerto Rico
Biënnale van België, Biennial of Belgium, Belgium
BiennaleOnline Online biennial exhibition of contemporary art from the most promising emerging artists.
Biennial of Hawaii Artists
Biennale de la Biche, the smallest biennale in the world held at deserted island near Guadeloupe, French overseas region[5][6]
Biwako Biennale [ja], in Shiga, Japan
La Biennale de Montreal
Biennale of Luanda : Pan-African Forum for the Culture of Peace,[7] Angola
Boom Festival, international music and culture festival in Idanha-a-Nova, Portugal
Bucharest Biennale in Bucharest, Romania
Bushwick Biennial, in Bushwick, Brooklyn, New York
Canakkale Biennial, in Canakkale, Turkey
Cerveira International Art Biennial, Vila Nova de Cerveira, Portugal [8]
Changwon Sculpture Biennale in Changwon, South Korea
Dakar Biennale, also called Dak'Art, biennale in Dakar, Senegal
Documenta, contemporary art exhibition held every five years in Kassel, Germany
Estuaire (biennale), biennale in Nantes and Saint-Nazaire, France
EVA International, biennial in Limerick, Republic of Ireland
Göteborg International Biennial for Contemporary Art, in Gothenburg, Sweden[9]
Greater Taipei Contemporary Art Biennial, in Taipei, Taiwan
Gwangju Biennale, Asia's first and most prestigious contemporary art biennale
Havana biennial, in Havana, Cuba
Helsinki Biennial, in Helsinki, Finland
Herzliya Biennial For Contemporary Art, in Herzliya, Israel
Incheon Women Artists' Biennale, in Incheon, South Korea
Iowa Biennial, in Iowa, USA
Istanbul Biennial, in Istanbul, Turkey
International Roaming Biennial of Tehran, in Tehran and Istanbul
Jakarta Biennale, in Jakarta, Indonesia
Jerusalem Biennale, in Jerusalem, Israel
Jogja Biennale, in Yogyakarta, Indonesia
Karachi Biennale, in Karachi, Pakistan
Keelung Harbor Biennale, in Keelung, Taiwan
Kochi-Muziris Biennale, largest art exhibition in India, in Kochi, Kerala, India
Kortrijk Design Biennale Interieur, in Kortrijk, Belgium
Kobe Biennale, in Japan
Kuandu Biennale, in Taipei, Taiwan
Lagos Biennial, in Lagos, Nigeria[10]
Light Art Biennale Austria, in Austria
Liverpool Biennial, in Liverpool, UK
Lofoten International Art Festival [no] (LIAF), on the Lofoten archipelago, Norway[11]
Manifesta, European Biennale of contemporary art in different European cities
Mediations Biennale, in Poznań, Poland
Melbourne International Biennial 1999
Mediterranean Biennale in Sakhnin 2013
MOMENTA Biennale de l'image [fr] (formerly known as Le Mois de la Photo à Montréal), in Montreal, Canada
MOMENTUM [no], in Moss, Norway[12]
Moscow Biennale, in Moscow, Russia
Munich Biennale, new opera and music-theatre in even-numbered years
Mykonos Biennale
Nakanojo Biennale[13]
NGV Triennial, contemporary art exhibition held every three years at the National Gallery of Victoria, Melbourne, Australia
October Salon – Belgrade Biennale [sr], organised by the Cultural Center of Belgrade [sr], in Belgrade, Serbia[14]
OSTEN Biennial of Drawing Skopje, North Macedonia[15]
Biennale de Paris
Riga International Biennial of Contemporary Art (RIBOCA), in Riga, Latvia[16]
São Paulo Art Biennial, in São Paulo, Brazil
SCAPE Public Art Christchurch Biennial in Christchurch, New Zealand[17]
Prospect New Orleans
Seoul Biennale of Architecture and Urbanism
Sequences, in Reykjavík, Iceland[18]
Shanghai Biennale
Sharjah Biennale, in Sharjah, UAE
Singapore Biennale, held in various locations across the city-state island of Singapore
Screen City Biennial, in Stavanger, Norway
Biennale of Sydney
Taipei Biennale, in Taipei, Taiwan
Taiwan Arts Biennale, in Taichung, Taiwan (National Taiwan Museum of Fine Arts)
Taiwan Film Biennale, in Hammer Museum, Los Angeles, U.S.A.
Thessaloniki Biennale of Contemporary Art [el], in Thessaloniki, Greece[19]
Dream city, produced by ART Rue Association in Tunisia
Vancouver Biennale
Visayas Islands Visual Arts Exhibition and Conference (VIVA ExCon) in the Philippines [20]
Venice Biennale, in Venice, Italy, which includes:
Venice Biennale of Contemporary Art
Venice Biennale of Architecture
Venice Film Festival
Vladivostok biennale of Visual Arts, in Vladivostok, Russia
Whitney Biennial, hosted by the Whitney Museum of American Art, in New York City, NY, USA
Web Biennial, produced with teams from Athens, Berlin and Istanbul.
West Africa Architecture Biennale,[21] Virtual in Lagos, Nigeria.
WRO Biennale, in Wrocław, Poland[22]
Music Biennale Zagreb
[SHIFT:ibpcpa] The International Biennale of Performance, Collaborative and Participatory Arts, Nomadic, International, Scotland, UK.
—---Venice Biennale from wikipedia —
The Venice Biennale (/ˌbiːɛˈnɑːleɪ, -li/; Italian: La Biennale di Venezia) is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation.[2][3][4] The biennale has been organised every year since 1895, which makes it the oldest of its kind. The main exhibition held in Castello, in the halls of the Arsenale and Biennale Gardens, alternates between art and architecture (hence the name biennale; biennial).[5][6][7] The other events hosted by the Foundation—spanning theatre, music, and dance—are held annually in various parts of Venice, whereas the Venice Film Festival takes place at the Lido.[8]
Organization[edit]
Art Biennale
Art Biennale
International Art Exhibition
1895
Even-numbered years (since 2022)
Venice Biennale of Architecture
International Architecture Exhibition
1980
Odd-numbered years (since 2021)
Biennale Musica
International Festival of Contemporary Music
1930
Annually (Sep/Oct)
Biennale Teatro
International Theatre Festival
1934
Annually (Jul/Aug)
Venice Film Festival
Venice International Film Festival
1932
Annually (Aug/Sep)
Venice Dance Biennale
International Festival of Contemporary Dance
1999
Annually (June; biennially 2010–16)
International Kids' Carnival
2009
Annually (during Carnevale)
History
1895–1947
On April 19, 1893, the Venetian City Council passed a resolution to set up an biennial exhibition of Italian Art ("Esposizione biennale artistica nazionale") to celebrate the silver anniversary of King Umberto I and Margherita of Savoy.[11]
A year later, the council decreed "to adopt a 'by invitation' system; to reserve a section of the Exhibition for foreign artists too; to admit works by uninvited Italian artists, as selected by a jury."[12]
The first Biennale, "I Esposizione Internazionale d'Arte della Città di Venezia (1st International Art Exhibition of the City of Venice)" (although originally scheduled for April 22, 1894) was opened on April 30, 1895, by the Italian King and Queen, Umberto I and Margherita di Savoia. The first exhibition was seen by 224,000 visitors.
The event became increasingly international in the first decades of the 20th century: from 1907 on, several countries installed national pavilions at the exhibition, with the first being from Belgium. In 1910 the first internationally well-known artists were displayed: a room dedicated to Gustav Klimt, a one-man show for Renoir, a retrospective of Courbet. A work by Picasso "Family of Saltimbanques" was removed from the Spanish salon in the central Palazzo because it was feared that its novelty might shock the public. By 1914 seven pavilions had been established: Belgium (1907), Hungary (1909), Germany (1909), Great Britain (1909), France (1912), and Russia (1914).
During World War I, the 1916 and 1918 events were cancelled.[13] In 1920 the post of mayor of Venice and president of the Biennale was split. The new secretary general, Vittorio Pica brought about the first presence of avant-garde art, notably Impressionists and Post-Impressionists.
1922 saw an exhibition of sculpture by African artists. Between the two World Wars, many important modern artists had their work exhibited there. In 1928 the Istituto Storico d'Arte Contemporanea (Historical Institute of Contemporary Art) opened, which was the first nucleus of archival collections of the Biennale. In 1930 its name was changed into Historical Archive of Contemporary Art.
In 1930, the Biennale was transformed into an Ente Autonomo (Autonomous Board) by Royal Decree with law no. 33 of 13-1-1930. Subsequently, the control of the Biennale passed from the Venice city council to the national Fascist government under Benito Mussolini. This brought on a restructuring, an associated financial boost, as well as a new president, Count Giuseppe Volpi di Misurata. Three entirely new events were established, including the Biennale Musica in 1930, also referred to as International Festival of Contemporary Music; the Venice Film Festival in 1932, which they claim as the first film festival in history,[14] also referred to as Venice International Film Festival; and the Biennale Theatro in 1934, also referred to as International Theatre Festival.
In 1933 the Biennale organized an exhibition of Italian art abroad. From 1938, Grand Prizes were awarded in the art exhibition section.
During World War II, the activities of the Biennale were interrupted: 1942 saw the last edition of the events. The Film Festival restarted in 1946, the Music and Theatre festivals were resumed in 1947, and the Art Exhibition in 1948.[15]
1948–1973[edit]
The Art Biennale was resumed in 1948 with a major exhibition of a recapitulatory nature. The Secretary General, art historian Rodolfo Pallucchini, started with the Impressionists and many protagonists of contemporary art including Chagall, Klee, Braque, Delvaux, Ensor, and Magritte, as well as a retrospective of Picasso's work. Peggy Guggenheim was invited to exhibit her collection, later to be permanently housed at Ca' Venier dei Leoni.
1949 saw the beginning of renewed attention to avant-garde movements in European—and later worldwide—movements in contemporary art. Abstract expressionism was introduced in the 1950s, and the Biennale is credited with importing Pop Art into the canon of art history by awarding the top prize to Robert Rauschenberg in 1964.[16] From 1948 to 1972, Italian architect Carlo Scarpa did a series of remarkable interventions in the Biennale's exhibition spaces.
In 1954 the island San Giorgio Maggiore provided the venue for the first Japanese Noh theatre shows in Europe. 1956 saw the selection of films following an artistic selection and no longer based upon the designation of the participating country. The 1957 Golden Lion went to Satyajit Ray's Aparajito which introduced Indian cinema to the West.
1962 included Arte Informale at the Art Exhibition with Jean Fautrier, Hans Hartung, Emilio Vedova, and Pietro Consagra. The 1964 Art Exhibition introduced continental Europe to Pop Art (The Independent Group had been founded in Britain in 1952). The American Robert Rauschenberg was the first American artist to win the Gran Premio, and the youngest to date.
The student protests of 1968 also marked a crisis for the Biennale. Student protests hindered the opening of the Biennale. A resulting period of institutional changes opened and ending with a new Statute in 1973. In 1969, following the protests, the Grand Prizes were abandoned. These resumed in 1980 for the Mostra del Cinema and in 1986 for the Art Exhibition.[17]
In 1972, for the first time, a theme was adopted by the Biennale, called "Opera o comportamento" ("Work or Behaviour").
Starting from 1973 the Music Festival was no longer held annually. During the year in which the Mostra del Cinema was not held, there was a series of "Giornate del cinema italiano" (Days of Italian Cinema) promoted by sectorial bodies in campo Santa Margherita, in Venice.[18]
1974–1998[edit]
1974 saw the start of the four-year presidency of Carlo Ripa di Meana. The International Art Exhibition was not held (until it was resumed in 1976). Theatre and cinema events were held in October 1974 and 1975 under the title Libertà per il Cile (Freedom for Chile)—a major cultural protest against the dictatorship of Augusto Pinochet.
On 15 November 1977, the so-called Dissident Biennale (in reference to the dissident movement in the USSR) opened. Because of the ensuing controversies within the Italian left wing parties, president Ripa di Meana resigned at the end of the year.[19]
In 1979 the new presidency of Giuseppe Galasso (1979-1982) began. The principle was laid down whereby each of the artistic sectors was to have a permanent director to organise its activity.
In 1980, the Architecture section of the Biennale was set up. The director, Paolo Portoghesi, opened the Corderie dell'Arsenale to the public for the first time. At the Mostra del Cinema, the awards were brought back into being (between 1969 and 1979, the editions were non-competitive). In 1980, Achille Bonito Oliva and Harald Szeemann introduced "Aperto", a section of the exhibition designed to explore emerging art. Italian art historian Giovanni Carandente directed the 1988 and 1990 editions. A three-year gap was left afterwards to make sure that the 1995 edition would coincide with the 100th anniversary of the Biennale.[13]
The 1993 edition was directed by Achille Bonito Oliva. In 1995, Jean Clair was appointed to be the Biennale's first non-Italian director of visual arts[20] while Germano Celant served as director in 1997.
For the Centenary in 1995, the Biennale promoted events in every sector of its activity: the 34th Festival del Teatro, the 46th art exhibition, the 46th Festival di Musica, the 52nd Mostra del Cinema.[21]
1999–present[edit]
In 1999 and 2001, Harald Szeemann directed two editions in a row (48th & 49th) bringing in a larger representation of artists from Asia and Eastern Europe and more young artists than usual and expanded the show into several newly restored spaces of the Arsenale.
In 1999 a new sector was created for live shows: DMT (Dance Music Theatre).
The 50th edition, 2003, directed by Francesco Bonami, had a record number of seven co-curators involved, including Hans Ulrich Obrist, Catherine David, Igor Zabel, Hou Hanru and Massimiliano Gioni.
The 51st edition of the Biennale opened in June 2005, curated, for the first time by two women, Maria de Corral and Rosa Martinez. De Corral organized "The Experience of Art" which included 41 artists, from past masters to younger figures. Rosa Martinez took over the Arsenale with "Always a Little Further." Drawing on "the myth of the romantic traveler" her exhibition involved 49 artists, ranging from the elegant to the profane.
In 2007, Robert Storr became the first director from the United States to curate the Biennale (the 52nd), with a show entitled Think with the Senses – Feel with the Mind. Art in the Present Tense.
Swedish curator Daniel Birnbaum was artistic director of the 2009 edition entitled "Fare Mondi // Making Worlds".
The 2011 edition was curated by Swiss curator Bice Curiger entitled "ILLUMInazioni – ILLUMInations".
The Biennale in 2013 was curated by the Italian Massimiliano Gioni. His title and theme, Il Palazzo Enciclopedico / The Encyclopedic Palace, was adopted from an architectural model by the self-taught Italian-American artist Marino Auriti. Auriti's work, The Encyclopedic Palace of the World was lent by the American Folk Art Museum and exhibited in the first room of the Arsenale for the duration of the biennale. For Gioni, Auriti's work, "meant to house all worldly knowledge, bringing together the greatest discoveries of the human race, from the wheel to the satellite," provided an analogous figure for the "biennale model itself...based on the impossible desire to concentrate the infinite worlds of contemporary art in a single place: a task that now seems as dizzyingly absurd as Auriti's dream."[22]
Curator Okwui Enwezor was responsible for the 2015 edition.[23] He was the first African-born curator of the biennial. As a catalyst for imagining different ways of imagining multiple desires and futures Enwezor commissioned special projects and programs throughout the Biennale in the Giardini. This included a Creative Time Summit, e-flux journal's SUPERCOMMUNITY, Gulf Labor Coalition, The Invisible Borders Trans-African Project and Abounaddara.[24][25]
The 2017 Biennale, titled Viva Arte Viva, was directed by French curator Christine Macel who called it an "exhibition inspired by humanism".[26] German artist Franz Erhard Walter won the Golden Lion for best artist, while Carolee Schneemann was awarded a posthumous Golden Lion for Lifetime Achievement.[27]
The 2019 Biennale, titled May You Live In Interesting Times, was directed by American-born curator Ralph Rugoff.[28]
The 2022 edition was curated by Italian curator Cecilia Alemani entitled "The Milk of Dreams" after a book by British-born Mexican surrealist painter Leonora Carrington.[29]
The Biennale has an attendance today of over 500,000 visitors.[30][31][32]
Role in the art market[edit]
When the Venice Biennale was founded in 1895, one of its main goals was to establish a new market for contemporary art. Between 1942 and 1968 a sales office assisted artists in finding clients and selling their work,[33] a service for which it charged 10% commission. Sales remained an intrinsic part of the biennale until 1968, when a sales ban was enacted. An important practical reason why the focus on non-commodities has failed to decouple Venice from the market is that the biennale itself lacks the funds to produce, ship and install these large-scale works. Therefore, the financial involvement of dealers is widely regarded as indispensable;[16] as they regularly front the funding for production of ambitious projects.[34] Furthermore, every other year the Venice Biennale coincides with nearby Art Basel, the world's prime commercial fair for modern and contemporary art. Numerous galleries with artists on show in Venice usually bring work by the same artists to Basel.[35]
Central Pavilion and Arsenale[edit]
The formal Biennale is based at a park, the Giardini. The Giardini includes a large exhibition hall that houses a themed exhibition curated by the Biennale's director.
Initiated in 1980, the Aperto began as a fringe event for younger artists and artists of a national origin not represented by the permanent national pavilions. This is usually staged in the Arsenale and has become part of the formal biennale programme. In 1995 there was no Aperto so a number of participating countries hired venues to show exhibitions of emerging artists. From 1999, both the international exhibition and the Aperto were held as one exhibition, held both at the Central Pavilion and the Arsenale. Also in 1999, a $1 million renovation transformed the Arsenale area into a cluster of renovated shipyards, sheds and warehouses, more than doubling the Arsenale's exhibition space of previous years.[36]
A special edition of the 54th Biennale was held at Padiglione Italia of Torino Esposizioni – Sala Nervi (December 2011 – February 2012) for the 150th Anniversary of Italian Unification. The event was directed by Vittorio Sgarbi
La salvación de Dios | Sin la salvación de Dios, yo no estaría aquí hoy
Soy una hermana anciana con las piernas dañadas. Incluso cuando el clima es bueno, tengo algunos problemas al andar, pero cuando las aguas estuvieron a punto de tragarme, Dios permitió que escapara milagrosamente del peligro.
Fue el 21 de julio de 2012. Ese día cayó una lluvia torrencial, y resulta que yo estaba fuera desempeñando mi deber. Después de las 4 de la tarde, la lluvia no había parado aún. Cuando terminó nuestra reunión, desafié a la lluvia y tomé un autobús a casa. Durante el trayecto, llovía con más y más fuerza, y cuando el autobús llegó a la parada anterior a la mía, el conductor nos dijo a todos los pasajeros: “Este autobús no puede llegar más lejos; la carretera se ha colapsado más adelante”. No se podía hacer nada, así que no tuve otra elección que bajarme del autobús e ir a pie el resto del camino. No me atrevía a dejar a Dios y oraba continuamente en mi corazón. A causa de la fuerza del diluvio, el agua se había tragado completamente la carretera. Traté de seguir agarrándome a las columnas de cemento que bordeaban la carretera, y fui avanzando paso a paso. Justo entonces, oí a alguien gritar detrás de mí: “¡No siga avanzando! ¡Rápido; gírese y vuelva! No puede pasar; esa agua es profunda y la corriente demasiado rápida. ¡Si la arrastra, no podré salvarla!”. En ese momento, sin embargo, yo no podía avanzar ni retroceder porque el agua ya me llegaba al pecho. No me atrevía a seguir avanzando, así que todo lo que podía hacer era orar a Dios e implorarle que me abriera una salida: “¡Dios! Tú has permitido que este entorno me sobrevenga, y si vivo o muero está en Tus manos ahora. Si el nivel del agua bajara sólo 15 centímetros, yo podría seguir caminando. Dios, haz Tu voluntad; ¡yo estoy dispuesta a confiarte mi vida!”. Después de esta oración, me sentí muy tranquila y serena. Recordé una de las declaraciones de Dios: “Los cielos y la tierra y todas las cosas son establecidos y hechos completos por las palabras de Mi boca y conmigo todo puede lograrse” (“Declaraciones y testimonios de Cristo en el principio”). Las palabras de Dios me dieron fe y valentía. Como los cielos y la tierra y todas las cosas están en las manos de Dios, yo sabía que por muy implacable que fuera ese diluvio, no podía escapar de la orquestación de Dios. Nadie podía apoyarse más en nadie; mi hijo, mi hija… nadie podía cuidar del otro. Yo creía que mientras confiara en Dios, no existía dificultad que no pudiera superar. Justo en ese momento, se produjo un milagro. La corriente fue yendo cada vez más lenta hasta que dejó de ser tan violenta como lo había sido poco antes, y las columnas de cemento que bordeaban la carretera aparecieron gradualmente. En efecto, el nivel del agua descendió 15 centímetros del nivel de mi pecho. Y justo así, salí de allí, paso a paso, bajo la dirección de Dios. De no haber sido por Su benevolencia y protección, no sé dónde me habría llevado la inundación. Desde lo profundo de mi corazón, expresé mi gratitud y alabanza, y di gracias a Dios Todopoderoso por haberme dado una segunda oportunidad en la vida.
Más tarde, oí la descripción de las lluvias por parte de mi hijo: Ese día, después de llegar a casa tras cumplir con su deber, fue primero al baño.
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Fuente: es.easternlightning.org/testimonies/without-God-s-salvati...
Recomendación: Palabras de Dios
Source: www.autoworldmuseum.com/about.html
Why build an automotive museum? Because one way or another, our lives are touched by the automobile. We remember our parents’ cars, the ones we traveled in with family, the ones we borrowed for our first car date, the first ones we bought. The fast cars, the junkers, the modified ones and the ones we rebuilt—all of them are tied to us in memory. We even dream of cars.
William E. Backer, former owner of Backer Potato Chip Company in Fulton, Missouri, looked back in time and found that a vintage automobile was a thing of fascination. His memories were of old country roads and two lane highways. Bill Backer was an engineer and a builder who loved to tinker. Having built a successful potato chip company, he looked back at the cars that were part of his childhood. Shortly after, he owned a Canadian 1924 Dodge Touring. Dark blue with black fenders and a cloth top. Bill drove his family around the back country roads of Callaway County, Missouri and felt himself touching fading memories.
Not long after he collected the Dodge, Bill had a 1909 Ford Model T. Soon after that, a 1930 Model A. Then a 1929 Cord, a 1931 Rolls Royce Phantom II, a 1957 Chevy Bel Air, and so on. By the mid 1990’s, the number of classic autos in the collection neared 100. Bill found a home for many of his classic cars in an old retail building in Fulton. The Auto World Museum Foundation was formed and a classic car museum was opened to the public. Ten years later, in 2006, the automobile museum was moved to its current home at 200 Peacock Drive in Fulton. It is a building dedicated to the history of vintage and modern automobiles as well as the history of Callaway County and Fulton, Missouri.
After his passing in 2008, his daughter, Vicki McDaniel, assumed leadership of the museum and the collection of cars. Since then, the collection of vintage autos has changed a little. However, her primary passion is for the presentation of antique cars and modern ones in a place that everyone can visit.
The presentation of cars and staging of the museum is the vision of Tom K. Jones, Artistic Director of TKJ Designs in Fulton, Missouri. His concept for the museum was a movement through time and a portrayal of the history of Callaway County, Missouri. Auto World Museum is a stage—a movement through history. Its deep black curtains, scenes from back when, panels of advertising and memorabilia will take you through a history of motion in time. At first, you will visit a period not that long ago, although some say 100 years is a long time. As you move in a clockwise direction through the museum, you will find enticing displays. The simplicity of family drives in the convertible. The decadence of Hollywood and its fancy cars. The sights and sounds of the drive-in as you watched from the comfort of your Studebaker or Corvair. You will ponder when gas prices were really, really low. Finally, you will find yourself nearing the future, with displays of alternative fuel vehicles.
Auto World Museum will spark your curiosity. We hope that you will find that our collection of vintage and modern automobiles fascinates you the way that it did Bill Backer. We hope you will continue the journey with us as we add to the collection over time. We would like to thank William Harrison for his dedication to the research on the autos in the museum.
www.constantinroman.com/continentaldrift/english/preface....
POSITIVE DISCRIMINATION IN UNIVERSITIES in the Communist Countries:
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An example of a "Technical Drawing" Selection Test: the candidate was given five hours to produce an ink drawing, entirely in free hand, from a picture which he had to enlarge 1.5 times. The picture above is a genuine article (Romania 1959)
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There were only 60 places nation-wide for admission to the school of Architecture in Bucharest, in the "People's Republic (later the Socialist Republic) of Romania, a country of some 20 million inhabitants.
Each year the number of applicants were in the upper hundreds, an average of 10 to 15 candidates for each place.
After the Hungarian revolution of 1956 and during the peak of the Cold War an acerbate discrimination process was waged against children from a middle class background (the upper class by that time all but disappeared in the gulags and on the factory floors or rice paddies like during the Chinese Cultural revolution).
In practice the University entry selection had TWO phases or two rounds of admission exam:
The earlier round of admission exams was intended SOLELY for those candidates considered of coming from a "Healthy social class" that was the "politically correct" class (in today's parlance - call it workers and peasant's children, without the discomfort of competition of those children considered more gifted as they came from the "unhealthy social class" (origina sociala nesanatoasa) or the middle class of professionals (scientists, academics, teachers, office clerks, etc). furthermore, the "healthy class" progeny candidates who failed the first round of exams were allowed to compete again some two weeks later, in the second round, that is to be given a second chance to get in, yet this time having to compete against all other candidates...
The exams were structured in two groups: a first tier the "technical drawing test" such as this, where the applicant was given five hours to enlarge by 150% a picture showing a classical order(see above) and to draw it to scale in ink.
The second test involved also a classical drawing, this time from a plaster cast and it had to be drawn in pencil on a large piece of paper some 20 inches by 30 inches.
Those who would pass the first two tests were admitted to the second tier of tests which involved both written and oral maths and physics exams.
Furthermore to the above there was a quantum based on social and political positive discrimination in favour of the children from peasant and working class background and of those children whose parents were part of the communist party apparatus.
In addition, if for example you had a close family member in prison, or exiled in the West, or if your family had their house, land or business nationalised/expropriated, than you might just as well not have a hope in hell to become an architect in Romania!
NOTE that in secondary schools the national curriculum was not geared to the level required for admission to the School of Architecture in Bucharest, so parents had to pay "blood money" for private tuition, in order to improve their children chance at passing the disqualifying tests. Private tuition was nearly unaffordable in a communist society, where wages were at the survival level (except for the communist fat cats) and it was the privilege of a restricted circle of academics from the school of Architecture to profit financially from such a corrupt system by preparing the candidates for the exams!
The chances of any child whose parents were from the professional middle classes and were not communist party card-holders to be admitted at the school were absolutely NIL.
Finally the privileged few who were admitted to the school, selected on positive discrimination criteria, had later on, during their professional life, the opportunity, at best, to build chicken coops and silos for state farms, concrete tenements in the cities for the under dogs and especially the task of razing to the ground historical monuments, churches, city centres and villages in order to make room for the dictator's pharaoh ideas of planning architecture during the dark ages of the 1970s and 1980s.
NOTE: after the so-called 'revolution' which put down the Ceausescu couple in a coup-de-palais, the same crop of architects who were selected on the basis of positive discrimination to qualify professionally benefited from the spoils of opportunities to demolish historic buildings and replace them, wantonly with glass and steel structures in the best tradition of Cultural Terrorism
source:
traveladventureeverywhere.blogspot.com/2018/04/moscow-in-...
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
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The COPENHAGEN ULTRACONTEMPORARY BIENNALE will be done in 3 platforms
the parliament is platform 2
Artist have to express closer to decision makers . in time , in the NOW
--------------
a presentation of COPENHAGEN ULTRACONTEMPORARY BIENNALE will be done at the Venice Biennale 2015 ---
check date and place here www.facebook.com/CopenhagenBiennale
COPENHAGEN ULTRACONTEMPORARY BIENNALE
main : copenhagenbiennale.org/
www.facebook.com/CopenhagenBiennale
www.emergencyrooms.org/formats.html
meanwhile during Venice Biennale contemporary art will be shown by
ABBOUD, Jumana Emil .ABDESSEMED, Adel .ABONNENC, Mathieu Kleyebe
ABOUNADDARA.ACHOUR, Boris ADKINS, Terry AFIF, Saâdane
AKERMAN, Chantal AKOMFRAH, John AKPOKIERE, Karo
AL SOLH, Mounira ALGÜN RINGBORG, Meriç ALLORA, Jennifer & CALZADILLA, Guillermo
ATAMAN, Kutlug BAJEVIC, Maja BALLESTEROS, Ernesto
BALOJI, Sammy BARBA, Rosa
BASELITZ, Georg BASUALDO, Eduardo BAUER, Petra
BESHTY, Walead BHABHA, Huma BOLTANSKI, Christian
BONVICINI, Monica BOYCE, Sonia
BOYD, Daniel BREY, Ricardo BROODTHAERS, Marcel BRUGUERA, Tania
BURGA, Teresa CALHOUN, Keith & McCORMICK, Chandra CAO, Fei
CHAMEKH, Nidhal CHERNYSHEVA, Olga CHUNG, Tiffany
COOPERATIVA CRÁTER INVERTIDO CREATIVE TIME SUMMIT
DAMIANI, Elena DELLER, Jeremy DJORDAJDZE, Thea DUMAS, Marlene
E-FLUX JOURNAL EDWARDS, Melvin EFFLATOUN, Inji EHMANN, Antje & FAROCKI, Harun
EICHHORN, Maria EVANS, Walker FAROCKI, Harun FLOYD, Emily
FRIEDL, Peter FUSCO, Coco FUSINATO, Marco
GAINES, Charles GALLAGHER, Ellen GALLARDO, Ana GARCIA, Dora
GATES, Theaster GENZKEN, Isa GLUKLYA GOMES, Sônia GROSSE, Katharina
GULF LABOR GURSKY, Andreas HAACKE, Hans
HADJITHOMAS, Joana & JOREIGE, Khalil HARRY, Newell HASSAN, Kay
HIRSCHHORN, Thomas HÖLLER, Carsten HOLT, Nancy & SMITHSON, Robert
IM, Heung Soon INVISIBLE BORDERS: Trans-African Photographers ISHIDA, Tetsuya
JI, Dachun JULIEN, Isaac K., Hiwa KAMBALU, Samson KIM, Ayoung
KLUGE, Alexander KNGWARREYE, Emily Kame LAGOMARSINO, Runo LEBER, Sonia & CHESWORTH, David
LIGON, Glenn MABUNDA, Gonçalo MADHUSUDHANAN MAHAMA, Ibrahim
MALJKOVIC, David MAN, Victor MANSARAY, Abu Bakarr MARKER, Chris
MARSHALL, Kerry James MARTEN, Helen MAURI, Fabio McQUEEN, Steve
MOHAIEMEN, Naeem MORAN, Jason MÜLLER, Ivana MUNROE, Lavar MURILLO, Oscar
MUTU, Wangechi NAM, Hwayeon NAUMAN, Bruce NDIAYE, Cheikh NICOLAI, Olaf
OFILI, Chris OGBOH, Emeka PARRENO, Philippe PASCALI, Pino PIPER, Adrian
PONIFASIO, Lemi QIU, Zhijie RAISSNIA, Raha RAQS MEDIA COLLECTIVE
(NARULA, Monica; BAGCHI, Jeebesh; SENGUPTA, Shuddhabrata) REYNAUD-DEWAR, Lili
RIDNYI, Mykola ROBERTS, Liisa ROTTENBERG, Mika SCHÖNFELDT, Joachim SELMANI, Massinissa
SENGHOR, Fatou Kand SHETTY, Prasad & GUPTE, Rupal SIBONY, Gedi
SIMMONS, Gary SIMON, Taryn SIMPSON, Lorna SMITHSON, Robert SUBOTZKY, Mikhael
SUHAIL, Mariam SZE, Sarah THE PROPELLER GROUPthe TOMORROW
TIRAVANIJA, Rirkrit TOGUO, Barthélémy XU, Bing YOUNIS, Ala
ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
Xanadu
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Dream Amsterdam Foundation
Universities and Associations that have joined the project
Sotheby’s Institute of Art, London / St Lucas University College of Art & Design, Antwerp / University of Washington - College of Arts & Sciences, Seattle / Iowa State University - College of Design, Ames / Universität für angewandte Kunst, Vienna
Venice International University / Università Ca’ Foscari, Venezia / Università Ca’ Foscari, Venezia - Dipartimento di Filosofia e Beni Culturali / Università IUAV di Venezia / Università Commerciale Luigi Bocconi, Milano - Dipartimento di Marketing / Accademia di Belle Arti di Brera, Milano - Ufficio Relazioni Internazionali. Erasmus Office / Politecnico di Milano - Scuola del Design. Laurea in Design degli Interni / Università di Roma Sapienza - Facoltà di Architettura / Associazione Cinemavvenire, Roma / Università per Stranieri di Perugia / Università per Stranieri di Siena
Central Pavilion at the Giardini (3,000 sq.m.) to the Arsenale
Bice Curiger Massimiliano Gioni
A Parliament for a Biennale
Paolo Baratta, President of la Biennale di Venezia
Okwui Enwezor the ARENA Karl Marx’s Das Kapital
Theaster Gates Chris Rehberger Joseph Haydn Cesare Paveset David Adjaye Olaf Nicolai Joana Hadjithomas and Khalil Joreige Marsilio Editori. emergency cinema.” Abounaddara
Mathieu KleyebeCharles Gaines’Jeremy Deller Jason Moran , venedig biennale biennial
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
- Vừa đọc desc vừa nghe nhạc . Bấm vào chữ xanh nha ♥
Hãy mau nhấc máy đi anh !
Em ... Đau như thể sắp chết
Nếu không được thấy anh ... Có lẽ em sẽ chết thật mất thôi
Hãy nhấc máy đi anh , chỉ một phút thôi
Hãy nghe em giải thích , chỉ một lát thôi
Chắc em sắp chết thật rồi , em không thở được
Xin anh hãy cứu sống em , chỉ một lần này thôi
Bốn tiếng chờ đợi trước nhà anh
Để rồi bị anh dùng sự vô tình bóp nát tim em
Anh vui rồi chứ ? Hạnh phúc rồi chứ ?
Sau khi vứt bỏ em và tất cả những kỉ niệm của chúng ta
Cái thứ câm lặng ngột ngạt này đau đớn quá
Rồi cơn mưa bất ngờ đến che đi nước mắt em
Em như một người đang hoảng sợ từ đầu đến chân
Một người điên cuồng đến sôi máu
Em như người bị trúng độc
Mỗi ngày qua là lại thêm một đau đớn
" Anh ấy đã bỏ tôi "
Em nhớ cảm giác được nhìn vào đôi mắt anh
Ngày và đêm em đều chếnh choáng trong men say
Trái tim không thể yên tĩnh dù chỉ trong chốc lát
Nếu thời gian là phương thuốc sao em mãi không khỏi ?
Sao chữa lành được chứ ! Là tình yêu lừa dối ta mà thôi !
Xin lỗi anh . Em lại tham lam rồi
Thuốc ngủ cũng chẳng thể giúp được em nữa
Ngày và đêm em đều tham lam nhớ đến anh
Rồi cứ tự trăn trở , tự hỏi bản thân
" Là ông trời trừng phạt tôi chăng ? "
" Chứ không sao anh ấy lại bỏ tôi dễ dàng như thế ? "
" Nếu ép mình yêu người khác , tôi có thể sống tiếp chăng ?
Thà đi đến tận những vì sao
Thà lấp đầy trái tim bằng những giai điệu
Xin đừng bỏ em. Em thà để mình chết cóng
Hãy cứu em một lần thôi
Xin hãy cứu em
Xin hãy cứu em, mang em ra khỏi chốn địa ngục này
Xin hãy nói đây chỉ là ác mộng và đánh thức em dậy đi
Xin hãy nói với em rằng tất cả chỉ là dối trá mà thôi
Xin hãy nói, hãy nói đi để em có thể tiếp tục sống
Em không muốn xa anh
Xin đừng rời bỏ em
Xin đừng nói với em rằng tất cả đã kết thúc rồi
Em không thể sống một ngày thiếu vắng anh
Em muốn anh trở về, muốn anh trở về bên cạnh em
Em sẽ đợi anh đến tận khi chết đi
Dù anh có nói gì đi chăng nữa ... Em vẫn sẽ đợi
Ngày mai em sẽ lại đến
Em sẽ quay lại
_____________________________☺☺☺_____________________________
The Astro-View towers, from the New York State Pavilion at the 1964-65 New York World's Fair. If you don’t know the buildings, you might still recognise them, having been brought to life on-screen in Men in Black, and forming part of a Federation starbase in one of the most iconic matte paintings seen in Star Trek: The Original Series (you can find out more about the Star Trek connection on The Trek Collective).
If you like the model, I have also submitted it as a Lego Ideas project, feel free to support :)
WEEK 1 – Amoco Returns!
(cont.) Per this post, this property began as a Texaco, but that station would have been demolished in favor of the structure that stands in its spot now. I know it was a Shell immediately prior to Amoco (images of this, too, may be found within that linked post), but that doesn’t necessarily mean it started out as such… any help would be appreciated!
Here we’re simply taking another look at the right side of the station, facing June Street, complete with canopy. Just like my very first pic in this album, this one sadly didn’t focus completely :( But it still gets the point across, I hope!
Note also, if you zoom in, how the individual pump numbers (1, 2, 3, 4) exactly match the current BP style, except in blue instead of green. Besides that little detail – and the use of the “Invigorate” fuel brand – I wonder if anyone who doesn’t know of the BP connection would be fooled; after all, as the BrandNew logo review I linked to last time wrote, “Many people will not know Amoco and BP once were the same company… it’s been almost 20 years since the merger and that’s a whole new generation of gas guzzlers.” And especially if BP cards don’t work at Amoco stations (unsure on that one)… that’s one heck of a way to distance the two brands from each other, yet ultimately double the business for the same company!
Amoco // 5521 Poplar Avenue, Memphis, TN 38119
(c) 2020 Retail Retell
These places are public so these photos are too, but just as I tell where they came from, I'd appreciate if you'd say who :)
[Una versión más legible se encontrará en la entrada correspondiente del blog, cuyo enlace se señala a continuación]
enriqueviolanevado.blogspot.com/2021/04/estadisticas-de-l...
El actual modelo de examen de Historia del Arte en Andalucía se remonta al curso 2016-2017. En aquel entonces se realizaron los siguientes cambios:
- La clasificación y comentario de las obras de arte fueron sustituidas por un breve cuestionario [«pregunta semiabierta»] sobre la misma.
- El sistema de calificación se alteró. De valorar hasta 2,5 cada ejercicio, las preguntas de teoría ascendieron a tres puntos y las prácticas (las obras de artes) perdieron la equivalencia y se quedaron en dos puntos.
- El temario también sufrió alteraciones. Fueron eliminados los temas de arte prehistórico, arte egipcio y arte mudéjar. Se agregó en cambio, el arte de la segunda mitad del siglo XX. Señalar que el arte mudéjar nunca había sido escogido para figurar en los exámenes, ya fuera como pregunta o como obra de arte para clasificar y comentar.
- Las dos opciones del examen cambiaron también sus ámbitos. La opción «A» se extiende ahora desde el arte griego hasta Goya y la opción «B» abarca desde el arte románico hasta el arte de la segunda mitad del siglo XX.
Para el curso 2019-2020 la estructura de cuatro preguntas teóricas y cuatro imágenes con cuestionario se mantuvo, pero el examen solo tenía una opción y el estudiante podía escoger las preguntas de desarrollo y las preguntas de cuestiones que considerase más oportuno, siempre que redacte dos de las primeras y dos de la segunda. Esta disposición, que no altera en lo sustancial el examen, se mantendrá también para el presente curso 2020-2021.
Desde el curso 2001 se han producido varias transformaciones en la estructura de la prueba y sus exigencias, pero ninguna tan radical como la que analizamos. De hecho, debe contemplarse no como una reforma, sino como un modelo nuevo. Las estadísticas de sus contenidos, deben comenzar, obviamente, desde cero.
En el curso 2016-2017, en el que el nuevo modelo inicio su andadura, se aseguró en las reuniones de la Ponencia que en las pruebas de ese año no aparecerían preguntas u obras de arte que no hubieran sido escogidas anteriormente. Y así fue. Pero se recalcó que aquella norma no se iba a observar en años posteriores y, efectivamente, en el curso 2017-2018 se detectaron algunas novedades. En los dos años académicos siguientes esas novedades han ido a más. De hecho, es ya una evidencia que pueden ser escogidas obras inéditas en el repertorio 2001-2016 y que han dejado de existir restricciones para escoger el arte de la segunda mitad del siglo XX tanto en la parte teórica como en la práctica.
Redactada ya la introducción, vamos a exponer el método con el que hemos realizado nuestros cálculos:
- Consideramos como séptima propuesta el ejemplo o modelo de prueba con el que se ha enseñado la adaptación que iba a realizarse. Ciertamente no es un examen, pero bien puede servir como tal. Por lo demás, no existe mucha diferencia entre una propuesta de reserva que se queda en el limbo y un modelo de prueba. Señalemos que en el caso de Historia de Arte en ambos ejemplos (el de 2017 y el de 2020) aparecen preguntas e imágenes que no se recogen en las pruebas definitivas.
- Denominamos «imágenes» a la obra de arte con cuestionario, pregunta semiabierta o ejercicio práctico. De esta forma evitamos repeticiones innecesarias.
- Consideramos como obras de arte u imágenes distintas los siguientes casos:
a)El interior y el exterior de un mismo edificio.
b)Una vista del exterior de un edificio y un detalle de su fachada.
c)La fachada o portada de un edificio y un detalle de su frontón o tímpano.
d)Distintos fragmentos de un friso.
e)Un tríptico o políptico y la reproducción de una de sus tablas.
f)Diferentes versiones elaboradas por el pintor de un mismo cuadro.
Vaya por delante que esta casuística que se ha ido documentando en el repertorio antiguo (2001-2016) todavía no ha necesitado aplicarse en el repertorio nuevo.
- Respecto a las preguntas, debe tenerse en cuenta que las cuestiones aparecen con notables variantes entre unas pruebas y otras. Cuando estas variaciones implican cambios en el contenido las hemos recogido como preguntas distintas. Estos cambios oscilan entre que la cuestión aparezca bien con todos sus contenidos o bien con una reducción de los mismos.
En principio, y por la misma regla de tres, se podrían fusionar dos preguntas distintas para comprobar la capacidad de síntesis de los alumnos. En el examen junio de 2013 se optó por esta mixtura y fue tal el desastre que la Ponencia se ha comprometido (verbalmente) a no volverla a emplear.
El número de preguntas del temario asciende a cuarenta y seis. Algunas de ellas han aparecido en los exámenes siempre fragmentadas (en especial las de renacimiento italiano que abarcan las tres nobles artes). Otras llevan desde 2001 sin conseguir ni siquiera una elección para las propuestas (en especial las introductorias de cada examen).
- Nuestras estadísticas procuran ser exhaustivas sobre los contenidos de las propuestas y modelos de pruebas del período 2017-2020. Deben valorarse, pues, como repertorios de pruebas pasadas, no como prospectivas de exámenes del futuro. Efectivamente, de su lectura pueden extraerse tendencias y líneas generales, pero siempre van a existir sorpresas en cada propuesta. Esta entrada debe servir más para la planificación del curso que para preparar la selectividad.
Pasando ya a las cifras, cuatro juegos de exámenes con seis propuestas distintas (2017, 2018, 2019 y 2020), más dos modelos de pruebas (2017 y 2020) cada uno de ellos con cuatro preguntas y cuatro imágenes, suponen 104 cuestiones teóricas y otras tantas reproducciones obras de arte. Una vez identificadas se reducen a 36 preguntas (contando como distintas las fraccionadas) y 52 imágenes.
Obviamente, muchas preguntas e imágenes se repiten. De hecho las reiteraciones se producen incluso dentro de un mismo juego de exámenes. Esta práctica es un despropósito, pues los mismos contenidos pueden ser elegidos para la prueba ordinaria y la extraordinaria. Creemos que la Ponencia debería valorar todo el temario y todo el repertorio de obras de arte por igual, pero, desde luego, no va por ese camino.
En las propuestas y modelo de prueba de 2017, obviamente todos los contenidos deben considerarse como nuevos. En las demás se van sumando novedades. De esta forma en 2017 las imágenes ascendieron a 25 (28 si se añaden las repeticiones), en 2018 se contabilizaron 11 novedades y otras once inéditas en 2019. En 2020 la cifra resultó sorprendentemente escuálida: únicamente 4. Respecto a las preguntas, en 2017 fueron 21 (debieran ser 28 contando las reiteradas), en 2018 se añadieron 5, al año siguiente se contaron 6 nuevas y en 2020 las incorporaciones ascendieron a 4. El ritmo descendente de las novedades revela que se va creando un repertorio de contenidos que tiende a mantenerse en las sucesivas pruebas.
El repertorio de imágenes de las propuestas de examen (y modelos de pruebas) de Historia del Arte desde 2017 a 2020 ordenados por estilo es el siguiente:
1. Exterior del Partenón, obra de Ictino, Calícrates y Fidias.
2. El Kuros de Anávisos.
3. El Doríforo de Policleto.
4. El Hermes con Dionisos niño de Praxíteles.
5. El Apoxiómenos de Lisipo.
6. La Victoria de Samotracia.
7. La Maisón Carrée de Nimes.
8. El Augusto de Prima Porta.
9. Mosaico de Justiniano de San Vital de Rávena.
10. Interior de la mezquita-catedral de Córdoba.
11. El Patio de Comares o de los Arrayanes de la Alhambra.
12. El Patio de los Leones de la Alhambra.
13. El Pórtico de la Gloria de la catedral de Santiago de Compostela del Maestro Mateo.
14. El Pantocrátor de San Clemente de Tahull.
15. Fachada de la Catedral de Reims.
16. La Sainte Chapelle de París.
17. El Matrimonio Arnolfini de Jan van Eyck.
18. La Catedral de Florencia.
19. El Condottiero Gattamelata de Donatello.
20. El Templete de San Pietro in Montorio de Brunelleschi.
21. La Piedad del Vaticano de Miguel Ángel.
22. El Moisés de Miguel Ángel.
23. La Virgen de las Rocas de Leonardo da Vinci.
24. La Escuela de Atenas de Rafael.
25. El Palacio de Carlos V en Granada.
26. El Martirio de la Legión Tebana del Greco.
27. El David de Gian Lorenzo Bernini.
28. El éxtasis de Santa Teresa de Gian Lorenzo Bernini.
29. Las tres Gracias de Rubens.
30. La Lección de Anatomía del Doctor Nicolaes Pulp de Rembrandt.
31. La Inmaculada del Facistol de Alonso Cano.
32. El Aguador de Sevilla de Velázquez.
33. Las Meninas de Velázquez.
34. Las Hilanderas de Velázquez.
35. La Sagrada Familia del Pajarito de Murillo.
36. La Inmaculada de los Venerables de Murillo.
37. El Juramento de los Horacios de Jacques-Louis David.
38. La muerte de Marat de Jacques-Louis David.
39. El Quitasol de Goya.
40. La familia de Carlos IV de Goya.
41. Los Fusilamientos del tres de mayo de Goya.
42. La Basílica de la Sagrada Familia de Gaudí.
43. Baile en el Moulin de la Galette de Renoir.
44. La visión tras el sermón de Gauguin.
45. La Noche Estrellada de Vincent van Gogh.
46. La Villa Saboya de Le Corbusier.
47. La Casa de la Cascada de Frank Lloyd Wright.
48. El Profeta de Pablo Gargallo.
49. Las señoritas de Avignon de Picasso.
50. El Guernica de Picasso.
51. El Museo Gunggenheim de Bilbao de Frank O. Gehry.
52. Gran Vía de Madrid de Antonio López.
Este listado puede emplearse como un repertorio básico para el alumno. Puede empezar a estudiar por él y puede repasarlo en la víspera del examen de selectividad. El profesor, en cambio, debe recurrir a un corpus mucho más amplio para instruir al alumno a lo largo del curso.
Este corpus o canon debiera incluir todas las imágenes de las propuestas de examen desde el curso 2000-2001. No figuran las obras de arte correspondientes a la Prehistoria y al Antiguo Egipto por haberse eliminado esos temas del programa de la asignatura a partir del curso 2016-2017. El arte mudéjar también fue excluido en aquella misma reforma, pero ningún monumento de este estilo llega a ser escogido para las pruebas de la selectividad andaluza, como ya hemos indicado. Se documentan así unas 150 obras, número sostenible con un desarrollo correcto del programa de la asignatura:
1. Exterior del Partenón, obra de Ictino, Calícrates y Fidias.
2. Fachada del Partenón, obra de Ictino, Calícrates y Fidias.
3. El Kuros de Anávisos.
4. El Doríforo de Policleto.
5. El Diadúmeno de Policleto.
6. Fragmento del frontón oriental del Partenón con Hestia, Dione y Afrodita, obra de Fidias.
7. Fragmento del Friso de las Panateas con las figuras de las Ergastinas, obra de Fidias.
8. El Hermes con Dionisos niño de Praxíteles.
9. El Apoxiómenos de Lisipo.
10. La Victoria de Samotracia.
11. Laocoonte y sus hijos, obra de Agesandro, Polidoro y Atenodoro.
12. La Maisón Carrée de Nimes.
13. Interior del Panteón de Agripa.
14. Teatro romano de Mérida.
15. El Coliseo.
16. El anfiteatro de Itálica.
17. El acueducto de los Milagros de Mérida.
18. El Arco de Constantino.
19. El Augusto de Prima Porta.
20. La escultura ecuestre de Marco Aurelio.
21. Detalle del friso del Ara Pacis: Los senadores.
22. Detalle del friso del Ara Pacis: La familia imperial.
23. Interior de la iglesia de Santa Sabina de Roma.
24. Interior de Santa Sofía de Constantinopla de Isidoro de Mileto y Antemio de Tralles.
25. Mosaico del emperador Justiniano y su séquito de San Vital de Rávena.
26. Mosaico de la emperatriz Teodora y su cortejo de San Vital de Rávena.
27. Interior de la mezquita-catedral de Córdoba.
28. Macsura y mihrab de la mezquita-catedral de Córdoba.
29. Lucernario del mihrab de la Mezquita de Córdoba.
30. La Giralda.
31. La Torre del Oro.
32. El Patio de Comares o de los Arrayanes de la Alhambra.
33. El Patio de los Leones de la Alhambra.
34. Planta de la catedral de Santiago de Compostela.
35. Claustro de Santo Domingo de Silos.
36. Portada de la iglesia abacial de Moissac.
37. Tímpano de la portada de iglesia abacial de Moissac.
38. El Pórtico de la Gloria de la catedral de Santiago de Compostela del Maestro Mateo.
39. El Pantocrátor de San Clemente de Tahull.
40. Maiestas Mariae de Santa María de Tahull.
41. Estructura de una catedral gótica clásica.
42. Exterior de la Catedral de Notre Dame, París.
43. Interior de la Catedral de Reims.
44. Fachada de la Catedral de Reims.
45. Interior de la Sainte Chapelle de París.
46. Exterior de la Catedral de León.
47. El Palazzo Pubblico o Palacio Comunal de Siena.
48. El tríptico de la Anunciación de Simone Martini y Lippo Memmi.
49. Tabla de la Anunciación de Simone Martini (detalle del tríptico).
50. El Políptico del Cordero Místico de Hubert y Jan van Eyck.
51. Tabla de la Adoración del Cordero Místico de Hubert y Jan van Eyck (detalle del políptico).
52. El Matrimonio Arnolfini de Jan van Eyck.
53. La Catedral de Florencia de Arnolfo di Cambio y Filippo Brunelleschi.
54. Exterior de la cúpula de la catedral de Florencia de Filippo Brunelleschi.
55. Fachada de San Andrés de Mantua de Alberti.
56. El Condottiero Gattamelata de Donatello.
57. La Anunciación (Museo del Prado) de Fra Angélico.
58. La Trinidad de Massaccio.
59. La Primavera de Botticelli.
60. El Nacimiento de Venus de Botticelli.
61. El Templete de San Pietro in Montorio de Brunelleschi.
62. Las escaleras de la Biblioteca Laurenziana de Miguel Ángel (Florencia).
63. La Villa Capra o Rotonda de Andrea Palladio.
64. La Piedad del Vaticano de Miguel Ángel.
65. El David de Miguel Ángel.
66. El Moisés de Miguel Ángel.
67. La Virgen de las Rocas de Leonardo da Vinci.
68. La Gioconda o Mona Lisa de Leonardo da Vinci.
69. La Escuela de Atenas de Rafael.
70. La Bacanal de los Andrios de Tiziano.
71. Patio del Palacio de Carlos V en Granada de Pedro Machuca.
72. Monasterio de San Lorenzo de El Escorial de Juan de Herrera.
73. El sacrificio de Isaac de Alonso de Berruguete.
74. El Expolio de Cristo del Greco.
75. El Martirio de la Legión Tebana del Greco.
76. El Entierro del Señor de Orgaz del Greco.
77. El Baldquino de la basílica de San Pedro del Vaticano de Gian Lorenzo Bernini.
78. Plaza de San Pedro del Vaticano de Gian Lorenzo Bernini.
79. Fachada de San Carlo alle Quattro Fontane de Borromini.
80. Exterior del palacio de Versalles de Louis le Vau, François d'Orbay y Jules Hardouin-Mansart
81. El David de Gian Lorenzo Bernini.
82. Apolo y Dafne de Gian Lorenzo Bernini.
83. El éxtasis de Santa Teresa de Gian Lorenzo Bernini.
84. La Vocación de San Mateo de Caravaggio.
85. La Cena de Emaús (Versión de la National Gallery) de Caravaggio.
86. Las tres Gracias de Rubens.
87. La Lección de Anatomía del Doctor Nicolaes Pulp de Rembrandt.
88. La Ronda de Noche de Rembrandt,
89. Fachada principal de la catedral de Murcia de Jaime Bort.
90. Cristo yacente (Museo del Prado) de Gregorio Fernández.
91. El Cristo de la Clemencia de Juan Martínez Montañés.
92. La Inmaculada ‘La Cieguecita’ de Juan Martínez Montañés.
93. Jesús del Gran Poder de Juan de Mesa.
94. La Inmaculada del Facistol de Alonso Cano.
95. El Paso de la Oración en el Huerto de Francisco Salzillo.
96. El martirio de San Felipe de Ribera.
97. San Hugo en el refectorio de los Cartujos de Zurbarán.
98. Vieja friendo huevos de Velázquez.
99. El Aguador de Sevilla de Velázquez.
100. La fragua de Vulcano de Velázquez.
101. Las lanzas o la Rendición de Breda de Velázquez.
102. El Papa Inocencio X de Velázquez.
103. Las Meninas o la Familia de Felipe IV de Velázquez.
104. La Fábula de Aracné o las Hilanderas de Velázquez.
105. Niño espulgándose de Murillo.
106. La Sagrada Familia del Pajarito de Murillo.
107. Niños comiendo pastel de Murillo.
108. La Inmaculada de los Venerables de Murillo.
109. Fachada del Museo del Prado de Juan de Villanueva.
110. El Juramento de los Horacios de Jacques-Louis David.
111. La muerte de Marat de Jacques-Louis David.
112. El Quitasol de Goya.
113. La maja desnuda de Goya.
114. La familia de Carlos IV de Goya.
115. Los Fusilamientos del tres de mayo de Goya.
116. El 28 de Julio - La libertad guiando al pueblo de Delacroix.
117. La Torre Eiffel.
118. La fachada de la Casa Mila o la Pedrera de Gaudí.
119. La Basílica de la Sagrada Familia de Gaudí.
120. Impresión, sol naciente de Monet.
121. La Catedral de Ruán, el portal a pleno sol de Monet.
122. Baile en el Moulin de la Galette de Renoir.
123. La Clase de Danza (1871, Metropolitan Museum) de Degas.
124. El pensador de Rodin.
125. El beso de Rodin.
126. Los burgueses de Calais de Rodin.
127. Monumento a Balzac de Rodin.
128. Los jugadores de cartas (Museo de Orsay) de Cezanne.
129. La Montaña Santa Victoria desde la carretera de Tholonet (Hermitage) de Cezanne.
130. La visión tras el sermón o la Lucha de Jacob con el Ángel de Paul Gauguin.
131. Los Girasoles (Versión de la Neue Pinakothek de Múnich) de Vincent van Gogh.
132. El café de noche de Vincent van Gogh.
133. El dormitorio del pintor en Arlés (Versión del Museo de Orsay) de Vincent van Gogh.
134. La Noche Estrellada de Vincent van Gogh.
135. La iglesia de Auvers-sur-Oise de Vicent van Gogh.
136. La Villa Saboya de Le Corbusier.
137. Capilla de Notre-Dame du Haut de Le Corbusier.
138. La Casa Kaufmann o Casa de la Cascada de Frank Lloyd Wright.
139. Exterior del Museo Guggenheim de Nueva York de Frank Lloyd Wright.
140. Interior del Museo Guggenheim de Nueva York de Frank Lloyd Wright.
141. El Profeta de Pablo Gargallo.
142. Madame Mattise - La raya verde de Henri Matisse.
143. La Danza (versión del Hermitage) de Henri Matisse.
144. Las señoritas de Avignon de Pablo Picasso.
145. Naturaleza muerta con asiento de rejilla de Pablo Picasso.
146. El Guernica de Pablo Picasso.
147. La persistencia de la memoria – Los relojes blandos de Salvador Dalí.
148. El Museo Gunggenheim de Bilbao de Frank O. Gehry.
149. Gran Vía de Madrid de Antonio López.
Como la publicación de las pruebas de 2001 y de las 2002 no incluyó todas las propuestas, pueden existir imágenes que no queden reflejadas en este catálogo. Por el contrario, las siguientes obras parecen pertenecer a estas pruebas inéditas, pero no podemos afirmarlo con completa seguridad:
1. Mosaico de la emperatriz Teodora y su cortejo de San Vital de Rávena.
2. Las escaleras de la Biblioteca Laurenziana de Miguel Ángel (Florencia).
3. Monumento a Balzac de Rodin.
Si ordenamos las imágenes aparecidas en las propuestas y ejemplos de pruebas del actual modelo de examen por número de apariciones (que va entre paréntesis) el escalafón sería el siguiente:
1. La Casa de la Cascada de Frank Lloyd Wright (7).
2. La Villa Saboya de Le Corbusier (6).
3. El Hermes con Dionisos niño de Praxíteles (5).
4. La Escuela de Atenas de Rafael (4).
5. La familia de Carlos IV de Goya (4).
6. Exterior del Partenón, obra de Ictino, Calícrates y Fidias (3).
7. El Doríforo de Policleto (3).
8. El Patio de los Leones de la Alhambra (3).
9. El Pantocrátor de San Clemente de Tahull (3).
10. La Piedad del Vaticano de Miguel Ángel (3).
11. El David de Gian Lorenzo Bernini (3).
12. Las tres Gracias de Rubens (3).
13. El Aguador de Sevilla de Velázquez (3).
14. Baile en el Moulin de la Galette de Renoir (3).
15. La Maisón Carrée de Nimes (2).
16. El Augusto de Prima Porta (2).
17. Interior de la mezquita-catedral de Córdoba (2).
18. El Patio de Comares o de los Arrayanes de la Alhambra (2).
19. El Pórtico de la Gloria de la catedral de Santiago de Compostela del Maestro Mateo (2).
20. El Condottiero Gattamelata de Donatello (2).
21. El Templete de San Pietro in Montorio de Brunelleschi (2).
22. El Moisés de Miguel Ángel (2).
23. El éxtasis de Santa Teresa de Gian Lorenzo Bernini (2).
24. Los Fusilamientos del tres de mayo de Goya (2).
25. La Basílica de la Sagrada Familia de Gaudí (2).
26. El Guernica de Picasso (2).
27. El Museo Gunggenheim de Bilbao de Frank O. Gehry (2).
28. El Kuros de Anávisos (1).
29. El Apoxiómenos de Lisipo (1).
30. La Victoria de Samotracia (1).
31. Mosaico de Justiniano de San Vital de Rávena (1).
32. Fachada de la Catedral de Reims (1).
33. La Sainte Chapelle de París (1).
34. El Matrimonio Arnolfini de Jan van Eyck (1).
35. La Catedral de Florencia (1).
36. La Virgen de las Rocas de Leonardo da Vinci (1).
37. El Palacio de Carlos V en Granada (1).
38. El Martirio de la Legión Tebana del Greco (1).
39. La Lección de Anatomía del Doctor Nicolaes Pulp de Rembrandt (1).
40. La Inmaculada del Facistol de Alonso Cano (1).
41. Las Meninas de Velázquez (1).
42. Las Hilanderas de Velázquez (1).
43. La Sagrada Familia del Pajarito de Murillo (1).
44. La Inmaculada de los Venerables de Murillo (1).
45. El Juramento de los Horacios de Jacques-Louis David (1).
46. La muerte de Marat de Jacques-Louis David (1).
47. El Quitasol de Goya (1).
48. La visión tras el sermón de Gauguin (1).
49. La Noche Estrellada de van Gogh (1).
50. El Profeta de Pablo Gargallo (1).
51. Las señoritas de Avignon de Picasso (1).
52. Gran Vía de Madrid de Antonio López (1).
Este listado no debe contemplarse como un cálculo de las probabilidades de la aparición en los exámenes de cada imagen. Para empezar porque cuenta todas las propuestas, y una propuesta es, realmente, un examen no realizado o un proyecto de examen. Si realizamos un listado de las obras que han aparecido en los exámenes titulares de las convocatorias ordinaria y extraordinaria, la panoplia de obras varía bastante:
1. Exterior del Partenón, obra de Ictino, Calícrates y Fidias.
2. El Kuros de Anávisos.
3. El Hermes con Dionisos niño de Praxíteles.
4. La Maisón Carrée de Nimes.
5. El Patio de Comares o de los Arrayanes de la Alhambra.
6. El Patio de los Leones de la Alhambra.
7. El Pantocrátor de San Clemente de Tahull.
8. Fachada de la Catedral de Reims.
9. La Sainte Chapelle de París.
10. El Templete de San Pietro in Montorio de Brunelleschi.
11. La Piedad del Vaticano de Miguel Ángel.
12. El Palacio de Carlos V en Granada.
13. El David de Gian Lorenzo Bernini.
14. Las tres Gracias de Rubens.
15. La Inmaculada del Facistol de Alonso Cano.
16. El Juramento de los Horacios de Jacques-Louis David.
17. La familia de Carlos IV de Goya.
18. Los Fusilamientos del tres de mayo de Goya.
19. La Basílica de la Sagrada Familia de Gaudí.
20. Baile en el Moulin de la Galette de Renoir.
21. La Noche Estrellada de Vincent van Gogh.
22. La Casa de la Cascada de Frank Lloyd Wright.
23. El Guernica de Picasso.
Y si ordenamos esta selección de imágenes por el número de apariciones (que va entre paréntesis) en los exámenes titulares el ranking difiere bastante del anterior escalafón:
1. La Casa de la Cascada de Frank Lloyd Wright (4).
2. El Hermes con Dionisos niño de Praxíteles (2).
3. El Pantocrátor de San Clemente de Tahull (2).
4. El David de Gian Lorenzo Bernini (2).
5. La familia de Carlos IV de Goya (2).
6. Los Fusilamientos del tres de mayo de Goya (2).
7. La Basílica de la Sagrada Familia de Gaudí (2).
8. Exterior del Partenón, obra de Ictino, Calícrates y Fidias (1).
9. El Kuros de Anávisos (1).
10. La Maisón Carrée de Nimes (1).
11. El Patio de Comares o de los Arrayanes de la Alhambra (1).
12. El Patio de los Leones de la Alhambra (1).
13. Fachada de la Catedral de Reims (1).
14. La Sainte Chapelle de París (1).
15. El Templete de San Pietro in Montorio de Brunelleschi (1).
16. La Piedad del Vaticano de Miguel Ángel (1).
17. El Palacio de Carlos V en Granada (1).
18. Las tres Gracias de Rubens (1).
19. La Inmaculada del Facistol de Alonso Cano (1).
20. El Juramento de los Horacios de Jacques-Louis David (1).
21. Baile en el Moulin de la Galette de Renoir (1).
22. La Noche Estrellada de van Gogh (1).
23. El Guernica de Picasso (1).
Pasando a las preguntas, comenzaremos por la reproducción del temario, indicando las cuestiones que han aparecido, sus variantes y con el número de apariciones entre paréntesis.
1.ARTE GRIEGO
1.1.Introducción. Los órdenes.
1.2.El templo griego: el Partenón.
Esta pregunta ha aparecido en dos propuestas.
1.3.La escultura. El «kuros». Los grandes maestros de los siglos V y IV a. C. Policleto y Fidias. Praxíteles y Scopas. Lisipo y su canon.
Esta pregunta ha aparecido en una propuesta con el siguiente enunciado:
- Escultura griega. Los grandes maestros del siglo V: Policleto y Fidias.
1.4.El periodo helenístico.
2.ARTE ROMANO
2.1. Arquitectura y ciudad.
2.2. Escultura. El retrato y el relieve histórico.
Esta pregunta ha aparecido en cuatro propuestas.
2.3. Explicar la ciudad romana: sus partes y construcciones más relevantes que la integran, explicando las distintas tipologías arquitectónicas.
3.ARTE PALEOCRISTIANO Y BIZANTINO
3.1. La nueva iconografía: la pintura de las catacumbas. La cristianización de la basílica.
3.2. Los edificios bizantinos y la cúpula: Santa Sofía.
Esta pregunta ha aparecido en cinco propuestas.
3.3. La decoración musivaria.
4.ARTE HISPANO - MUSULMÁN
4.1. Arte e Islam.
4.2. Arquitectura. Arte califal: la mezquita de Córdoba, arquitectura y decoración. La ciudad palatina de Medina Azahara.
Esta pregunta ha aparecido en una propuesta.
4.3. Arte almohade. El arte nazarí: la Alhambra y el Generalife.
Esta pregunta ha aparecido en cinco propuestas, empleándose estos enunciados:
- Arte nazarí: la Alhambra y el Generalife.
- El arte nazarí: la Alhambra y el Generalife.
5.ARTE ROMÁNICO
5.1. Introducción al románico.
5.2. Arquitectura. Elementos formales y soluciones constructivas. La iglesia de peregrinación y el monasterio.
Esta pregunta ha aparecido en una propuesta con el siguiente enunciado:
- La iglesia de peregrinación y el monasterio románico.
5.3. Escultura y pintura.
Esta pregunta ha aparecido en cinco propuestas, empleándose estos enunciados:
- La escultura y la pintura románicas (4).
- La escultura románica (1).
6.ARTE GÓTICO
6.1. Características generales de la arquitectura gótica.
6.2. La ciudad: la catedral y los edificios civiles.
Esta pregunta ha aparecido en cuatro propuestas.
6.3. La escultura: portadas y retablos.
Esta pregunta ha aparecido en cuatro propuestas.
6.4. La pintura italiana del Trecento: Florencia y Siena.
Esta pregunta ha aparecido en dos propuestas.
6.5. Los primitivos flamencos del siglo XV: los hermanos Van Eyck.
Esta pregunta ha aparecido en cuatro propuestas.
7.ARTE RENACENTISTA Y MANIERISTA
7.1. Introducción al Renacimiento.
7.2. El «Quattrocento» italiano. Arquitectura: Brunelleschi y Alberti. Escultura: Donatello y Ghiberti. Pintura: Fra Angélico, Masaccio, Piero della Francesca y Botticelli.
Esta pregunta ha aparecido en cuatro propuestas, empleándose este enunciado:
- La escultura del Quattrocento italiano: Donatello y Ghiberti.
7.3. El «Cinquecento» y la crisis del Manierismo en Italia. Arquitectura: Bramante, Miguel Ángel y Palladio. Escultura: Miguel Ángel. Pintura: Leonardo, Rafael y Miguel Ángel. La escuela veneciana: Tiziano.
Esta pregunta ha aparecido en siete propuestas, empleándose estos enunciados:
- Escultura del Cinquecento italiano: Miguel Ángel (5).
- La pintura del Cinquecento italiano: Leonardo, Rafael y Miguel Ángel (2).
7.4. España. Arquitectura: del Plateresco al Escorial. Escultura: los primeros imagineros: Berruguete y Juni. Pintura: El Greco.
Esta pregunta ha aparecido en cuatro propuestas, empleándose estos enunciados:
- La arquitectura renacentista española: del Plateresco al Escorial (3).
- La pintura del Renacimiento en España: el Greco (1).
8.ARTE BARROCO
8.1. La arquitectura en Italia y Francia. Las plantas alabeadas de Bernini y Borromini. El palacio clasicista francés: Versalles.
8.2. Escultura en Italia: Bernini.
Esta pregunta ha aparecido en siete propuestas.
8.3. Pintura en Italia. El naturalismo y los problemas de la luz: Caravaggio. El clasicismo en los frescos de los Carracci.
Esta pregunta ha aparecido en dos propuestas, empleándose estos enunciados:
- El naturalismo y los problemas de la luz: Caravaggio.
- La pintura barroca en Italia. El naturalismo y los problemas de la luz. Caravaggio. El clasicismo en los frescos de los Carracci.
8.4. La pintura en Flandes y en Holanda: Rubens y Rembrandt.
Esta pregunta ha aparecido en cuatro propuestas.
8.5. La arquitectura barroca española. El urbanismo: la Plaza mayor.
Esta pregunta ha aparecido en una propuesta con el siguiente enunciado:
- La arquitectura barroca española.
8.6. La gran imaginería: Andalucía, Castilla y Murcia.
Esta pregunta ha aparecido en una propuesta con el siguiente enunciado:
- La gran imaginería barroca: Andalucía.
8.7. La pintura barroca. El naturalismo tenebrista: Ribera y Zurbarán. Realismo Barroco: Velázquez y Murillo.
Esta pregunta ha aparecido en dos propuestas.
9.ARTE NEOCLÁSICO
9.1. Características generales del Neoclasicismo. Las Academias.
9.2. Arquitectura: Juan de Villanueva. Escultura: Canova. Pintura: David.
Esta pregunta ha aparecido en una propuesta con el siguiente enunciado:
- El Neoclasicismo. Arquitectura: Juan de Villanueva. Pintura: David.
10.EL SIGLO XIX: EL ARTE DE UN MUNDO EN TRANSFORMACIÓN
10.1. Francisco de Goya.
Esta pregunta ha aparecido en diez propuestas.
10.2. Introducción. Romanticismo: Delacroix. Realismo: Courbet.
10.3. Arquitectura. Historicismos. Edificios de hierro y cristal. El Modernismo.
Esta pregunta ha aparecido en una propuesta con el siguiente enunciado:
- Arquitectura del XIX: El Modernismo.
10.4. Impresionismo: Monet, Renoir y Degas. Las esculturas de Rodin.
Esta pregunta ha aparecido en diez propuestas, empleándose estos enunciados:
- El impresionismo: Monet, Renoir, Degas.
- Las esculturas de Rodin.
10.5. Postimpresionismo: Cézanne, Gauguin y Van Gogh.
Esta pregunta ha aparecido en tres propuestas.
11.LA RUPTURA DE LA TRADICIÓN: EL ARTE EN LA PRIMERA MITAD DEL SIGLO XX
11.1. Escultura: innovaciones en materiales y técnicas.
Esta pregunta ha aparecido en dos propuestas.
11.2. La arquitectura del movimiento moderno. Racionalismo: Le Corbusier. Organicismo: Frank Lloyd Wright.
Esta pregunta ha aparecido en cinco propuestas, empleándose estos enunciados:
- La arquitectura del movimiento moderno. El Racionalismo: Le Corbusier (1).
- La arquitectura del movimiento moderno. Racionalismo: Le Corbusier. Organicismo: Frank Lloyd Wright (4).
11.3. La pintura. Las vanguardias históricas: Fauvismo, Cubismo, Expresionismo alemán, Dadaísmo y Surrealismo.
Esta pregunta ha aparecido en una propuesta con el siguiente enunciado:
- Las vanguardias históricas: Cubismo y Surrealismo.
12.LA UNIVERSALIZACIÓN DEL ARTE DESDE LA SEGUNDA MITAD DEL SIGLO XX.
12.1. La arquitectura al margen del «Estilo Internacional»: Posmodernidad, High-tech y Deconstructivismo.
Esta pregunta ha aparecido en una propuesta.
12.2. El minimalismo en la escultura.
12.3. El movimiento abstracto y sus tendencias pictóricas: el Expresionismo abstracto norteamericano, el Informalismo europeo y la Abstracción geométrica.
12.4. Las principales corrientes figurativas: Pop Art, «Nueva Figuración» e Hiperrealismo.
Como esta ordenación puede resultar confusa, adjuntamos una versión simplificada. Recordamos que algunas preguntas aparecen en las pruebas con enunciados reducidos pero distintos, refiriéndose uno a una disciplina artística y otro a otra, o bien a artistas diferentes. En estos casos se recopilarán como cuestiones distintas en esta recopilación.
1.ARTE GRIEGO
- El templo griego: El Partenón.
- Escultura griega. Los grandes maestros del siglo V: Policleto y Fidias.
2.ARTE ROMANO
- La escultura romana. El retrato y el relieve histórico.
3.ARTE PALEOCRISTIANO Y BIZANTINO
- Los edificios bizantinos y la cúpula: Santa Sofía.
4.ARTE HISPANO – MUSULMÁN
- Arte califal: la mezquita de Córdoba. Medina Azahara.
- El arte nazarí: La Alhambra y el Generalife.
5.ARTE ROMÁNICO
- La iglesia de peregrinación y el monasterio románico.
- La escultura románica.
- La escultura y la pintura románicas.
6.ARTE GÓTICO
- El arte gótico: la catedral y los edificios civiles.
- La escultura gótica: portadas y retablos.
- La pintura italiana del Trecento: Florencia y Siena.
- Los primitivos flamencos del siglo XV: los Van Eyck.
7.ARTE RENACENTISTA Y MANIERISTA
- La escultura del Quattrocento italiano: Donatello y Ghiberti.
- Escultura del Cinquecento italiano: Miguel Ángel.
- La pintura del Cinquecento italiano: Leonardo, Rafael y Miguel Ángel.
- La arquitectura renacentista española: del Plateresco al Escorial.
- La pintura del Renacimiento en España: el Greco.
8.ARTE BARROCO
- La escultura barroca en Italia: Bernini.
- El naturalismo y los problemas de la luz: Caravaggio.
- La pintura barroca en Italia. El naturalismo y los problemas de la luz. Caravaggio. El clasicismo en los frescos de los Carracci.
- La pintura en Flandes y en Holanda: Rubens y Rembrandt.
- La pintura barroca española. Realismo: Velázquez y Murillo.
- La arquitectura barroca española.
- La gran imaginería barroca: Andalucía
9.ARTE NEOCLÁSICO
- El Neoclasicismo. Arquitectura: Juan de Villanueva. Pintura: David.
10.EL SIGLO XIX: EL ARTE DE UN MUNDO EN TRANSFORMACIÓN
- Francisco de Goya.
- Arquitectura del XIX: El Modernismo.
- El impresionismo: Monet, Renoir, Degas.
- Las esculturas de Rodin.
- Postimpresionismo: Cézanne, Gauguin y Van Gogh.
11.LA RUPTURA DE LA TRADICIÓN: EL ARTE EN LA PRIMERA MITAD DEL SIGLO XX
- Escultura de la primera mitad del siglo XX: innovaciones en materiales y técnicas.
- La arquitectura del movimiento moderno. Racionalismo: Le Corbusier. Organicismo: Frank Lloyd Wright.
- La arquitectura del movimiento moderno. El Racionalismo: Le Corbusier.
- Las vanguardias históricas: Cubismo y Surrealismo.
12.LA UNIVERSALIZACIÓN DEL ARTE DESDE LA SEGUNDA MITAD DEL SIGLO XX.
-La arquitectura al margen del estilo internacional: posmodernidad, high-tech y deconstructivismo.
La misma enumeración, pero desprovista de los epígrafes del temario, quedaría así:
1.El templo griego: El Partenón.
2.Escultura griega. Los grandes maestros del siglo V: Policleto y Fidias.
3.La escultura romana. El retrato y el relieve histórico.
4.Los edificios bizantinos y la cúpula: Santa Sofía.
5.Arte califal: la mezquita de Córdoba. Medina Azahara.
6.El arte nazarí: La Alhambra y el Generalife.
7.La iglesia de peregrinación y el monasterio románico.
8.La escultura románica.
9.La escultura y la pintura románicas.
10.El arte gótico: la catedral y los edificios civiles.
11.La escultura gótica: portadas y retablos.
12.La pintura italiana del Trecento: Florencia y Siena.
13.Los primitivos flamencos del siglo XV: los Van Eyck.
14.La escultura del Quattrocento italiano: Donatello y Ghiberti.
15.Escultura del Cinquecento italiano: Miguel Ángel.
16.La pintura del Cinquecento italiano: Leonardo, Rafael y Miguel Ángel.
17.La arquitectura renacentista española: del Plateresco al Escorial.
18.La pintura del Renacimiento en España: el Greco.
19.La escultura barroca en Italia: Bernini.
20.El naturalismo y los problemas de la luz: Caravaggio.
21.La pintura barroca en Italia. El naturalismo y los problemas de la luz. Caravaggio. El clasicismo en los frescos de los Carracci.
22.La pintura en Flandes y en Holanda: Rubens y Rembrandt.
23.La arquitectura barroca española.
24.La gran imaginería barroca: Andalucía.
25.La pintura barroca española. Realismo: Velázquez y Murillo.
26.El Neoclasicismo. Arquitectura: Juan de Villanueva. Pintura: David.
27.Francisco de Goya.
28.Arquitectura del XIX: El Modernismo.
29.El impresionismo: Monet, Renoir, Degas.
30.Las esculturas de Rodin.
31.Postimpresionismo: Cézanne, Gauguin y Van Gogh.
32.Escultura de la primera mitad del siglo XX: innovaciones en materiales y técnicas.
33.La arquitectura del movimiento moderno. El Racionalismo: Le Corbusier.
34.La arquitectura del movimiento moderno. Racionalismo: Le Corbusier. Organicismo: Frank Lloyd Wright.
35.Las vanguardias históricas: Cubismo y Surrealismo.
36.La arquitectura al margen del estilo internacional: posmodernidad, high-tech y deconstructivismo.
Si ordenamos las preguntas aparecidas en las propuestas y ejemplos de pruebas del actual modelo de examen por número de apariciones (que va entre paréntesis) el escalafón sería el siguiente:
1. Francisco de Goya (10).
2. El impresionismo: Monet, Renoir, Degas (9).
3. La escultura barroca en Italia: Bernini (7).
4. El arte nazarí: La Alhambra y el Generalife (5).
5. Los edificios bizantinos y la cúpula: Santa Sofía (5).
6. Escultura del Cinquecento italiano: Miguel Ángel (5).
7. La escultura romana. El retrato y el relieve histórico (4).
8. La escultura y la pintura románicas (4).
9. El arte gótico: la catedral y los edificios civiles (4).
10. La escultura gótica: portadas y retablos (4).
11. Los primitivos flamencos del siglo XV: los Van Eyck (4).
12. La escultura del Quattrocento italiano: Donatello y Ghiberti (4).
13. La pintura en Flandes y en Holanda: Rubens y Rembrandt (4).
14. La arquitectura del movimiento moderno. Racionalismo: Le Corbusier. Organicismo: Frank Lloyd Wright (4).
15. La arquitectura renacentista española: del Plateresco al Escorial (3).
16. Postimpresionismo: Cézanne, Gauguin y Van Gogh (3).
17. El templo griego: El Partenón (2).
18. La pintura italiana del Trecento: Florencia y Siena (2).
19. La pintura del Cinquecento italiano: Leonardo, Rafael y Miguel Ángel (2).
20. La pintura barroca española. Realismo: Velázquez y Murillo (2).
21. Escultura de la primera mitad del siglo XX: innovaciones en materiales y técnicas (2).
22. Escultura griega. Los grandes maestros del siglo V: Policleto y Fidias (1).
23. Arte califal: la mezquita de Córdoba. Medina Azahara (1).
24. La iglesia de peregrinación y el monasterio románico (1).
25. La escultura románica (1).
26. La pintura del Renacimiento en España: el Greco (1).
27. El naturalismo y los problemas de la luz: Caravaggio (1).
28. La pintura barroca en Italia. El naturalismo y los problemas de la luz. Caravaggio. El clasicismo en los frescos de los Carracci (1).
29. La arquitectura barroca española (1).
30. La gran imaginería barroca: Andalucía (1).
31. El Neoclasicismo. Arquitectura: Juan de Villanueva. Pintura: David (1).
32. Arquitectura del XIX: El Modernismo (1).
33. Las esculturas de Rodin (1).
34. La arquitectura del movimiento moderno. El Racionalismo: Le Corbusier (1).
35. Las vanguardias históricas: Cubismo y Surrealismo (1).
36. La arquitectura al margen del estilo internacional: posmodernidad, high-tech y deconstructivismo (1).
Recordamos que los contenidos de las preguntas que lideran esta recopilación (Goya, los impresionistas, la escultura berninesca) también ocupan un lugar destacado en el ranking de obras de arte, por lo que el alumno que se presente a las pruebas deberá otorgarle una atención preferente. Pero seguidamente nos encontramos con la cuestión de la arquitectura bizantina que no ha figurado en ninguna de las pruebas de 2020 y es que, repetimos, este listado no debe contemplarse como un cálculo de las probabilidades de la aparición en los exámenes de cada imagen. Recordamos que cuenta todas las propuestas, y una propuesta es, realmente, un examen no realizado o un proyecto de examen. Si realizamos un listado de las preguntas que han aparecido en los exámenes titulares de las convocatorias ordinaria y extraordinaria, el panorama se revela bastante distinto:
1.La escultura romana. El retrato y el relieve histórico.
2.Los edificios bizantinos y la cúpula: Santa Sofía.
3.El arte nazarí: La Alhambra y el Generalife.
4.La iglesia de peregrinación y el monasterio románico.
5.La escultura y la pintura románicas.
6.El arte gótico: la catedral y los edificios civiles.
7.Los primitivos flamencos del siglo XV: los Van Eyck.
8.La escultura del Quattrocento italiano: Donatello y Ghiberti.
9.Escultura del Cinquecento italiano: Miguel Ángel.
10.La pintura del Cinquecento italiano: Leonardo, Rafael y Miguel Ángel.
11.La escultura barroca en Italia: Bernini.
12.La pintura barroca en Italia. El naturalismo y los problemas de la luz. Caravaggio. El clasicismo en los frescos de los Carracci.
13.La pintura en Flandes y en Holanda: Rubens y Rembrandt.
14.La pintura barroca española. Realismo: Velázquez y Murillo.
15.Francisco de Goya.
16.El impresionismo: Monet, Renoir, Degas.
17.Postimpresionismo: Cézanne, Gauguin y Van Gogh.
18.Escultura de la primera mitad del siglo XX: innovaciones en materiales y técnicas.
19.La arquitectura del movimiento moderno. Racionalismo: Le Corbusier. Organicismo: Frank Lloyd Wright.
20.Las vanguardias históricas: Cubismo y Surrealismo.
Estas veinte preguntas pueden servir como una selección del temario apta como preparatorio para selectividad. Y si ordenamos esta selección de cuestiones por el número de apariciones (que va entre paréntesis) en los exámenes titulares el ranking muestra enormes diferencias con el escalafón anterior (el que incluía todas las propuestas):
1.La escultura romana. El retrato y el relieve histórico (3).
2.Los primitivos flamencos del siglo XV: los Van Eyck (3).
3.La escultura barroca en Italia: Bernini (3).
4.Los edificios bizantinos y la cúpula: Santa Sofía (2).
5.El arte nazarí: La Alhambra y el Generalife (1).
6.La iglesia de peregrinación y el monasterio románico (1).
7.La escultura y la pintura románicas (1).
8.El arte gótico: la catedral y los edificios civiles (1).
9.La escultura del Quattrocento italiano: Donatello y Ghiberti (1).
10.Escultura del Cinquecento italiano: Miguel Ángel (1).
11.La pintura del Cinquecento italiano: Leonardo, Rafael y Miguel Ángel (1).
12.La pintura barroca en Italia. El naturalismo y los problemas de la luz. Caravaggio. El clasicismo en los frescos de los Carracci (1).
13.La pintura en Flandes y en Holanda: Rubens y Rembrandt (1).
14.La pintura barroca española. Realismo: Velázquez y Murillo (1).
15.Francisco de Goya (1).
16.El impresionismo: Monet, Renoir, Degas (1).
17.Postimpresionismo: Cézanne, Gauguin y Van Gogh (1).
18.Escultura de la primera mitad del siglo XX: innovaciones en materiales y técnicas (1).
19.La arquitectura del movimiento moderno. Racionalismo: Le Corbusier. Organicismo: Frank Lloyd Wright (1).
20.Las vanguardias históricas: Cubismo y Surrealismo (1).
Para las pruebas de 2021 no esperamos cambios sustanciales a todo lo expuesto. Calculamos que las preguntas y las imágenes nuevas que se incorporen no superarán los cinco o seis casos, teniendo en cuenta la tendencia decreciente que se observa en las novedades. No debemos olvidar que la pandemia sigue afectando a nuestros centros escolares, y aunque no sea con la gravedad del curso anterior, sus efectos resultan bastante adversos. Esta circunstancia puede traducirse en la selección de contenidos más asequibles para el alumno y en un aumento de las repeticiones de los contenidos, o, al menos, el mantenimiento de su elevada frecuencia.
Estas son nuestras previsiones, pero son eso, previsiones, no certezas. En palabras de Michael Crichton «No podemos evaluar el futuro, ni podemos predecirlo. Estos son eufemismos. Solo podemos hacer suposiciones. Una suposición bien fundada sigue siendo solo una suposición.»
________________________________________________
La obra que hemos escogido como encabezamiento es Exposición de bellas artes en Varsovia en 1828. Su autor es el polaco Wincenty Kasprzycki quien la concluye en ese mismo año. Se trata de un óleo pintado sobre lienzo que mide 111 x 94,5 centímetros. Se conserva en el Museo Nacional de Varsovia.
La imagen y los datos sobre ella proceden de la siguiente página:
artsandculture.google.com/asset/fine-art-exhibition-in-wa...
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
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------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
----------
#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
—-
CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
------
for activating the format or for inviting the installation
please contact 1@colonel.dk
-----
critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
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Tilmans, Karin, and Frank van Vree, Jay Winter, eds. Performing the Past: Memory, History, and Identity in Modern Europe. Amsterdam: Amsterdam University Press, 2010.
Tumarkin, Maria M. Traumascapes: The Power and Fate of Places Transformed by Tragedies. Victoria, Australia: Melbourne University Press, 2005.
Udall, Sharyn R. Dance and American Art: A Long Embrace. Madison: University of Wisconsin Press, 2012.
Vacche, Angela Dalle. Film, Art, New Media: Museum without Walls? New York: Palgrave Macmillan, 2012.
Vertinsky, Patricia Anne. The Eternally Wounded Woman: Women, Doctors, and Exercise in the Late Nineteenth Century. Manchester: Manchester University Press, 1989.
Virilio, Paul. The Art of the Motor. Translated Julie Rose. Minneapolis: University of Minnesota Press, 1995.
Weibel, Peter. Beyond Art: A Third Culture. Vienna: Ambra Verlag, 2005.
Wells, Liz, ed. Photography: A Critical Introduction. New York: Rutledge, 1996/2015.
Westcott, James. When Marina Abramović Dies: A Biography. Cambridge: MIT Press, 2010.
White, Hayden. “Historiography and Historiophoty.” The American Historical Review. Volume 93. Number 5 (December 1988).
White, Hayden V. Metahistory: The Historical Imagination in Nineteenth-Century Europe. Baltimore: Johns Hopkins University Press, 1973.
Wiehager, Renate, ed. Moving Pictures: Photography and Film in Contemporary Art. Ostfildern- Ruit, Germany: Hate Cantz Publishers, 2001.
Williams, Raymond. Culture and Society, 1780 - 1950. New York: Columbia University Press, 1958/1983.
Wood, Catherine. Yvonne Rainer: The Mind is a Muscle. London: Afterall, 2007. Wood, Denis. The Power of Maps. New York: Guilford Press, 2010.
Woodward, Susan L. Balkan Tragedy: Chaos and Dissolution after the Cold War. Washington, D.C.: The Brookings Institution, 1995.
Young, Kevin. Deviance and Social Control in Sport. Champaign, IL: Human Kinetics, 2008. Youngblood, Gene. Expanded Cinema. New York: E.P. Dutton and Co., 1970.
Zelizer, Barbie, ed. Visual Culture and the Holocaust. New Brunswick: Rutgers University Press, 2001.
Zidić, Igor, and Ana Dević, Antonio Gotovac Lauer a.k.a. Tomislav Gotovac. Antonio Gotovac Lauer: Čelična mreža. Zagreb: Moderna Galerija and Studio Josip Račič, 2006.
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Žižek, Slavoj. The Indivisible Remainder: An Essay on Schelling and Related Matters. London: Verso, 1996.
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------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
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#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
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CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
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In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
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for activating the format or for inviting the installation
please contact 1@colonel.dk
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critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
el.kingdomsalvation.org/gospel.html
Παντοδύναμος Θεός λέει: «Ας δούμε τι λέει το πρώτο χωρίο: «Και είπεν ο Θεός, Γενηθήτω φώς· και έγεινε φώς· και είδεν ο Θεός το φως ότι ήτο καλόν· και διεχώρισεν ο Θεός το φως από του σκότους· και εκάλεσεν ο Θεός το φως, Ημέραν· το δε σκότος εκάλεσε, Νύκτα. Και έγεινεν εσπέρα και έγεινε πρωΐ, ημέρα πρώτη» (Γέν. 1:3-5). Το χωρίο αυτό περιγράφει την πρώτη πράξη του Θεού στην αρχή της δημιουργίας και την πρώτη μέρα του Θεού στην οποία υπήρχε ένα απόγευμα και ένα πρωί. Αλλά ήταν μια εξαιρετική μέρα: ο Θεός άρχισε να ετοιμάζει το φως για όλα τα πράγματα και, επιπλέον, διαχώρισε το φως από το σκοτάδι. Εκείνη τη μέρα, ο Θεός άρχισε να μιλά και ο λόγος Του με τη εξουσία Του ήταν πλάι–πλάι. Η εξουσία Του άρχισε να ξεχωρίζει από όλα τα πράγματα και η δύναμή Του εξαπλώθηκε σε όλα τα πράγματα σαν αποτέλεσμα του λόγου Του. Από αυτή τη μέρα και μετά, δημιουργήθηκαν όλα τα πράγματα και κράτησαν γερά χάρη στον λόγο του Θεού, στην εξουσία του Θεού και στη δύναμη του Θεού και άρχισαν να λειτουργούν χάρη στον λόγο του Θεού, στην εξουσία του Θεού και στη δύναμη του Θεού. Όταν ο Θεός εκστόμισε τις λέξεις «Γενηθήτω φώς», έγινε φως. Ο Θεός δεν ξεκίνησε κάποιο εγχείρημα. Το φως εμφανίστηκε ως αποτέλεσμα του λόγου Του. Αυτό ήταν το φως, το οποίο ο Θεός ονόμασε μέρα και από αυτό εξαρτάται η ανθρώπινη ύπαρξη ακόμα και σήμερα. Επειδή το πρόσταξε ο Θεός, η υπόσταση και η αξία του δεν έχουν αλλάξει ποτέ και αυτό δεν εξαφανίστηκε ποτέ. Η ύπαρξή του αποδεικνύει την εξουσία και τη δύναμη του Θεού και διακηρύσσει την ύπαρξη του Δημιουργού, και επιβεβαιώνει ξανά και ξανά την ταυτότητα και τη θέση του Δημιουργού. Δεν είναι απροσδιόριστο, ούτε απατηλό, αλλά είναι ένα αληθινό φως, ορατό από τον άνθρωπο. Από τη στιγμή εκείνη και μετά, σ’ αυτόν τον άδειο κόσμο στον οποίο «η δε γη ήτο άμορφος και έρημος· και σκότος επί του προσώπου της αβύσσου», παρήχθη το πρώτο υλικό αγαθό. Αυτό το πράγμα είναι αποτέλεσμα των λέξεων από το στόμα του Θεού και εμφανίστηκε στην πρώτη πράξη της δημιουργίας όλων των πραγμάτων από τη εξουσία και τον λόγο του Θεού. Λίγο μετά, ο Θεός πρόσταξε να ξεχωρίσει το φως από το σκοτάδι… Όλα άλλαξαν και ολοκληρώθηκαν χάρη στον λόγο του Θεού… Ο Θεός αποκάλεσε αυτό το φως «Μέρα» και το σκοτάδι «Νύχτα». Από τότε, το πρώτο απόγευμα και το πρώτο πρωινό δημιουργήθηκαν στον κόσμο που ο Θεός ήθελε να δημιουργήσει και ο Θεός είπε ότι αυτή ήταν η πρώτη μέρα. Αυτή η μέρα ήταν η πρώτη μέρα της δημιουργίας όλων των πραγμάτων από τον Δημιουργό, ήταν η αρχή της δημιουργίας όλων των πραγμάτων και η πρώτη φορά που φάνηκε η εξουσία και η δύναμη του Δημιουργού σ’ αυτόν τον κόσμο που Εκείνος δημιούργησε. ...»
Purchase Framed Prints, Canvas Prints and Greeting Cards!
From the book:
"Here, he crests the hill, holy terror gripping his heart. Something was still following him.
"He stood with his memories, coping with the choice he had to make. High in the upper reaches where the air is sharp and stubborn to give. Above the tree line, where the path ends, he finally saw what was truly at stake. 'They've been wrong this whole time.'"
"Heights of the Heathens" full-length narrative-photo-book: Coming soon!
חדר צבעוני בצבעים חזקים אדומים צהובים כחולים תכננו את הבתים בצבעוניות עזה ראו בקישור מספר ציורים אורגינאלים והדפסים ענקיים שישנם והם למכירה בסטודיו
naiveartprints.blogspot.com/2021/11/blog-post.html
רפי פרץ
סטודיו רחוב התחייה 22 תל אביב
טלפון 0525543715
אימייל rafi@art4collector.com
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.ציורים עיצוב הבית סגנונות עיצובי פנים סגנון מודרני יוקרתי הום סטיילינג מעצבי הפנים העיצוב הישראלי המודרני היוקרתי תמונות לעיצוב הבית ציורים לסלון לחדר שינה למטבח לשירותים ציור בסלון בחדר השינה במטבח בשרותים אמנות ישראלית בבית אומנות הישראלית בבתים מעצבים לך את היצירה בדירה צירה חדשנית מקורית דירות חדשניות מקוריות יוקרתיות תמונות מותאמות לספה למיטה רעיונות בתכנון הסלון המטבח סלון משרד מטבח משרדים סלונים ספות יפות צבעוניות טקסטורות טיפ והדרכה בתיכנון צבע לקיר צבעים לקירות קיר בהיר קירות בהירים משטח ככה משטחים כהים חלל מינימליסטי חללים מינימליסטיים צבעים לבן שחור אדום כתום כחול תכלת סגול צהוב ירוק בצבעים לבנים שחורים אדומים כתומים כחולים סגולים צהובים ירוקים באדום בכתום בצהוב בירוק בכחול בסגול בשחור בלבן מדרגות מרחפות מדרגה מרחבת חדרי ילדים מבוגרים הורים תינוקות דקורציה של הבתים הום דקור תל אביב חיפה ירושלים באר שבע חולון בת יום ראשון לציור אשדוד גבעתיים רמת גן פתח תקווה הרצליה נתינה חיפוי לקיר חיפויים לקירות בריקים הקיר הלבן סגנונות של דירות כפרי עמוס דקורטיבי כפריים חלל גדול קטן חללים גדולים קטנים ארונות שידות ארון דישה שולחן שולחנות כיסא כיסאות חלון חלונות מנורה מנורות אביזר אביזרים לבית פרטי לבתים פרטיים גינה גינות בחוץ בפנים חוץ פנים חרב תחושה מרחב מרחבים צרו קשר צור קשרים בקישור הבא ליצירה הקשר המעצב הפרטים העיצוב הפרטי אישי אינטימי רומנטי אווירה רומנטית אווירה נקייה רפי פרץ צייר ישראלי אמן עכשווי מודרני ציירים ישראלים אמנים ישראליים אומנים עכשוויים מודרניים יוצרים חדשניים מקוריים אומנות ישראלית עכשווית מודרנית חדשנית מקורית אמן ישראלי עכשווי מודרני חדשני מקורי יוצר יצירות ישראליות עכשוויות מודרניות מקוריות חדשניות התמונה היפה התמונות היפות הציור המיוחד הציורים המיוחדים הצייר הישראלי העכשווי המודרני הישראלי האמן החדשני המקורי האמנים הישראליים העכשוויים המודרניים המקוריים החדשניים המעצבים
raphael perez painter artist Paintings Home Design Styles Interior Design Upscale Modern Style Home Styling Interior Designers Upscale Modern Israeli Design Home Decor Paintings For Living Room For Bedroom Kitchen For Toilet Painting For Living Room In The Bedroom In The Kitchen Israeli Art At Home Israeli Art In Homes Design Your Work In The Apartment Original Innovative Art Original Luxury Tailor-made pictures Bed design ideas Kitchen living room Living room Office kitchen Offices Living rooms Beautiful sofas Colorful textures Tip and guidance in color planning Wall colors Wall walls Light walls Light surface Dark surfaces Minimalist spaces Minimalist colors White black red orange Blue light blue Purple Yellow yellow Black white Oranges Blue Purple Yellow Green In Red In Orange In Yellow In Blue In Purple In Black In White Floating Stairs Staircase Room Adult Children Rooms Parents Babies Home Decor Home Decoration Tel Aviv Haifa Jerusalem Beer Sheva Holon Sunday Painting Ashdod Givatayim Ramat Gan Petah Tikva Herzliya Giving Wall Cladding White wall bricks styles of rustic apartments laden with decorative rustic large space small spaces c Small dolls Chests of drawers Wardrobe Closet table Tables Chairs Window windows Lamp Lamps Accessories Home appliances Private homes Garden Gardens Outside interior Exterior Interior Sense Space Spaces Contact us Contact us at the following link Contact designer Private private intimate Romantic atmosphere Clean atmosphere Rafi Peretz Israeli painter modern contemporary artist Israeli painters Israeli artists modern contemporary artists original innovative artists original contemporary modern Israeli art original innovative modern contemporary Israeli artist creates original contemporary contemporary Israeli works The beautiful pictures The beautiful Israeli modern special paintings The unique Israeli paintings Original Contemporary Israeli Artists The original innovative innovative designers
Εισαγωγή
Ελληνική Χριστιανική ταινία «Η Τιμιότητα Είναι Ανεκτίμητη» (Ελληνικοί Υπότιτλοι)
Ο Τζεν Τσανγκ είχε ένα μαγαζί που επισκεύαζε οικιακές συσκευές. Ήταν ευγενικός, έντιμος και στη δουλειά του ήταν τυπικός. Ποτέ του δεν θα προσπαθούσε να εξαπατήσει κανέναν και τα χρήματα που έβγαζε έφταναν ίσα-ίσα για να συντηρεί την οικογένειά του. Μετά από κάποιο διάστημα, κάποιος συγγενής κι ένας συνάδελφος έμπορος, τον παρότρυναν να εφαρμόζει τους άγραφους νόμους της επιχειρηματικότητας, κι έτσι ο Τζεν Τσανγκ άρχισε να πιστεύει σε αποφθέγματα που αντιπροσωπεύουν μια σατανική φιλοσοφία, όπως: «Χωρίς δεύτερο εισόδημα, ο άνθρωπος δεν γίνεται ποτέ του πλούσιος, ακριβώς όπως δεν παχαίνει ποτέ το άλογο που δεν τρώει σανό το βράδυ», «οι τολμηροί πεθαίνουν από τη λαιμαργία, οι άτολμοι από την πείνα», «τα λεφτά δεν είναι το παν, αλλά χωρίς αυτά, δεν μπορείς να κάνεις τίποτα», και «πάνω απ’ όλα τα λεφτά». Ο Τζεν Τσανγκ έχασε την ευσυνειδησία που τον καθοδηγούσε παλιότερα και άρχισε να χρησιμοποιεί αθέμιτα μέσα για να κερδίζει περισσότερα χρήματα. Παρόλο που κέρδιζε περισσότερα χρήματα απ’ ό,τι πριν και το επίπεδο της ζωής του βελτιώθηκε, ο Τζεν Τσανγκ ένιωθε, εντούτοις, δυστυχισμένος και να τον μαστίζει ένα αίσθημα κενού. Η ζωή ήταν ανούσια και γεμάτη πόνο.
Αφότου ο Τζεν Τσανγκ δέχτηκε το έργο του Παντοδύναμου Θεού των εσχάτων ημερών, συνειδητοποίησε μέσα από τα λόγια του Θεού ότι ο Θεός αγαπά τους έντιμους ανθρώπους και απεχθάνεται τους δόλιους. Ο Τζεν Τσανγκ συνειδητοποίησε, επίσης, ότι το να είναι κανείς έντιμος αποτελεί τον μοναδικό τρόπο για να συμπεριφέρεται ως αληθινός άνθρωπος, καθώς και τον μοναδικό τρόπο για να κερδίσει τον έπαινο του Θεού, κι έτσι, ορκίστηκε να είναι ένας έντιμος άνθρωπος. Ωστόσο, αποδείχθηκε δύσκολο το να είναι έντιμος στην πραγματική ζωή: Με τους αδελφούς και τις αδελφές στην εκκλησία μπορούσε να είναι όσο ευθύς έπρεπε να είναι, όμως, αν έκανε το ίδιο και στον επιχειρηματικό κόσμο, θα μπορούσε να βγάλει χρήματα; Όχι μόνο πιθανόν να έβγαζε λιγότερα χρήματα, αλλά ίσως και να γνώριζε σημαντικές ζημίες και να ρίσκαρε να χάσει το μαγαζί του. ... Ενόψει τέτοιων δυσκολιών, θα καταφέρει ο Τζεν Τσανγκ να λειτουργεί το κατάστημά του με εντιμότητα; Τι είδους απρόσμενες ανατροπές και αλλαγές θα συμβούν στην πορεία; Ποια θα είναι η μεγαλύτερη ανταμοιβή του; …
Πηγή εικόνας: Εκκλησία του Παντοδύναμου
Όροι Χρήσης: el.kingdomsalvation.org/disclaimer.html
[Una versión más legible se encontrará en la entrada correspondiente del blog, cuyo enlace se señala a continuación]
enriqueviolanevado.blogspot.com/2020/05/vocabulario-de-ge...
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El Listado de Términos publicado por la Ponencia de Geografía de España en noviembre de 2018 especifica que conceptos serán los escogidos para las pruebas de Selectividad. En el apartado de Relieve encontramos los vocablos que se definen a continuación.
Se añaden los conceptos por referencias que han aparecido en las pruebas de selectividad desde el curso 2016-2017, año académico en el que se implantó el modelo de examen que los agregaba. Este repertorio incluye los elegidos para el curso 2019-2o20.
VOCABULARIO DE GEOGRAFÍA DE ESPAÑA
- Relieve (Unidad 2) –
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1. Altitud: Es la distancia vertical de un punto de la Tierra respecto al nivel del mar. La altitud media de España se sitúa en los 660 metros, elevación muy superior a la media europea (340 metros).
2. Archipiélago: Conjunto, generalmente numeroso, de islas agrupadas en una superficie más o menos extensa del mar. En España los más conocidos son el balear y el canario.
3. Bahía: Es una penetración del mar en la costa, de extensión considerable y de entrada ancha, generalmente menor que el golfo. En España destacan las del litoral atlántico andaluz, en especial la de Cádiz.
4. Cordillera: Sistema montañoso caracterizado por su altura, extensión, continuidad y edad. Aunque en todas las orogenias se han levantado cordilleras, la erosión las ha destruido y las que actualmente existen se formaron todas en la orogenia alpina. En España sólo los Pirineos y las Béticas pueden considerarse como verdaderas cordilleras.
5. Cuenca sedimentaria: Es una depresión de la corteza terrestre que posteriormente se ha rellenado con sedimentos. Las existentes en nuestro territorio se originaron en la Era Terciaria y puede ser de dos tipos: el hundimiento de un bloque de zócalo (Fosa Tectónica), como la cuenca del Duero o a partir de una depresión preexistente como la del Guadalquivir.
6. Delta fluvial: Área de acumulación de sedimentos fluviales que se forma en la desembocadura de algunos ríos cuando las mareas son débiles y no pueden redistribuir la acumulación de aluviones aportados por la corriente fluvial. Este accidente costero generalmente adopta una forma triangular por la que se despliegan los brazos del río en una disposición que recuerda las varillas de un abanico.
7. Falla geológica: Rotura de la corteza terrestre que presenta un desplazamiento de los bloques fracturados, debida a la acción de las fuerzas tectónicas sobre un roquedo rígido. Si el desplazamiento es vertical y da lugar a un bloque levantado y a otro hundido, forma una falla normal; si es horizontal, forma una falla de desgarre o de desenganche.
8. Glaciarismo: Conjunto de fenómenos relacionados con la actividad del hielo acumulado sobre la superficie terrestre. Generalmente se aplica a la huella dejada en el relieve por los períodos glaciales del cuaternario.
9. Isohipsas: Líneas imaginarias que unen puntos distintos situado a la misma altura. Se emplean en los mapas topográficos en los que representan el relieve (curvas de nivel) y en los mapas meteorológicos de altura donde grafican las superficies con igual presión.
10. Litoral: Línea de costa que se encuentra junto a una masa de agua y, por extensión, el área colindante al lago, mar u océano. Algunos biólogos la extienden hasta los 200 metros de profundidad.
11. Marisma: Es una llanura de fango típica de las desembocaduras de los ríos y de las costas bajas. Como se encuentran abiertas al mar, se inundan por las mareas. Se colmatan por sedimentos marinos y fluviales que, de forma muy lenta, se van trasformando en tierra firme. Las más conocidas son las marismas del Guadalquivir.
12. Meseta: Es la unidad fundamental del relieve peninsular. Es una elevada llanura, resto del antiguo Macizo Hespérico. Surgió en la orogénesis herciniana, fue arrasado por la erosión y que se ha convertido en zócalo. La Meseta fue deformada en gran parte durante la orogénesis alpina, que hizo surgir las cordilleras interiores, las cuencas sedimentarias interiores y los rebordes montañosos.
13. Morfología cárstica: Tipo de relieve en que una roca dura y rígida, normalmente caliza, se disuelve con agua ácida, o sea enriquecida con anhídrido carbónico (CO2.). Sus formas características tienen denominaciones sacadas del serbo-croata: lapiaces, gargantas, poljes, dolinas, cuevas y simas. En la Península este modelado se documenta en la parte oriental, en un área con forma de z invertida que se extiende desde el Pirineo hasta las Subbéticas.
14. Penillanura: Superficie de gran extensión casi plana o suavemente ondulada, donde ocasionalmente se encuentran algunos relieves residuales. Los materiales que la componen son antiguos y desgastados. Constituye la penúltima fase (la de arrasamiento) de un prolongado proceso de erosión de un macizo antiguo. La última fase es la llanura de erosión que es completamente plana y horizontal. La erosión del Macizo Hespérico causó penillanuras como la extremeña o la zamorana.
15. Península: Porción de tierra cercada por el agua y que sólo por el istmo, una parte relativamente estrecha, está unida con otra tierra de extensión mayor. La Península Ibérica junto con Anatolia y el Labrador constituyen ejemplos de este tipo de promontorios que presentan forma poligonal y un istmo relativamente ancho.
16. Rambla: Lecho de un curso de agua, generalmente seco, situado en un área árida. De forma muy esporádica conduce un torrente de corta duración, después de una jornada de lluvia torrencial.
17. Relieve alpino: Es un relieve con fuertes pendientes y poco desgastado por la erosión debido a su juventud, por lo que sus cordilleras (Pirineos, Béticas...) alcanzan las mayores alturas. Está formado en sus márgenes por rocas calizas y en su zona axial por rocas cristalinas formadas durante el Paleozoico. Se formó en la Orogénesis Alpina a lo largo de la Era Terciaria.
18. Relieve herciniano: Es un relieve con formas redondeadas o completamente arrasadas en cualquier caso muy desgastados por la erosión, que tiene en la penillanura su mejor muestra. Está formado por rocas duras (cristalinas) que responden a posteriores empujes (de la orogénesis alpina) fracturándose en fallas. Se formó a lo largo de la Orogénesis Herciniana, durante la Era Primaria. En España caracteriza a la Iberia Silícea.
19. Ría: Es un valle fluvial hundido por el mar al elevarse su nivel al final de una glaciación. Las más conocidas son las rías gallegas, pero hay otros ejemplos como la ría de Huelva o la de Bilbao. Es un término geográfico español adoptado universalmente.
20. Valle glaciar: Valle por el que circula o ha circulado un glaciar de dimensiones importantes que ha dejado una geomorfología clara de acumulación y transporte de nieve. Los valles glaciares se caracterizan por presentar un perfil transversal en "U" o forma de artesa. La forma correcta es «valle glaciar», porque «glacial» es helado y «glaciar» se aplica a las masas de hielo que se forman en las laderas de las montañas y se deslizan lentamente.
21. Zócalo: Unidad morfoestructural del relieve continental formada por mesetas o llanuras. Son el resultado del arrasamiento por la erosión de cordilleras y son muy rígidos, fracturándose ante los nuevos empujes orogénicos. La mitad occidental peninsular puede ser considerada como un zócalo.
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CONCEPTOS POR REFERENCIAS
1. ¿Cómo se conoce al conjunto de islas que se encuentran próximas entre sí? ARCHIPIÉLAGO.
2. El conjunto de islas próximas entre sí, y generalmente con un origen geológico común, se denomina ARCHIPIÉLAGO.
3. El sistema montañoso de dirección predominantemente lineal con altitudes y extensión notables, asociado geológicamente a procesos de plegamiento, se denomina CORDILLERA.
4. La zona hundida del relieve donde se depositan y acumulan los sedimentos se llama…CUENCA SEDIMENTARIA.
5. ¿Cómo se denomina a la zona deprimida de la corteza terrestre, generalmente de origen tectónico, donde se produce la acumulación de sedimentos y en la que hay diferentes formas de relieve? CUENCA SEDIMENTARIA.
6. ¿Qué nombre recibe la desembocadura de un río con acumulación de aluviones en forma de abanico o triángulo? DELTA FLUVIAL.
7. Al terreno aluvial bajo y casi plano de la desembocadura de algunos ríos que se produce por la acumulación de sedimentos depositados por el río y que las mareas no consiguen retirar se denomina…DELTA FLUVIAL.
8. Las líneas que unen puntos de igual altitud sobre el nivel del mar en un mapa topográfico, se denominan ISOHIPSAS.
9. La superficie llana o ligeramente inclinada, cortada por valles y situada a una cierta altitud con respecto al nivel del mar, se denomina MESETA.
10. ¿Cómo se llama el movimiento orogénico ocurrido en la Era Primaria que originó una buena parte de las primeras formaciones de relieve de la Península Ibérica? OROGENIA HERCINIANA.
11. ¿Cuál es el nombre del movimiento orogénico de la Era Terciaria que dio origen a las formaciones recientes del relieve de la Península Ibérica y de algunas islas españolas? OROGENIA ALPINA.
12.¿Cómo se conoce el lecho de un curso de agua, generalmente seco, en un área árida, que ocasionalmente conduce un torrente de corta duración, después de una lluvia intensa? RAMBLA.
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La xilografía que hemos escogido como encabezamiento se titula Burgos - Paso de un tren con tropas hacia Miranda, por el viaducto de las Peñas de Pancorbo. Se realizó a partir de un dibujo del natural de Isidro Gil y Gavilondo, convertido en grabado por Antonio Manchón. Procede de La Ilustración Española y Americana publicada el ocho de mayo de 1875 ( número XVII, Año XIX).
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
Disney 100 Years of Magic box set
001. Snow White amd the Seven Dwarfs
002. Pinocchio
003. Fantasia
004. Fantasia/2000
005. Dumbo
006. Bambi
007. BambiⅡ
008. Saludos Amigos
009. Fun and fancy free
010. Cinderella
011. CinderellaⅡDreams come true
012. CioderellaⅢA twist in time
013. The wild
014. Alice in Wonderland
015. Peter Pan
016. Lady and the Tramp
017. Lady and the TrampⅡ: Scamp's Adventure
018. Sleeping Beauty
019. One Hundred and One Dalmatians
020. 101 DalmatiansⅡ:Patch's london Adventure
021. The Sword in the Stone
022. The Aristocats
023. Bedknobs and Broomsticks
024. Robin Hood
025. The fox and the Hound
026. The little Mermaid
027. The little MermaidⅡ:Return to the Sea
028. Beauty and the Beast
029. Beauty and the Beast: The Enchanted Christmas
030. Aladdin
031. The Return of jafar
032. Aladdin and the King of thieves
033. The Nightmare Before Christmas
034. The lion King
035. The lion KingⅡ: Simba's Pride
036. The lion king 11/2
037. Pocahontas
038. Pocahonlas Ⅱ:Journey to a mew world
039. Toy Story
040. Toy story 2
041. James and the Giant Peach
042. The Hunchback of Notre Dame
043. the HUnCHback of notre dame Ⅱ
044. Hercules)
045. Mulan
046. Mulan Ⅱ
047. Tarzan
048. Tarzan Ⅱ
049. Valiant
050. Dinosaur
051. The emperor's New Groove
052. Kronk's new groove
053. recess:school's out
054. Atlantis:The Lost Empir
055. Atlantis:Milo's Return
056. lilo & stitch
057. Stitch 2: Stitch Has a Glitch
058. Treasure Planet
059. Brother Bear
060. Brother Bear 2
061. The Jungle Boek
062. The Jungle Book 2
063. Home on the Range
064. The Three Musketeers
065. Mickey's twice upon a Christmas
066. Chicken little
067. The wild swans
068. Felix the Cat Saves Christmas
069. Mickey's magical christmas:snowed in at the house of mouse
070. Mickey & minne
071. Donald duck and the gorilla etc
072. Casper
073. Three little pigs
074. daffy duck
075. The black cauldron
076. Return to never land
077. the tortoise and the hare
078. Everybody loves Donald
079. Everybody loves Goofy
080. Everybody loves Mickey
081. Sweetheart Stories
082. Gulliver's travels
083. Life with Mickey Town
084. Walt Disney treasures volume 1
085. Walt Disney treasures volume 2
086. Walt Disney treasures volume 3
087. Walt Disney treasures volume 4
088. Walt Disneys 100 years of Magic: Goofy sport
089. The three Caballeros
090. Who framed Roger Rabbit
091. Mary Poppins
092. The Rescuers
093. The Rescuers dowu Uuder
094. Monsters Inc.
095. Finding Nemo
096. The incredibles
097. Cars
098. Winnie the Pooh:Story Book
099. Winnie the Pooh:A very Merry Pooh Year
100. Winnie the Pooh:Heffalump Movie
101. Winnie the Pooh:Heffalump Halloween Movie
102. Winnie the Pooh:Springtime with Roo
103. Winnie the pooh:123
104. Winnie the Pooh:All for one,one for all
105. Winnie the pooh:the many adventures
106. Winnie the Pooh:the Search for Christopher Robin
107. Winnie the Pooh:franken Pooh
108. A Bug's life
109. Disney Heroes Volume One
110. An officer and a duck
111. Meet the Robinsons
112. Underdog
113. Ratatouille
114. The adventures of ichabod and Mr. Toad
115. Disney My friends Tigger and Pooh Super Sleuth Christmas Movie
116. The chronological donald:volume one
117. The chronological donald:volume two
118. Mickey mouse clubhouse mickey saves santa
119. Mickey's House of Villains
120. Mickey mouse clubhouse:great clubhouse hunt
121. Mickey princess enchanted tales:follow your dreams
122. The tigger movie
123. Tom and jerry volume 1
124. Tom and jerry volume 2
125. Tom and jerry volume 3
126. Tom and jerry volume 4
127. Tom and jerry volume 5
128. Tom and jerry volume 6
129. Tom and jerry volume 7
130. Tom and jerry volume 8
131. Tom and jerry volume 9
132. Tom and jerry volume 10
133. Tarzan Planet
134. Piglet's Big Movie
135. Make Mine Music
136. Melody Time
137. Homeward Bound: The Incredible Journey
138. Homeward BoundⅡ: Lost in San Frabcisco
139. A Goofy Movie
140. Belle's Magical World
141. Buzz Lightyear of Star Command: The adventure Begins
142. Iver & Company
143. Magic English 1
144. Magic English 2
145. Magic English 3
146. Magic English 4
147. Magic English 5
148. Magic English 6
149. Magic English 7
150. Magic English 8
151. Disney princess stories: A Gift From The Heart
152. Disney princess stories: Tale of Friendship
153. Kim Possible: So The Drama
154. The Fox And The Hound 2
155. Micky Mouse Clubhouse: Micky's Treat
156. Micky Mouse Clubhouse: Micky's Storybook Surprise
157. Walt Disney Treasures: The Complete Pluto vol. 1
158. Walt Disney Treasures: The Complete Pluto vol. 2
159. My Friends Tigger & Pooh's Friendly Tails
160. The Little Mermaid. Ariel's Beginning
161. My Friends Tigger and Pooh: Hundred Acre Wood Haunt
162. Tinker Bell
163. Wall. E
164. Jasmines Enchanted Tales
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www.twitter.com/Memoire2cite Des villes détruisent des HLM devenus trop nombreux, trop vieux, inlouables , Dans les zones touchées par la désindustrialisation et la perte de population, de nombreux logements doivent être démolis. Rue de la Chaume, à Montluçon (Allier), c’est le royaume des chats, plus nombreux que les locataires de cette résidence aux volets écaillés. Sur vingt-quatre appartements, six, tout au plus huit, sont occupés. « Inlouables, trop excentrés, trop chers », tranche Jacques Renault, membre de la Confédération générale du logement et représentant des locataires au conseil d’administration de Montluçon Habitat, le propriétaire.
L’office public HLM de l’agglomération a acheté cette résidence en 2005, pour un prix trop élevé, sans avoir de projet précis ni les fonds pour la réhabiliter, à la filiale HLM de la SNCF qui voulait s’en débarrasser. Car le temps où le groupe ferroviaire comptait plus de mille salariés dans ses ateliers de maintenance de Montluçon est révolu. Il n’en reste qu’une centaine aujourd’hui. Des HLM trop nombreux qu’il faut se décider à démolir. Montluçon Habitat n’est pas le seul à être confronté à l’obsolescence d’une partie de son patrimoine. Désindustrialisation massive www.lemonde.fr/societe/article/2019/05/31/ces-villes-enco... -
Dès 2015, les associations régionales HLM de cinq régions (Auvergne, Bourgogne, Champagne-Ardenne, Franche-Comté et Lorraine) ont sonné l’alarme en publiant leur manifeste pour une politique du logement en territoire détendu, qui affirmait : « On a trop construit de logements privés et publics, 38 500 par an jusqu’en 2011, alors que la moitié aurait suffi. »
La Fédération des offices publics HLM chiffre aujourd’hui à 30 000 le nombre de logements devant être démolis dans ces territoires d’ici à quatre ans, et 24 000 méritant une profonde restructuration. Autres offices publics confrontés à une vacance endémique : Bourges, Châlons-en-Champagne, Le Creusot (Saône-et-Loire), Forbach (Moselle), Alençon, Moulins, Vichy (Allier), Nevers…
-Urbanisme - l'Apres 1945 @ 2 millions de logements a créer en urgençe..45 pour cent du parc locatif bombardé.. « Ginny » vu par l’urbaniste Nicolas Monnot @ les grands-ensembles www.arte.tv/fr/videos/082309-000-A/ginny-vu-par-l-urbanis...
sig.ville.gouv.fr/atlas/ZUS/ La matrice des G.E. s'est développée au lendemain de la guerre, lors de la reconstruction, mais ses origines de 1930, en France (Cité de la Muette à Drancy, quartier des Gratte-ciel à Villeurbanne).Gilles Ragot, historien de l'art, maître de recherche içi www.youtube.com/watch?v=dEBfg4vXNOM …Dès la fin de la seconde guerre mondiale, Eugène Claudius-Petit, éminent ministre de la reconstruction (1948-1952) déclare qu'il faut avoir une politique de "construction et non seulement de reconstruction". Nourri des thèses du Mouvement Moderne (la Charte d'Athènes est publiée en 1943), Claudius-Petit plaide pour une politique ambitieuse de logement social qu'il ne peut dissocier d'une réforme complète de la ville traditionnelle. www.citedelarchitecture.fr/fr/video/de-la-reconstruction-... Les 30 Glorieuses . com et la carte postale.l'UNION SOCIALE POUR L HABITAT fete ses 90 ans "TOUT savoir tout voir, tout connaitre, sur le LOGEMENT SOCIAL des HLM aux HBM avec le Musée HLM" en ligne sur le WEB içi www.banquedesterritoires.fr/lunion-sociale-pour-lhabitat-... … De grandes barres d’immeubles, appelées les grands ensembles, sont le symbole de nos banlieues. Entrée Libre revient sur le phénomène de destruction de ces bâtiments qui reflètent aujourd’hui la misere www.youtube.com/watch?v=mCqHBP5SBiM twitter.com/Memoire2cite/status/1121877386491043840/photo... Avril 1993, 6 ans après l'implosion de la tour DEBUSSY des 4000, 30% seulement des travaux de rénovation ont été réalisés et le chômage frappe toujours 1/3 des hbts. C'est un échec. A Mantes la Jolie, 6 mois après la destruction des 4 tours du Val Fourré, www.youtube.com/watch?v=ta4kj05KJOM … Banlieue 89, Bacalan à Bordeaux 1986 - Un exemple de rénovation urbaine et réhabilitation de l'habitat dans un des quartiers de Bordeaux La Cité Claveau à BACALAN. A l'initiative du mouvementla video içi www.youtube.com/watch?v=IN0JtGBaA1o … L'assoçiation de ROLLAND CASTRO @ Le Plan Banlieue 89 - mode d'emploi - Archive INA - La video içi. TRANSFORMER LES PAYSAGES URBAINS AVEC UNE APPROCHE CULTURELLE www.youtube.com/watch?v=Aw-_f-bT2TQ … SNCF les EDITIONS DU CABRI PRESENTE PARIS LA BANLIEUE 1960-1980 -La video Içi.
www.youtube.com/watch?v=lDEQOsdGjsg … Içi la DATAR en 1000 clichés missionphotodatar.cget.gouv.fr/accueil - Notre Paris, 1961, Réalisation : André Fontaine, Henri Gruel Les archives filmées de la cinémathèque du ministère de 1945 à nos jours içi www.dailymotion.com/video/xgis6v?playlist=x34ije
31 TOULOUSE - le Mirail 1962 réalisation : Mario Marret construction de la ville nouvelle Toulouse le Mirail, commentée par l'architecte urbaniste Georges Candilis le film www.dailymotion.com/video/xn4t4q?playlist=x34ije Il existe de nos jours, de nombreux photographes qui privilégient la qualité artistique de leurs travaux cartophiles. A vous de découvrir ces artistes inconnus aujourd’hui, mais qui seront peut-être les grands noms de demain.Les films du MRU - Le temps de l'urbanisme, 1962, Réalisation : Philippe Brunet www.dailymotion.com/video/xgj2zz?playlist=x34ije … … … … -Les grands ensembles en images Les ministères en charge du logement et leur production audiovisuelle (1944-1966) MASSY - Les films du MRU - La Cité des hommes, 1966, Réalisation : Fréderic Rossif, Albert Knobler www.dailymotion.com/video/xgiqzr?playlist=x34i - Les films du MRU @ les AUTOROUTES - Les liaisons moins dangereuses 1972 la construction des autoroutes en France - Le réseau autoroutier 1960 Histoire de France Transports et Communications - www.dailymotion.com/video/xxi0ae?playlist=x34ije … - A quoi servaient les films produits par le MRU ministère de la Reconstruction et de l'Urbanisme ? la réponse de Danielle Voldman historienne spécialiste de la reconstruction www.dailymotion.com/video/x148qu4?playlist=x34ije … -les films du MRU - Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : la préfabrication en usine, le coffrage glissant... www.dailymotion.com/video/xyjudq?playlist=x34ije … - TOUT SUR LA CONSTRUCTION DE NOTRE DAME LA CATHEDRALE DE PARIS Içi www.notredamedeparis.fr/la-cathedrale/histoire/historique... -MRU Les films - Le Bonheur est dans le béton - 2015 Documentaire réalisé par Lorenz Findeisen produit par Les Films du Tambour de Soie içi www.dailymotion.com/video/x413amo?playlist=x34ije …
Archipostcard.blogspot.com/search?updated-max=2009-02-13T... -Créteil.un couple à la niaiserie béate exalte les multiples bonheurs de la vie dans les new G.E. www.youtube.com/watch?v=FT1_abIteFE … La Ville bidon était un téléfilm d'1 heure intitulé La Décharge.Mais la censure de ces temps de présidence Pompidou en a interdit la diffusion télévisuelle - museedelacartepostale.fr/periode-semi-moderne/ - archipostalecarte.blogspot.com/ - Hansjörg Schneider BAUNETZWOCHE 87 über Papiermoderne www.baunetz.de/meldungen/Meldungen_BAUNETZWOCHE_87_ueber_... … - ARCHITECTURE le blog de Claude LOTHIER içi leblogdeclaudelothier.blogspot.com/2006/ - - Le balnéaire en cartes postales autour de la collection de David Liaudet, et ses excellents commentaires.. www.dailymotion.com/video/x57d3b8 -Restaurants Jacques BOREL, Autoroute A 6, 1972 Canton d'AUXERRE youtu.be/LRNhNzgkUcY munchies.vice.com/fr/article/43a4kp/jacques-borel-lhomme-... … Celui qu'on appellera le « Napoléon du prêt-à-manger » se détourne d'ailleurs peu à peu des Wimpy, s'engueule avec la maison mère et fait péricliter la franchise ...
museedelacartepostale.fr/blog/ - museedelacartepostale.fr/exposition-permanente/ - www.queenslandplaces.com.au/category/headwords/brisbane-c... - collection-jfm.fr/t/cartes-postales-anciennes/france#.XGe... - www.cparama.com/forum/la-collection-de-cpa-f1.html - www.dauphinomaniac.org/Cartespostales/Francaises/Cartes_F... - furtho.tumblr.com/archive
le Logement Collectif* 50,60,70's, dans tous ses états..Histoire & Mémoire d'H.L.M. de Copropriété Renouvellement Urbain-Réha-NPNRU., twitter.com/Memoire2cite tout içi sig.ville.gouv.fr/atlas/ZUS/ - media/InaEdu01827/la-creatio" rel="noreferrer nofollow">fresques.ina.fr/jalons/fiche-media/InaEdu01827/la-creatio Bâtir mieux plus vite et moins cher 1975 l'industrialisation du bâtiment et ses innovations : www.dailymotion.com/video/xyjudq?playlist=x34ije la préfabrication en usine www.dailymotion.com/video/xx6ob5?playlist=x34ije , le coffrage glissant www.dailymotion.com/video/x19lwab?playlist=x34ije ... De nouvelles perspectives sont nées dans l'industrie du bâtiment avec les principes de bases de l'industrialisation du bâtiment www.dailymotion.com/video/x1a98iz?playlist=x34ije ,
www.dailymotion.com/video/xk6xui?playlist=x34ije , www.dailymotion.com/video/xk1dh2?playlist=x34ije :- que dire de RICARDO BOFFIL Les meilleures balades que j’ai fait autour de Paris je les ai faites dans l’application Plans. Je ne minore pas le rôle de Google Maps, révolution cartographique sans précédent et sans égale, qui aura réalisé nos fantasmes d’Aleph borgesien — l’idée d’un point d’où le monde serait visible en totalité — parachevé Mercator et permis d’explorer des parties du globe inconnues de Cook, Bougainville et Amundsen. Je n’oublie pas non plus cet exercice de cartographie au collège, qui nous avait démontré que nous étions à 3 cartes IGN de la capitale, et que le tissu urbain était de plus en plus serré à mesure que nous avancions vers le nord. Mais Plan possédait une fonctionnalité inédite, le Flyover, technologie à l’origine destinée aux pilotes de chasse, et qui fournissait des rendus 3D spectaculaire des bâtiments survolés — ainsi que des arbres et des déclivités du sol.On quittait enfin les champs asphyxiants de la photographie aérienne pour des vues à l’oblique des villes visitées : après un siècle d’écrasement — la photographie aérienne est étroitement contemporaine du bombardement aérien — les villes reprenaient enfin de la vigueur et remontaient vers le ciel. J’avais d’ailleurs effectué moi-même une manœuvre de redressement similaire le jour où j’étais parti, à pied depuis Paris, visiter à Nanterre une exposition sur la photographie aérienne. J’étais à la quête des premières vues de Paris qu’avait prises Nadar depuis un ballon captif. À défaut de ces images, définitivement manquantes, j’avais parcouru, après la Grande Arche, les derniers kilomètres de la Voie Royale, cette prodigieuse perspective historique partie du Louvre — rare exemple de frise chronologique implémentée dans une structure urbanistique.J’avais en réalité un peu dévié de la ligne droite pour aller voir les tours Nuages d’Emile Aillaud, le Facteur Cheval du modernisme, dont je connaissais déjà les autres chefs d’œuvres d'architecture naïve, les nouilles chinoises de Grigny et le spaghetti de Pantin.C’était précisément l’usage que j’avais fait de l’application Plans : j’étais parti à la recherche de tous les groupements de tour qu’elle m’avait permis d’identifier, sur mon iPad. Je les faisais tourner avec deux doigts, comme un éclaireur qui marcherait autour d’un donjon, avant de les immortaliser, sous leur plus bel angle, par une capture d’écran.Un éclaireur autour d’un donjon : c’était exactement cela, qui m’avait fasciné. Les guerres territoriales entre Les Tarterêts de Corbeil et les Pyramides d’Evry avaient marqué mon enfance. La notion de cité, telle qu’elle avait été définie, à partir des années 80, dans le second âge des grands ensembles, l’âge du déclin, avait conservé un cachet médiéval. Ici, vivaient guetteurs et trafiquants, condottieres à la tête d’une écurie de go-fast et entretenant des chenils remplis de mâtins rares et dangereux. Ici, l’État central ne remplissait plus ses tâches régaliennes, ici la modernité laïque était entrée en crise. Mais ce que j’avais découvert, en collectionnant ces captures d’écran, c’était à quel point l’urbanisme de la banlieue parisienne était, strictement, d’obédience médiévale. On était passé, d’un seul mouvement et sans même s’en rendre compte de Château-Gaillard à la Cité 4000, du Donjon de Vincennes aux tours de Sarcelles, du château de Gisors aux choux fleurs de Créteil.J’ai même retrouvé la colonne détruite du désert de Retz dans le babylonien château d’eau de Noisiel.Des hauteurs de Rosny à celle de Chanteloup, du plateau de Clichy à la dalle d’Argenteuil, on avait bizarrement livré des pastiches inconscients de la grande architecture militaire médiévales : les environs de Paris s’étaient retrouvés à nouveau fortifiés, la vieille tour de Montlhéry n’était plus solitaire, et même les immeubles de briques rouges qui avaient succédé à l’enceinte de Thiers évoquaient des murailles.
Et ce que j’avais initialement pris pour des anomalies, des accidents malheureux du post-modernisme, les grand ensembles voûtés et cannelés de Ricardo Boffil, étaient peut-être ce qui exprimait le mieux tout cela — ou du moins qui clôturaient avec le génie le plus clair cet âge des grands ensembles.
Car c’était cela, ces Carcassonnes, ces Acropoles, ces Atlandides qui surnageaient avec le plus de conviction au milieu des captures d’écrans de ruines médiévales qui s’accumulaient sur mon bureau.
Si décriées, dès leur construction, pour leur kitch intolérable ces mégastructures me sont soudain apparues comme absolument nécessaires.
Si les Villes Nouvelles n’ont jamais existé, et persisteront dans la mémoire des hommes, elles le doivent à ces rêveries bizarres et grandioses, à ces hybridations impossibles entre les cités idéales de Ledoux et les utopies corbuséennes.
L’Aqueduc de Saint-Quentin-en-Yvelines, les Espaces d’Abraxas à Marne-la-Vallée, les Colonnes de Saint-Christophe à Cergy-Pontoise sont les plus belles ruines du Grand Paris.
www.franceculture.fr/emissions/la-conclusion/ricardo-bofill immerssion dans le monde du logement social, l'univers des logements sociaux, des H.B.M au H.L.M - Retour sur l'histoire du logement collectif d'apres guerre - En Françe, sur l’ensemble du territoire avant, 4 millions d’immeubles étaient vétustes, dont 500.000 à démolir; au total 10% des logements étaient considérés comme insalubres et 40% réputés d’une qualité médiocre, et surpeuplés. C’est pour ces raisons que, à partir de 1954, le Ministre à la Reconstruction et au Logement évalue le besoin en logements à 2.000.660, devenant ainsi une priorité nationale. Quelques années plus tard à l’appel de l’Abbé Pierre, le journaliste Gilbert Mathieu, en avril 1957 publiait dans le quotidien Le Monde une série d’articles sur la situation dramatique du logement : Logement, notre honte et dénonçant le nombre réduit de logements et leur impitoyable état. Robert Doisneau, Banlieue après-guerre, 1943-1949 /Le mandat se veut triple : reconstruire le parc immobilier détruit durant les bombardements essentiellement du printemps/été 1944, faire face à l’essor démographique et enfin résorber l’habitat insalubre notamment les bidonvilles et les cités de transit. Une ambition qui paraît, dès le début, très élevée, associée à l’industrialisation progressive de la nation entre autre celle du secteur de la construction (voir le vidéo de l’INA du 17 juillet 1957 intitulée La crise du logement, un problème national. Cela dit, l’effort pour l’État français était d’une ampleur jamais vue ailleurs. La double nécessité de construire davantage et vite, est en partie la cause de la forme architecturale excentrique qui constituera les Grands Ensembles dans les banlieues françaises. Cinq caractéristiques permettent de mieux comprendre ce terme : la rupture avec le tissu urbain ancien, un minimum de mille logements, une forme collective (tours, barres) de quatre jusqu’à vingt niveaux, la conception d’appartements aménagés et équipés et enfin une gestion destinée pour la plupart à des bailleurs de logement social.
Pour la banlieue parisienne leur localisation s’est opérée majoritairement dans la périphérie, tandis que dans les autres cas, plus de la moitié a été construite dans le centre ville, le plus souvent à la limite des anciens faubourgs.
Architecture d’Aujourd’hui n° 46, 1953 p. 58-55
C’est le triomphe de l’urbanisme fonctionnel et rationaliste cher à Le Corbusier. Entre 1958 et 1973, cent quatre-vingt-quinze Zones à Urbaniser en Priorité (ZUP) sont créées, comprenant deux millions de logements, essentiellement de type populaire en Habitations à Loyer Modéré (HLM), mais pas exclusivement, remplaçant ainsi les anciennes Habitations à Bon Marché (HBM) crées en 1894. Selon le décret du 27 mars 1954 qui en fixe les conditions d’attribution, les bénéficiaires de la législation n’ont pas changé, ce sont toujours des « personnes peu fortunées vivant principalement de leur salaire », selon la loi Strauss de 1906. En 1953, tous les HLM voient leur surface maximale se réduire, en passant de 71 à 65 mètres carrés pour un quatre pièces. L’accès au logement des familles modestes se fera donc au détriment de la qualité et quantité de l’espace habité pour des familles nombreuses. À ce propos, le sociologue Thierry Oblet a bien montré comment se sont articulées les pensées des architectes et des ingénieurs modernistes, avec leur souci planificateur d’un État interventionniste[8] grâce à l’hégémonie du béton, de la ligne droite et de la standardisation de la construction.
Les exemples de cette architecture restent nombreux : de la Cité de 4000 (pour 4000 logements) à la Courneuve en Seine-Saint-Denis (93) aux logements de 15 étages aux balcons pétales, appelés « Chou-fleur » à Créteil en Val-de Marne (94) dessinés au début des années 70 par l’architecte Gérard Grandval. De la Cité des nuages à Nanterre dans les Hauts-de-Seine (92) à la Grande borne construite entre 1967 et 1971 sur le territoire des communes de Grigny et Viry-Châtillon, dans l’Essonne (91) en passant par la Noé à Chanteloup-les-Vignes dans le département des Yvelines (78) scénario du célèbre film La Haine[9] de Kassovits.
Récemment, plusieurs expositions photographiques se sont
concentrées sur cette nouvelle figure de l’urbanisme fonctionnaliste français de l’après-guerre. Par exemple Toit&Moi, 100 ans de logement social (2012), Les Grands ensembles 1960-2010 (2012) produite par l’école supérieure d’arts & médias de Caen/Cherbourg, selon un projet du Ministère de la Culture et de la Communication. Enfin l’exposition Photographie à l’œuvre, (2011-2012) d’Henri Salesse, photographe du service de l’inventaire du Ministère de la Reconstruction et de l’Urbanisme et Voyage en périphérie (2012) de Cyrus Cornut. Il s’agissait là non seulement d’un progrès matériel, mais aussi démocratique, donnant ainsi à chaque citoyen, la possibilité d’accéder à son petit appartement doté de tous les conforts de l’époque. La recherche d’économie et de rapidité dans la conduite des chantiers portent à l’utilisation du béton comme matériel privilégié et à des plans architecturaux aussi simples que possible avec la réalisation de logements standardisés, dont les barres et les tours deviennent les figures principales : Au mitan des années cinquante, apparurent d’étranges formes urbaines. Des immeubles d’habitation de plus en plus longs et de plus en plus hauts, assemblés en blocs qui ne s’intégraient pas aux villes existantes. Ces blocs s’en différenciaient ostensiblement et parfois comme systématiquement, s’en isolaient. Ils semblaient faire ville à part. Surtout ils ne ressemblaient pas à ce qu’on avait l’habitude d’appeler ville. Et leur architecture aussi, qui était tellement déroutante. On les a nommés » grands ensembles. Cité de l’Abreuvoir, Bobigny (93), 2003 (Inventaire général du Patrimoine, Région Ile de France / Stéphane Asseline)
Bref, entre 1946 et 1975 le parc immobilier français passe de 12,7 millions à 21 millions de logements. Environ 8 millions de ceux-ci sont neufs, construits entre 1953-1975 – dont la moitié sous forme de grands ensembles – et près de 80 % des logements grâce à une aide de l’État avec des crédits publics. Le nombre de logements sociaux passe de moins de 500.000 à près de 3 millions, dont 43 % en région parisienne, où la demande est la plus forte[11]. Ce qui témoigne d’un effort énorme. Secrétariat d’État à la Reconstruction et au Logement, Supplément du logement en 1954, cité par Bachmann, C. Le Guennec, N., Violences urbaines…Op.cit, p.24. Alors que l’hiver 1954 est particulièrement rigoureux, l’abbé Pierre lance un appel en faveur des sans-logis et déshérités et organise des collectes de vêtements et de nourriture pour les plus démunis. Cela nous rappelle également que les inégalités sociales restaient particulièrement importantes à l’époque, malgré les débuts de la croissance économique, et que la crise du logement n’était pas encore complètement résolue. Danièle Voldman, La reconstruction des villes françaises de 1940 à 1954 : histoire d’une politique, Paris, L’Harmattan, 1997. Les Actualités françaises, La crise du logement, un problème national, 17 juillet, 1957, in fresques.ina.fr/…/la-crise-du-logement-un-probleme-n…, consulté le 20/02/2014. C’est l’urbaniste Marcel Rotival dans un numéro d’Architecture d’Aujourd’hui de juin 1935 (vol.1, n°6, juin 1935, p.57) qui propose pour la première fois cette terminologie pour désigner les Habitations à Bon Marché (HBM) et leur transformation en Habitations à Loyer Modéré (HLM), par la loi du 21 juillet 1951: « Nous espérons, un jour, sortir des villes comme Paris, non seulement par l’avenue des Champs Elysées, la seule réalisation de tenue sans laquelle Paris n’existerait pas, mais sortir par Belleville, par Charonne, par Bobigny, etc., et trouver harmonieusement disposés le long de larges autostrades, au milieu de grands espaces boisés, de parcs, de stades, de grandes cités claires, bien orientées, lumineusement éclairées par le soleil. » Largement reprise depuis les années 1950 dans le jargon administratif et public, elle apparaît pour la première fois dans un texte officiel qu’en 1973 avec la Circulaire Guichard, alors Ministre de l’Aménagement du territoire, de l’Equipement, du Logement et du tourisme. Celui-ci met un terme à la politique initiée après-guerre afin « d’empêcher la réalisation des formes d’urbanisation désignées généralement sous le nom de “grands ensembles”, peu conforme aux aspirations des habitants et sans justification économique sérieuse ». Paradoxalement, le terme de grands ensembles s’officialise donc au moment même où ils son mis en question. ZUP est un acronyme qui signifie Zone à Urbaniser en Priorité. Elles ont été créées par le décret N°58-1464 du 31 décembre 1958, afin de planifier et d’encadrer sur le territoire national, le développement urbain pour répondre à la carence de logements face à l’accroissement démographique et favoriser enfin la résorption de l’habitat insalubre. Oblet, Thierry, Gouverner la ville. Les voies urbaines de la démocratie moderne, Paris, PUF, 2003. En particulier par l’intermédiaire de la Société centrale de construction et de la Société centrale pour l’équipement du territoire, créées au milieu des années 1950 en tant que filiales de la Caisse des dépôts et consignations.
Kassovitz, Mathieu, La Haine, France, 1995.
Cornu, Marcel, Libérer la ville, Bruxelles, Casterman, 1977, p.60. Annie Fourcaut « Les banlieues populaires ont aussi une histoire », Projet 4/2007 (n° 299), pp. 7-15.
www.dailymotion.com/video/xw6lak?playlist=x34ije - Rue neuve 1956 la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, villes, villages, grands ensembles réalisation : Jack Pinoteau , Panorama de la reconstruction de la France dix ans après la fin de la seconde guerre mondiale, ce film de commande évoque les villes et villages français détruits puis reconstruits dans un style respectant la tradition : Saint-Malo, Gien, Thionville, Ammerschwihr, etc. ainsi que la reconstruction en rupture avec l'architecture traditionnelle à Châtenay-Malabry, Arles, Saint Étienne, Évreux, Chambéry, Villeneuve-Saint-Georges, Abbeville, Le Havre, Marseille, Boulogne-sur-Mer, Dunkerque. Le documentaire explique par exemple la manière dont a été réalisée la reconstruction de Saint-Malo à l'intérieur des rempart de la vieille ville : "c'est la fidélité à l'histoire et la force du souvenir qui a guidé l'architecte". Dans le même esprit à Gien, au trois quart détruite en 1940, seul le château construit en 1494 pour Anne de Beaujeu, fille aînée de Louis XI, fut épargné par les bombardements. La ville fut reconstruite dans le style des rares immeubles restant. Gien est relevé de ses ruines et le nouvel ensemble harmonieux est appelé « Joyau de la Reconstruction française ». Dans un deuxième temps est abordé le chapitre de la construction des cités et des grands ensembles, de l’architecture du renouveau qualifiée de "grandiose incontestablement". S’il est précisé "on peut aimer ou de ne pas aimer ce style", l’emporte au final l’argument suivant : les grands ensembles, c'est la campagne à la ville, un urbanisme plus aéré, plus vert." les films caravelles 1956, Réalisateur : Jack Pinoteau (connu pour être le metteur en scène du film Le Triporteur 1957 qui fit découvrir Darry Cowl) www.dailymotion.com/video/xuz3o8?playlist=x34ije - www.dailymotion.com/video/xk1g5j?playlist=x34ije Brigitte Gros - Urbanisme - Filmer les grands ensembles 2016 - par Camille Canteux chercheuse au CHS -Centre d'Histoire Sociale - Jeanne Menjoulet - Ce film du CHS daté de 2014 www.youtube.com/watch?v=VDUBwVPNh0s … L'UNION SOCIALE POUR L'HABITAT le Musée des H.L.M. musee-hlm.fr/ union-habitat.org/ - EXPOSITION :LES 50 ANS DE LA RESIDENCe SALMSON POINT-Du JOUR www.salmsonlepointdujour.fr/pdf/Exposition_50_ans.pdf - Sotteville Construction de l’Anjou, le premier immeuble de la Zone Verte sottevilleaufildutemps.fr/2017/05/04/construction-de-limm... - www.20minutes.fr/paris/diaporama-7346-photo-854066-100-an... - www.ladepeche.fr/article/2010/11/02/940025-140-ans-en-arc... dreux-par-pierlouim.over-blog.com/article-chamards-1962-9... missionphoto.datar.gouv.fr/fr/photographe/7639/serie/7695...
Official Trailer - the Pruitt-Igoe Myth: an Urban History
www.youtube.com/watch?v=g7RwwkNzF68 - la dérive des continents youtu.be/kEeo8muZYJU Et la disparition des Mammouths - RILLIEUX LA PAPE & Dynacité - Le 23 février 2017, à 11h30, les tours Lyautey étaient foudroyées. www.youtube.com/watch?v=W---rnYoiQc …
Ginger CEBTP Démolition, filiale déconstruction du Groupe Ginger, a réalisé la maîtrise d'oeuvre de l'opération et produit les études d'exécution. L'emblématique ZUP Pruitt Igoe. vaste quartier HLM (33 barres de 11 étages) de Saint-Louis (Missouri) USA. démoli en 1972 www.youtube.com/watch?v=nq_SpRBXRmE … "Life is complicated, i killed people, smuggled people, sold people, but perhaps in here.. things will be different." ~ Niko Bellic - cité Balzac, à Vitry-sur-Seine (23 juin 2010).13H & Boom, quelques secondes plus tard, la barre «GHJ», 14 étages et 168 lgts, s’effondrait comme un château de cartes sous les applaudissements et les sifflets, bientôt enveloppés dans un nuage de poussière. www.youtube.com/watch?v=d9nBMHS7mzY … - "La Chapelle" Réhabilitation thermique de 667 logements à Andrézieux-Bou... youtu.be/0tswIPdoVCE - 11 octobre 1984 www.youtube.com/watch?v=Xk-Je1eQ5po …
DESTRUCTION par explosifs de 10 tours du QUARTIER DES MINGUETTES, à LYON. les tours des Minguettes ; VG des tours explosant et s'affaissant sur le côté dans un nuage de fumée blanche ; à 13H15, nous assistons à l'explosion de 4 autres tours - St-Etienne Métropole & Montchovet - la célèbre Muraille de Chine ( 540 lgts 270m de long 15 allees) qui était à l'époque en 1964 la plus grande barre HLM jamais construit en Europe. Après des phases de rénovation, cet immeuble a été dynamité en mai 2000 www.youtube.com/watch?v=YB3z_Z6DTdc … - PRESQU'ILE DE GENNEVILLIERS...AUJOURD'HUI...DEMAIN... (LA video içi parcours.cinearchives.org/Les-films-PRESQU-ILE-DE-GENNEVI... … ) Ce film de la municipalité de Gennevilliers explique la démarche et les objectifs de l’exposition communale consacrée à la presqu’île, exposition qui se tint en déc 1972 et janvier 1973 - le mythe de Pruitt-Igoe en video içi nextcity.org/daily/entry/watch-the-trailer-for-the-pruitt... … - 1964, quand les loisirs n’avaient (deja) pas le droit de cité poke @Memoire2cite youtu.be/Oj64jFKIcAE - Devenir de la ZUP de La Paillade youtu.be/1qxAhsqsV8M v - Regard sur les barres Zum' youtu.be/Eow6sODGct8 v - MONTCHOVET EN CONSTRUCTION Saint Etienne, ses travaux - Vidéo Ina.fr www.ina.fr/video/LXF99004401 … via - La construction de la Grande Borne à Grigny en 1969 Archive INA www.youtube.com/watch?time_continue=12&v=t843Ny2p7Ww (discours excellent en seconde partie) -David Liaudet : l'image absolue, c'est la carte postale" phothistory.wordpress.com/2016/04/27/david-liaudet-limage... … l'architecture sanatoriale Histoire des sanatoriums en France (1915-1945). Une architecture en quête de rendement thérapeutique..
passy-culture.com/wp-content/uploads/2009/10/Les-15-Glori... … … & hal.archives-ouvertes.fr/tel-01935993/document … explosion des tours Gauguin Destruction par implosion des Tours Gauguin (quartier de La Bastide) de Limoges le dimanche 28 novembre 2010 à 11 heures. Limoges 28/11/2010 youtu.be/cd0ln4Nqqbs … 42 Roanne - c'etait le 11 novembre 2013 - Souvenirs des HLM quartier du Parc... Après presque 45 minutes de retard, les trois dernières tours Chanteclair sont tombées. Le tir prévu etait à 11h14 La vidéo içi www.leprogres.fr/loire/2013/11/01/roanne-les-3-dernieres-... … … www.leprogres.fr/loire/2013/11/01/roanne-une-vingtaine-de... …Besançon (25) - la Nouvelle cité d'HLM La Planoise en 1960 avec la video des premiers habitants de Planoise en juin 1968 www.youtube.com/watch?v=LVKAkJSsCGk … … … archive INA … BEGIN Japanology - les utopies de l'extreme et Kenzo Tange l'architecte japonnais - la video içi www.youtube.com/watch?v=ZlAOtYFE4GM … 71 les Prés Saint-Jean a Chalon-sur-Saône - L'Implosion des 3 tours HLM de 15 etages le 5 décembre 2009 par FERRARI DEMOLITION içi www.youtube.com/watch?v=oDsqOjQJS8E … … … & là www.youtube.com/watch?v=ARQYQLORBBE … 21 DIJON Cité des Grésilles - c'etait l'implosion de la residençe HLM Paul Bur le 19 02 2010 www.youtube.com/watch?v=fAEuaq5mivM … … & la www.youtube.com/watch?v=mTUm-mky-sw … 59 - la technique dite du basculement - Destruction de l'immeuble Rhone a Lille avec pleins de ralentit içi video-streaming.orange.fr/actu-politique/destruction-de-l... … 21 Chenôve (le GRAND DIJON) - Implosion de la barre François RUDE le 3 nov 2010 (top video !!) www.youtube.com/watch?v=ClmeXzo3r5A … …Quand l histoire çe repete et çe repetera autant de fois que nesçessaire quand on voie la quantitée de barres 60 70's...dans le collimateur de l'ANRU2.. 77 MEAUX 3 grandes tours..& puis s'en vont.. Démolition Pierre Collinet Batiment Genêt, Hortensia et Iris - Reportage Journal le 26 juin 2011 youtu.be/fpPcaC2wRIc 71 CHALON SUR SAONE C'etait les Prés Saint Jean le 05 décembre 2009 , pour une implosion hlm hors du commun !!! Caméra mise à même le sol , à une vingtaine de mètres de la première tour .... www.youtube.com/watch?v=kVlC9rYU-gs … 78 les MUREAUX le 3 octobre 2010 ,Les dernières minutes de la Tour Molière aux Mureaux (Yvelines) et sa démolition par semi-foudroyage, filmés du quartier de la Vigne Blanche. www.youtube.com/watch?v=u2FDMxrLHcw …71 MACON LES GRANDES PERRIERES C'etait un 30 juin 2013, avec l'implosion de la barre HLM des Perrières par GINGER www.youtube.com/watch?v=EzYwTcCGUGA … … une video exceptionnelle ! c'etait Le Norfolk Court un ensemble résidentiel, le Norfolk Court, construit dans les années 1970, a été démoli à Glasgow en Ecosse le 9 mai 2016 . Il rate la démolition d'un immeuble au tout dernier moment LES PASSAGERS DU BUS EN PROFITE A SA PLAçE lol www.20minutes.fr/tv/t-as-vu/237077-il-rate-la-demolition-... … 69 LYON Quand La Duchère disait adieu à sa barre 230 le jeudi 2 juillet 2015
www.youtube.com/watch?v=BSwidwLw0NA … www.youtube.com/watch?v=BdLjUAK1oUk … www.youtube.com/watch?v=-DZ5RSLpYrM …Avenir Deconstruction : Foudroyage de 3 barres HLM - VAULX-EN-VELIN (69) www.youtube.com/watch?v=-E02NUMqDno Démolition du quartier Bachelard à Vaulx-en-Velin www.youtube.com/watch?v=DSAEBIYYpXY Démolition des tours du Pré de l'Herpe (Vaulx-en-Velin)
www.youtube.com/watch?v=fG5sD1G-QgU REPORTAGE - En sept secondes, un ensemble de 407 appartements à Vaulx-en-Velin a été détruit à l'explosif dans le cadre du renouvellement urbain... www.youtube.com/watch?v=Js6w9bnUuRM www.youtube.com/watch?v=MCj5D1NhxhI - St-QUENTIN LA ZUP (scic)- NOUMEA - NOUVELLE CALEDONIE historique de la cité Saint-Quentin içi www.agence-concept.com/savoir-faire/sic/
www.youtube.com/watch?v=_Gt6STiH_pM …[VIDEOS] Trois tours de la cité des Indes de Sartrouville ont été démolies dans le cadre du plan de rénovation urbaine du quartier Mille quatre cent soixante-deux détonateurs, 312 kilos le 06/06/2010 à 11 heures. la belle video içi www.youtube.com/watch?v=fY1B07GWyDE VIGNEUX-SUR-SEINE, VOTRE HISTOIRE, VOS SOUVENIRS. içi www.youtube.com/watch?v=8o_Ke26mB48 … , Film des Tours et du quartier de la Croix Blanche, de 1966 à 1968. Les Tours en train de finir de se construire, ainsi que le centre commerciale. Destruction de la Tour 21, pour construire de nouveaux HLM...
42 LOIRE ST-ETIENNE MONTREYNAUD tout une histoire youtu.be/ietu6yPB5KQ - Mascovich & la tour de Montreynaud www.youtube.com/watch?v=p7Zmwn224XE … -Travaux dalle du Forum à Montreynaud Saint-Etienne www.youtube.com/watch?v=0WaFbrBEfU4 … & içi www.youtube.com/watch?v=aHnT_I5dEyI … - et fr3 là www.youtube.com/watch?v=hCsXNOMRWW4 … - Au nord-Est de St-Etienne, aux confins de la ville, se dresse une colline et sur les pentes de cette colline s’accroche une petite ville, un quartier, un peu à part. Cet endroit niché au milieu de la verdure, c’est le quartier de Montreynaud. www.youtube.com/watch?v=Sqfb27hXMDo&fbclid=IwAR2ALN4d... …Et sinon, avez-vous remarqué au dessus du P de AGIP ? On voit, dans le film, la Tour Réservoir Plein Ciel du quartier de Montreynaud, détruite 3 ans plus tard par foudroyage ! Sûr que @Memoire2cite a des photos du quartier et de la tout à l'époque ! ;-) 42 LOIRE SAINT-ETIENNE MONTREYNAUD LA ZUP Souvenirs avec Mascovich & son clip "la tour de Montreynaud" www.youtube.com/watch?v=p7Zmwn224XE …
- Que de chemin parcouru, Muraille de Chine La Palle Beaulieu jusqu'aux années 90. L habitat se transforme et s adapte aux nouveaux besoins. Autre temps, période d'essor économique et du "vivre ensemble". Merci à @Memoire2cite pour cette introspection du passé! -
Display Shelf - The Commoner
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The moment I sat down, I was fascinated with all the bits and pieces used to decorate the room. Dani Valent calls it "Shabby Chic" and I'd agree. Very stylishly shabby chic.
We'd just read about the adventurous breakfast of panfried gingerbread and since we were in the area, we decided to drop by. We made it just in time because they stopped accepting customers for breakfast after 10:30!
As expected, the panfried gingerbread was wonderfully light and fluffy on the inside with a crust of caramelised honey and butter. Paired with rustically lumpy house-made yoghurt and crunchy caramelised bananas, it was very good, although, the gingerbread could have stood up on its own with just the yoghurt.
The scrambled eggs were creamy and well presented with a dressed pile of rocquette leaves.
The service was very good, and despite the number of times the waitresses had to turn breakfast-seekers away after 10:30, they were always good natured. When I was settling the bill, one girl even said, nay, almost secretly whispered that they had just put a whole goat in the woodfire oven out back, slowly roasting until lunchtime! Wow. I was already planning my next visit to have some of the woodfire roasted suckling pig they had on as the April Fool's specials, but it seems I could just walk in any Sunday lunch and be greeted by a slow roasted dish! mmm...
The Commoner
122 Johnston St Fitzroy 3065
(03) 9415 6876
Reviews:
- Breakfast for the brave, by Nina Rousseau, The Age, Epicure April 8, 2008
- The Commoner, by Dani Valent, The Age, Epicure July 17, 2007
-The Commoner, by Matt Preston, The Age, Epicure May 28, 2007
Photos:
- Panfried Ginger Bread with Caramelised Bananas, House-made Yoghurt and Wildflower Honey
- 180-degree fish-eye lenses, Running Water - Unisex washroom decor
- Running Water - Unisex washroom decor
- Beware of limbo dancers, Loads over 10lbs lower by Rope - Unisex washroom decor
Fitzroy walkabout photos:
- Shop front - Curious Eidolon, Fitzroy - 50% off closing down sale. How sad...
- Ice-cream vixen - Curious Eidolon, Fitzroy
- Casa Iberica, Fitzroy - Spanish, Latin American supermarket
- Shop front - Los Amates, Fitzroy - reputedly one of the best Mexican in Melbourne, not Tex Mex...
Thierry Geoffroy was visiting Frieze week London art fair
www.emergencyrooms.org/formats.html
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#friezelondon
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participating gallerie in 2018 for the Frieze art fair were
FRIEZE LONDON
303 Gallery, New York
A Gentil Carioca, Rio de Janeiro
Miguel Abreu Gallery, New York
Galería Juana de Aizpuru, Madrid
The Approach, London
Tanya Bonakdar Gallery, New York
The Box, Los Angeles
The Breeder, Athens
Gavin Brown’s enterprise, New York
Buchholz, Berlin
Canada, New York
Galerie Gisela Capitain, Cologne
Sadie Coles HQ, London
Pilar Corrias Gallery, London
Galeria Vera Cortês, Lisbon
Corvi-Mora, London
Galerie Chantal Crousel, Paris
Thomas Dane Gallery, London
Galerie Eigen + Art, Berlin
Foksal Gallery Foundation, Warsaw
Fonti, Naples
Fortes D’Aloia & Gabriel, São Paulo
Carl Freedman Gallery, Margate
Stephen Friedman Gallery, London
Frith Street Gallery, London
Gagosian, London
François Ghebaly, Los Angeles
Goodman Gallery, Johannesburg
Marian Goodman Gallery, London
Greene Naftali, New York
greengrassi, London
Grimm, Amsterdam
Galerie Karin Guenther, Hamburg
Hales Gallery, London
Hauser & Wirth, London
Herald St, London
Galerie Max Hetzler, Berlin
Hollybush Gardens, London
Xavier Hufkens, Brussels
Gallery Hyundai, Seoul
Ingleby, Edinburgh
Taka Ishii Gallery, Tokyo
Alison Jacques Gallery, London
Galerie Martin Janda, Vienna
Kadel Willborn, Düsseldorf
Casey Kaplan, New York
Kayne Griffin Corcoran, Los Angeles
Galerie Peter Kilchmann, Zurich
König Galerie, Berlin
David Kordansky Gallery, Los Angeles
Andrew Kreps Gallery, New York
Galerie Krinzinger, Vienna
Kukje Gallery, Seoul
kurimanzutto, Mexico City
Simon Lee Gallery, London
Lehmann Maupin, New York
Galerie Lelong & Co., New York
David Lewis, New York
Lisson Gallery, London
Kate MacGarry, London
Mai 36 Galerie, Zurich
Maisterravalbuena, Madrid
Matthew Marks Gallery, New York
Mary Mary, Glasgow
Galerie Greta Meert, Brussels
Mendes Wood DM, São Paulo
kamel mennour, Paris
Metro Pictures, New York
Galerie Meyer Kainer, Vienna
Victoria Miro, London
Stuart Shave/Modern Art, London
The Modern Institute, Glasgow
mother’s tankstation, Dublin
Taro Nasu, Tokyo
Galleria Franco Noero, Turin
David Nolan Gallery, New York
Galerie Nordenhake, Berlin
Galleria Lorcan O’Neill, Rome
Office Baroque, Brussels
OMR, Mexico City
P.P.O.W, New York
Pace Gallery, London
Maureen Paley, London
Peres Projects, Berlin
Galerie Perrotin, Paris
Galeria Plan B, Berlin
Gregor Podnar, Berlin
Project 88, Mumbai
Almine Rech Gallery, Paris
Rodeo, London
Galerie Thaddaeus Ropac, London
Lia Rumma Gallery, Milan
Salon 94, New York
Esther Schipper, Berlin
Galerie Rüdiger Schöttle, Munich
Seventeen, London
Sfeir-Semler, Beirut
Jack Shainman Gallery, New York
Shanghart Gallery, Shanghai
Société, Berlin
Sommer Contemporary Art, Tel Aviv
Sprovieri, London
Sprüth Magers, Berlin
Stevenson, Cape Town
Galeria Luisa Strina, São Paulo
Timothy Taylor, London
The Third Line, Dubai
Travesía Cuatro, Madrid
Vermelho, São Paulo
Galleri Nicolai Wallner, Copenhagen
Michael Werner, New York
White Cube, London
Barbara Wien, Berlin
Zeno X Gallery, Antwerp
David Zwirner, New York
Focus Sector
47 Canal, New York
Arcadia Missa, London
Michael Benevento, Los Angeles
blank projects, Cape Town
Bodega, New York
Carlos/Ishikawa, London
Nuno Centeno, Porto
Cooper Cole, Toronto
Galerie Crèvecoeur, Paris
Emalin, London
Frutta, Rome
Ginerva Gambino, Cologne
Green Art Gallery, Dubai
Gypsum, Cairo
High Art, Paris
Instituto de Visión, Bogota
Jhaveri Contemporary, Mumbai
Koppe Astner, Glasgow
Laveronica Arte Contemporanea, Modica
Galerie Emanuel Layr, Vienna
Magician Space, Beijing
Edouard Malingue Gallery, Hong Kong
Galeria Jaqueline Martins, São Paulo
Misako & Rosen, Tokyo
Night Gallery, Los Angeles
Project Native Informant, London
Proyectos Ultravioleta, Guatemala City
Revolver Galería, Lima
Southard Reid, London
Sultana, Paris
The Sunday Painter, London
Union Pacific, London
Various Small Fires (VSF), Los Angeles
FRIEZE MASTERS
Didier Aaron, Paris
Acquavella Galleries, New York
Applicat-Prazan, Paris
Ariadne Galleries, London
Antichita Bacarelli, Florence
Emanuel von Baeyer, London
Bernheimer Fine Art, Lucerne
Blain | Southern, London
BorzoGallery, Amsterdam
Botticelli Antichita, Florence
Ben Brown Fine Arts, London
Prahlad Bubbar, London
Galerie Canesso, Paris
Cardi, London
Castelli Gallery, New York
Galerie Jean-Christophe Charbonnier, Paris
Galerie Chenel, Paris
Le Claire Kunst, Hamburg
Colnaghi, London
Galleria Continua, San Gimignano
Alan Cristea Gallery, London
Gisèle Croës – Arts d’Extrême Orient,
Brussels
Daniel Crouch Rare Books, London
Thomas Dane Gallery, London
Massimo De Carlo, Milan
Dickinson, London
Andrew Edmunds, London
Donald Ellis Gallery, New York
Entwistle, London
The Gallery of Everything, London
Eykyn Maclean, London
Galerie Ulrich Fiedler, Berlin
Sam Fogg, London
Peter Freeman, Inc., New York
Stephen Friedman Gallery, London
Gagosian, London
Francesca Galloway, London
Galerie David Ghezelbash, Paris
Israel Goldman Japanese Prints, London
(shared with Max Rutherston)
Galeria Elvira Gonzalez, Madrid
Richard Green, London
Dr. Jörn Günther Rare Books, Basel
Johnny Van Haeften, London
Hauser & Wirth, London
Hazlitt Holland-Hibbert, London
Paul Hughes Fine Arts, London
Gallery Hyundai, Seoul
Bernard Jacobson Gallery, London
De Jonckheere, Geneva
Annely Juda Fine Art, London
Tina Kim Gallery, New York
Koetser Gallery, Zurich
Kunstkammer Georg Laue, Munich
Les Enluminures, Paris
Lévy Gorvy, London
Salomon Lilian, Geneva
Luhring Augustine, New York
Luxembourg & Dayan, London
Olivier Malingue, London
Marlborough Fine Art, London
Barbara Mathes Gallery, New York
The Mayor Gallery, London
Mazzoleni, London
Anthony Meier Fine Arts, San Francisco
kamel mennour, Paris
Galerie Meyer Oceanic Art, Paris
Mnuchin Gallery, New York
Moretti Fine Art, London
Nahmad Contemporary, New York
Stephen Ongpin Fine Art, London
Pace Gallery, London
Franklin Parrasch Gallery, New York
Parrasch Heijnen Gallery, Los Angeles
Raccanello Leprince, London
Almine Rech Gallery, Paris
Robilant + Voena, London
Rudigier, Munich
Max Rutherston, London
Galerie G. Sarti, Paris
Schönewald Fine Arts, Düsseldorf
Karsten Schubert, London
Shapero Rare Books, London
Bruce Silverstein Gallery, New York
Skarstedt, London
Sperone Westwater, New York
Sprüth Magers, Berlin
Stair Sainty Gallery, London
Craig F. Starr Gallery, New York
Sycomore Ancient Art, Geneva
Galleria Tega, Milan
Galerie Thomas, Munich
Tornabuoni Art, London
Van de Weghe, New York
Van Doren Waxter, New York
Venus Over Manhattan, New York
Axel Vervoordt Gallery, Antwerp
Rupert Wace Ancient Art, London
Waddington Custot, London
Offer Waterman, London
W&K – Wienerroither & Kohlbacher, Vienna
David Zwirner, London
Collections Sector
AR-PAB, Alvaro Roquette & Pedro AguiarBranco,
Lisbon
Brun Fine Art, London
Eric Gillis Fine Art, Brussels
Peter Harrington, London
Oscar Humphries, London
Yves Macaux, Brussels
Mitochu Koeki, Tokyo
Spotlight Sector
Galerie 1900-2000, Paris, Pierre Molinier
Galeria de Arte Almeida e Dale, São Paulo, Alfredo Volpi
Equinox Gallery, Vancouver, Gathie Falk
espaivisor, Valencia, Hamish Fulton
Henrique Faria, New York, Mirtha Dermisache
Eric Firestone Gallery, New York, Joe Overstreet
Galerie Christophe Gaillard, Paris, Pierre Molinier
Galerist, Istanbul, Semiha Berksoy
Alexander Gray Associates, New York, Sergei Eisenstein
Garth Greenan Gallery, New York, Rosalyn Drexler
Michael Hoppen Gallery, London, Ishiuchi Miyako
Inman Gallery, Houston, Dorothy Antoinette LaSelle
Alison Jacques Gallery, London, Lenore G. Tawney
Kalfayan Galleries, Athens, Nausica Pastra
Loevenbruck, Paris, Key Hiraga
Gió Marconi, Milan, Valerio Adami
Massimo Minini, Brescia, Titina Maselli
Jan Mot, Brussels, stanley brouwn
Perve Galeria, Lisbon, Ernesto Shikhani
Gregor Podnar, Berlin, Ivan Kožaric
Galeria Marilia Razuk, São Paulo, Alfredo Volpi
Richard Saltoun, London, Annegret Soltau
SODA gallery, Bratislava, Stano Filko
Micheline Szwajcer, Antwerp, stanley brouwn
Vigo, London, Semiha Berksoy
Amanda Wilkinson, London, Derek Jarman
Czym jest wiara w Boga | „Chrzest ognia” Jedyna droga wiodąca do wejścia do królestwa niebieskiego (Dubbing PL)
Pan Jezus powiedział: „Nie każdy, kto mi mówi: Panie, Panie, wejdzie do królestwa , lecz ten, kto wypełnia wolę mojego Ojca, który jest w niebie” (Mt 7:21). W jaki konkretnie sposób powinniśmy dążyć do stania się ludźmi, którzy wypełniają wolę Ojca niebieskiego i są posłuszni Bogu, tak aby zabrał nas On do królestwa niebieskiego?
Chrześcijanin Song Enze został aresztowany przez Komunistyczną Partię Chin i skazany na siedem lat więzienia za to, że wierzył w Boga i głosił Bożą ewangelię. Po zwolnieniu z więzienia dalej ponosił koszty na rzecz Boga głosząc ewangelię. Ma on poczucie, że wyrzekając się domu i kariery, ciężko pracując i wykonując dzieło, wypełnia wolę Boga i jest pewny, że zyska uznanie w oczach Boga, który zaprowadzi go do królestwa niebieskiego. Niedługo potem syn Songa Enze zapada na poważną chorobę i jego życie jest zagrożone. Song Enze ma z tego powodu pretensje do Boga, próbuje kłócić się z Bogiem, a nawet traci chęć do wykonywania swoich obowiązków. Poprzez faktyczną sytuację, w jakiej się znalazł, oraz dzięki objawieniu słowa Boga, Song Enze zdaje sobie sprawę, że jego wiele lat wyrzeczeń i ponoszenia kosztów na rzecz Boga było pierwotnie próbą wytargowania Bożej łaski i Bożych błogosławieństw oraz że nie jest kimś, kto jest posłuszny Bogu. Na koniec, dzięki poszukiwaniu, uczy się, jak dążyć do porzucenia swojego skażonego usposobienia, stania się prawdziwie posłusznym Bogu i bycia zbawionym przez Boga.
Więcej: Film chrześcijański
Time Magazine U.S. Edition -- December 29, 2008 Vol. 172 No. 26
www.time.com/time/photogallery/0,29307,1866936,00.html
On Black Background
Tomitheos Space Channel
flickr today
Wroxton Abbey is a Jacobean house in Oxfordshire, with a 1727 garden partly converted to the serpentine style between 1731 and 1751. It is 2.5 miles (4 km) west of Banbury, off the A422, in Wroxton St. Mary. It is now the English campus of Fairleigh Dickinson University.
Wroxton Abbey is a modernised, 17th century Jacobean manor house built on the foundations of a 13th century Augustinian priory. The abbey boasts a great hall, minstrels' gallery, chapel, multi-room library, and royal bedrooms. In addition, there are 45 bedrooms (each with private bath), seminar rooms, offices, basement recreation rooms, and a reception area.
Wroxton Abbey, named for its 12th-century origins as a monastery that fell into disrepair after Henry VIII's 1536 dissolution. Remnants of that structure remain in the basement beams, though the building literally rose from the ruins when rebuilt by William Pope in the early 17th century and added to for several centuries after that as the property passed from the Popes to the Norths in 1677.
The various Lords North and their families, including Frederick, Lord North and their royal, literary, and Presidential visitors — James I in 1605, Charles I on 13 July 1643, George IV in 1805, 06 and 08, William IV, Teddy Roosevelt in 1887 where he slept in William IV the Duke of Clarence's bed, Horace Walpole, Henry James, Frederick, Prince of Wales as well as the structure itself, led to the Abbey's designation as a Grade One Listed Building.
The grounds are composed of 56 acres (23 ha) of lawns, lakes, and woodlands, and comprise a serpentine lake, a cascade, a rill and a number of follies: the Gothic Dovecote attributed to Sanderson Miller and his Temple-on-the-Mount; the Drayton Arch was built by David Hiorn in 1771. William Andrews Nesfield advised on a formal flower garden on the south side of the house. A knot garden has been added in the 20th century and was illustrated by Blomfield as an example of a "modern garden". He wrote that "Nothing can be more beautiful than some of the walks under the apple trees in the gardens of Penshurst".
Wroxton College
The lease for Wroxton Abbey was given to Trinity College, Oxford, by the North and Pope families in 1932. It was sold to New Jersey-based Fairleigh Dickinson University in 1964.[3] Since 1965, Wroxton Abbey has served as home to Fairleigh Dickinson University's Wroxton College. This campus serves American students from Fairleigh Dickinson's New Jersey campuses and other American students studying under the British tutorial system. Students are subjected to a rigorous curriculum in a variety of courses including several political science, English, art, and other social science courses. In addition to Wroxton's own lecturers, guest lecturers from other British universities will often supplement the academic experience. Wroxton College is accredited by Accreditation Service of International Colleges and was awarded ASIC Premier College Status by that same organization. Source: Wikipedia.
p.s. I was very fortunate to spend several days here.
Labranda – Labraunda – Lambraunda – or Labraynda.
www.labraunda.org/Labraunda.org/Foreword_eng.html
In ancient times the people living in south-western Anatolia were known as the Karians. They had their own language, Karian, which was an Indo-European language related to that of their neighbours in Lykia to the east. Their country Karia was bordered to the north by the river Maeander (Büyük Menderes Çayı) and in the east by the river Indos (Dalaman Çayı). From 546 BC Karia formed part of the Persian empire, and was ruled by satraps appointed by the Great King at Persepolis in Persia. In the 4th century, Karia was ruled by satraps of a local dynasty. The first one was Hekatomnos (392-377 BC). As rulers after him followed his five sons and daughters, one after the other. They are called the Hekatomnids, which means the descendants of Hekatomnos. After the oldest, Maussollos (377-352), came his wife and sister Artemisia (352-351), then Idrieus (351-344), followed by Ada, who was also his sister and wife (344-341) and, after her, the youngest brother Pixodaros (341-336). Alexander the Great put Ada back in charge in 334 BC.
The most important sanctuary in western Karia was Labraunda, especially in the 4th century BC, since the Hekatomnids favoured it more than any other shrine in Karia. At that time the sanctuary of Labraunda does not seem to have belonged to any city. It was probably an independent shrine and a place for pilgrimage, ruled by its priests and belonging to the people of all surrounding villages.
More;
www.labraunda.org/Labraunda.org/Introduction_eng.html
Labraunda Team;
www.irishbirding.com/birds/web/Display/sighting/108224/Ho...
[order] Upupiformes | [family] Upupidae | [latin] Upupa epops | [UK] Hoopoe | [FR] Huppe fasciée | [DE] Wiedehopf | [ES] Abubilla | [IT] Upupa | [NL] Hop
spanwidth min.: 44 cm
spanwidth max.: 48 cm
size min.: 25 cm
size max.: 29 cm
Breeding
incubation min.: 15 days
incubation max.: 18 days
fledging min.: 26 days
fledging max.: 29 days
broods 1
eggs min.: 6
eggs max.: 9
Physical characteristics
Nominate race pale sandy-buff, tinged pinkish below, feathers of crest with white subterminal spots and blac tips. White band across tips of primaries, white tips on inner primaries. Bill grey, legs rather short, flesh-grey to dark grey. Sexes similar except female slightly smaller and duller, throat more whitish. Races vary mainly in size, depth of coloration and some other details.
Habitat
Occurs in open woodland, pastures, orchards, sand-heathland, parkland, farmland, also seppe and broken ground. In Africa occurs also in dry and wooded savanna. Favours short-grass or bare ground, with scattered trees or cliffs to holes for roosting and nesting.
Other details
Upupa epops is a widespread breeder across much of the southern half of Europe, which accounts for less than a quarter of its global breeding range. Its European breeding population is large (>890,000 pairs), and was stable between 1970-1990. Although the species was stable across much of Europe during 1990-2000, several populations suffered declines, most notably the sizeable one in Turkey, and the species probably underwent a moderate decline (>10%) overall. Consequently, this previously Secure species is now provisionally evaluated as Declining.
Feeding
Diet mostly large insects and their larvae and pupae, also small vertebrates: lizards, snakes, frogs, and geckos. Usually forages alone, or pairs feed in close proximity. Forages mostly on ground, digging and probing with bill in soft earth, also turns over leaves and other debris.
Breeding
Breeds January-May in Palearctic, August-Jan in Africa, and January-June in Malay Peninsula. In Southern areas double brooded. Monogamous, solitary and territorial breeder. Nest is built in natural hole in stump, tree, wall, old building or cliff. Unlined or slightly lined. 5-8 eggs in Palearctic and 4-7 in tropics. incubation by female for a period of 16-18 days. Nestling downy in first 3-5 days, later covered in long spiny quills. First breeding at 1 year.
Migration
Migratory in northern parts of range, partially migratory to resident elsewhere. Nominate epops, breeding in all west Palearctic except Egypt and southern Algeria, winters in small numbers in North Africa and Mediterranean basin, only exceptionally further north. Probably most European migrants winter in Africa south of Sahara, where not distinguishable in the field from local senegalensis. Migration (much of which nocturnal) occurs on broad front across Europe and Mediterranean, and probably across Sahara also. Migration seasons notably protracted. Autumn dispersal spans mid-July to late October or even into November; normal termination period masked by overwintering in southern breeding areas. Begin arriving south of Sahara in second half of August, with main arrivals there September-October. Return movement detected from early February in Morocco and Malta; at peak mid-March to April, tailing off during May. In Britain and Ireland, recorded in every month but chiefly in spring, with marked peak April-May; autumn records peak September; spring records involve overshooting in anticyclonic weather and arrivals in overcast conditions with fronts moving into English Channel and North Sea. Individuals of the dark east Palearctic race saturata apparently occur regularly in Sweden in autumn, perhaps as a result of reversed migration, some remaining through winter.
el.kingdomsalvation.org/videos/praise-Almighty-God-mv.html
η αγάπη του θεού
Χριστιανικά τραγούδια | Όλα τα έθνη και όλοι οι λαοί υμνήστε τον Παντοδύναμο Θεό
Όλα τα έθνη και όλοι οι λαοί υμνήστε τον Παντοδύναμο Θεό
Ο Θεός ενσαρκώθηκε ως Παντοδύναμος Θεός, εκφράζοντας την αλήθεια για να κρίνει και να εξαγνίσει τον άνθρωπο.
Τώρα ο Θεός νίκησε τις δυνάμεις του Σατανά, κυριάρχησε και κέρδισε μια ομάδα ανθρώπων.
Υμνήστε τον Θεό, τον παντοδύναμο και σοφό, νίκησε τον Σατανά.
Υμνήστε τον Θεό, η δίκαια διάθεσή Του αποκαλύφθηκε πλήρως.
Ας υμνήσουμε τον Παντοδύναμο Θεό, τον αξιαγάπητο πρακτικό Θεό.
Υμνούμε τον Θεό, ταπεινό και κρυμμένο, είναι τόσο αξιαγάπητος!
Σε υμνούμε, Παντοδύναμε Θεέ (υμνούμε τον Θεό)! Όλοι ερχόμαστε για να Σε υμνήσουμε (να Σε υμνήσουμε)!
Σε υμνούμε, Παντοδύναμε Θεέ! Όλοι ερχόμαστε για να Σε υμνήσουμε!
Όλες οι χώρες υμνούν τον Παντοδύναμο Θεό, όλα τα έθνη κι οι λαοί υμνούν τον Παντοδύναμο Θεό.
Τραγουδήστε, χορέψτε χαρούμενα για να υμνήσετε τον Παντοδύναμο Θεό. Τα κύματα στη θάλασσα υμνούν τον Παντοδύναμο Θεό.
Τα πουλιά στον αέρα υμνούν τον Παντοδύναμο Θεό. Το σύμπαν υμνεί τον Παντοδύναμο Θεό.
Όλα τα δημιουργήματά Του υμνούν τον Παντοδύναμο Θεό.
Σε υμνούμε, Παντοδύναμε Θεέ! Όλοι ερχόμαστε για να Σε υμνήσουμε!
Όλα τα έθνη κι όλοι οι λαοί Σε υμνούν!
Σε υμνούμε, Παντοδύναμε Θεέ! (Σε υμνούμε, Παντοδύναμε Θεέ!)
Όλοι ερχόμαστε για να Σε υμνήσουμε! (Όλοι ερχόμαστε για να Σε υμνήσουμε!)
Όλα τα έθνη κι όλοι οι λαοί Σε υμνούν!
Σε υμνούμε (Σε υμνούμε)! Σε υμνούμε Παντοδύναμε Θεέ!
από το βιβλίο «Ακολουθήστε τον Αμνό και τραγουδήστε νέα τραγούδια»
Γεια σας!
Νεαροί αδερφοί και αδερφές, επιτρέψτε μου να σας κάνω μια ερώτηση.
Πώς ξέρατε να πιστέψετε στον Παντοδύναμο Θεό, ενώ είστε τόσο νέοι;
Ο μπαμπάς κι η μαμά μου έχουν γευτεί την ευχαρίστηση της πίστης στον Θεό,
κι έτσι με έφεραν μπροστά στον Παντοδύναμο Θεό, κι είμαι κι εγώ πολύ χαρούμενη.
Ναι, όταν δεν πίστευα στον Θεό,
μόνο έβλεπα τηλεόραση μετά το σχολείο κι έπαιζα με το κινητό μου, κι έπαθα μυωπία.
Αφότου πίστεψα στον Θεό με τον μπαμπά και τη μαμά μου,
τραγουδάω και χορεύω για να υμνήσω τον Θεό με τα μικρότερα αδέρφια μου και νιώθω πολύ χαρούμενος.
Και ο μπαμπάς και η μαμά μου είναι καθησυχασμένοι.
Κι εγώ! Κι εγώ!
Πολλοί απ’ τους συμμαθητές μου είναι εθισμένοι στα διαδικτυακά παιχνίδια, στους τσακωμούς και στο να ακολουθούν διασημότητες,
χωρίς να ξέρουν πώς να έχουν καλή σχέση με τους γονείς τους.
Αλλά εγώ διαφέρω από αυτούς.
Από τότε που πίστεψα στον Θεό και διάβασα τον λόγο Του,
δόξα τω Θεώ, με έχει κρατήσει μακριά απ’ τα κακά πράγματα στην κοινωνία,
και περπατώ στο σωστό μονοπάτι στη ζωή.
Πραγματικά!
Αφότου πίστεψα στον Θεό, συναντιόμαστε κάθε Σαββατοκύριακο για να διαβάσουμε τον λόγο του Θεού και να Τον υμνήσουμε.
Ο μπαμπάς κι η μαμά μου δεν χρειάζεται να ανησυχούν πια μήπως γίνω κακός.
Οι γονείς μας, μας δίνουν μεγάλη υποστήριξη στην πίστη μας στον Θεό.
Φοβόντουσαν ότι αν δεν πιστεύαμε στον Θεό,
θα μας επηρέαζαν τα κακά πράγματα στον κόσμο.
Αλλά τώρα μπορούν να μείνουν ήσυχοι!
Ευχαριστούμε τον Παντοδύναμο Θεό!
Ευχαριστούμε τον Παντοδύναμο Θεό!
από το βιβλίο «Ακολουθήστε τον Αμνό και τραγουδήστε νέα τραγούδια»
Εκκλησιαστικοί ύμνοι
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
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