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We hit the park this afternoon. Z likes to formally introduce us to the kids she meets in the park. "This is my mother, Michele and my father, Ray. Mom and dad, this is.....ughhh what's your name again?" She is not very good with names and neither am I.
Funnily, without us talking, emailing, or seeing eachother's images before hand, my friend, Grrltravels and I shot pretty much the same thing for our photos today. Check her photo out.
From rustic pumpkins to shutters made from barn wood, pallets are the star of this fall mantel display. Get the tutorial at The Frugal Homemaker.
Source by hvdelights
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Polly was justifiably proud of her baking. Everyone loved it, but no one knew why it was different. No one knew her secret ingredient. But her cakes were so great, how could you refuse?
From the Sunday newspaper magazine called This Week, Nov. 14, 1948. Until 1950, yellow colored margarine was illegal in many dairy states, and there was a federal tax on it where it could be sold, as indicated at the bottom of this ad. The tax was repealed in 1950 and states started lifting their bans, with Minnesota and Wisconsin the last holdouts until the 1960s. Police in Wisconsin were supposedly even known for nabbing people at the Illinois border attempting to smuggle in yellow margarine.
Title / Titre :
[Kahentinetha Horn] Kahn-Tineta Horn Homemakers .72 /
Portrait de Kahn-Tineta [Kahentinetha] Horn pris en 1972
Creator(s) / Créateur(s) : Arnaud Maggs
Date(s) : August 1972 / août 1972
Reference No. / Numéro de référence : ITEM 4716534, 4726999
central.bac-lac.gc.ca/.redirect?app=fonandcol&id=4716...
central.bac-lac.gc.ca/.redirect?app=fonandcol&id=4726...
Location / Lieu : Unknown / Inconnu
Credit / Mention de source :
Arnaud Maggs. Arnaud Maggs fonds. Library and Archives Canada, e011313905
© Estate of Arnaud Maggs / courtesy Stephen Bulger Gallery /
Arnaud Maggs. Fonds Arnaud Maggs. Bibliothèque et Archives Canada, e011313905
© Succession d'Arnaud Maggs / avec l'autorisation de la galerie
Stephen Bulger
Most people think that the outskirts DK are sick, except when they go to the cottage. I think it's fantastic, and when on weekdays it's empty and people are taken home to work, I sneak around and sink a little over the hedge. Today it turned into lilacs, which I make juice from :-) It's not bad to be a homemaker :-)
Status: Retired
BrickLink: n/a
Peeron: n/a
Used between 1974 and 1980 in Homemaker sets. Its replacement, 25 Earth Orange (old brown), was introduced in 1978.
Presumably this hair color was used before Lego started naming/numbering their colors. It's about as dark as Dark Brown, but less purple.
Thanks to WoutR for noticing that these were a new (to us) color :)
Holding up a public service ad for Radio Free Europe that appeared in the June 1955 issue of Woman's Day magazine, courtesy of the Advertising Council.
Title / Titre :
[Kahentinetha Horn] Kahn-Tineta Horn Homemakers .72 /
Portrait de Kahn-Tineta [Kahentinetha] Horn pris en 1972
Creator(s) / Créateur(s) : Arnaud Maggs
Date(s) : August 1972 / août 1972
Reference No. / Numéro de référence : ITEM 4715935, 4725937
central.bac-lac.gc.ca/.redirect?app=fonandcol&id=4715...
central.bac-lac.gc.ca/.redirect?app=fonandcol&id=4725...
Location / Lieu : Unknown / Inconnu
Credit / Mention de source :
Arnaud Maggs. Arnaud Maggs fonds. Library and Archives Canada, e011313908
© Estate of Arnaud Maggs / courtesy Stephen Bulger Gallery /
Arnaud Maggs. Fonds Arnaud Maggs. Bibliothèque et Archives Canada, e011313908
© Succession d'Arnaud Maggs / avec l'autorisation de la galerie Stephen Bulger
The year was 1913. Hattie was a Nebraska farm girl about to turn 21.
Desending from the Haggarts of Clan Ross of the Scottish highlands and" Blue Bellied Yankee's" she was about to prove up on her homestead in WY..
She recalled as a child being held back and having to watch her home burn with her cats in it. Hattie also remembered her dad who was off working on the rail road bringing home a new china Platter for her Mother holding it in his lap so it wouldn't break because the wagon road was so rough. She sometimes talked of his dying when she was nine years old.
Hattie was aggravated with her big brothers for not hooking up the buggy for her when she wanted to go to Buffalo Bill's Wild West Show. So, she hooked up the horse and went by herself. She told me once after that she always dreamed of owning a cabin in the pines.
Her eyes would light up when she recalled riding the Emigrant car to WY. She saw the train caboose ahead of her when coming around a horse shoe bend!
As a single young women she remembered helping butchering flocks of Turkeys with her friend Clara to be put up for winter. She and Clara cooked for the sheep shearing crews in a camp below the Hamilton Hills and slept under the stars listening to the coyotes.
As a bride she would get out of bed in the middle of the night to go out her corrals and beat the coyotes off the sheep with a club. She recalled when changing a diaper jumping on a saddle horse bare back and going after the cowboy who was stealing her milk cow calf. After discussing his pedigree with him she brought back the calf.
Hattie hated pushing the Model A up through the 77 Hills. Hattie grieved over her brother in law being bushwhacked in those same hills after a winning large at poker.
she was sad that her first fiance' died in France during WW II.
Hattie knew every word of:
In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place; and in the sky
The larks, still bravely singing, fly
Scarce heard amid the guns below.
We are the Dead. Short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders Fields.
Take up your quarrel with the foe:
To you from failing hands we throw
The torch; be yours to hold it high.
If ye break faith with us who die
We shall not sleep,
Though poppies grow
In Flanders fields.
She felt clever at being able figure out where her son was in the Pacific. He mentioned his rope in a letter. (Manila/hemp). I found receipts in her trunk for war bonds from both wars. A time when money was in short supply.
Hattie didn't care for sixties rock but I do recall her doing a little dance to Red Wing. The sixties were confusing to her but she was proud of two of her older Grandsons who went to Viet Nam.
Later after that war she bragged about me calling her from Okinawa when I was in the US Navy.
Hattie baked the best bread and lemon pies that I have ever eaten. Her fried chicken is untouchable.
She never wore trouser or drove a car and others described her as always a lady. She wore her best dresses and always wore a hat except in the worst of the winter when she wore a head scarf when going to town,
Hattie never had electricity or running water but every Monday we hauled water in from the back yard wind mill, heated it on the wood stove in a copper boiler and she washed clothes in a gasoline ringer washer. Sheets first Levis last.
Hattie passed away in the spring 1986 at the age 93.
I still long to visit with her after supper as she rocked in her chair and patched clothes by the stove. In the predawn hour I knew that I would wake to the sound of stove lids rattling as she built a fire for breakfast.
She was a daughter, homesteader, wife, mother,grandmaw and patriot - in short - one hellva strong woman!
This image represents the combination of design trends in 1955: pink, modern, & traditional.
Source: Living for Young Homemakers
The most beautiful women in TV and Movie History now become Barbie Collector Dolls created by acclaimed re-paint Artist Donna Brinkley.
Farrah Leni Fawcett is known as the world's Sexiest Star of all time... she will forever be one of Hollywood's greatest Icons. She was born in Corpus Christi, Texas, the younger of two daughters.[3] Her mother, Pauline Alice January 30, 1914 – March 4, 2005), was a homemaker, and her father, James William Fawcett (October 14, 1917 – August 23, 2010), was an oil field contractor. Her sister was Diane Fawcett Walls (October 27, 1938 – October 16, 2001), a graphic artist. She was of Irish, French, English, and Choctaw Native American ancestry. Fawcett once said the name Ferrah was made up by her mother because it went well with their last name.
A Roman Catholic, Fawcett's early education was at the parish school of the church her family attended, St. Patrick's Roman Catholic Church in Corpus Christi. She graduated from W. B. Ray High School in Corpus Christi, where she was voted Most Beautiful by her classmates her Freshman, Sophomore, Junior and Senior years of High School. For three years, 1965–68, Fawcett attended the University of Texas at Austin, living one semester in Jester Center, and she became a sister of Delta Delta Delta Sorority. During her Freshman year, she was named one of the Ten Most Beautiful Coeds on Campus, the first time a Freshman had been chosen. Their photos were sent to various agencies in Hollywood. David Mirsch, a Hollywood agent called her and urged her to come to Los Angeles. She turned him down but he called her for the next two years. Finally, in 1968, the summer following her junior year, with her parents' permission to try her luck in Hollywood, Farrah moved to Hollywood. She did not return.
Upon arriving in Hollywood in 1968 she was signed to a $350 a week contract with Screen Gems. She began to appear in commercials for UltraBrite toothpaste, Noxema, Max Factor, Wella Balsam shampoo and conditioner, Mercury Cougar automobiles and Beauty Rest matresses. Fawcett's earliest acting appearances were guest spots on The Flying Nun and I Dream of Jeannie. She made numerous other TV appearances including Owen Marshall: Counselor at Law, [Mayberry RFD]] and The Partridge Family. She appeared in four episodes of The Six Million Dollar Man with husband Lee Majors, The Dating Game, S.W.A.T and a recurring role on Harry O alongside David Janssen. She also appeared in the Made for TV movies, The Feminist and the Fuzz, The Great American Beauty Contest, The Girl Who Came Giftwrapped, and Murder of Flight 502.
She had a sizable part in the 1969 French romantic-drama, Love Is a Funny Thing. She played opposite Raquel Welch and Mae West in the film version of, Myra Breckinridge (1970). The film earned negative reviews and was a box office flop. However, much has been written and said about the scene where Farrah and Raquel share a bed, and a near sexual experience. Fawcett co-starred with Michael York and Richard Jordan in the well-received science-fiction film, Logan's Run in 1976.
In 1976, Pro Arts Inc., pitched the idea of a poster of Fawcett to her agent, and a photo shoot was arranged with photographer Bruce McBroom, who was hired by the poster company. According to friend Nels Van Patten, Fawcett styled her own hair and did her make-up without the aid of a mirror. Her blonde highlights were further heightened by a squeeze of lemon juice. From 40 rolls of film, Fawcett herself selected her six favorite pictures, eventually narrowing her choice to the one that made her famous. The resulting poster, of Fawcett in a one-piece red bathing suit, was a best-seller; sales estimates ranged from over 5 million[12] to 8 million to as high as 12 million copies.
On March 21, 1976, the first appearance of Fawcett playing the character Jill Munroe in Charlie's Angels was aired as a movie of the week. Fawcett and her husband were frequent tennis partners of producer Aaron Spelling, and he and his producing partner thought of casting Fawcett as the golden girl Jill because of his friendship with the couple. The movie starred Kate Jackson, Jaclyn Smith and Fawcett (then billed as Farrah Fawcett-Majors) as private investigators for Townsend Associates, a detective agency run by a reclusive multi-millionaire whom the women had never met. Voiced by John Forsythe, the Charles Townsend character presented cases and dispensed advice via a speakerphone to his core team of three female employees, whom he referred to as Angels. They were aided in the office and occasionally in the field by two male associates, played by character actors David Doyle and David Ogden Stiers. The program quickly earned a huge following, leading the network to air it a second time and approve production for a series, with the pilot's principal cast except David Ogden Stiers.
Fawcett's record-breaking poster that sold 12 million copies.
The Charlie's Angels series formally debuted on September 22, 1976. Fawcett emerged as a fan favorite in the show, and the actress won a People's Choice Award for Favorite Performer in a New TV Program. In a 1977 interview with TV Guide, Fawcett said: When the show was number three, I thought it was our acting. When we got to be number one, I decided it could only be because none of us wears a bra.
Fawcett's appearance in the television show boosted sales of her poster, and she earned far more in royalties from poster sales than from her salary for appearing in Charlie's Angels. Her hairstyle went on to become an international trend, with women sporting a Farrah-do a Farrah-flip, or simply Farrah hair Iterations of her hair style predominated American women's hair styles well into the 1980s.
Fawcett left Charlie's Angels after only one season and Cheryl Ladd replaced her on the show, portraying Jill Munroe's younger sister Kris Munroe. Numerous explanations for Fawcett's precipitous withdrawal from the show were offered over the years. The strain on her marriage due to her long absences most days due to filming, as her then-husband Lee Majors was star of an established television show himself, was frequently cited, but Fawcett's ambitions to broaden her acting abilities with opportunities in films have also been given. Fawcett never officially signed her series contract with Spelling due to protracted negotiations over royalties from her image's use in peripheral products, which led to an even more protracted lawsuit filed by Spelling and his company when she quit the show.
The show was a major success throughout the world, maintaining its appeal in syndication, spawning a cottage industry of peripheral products, particularly in the show's first three seasons, including several series of bubble gum cards, two sets of fashion dolls, numerous posters, puzzles, and school supplies, novelizations of episodes, toy vans, and a board game, all featuring Fawcett's likeness. The Angels also appeared on the covers of magazines around the world, from countless fan magazines to TV Guide (four times) to Time Magazine.
The series ultimately ran for five seasons. As part of a settlement to a lawsuit over her early departure, Fawcett returned for six guest appearances over seasons three and four of the series.
In 2004, the television movie Behind the Camera: The Unauthorized Story of Charlie's Angels dramatized the events from the show with supermodel and actress Tricia Helfer portraying Fawcett and Ben Browder portraying Lee Majors, Fawcett's then-husband.
In 1983, Fawcett won critical acclaim for her role in the Off-Broadway stage production of the controversial play Extremities, written by William Mastrosimone. Replacing Susan Sarandon, she was a would-be rape victim who turns the tables on her attacker. She described the role as the most grueling, the most intense, the most physically demanding and emotionally exhausting of her career. During one performance, a stalker in the audience disrupted the show by asking Fawcett if she had received the photos and letters he had mailed her. Police removed the man and were able only to issue a summons for disorderly conduct.
The following year, her role as a battered wife in the fact-based television movie The Burning Bed (1984) earned her the first of her four Emmy Award nominations. The project is noted as being the first television movie to provide a nationwide 800 number that offered help for others in the situation, in this case victims of domestic abuse. It was the highest-rated television movie of the season.
In 1986, Fawcett appeared in the movie version of Extremities, which was also well received by critics, and for which she received a Golden Globe nomination for Best Performance by an Actress in a Motion Picture – Drama.
She appeared in Jon Avnet's Between Two Women with Colleen Dewhurst, and took several more dramatic roles as infamous or renowned women. She was nominated for Golden Globe awards for roles as Beate Klarsfeld in Nazi Hunter: The Beate Klarsfeld Story and troubled Woolworth heiress Barbara Hutton in Poor Little Rich Girl: The Barbara Hutton Story, and won a CableACE Award for her 1989 portrayal of groundbreaking LIFE magazine photojournalist Margaret Bourke-White in Double Exposure: The Story of Margaret Bourke-White. Her 1989 portrayal of convicted murderer Diane Downs in the miniseries Small Sacrifices earned her a second Emmy nomination[20] and her sixth Golden Globe Award nomination. The miniseries won a Peabody Award for excellence in television, with Fawcett's performance singled out by the organization, which stated Ms. Fawcett brings a sense of realism rarely seen in television miniseries (to) a drama of unusual power Art meets life.
Fawcett, who had steadfastly resisted appearing nude in magazines throughout the 1970s and 1980s (although she appeared topless in the 1980 film Saturn 3), caused a major stir by posing semi-nude in the December 1995 issue of Playboy.[citation needed] At the age of 50, she returned to Playboy with a pictorial for the July 1997 issue, which also became a top seller. The issue and its accompanying video featured Fawcett painting on canvas using her body, which had been an ambition of hers for years.
That same year, Fawcett was chosen by Robert Duvall to play his wife in an independent feature film he was producing, The Apostle. Fawcett received an Independent Spirit Award nomination as Best Actress for the film, which was highly critically acclaimed.
In 2000, she worked with director Robert Altman and an all-star cast in the feature film Dr. T the Women, playing the wife of Richard Gere (her character has a mental breakdown, leading to her first fully nude appearance). Also that year, Fawcett's collaboration with sculptor Keith Edmier was exhibited at the Los Angeles County Museum of Art, later traveling to The Andy Warhol Museum. The sculpture was also presented in a series of photographs and a book by Rizzoli.
In November 2003, Fawcett prepared for her return to Broadway in a production of Bobbi Boland, the tragicomic tale of a former Miss Florida. However, the show never officially opened, closing before preview performances. Fawcett was described as vibrating with frustration at the producer's extraordinary decision to cancel the production. Only days earlier the same producer closed an Off-Broadway show she had been backing.
Fawcett continued to work in television, with well-regarded appearances in made-for-television movies and on popular television series including Ally McBeal and four episodes each of Spin City and The Guardian, her work on the latter show earning her a third Emmy nomination in 2004.
Fawcett was married to Lee Majors, star of television's The Six Million Dollar Man, from 1973 to 1982, although the couple separated in 1979. During her marriage, she was known and credited in her roles as Farrah Fawcett-Majors.
From 1979 until 1997 Fawcett was involved romantically with actor Ryan O'Neal. The relationship produced a son, Redmond James Fawcett O'Neal, born January 30, 1985 in Los Angeles.[26] In April 2009, on probation for driving under the influence, Redmond was arrested for possession of narcotics while Fawcett was in the hospital.[citation needed] On June 22, 2009, The Los Angeles Times and Reuters reported that Ryan O'Neal had said that Fawcett had agreed to marry him as soon as she felt strong enough.
From 1997 to 1998, Fawcett had a relationship with Canadian filmmaker James Orr, writer and producer of the Disney feature film in which she co-starred with Chevy Chase and Jonathan Taylor Thomas, Man of the House. The relationship ended when Orr was charged with and later convicted of beating Fawcett during a 1998 fight between the two.
On June 5, 1997, Fawcett received negative commentary after giving a rambling interview and appearing distracted on Late Show with David Letterman. Months later, she told the host of The Howard Stern Show her behavior was just her way of joking around with the television host, partly in the guise of promoting her Playboy pictoral and video, explaining what appeared to be random looks across the theater was just her looking and reacting to fans in the audience. Though the Letterman appearance spawned speculation and several jokes at her expense, she returned to the show a week later, with success, and several years later, after Joaquin Phoenix's mumbling act on a February 2009 appearance on The Late Show, Letterman wrapped up the interview by saying, I'm sorry you couldn't be here tonight and recalled Fawcett's earlier appearance by noting we owe an apology to Farrah Fawcett.
Fawcett's elder sister, Diane Fawcett Walls, died from lung cancer just before her 63rd birthday, on October 16, 2001.[33] The fifth episode of her 2005 Chasing Farrah series followed the actress home to Texas to visit with her father, James, and mother, Pauline. Pauline Fawcett died soon after, on March 4, 2005, at the age of 91.
Fawcett was diagnosed with anal cancer in 2006, and began treatment, including chemotherapy and surgery. Four months later, on her 60th birthday, the Associated Press wire service reported that Fawcett was, at that point, cancer free.
Less than four months later, in May 2007, Fawcett brought a small digital video camera to document a doctor's office visit. There, she was told a malignant polyp was found where she had been treated for the initial cancer. Doctors contemplated whether to implant a radiation seeder (which differs from conventional radiation and is used to treat other types of cancer). Fawcett's U.S. doctors told her that she would require a colostomy. Instead, Fawcett traveled to Germany for treatments described variously in the press as holistic aggressive and alternative. There, Dr. Ursula Jacob prescribed a treatment including surgery to remove the anal tumor, and a course of perfusion and embolization for her liver cancer by Doctors Claus Kiehling and Thomas Vogl in Germany, and chemotherapy back in Fawcett's home town of Los Angeles. Although initially the tumors were regressing, their reappearance a few months later necessitated a new course, this time including laser ablation therapy and chemoembolization. Aided by friend Alana Stewart, Fawcett documented her battle with the disease.
In early April 2009, Fawcett, back in the United States, was hospitalized, with media reports declaring her unconscious and in critical condition, although subsequent reports indicated her condition was not so dire. On April 6, the Associated Press reported that her cancer had metastasized to her liver, a development Fawcett had learned of in May 2007 and which her subsequent treatments in Germany had targeted. The report denied that she was unconscious, and explained that the hospitalization was due not to her cancer but a painful abdominal hematoma that had been the result of a minor procedure. Her spokesperson emphasized she was not at death's door adding - She remains in good spirits with her usual sense of humor ... She's been in great shape her whole life and has an incredible resolve and an incredible resilience. Fawcett was released from the hospital on April 9, picked up by longtime companion O'Neal, and, according to her doctor, was walking and in great spirits and looking forward to celebrating Easter at home.
A month later, on May 7, Fawcett was reported as critically ill, with Ryan O'Neal quoted as saying she now spends her days at home, on an IV, often asleep. The Los Angeles Times reported Fawcett was in the last stages of her cancer and had the chance to see her son Redmond in April 2009, although shackled and under supervision, as he was then incarcerated. Her 91-year-old father, James Fawcett, flew out to Los Angeles to visit.
The cancer specialist that was treating Fawcett in L.A., Dr. Lawrence Piro, and Fawcett's friend and Angels co-star Kate Jackson – a breast cancer survivor – appeared together on The Today Show dispelling tabloid-fueled rumors, including suggestions Fawcett had ever been in a coma, had ever reached 86 pounds, and had ever given up her fight against the disease or lost the will to live. Jackson decried such fabrications, saying they really do hurt a human being and a person like Farrah. Piro recalled when it became necessary for Fawcett to undergo treatments that would cause her to lose her hair, acknowledging Farrah probably has the most famous hair in the world but also that it is not a trivial matter for any cancer patient, whose hair affects [one's] whole sense of who [they] are. Of the documentary, Jackson averred Fawcett didn't do this to show that 'she' is unique, she did it to show that we are all unique ... This was ... meant to be a gift to others to help and inspire them.
The two-hour documentary Farrah's Story, which was filmed by Fawcett and friend Alana Stewart, aired on NBC on May 15, 2009.[47] The documentary was watched by nearly nine million people at its premiere airing, and it was re-aired on the broadcast network's cable stations MSNBC, Bravo and Oxygen. Fawcett earned her fourth Emmy nomination posthumously on July 16, 2009, as producer of Farrah's Story.
Controversy surrounded the aired version of the documentary, with her initial producing partner, who had worked with her four years earlier on her reality series Chasing Farrah, alleging O'Neal's and Stewart's editing of the program was not in keeping with Fawcett's wishes to more thoroughly explore rare types of cancers such as her own and alternative methods of treatment. He was especially critical of scenes showing Fawcett's son visiting her for the last time, in shackles, while she was nearly unconscious in bed. Fawcett had generally kept her son out of the media, and his appearances were minimal in Chasing Farrah.
Fawcett died at approximately 9:28 am, PDT on June 25, 2009, in the intensive care unit of Saint John's Health Center in Santa Monica, California, with O'Neal and Stewart by her side. A private funeral was held in Los Angeles on June 30. Fawcett's son Redmond was permitted to leave his California detention center to attend his mother's funeral, where he gave the first reading.
The night of her death, ABC aired an hour-long special episode of 20/20 featuring clips from several of Barbara Walters' past interviews with Fawcett as well as new interviews with Ryan O'Neal, Jaclyn Smith, Alana Stewart, and Dr. Lawrence Piro. Walters followed up on the story on Friday's episode of 20/20. CNN's Larry King Live planned a show exclusively about Fawcett that evening until the death of Michael Jackson several hours later caused the program to shift to cover both stories. Cher, a longtime friend of Fawcett, and Suzanne de Passe, executive producer of Fawcett's Small Sacrifices mini-series, both paid tribute to Fawcett on the program. NBC aired a Dateline NBC special Farrah Fawcett: The Life and Death of an Angel; the following evening, June 26, preceded by a rebroadcast of Farrah's Story in prime time. That weekend and the following week, television tributes continued. MSNBC aired back-to-back episodes of its Headliners and Legends episodes featuring Fawcett and Jackson. TV Land aired a mini-marathon of Charlie's Angels and Chasing Farrah episodes. E! aired Michael and Farrah: Lost Icons and the The Biography Channel aired Bio Remembers: Farrah Fawcett. The documentary Farrah's Story re-aired on the Oxygen Network and MSNBC.
Larry King said of the Fawcett phenomenon,
TV had much more impact back in the '70s than it does today. Charlie's Angels got huge numbers every week – nothing really dominates the television landscape like that today. Maybe American Idol comes close, but now there are so many channels and so many more shows it's hard for anything to get the audience, or amount of attention, that Charlie's Angels got. Farrah was a major TV star when the medium was clearly dominant.
Playboy founder Hugh Hefner said Farrah was one of the iconic beauties of our time. Her girl-next-door charm combined with stunning looks made her a star on film, TV and the printed page.
Kate Jackson said,
She was a selfless person who loved her family and friends with all her heart, and what a big heart it was. Farrah showed immense courage and grace throughout her illness and was an inspiration to those around her... I will remember her kindness, her cutting dry wit and, of course, her beautiful smile...when you think of Farrah, remember her smiling because that is exactly how she wanted to be remembered: smiling.
She is buried at the Westwood Village Memorial Park in Los Angeles.
The red one-piece bathing suit worn by Farrah in her famous 1976 poster was donated to the Smithsonian's National Museum of American History (NMAH) on February 2, 2011.[65] Said to have been purchased at a Saks Fifth Avenue store, the red Lycra suit made by the leading Australian swimsuit company Speedo, was donated to the Smithsonian by her executors and was formally presented to NMAH in Washington D.C. by her longtime companion Ryan O'Neal.[66] The suit and the poster are expected to go on temporary display sometime in 2011–12. They will be made additions to the Smithsonian's popular culture department.
The famous poster of Farrah in a red swimsuit has been produced as a Barbie doll. The limited edition dolls, complete with a gold chain and the girl-next-door locks, have been snapped up by Barbie fans.
In 2011, Men's Health named her one of the 100 Hottest Women of All-Time ranking her at No. 31
I think I'll shell out a few more cents...
Blog post about this ad: jbwarehouse.blogspot.com/2010/02/1661-vintage-homemakers-...
Source: Homemakers, March 1977
My inspiration for these photos actually came from noticing how much the colors all around me seemed to match. :)
01 Jul 1968 --- 1960s Weary Dejected Woman Housewife Homemaker Sitting On Full Laundry Basket In Kitchen --- Image by © H. Armstrong Roberts/ClassicStock/Corbis
The games we play as children are rehearsals for the roles we play in life. Traditional toys for girls nurture homemaker stereotypes, simulating traditional domestic roles through play. In these photographs, I am exploring the possibility of the same staging taking place with the prolific, but publicly hidden occupation of prostitution. By constructing these scenes in miniature, I project representations of the sex industry onto the medium of the conventional dollhouse. As polar opposites, the homemaker and the sex worker are highly constructed and restrictive roles, the most deeply-rooted myths of the feminine.
Pieced together from many sources of representation these constructed spaces can be peered-into and examined.
I'm the September Guest Designer for October Afternoon! This altered embroidery hoop was created using the Modern Homemaker line. Visit octoberafternoon.typepad.com to see more projects using all the beautiful new lines by OA!
Spanish postcard.
American actor Richard Gere (1949) has been hailed as The Sexiest Man alive and a humanitarian, but he is foremost a good actor. He shone in such box office hits as American Gigolo (1980), An Officer and a Gentleman (1982) and Pretty Woman (1990). For portraying Billy Flynn in the Academy Award-winning musical Chicago (2002), he won a Golden Globe Award and a Screen Actors Guild Award as part of the cast.
Richard Tiffany Gere was born in 1949, in Philadelphia, Pennsylvania, USA. He was the second of five children of Doris Ann (Tiffany), a homemaker, and Homer George Gere, an insurance salesman, both Mayflower descendants. Gere had a strict Methodist upbringing. Richard started early as a musician, playing a number of instruments in high school and writing music for high school productions. He graduated from North Syracuse Central High School in 1967, and won a gymnastics scholarship to the University of Massachusetts in Amherst, where he majored in philosophy. He left college after two years to pursue acting. Gere first worked professionally at the Seattle Repertory Theatre and Provincetown Playhouse on Cape Cod in 1969, where he starred in Rosencrantz and Guildenstern Are Dead. He landed the lead role as Danny Zuko in the London production of the musical Grease in 1973. While in London, Gere gained the privilege of becoming one of the few Americans ever to work with Britain's Young Vic Theater, with which he appeared in The Taming of the Shrew. He later reprised his role as Danny Zuko in Grease on Broadway. In 1974, Gere made his feature film debut with a tiny part in Report to the Commissioner (Milton Katselas, 1974). He returned to the stage the following year as part of the cast of an off-Broadway production of Sam Shepard's Killer's Head. Some of Gere's earliest photos, known as 'head shots' were taken by boyhood friend and struggling photographer Herb Ritts. The people handling Gere were so impressed with the photos that they began hiring Ritts for other assignments. Ritts became a top photographer. Onscreen, Gere had a few roles, and gained recognition in Looking for Mr. Goodbar (Richard Brooks, 1977) opposite Diane Keaton. He played his first leading role in the dream-like drama Days of Heaven (Terrence Malick, 1978). Joshua Dysart at IMDb: "A poetic biblical parable played out in the Texas Panhandle at the turn of the century, it gives total preference to the emotion of imagery over the emotion of the actors. It's an exorcise in feeling and seeing that's so successful it elevated Terrence Malick into the ranks of visual storytellers like Tarkovski and Kurosawa." In Italy, Gere won the David di Donatello Award (the Italian Oscar) for Best Foreign Actor. Gere spent 1978 meeting Tibetans when he travelled to Nepal, where he spoke to many monks and lamas. Returning to the US, Gere won considerable theatrical acclaim for his performance as a gay concentration-camp prisoner in the Broadway production of Martin Sherman's Bent. For his role he received the 1980 Theatre World Award. Back in Hollywood, he played the title role in American Gigolo (Paul Schrader, 1980), which established him as a leading man and a sex symbol. His star status was reaffirmed by An Officer and a Gentleman (Taylor Hackford, 1982) with Debra Winger. The film grossed almost $130 million and won two Academy Awards out of six nominations. Gere himself received his first Golden Globe Award nomination. In The Cotton Club (Francios Coppola, 1984) he appeared with Diane Lane. In the early 1980s, Richard went to Honduras, Nicaragua and El Salvador amidst ongoing wars and political violence. With a doctor, he visited refugee camps. In the late 1980s, his career seemed to have a dip. His celebrity status was jeopardized with roles in the several poorly received biblical drama King David (Bruce Beresford, 1985) and the underrated political drama Power ( Sidney Lumet, 1986).
In 1990 Richard Gere returned to the front row with two excellent films. In Internal Affairs (Mike Figgis, 1990), he was a sensation as the bad guy. Andy Garcia played an Internal Affairs agent who becomes obsessed with bringing down a cop (Gere) who manages to maintain a spotless reputation despite being involved in a web of corruption. Gere then teamed up with Julia Roberts to star in the the smash romantic comedy Pretty Woman (Garry Marshall, 1990). His cool reserve as a ruthless businessman was the perfect complement to Julia's bubbling enthusiasm. The film captured the nation's heart, and it earned Gere his second Golden Globe Award nomination. Fans clamored for years for a sequel, or at least another pairing of Julia and Richard. They got that with Runaway Bride (Garry Marshall, 1999), which was a runaway success. Gere received $12 million, and the box office was $152 million. Offscreen, Richard and Cindy Crawford got married in 1991. They were divorced in 1995. Gere had a leading role in the Japanese film Hachi-gatsu no rapusodî (Akira Kurosawa, 1991), a film warning viewers of the dangers of nuclear power. Gere is also active in AIDS fundraising and agreed to play a small role in the HBO film And the Band Played On (Roger Spottiswoode, 1993) despite the prevalent belief in the film industry a film about AIDS would be detrimental to his career. It was not. He co-starred with Jodie Foster in the box office hit Sommersby (Jon Amiel, 1993). A Buddhist for over a decade, he was banned from the Oscars once after making anti-China comments on the air at the 1993 ceremony. Gere played one of his best roles in Primal Fear (Gregory Hoblit, 1996), as a fame-hungry lawyer who defends an altar boy (Edward Norton) accused of murdering a priest. People magazine had picked him as one of the 50 Most Beautiful People in the world in 1991, and in 1999 picked him as their Sexiest Man Alive. The following year, the actor enjoyed some of his best reviews to date as a gynecologist at once devoted to and bewildered by all of the women in his life in the aptly titled Dr. T & the Women (Robert Altman, 2000). Critics noted that Gere seemed to have finally come into his own as an actor, having matured amiably with years and experience. After his divorce from Cindy Crawford, Gere had started dating actress Carey Lowell. In 2000, they had a son, Homer James Jigme Gere. Jigme means 'fearless' in Tibetan. Gere and Lowell married in 2002. His later films include the thriller Unfaithful (Adrian Lyne, 2002) in which he reunited with Diane Lane, the Oscar winning musical Chicago (Rob Marshall, 2002) with Renée Zellweger and Catherine Zeta-Jones, and the ballroom dancing drama Shall We Dance? (Peter Chelsom, 2004), which grossed $170 million worldwide. In the comedy-drama The Hoax (Lasse Hallström, 2006), he played Clifford Irving who sold his bogus biography of Howard Hughes to a premiere publishing house in the early 1970s. Gere was one of the characters who embody a different aspect of Bob Dylan's life and work in I'm Not There (Todd Haynes, 2007). Other interesting films are the crime drama Brooklyn's Finest (Antoine Fuqua, 2009) with Don Cheadle, the British comedy-drama The Second Best Exotic Marigold Hotel (John Madden, 2015) with Judi Dench and Maggie Smith, and Three Christs (Jon Avnet, 2017) with Peter Dinklage. He was notably singled out for portraying businessman Robert Miller opposite Susan Sarandon in Arbitrage (Nicholas Jarecki, 2012), earning his fourth Golden Globe Award nomination. Gere is also an accomplished pianist, music writer, and above all a humanitarian. He's a founding member of Tibet House, a nonprofit organization dedicated to the preservation of Tibetan culture. He has been an active supporter of Survival International, which supports tribal people, including the natives of the Amazon, the Maasai of East Africa, the Wichi of Argentina. After 11 years of marriage, Gere and Lowell separated. Since April 2018, Richard Gere is married to Spanish activist Alejandra Silva.
Source: Sandra Brennan (AllMovie), K.D. Haisch (IMDb), AllMovie, Wikipedia and IMDb.
Spanish postcard in the 'Yo amo al Cine' series by Rovensa / Lauren Films. Photo: Lauren Films. Publicitity still for The Honorary Consul (John Mackenzie, 1983).
American actor Richard Gere (1949) has been hailed as The Sexiest Man alive and a humanitarian, but he is foremost a good actor. He shone in such box office hits as American Gigolo (1980), An Officer and a Gentleman (1982) and Pretty Woman (1990). For portraying Billy Flynn in the Academy Award-winning musical Chicago (2002), he won a Golden Globe Award and a Screen Actors Guild Award as part of the cast.
Richard Tiffany Gere was born in 1949, in Philadelphia, Pennsylvania, USA. He was the second of five children of Doris Ann (Tiffany), a homemaker, and Homer George Gere, an insurance salesman, both Mayflower descendants. Gere had a strict Methodist upbringing. Richard started early as a musician, playing a number of instruments in high school and writing music for high school productions. He graduated from North Syracuse Central High School in 1967, and won a gymnastics scholarship to the University of Massachusetts in Amherst, where he majored in philosophy. He left college after two years to pursue acting. Gere first worked professionally at the Seattle Repertory Theatre and Provincetown Playhouse on Cape Cod in 1969, where he starred in Rosencrantz and Guildenstern Are Dead. He landed the lead role as Danny Zuko in the London production of the musical Grease in 1973. While in London, Gere gained the privilege of becoming one of the few Americans ever to work with Britain's Young Vic Theater, with which he appeared in The Taming of the Shrew. He later reprised his role as Danny Zuko in Grease on Broadway. In 1974, Gere made his feature film debut with a tiny part in Report to the Commissioner (Milton Katselas, 1974). He returned to the stage the following year as part of the cast of an off-Broadway production of Sam Shepard's Killer's Head. Some of Gere's earliest photos, known as 'head shots' were taken by boyhood friend and struggling photographer Herb Ritts. The people handling Gere were so impressed with the photos that they began hiring Ritts for other assignments. Ritts became a top photographer. Onscreen, Gere had a few roles, and gained recognition in Looking for Mr. Goodbar (Richard Brooks, 1977) opposite Diane Keaton. He played his first leading role in the dream-like drama Days of Heaven (Terrence Malick, 1978). Joshua Dysart at IMDb: "A poetic biblical parable played out in the Texas Panhandle at the turn of the century, it gives total preference to the emotion of imagery over the emotion of the actors. It's an exorcise in feeling and seeing that's so successful it elevated Terrence Malick into the ranks of visual storytellers like Tarkovski and Kurosawa." In Italy, Gere won the David di Donatello Award (the Italian Oscar) for Best Foreign Actor. Gere spent 1978 meeting Tibetans when he travelled to Nepal, where he spoke to many monks and lamas. Returning to the US, Gere won considerable theatrical acclaim for his performance as a gay concentration-camp prisoner in the Broadway production of Martin Sherman's Bent. For his role he received the 1980 Theatre World Award. Back in Hollywood, he played the title role in American Gigolo (Paul Schrader, 1980), which established him as a leading man and a sex symbol. His star status was reaffirmed by An Officer and a Gentleman (Taylor Hackford, 1982) with Debra Winger. The film grossed almost $130 million and won two Academy Awards out of six nominations. Gere himself received his first Golden Globe Award nomination. In The Cotton Club (Francios Coppola, 1984) he appeared with Diane Lane. In the early 1980s, Richard went to Honduras, Nicaragua and El Salvador amidst ongoing wars and political violence. With a doctor, he visited refugee camps. In the late 1980s, his career seemed to have a dip. His celebrity status was jeopardized with roles in the several poorly received biblical drama King David (Bruce Beresford, 1985) and the underrated political drama Power ( Sidney Lumet, 1986).
In 1990 Richard Gere returned to the front row with two excellent films. In Internal Affairs (Mike Figgis, 1990), he was a sensation as the bad guy. Andy Garcia played an Internal Affairs agent who becomes obsessed with bringing down a cop (Gere) who manages to maintain a spotless reputation despite being involved in a web of corruption. Gere then teamed up with Julia Roberts to star in the the smash romantic comedy Pretty Woman (Garry Marshall, 1990). His cool reserve as a ruthless businessman was the perfect complement to Julia's bubbling enthusiasm. The film captured the nation's heart, and it earned Gere his second Golden Globe Award nomination. Fans clamored for years for a sequel, or at least another pairing of Julia and Richard. They got that with Runaway Bride (Garry Marshall, 1999), which was a runaway success. Gere received $12 million, and the box office was $152 million. Offscreen, Richard and Cindy Crawford got married in 1991. They were divorced in 1995. Gere had a leading role in the Japanese film Hachi-gatsu no rapusodî (Akira Kurosawa, 1991), a film warning viewers of the dangers of nuclear power. Gere is also active in AIDS fundraising and agreed to play a small role in the HBO film And the Band Played On (Roger Spottiswoode, 1993) despite the prevalent belief in the film industry a film about AIDS would be detrimental to his career. It was not. He co-starred with Jodie Foster in the box office hit Sommersby (Jon Amiel, 1993). A Buddhist for over a decade, he was banned from the Oscars once after making anti-China comments on the air at the 1993 ceremony. Gere played one of his best roles in Primal Fear (Gregory Hoblit, 1996), as a fame-hungry lawyer who defends an altar boy (Edward Norton) accused of murdering a priest. People magazine had picked him as one of the 50 Most Beautiful People in the world in 1991, and in 1999 picked him as their Sexiest Man Alive. The following year, the actor enjoyed some of his best reviews to date as a gynecologist at once devoted to and bewildered by all of the women in his life in the aptly titled Dr. T & the Women (Robert Altman, 2000). Critics noted that Gere seemed to have finally come into his own as an actor, having matured amiably with years and experience. After his divorce from Cindy Crawford, Gere had started dating actress Carey Lowell. In 2000, they had a son, Homer James Jigme Gere. Jigme means 'fearless' in Tibetan. Gere and Lowell married in 2002. His later films include the thriller Unfaithful (Adrian Lyne, 2002) in which he reunited with Diane Lane, the Oscar winning musical Chicago (Rob Marshall, 2002) with Renée Zellweger and Catherine Zeta-Jones, and the ballroom dancing drama Shall We Dance? (Peter Chelsom, 2004), which grossed $170 million worldwide. In the comedy-drama The Hoax (Lasse Hallström, 2006), he played Clifford Irving who sold his bogus biography of Howard Hughes to a premiere publishing house in the early 1970s. Gere was one of the characters who embody a different aspect of Bob Dylan's life and work in I'm Not There (Todd Haynes, 2007). Other interesting films are the crime drama Brooklyn's Finest (Antoine Fuqua, 2009) with Don Cheadle, the British comedy-drama The Second Best Exotic Marigold Hotel (John Madden, 2015) with Judi Dench and Maggie Smith, and Three Christs (Jon Avnet, 2017) with Peter Dinklage. He was notably singled out for portraying businessman Robert Miller opposite Susan Sarandon in Arbitrage (Nicholas Jarecki, 2012), earning his fourth Golden Globe Award nomination. Gere is also an accomplished pianist, music writer, and above all a humanitarian. He's a founding member of Tibet House, a nonprofit organization dedicated to the preservation of Tibetan culture. He has been an active supporter of Survival International, which supports tribal people, including the natives of the Amazon, the Maasai of East Africa, the Wichi of Argentina. After 11 years of marriage, Gere and Lowell separated. Since April 2018, Richard Gere is married to Spanish activist Alejandra Silva.
Source: Sandra Brennan (AllMovie), K.D. Haisch (IMDb), AllMovie, Wikipedia and IMDb.
Could I be your hostess at your next dinner?
I can set your table, arrange flowers, put out place cards, greet and seat your guests.
I also make a very good dessert
Portrait of Billie Jean King and the final match score over Bobby Riggs
Billie Jean King (born November 22, 1943, in Long Beach, California) is a retired tennis player from the United States. During her career, she won 12 Grand Slam singles titles and 25 Grand Slam doubles titles. She is considered by many to be one of the greatest tennis players and female athletes in history. King was an outspoken advocate against sexism in sports and in society in general. The match for which she is best remembered is the Battle of the Sexes in 1973, in which she defeated the former Wimbledon men's champion Bobby Riggs.
King was born Billie Jean Moffit in 1943. She was the daughter of a firefighter father and homemaker mother. Her younger brother Randy Moffit went on to become a pitcher for the San Francisco Giants. She learned to play tennis on the public courts of Long Beach, California and first gained international recognition in 1961 when, aged 17, she won the women's doubles title at Wimbledon (partnering Karen Hantze Susman). In 1965, she married law-student Lawrence King.
In 1966, King won the first of six singles titles at Wimbledon and reached the World No. 1 ranking for the first time. She followed this up by winning the singles titles at both Wimbledon and the US Championships in 1967. She developed a reputation as an aggressive, hard-hitting net-rusher, with excellent speed and a highly-competitive nature.
King was a significant force in the opening of tennis to professionalism. Prior to the advent of the Open era in 1968, she had to get by on US$100 a week as a playground instructor and student at Los Angeles State College in between playing at major tennis tournaments. In 1967, she attacked the United States Lawn Tennis Association in a series of press conferences, denouncing what she called the association's practice of "shamateurism", where top players were paid under the table to guarantee their entry into tournaments. King argued that this was corrupt and kept the game highly elitist. When the Open era began, King campaigned for equal prize money in the men's and women's games. As the financial backing of the women's game improved, King became the first woman athlete to earn over US$100,000 in prize money in 1971. But inequalities continued to exist. In 1972, King won the US Open but received US$15,000 less than the men's champion Ilie Nastase. She stated that if the prize money was not equal by the following year, she would not play. In 1973, the US Open became the first major tournament to offer equal prize money for men and women.
Despite all King's achievements at the world's biggest tennis tournaments, it is a win over a 55 year-old man in 1973 for which she is best remembered. Bobby Riggs had been a top men's player in the 1930s and 40s. He had then gone on to become a well-known tennis hustler who made a living promoting himself playing in challenge matches. In 1973 he took on the role of male chauvinist and, claiming that the women's game was so inferior to the men's game even a 55 year-old like him could beat the current top female players, he challenged an unprepared Margaret Court to a match and beat her 6-2, 6-1. King, who previously had rejected challenges from Riggs, then decided accepted a lucrative financial offer to play him at the Houston Astrodome in Texas on September 20th 1973, in an event dubbed the Battle of the Sexes. The match drew huge publicity. In front of 30,492 spectators and a worldwide television audience estimated at 50 million people in 37 countries, King beat Riggs 6-4, 6-3, 6-3. The match is considered to be a very singificant event in developing greater recognition and respect for women's tennis.
King was instrumental in establishing the women's tennis tour in the 1970s, and worked tirelessly to promote it. She became the first President of the women's players union – the Women's Tennis Association (WTA) – in 1973. In 1974, she founded Womensports magazine, started the Women's Sports Foundation. She also helped to found World Team Tennis.
King's triumph at the French Open in 1972 made her only the fifth woman in tennis history to win the singles titles at all four Grand Slam events. She also won all four of the mixed doubles titles, and in women's doubles only the Australian Open eluded her. She won a record 20 career titles at Wimbledon – 6 singles, 10 women's doubles, and 4 mixed doubles (this record has since been equalled by Martina Navratilova). She is also the only woman to have won the US Open singles title on all four surfaces on which it has been played (grass, clay, indoor, and hard). In 1973, King became the oldest player to win a professional title when she won at Birmingham. She retired from competitive play later that year after reaching the semi-finals in her last appearance at Wimbledon. During her career, King won 67 professional and 37 amateur singles titles and helped the US win the Fed Cup 7 times. Her career prize money totalled US$1,966,487.
King was inducted into the International Tennis Hall of Fame in 1987. In 1990, Life magazine named her one of the '100 Most Important Americans of the 20th Century'.
In 1971, King began an affair with her secretary Marilyn Barnett. When this came to light in a lawsuit ten years later, King acknowledged the affair and thus became the first American athlete to openly admit to having a homosexual relationship. She received an award from GLAAD - an organisation devoted to reducing discrimination against gays, lesbians and bisexuals - in 2001 for "furthering the visibility and inclusion of the community in her work". The award noted her involvement in production and the free distribution of educational films, as well as serving on the boards of several AIDS charities.
King currently resides in New York and Seattle. In the mid-1980s, she divorced Lawrence King.
The Elton John song "Philadelphia Freedom" is a tribute to King.
Ad from the inside of a 1940s Gulf Oil Company road map, promoting the company's household products, including insecticides with the now-banned DDT.