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www.stilus.nl/oudheid/wdo/CAMPI/ACQUE.html
Napels, Parco della Tomba di Virgilio.
Gang van het Romeinse Aquaduct van Serino.
Op dit punt sneed het aquaduct met zijn voornaamste tak de helling van de heuvel, terwijl die met zijn galerij de Crypta Neapolitana omsloot. De waterleiding, gedeeltelijk toegankelijk door een aardverschuiving is geheel uit de tufsteen gegraven en loopt circa 50 cm boven het originele straatniveau. Goed geconserveerd, nu van binnen nog over een korte afstand beloopbaar, valt de bekleding van de wanden met gemalen potscherven op, in de oudheid gewoonlijk gebruikt om de oppervlakten die in contact kwamen met het water, ondoordringbaar te maken. De waterleiding is in dezelfde tijd (of iets later) gemaakt als de opening van de Crypta. Het monumentale aquaduct (ongeveer 96 km lang) werd inderdaad ontworpen en gemaakt in de Augusteïsche tijd, in het kader van een geweldig programma van watervoorziening, vooral bedoeld om te voorzien in de groeiende eisen van de commerciële haven van Puteoli en in die van de vloot van Misenum, door Augustus persoonlijk opgericht.
De lijst van centra bediend door het aquaduct, is bekend door een inscriptie uit de tijd van Constantijn, ontdekt bij de bron van het water. Uit een kunstmatig bassin gevoed door bronnen van de hoogvlakte van Serino vertakken zich twee waterleidingen: de ene naar Beneventum, de andere, daarentegen, in de richting van Napels. In Napels volgde het trace hellingen van de heuvels van Capodimonte, van de Scudillo en de Vomero totdat het bij de Crypta Neapolitana kwam. Daar maakte zich een vertakking los ten dienste van de keizerlijk villa van Pausilypon, bewezen door een graffito uit 65 n.C., terugevonden gedurende de bouw van de Galleria Laziale. De hoofdader ging verder, dwars door Fuorigrotta en Bagnoli, tot aan Puteoli, de omgeving van de Thermen van de Via Terracina passerend; een tweede tak voedde de thermen van Agnano. In Puteoli liep het aquaduct in het hoge deel van de stad, terwijl hij de bassins van Carditus en Luscianus vulde, vervolgde langs de Starza, daarna naar het Avernische meer (waar een tak zorgde voor de voorziening van Cumae) en eindigde in de Piscina Mirabilis, boven de haven van Misenum.
Belangrijke restauraties zouden hebben plaatsgevonden in de Flavische tijd, toen hele stukken vervangen werden door andere parallelle (gemaakt om misschien in relatie met de schade opgelopen door seismische gebeurtenissen van 62 n.C., door de uitbarsting van 79 n.C. of door aardverschuivingen); en ook onder Constantijn, in 324, toen alleen de hoofdader, tot aan Napels, gereconstrueerd werd over een lengte van circa 11.800 m.
Over een deel van zijn loop, vooral in de gebieden extra moenia, liep het aquaduct niet in een gesloten galerij, maar in de open lucht, met karakteristieke arcadebogen in opus latericium, waarvan een stuk over is in Napels, in het gebied van de Ponti Rossi.
Als men doorgaat met de trap te beklimmen, die men aan de linkerkant ziet met een panorama over de golf van Napels, komt men bij de zogenaamde Tombe van Vergilius.
● Credit
Safira - Johane Top - Belle Event : maps.secondlife.com/secondlife/Belle/139/134/2986
Mainstore : maps.secondlife.com/secondlife/Be%20Lovely/128/152/26
[Eternus] - Ophelia Skirt - Vanity Event : maps.secondlife.com/secondlife/Dolceamore/72/128/3028
Mainstore : maps.secondlife.com/secondlife/Kaleidoscope%20Island/29/1...
NEW ATTITUDE
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✰ Credit ✰
🌼🌼🌼
Adorsy - River SET
Tattoo : Kaos Tattoo - .:: > Excessive Tattoo< ::.
Pose : Versuta. - Yngluv Pose
🌼🌼🌼
NEW ATTITUDE
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#Home #cozy #decor #art #fashion #style #portrait #homedecor #aesthetic #creative #lifestyle #photography #model #fashionphotography #design #mood #vibrant #Versuta #Pose #KoasTattoo #Tattoo #Adorsy #Blog #BLogger #SecondLife #SL #Influencer #Avatar #Virtual #Game #Mode #Fashion
el.godfootsteps.org/in-need-of-God-become-flesh.html?sw=%...
Ευαγγέλιο βιβλία
Ο Θεός ενσαρκώθηκε επειδή το αντικείμενο του έργου Του δεν είναι το πνεύμα του Σατανά ή οποιοδήποτε άυλο πράγμα, αλλά ο άνθρωπος, ο οποίος είναι από σάρκα και έχει διαφθαρεί από τον Σατανά. Ακριβώς επειδή η σάρκα του ανθρώπου έχει διαφθαρεί, ο Θεός έχει κάνει τον σαρκικό άνθρωπο αντικείμενο του έργου Του. Εξάλλου, επειδή ο άνθρωπος είναι το αντικείμενο της διαφθοράς, έχει κάνει τον άνθρωπο το μοναδικό αντικείμενο του έργου Του σε όλα τα στάδια του έργου της σωτηρίας Του. Ο άνθρωπος είναι θνητός, είναι από σάρκα και οστά, και ο Θεός είναι ο μόνος που μπορεί να σώσει τον άνθρωπο. Με αυτόν τον τρόπο, ο Θεός πρέπει να ενσαρκωθεί και να έχει τα ίδια χαρακτηριστικά με τον άνθρωπο για να κάνει το έργο Του, ώστε το έργο Του να φέρει καλύτερα αποτελέσματα.
σύσταση：Αιώνια Ζωή
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
Όροι Χρήσης： el.godfootsteps.org/disclaimer.html
zikiquesti.blogspot.com/2016/12/december-will-be-magic-ag...
It's a new Dawn www.flickr.com/groups/2348713@N25/po, Lemon Beach (79, 195, 432) - General
The dawn has come
And the wine will run
And the song must be sung
And the flowers are melting
In the sun
Would love to see your pictures: www.flickr.com/groups/2348713@N25/pool/
See more in my blog! thomascolesimmondsphotography.blogspot.co.uk/2013/10/day-...
And more on my website: thomascolesimmondsphotography.blogspot.co.uk/2013/05/day-...
Day In The Park 00013
Model: Stephanie Linda Pause
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© Thomas Cole Simmonds. All rights reserved. My images may not be used without my permission.
My Website: www.tomsimmonds.com
Facebook: www.facebook.com/pages/Thomas-Cole-Simmonds/102639156237
Flickr: www.flickr.com/photos/tomsimmonds/
Twitter: twitter.com/tom_simmonds
Tumblr: tomsimmonds.tumblr.com/
el.godfootsteps.org/videos/prophecies-of-Jesus-return.html
Χριστιανική ταινία
Πολλοί άνθρωποι σε θρησκευτικούς κύκλους πιστεύουν στην προφητεία ότι ο Κύριος θα κατέβει πάνω σ’ ένα σύννεφο και Τον περιμένουν να έρθει με αυτόν τον τρόπο για να τους μεταφέρει στη βασιλεία των ουρανών, αλλά παραβλέπουν τις προφητείες της μυστικής επιστροφής του Κυρίου: «Ιδού, έρχομαι ως κλέπτης.» (Αποκάλυψη, 16:15). «Εν τω μέσω δε της νυκτός έγεινε κραυγή· Ιδού, ο νυμφίος έρχεται, εξέλθετε εις απάντησιν αυτού.» (Κατά Ματθαίον, 25:6). Πώς λοιπόν εκπληρώνονται αυτές οι προφητείες για την επιστροφή του Κυρίου; Και πώς πρέπει να φανούμε εμείς σοφές παρθένες που υποδέχονται την επιστροφή του Κυρίου;
Πίστη στον Θεό
Πηγή εικόνας: Εκκλησία του Παντοδύναμου Θεού
Όροι Χρήσης： el.godfootsteps.org/disclaimer.html
● Credit
.BF. - Fran Sweatshirt - Uber : maps.secondlife.com/secondlife/Uber/125/129/1201
Mainstore : maps.secondlife.com/secondlife/AMERICAN%20BAZAAR/118/162/25
[SB] - JuliaFire Large Straight - Shiny Shabby : maps.secondlife.com/secondlife/Shiny%20Shabby/137/129/21
Mainstore : maps.secondlife.com/secondlife/Seascape/100/119/1205
Cae - Restrained Collar & Cuffs - Kinky Event : maps.secondlife.com/secondlife/Liberty%20City/126/125/36
Mainstore : maps.secondlife.com/secondlife/Theory/140/181/22
Cazimi - 2019 October VIP Nail Appliers (Group Gift)
Mainstore : maps.secondlife.com/secondlife/Lionheart%20Scar/186/40/2087
NEW ATTITUDE
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Find my latest blog-post and YouTube video here!
Cheers! 🍻🍺
I've been busy with work these weeks! Providing proper education really takes three times the time, effort and energy with all the strict covid rules.
Felt good to paint my face though! Just wish I had someplace to go. 😉
Happy Thursday! ❤️
•The truth about Yosemite: www.nbcbayarea.com/news/local/Sexual-Harassment-Common-in...
It was a frosty morning along the Tuolumne River.
Photo taken with Nikon D600, Tokina 17-35 Pro FX F4 and Kenko Circular Polarizer. I took 9 images at one stop increments (RAW Format). To achieve this with the D600 I used auto-bracketing; it only takes 3 shot burst, so I set the 1st 3 at 3 stop increment, the 2nd 3 at 2 at stops, the 3rd 3 at 1 stop, to take a total of 9 images. I used a Nikon wireless shutter release to limit movement; I dropped it in the river that morning was lucky enough to snag it back out, shook it off and used it all day.
To achieve this dynamic range, color and effects: I use Lightroom 5.5 for workflow and final edit. I first used Photomatix Pro 4 to fuse all 9 images. Now using auto-bracketing I end up with 3 images with 0 stop adjustment because of the 3 shot burst. Photomatix will automatically adjust these to make all 9 images at whatever stop level you input, I set it for 1 stop increment. Once this is done I use Photmatix Fusion Preset to merge the 9 images together. It has many Presets, but this gives me the most natural effects. Once fused, I save in Tiff format to retain as much raw data as I can. I then use NIK Collection; Color Efex Pro 4. For this image I used its Pro Contrast adjustment; it improves the dynamic range and has one of the best Highlight and Shadow adjustments I’ve seen (even better than Lightroom’s). I do my final exposure, then tweak Clarity and Vibrance a bit in Lightroom 5.5 and save in jpg. My Logo (TI_in_Yosemite) is done in Gimp 2.8 and Layered onto the final image. TI_in_Yosemite stands for: Targeted Individual in Yosemite.
I took an oath to defend this Country and its Constitution. This Country has become not the one I once believed in. It has become a Country that Targets individuals, that go against the Statuesque of Corruption that’s imbedded in our Government, Corporations and Society. I will continue to serve this Country and expose those that threaten its moral fiber.
Help us bring Social Change through Photography; bring awareness and stop Gang Stalking, Community Based Stalking and Workplace Mobbing. We are trying to make these changes one community at a time. So, here is a contact page for Yosemite National Park: www.nps.gov/yose/contacts.htm. Once on this page; click on ask a question or make a comment. This is your National Park please take the time to contact them; tell them to put a stop to Gang Stalking, Community Based Stalking and Workplace Mobbing.
These immoral and illegal acts are allowed in Yosemite National Park by Law Enforcement, encouraged and performed by its Contractors. Thank you for taking the time to visit my photostream.
visionpj.blogspot.com/2015/07/vision-s-lexi-project.html
As many may know, one of SL's creators Lexi Zelin (AngelRED Couture) was recently diagnosed with stage 3 Hodgkin's Lymphoma. You can read her full story here on her gofundme
page: www.gofundme.com/zfb2ww
Hello Lovelies,
One young lady need our help!
The proceeds from those sales will be donated 100% to Lexi Zelin
{ViSion} -S&F create Exclusive design on Mesh Dresses Zaarra, which come with 5 standard sizes!
The Project will be start July 26th, there you will found many exclusive items, please visit the location, i am sure there will have stuffs for every taste. Don't forget that, with every your purchase from the event you give 100% donation for one good cause!!! Let's Help Together <3
Landmark: maps.secondlife.com/secondlife/Industrial%20Port/144/130/350
You can also find this photo here:
📍 lotnictwo.net.pl/gallery/photo/aircraft-Boeing_757-330/ai...
📍 planepictures.net/v3/show_en.php?id=1683701
📍 www.airplane-pictures.net/photo/1470198/d-aboi-condor-boe...
📍 www.planespotters.net/photo/1298969/d-aboi-condor-boeing-...
The rebranding of the Condor continues, in addition to the A321 in new colors, the first B757-300 D-ABOI, which left the paint shop in Norwich on June 1. The machine was photographed in Jerez de la Frontera less than a week after returning to the flightplans.
DE1553 taxiing to runway 20 at Jerez de la Frontera (LEJR/XRY).
W systemie rezerwacyjnym niemieckiego Condor'a pojawiła się nowa destynacja - Edmonton w Kanadzie🇨🇦, rejsy odbywać będą się Boeing'iem 767 wersji -300ER od maja 2023 z Frankfurtu nad Menem.
„Dzięki dodatkowej destynacji długodystansowej oferujemy naszym gościom jeszcze większy wybór bezpośrednich połączeń na ich wakacje i wzmacniamy naszą obecność w Ameryce Północnej” – powiedział Ralf Teckentrup, dyrektor generalny Condor. „Wiele innych miejsc docelowych w Kanadzie jest również dostępnych za pośrednictwem naszego partnera - WestJet”.
____________________________________________
✈️Aircraft type:Boeing 757-330(WL)
🔡Registration: D-ABOI
▶️Owner/User: Condor Airlines
📍Location: Jerez de la Frontera (LEJR/XRY)
📅Date: 07.06.2022
🙋♂️Photographer: Paweł Wędrychowicz
✈️Flight: DE 1553 Jerez XRY - Frankfurt FRA
#Condor #CondorAirlines #B757 #Boeing757 #DABOI
#newlivery #Frankfurt #EDDF #FRA #Jerez #LEJR #XRY
#vacation #touchdown #DE1553 #JerezdelaFrontera
#planespotting #planelovers #planes #aviationpics
▶️Gallery on lotnictwo.net.pl: lotnictwo.net.pl/gallery-foto-user-list-active.html
▶️Gallery on Jetphotos: www.jetphotos.com/photographer/167921
▶️Gallery on Airplane-picture.net: www.airplane-pictures.net/photographer.p;hp?p=112344
▶️Gallery on planespotters.net: www.planespotters.net/photos/gallery/PawelWedrychowicz
→Not Found→Asha Skin→Equal10
❥Product Details:
❥15 skin tones
❥BoM layers only
❥Shape designed exclusively for the CAMILA Head
→Navy and Copper→Dory Hair Group Gift→Mainstore
→ViSion→Tease Set→Mainstore
❥Top with cut-out design
❥Matching shorts
❥Multiple color options
❥Detailed textures & realistic fit
❥For: Reborn Waifu Rolls Legacy Perky Bombshell Maitreya Lara X & Petite X
BLOG [► HERE]
PRIMFEED [► HERE]
Credits 💎
⊱════════════════════════════════════⊰
➤ Pitaya: @ Anthem
- Pitaya - Disco decor - Arrangement 1
- Pitaya - Disco decor - Disco planter
LM Anthem: maps.secondlife.com/secondlife/Anthem/126/127/1107
LM ✈ Shop: maps.secondlife.com/secondlife/Atelier/61/83/20
➤ What Next:
- {wn} Fiddle Leaf Plant (ceramic)
- {wn} AriaGlide Vacuum Cleaner (Red 1)
LM ✈ Shop: maps.secondlife.com/secondlife/Hodgepodge/113/98/31
➤ Aardvark:
- Aardvark : Blogger Trophy Round 2 2024 (Thank you)
- Aardvark : Unicorn Balloon Animal Decor Skelly - FATPACK
LM ✈ Shop: maps.secondlife.com/secondlife/Aardvark/123/120/38
➤ spruce:
- .spruce. bernini tall candle {light marble}
- .spruce. bernini short candle {dark marble}
LM ✈ Shop: maps.secondlife.com/secondlife/Evermore/128/17/752
➤ [HARMONY]: @ Tres Chic
- [H] Divider
- [H] Newspaper Rug
- [H] The POP Armchair ADULT (BONUS)
- [H] Milk Can Table
- [H] Boobs Milk
- [H] Sex Toys Trash
- [H] Liquid Console Red
- [H] Sexy Dice Action
- [H] Sexy Dice Where
- [H] Boobs Painting
- [H] Banana Cat 1 Painting
- [H] Cat Ehhh Painting
- [H] Marilyn Neon
- [H] Cactus Lamp
- [H] Blowjob Letter Light
- [H] Cat 1 Painting
- [H] Cat 2 Painting
- [H] Ashtry
LM Tres Chic: maps.secondlife.com/secondlife/Tres%20Chic/28/129/75
LM ✈ Shop: maps.secondlife.com/secondlife/Sakaw/210/51/3495
⊱═════════════════════════════════════⊰
Thanks to all my Follower and my great Sponsors ❤
gabbyjaws.blogspot.com/2024/12/the-christmas-song.html
www.youtube.com/watch?v=uaj1eNRzZgA
Le Voltage - Briana Skin FATPACK (EVOX)
12 Velour Tones: Blush, Frost, Chantilly, Ibiza, Icy, Porcelain, Rosekiss, Snow, Sienna, Dune, Valley & Sunkiss
INCLUDED:
* Normal / Browless Option
* Shape (Designed for Avalon)
* Neckblend / Realistic Ears BOM
Le Voltage
maps.secondlife.com/secondlife/Marinella/44/93
/499
marketplace.secondlife.com/stores/254701
www.flickr.com/photos/levoltage/
LOTUS. Bella Eyes
Lel EvoX Avalon
Maitreya Lara
Secret Poses Cocoa Anyone?
Wasabi Oakley
Blueberry Minnie winter coat
dafnis scarf
Find my latest blog-post and YouTube video here!
I was very happy that also this year, a dear friend of mine and I myself were invited to give a guest lecture for a new generation of students studying "Social Work".
Sharing our life experiences in the Netherlands as (part-time or genderfluid) women under the transgender umbrella is always very fulfilling!
Also... at the Utrecht Campus, they painted a bicycle path in the rainbow colours. ❤️💛💚💙💜
So yeah, I had to get a photo! 😉
Find my latest blog-post and YouTube video here!
With a leather black dress like this.. the age-old question is: "Should I wear black or red heels with it?" 😉
To settle this question, I put up a voting poll in my Instagram Stories.
43% liked the outfit with black heels.. but more importantly: 57% preferred the red heels. Can't say I was surprised but I still love the black heels myself. It just makes my legs look soooo long!!
Check out the BLOG for photos with the black heels! 👆
traveladventureeverywhere.blogspot.com/2019/06/istra-town...
traveladventureeverywhere.blogspot.com/2017/10/russia-voy...
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ALBANIA
Albanian Trilogy: A Series of Devious Stratagems
Armando Lulaj
Commissioner: Ministry of Culture. Curator: Marco Scotini. Deputy Curator: Andris Brinkmanis. Venue: Pavilion at Arsenale
ANDORRA
Inner Landscapes
Roqué, Joan Xandri
Commissioner: Henry Périer. Deputy Commissioner: Joana Baygual, Sebastià Petit, Francesc Rodríguez
Curator: Paolo de Grandis, Josep M. Ubach. Venue: Spiazzi, Castello 3865
ANGOLA
On Ways of Travelling
António Ole, Binelde Hyrcan, Délio Jasse, Francisco Vidal, Nelo Teixeira
Commissioner: Ministry of Culture, Rita Guedes Tavares. Curator: António Ole. Deputy Curator: Antonia Gaeta. Venue: Conservatorio Benedetto Marcello - Palazzo Pisani, San Marco 2810
ARGENTINA
The Uprising of Form
Juan Carlos Diste´fano
Commissioner: Magdalena Faillace. Curator: Mari´a Teresa Constantin. Venue: Pavilion at Arsenale – Sale d’Armi
ARMENIA, Republic of
Armenity / Haiyutioun
Haig Aivazian, Lebanon; Nigol Bezjian, Syria/USA; Anna Boghiguian Egypt/Canada; Hera Büyüktasçiyan, Turkey; Silvina Der-Meguerditchian, Argentina/Germany; Rene Gabri & Ayreen Anastas, Iran/Palestine/USA; Mekhitar Garabedian, Belgium; Aikaterini Gegisian, Greece; Yervant Gianikian & Angela Ricci Lucchi, Italy; Aram Jibilian, USA; Nina Katchadourian, USA/Finland; Melik Ohanian, France; Mikayel Ohanjanyan, Armenia/Italy; Rosana Palazyan, Brazil; Sarkis, Turkey/France; Hrair Sarkissian, Syria/UK
Commissioner: Ministry of Culture of the Republic of Armenia. Deputy Commissioner: Art for the World, Mekhitarist Congregation of San Lazzaro Island, Embassy of the Republic of Armenia in Italy, Vartan Karapetian. Curator: Adelina Cüberyan von Fürstenberg. Venue: Monastery and Island of San Lazzaro degli Armeni
AUSTRALIA
Fiona Hall: Wrong Way Time
Fiona Hall
Commissioner: Simon Mordant AM. Deputy Commissioner: Charles Green. Curator: Linda Michael. Scientific Committee: Simon Mordant AM, Carolyn Christov-Bakargiev, Max Delany, Rachel Kent, Danie Mellor, Suhanya Raffel, Leigh Robb. Venue: Pavilion at Giardini
AUSTRIA
Heimo Zobernig
Commissioner: Yilmaz Dziewior. Curator: Yilmaz Dziewior. Scientific Committee: Friends of the Venice Biennale. Venue: Pavilion at Giardini
AZERBAIJAN, Republic of
Beyond the Line
Ashraf Murad, Javad Mirjavadov, Tofik Javadov, Rasim Babayev, Fazil Najafov, Huseyn Hagverdi, Shamil Najafzada
Commissioner: Heydar Aliyev Foundation. Curators: de Pury de Pury, Emin Mammadov. Venue: Palazzo Lezze, Campo S.Stefano, San Marco 2949
Vita Vitale
Edward Burtynsky, Mircea Cantor, Loris Cecchini, Gordon Cheung, Khalil Chishtee, Tony Cragg, Laura Ford, Noemie Goudal, Siobhán Hapaska, Paul Huxley, IDEA laboratory and Leyla Aliyeva, Chris Jordan with Rebecca Clark and Helena S.Eitel, Tania Kovats, Aida Mahmudova, Sayyora Muin, Jacco Olivier, Julian Opie, Julian Perry, Mike Perry, Bas Princen, Stephanie Quayle, Ugo Rondinone, Graham Stevens, Diana Thater, Andy Warhol, Bill Woodrow, Erwin Wurm, Rose Wylie
Commissioner: Heydar Aliyev Foundation. Curators: Artwise: Susie Allen, Laura Culpan, Dea Vanagan. Venue: Ca’ Garzoni, San Marco 3416
BELARUS, Republic of
War Witness Archive
Konstantin Selikhanov
Commissioner: Natallia Sharanhovich. Deputy Commissioners: Alena Vasileuskaya, Kamilia Yanushkevich. Curators: Aleksei Shinkarenko, Olga Rybchinskaya. Scientific Committee: Dmitry Korol, Daria Amelkovich, Julia Kondratyuk, Sergei Jeihala, Sheena Macfarlane, Yuliya Heisik, Hanna Samarskaya, Taras Kaliahin, Aliaksandr Stasevich. Venue: Riva San Biagio, Castello 2145
BELGIUM
Personnes et les autres
Vincent Meessen and Guests, Mathieu K. Abonnenc, Sammy Baloji, James Beckett, Elisabetta Benassi, Patrick Bernier & Olive Martin, Tamar Guimara~es & Kasper Akhøj, Maryam Jafri, Adam Pendleton
Commissioner: Wallonia-Brussels Federation and Wallonia-Brussels International. Curator: Katerina Gregos. Venue: Pavilion at Giardini
COSTA RICA
"Costa Rica, Paese di pace, invita a un linguaggio universale d'intesa tra i popoli".
Andrea Prandi, Beatrice Gallori, Beth Parin, Biagio Schembari, Carla Castaldo, Celestina Avanzini, Cesare Berlingeri, Erminio Tansini, Fabio Capitanio, Fausto Beretti, Giovan Battista Pedrazzini, Giovanni Lamberti, Giovanni Tenga, Iana Zanoskar, Jim Prescott, Leonardo Beccegato, Liliana Scocco, Lucia Bolzano, Marcela Vicuna, Marco Bellagamba, Marco Lodola, Maria Gioia dell’Aglio, Mario Bernardinello, Massimo Meucci, Nacha Piattini, Omar Ronda, Renzo Eusebi, Tita Patti, Romina Power, Rubens Fogacci, Silvio di Pietro, Stefano Sichel, Tino Stefanoni, Ufemia Ritz, Ugo Borlenghi, Umberto Mariani, Venere Chillemi, Jacqueline Gallicot Madar, Massimo Onnis, Fedora Spinelli
Commissioner: Ileana Ordonez Chacon. Curator: Gregorio Rossi. Venue: Palazzo Bollani
CROATIA
Studies on Shivering: The Third Degree
Damir Ocko
Commissioner: Ministry of Culture. Curator: Marc Bembekoff. Venue: Palazzo Pisani, S. Marina
CUBA
El artista entre la individualidad y el contexto
Lida Abdul, Celia-Yunior, Grethell Rasúa, Giuseppe Stampone, LinYilin, Luis Edgardo Gómez Armenteros, Olga Chernysheva, Susana Pilar Delahante Matienzo
Commissioner: Miria Vicini. Curators: Jorge Fernández Torres, Giacomo Zaza. Venue: San Servolo Island
CYPRUS, Republic of
Two Days After Forever
Christodoulos Panayiotou
Commissioner: Louli Michaelidou. Deputy Commissioner: Angela Skordi. Curator: Omar Kholeif. Deputy Curator: Daniella Rose King. Venue: Palazzo Malipiero, Sestiere San Marco 3079
CZECH Republic and SLOVAK Republic
Apotheosis
Jirí David
Commissioner: Adam Budak. Deputy Commissioner: Barbara Holomkova. Curator: Katarina Rusnakova. Venue: Pavilion at Giardini
ECUADOR
Gold Water: Apocalyptic Black Mirrors
Maria Veronica Leon Veintemilla in collaboration with Lucia Vallarino Peet
Commissioner: Andrea Gonzàlez Sanchez. Deputy Commissioner: PDG Arte Communications. Curator: Ileana Cornea. Deputy Curator: Maria Veronica Leon Veintemilla. Venue: Istituto Santa Maria della Pietà, Castello 3701
ESTONIA
NSFW. From the Abyss of History
Jaanus Samma
Commissioner: Maria Arusoo. Curator: Eugenio Viola. Venue: Palazzo Malipiero, campo San Samuele, San Marco 3199
EGYPT
CAN YOU SEE
Ahmed Abdel Fatah, Gamal Elkheshen, Maher Dawoud
Commissioner: Hany Al Ashkar. Curator: Ministry of Culture. Venue: Pavilion at Giardini
FINLAND (Pavilion Alvar Aalto)
Hours, Years, Aeons
IC-98
Commissioner: Frame Visual Art Finland, Raija Koli. Curator: Taru Elfving. Deputy Curator: Anna Virtanen. Venue: Pavilion at Giardini
FRANCE
revolutions
Céleste Boursier-Mougenot
Commissioner: Institut français, with Ministère de la Culture et de la Communication. Curator: Emma Lavigne. Venue: Pavilion at Giardini
GEORGIA
Crawling Border
Rusudan Gobejishvili Khizanishvili, Irakli Bluishvili, Dimitri Chikvaidze, Joseph Sabia
Commissioner: Ana Riaboshenko. Curator: Nia Mgaloblishvili. Venue: Pavilion at Arsenale – Sale d’Armi
GERMANY
Fabrik
Jasmina Metwaly / Philip Rizk, Olaf Nicolai, Hito Steyerl, Tobias Zielony
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office. Deputy Commissioner: Elke aus dem Moore, Nina Hülsmeier. Curator: Florian Ebner. Deputy Curator: Tanja Milewsky, Ilina Koralova. Venue: Pavilion at Giardini
GREAT BRITAIN
Sarah Lucas
Commissioner: Emma Dexter. Curator: Richard Riley. Deputy Curator: Katrina Schwarz. Venue: Pavilion at Giardini
GRENADA *
Present Nearness
Oliver Benoit, Maria McClafferty, Asher Mains, Francesco Bosso and Carmine Ciccarini, Guiseppe Linardi
Commissioner: Ministry of Culture. Deputy Commissioner: Susan Mains. Curator: Susan Mains. Deputy Curator: Francesco Elisei. Venue: Opera don Orione Artigianelli, Sala Tiziano, Fondamenta delle Zattere ai Gesuati, Dorsoduro 919
GREECE
Why Look at Animals? AGRIMIKÁ.
Maria Papadimitriou
Commissioner: Hellenic Ministry of Culture, Education and Religious Affairs. Curator: Gabi Scardi. Deputy Curator: Alexios Papazacharias. Venue: Pavilion at Giardini
BRAZIL
So much that it doesn't fit here
Antonio Manuel, André Komatsu, Berna Reale
Commissioner: Luis Terepins. Curator: Luiz Camillo Osorio. Deputy Curator: Cauê Alves. Venue: Pavilion at Giardini
CANADA
Canadassimo
BGL
Commissioner: National Gallery of Canada, Marc Mayer. Deputy Commissioner: National Gallery of Canada, Yves Théoret. Curator: Marie Fraser. Venue: Pavilion at Giardini
CHILE
Poéticas de la disidencia | Poetics of dissent: Paz Errázuriz - Lotty Rosenfeld
Paz Errázuriz, Lotty Rosenfeld
Commissioner: Antonio Arèvalo. Deputy Commissioner: Juan Pablo Vergara Undurraga. Curator: Nelly Richard. Venue: Pavilion at Arsenale - Artiglierie
CHINA, People’s Republic of
Other Future
LIU Jiakun, LU Yang, TAN Dun, WEN Hui/Living Dance Studio, WU Wenguang/Caochangdi Work Station
Commissioner: China Arts and Entertainment Group, CAEG. Deputy Commissioners: Zhang Yu, Yan Dong. Curator: Beijing Contemporary Art Foundation. Scientific Committee: Fan Di’an, Zhang Zikang, Zhu Di, Gao Shiming, Zhu Qingsheng, Pu Tong, Shang Hui. Venue: Pavilion at Arsenale – Giardino delle Vergini
GUATEMALA
Sweet Death
Emma Anticoli Borza, Sabrina Bertolelli, Mariadolores Castellanos, Max Leiva, Pier Domenico Magri, Adriana Montalto, Elmar Rojas (Elmar René Rojas Azurdia), Paolo Schmidlin, Mónica Serra, Elsie Wunderlich, Collettivo La Grande Bouffe
Commissioner: Daniele Radini Tedeschi. Curators: Stefania Pieralice, Carlo Marraffa, Elsie Wunderlich. Deputy Curators: Luciano Carini, Simone Pieralice. Venue: Officina delle Zattere, Dorsoduro 947, Fondamenta Nani
HOLY SEE
Commissioner: Em.mo Card. Gianfranco Ravasi, Presidente del Pontificio Consiglio della Cultura. Venue: Pavilion at Arsenale – Sale d’Armi
HUNGARY
Sustainable Identities
Szilárd Cseke
Commissioner: Monika Balatoni. Deputy Commissioner: István Puskás, Sándor Fodor, Anna Karády. Curator: Kinga German. Venue: Pavilion at Giardini
ICELAND
Christoph Büchel
Commissioner: Björg Stefánsdóttir. Curator: Nína Magnúsdóttir. Venue: to be confirmed
INDONESIA, Republic of
Komodo Voyage
Heri Dono
Commissioner: Sapta Nirwandar. Deputy Commissioner: Soedarmadji JH Damais. Curator: Carla Bianpoen, Restu Imansari Kusumaningrum. Scientific Committee: Franco Laera, Asmudjo Jono Irianto, Watie Moerany, Elisabetta di Mambro. Venue: Venue: Arsenale
IRAN
Iranian Highlights
Samira Alikhanzaradeh, Mahmoud Bakhshi Moakhar, Jamshid Bayrami, Mohammed Ehsai
The Great Game
Lida Abdul, Bani Abidi, Adel Abidin, Amin Agheai, Ghodratollah Agheli, Shahriar Ahmadi, Parastou Ahovan, Farhad Ahrarnia, Rashad Alakbarov, Nazgol Ansarinia, Reza Aramesh, Alireza Astaneh, Sonia Balassanian, Mahmoud Bakhshi, Moakhar Wafaa Bilal, Mehdi Farhadian, Monir Farmanfarmaian, Shadi Ghadirian, Babak Golkar, Shilpa Gupta, Ghasem Hajizadeh, Shamsia Hassani, Sahand Hesamiyan, Sitara Ibrahimova, Pouran Jinchi, Amar Kanwar, Babak Kazemi, Ryas Komu, Ahmad Morshedloo, Farhad Moshiri, Mehrdad Mohebali, Huma Mulji, Azad Nanakeli, Jamal Penjweny, Imran Qureshi, Sara Rahbar, Rashid Rana, T.V. Santhosh, Walid Siti, Mohsen Taasha Wahidi, Mitra Tabrizian, Parviz Tanavoli, Newsha Tavakolian, Sadegh Tirafkan, Hema Upadhyay, Saira Wasim
Commissioner: Majid Mollanooruzi. Deputy Commissioners: Marco Meneguzzo, Mazdak Faiznia. Curators: Marco Meneguzzo, Mazdak Faiznia. Venue: Calle San Giovanni 1074/B, Cannaregio
IRAQ
Commissioner: Ruya Foundation for Contemporary Culture in Iraq (RUYA). Deputy Commissioner: Nuova Icona - Associazione Culturale per le Arti. Curator: Philippe Van Cauteren. Venue: Ca' Dandolo, San Polo 2879
IRELAND
Adventure: Capital
Sean Lynch
Commissioner: Mike Fitzpatrick. Curator: Woodrow Kernohan. Venue: Pavilion at Arsenale - Artiglierie
ISRAEL
Tsibi Geva | Archeology of the Present
Tsibi Geva
Commissioner: Arad Turgem, Michael Gov. Curator: Hadas Maor. Venue: Pavilion at Giardini
ITALY
Ministero dei Beni e delle attività culturali e del turismo - Direzione Generale Arte e Architettura Contemporanee e Periferie Urbane. Commissioner: Federica Galloni. Curator: Vincenzo Trione. Venue: Padiglione Italia, Tese delle Vergini at Arsenale
JAPAN
The Key in the Hand
Chiharu Shiota
Commissioner: The Japan Foundation. Deputy Commissioner: Yukihiro Ohira, Manako Kawata and Haruka Nakajima. Curator: Hitoshi Nakano. Venue : Pavilion at Giardini
KENYA
Creating Identities
Yvonne Apiyo Braendle-Amolo, Qin Feng, Shi Jinsong, Armando Tanzini, Li Zhanyang, Lan Zheng Hui, Li Gang, Double Fly Art Center
Commissioner: Paola Poponi. Curator: Sandro Orlandi Stagl. Deputy Curator: Ding Xuefeng. Venue: San Servolo Island
KOREA, Republic of
The Ways of Folding Space & Flying
MOON Kyungwon & JEON Joonho
Commissioner: Sook-Kyung Lee. Curator: Sook-Kyung Lee. Venue: Pavilion at Giardini
KOSOVO, Republic of
Speculating on the blue
Flaka Haliti
Commissioner: Ministry of Culture, Youth and Sports. Curator: Nicolaus Schafhausen. Deputy Curator: Katharina Schendl. Venue: Pavilion at Arsenale - Artiglierie
LATVIA
Armpit
Katrina Neiburga, Andris Eglitis
Commissioner: Solvita Krese (Latvian Centre for Contemporary Art). Deputy Commissioner: Kitija Vasiljeva. Curator: Kaspars Vanags. Venue: Pavilion at Arsenale
LITHUANIA
Museum
Dainius Liškevicius
Commissioner: Vytautas Michelkevicius. Deputy Commissioner: Rasa Antanaviciute. Curator: Vytautas Michelkevicius. Venue: Palazzo Zenobio, Fondamenta del Soccorso 2569, Dorsoduro
LUXEMBOURG, Grand Duchy of
Paradiso Lussemburgo
Filip Markiewicz
Commissioner: Ministry of Culture. Deputy Commissioner: MUDAM Luxembourg. Curator: Paul Ardenne. Venue: Cà Del Duca, Corte del Duca Sforza, San Marco 3052
MACEDONIA, Former Yugoslavian Republic of
We are all in this alone
Hristina Ivanoska and Yane Calovski
Commissioner: Maja Nedelkoska Brzanova, National Gallery of Macedonia. Deputy Commissioner: Olivija Stoilkova. Curator: Basak Senova. Deputy Curator: Maja Cankulovska Mihajlovska. Venue: Pavilion at Arsenale - Sale d’Armi
MAURITIUS *
From One Citizen You Gather an Idea
Sultana Haukim, Nirmal Hurry, Alix Le Juge, Olga Jürgenson, Helge Leiberg, Krishna Luchoomun, Neermala Luckeenarain, Kavinash Thomoo, Bik Van Der Pol, Laure Prouvost, Vitaly Pushnitsky, Römer + Römer
Commissioner: pARTage. Curators: Alfredo Cramerotti, Olga Jürgenson. Venue: Palazzo Flangini - Canareggio 252
MEXICO
Possesing Nature
Tania Candiani, Luis Felipe Ortega
Commissioner: Tomaso Radaelli. Deputy Commissioner: Magdalena Zavala Bonachea. Curator: Karla Jasso. Venue: Pavilion at Arsenale – Sale d’Armi
MONGOLIA *
Other Home
Enkhbold Togmidshiirev, Unen Enkh
Commissioner: Gantuya Badamgarav, MCASA. Curator: Uranchimeg Tsultemin. Scientific Committee: David A Ross, Boldbaatar Chultemin. Venue: European Cultural Centre - Palazzo Mora
MONTENEGRO
,,Ti ricordi Sjecaš li se You Remember "
Aleksandar Duravcevic
Commissioner/Curator: Anastazija Miranovic. Deputy Commissioner: Danica Bogojevic. Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE, Republic of *
Theme: Coexistence of Tradition and Modernity in Contemporary Mozambique
Mozambique Artists
Commissioner: Joel Matias Libombo. Deputy Commissioner: Gilberto Paulino Cossa. Curator: Comissariado-Geral para a Expo Milano 2015. Venue: Pavilion at Arsenale
NETHERLANDS, The
herman de vries - to be all ways to be
herman de vries
Commissioner: Mondriaan Fund. Curators: Colin Huizing, Cees de Boer. Venue: Pavilion ar Giardini
NEW ZEALAND
Secret Power
Simon Denny
Commissioner: Heather Galbraith. Curator: Robert Leonard. Venue: Biblioteca Nazionale Marciana, Marco Polo Airport
NORDIC PAVILION (NORWAY)
Camille Norment
Commissioner: OCA, Office for Contemporary Art Norway. Curator: Katya García-Antón. Deputy Curator: Antonio Cataldo. Venue: Pavilion at Giardini
PERU
Misplaced Ruins
Gilda Mantilla and Raimond Chaves
Commissioner: Armando Andrade de Lucio. Curator: Max Hernández-Calvo. Venue: Pavilion at Arsenale – Sale d’Armi
PHILIPPINES
Tie a String Around the World
Manuel Conde, Carlos Francisco, Manny Montelibano, Jose Tence Ruiz
Commissioner: National Commission for Culture and the Arts (NCCA), Felipe M. de Leon Jr. Curator: Patrick D. Flores. Venue: European Cultural Centre - Palazzo Mora
POLAND
Halka/Haiti. 18°48’05”N 72°23’01”W
C.T. Jasper, Joanna Malinowska
Commissioner: Hanna Wróblewska. Deputy Commissioner: Joanna Wasko. Curator: Magdalena Moskalewicz. Venue: Pavilion at Giardini
PORTUGAL
I Will Be Your Mirror / poems and problems
João Louro
Commissioner/Curator: María de Corral. Venue: Palazzo Loredan, campo S. Stefano
ROMANIA
Adrian Ghenie: Darwin’s Room
Adrian Ghenie
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Mihai Pop. Venue: Pavilion at Giardini
Inventing the Truth. On Fiction and Reality
Michele Bressan, Carmen Dobre-Hametner, Alex Mirutziu, Lea Rasovszky, Stefan Sava, Larisa Sitar
Commissioner: Monica Morariu. Deputy Commissioner: Alexandru Damian. Curator: Diana Marincu. Deputy Curators: Ephemair Association (Suzana Dan and Silvia Rogozea). Venue: New Gallery of the Romanian Institute for Culture and Humanistic Research in Venice
RUSSIA
The Green Pavilion
Irina Nakhova
Commissioner: Stella Kesaeva. Curator: Margarita Tupitsyn. Venue: Pavilion at Giardini
SERBIA
United Dead Nations
Ivan Grubanov
Commissioner: Lidija Merenik. Deputy Commissioner: Ana Bogdanovic. Curator: Lidija Merenik. Deputy Curator: Ana Bogdanovic. Scientific Committee: Jovan Despotovic. Venue: Pavilion at Giardini
SAN MARINO
Repubblica di San Marino “ Friendship Project “ China
Xu De Qi, Liu Dawei, Liu Ruo Wang, Ma Yuan, Li Lei, Zhang Hong Mei, Eleonora Mazza, Giuliano Giulianelli, Giancarlo Frisoni, Tony Margiotta, Elisa Monaldi, Valentina Pazzini
Commissioner: Istituti Culturali della Repubblica di San Marino. Curator: Vincenzo Sanfo. Venue: TBC
SEYCHELLES, Republic of *
A Clockwork Sunset
George Camille, Léon Wilma Loïs Radegonde
Commissioner: Seychelles Art Projects Foundation. Curators: Sarah J. McDonald, Victor Schaub Wong. Venue: European Cultural Centre - Palazzo Mora
SINGAPORE
Sea State
Charles Lim Yi Yong
Commissioner: Paul Tan, National Arts Council, Singapore. Curator: Shabbir Hussain Mustafa. Scientific Committee: Eugene Tan, Kathy Lai, Ahmad Bin Mashadi, June Yap, Emi Eu, Susie Lingham, Charles Merewether, Randy Chan. Venue: Pavilion at Arsenale – Sale d’Armi
SLOVENIA, Republic of
UTTER / The violent necessity for the embodied presence of hope
JAŠA
Commissioner: Simona Vidmar. Deputy Commissioner: Jure Kirbiš. Curators: Michele Drascek and Aurora Fonda. Venue: Pavilion at Arsenale - Artiglierie
SPAIN
Los Sujetos (The Subjects)
Pepo Salazar, Cabello/Carceller, Francesc Ruiz, + Salvador Dalí
Commissioner: Ministerio Asuntos Exteriores. Gobierno de España. Curator: Marti Manen. Venue: Pavilion at Giardini
SYRIAN ARAB REPUBLIC
Origini della civiltà
Narine Ali, Ehsan Alar, Felipe Cardeña, Fouad Dahdouh, Aldo Damioli, Svitlana Grebenyuk, Mauro Reggio, Liu Shuishi, Nass ouh Zaghlouleh, Andrea Zucchi, Helidon Xhixha
Commissioner: Christian Maretti. Curator: Duccio Trombadori. Venue: Redentore – Giudecca, San Servolo Island
SWEDEN
Excavation of the Image: Imprint, Shadow, Spectre, Thought
Lina Selander
Commissioner: Ann-Sofi Noring. Curator: Lena Essling. Venue: Pavilion at Arsenale
SWITZERLAND
Our Product
Pamela Rosenkranz
Commissioner: Swiss Arts Council Pro Helvetia, Sandi Paucic and Marianne Burki. Deputy-Commissioner: Swiss Arts Council Pro Helvetia, Rachele Giudici Legittimo. Curator: Susanne Pfeffer. Venue: Pavilion at Giardini
THAILAND
Earth, Air, Fire & Water
Kamol Tassananchalee
Commissioner: Chai Nakhonchai, Office of Contemporary Art and Culture (OCAC), Ministry of Culture. Curator: Richard David Garst. Deputy Curator: Pongdej Chaiyakut. Venue: Paradiso Gallerie, Giardini della Biennale, Castello 1260
TURKEY
Respiro
Sarkis
Commissioner: Istanbul Foundation for Culture and Arts. Curator: Defne Ayas. Deputy Curator: Ozge Ersoy. Venue: Pavilion at Arsenale – Sale d’Armi
TUVALU
Crossing the Tide
Vincent J.F. Huang
Commissioner: Taukelina Finikaso. Deputy Commissioner: Temate Melitiana. Curator: Thomas J. Berghuis. Scientific Committee: Andrea Bonifacio. Venue: Pavilion at Arsenale
UKRAINE
Hope!
Yevgenia Belorusets, Nikita Kadan, Zhanna Kadyrova, Mykola Ridnyi & SerhiyZhadan, Anna Zvyagintseva, Open Group, Artem Volokitin
Commissioner: Ministry of Culture. Curator: Björn Geldhof. Venue: Riva dei Sette Martiri
UNITED ARAB EMIRATES
1980 – Today: Exhibitions in the United Arab Emirates
Abdullah Al Saadi, Abdul Qader Al Rais, Abdulraheem Salim, Abdulrahman Zainal, Ahmed Al Ansari, Ahmed Sharif, Hassan Sharif, Mohamed Yousif, Mohammed Abdullah Bulhiah, Mohammed Al Qassab, Mohammed Kazem, Moosa Al Halyan, Najat Meky, Obaid Suroor, Salem Jawhar
Commissioner: Salama bint Hamdan Al Nahyan Foundation. Curator: Hoor Al Qasimi. Venue: Pavilion at Arsenale – Sale d'Armi
UNITED STATES OF AMERICA
Joan Jonas: They Come to Us Without a Word
Joan Jonas
Commissioner: Paul C. Ha. Deputy Commissioner: MIT List Visual Arts Center. Curators: Ute Meta Bauer, Paul C. Ha. Venue: Pavilion at Giardini
URUGUAY
Global Myopia II (Pencil & Paper)
Marco Maggi
Commissioner: Ricardo Pascale. Curator: Patricia Bentancour. Venue: Pavilion at Giardini
VENEZUELA, Bolivarian Republic of
Te doy mi palabra (I give you my word)
Argelia Bravo, Félix Molina (Flix)
Commissioner: Oscar Sotillo Meneses. Deputy Commissioner: Reinaldo Landaeta Díaz. Curator: Oscar Sotillo Meneses. Deputy Curator: Morella Jurado. Scientific Committee: Carlos Pou Ruan. Venue: Pavilion at Giardini
ZIMBABWE, Republic of
Pixels of Ubuntu/Unhu: - Exploring the social and cultural identities of the 21st century.
Chikonzero Chazunguza, Masimba Hwati, Gareth Nyandoro
Commissioner: Doreen Sibanda. Curator: Raphael Chikukwa. Deputy Curator: Tafadzwa Gwetai. Scientific Committee: Saki Mafundikwa, Biggie Samwanda, Fabian Kangai, Reverend Paul Damasane, Nontsikelelo Mutiti, Stephen Garan'anga, Dominic Benhura. Venue: Santa Maria della Pieta
ITALO-LATIN AMERICAN INSTITUTE
Voces Indígenas
Commissioner: Sylvia Irrazábal. Curator: Alfons Hug. Deputy Curator: Alberto Saraiva. Venue: Pavilion at Arsenale
ARGENTINA
Sofia Medici and Laura Kalauz
PLURINATIONAL STATE OF BOLIVIA
Sonia Falcone and José Laura Yapita
BRAZIL
Adriana Barreto
Paulo Nazareth
CHILE
Rainer Krause
COLOMBIA
León David Cobo,
María Cristina Rincón and Claudia Rodríguez
COSTA RICA
Priscilla Monge
ECUADOR
Fabiano Kueva
EL SALVADOR
Mauricio Kabistan
GUATEMALA
Sandra Monterroso
HAITI
Barbara Prézeau Stephenson
HONDURAS
Leonardo González
PANAMA
Humberto Vélez
NICARAGUA
Raúl Quintanilla
PARAGUAY
Erika Meza
Javier López
PERU
José Huamán Turpo
URUGUAY
Gustavo Tabares
Ellen Slegers
001 Inverso Mundus. AES+F
Magazzino del Sale n. 5, Dorsoduro, 265 (Fondamenta delle Zattere ai Saloni); Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 31st
Organization: VITRARIA Glass + A Museum
Catalonia in Venice: Singularity
Cantieri Navali, Castello, 40 (Calle Quintavalle)
May 9th - November 22nd
Organization: Institut Ramon Llull
venezia2015.llull.cat
Conversion. Recycle Group
Chiesa di Sant’Antonin, Castello (Campo Sant’Antonin)
May 6th - October 31st
Organization: Moscow Museum of Modern Art
Dansaekhwa
Palazzo Contarini-Polignac, Dorsoduro, 874 (Accademia)
May 7th – August 15th
Organization: The Boghossian Foundation
Dispossession
Palazzo Donà Brusa, Campo San Polo, 2177
May 9th - November 22nd
Organization: European Capital of Culture Wroclaw 2016
wroclaw2016.pl/biennale/
EM15 presents Doug Fishbone’s Leisure Land Golf
Arsenale Docks, Castello, 40A, 40B, 41C
May 6th - July 26th
Organization: EM15
Eredità e Sperimentazione
Grand Hotel Hungaria & Ausonia, Viale Santa Maria Elisabetta, 28, Lido di Venezia
May 9th - November 22nd
Organization: Istituto Nazionale di BioArchitettura - Sezione di Padova
Frontiers Reimagined
Palazzo Grimani, Castello, 4858 (Ramo Grimani)
May 9th - November 22nd
Organization: Tagore Foundation International; Polo museale del Veneto
Glasstress 2015 Gotika
Istituto Veneto di Scienze Lettere ed Arti, Palazzo Cavalli Franchetti, San Marco, 2847 (Campo Santo Stefano); Chiesa di Santa Maria della Visitazione, Centro Culturale Don Orione Artigianelli, Dorsoduro, 919 (Zattere); Fondazione Berengo, Campiello della Pescheria, 15, Murano;
May 9th — November 22nd
Organization: The State Hermitage Museum
Graham Fagen: Scotland + Venice 2015
Palazzo Fontana, Cannaregio, 3829 (Strada Nova)
May 9th - November 22nd
Organization: Scotland + Venice
Grisha Bruskin. An Archaeologist’s Collection
Former Chiesa di Santa Caterina, Cannaregio, 4941-4942
May 6th – November 22nd
Organization: Centro Studi sulle Arti della Russia (CSAR), Università Ca’ Foscari Venezia
Helen Sear, ... The Rest Is Smoke
Santa Maria Ausiliatrice, Castello, 450 (Fondamenta San Gioacchin)
May 9th - November 22nd
Organization: Cymru yn Fenis/Wales in Venice
Highway to Hell
Palazzo Michiel, Cannaregio, 4391/A (Strada Nova)
May 9th - November 22nd
Organization: Hubei Museum of Art
Humanistic Nature and Society (Shan-Shui) – An Insight into the Future
Palazzo Faccanon, San Marco, 5016 (Mercerie)
May 7th – August 4th
Organization: Shanghai Himalayas Museum
In the Eye of the Thunderstorm: Effervescent Practices from the Arab World & South Asia
Dorsoduro, 417 (Zattere)
May 6th - November 15th
Organization: ArsCulture
Italia Docet | Laboratorium- Artists, Participants, Testimonials and Activated Spectators
Palazzo Barbarigo Minotto, San Marco, 2504 (Fondamenta Duodo o Barbarigo)
May 9th – June 30th; September 11st – October 31st
Organization: Italian Art Motherboard Foundation (i-AM Foundation)
www.venicebiennale-italiadocet.org
Jaume Plensa: Together
Basilica di San Giorgio Maggiore, Isola di San Giorgio Maggiore
May 6th – November 22nd
Organization: Abbazia di San Giorgio Maggiore Benedicti Claustra Onlus
Jenny Holzer "War Paintings"
Museo Correr, San Marco, 52 (Piazza San Marco)
May 6th – November 22nd
Organization: The Written Art Foundation; Museo Correr, Fondazione Musei Civici di Venezia
correr.visitmuve.it
Jump into the Unknown
Palazzo Loredan dell’Ambasciatore, Dorsoduro, 1261-1262
May 9th – June 18th
Organization: Nine Dragon Heads
9dh-venice.com
Learn from Masters
Palazzo Bembo, San Marco, 4793 (Riva del Carbon)
May 9th – November 22nd
Organization: Pan Tianshou Foundation
pantianshou.caa.edu.cn/foundation_en
My East is Your West
Palazzo Benzon, San Marco, 3927
May 6th – October 31st
Organization: The Gujral Foundation
Ornamentalism. The Purvitis Prize
Arsenale Nord, Tesa 99
May 9th – November 22nd
Organization: The Secretariat of the Latvian Presidency of the Council of the European Union in 2015
www.purvisabalva.lv/en/ornamentalism
Path and Adventure
Arsenale, Castello, 2126/A (Campo della Tana)
May 9th – November 22nd
Organization: The Civic and Municipal Affairs Bureau; The Macao Museum of Art; The Cultural Affairs Bureau
Patricia Cronin: Shrine for Girls, Venice
Chiesa di San Gallo, San Marco, 1103 (Campo San Gallo)
May 9th – November 22nd
Organization: Brooklyn Rail Curatorial Projects
curatorialprojects.brooklynrail.org
Roberto Sebastian Matta. Sculture
Giardino di Palazzo Soranzo Cappello, Soprintendenza BAP per le Province di Venezia, Belluno, Padova e Treviso, Santa Croce, 770 (Fondamenta Rio Marin)
May 9th – November 22nd
Organization: Fondazione Echaurren Salaris
www.fondazioneechaurrensalaris.it
www.maggioregam.com/56Biennale_Matta
Salon Suisse: S.O.S. Dada - The World Is A Mess
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
May 9th; June 4th - 6th; September 10th - 12th; October 15th - 17th; November 19th – 21st
Organization: Swiss Arts Council Pro Helvetia
Sean Scully: Land Sea
Palazzo Falier, San Marco, 2906
May 9th – November 22nd
Organization: Fondazione Volume!
Sepphoris. Alessandro Valeri
Molino Stucky, interior atrium, Giudecca, 812
May 9th – November 22nd
Organization: Assessorato alla Cultura del Comune di Narni(TR); a Sidereal Space of Art; Satellite Berlin
Tesla Revisited
Palazzo Nani Mocenigo, Dorsoduro, 960
May 9th – October 18th
Organization: VITRARIA Glass + A Museum
The Bridges of Graffiti
Arterminal c/o Terminal San Basilio, Dorsoduro (Fondamenta Zattere al Ponte Lungo)
May 9th - November 22nd
Organization: Associazione Culturale Inossidabile
The Dialogue of Fire. Ceramic and Glass Masters from Barcelona to Venice
Palazzo Tiepolo Passi, San Polo, 2774
May 6th - November 22nd
Organization: Fundaciò Artigas; ArsCulture
The Question of Beings
Istituto Santa Maria della Pietà, Castello, 3701
May 9th - November 22nd
Organization: Museum of Contemporary Art, Taipei (MoCA, Taipei)
The Revenge of the Common Place
Università Ca' Foscari, Ca' Bernardo, Dorsoduro, 3199 (Calle Bernardo)
May 9th – September 30th
Organization: Vrije Universiteit Brussel (Free University Brussels-VUB)
The Silver Lining. Contemporary Art from Liechtenstein and other Microstates
Palazzo Trevisan degli Ulivi, Dorsoduro, 810 (Campo Sant'Agnese)
October 24th – November 1st
Organization: Kunstmuseum Liechtenstein
The Sound of Creation. Paintings + Music by Beezy Bailey and Brian Eno
Conservatorio Benedetto Marcello, Palazzo Pisani, San Marco, 2810 (Campo Santo Stefano)
May 7th - November 22nd
Organization: ArsCulture
The Union of Fire and Water
Palazzo Barbaro, San Marco, 2840
May 9th - November 22nd
Organization: YARAT Contemporary Art Organisation
Thirty Light Years - Theatre of Chinese Art
Palazzo Rossini, San Marco, 4013 (Campo Manin)
May 9th - November 22nd
Organization: GAC Global Art Center Foundation; The Guangdong Museum of Art
Tsang Kin-Wah: The Infinite Nothing, Hong Kong in Venice
Arsenale, Castello, 2126 (Campo della Tana)
May 9th - November 22nd
Organization: M+, West Kowloon Cultural District; Hong Kong Arts Development Council
Under the Surface, Newfoundland and Labrador at Venice
Galleria Ca' Rezzonico, Dorsoduro, 2793
May 9th - November 22nd
Organization: Terra Nova Art Foundation
tnaf.ca
Ursula von Rydingsvard
Giardino della Marinaressa, Castello (Riva dei Sette Martiri)
May 6th - November 22nd
Organization:Yorkshire Sculpture Park
We Must Risk Delight: Twenty Artists from Los Angeles
Magazzino del Sale n. 3, Dorsoduro, 264 (Zattere)
May 7th - November 22nd
Organization: bardoLA
Wu Tien-Chang: Never Say Goodbye
Palazzo delle Prigioni, Castello, 4209 (San Marco)
May 9th - November 22nd
Organization: Taipei Fine Arts Museum of Taiwan
Find my latest blog-post and YouTube video here!
October already.. it seems 2022 is on our doorstep and I haven't even fully processed 2020! 😮
I'm enjoying my autumn holiday now (one of the few perks I have as a teacher). And besides doing a lot of resting.. I have also been doing lots of editing of my photos and videos.
In August, I visited a castle in the south of the Netherlands. And because we had a very disappointing cold wet summer, I opted for a maxi dress.
Check out my new YouTube video and post on my blog.
It was quite magical walking around in that castle.. so beautiful!!
I know owning a castle like that is very expensive and not very practical.. but I'd love to dream. 😊
Find my latest blog-post and YouTube video here!
Check out my Patreon page and if you like it, please support me!! ❤️
Had a fun day in Amsterdam on Sunday with Marleen .. cycling around on a rented bicycle, having drinks at various bars (including the Hilton Skylounge) and admiring Amsterdam in a different way. 😊
At the end of the day, it was getting really cold though.. and I wasn't really dressed for it. 😛 So we quickly went to a restaurant to have food.. and where I could take off the jacket for a pic of the dress. 😉
Next time, I need to film myself riding a bicycle wearing this outfit! 😛
Find my latest blog-post and YouTube video here!
Check out my Patreon page and if you like it, please support me!! ❤️
Find my latest blog-post and YouTube video here!
This photo was from 10 days ago.. looking forward to the summer holidays.
The bad news: not long after that pic, I got a severe case of sinusitis. 😢 It took me out completely for the last 4 days.
The good news: I didn't get anything else. 👍
I'm slowly getting back to strength and I'm feeling fine... with the proper amount of ibu and tissues.
Having said that, I hope you are all healthy and doing well! ❤️
✰ Credit ✰
🏮🏮🏮
MeHoney - Lin Set
Pose : Versuta. - Virel Pose
🏮🏮🏮
NEW ATTITUDE
● Tumblr
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#Home #cozy #decor #art #style #portrait #homedecor #aesthetic #creative #lifestyle #photography #model #fashionphotography #design #mood #vibrant #Mehoney #Versuta #Pose #Photo #Blog #BLogger #SecondLife #SL #Influencer #Avatar #Virtual #Game #Mode
Featuring the ever amazing Lizzy Meow!!
I will be talking and teaching composites like this during my workshop in Leeds this September
www.draumlist.com/workshops.html for more info
España - Toledo - Palacio de Galiana
www.palaciodegaliana.es/en/index.html
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ENGLISH:
The building, located on the northeast outskirts of Toledo's historic center, most likely formed part of the almunia (fortress) built by Al-Mamun of Toledo, king of the Taifa of Toledo (1043-1075). Following the Christian conquest, the site was called the "royal almunia," which was still used in 1294, although by this time the Castilianization of the name "Huerta del Rey" (King's Garden) had taken hold. The name Galiana became popular from the 16th century onwards due to the disappearance of the authentic Galiana palaces, located in the Alficén complex next to the Alcázar.
During the Mudejar period, the north and south facades were rebuilt. According to Gómez-Moreno, at the beginning of the 20th century, when the building was in poor condition, the windows with lobed arches, the plasterwork of the framing—dating from the 14th century—and remains of paintings—which he considers to be earlier—were still visible in the rooms on the second floor. Few fragments of this decoration remain today, but Gómez-Moreno's testimony seems to indicate two renovations. First, the painted plinths and some of the plasterwork were completed in the mid-13th century. Later, John I donated this royal possession to the Jerónimos convent of La Sisla in 1385. Almost a decade later, it was purchased by Beatriz de Silva, who married Alvar Pérez de Guzmán in 1397. It was shortly afterward that the second renovation of the building was undertaken, as evidenced by the Guzmán and Silva coat of arms featured in the plasterwork.
Due to successive inheritances, the orchard was divided among various owners. The majority continued to belong to the Guzmán y Montijo family, while other areas belonged to the Chapel of Santo Tomás and the Brotherhood of Santa Caridad. After the confiscations of the 19th century, the House of Montijo acquired the undivided shares of the entities whose real estate assets were sold to the State. Empress Eugenie was interested in restoring the palace, which ultimately did not happen. As time passed, the site fell into disrepair.
It was declared a historic-artistic monument, belonging to the National Artistic Treasure, on June 3, 1931, by a decree published in the Gaceta de Madrid with the signature of the provisional president of the republic, Niceto Alcalá-Zamora, and the Minister of Public Instruction and Fine Arts, Marcelino Domingo y Sanjúan. In the 20th century, the Duke of Peñaranda sold the estate to Alejandro Fernández de Araoz and Carmen Marañón, who began the rehabilitation in 1959.
***
ESPAÑOL:
El edificio, situado en las afueras, al noreste del casco histórico de la ciudad de Toledo, muy probablemente formó parte de la almunia construida por Al-Mamún de Toledo, rey de la taifa de Toledo (1043-1075). A raíz de la conquista cristiana, el lugar se denominó «almunia real», aplicándose todavía en 1294, aunque por estas fechas se impone la castellanización de «Huerta del Rey». El nombre de Galiana se popularizó a partir del siglo XVI a consecuencia de la desaparición de los auténticos palacios de Galiana, situados en recinto del Alficén, junto al alcázar.
En época mudéjar se rehicieron las fachadas norte y sur. Según recoge Gómez-Moreno, a principios del siglo XX, cuando el edificio se encontraba en mal estado, aún se apreciaban las ventanas con arquillos lobulados, las yeserías de los encuadramientos –que data en el siglo XIV– y restos de pinturas –que considera anteriores– en las habitaciones del segundo piso. En la actualidad quedan escasos fragmentos de dicha decoración, pero el testimonio de Gómez-Moreno parece indicar dos reformas. Por un lado, a mediados del siglo XIII se realizarían los zócalos de pinturas y algunas de las yeserías. Posteriormente, Juan I donó esta posesión real al convento de jerónimos de la Sisla en 1385. Casi una década después fue comprada por Beatriz de Silva, quien contrae matrimonio en 1397 con Alvar Pérez de Guzmán. Sería poco tiempo después cuando se acometió la segunda reforma del edificio, como atestiguan los escudos de Guzmán y Silva que figuraban en las yeserías.
Por las sucesivas herencias, la huerta se fraccionó en diversos propietarios. La mayor parte siguió perteneciendo a la familia Guzmán y Montijo, mientras que otras zonas pertenecían a la capilla de Santo Tomás y a la cofradía de la Santa Caridad. Tras las desamortizaciones del XIX, la Casa de Montijo adquirió las partes proindiviso de las entidades cuyo patrimonio inmueble enajenó el Estado, interesando a la emperatriz Eugenia la restauración del palacio, lo que finalmente no ocurrió. Conforme pasó el tiempo, el lugar fue cayendo en el abandono.
Fue declarado monumento histórico-artístico, perteneciente al Tesoro Artístico Nacional, el 3 de junio de 1931, mediante un decreto publicado en la Gaceta de Madrid con la rúbrica del presidente provisional de la república, Niceto Alcalá-Zamora, y del ministro de Instrucción Pública y Bellas Artes, Marcelino Domingo y Sanjúan. En el siglo XX el duque de Peñaranda vendió la finca a Alejandro Fernández de Araoz y Carmen Marañón, quienes en 1959 emprendieron la rehabilitación.
Find my latest blog-post and YouTube video here!
Still haven't had any outdoor Tassia time since the outbreak.. so since the last 3 posts were all indoor pics, I thought I'd post another throwback of me enjoying the fresh air outdoor. 😊
I really would love to go outside for more than just groceries and a quick jog.
Hope everyone is still doing fine and staying safe!
You will find 184+ of my poems HERE. fno.org/poetry/index.html
Forgotten
I have forgotten your name
It seems
Somewhere
Along the way
Dropped it
Lost it
Or tossed it aside
Like shedding a skin
Shrugging off a cold
I no longer whisper
The five syllables
Deep in the night
No longer call out
Feel you by my side
Or dream of skating
Hand in hand
Across the shimmering lake
Of tomorrow
Or the next day
Month
Or year
I cannot recall
Who you are
Who you were
Or how we met
Cannot remember much
Of anything
At all
Until the sun sets
Lighting up the sky
Like you once lit my heart
And then
All at once
I remember every kiss
Every smile
And every touch
© Jamie McKenzie, all rights reserved
You will find more of my poems and songs here
and in The Storm in Its Passing and Flights of Fancy.
My songs are at
Chessie King 00018
See more in my blog here: thomascolesimmondsphotography.blogspot.co.uk/2013/09/pool...
And behind the scenes here: thomascolesimmondsphotography.blogspot.co.uk/2013/08/ches...
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© Thomas Cole Simmonds. All rights reserved. My images may not be used without my permission.
My Website: www.tomsimmonds.com
Facebook: www.facebook.com/pages/Thomas-Cole-Simmonds/102639156237
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Twitter: twitter.com/tom_simmonds
Tumblr: tomsimmonds.tumblr.com/
kirstentacular.blogspot.com/2015/06/houndstooth.html 21 Shoe, Doe, Ducknipple, Everglow, Hair, IDK, Kunglers, Livalle, Pink Fuel, Shoes
Palabra del evangelio | La obra de Dios, el carácter de Dios y Dios mismo (I) Parte 3
Dios Todopoderoso dice: “En el corazón y la conciencia de Noé, la existencia de Dios era absoluta y estaba fuera de toda duda, y por tanto su obediencia hacia Él no estaba adulterada y podría pasar la prueba. Su corazón era puro y abierto a Dios. No necesitaba demasiado conocimiento de doctrinas para convencerse de seguir cada palabra de Dios ni muchos hechos para demostrar Su existencia, de forma que podía aceptar lo que Dios le encargó y ser capaz de hacer lo que Él le permitiera. Esta es la diferencia fundamental entre Noé y las personas actuales, y es también la verdadera definición de lo que es un hombre perfecto a ojos de Dios. Él quiere personas como Noé. Él es el tipo de persona que Dios elogia, y también precisamente la clase de persona a la que Él bendice. ¿Habéis recibido alguna ilustración de esto? Las personas miran a las personas desde el exterior, mientras que Dios mira sus corazones y su esencia”.
Recomendación: Palabra de Dios