The late, great Arthur Fiedler, longtime conductor of the Boston Pops, is flanked by four well-dressed 1950s housewives having a tea party. Little do their husbands, back at the office, know! Of course the cute one in the red dress is smoking a cigarette.

From the liner notes: "A tea party, which is predicated on the double premise of good tea and good will, demands the genial association of something reliably mellifluous. It is in the music, as well as about the tea cups, that one expects to meet friends, old and recent. If one encounters a melody or a person whom one somehow has missed up to the moment, this will turn out to be an immediately welcome new acquaintance."

Built for the 2013 MocOlympics final, a maxifig scale circus, scene of some carnage... involving our very dapper ringmaster, Sir Barrington Fosbury-Curlitash.

British postcard in the Picturegoer Series, London, no. 1213. Photo: Warner.

American actress and singer Ann Sheridan (1915-1967) worked from 1934 in film and later on television. She could both play the girl next door and the tough-as-nails dame. Known as the 'Oomph Girl', she became one of the most glamorous women in Hollywood. Her notable films include Angels with Dirty Faces (1938) with James Cagney and Humphrey Bogart, They Drive by Night (1940) with George Raft and Bogart, Nora Prentiss (1947), and I Was a Male War Bride (1949) with Cary Grant.

Clara Lou Sheridan was born in Denton, Texas, in 1915, as the youngest of five children of G.W. Sheridan and Lula Stewart Warren Sheridan, an automobile mechanic and his homemaker wife. She was a self-described tomboy and was very athletic, and played on the girl's basketball team for North Texas State Teacher's College, where she was planning to enter the teaching field. She was active in dramatics and also sang with the college's stage band. In 1932, her sister Pauline sent a photograph of Clara Lou in a bathing suit to Paramount Pictures. She subsequently entered and won the 'Search for Beauty' contest, with part of her prize being a screen test and a bit part in a film by that name. She left college to pursue a career in Hollywood and, aged 19, made her film debut in Search for Beauty (Erle C. Kenton, 1934), starring Buster Crabbe and Ida Lupino. For the next two years, she played uncredited bit parts in Paramount films, starting at $75 a week (equivalent to $1,400 in 2020). Sheridan can be glimpsed in 13 films in 1934, including Come On Marines! (Henry Hathaway, 1934) still billed as 'Clara Lou Sheridan', Murder at the Vanities (Mitchell Leisen, 1934), College Rhythm (Norman Taurog, 1934), and One Hour Late (Ralph Murphy, 1934). Sheridan worked with Paramount's drama coach Nina Mouise and performed plays on the lot with fellow contractees, including 'The Milky Way' and 'The Pursuit of Happiness'. 'When she did The Milky Way', she played a character called Ann and the Paramount front office decided to change her name to 'Ann'. Sheridan had a part in Behold My Wife! (1934), which she got at the behest of director Mitchell Leisen, who was a friend. She had two good scenes, one in which her character had to commit suicide. Sheridan attributed Paramount's keeping her for two years to this role. Twelve more bit parts followed in 1935 in such films as Enter Madame (Elliott Nugent, 1935) starring Elissa Landi and Cary Grant, the drama Home on the Range (Arthur Jacobson, 1935) starring Jackie Coogan, and Rumba (Marion Gering, 1935,) an unsuccessful follow-up to George Raft and Carole Lombard's smash hit Bolero (Wesley Ruggles, 1934). Sheridan's first lead came in Car 99 (Charles Barton, 1935) with Fred MacMurray. She had the female lead in Rocky Mountain Mystery (Charles Barton, 1935), a Randolph Scott Western. She then appeared in Mississippi (A. Edward Sutherland, 1935) with Bing Crosby and W.C. Fields, The Glass Key (Frank Tuttle, 1935) with George Raft, and (having one line) the historical adventure The Crusades (Cecil B. DeMille, 1935) with Loretta Young. Paramount lent her out to Talisman, a small production company, to make the Western The Red Blood of Courage (John English, 1935) with Kermit Maynard. After this, Paramount declined to take up her option. Sheridan did one film at Universal, Fighting Youth (Hamilton MacFadden, 1935) with Charles Farrell, and then signed a contract with Warner Bros. in 1936.

Ann Sheridan's career prospects began to improve. Her early films for Warner Bros. included the musical Sing Me a Love Song (Ray Enright, 1936), and the crime drama Black Legion (Archie Mayo, 1937) with Humphrey Bogart. Her first real break came in the crime film The Great O'Malley (William Dieterle, 1937) with Pat O'Brien and Bogart. She sang for the first time in San Quentin (Lloyd Bacon, 1937), with O'Brien and Bogart. Sheridan then moved into B picture leads such as The Footloose Heiress (William Clemens, 1937), Alcatraz Island (William C. McGann, 1937) with John Litel, and She Loved a Fireman (John Farrow, 1937) with Dick Foran for director John Farrow. She was a lead in The Patient in Room 18 (Bobby Connolly, Crane Wilbur, 1937) and its sequel Mystery House (Noel M. Smith, 1938). Sheridan was in Little Miss Thoroughbred (John Farrow, 1938) and supported Dick Powell in Cowboy from Brooklyn (Lloyd Bacon, 1938). Universal borrowed her for a support role in Letter of Introduction (1938) at the behest of director John M. Stahl. For John Farrow, she was in Broadway Musketeers (1938), a remake of Three on a Match (Mervyn LeRoy, 1932). Sheridan's notices in Letter of Introduction impressed Warner Bros. executives. She began to get roles in A pictures, starting with the gangster film Angels with Dirty Faces (Michael Curtiz, 1938), wherein she played James Cagney's love interest; Bogart, O'Brien and the Dead End Kids had supporting roles. The film was a big hit and critically acclaimed. Sheridan was reunited with the Dead End Kids in They Made Me a Criminal (Busby Berkeley, 1938) starring John Garfield. She was third-billed in the Western Dodge City (Michael Curtiz, 1939), playing a saloon owner opposite Errol Flynn and Olivia de Havilland. The film was another notable success. In March 1939, Warner Bros. announced Sheridan had been voted by a committee of 25 men as the actress with the most "oomph" in America. Oomph" was described as "a certain indefinable something that commands male interest." She received as many as 250 marriage proposals from fans in a single week. Now tagged 'The Oomph Girl'—a sobriquet which she reportedly loathed —Sheridan was a popular pin-up girl in the early 1940s. She was top-billed in Indianapolis Speedway (Lloyd Bacon, 1939) with Pat O'Brien and Angels Wash Their Faces (Ray Enright, 1939) with O'Brien, the Dead End Kids and Ronald Reagan. Castle on the Hudson (Anatole Litvak, 1940) put her opposite John Garfield and Pat O'Brien.

Ann Sheridan's first real starring vehicle was It All Came True (Lewis Seiler, 1940), a musical comedy co-starring Humphrey Bogart and Jeffrey Lynn. She introduced the song 'Angel in Disguise'. Sheridan and James Cagney were reunited in Torrid Zone (William Keighley, 1940) with Pat O'Brien in support. She was with George Raft, Bogart and Ida Lupino in the Film Noir They Drive by Night (Raoul Walsh, 1940), a trucking melodrama. She was in a lot of comedies and a number of forgettable films, but the public liked her, and her career flourished. Sheridan was back with Cagney for City for Conquest (Anatole Litvak, 1941) and then made Honeymoon for Three (Lloyd Bacon, 1941), a comedy with George Brent. Sheridan did two lighter films: Navy Blues (Lloyd Bacon, 1941), a musical comedy, and The Man Who Came to Dinner (William Keighley, 1941), wherein she played a character modeled on Gertrude Lawrence. She then made Kings Row (Sam Wood, 1942), in which she received top billing playing opposite Ronald Reagan. It was a huge success and one of Sheridan's most memorable films. Sheridan and Reagan were reunited for Juke Girl (Curtis Bernhardt, 1942). She was in the war film Wings for the Eagle (Lloyd Bacon, 1942) and made a comedy with Jack Benny, George Washington Slept Here (William Keighley, 1943). She played a Norwegian resistance fighter in Edge of Darkness (Lewis Milestone, 1943) with Errol Flynn and was one of the many Warners stars who had cameos in Thank Your Lucky Stars (David Butler, 1943). She was the heroine of a novel, 'Ann Sheridan and the Sign of the Sphinx', written by Kathryn Heisenfelt and published by Whitman Publishing Company in 1943. While the heroine of the story was identified as a famous actress, the stories were entirely fictitious. The story was probably written for a young teenaged audience and is reminiscent of the adventures of Nancy Drew. It is part of a series known as 'Whitman Authorized Editions', 16 books published between 1941 and 1947 that always featured a film actress as heroine. Sheridan was given the lead in the musical Shine On, Harvest Moon (David Butler, 1944), playing Nora Bayes, opposite Dennis Morgan. She was in a comedy The Doughgirls (James V. Kern, 1944). Sheridan was absent from screens for over a year, touring with the USO to perform in front of the troops as far afield as China. She returned in One More Tomorrow (Peter Godfrey, 1946) with Morgan. She had an excellent role in the Film Noir Nora Prentiss (Vincent Sherman, 1947), which was a hit. It was followed by The Unfaithful (Vincent Sherman, 1948), a popular remake of the crime drama The Letter (William Wyler, 1940) starring Bette Davis, and Silver River (Raoul Walsh, 1948), a Western melodrama with Errol Flynn. Leo McCarey borrowed her to support Gary Cooper in Good Sam (Leo McCarey, 1948). She then left Warner Bros., saying: "I wasn't at all satisfied with the scripts they offered me." Her role in the screwball comedy I Was a Male War Bride (Howard Hawks, 1949), co-starring Cary Grant, was another success at Fox. In 1950, she appeared on the musical television series Stop the Music, and in Stella (Claude Binyon, 1950), a comedy with Victor Mature.

Ann Sheridan made Woman on the Run (Norman Foster, 1950), a Film Noir, which she also produced. Woman on the Run was distributed by Universal, and Sheridan signed a contract with that studio. While there, she made Steel Town (George Sherman, 1952), Just Across the Street (Joseph Pevney, 1952), and Take Me to Town (1953), a comedy directed by Douglas Sirk. Sheridan supported Glenn Ford in Appointment in Honduras (Jacques Tourneur, 1953). She appeared opposite Steve Cochran in Come Next Spring (R. G. Springsteen, 1956) and was one of several stars in MGM's The Opposite Sex (David Miller, 1956). Her last film, The Woman and the Hunter (George P. Breakston, 1957), was shot in Africa. Sheridan later said she wished the movie "had been lost somewhere in Kenya". She went to New York to appear in a Broadway show, but it did not make it to Broadway. She did stage tours of 'Kind Sir' (1958) and 'Odd Man In' (1959), and 'The Time of Your Life at the Brussels World Fair' in 1958. In all three shows, she acted with Scott McKay, whom she later married. In 1962, she played the lead in The Mavis Grant Story on the Western series Wagon Train. In the mid-1960s, Sheridan appeared on the NBC soap opera Another World (1965-1966). Her final work was a TV series of her own, a comedy Western entitled Pistols 'n' Petticoats (1966-1967). Her career was taking off again, but the success was short-lived. The 19th episode of the series, Beware the Hangman, aired, as scheduled, on the same day that she died. Sheridan had married actor Edward Norris in 1936, in Ensenada, Mexico. They separated a year later and divorced in 1939. In 1942, she married fellow Warner Bros. star George Brent, who co-starred with her in Honeymoon for Three (Lloyd Bacon, 1941). They divorced exactly one year later. Following her divorce from Brent, she had a long-term relationship with publicist Steve Hannagan, that lasted until his death in 1953. Hannagan’s estate bequeathed Miss Sheridan $218,399 ($2.1 million in current dollars). On 5 June 1966, she married actor Scott McKay, who was with her when she passed away, six months later. She died of gastroesophageal cancer with massive liver metastases at age 51 in 1967, in Los Angeles. She was cremated and her ashes were stored at the Chapel of the Pines Crematory in Los Angeles until they were interred in a niche in the Chapel Columbarium at the Hollywood Forever Cemetery in 2005. For her contributions to the film industry, Ann Sheridan has a star on the Hollywood Walk of Fame at 7024 Hollywood Boulevard.

Sources: Tony Fontana (IMDb), Denny Jackson (IMDb), Wikipedia, and IMDb.

And, please check out our blog European Film Star Postcards.

The games we play as children are rehearsals for the roles we play in life. Traditional toys for girls nurture homemaker stereotypes, simulating traditional domestic roles through play. In these photographs, I am exploring the possibility of the same staging taking place with the prolific, but publicly hidden occupation of prostitution. By constructing these scenes in miniature, I project representations of the sex industry onto the medium of the conventional dollhouse. As polar opposites, the homemaker and the sex worker are highly constructed and restrictive roles, the most deeply-rooted myths of the feminine.

Pieced together from many sources of representation these constructed spaces can be peered-into and examined.

www.leanneeisen.com

barph.wordpress.com/

Credit for the Star Mail decal design to vstarvan.

DeepDreamGenerator produced this with Madoka Kawabata's prompt ("a macro photo taken with Holga 120n of a plastic cast toy model of a kitchen for a doll show the doll as a 1966 happy homemaker housewife")

(AI image).

From American Home, December 1966

Model: Terra Flemming

Vintage autograph card.

Tom Selleck (1945) is an American actor and film producer, best known for his starring role in the TV series, Magnum, P.I. (1980) and for the box office hit Three Men and a Baby (1987).

Thomas William Selleck was born in Detroit, Michigan, in 1945. His parents were Martha (Jagger), a homemaker, and Robert Dean Selleck, a real estate investor and executive. He has an elder brother, Robert, a younger sister, Martha, and a younger brother, Daniel. He grew up in San Fernando and attended the University of Southern California, where he obtained a degree in English. A drama coach suggested Selleck try acting, and in his senior year, he dropped out of the university. Selleck then studied acting at the Beverly Hills Playhouse under Milton Katselas. Tom's first television appearance was as a college senior on The Dating Game (1967), but, incredibly, he lost. Soon after, he appeared in television commercials for products such as Pepsi-Cola. He worked as a male model and had small parts in films like the satire Myra Breckinridge (Michael Sarne, 1970), The Seven Minutes (Russ Meyer, 1971) and the conspiracy thriller Coma (Michael Crichton, 1978). He played a leading role in the B-Horror film Daughters of Satan (Hollingsworth Morse, 1972). Selleck starred in six failed television pilots before he landed his breakthrough role as Hawaii-based private investigator Thomas Magnum on the television series, Magnum, P.I. (1980). With his prominent moustache, Hawaiian-style aloha shirt and Detroit Tigers baseball cap, he became one of the most popular TV stars of the 1980s. For his role, he received five Emmy Award nominations for Outstanding Lead Actor in a Drama Series, winning in 1985. Selleck was originally cast as Indiana Jones in Raiders of the Lost Ark (Steven Spielberg, 1981), but could not take the role because he was committed to Magnum, P.I. His films included the adventure drama High Road to China (Brian G. Hutton, 1983), the action film Lassiter (Roger Young, 1984) and the romantic comedy Three Men and a Baby (Leonard Nimoy, 1987) with Steve Guttenberg and Ted Danson. The latter was the highest-grossing movie in 1987 and Selleck's most successful film. He again played bachelor architect Peter Mitchell in the sequel 3 Men and a Little Lady (Emile Ardolino, 1990), which was also successful.

Tom Selleck appeared extensively on television in roles such as Lance White, the likeable and naive partner on The Rockford Files (1978-1979), as Monica Geller's (Courteney Cox) older love interest, Dr. Richard Burke, in Friends (1994), and as casino owner A.J. Cooper on Las Vegas (2003). In addition to his series work, Selleck appeared in over fifty films and TV movies, including Quigley Down Under (Simon Wincer, 1990) and the sports comedy Mr. Baseball (Fred Schepisi, 1992). In 1993, he won a Razzie award for Worst Supporting Actor for his performance as King Ferdinand of Spain in Christopher Columbus: The Discovery (John Glen, 1992) starring Marlon Brando. Selleck was the third person in Razzie history to accept one of the statuettes voluntarily. He shaved off his trademark moustache for the comedy In & Out (Frank Oz, 1997) starring Kevin Kline. Once rarely seen without it, he has since kept it off for most of his stage and screen work. Between 2005 and 2015, Selleck played troubled small-town police chief Jesse Stone in nine television films, based on the Robert B. Parker novels. From 2010 on, he appeared as Commissioner Frank Reagan in the drama series Blue Bloods (2010-2024) with Donnie Wahlberg. Tom Selleck married model Jacqueline Ray in 1971. They divorced in 1982. In 1987, he married British dancer Jillie Mack, with whom he has a daughter, Hannah, an international show jumper. Kevin Selleck (1966) is the son of his first wife, Jacqueline Ray, from her first marriage. Tom Selleck adopted Kevin during the marriage and has continued to treat him as a beloved son after he and Jacqueline Ray divorced.

Sources: Wikipedia and IMDb.

And, please check out our blog European Film Star Postcards.

The problem that has no name.

Solved.

Having trouble with stepping on LEGO?

"Just wear socks."

-Harrison Allen, 2015

www.youtube.com/AnnoyingNoisesInc

It's proven to work! Check out these testimonials!

"am wearing 3 pairs of socks currently" - bulb

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The most beautiful women in TV and Movie History now become Barbie Collector Dolls created by acclaimed re-paint Artist Donna Brinkley.

Farrah Leni Fawcett is known as the world's Sexiest Star of all time... she will forever be one of Hollywood's greatest Icons. She was born in Corpus Christi, Texas, the younger of two daughters.[3] Her mother, Pauline Alice January 30, 1914 – March 4, 2005), was a homemaker, and her father, James William Fawcett (October 14, 1917 – August 23, 2010), was an oil field contractor. Her sister was Diane Fawcett Walls (October 27, 1938 – October 16, 2001), a graphic artist. She was of Irish, French, English, and Choctaw Native American ancestry. Fawcett once said the name Ferrah was made up by her mother because it went well with their last name.

A Roman Catholic, Fawcett's early education was at the parish school of the church her family attended, St. Patrick's Roman Catholic Church in Corpus Christi. She graduated from W. B. Ray High School in Corpus Christi, where she was voted Most Beautiful by her classmates her Freshman, Sophomore, Junior and Senior years of High School. For three years, 1965–68, Fawcett attended the University of Texas at Austin, living one semester in Jester Center, and she became a sister of Delta Delta Delta Sorority. During her Freshman year, she was named one of the Ten Most Beautiful Coeds on Campus, the first time a Freshman had been chosen. Their photos were sent to various agencies in Hollywood. David Mirsch, a Hollywood agent called her and urged her to come to Los Angeles. She turned him down but he called her for the next two years. Finally, in 1968, the summer following her junior year, with her parents' permission to try her luck in Hollywood, Farrah moved to Hollywood. She did not return.

Upon arriving in Hollywood in 1968 she was signed to a $350 a week contract with Screen Gems. She began to appear in commercials for UltraBrite toothpaste, Noxema, Max Factor, Wella Balsam shampoo and conditioner, Mercury Cougar automobiles and Beauty Rest matresses. Fawcett's earliest acting appearances were guest spots on The Flying Nun and I Dream of Jeannie. She made numerous other TV appearances including Owen Marshall: Counselor at Law, [Mayberry RFD]] and The Partridge Family. She appeared in four episodes of The Six Million Dollar Man with husband Lee Majors, The Dating Game, S.W.A.T and a recurring role on Harry O alongside David Janssen. She also appeared in the Made for TV movies, The Feminist and the Fuzz, The Great American Beauty Contest, The Girl Who Came Giftwrapped, and Murder of Flight 502.

She had a sizable part in the 1969 French romantic-drama, Love Is a Funny Thing. She played opposite Raquel Welch and Mae West in the film version of, Myra Breckinridge (1970). The film earned negative reviews and was a box office flop. However, much has been written and said about the scene where Farrah and Raquel share a bed, and a near sexual experience. Fawcett co-starred with Michael York and Richard Jordan in the well-received science-fiction film, Logan's Run in 1976.

In 1976, Pro Arts Inc., pitched the idea of a poster of Fawcett to her agent, and a photo shoot was arranged with photographer Bruce McBroom, who was hired by the poster company. According to friend Nels Van Patten, Fawcett styled her own hair and did her make-up without the aid of a mirror. Her blonde highlights were further heightened by a squeeze of lemon juice. From 40 rolls of film, Fawcett herself selected her six favorite pictures, eventually narrowing her choice to the one that made her famous. The resulting poster, of Fawcett in a one-piece red bathing suit, was a best-seller; sales estimates ranged from over 5 million[12] to 8 million to as high as 12 million copies.

On March 21, 1976, the first appearance of Fawcett playing the character Jill Munroe in Charlie's Angels was aired as a movie of the week. Fawcett and her husband were frequent tennis partners of producer Aaron Spelling, and he and his producing partner thought of casting Fawcett as the golden girl Jill because of his friendship with the couple. The movie starred Kate Jackson, Jaclyn Smith and Fawcett (then billed as Farrah Fawcett-Majors) as private investigators for Townsend Associates, a detective agency run by a reclusive multi-millionaire whom the women had never met. Voiced by John Forsythe, the Charles Townsend character presented cases and dispensed advice via a speakerphone to his core team of three female employees, whom he referred to as Angels. They were aided in the office and occasionally in the field by two male associates, played by character actors David Doyle and David Ogden Stiers. The program quickly earned a huge following, leading the network to air it a second time and approve production for a series, with the pilot's principal cast except David Ogden Stiers.

Fawcett's record-breaking poster that sold 12 million copies.

The Charlie's Angels series formally debuted on September 22, 1976. Fawcett emerged as a fan favorite in the show, and the actress won a People's Choice Award for Favorite Performer in a New TV Program. In a 1977 interview with TV Guide, Fawcett said: When the show was number three, I thought it was our acting. When we got to be number one, I decided it could only be because none of us wears a bra.

Fawcett's appearance in the television show boosted sales of her poster, and she earned far more in royalties from poster sales than from her salary for appearing in Charlie's Angels. Her hairstyle went on to become an international trend, with women sporting a Farrah-do a Farrah-flip, or simply Farrah hair Iterations of her hair style predominated American women's hair styles well into the 1980s.

Fawcett left Charlie's Angels after only one season and Cheryl Ladd replaced her on the show, portraying Jill Munroe's younger sister Kris Munroe. Numerous explanations for Fawcett's precipitous withdrawal from the show were offered over the years. The strain on her marriage due to her long absences most days due to filming, as her then-husband Lee Majors was star of an established television show himself, was frequently cited, but Fawcett's ambitions to broaden her acting abilities with opportunities in films have also been given. Fawcett never officially signed her series contract with Spelling due to protracted negotiations over royalties from her image's use in peripheral products, which led to an even more protracted lawsuit filed by Spelling and his company when she quit the show.

The show was a major success throughout the world, maintaining its appeal in syndication, spawning a cottage industry of peripheral products, particularly in the show's first three seasons, including several series of bubble gum cards, two sets of fashion dolls, numerous posters, puzzles, and school supplies, novelizations of episodes, toy vans, and a board game, all featuring Fawcett's likeness. The Angels also appeared on the covers of magazines around the world, from countless fan magazines to TV Guide (four times) to Time Magazine.

The series ultimately ran for five seasons. As part of a settlement to a lawsuit over her early departure, Fawcett returned for six guest appearances over seasons three and four of the series.

In 2004, the television movie Behind the Camera: The Unauthorized Story of Charlie's Angels dramatized the events from the show with supermodel and actress Tricia Helfer portraying Fawcett and Ben Browder portraying Lee Majors, Fawcett's then-husband.

In 1983, Fawcett won critical acclaim for her role in the Off-Broadway stage production of the controversial play Extremities, written by William Mastrosimone. Replacing Susan Sarandon, she was a would-be rape victim who turns the tables on her attacker. She described the role as the most grueling, the most intense, the most physically demanding and emotionally exhausting of her career. During one performance, a stalker in the audience disrupted the show by asking Fawcett if she had received the photos and letters he had mailed her. Police removed the man and were able only to issue a summons for disorderly conduct.

The following year, her role as a battered wife in the fact-based television movie The Burning Bed (1984) earned her the first of her four Emmy Award nominations. The project is noted as being the first television movie to provide a nationwide 800 number that offered help for others in the situation, in this case victims of domestic abuse. It was the highest-rated television movie of the season.

In 1986, Fawcett appeared in the movie version of Extremities, which was also well received by critics, and for which she received a Golden Globe nomination for Best Performance by an Actress in a Motion Picture – Drama.

She appeared in Jon Avnet's Between Two Women with Colleen Dewhurst, and took several more dramatic roles as infamous or renowned women. She was nominated for Golden Globe awards for roles as Beate Klarsfeld in Nazi Hunter: The Beate Klarsfeld Story and troubled Woolworth heiress Barbara Hutton in Poor Little Rich Girl: The Barbara Hutton Story, and won a CableACE Award for her 1989 portrayal of groundbreaking LIFE magazine photojournalist Margaret Bourke-White in Double Exposure: The Story of Margaret Bourke-White. Her 1989 portrayal of convicted murderer Diane Downs in the miniseries Small Sacrifices earned her a second Emmy nomination[20] and her sixth Golden Globe Award nomination. The miniseries won a Peabody Award for excellence in television, with Fawcett's performance singled out by the organization, which stated Ms. Fawcett brings a sense of realism rarely seen in television miniseries (to) a drama of unusual power Art meets life.

Fawcett, who had steadfastly resisted appearing nude in magazines throughout the 1970s and 1980s (although she appeared topless in the 1980 film Saturn 3), caused a major stir by posing semi-nude in the December 1995 issue of Playboy.[citation needed] At the age of 50, she returned to Playboy with a pictorial for the July 1997 issue, which also became a top seller. The issue and its accompanying video featured Fawcett painting on canvas using her body, which had been an ambition of hers for years.

That same year, Fawcett was chosen by Robert Duvall to play his wife in an independent feature film he was producing, The Apostle. Fawcett received an Independent Spirit Award nomination as Best Actress for the film, which was highly critically acclaimed.

In 2000, she worked with director Robert Altman and an all-star cast in the feature film Dr. T the Women, playing the wife of Richard Gere (her character has a mental breakdown, leading to her first fully nude appearance). Also that year, Fawcett's collaboration with sculptor Keith Edmier was exhibited at the Los Angeles County Museum of Art, later traveling to The Andy Warhol Museum. The sculpture was also presented in a series of photographs and a book by Rizzoli.

In November 2003, Fawcett prepared for her return to Broadway in a production of Bobbi Boland, the tragicomic tale of a former Miss Florida. However, the show never officially opened, closing before preview performances. Fawcett was described as vibrating with frustration at the producer's extraordinary decision to cancel the production. Only days earlier the same producer closed an Off-Broadway show she had been backing.

Fawcett continued to work in television, with well-regarded appearances in made-for-television movies and on popular television series including Ally McBeal and four episodes each of Spin City and The Guardian, her work on the latter show earning her a third Emmy nomination in 2004.

Fawcett was married to Lee Majors, star of television's The Six Million Dollar Man, from 1973 to 1982, although the couple separated in 1979. During her marriage, she was known and credited in her roles as Farrah Fawcett-Majors.

From 1979 until 1997 Fawcett was involved romantically with actor Ryan O'Neal. The relationship produced a son, Redmond James Fawcett O'Neal, born January 30, 1985 in Los Angeles.[26] In April 2009, on probation for driving under the influence, Redmond was arrested for possession of narcotics while Fawcett was in the hospital.[citation needed] On June 22, 2009, The Los Angeles Times and Reuters reported that Ryan O'Neal had said that Fawcett had agreed to marry him as soon as she felt strong enough.

From 1997 to 1998, Fawcett had a relationship with Canadian filmmaker James Orr, writer and producer of the Disney feature film in which she co-starred with Chevy Chase and Jonathan Taylor Thomas, Man of the House. The relationship ended when Orr was charged with and later convicted of beating Fawcett during a 1998 fight between the two.

On June 5, 1997, Fawcett received negative commentary after giving a rambling interview and appearing distracted on Late Show with David Letterman. Months later, she told the host of The Howard Stern Show her behavior was just her way of joking around with the television host, partly in the guise of promoting her Playboy pictoral and video, explaining what appeared to be random looks across the theater was just her looking and reacting to fans in the audience. Though the Letterman appearance spawned speculation and several jokes at her expense, she returned to the show a week later, with success, and several years later, after Joaquin Phoenix's mumbling act on a February 2009 appearance on The Late Show, Letterman wrapped up the interview by saying, I'm sorry you couldn't be here tonight and recalled Fawcett's earlier appearance by noting we owe an apology to Farrah Fawcett.

Fawcett's elder sister, Diane Fawcett Walls, died from lung cancer just before her 63rd birthday, on October 16, 2001.[33] The fifth episode of her 2005 Chasing Farrah series followed the actress home to Texas to visit with her father, James, and mother, Pauline. Pauline Fawcett died soon after, on March 4, 2005, at the age of 91.

Fawcett was diagnosed with anal cancer in 2006, and began treatment, including chemotherapy and surgery. Four months later, on her 60th birthday, the Associated Press wire service reported that Fawcett was, at that point, cancer free.

Less than four months later, in May 2007, Fawcett brought a small digital video camera to document a doctor's office visit. There, she was told a malignant polyp was found where she had been treated for the initial cancer. Doctors contemplated whether to implant a radiation seeder (which differs from conventional radiation and is used to treat other types of cancer). Fawcett's U.S. doctors told her that she would require a colostomy. Instead, Fawcett traveled to Germany for treatments described variously in the press as holistic aggressive and alternative. There, Dr. Ursula Jacob prescribed a treatment including surgery to remove the anal tumor, and a course of perfusion and embolization for her liver cancer by Doctors Claus Kiehling and Thomas Vogl in Germany, and chemotherapy back in Fawcett's home town of Los Angeles. Although initially the tumors were regressing, their reappearance a few months later necessitated a new course, this time including laser ablation therapy and chemoembolization. Aided by friend Alana Stewart, Fawcett documented her battle with the disease.

In early April 2009, Fawcett, back in the United States, was hospitalized, with media reports declaring her unconscious and in critical condition, although subsequent reports indicated her condition was not so dire. On April 6, the Associated Press reported that her cancer had metastasized to her liver, a development Fawcett had learned of in May 2007 and which her subsequent treatments in Germany had targeted. The report denied that she was unconscious, and explained that the hospitalization was due not to her cancer but a painful abdominal hematoma that had been the result of a minor procedure. Her spokesperson emphasized she was not at death's door adding - She remains in good spirits with her usual sense of humor ... She's been in great shape her whole life and has an incredible resolve and an incredible resilience. Fawcett was released from the hospital on April 9, picked up by longtime companion O'Neal, and, according to her doctor, was walking and in great spirits and looking forward to celebrating Easter at home.

A month later, on May 7, Fawcett was reported as critically ill, with Ryan O'Neal quoted as saying she now spends her days at home, on an IV, often asleep. The Los Angeles Times reported Fawcett was in the last stages of her cancer and had the chance to see her son Redmond in April 2009, although shackled and under supervision, as he was then incarcerated. Her 91-year-old father, James Fawcett, flew out to Los Angeles to visit.

The cancer specialist that was treating Fawcett in L.A., Dr. Lawrence Piro, and Fawcett's friend and Angels co-star Kate Jackson – a breast cancer survivor – appeared together on The Today Show dispelling tabloid-fueled rumors, including suggestions Fawcett had ever been in a coma, had ever reached 86 pounds, and had ever given up her fight against the disease or lost the will to live. Jackson decried such fabrications, saying they really do hurt a human being and a person like Farrah. Piro recalled when it became necessary for Fawcett to undergo treatments that would cause her to lose her hair, acknowledging Farrah probably has the most famous hair in the world but also that it is not a trivial matter for any cancer patient, whose hair affects [one's] whole sense of who [they] are. Of the documentary, Jackson averred Fawcett didn't do this to show that 'she' is unique, she did it to show that we are all unique ... This was ... meant to be a gift to others to help and inspire them.

The two-hour documentary Farrah's Story, which was filmed by Fawcett and friend Alana Stewart, aired on NBC on May 15, 2009.[47] The documentary was watched by nearly nine million people at its premiere airing, and it was re-aired on the broadcast network's cable stations MSNBC, Bravo and Oxygen. Fawcett earned her fourth Emmy nomination posthumously on July 16, 2009, as producer of Farrah's Story.

Controversy surrounded the aired version of the documentary, with her initial producing partner, who had worked with her four years earlier on her reality series Chasing Farrah, alleging O'Neal's and Stewart's editing of the program was not in keeping with Fawcett's wishes to more thoroughly explore rare types of cancers such as her own and alternative methods of treatment. He was especially critical of scenes showing Fawcett's son visiting her for the last time, in shackles, while she was nearly unconscious in bed. Fawcett had generally kept her son out of the media, and his appearances were minimal in Chasing Farrah.

Fawcett died at approximately 9:28 am, PDT on June 25, 2009, in the intensive care unit of Saint John's Health Center in Santa Monica, California, with O'Neal and Stewart by her side. A private funeral was held in Los Angeles on June 30. Fawcett's son Redmond was permitted to leave his California detention center to attend his mother's funeral, where he gave the first reading.

The night of her death, ABC aired an hour-long special episode of 20/20 featuring clips from several of Barbara Walters' past interviews with Fawcett as well as new interviews with Ryan O'Neal, Jaclyn Smith, Alana Stewart, and Dr. Lawrence Piro. Walters followed up on the story on Friday's episode of 20/20. CNN's Larry King Live planned a show exclusively about Fawcett that evening until the death of Michael Jackson several hours later caused the program to shift to cover both stories. Cher, a longtime friend of Fawcett, and Suzanne de Passe, executive producer of Fawcett's Small Sacrifices mini-series, both paid tribute to Fawcett on the program. NBC aired a Dateline NBC special Farrah Fawcett: The Life and Death of an Angel; the following evening, June 26, preceded by a rebroadcast of Farrah's Story in prime time. That weekend and the following week, television tributes continued. MSNBC aired back-to-back episodes of its Headliners and Legends episodes featuring Fawcett and Jackson. TV Land aired a mini-marathon of Charlie's Angels and Chasing Farrah episodes. E! aired Michael and Farrah: Lost Icons and the The Biography Channel aired Bio Remembers: Farrah Fawcett. The documentary Farrah's Story re-aired on the Oxygen Network and MSNBC.

Larry King said of the Fawcett phenomenon,

TV had much more impact back in the '70s than it does today. Charlie's Angels got huge numbers every week – nothing really dominates the television landscape like that today. Maybe American Idol comes close, but now there are so many channels and so many more shows it's hard for anything to get the audience, or amount of attention, that Charlie's Angels got. Farrah was a major TV star when the medium was clearly dominant.

Playboy founder Hugh Hefner said Farrah was one of the iconic beauties of our time. Her girl-next-door charm combined with stunning looks made her a star on film, TV and the printed page.

Kate Jackson said,

She was a selfless person who loved her family and friends with all her heart, and what a big heart it was. Farrah showed immense courage and grace throughout her illness and was an inspiration to those around her... I will remember her kindness, her cutting dry wit and, of course, her beautiful smile...when you think of Farrah, remember her smiling because that is exactly how she wanted to be remembered: smiling.

She is buried at the Westwood Village Memorial Park in Los Angeles.

The red one-piece bathing suit worn by Farrah in her famous 1976 poster was donated to the Smithsonian's National Museum of American History (NMAH) on February 2, 2011.[65] Said to have been purchased at a Saks Fifth Avenue store, the red Lycra suit made by the leading Australian swimsuit company Speedo, was donated to the Smithsonian by her executors and was formally presented to NMAH in Washington D.C. by her longtime companion Ryan O'Neal.[66] The suit and the poster are expected to go on temporary display sometime in 2011–12. They will be made additions to the Smithsonian's popular culture department.

The famous poster of Farrah in a red swimsuit has been produced as a Barbie doll. The limited edition dolls, complete with a gold chain and the girl-next-door locks, have been snapped up by Barbie fans.

In 2011, Men's Health named her one of the 100 Hottest Women of All-Time ranking her at No. 31

Everywoman's Family Circle

November,1959

Seen at Kar Nutz event at Penrith Homemaker Centre

Some snazzola traditional fashions on display in this 'Homemakers' magazines from around 1952...

British postcard by Heroes Publishing LTD, London, no. SFC 3308. Pam Grier in Jackie Brown (Quentin Tarantino, 1997).

American actress Pam Grier (1949) is best known for her portrayal of tough and sexy crimefighters in Blaxploitation films of the 1970s. She made a come-back in Quentin Tarantino's Jackie Brown (1998), which earned her a Golden Globe nomination.

Pamela Suzette Grier was born in Winston-Salem, North Carolina in 1949. She was the daughter of Gwendolyn Sylvia (née Samuels), a homemaker and nurse, and Clarence Ransom Grier, Jr. Her father was a mechanic with the U.S. Air Force, and when Pam was five the family transferred to a military base in Swindon, England. She recently revealed in her autobiography that during this time she was sexually assaulted, an event that left her traumatised and isolated throughout her childhood. For the next eight years, the family moved around Europe, eventually settling in Denver, Colorado. At Denver’s East High School, Pam played organ and piano for the school’s Echoes of Youth Gospel Choir alongside Philip Bailey, Larry Dun, and Andrew Woolfolk, who would later form the R & B/funk powerhouse Earth, Wind & Fire. Grier enrolled in Denver’s Metropolitan State College in 1967, planning on a career in medicine. To earn tuition for her second year of college, she entered beauty contests, placing second runner-up in the 1967 Miss Colorado pageant. An agent encouraged her to pursue acting, and in 1968 she moved to Los Angeles where she lived with her aunt and cousin, pro football player and actor Roosevelt (Rosey) Grier. In Los Angeles, Grier worked as a receptionist and switchboard operator at the American International Pictures studio and attended acting classes and auditions. She is believed to have been discovered by director Jack Hill, who cast her in his women-in-prison films The Big Doll House (Jack Hill, 1971) and The Big Bird Cage (Jack Hill, 1972). In Coffy (Jack Hill, 1973), she plays a nurse who seeks revenge on drug dealers. Her character was advertised in the trailer as the "baddest one-chick hit-squad that ever hit town!" The film, which was filled with sexual and violent elements typical of the genre, was a box-office hit. Grier is considered to be the first African-American female to headline an action film, as protagonists of previous blaxploitation films were males. In his review of Coffy, critic Roger Ebert praised the film for its believable female lead. He noted that Grier was an actress of "beautiful face and astonishing form" and that she possessed a kind of "physical life" missing from many other attractive actresses. Coffy made Pam Grier a national star and earned her a multi-picture contract with American International Pictures. Over the next decade, she would star in a number of blaxploitation films, including Foxy Brown (Jack Hill, 1974), Sheba, Baby (William Girdler, 1975), and Friday Foster (Arthur Marks, 1975) with Yaphet Kotto, Eartha Kitt, Scatman Crothers, and Carl Weathers. Friday Foster was Grier's final film with American International Pictures. The tagline on the film's poster is "Wham! Bam! Here comes Pam!"

With the demise of blaxploitation later in the 1970s, Pam Grier appeared in smaller roles for many years. In the late 1970s, she attended the University of California, Los Angeles, where she studied directing and producing with director Roman Polanski. She also formed the production company Brown Sun Productions. Grier continued acting but moved away from the action roles that had become her signature. She appeared in Greased Lightning (Michael Schultz, 1977) with Richard Pryor, the crime drama Fort Apache, the Bronx (Daniel Petrie, 1981) starring Paul Newman, the dark fantasy Something Wicked this Way Comes (Jack Clayton, 1983), and as Steven Seagal's detective partner in Above the Law (Andrew Davis, 1988). In 1985, Grier made her theatre debut in Sam Sheppard's 'Fool for Love' at the Los Angeles Theatre Center. Throughout the late 1970s and 1980s, she also performed in television productions, including Roots: The Next Generations (1979) and Miami Vice (1985-1989). Nearly three decades after her film debut, Grier experienced a career revival when she starred in Quentin Tarantino’s Jackie Brown (1997) which partly paid homage to her 1970s blaxploitation movies. The role earned her National Association for the Advancement of Colored People (NAACP) Image Award and Golden Globe Award nominations. Grier's subsequent films included Jawbreaker (Darren Stein, 1999), the horror film Bones (Ernest Dickerson, 2001) with Snoop Dogg, the romantic comedy Just Wright (Sanaa Hamri, 2010) starring Queen Latifah, Larry Crowne (Tom Hanks, 2011), and the comedy Poms (Zara Hayes, 2019) with Diane Keaton. On television, Grier portrayed Eleanor Winthrop in the comedy-drama series Linc's (1998–2000), Kate "Kit" Porter on The L Word (2004–2009), and Constance Terry in the sitcom Bless This Mess (2019–2020). She also received a Daytime Emmy Award nomination for her work in the animated series Happily Ever After: Fairy Tales for Every Child (1999). In 2010, Grier wrote her memoir, 'Foxy: My Life in Three Acts', with Andrea Cagan. Pam Grier never married but has had several high-profile relationships, including with comedians Freddi Prinze and Richard Pryor. She now divides her time between Denver and Los Angeles.

Sources: Michelle Granshaw (Black Past), Wikipedia, and IMDb.

And, please check out our blog European Film Star Postcards.

Full length sexy girl retro style with mop, woman housewife cleaner in domestic role. Traditional sharing household chores. Pin up housework. Pink background

Dutch postcard by Imagine / United International Pictures (UIP). Photo: Universal. Jim Carrey as The Grinch in How the Grinch Stole Christmas (Ron Howard, 2000). Caption: De groene griezel die de kerst verpest (The green creep that crushes Christmas).

Arguably the top screen comedian of the 1990s, Canadian-born entertainer Jim Carrey (1962) has combined equal parts of his idol Jerry Lewis, his spiritual ancestor Harry Ritz, and the loose-limbed Ray Bolger into a gleefully uninhibited screen image that is uniquely his own. He rose to fame in the sketch comedy series In Living Color (1990) and leading roles in the comedies Ace Ventura: Pet Detective (1994), Dumb and Dumber (1994), and The Mask (1994) established him as a bankable film star.

James Eugene Carrey was born in 1962, in the Toronto suburb of Newmarket in Canada. He is the youngest of four children of Kathleen (Oram), a homemaker, and Percy Carrey, an accountant and jazz musician. Carrey was an incurable extrovert from day one. Hal Erickson at AllMovie: "[Born] into a peripatetic household that regularly ran the gamut from middle-class comfort to abject poverty. Not surprisingly, Carrey became a classic overachiever, excelling in academics while keeping his classmates in stitches with his wild improvisations and elastic facial expressions. His comedy club debut at age 16 was a dismal failure, but Carrey had already resolved not to be beaten down by life's disappointments." By December 1981, a well-known comic in Canada, he received interest from Johnny Carson's Tonight Show. Touring venues throughout North America as the opening act for Rodney Dangerfield, Carrey made a triumphant return home to Toronto in 1982, performing two sold-out shows at Massey Hall. He decided to permanently move to Hollywood. During this period Carrey met and married waitress Melissa Womer, with whom he had a daughter (Jane). The couple would later go through a very messy divorce, freeing Carrey up for a brief second marriage to actress Lauren Holly. By age 22, he was making a good living as a standup comic and was starring as a novice cartoonist on the short-lived sitcom The Duck Factory (1984). Throughout the 1980s, Carrey appeared in supporting roles in such films as Peggy Sue Got Married (Francis Coppola, 1986) starring Kathleen Turner, and Earth Girls are Easy (Julien Temple, 1990) as the alien Wiploc. Impressed with Carrey's lunacy, fellow extraterrestrial Damon Wayans made a call to his brother, Keenen Ivory Wayans, who was in the process of putting together the sketch comedy show In Living Color (1990-1994). Carrey joined the cast and quickly made a name for himself with outrageous acts such as the grotesquely disfigured Fire Marshal Bill, whose dubious safety tips brought down the wrath of real-life fire prevention groups.

1994 proved to be s good year for Jim Carrey with the release of three top-grossing comedy films to his credit: Ace Ventura: Pet Detective (Tom Shadyac, 1994), the manic superhero movie The Mask (Chuck Russell, 1994) with Cameron Diaz, and Dumb and Dumber (Peter Farrelly, Bobby Farrelly, 1994) with Jeff Daniels. The Mask, released in July 1994, grossed $351 million worldwide, and Dumb and Dumber, released in December 1994, grossed over $270 million worldwide. By the end of the year, Carrey was commanding seven to ten million dollars per picture. The actor/comedian took over for Robin Williams as The Riddler in the blockbuster Batman Forever (Joel Schumacher, 1995). The film received mixed reviews but was a box office success. He tried his hand at a darker and more menacing role as a maniacal cable repairman in The Cable Guy (Ben Stiller, 1996). The film, and Carrey's at-times frightening performance, received decidedly mixed reviews from critics and audiences. He returned to all-out comedy in the energetic hit Liar, Liar (Tom Shadyac, 1997) as a chronically dishonest attorney. Carrey explored new territory with his lead role in the highly acclaimed The Truman Show (Peter Weir, 1998). He played a naive salesman who discovers that his entire life is the subject of a TV show. Carrey demonstrated an uncharacteristic sincerity and won a Golden Globe for his performance. Critical respect in hand, Carrey played legendary comedian Andy Kaufman in Man on the Moon (Milos Forman, 1999). Carrey disappeared into the role, living as Kaufman -- and his blustery alter-ego Tony Clifton -- for months. He won another Golden Globe for his powerhouse performance, but the film earned less than stellar reviews and did poor business at the box office. Such was the strength of the actor's portrayal, however, that his exclusion from the Best Actor nominations at that year's Academy Awards was a source of protest for a number of industry members.

Jim Carrey returned to straight comedy the following year with the Farrelly brothers' Me, Myself & Irene (Peter Farrelly, Bobby Farrelly, 2000), in which he starred as a cop a state trooper whose Jekyll and Hyde personalities both fall in love with the same woman (Renée Zellweger). Hal Erickson: "Though that film fared the least successful of the Farrellys' efforts to that point, Carrey's anarchic persona was given seemingly free-range and the result was his most unhinged role since The Mask." Carrey slipped into a furry green suit to play the stingy antihero of Dr. Seuss' How the Grinch Stole Christmas (Ron Howard, 2000). The film raked in the money at the box office and received a Golden Globe nomination despite widespread critical contempt. Continuing to seek acceptance as a skilled dramatist, Carrey next appeared in the box-office bomb The Majestic (2001). Carrey returned again to both comedy and box-office success with Bruce Almighty (Tom Shadyac, 2003). After handily proving that his power as a big-screen star was very much intact, Carrey wasted no time switching gears once again as he embarked on his most ambitious project to date, the mind-bending romantic-dramedy Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004). Scripted by Charlie Kaufman, the film garnered rave reviews and featured what was arguably Carrey's most subtly complex and subdued performance to date. Carrey's cartooney presence on the screen would make him a natural fit for the kids' movie Lemony Snicket's A Series of Unfortunate Events (Brad Silberling, 2004), based on the popular children's novels of the same name. More family films followed over the coming years like A Christmas Carol (Robert Zemeckis, 2009) and Mr. Popper's Penguins (Mark Waters, 2011). Carrey would also continue to explore dramatic roles, however, such as the dark thriller The Number 23 (Joel Schumacher, 2007) and the critically acclaimed biographical black comedy I Love You, Phillip Morris (John Requa, Glenn Ficarra, 2009) with Ewan McGregor. Carrey published a children's story, 'How Roland Rolls' (2013), and with Dana Vachon, a novel, 'Memoirs and Misinformation' (2020. Carrey has one child with his first wife, Melissa Carrey, Jane Carrey (1987), and a grandson, Jackson Riley Santana (2010).

Sources: Hal Erickson (AllMovie), Wikipedia, and IMDb.

And, please check out our blog European Film Star Postcards.

Mom makes cake for the family.

Homemaker (1972)

Clip Book of Line Art, No. 578

Volk Corp.

Illustration by Tom Sawyer

Homemaker (1976)

Clip Book of Line Art, No. 666

Volk Corp.

Source: Living for Young Homemakers

German autograph card by Kino, 1990.

American actress Ricki Lake (1968) is best known for her lead role as Tracy Turnblad in Hairspray (1988). She is also known for her talk show which was broadcast internationally between 1993 and 2004.

Ricki Pamela Lake was born in 1968 in Hastings-on-Hudson, New York, to a secular Jewish family. Her parents are Jill, a homemaker, and Barry Lake, a pharmacist, though Lake was largely brought up by her paternal grandmother, Sylvia Lake, until Sylvia's death in 1978. Ricki attended Hastings Elementary as a child, went on to Farragut Middle, and then attended Hastings High, for two years. At the end of her sophomore year, she transferred to the Professional Children's School, in New York, to study acting. Ricki began singing professionally at the age of nine, in cabarets and clubs. After finishing high school, she attended Ithaca College for one year. Ricki made her film debut as Tracy Turnblad, the lead character in John Waters's cult classic Hairspray (1988), with Divine as her mother. Lake also starred in other Waters films including Cry-Baby (John Waters, 1990) with Johnny Depp and Susan Tyrrell, Serial Mom (John Waters, 1994), featuring Kathleen Turner, and Cecil B. Demented (John Waters, 2000) with Melanie Griffith and Stephen Dorff. She also appeared in Last Exit to Brooklyn (Uli Edel, 1989) with Jennifer Jason Leigh, Inside Monkey Zetterland (Steve Antin, 1992), and co-starred in Mrs. Winterbourne (Richard Benjamin, 1996) with Shirley MacLaine and Brendan Fraser. On TV, she joined the cast of the Vietnam War drama series China Beach (1988) as a Red Cross volunteer, Holly "the Donut Dolly" Pelegrino, for the show's third season. She later also had a recurring role on the CBS sitcom The King of Queens (2000-2001) as Doug's sister Stephanie. She starred in the TV movie Baby Cakes (Paul Schneider, 1989) with Craig Sheffer, had a voice role on King of the Hill (2006), and guest-starred on such TV series as Drop Dead Diva (2010). In 2007, she had a cameo appearance in the remake of Hairspray (Adam Shankman, 2007) as a William Morris talent agent. She also teamed up with star Nikki Blonsky, who played Tracy Turnblad in the remake, and Marissa Jaret Winokur, who played Tracy Turnblad in the Broadway musical based on the original 1988 film, to record 'Mama I'm a Big Girl Now'. The song is played during the film's end credits. She later reunited with original Hairspray co-star Deborah Harry for the film Hotel Gramercy Park (Douglas Keeve, 2008).

In 1993, Ricki Lake was Lake's first daytime talk show and at 24, she was the youngest person at the time to host one. The show specialised in topics involving invited guests and incorporated questions and comments from a studio audience. For the show she went on a deit and lost 57 kilos. The show debuted in syndication in 1993, and ended first-run episodes in 2004. Although Sony Pictures Television had many stations contracted through the 2004–2005 season, Lake decided to end the show in August 2004, citing a desire to spend time with her family. Lake returned to the talk show platform when she hosted a second talk show which premiered in September 2012 and was cancelled after one season. lake also hosted the TV series Gameshow Marathon (2006), which re-created classic game shows with celebrity contestants. The Business of Being Born (Abby Epstein, 2008), Lake's documentary about home birth and midwifery, premiered at the Tribeca Film Festival. Lake also jointly with Epstein and Jacques Moritz, wrote a book on the world of natural childbirth and birthing options, Your Best Birth (2009). Lake returned to television in 2009, succeeding Sharon Osbourne as host for the third season of Charm School. Lake competed on the 13th season of Dancing with the Stars and achieved tremendous success, consistently achieving high scores. She ended third. The Ricki Lake Show premiered in September 2012. The new program had a more Oprah-like format as compared to her earlier talk show. It was cancelled after one season, but Lake won the Daytime Emmy for Outstanding Talk Show Host in 2013. Afterwards she made the documentaries Sweetening the Pill on hormonal birth control (with director Abby Epstein) and Weed the People (2018), examining the use of cannabis as medicine in the treatment of pediatric cancer. She also appeared in the mystery thriller Gemini (Aaron Katz, 2017), which received mostly favorable reviews. In February 2019, she was revealed to be The Raven in the TV series The Masked Singer, and in October 2019, she began competing in The X Factor: Celebrity. Lake met political illustrator Rob Sussman on Halloween 1993. The two married in Las Vegas in 1994. They have two sons: Milo Sebastian Sussman (1997), and Owen Tyler Sussman (2001), whose actual water birth was shown in The Business of Being Born, which Lake also produced. The couple divorced in 2005. She married jewelry designer Christian Evans in 2012. They divorced in 2015.

Sources: Wikipedia and IMDb.

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Built for the 2013 MocOlympics final, a maxifig scale circus, scene of some carnage...

soft pastyel & pastel pencils

i did not repost this portrait in the jkpppool untill now :)

www.flickr.com/groups/1384462@N22/discuss/721576316629223...

If you want to replicate this look, visit my blog post so you too can be a sexy mistress of your domain! wp.me/pEOCB-Yi

British postcard by London Postcard Company, no. PR 768. Photo: Crowvision Inc., 1996. Publicity still for The Crow: City of Angels (Tim Pope, 1996).

Soulful, exotic-looking Swiss actor Vincent Pérez (1964) is known for such French films as Cyrano de Bergerac (1990), Indochine (1992) and La Reine Margot (1994). His international breakthrough was his role as Ashe Corven in The Crow: City of Angels (1996). He is also known as a director and photographer.

Vincent Pérez was born in Lausanne, Switzerland, in 1964. He is the son of a Spanish father and a German mother. His mother was a homemaker and his father worked in the import-export business. Vincent wanted to be an actor since he saw a film of Charles Chaplin, at the age of seven. He began putting on shows at school, which he would star in and direct. Perez eventually dropped out to enter photography school. In Geneva, he enrolled at the Conservatory of Dramatic Arts, followed by a training at the Paris Conservatoire (CNSAD) and at the experimental school of the Théâtre Nanterre-Amandiers , where he trained under famed theatre and opera director Patrice Chéreau. While still a student, he made his screen debut in Gardien de la nuit/Night Guardian (Jean-Pierre Limosin, 1986). A part followed by in the Anton Chekhov adaptation Hôtel de France (Patrice Chéreau, 1987), which was screened in the Un Certain Regard section at the 1987 Cannes Film Festival. His breakthrough role was the tongue-tied lover Christian de Neuvillette opposite Gérard Depardieu in the comedy-drama Cyrano de Bergerac (Jean-Paul Rappeneau, 1990). Critics considered it the definitive film version of the Edmond Rostand play from 1897. For his standout performance, Perez was nominated for a César Award as Most Promising Actor (Meilleur espoir masculin). According to Gary Brumburgh at IMDb, Perez exudes ‘a sexy stare and irresistible charm that has swept Gallic women off their feet‘. In Italy, he appeared in title role of the comedy Il viaggio di Capitan Fracassa/Captain Fracassa's Journey (Ettore Scola, 1990) with Emmanuelle Béart. Perez was awarded the prestigious Prix Jean Gabin for his work in the World War II drama La Neige et le Feu /Snow and Fire (1991). He landed the romantic lead opposite Catherine Deneuve in Indochine/Indochina (Rëgis Wargnier, 1992), set in colonial French Indochina during the 1930s to 1950s. The film won the Academy Award for Best Foreign Language Film, and also won the Golden Globe Award for Best Foreign Language Film. That year he directed and wrote himself the short film L'échange/The Change (1992) At the Cannes Film Festival, L'échange was nominated for the Golden Palm Award for Best Short Film. He then co-starred with Sophie Marceau in the romantic comedy Fanfan/Fanfan & Alexandre (1993) written and directed by Alexandre Jardin and based on the director's best-selling 1990 novel. James Travers at Le Film Guide: “Compelling performances from Vincent Perez and Sophie Marceau transform what looks at first like a routine romantic comedy into something far richer, far more compassionate. The second part of the film also contains some moments of artistic brilliance, notably the Cocteau-esque sequence in which the two lovers attempt to make contact through a mirrored partition. Although there are a few unexplained gaps in the narrative—some more back story about Alexandre might have helped—writer-director Alexandre Jardin succeeds in weaving a tender love story that is both original and hauntingly poetic. “ One of his best films is the French period film La Reine Margot/Queen Margot (Patrice Chéreau, 1994), starring Isabelle Adjani. The film won awards at the Cannes Film Festival and was an international success. It paved the way for Perez to an international career.

Vincent Perez was cast next to John Malkovich in the Italian-French-German romance Al di là delle nuvole/Beyond the Clouds (Michelangelo Antonioni, Wim Wenders, 1995). Director Antonioni, who was 83 at the time of the film's production, had a stroke that left him severely incapacitated. The film was completed with help from Wim Wenders, who wrote its prologue and epilogue and worked on the screenplay. Perez then played the lead in the American supernatural horror action film The Crow: City of Angels (Tim Pope, 1996), a sequel to the cult film The Crow (Alex Proyas, 1994) with Brandon Lee, who was accidentally killed on the set during filming by a defective blank, only 8 days before the film would have completed production. The Crow: City of Angels was a minor success. Perez then starred in the American drama Swept from the Sea (Beeban Kidron, 1997), based on a story by Joseph Conrad about a doomed love affair between a simple country girl (Rachel Weisz) and a Ukrainian peasant (Perez) who is swept onto the Cornish shore in 1888 after his emigrant ship sinks on its way to America. Back in France, he co-starred with Daniel Auteuil in the Swashbuckler Le Bossu/On Guard (Philippe de Broca, 1997). For his part asa transsexual in Ceux qui m'aiment prendront le train/Those Who Love Me Can Take the Train (1998), he was nominated for the César Award for Best Supporting Actor (Meilleur second rôle masculin). His American films were less successful. Talk Of Angels was directed in 1996 by Nick Hamm, but not released by its production company, Miramax, until 1998. The drama I Dreamed of Africa (Hugh Hudson, 2000), starring Kim Basinger, was also not received well and a huge financial flop. Better received was the French comedy Le Libertin/The Libertine (Gabriel Aghion, 2000), in which Perez played the philosopher Denis Diderot, one of the modernists of the French 18th-century Age of Enlightenment movement. His next American projects, the period drama Bride of the Wind (Bruce Beresford, 2001), and the vampire horror film Queen of the Damned (Michael Rymer, 2002) were again critical and box office disappointments . Perez then directed himself the drama Peau d'Ange (Vincent Perez, 2002). Derek Elley in Variety: “Vincent Perez makes an interesting behind-the-camera debut with "Once Upon an Angel," a smartly put together, well-cast romantic drama that just needed a little more work on the script. Tale of a simple farm girl who loses her virginity to – but not her love for – a more emotionally complex, ambitious young man doesn't add up to a great deal, but features good perfs by leads Morgane More and Guillaume Depardieu.” His later films include the French-Swiss comedy Bienvenue en Suisse/Welcome to Switzerland (Léa Fazer, 2004), the Russian action film Kod apokalipsisa/The Apocalypse Code (Vadim Shmelyov, 2007), the Franco-Portuguese epic war film Linhas de Wellington/Lines of Wellington (Raúl Ruiz, 2012) and the romantic drama Ce que le jour doit à la nuit/What the Day Owes the Night (Alexandre Arcady, 2012). On television, he starred in Paris enquêtes criminelles/Paris Criminal Investigations (2007-2008), the French remake of Law & Order: Criminal Intent. Pérez starred as Lieutenant Vincent Revel. He has exhibited his photographic work during festivals and in art galleries. His exhibition Face to Face, including photographs of Carla Bruni, Johnny Hallyday and Gerard Depardieu, was unveiled at Rencontres d'Arles, an annual photography festival in Arles, France. Since 1998, Vincent Perez is married to Senegalese model/actress/writer Karine Silla. They have three children together, Iman (1999), and the twins Pablo and Tess (2003). Next year, Perez can be seen in Claude Lelouch’s new ensemble film Chacun sa vie et son intime conviction (2017), and in the biopic Dalida (Lisa Azuelos 2017), in which he will play French record producer Eddie Barclay.

Sources: Gary Brumburgh (IMDb), James Travers (Le Film Guide), Aubry Anne D'Arminio (AllMovie), Vincent Perez.com, Wikipedia and IMDb.

Electri-Living House

Designed by R. Duane Conner

OKC

1956

Here's a bit of the article (in Living For Young Homemakers magazine) that accompanies the images of this beautiful home:

"The architectural vocabulary of this house is inventiveness. Every element has been investigated to determine its function and how that function could be improved upon or heightened for better value in cost, comfort, convenience, and performance.... Dominating the immediate impression, the imposing roof structure has been engineered as a cantilevered shelter that hovers over the interior areas to form a protective canopy for the continuous glass strip above the nonbearing masonry walls. No wonder this house cannot be categorized by any of the familiar terms or times: it is, by concept, not only an articulate expression of mid-twentieth-century shelter but an encouraging step towards the future. Witness to the fact: some ten thousand visitors on the opening day, who were concerned neither with the intricacies of engineering, the mystery of light nor the arts of architecture, said simply -- by how expressively -- "this is a good house."

Homemaker.

Homemaker (1981)

Clip Book pf Line Art, No. 782

Volk Clip Art

The most beautiful women in TV and Movie History now become Barbie Collector Dolls created by acclaimed re-paint Artist Donna Brinkley.

Jennifer O'Neill was the face of beauty in the 70's and 80's with her glamorous Cover-Girl ads. O'Neill (born February 20, 1948) is an American actress, model, author and speaker, known for her role in the 1971 film Summer of '42 and as the face of Cover-Girl cosmetics starting in the 1970s til the mid 1990's. Jennifer was born in Rio de Janeiro, Brazil, the grand-daughter of a Brazilian bank president, and the daughter of a famous Spanish-Irish medical and dental supply import/export businessman, Oscar D' O'Neill and his English wife, Irene ("Rene") Freda, a homemaker. O'Neill and her older brother Michael were raised in New Rochelle, New York, and Wilton, Connecticut.

When she was 14, the family moved to New York City. On Easter Sunday, 1962, O'Neill attempted suicide because the move would separate her from her dog Mandy and horse Monty -- "her whole world". That same year, she was discovered by the Ford modeling agency and put under contract. By age 15, she was gracing the cover of Vogue, Cosmopolitan, Seventeen and other magazines, earning $80,000 a year in 1962 working as a fashion model in New York City and also working in Paris, France, and dating older men.

An accomplished rider, O'Neill won upwards of 200 ribbons at horse show competitions in her teens. She saved up her modeling fees and bought a horse, Alezon, who balked before a wall at a horse show, breaking O'Neill's neck and back in three places, and giving her a long period of recovery. She attended New York City's Professional Children's School and the prestigious Dalton School in Manhattan. Later, she moved on to films and worked in a number of television movies and series.

[edit] Career

In 1968 O'Neill landed a small role in For Love of Ivy. In 1970 she played one of the lead female roles in Rio Lobo starring opposite John Wayne.

She is most remembered for her role in the 1971 film Summer of '42, where she played Dorothy Walker, the young widow of a pilot shot down and killed in World War II. Her agent allegedly had to fight to even get a reading for the part, since the role had been cast for an "older woman" to a coming of age 15 year old boy, and the director was only considering actresses over the age of thirty, Barbra Streisand being at the top of the list.

O'Neill continued acting for the next two decades. She appeared in The Carey Treatment (1972), Lady Ice (1973), The Reincarnation of Peter Proud (1975), Caravans (1978), A Force of One (1979), Scanners (1981), and The Cover Girl Murders (1993 made-for-television film). She went to Europe in 1976 and worked with Italian director Luchino Visconti, appearing in his last film L'innocente (1976), where she played the part of the mistress, Teresa Raffo.

In 1982, O'Neill starred in the short-lived NBC prime time soap opera Bare Essence. Her credits include singing in the Chrysler Corporation commercial Change in Charger that represented the end of the Dodge Charger in 1975. In 1984, she played the lead female role on the CBS television series Cover Up; the lead male actor, Jon-Erik Hexum, was accidentally killed on the studio set after placing a blank-loaded prop gun to his temple and pulling the trigger—the wadding from the blank cartridge drove a bone fragment from Hexum's skull into his brain.

O'Neill is also listed in the Smithsonian Institute's National Museum of American History's Center for Advertising History for her long standing contract with Cover Girl cosmetics as its model and spokesperson in ads and television commercials.

O'Neill has been married nine times to eight husbands (she married, divorced, and remarried husband number six); at one point, she was married to four different men in four years. At age 44, she married husband number seven sooner than any other actress, sooner than Zsa Zsa Gabor (who was 63), Liza Minnelli (59) and Lana Turner (49), making her the youngest "most married" Hollywood celebrity. The August 23, 1993, issue of People magazine reports that a friend of O'Neill's says that the actress obtained the (Texas) annulment of marriage number seven (Neil L. Bonin - after less than five months) ... because she felt stifled.

O'Neill has three children from as many fathers, a daughter (Aimee) by her first husband whom she married at age 17, and a son (Reis Michael) from her fifth marriage and another son (Cooper Alan) from her sixth marriage.

At age 34, O'Neill suffered a gunshot wound. Police officers in the Westchester County town of Bedford, New York, who interviewed the actress, said that on October 23, 1982, she shot herself accidentally in the abdomen with a .38 caliber revolver at her Bedford mansion while she was trying to determine if it was loaded.

She describes many of her life experiences, including her marriages and career, to her move to her Tennessee farm in the late 1990s in her 1999 autobiography Surviving Myself. O'Neill says that she wrote this autobiography (her first book) … at the prompting of her children.

In 2004, O'Neill wrote and published From Fallen To Forgiven, a book of biographical notes and philosophical thoughts about life and existence. The actress, who had an abortion after the divorce from her first husband while dating a Wall Street socialite, became a pro-life activist and a born-again Christian in 1986 at age 38, counseling abstinence to teens. Concerning her abortion, she writes:

I was told a lie from the pit of hell: that my baby was just a blob of tissue. The aftermath of abortion can be equally deadly for both mother and unborn child. A woman who has an abortion is sentenced to bear that for the rest of her life.

O'Neill continues to be active as a writer, inspirational speaker, fundraiser for the benefit of crisis pregnancy centers across the United States. She has also served as the spokesperson for the Silent No More Awareness Campaign, a non-denominational, non-political, non-profit organization dedicated to post-abortion healing and recovery.

O'Neill works for several other charitable causes as well, such as Retinitis Pigmentosa International and the Arthritis Foundation. As a breast cancer survivor she has also been a former spokesperson for the American Cancer Society. She has also hosted a one hour television special for World Vision shot in Africa concerning the HIV epidemic. In addition, she remains actively involved with her childhood love of animals and horses, sponsoring the Jennifer O'Neill Tennis Tournament to benefit the ASPCA, and fund-raiser for Guiding Eyes for the blind.

O'Neill purchased a horse farm in Tennessee called Hillenglade Farm where she runs a non-profit organization as a ministry and retreat for girls and young women.

Hey,man... can I get a leg up? Missing a leg, she's an amazing homemaker..... Just don't let her hear YOUR name :)

If she writes it in her web, you'll be dead....or at least that's how I heard the story...my mom says not to smile, cause if she counts your teeth....who knows...but isn't she beautiful?

06 Oct 1969 --- 1970s Woman Housewife Homemaker Wearing Apron Loading Laundry Into Washing Machine --- Image by

volvellery.tumblr.com/post/21116616152/super-homemaker

Former Blockbuster Video store on Burwood Highway located in the homemaker section outside the main shopping centre. This store lasted longer than most, closing in April 2014 after a closing down sale for its stock. The store's fittings were quickly removed after closure.

Blockbuster Video commenced in Australia in 1991 and was eventually taken over by local chain Video Ezy. Both chains have seen a significant decline in recent years, particularly due to the effect of the internet.

...portrait of a Gujar woman: working on her home in a remote village in rural Rajasthan, India

(© Handheld Films 2013)

www.handheldfilms.co.uk

Megachilidae Sp

Everywoman's Family Circle

November,1959

FLINT

Frank

Lionel

1907 -1984

ELLIOTT

Grace

Marguerite

1907-2002

♥ In memoriam. Lionel - A lithographer & only child of Cecil & Ina (Moore) - and Grace his wife-homemaker & 4th daughter of Harry & Mabel (Hewlett) Elliott. They had 5 sons George, Richard, Donald, David, Douglas & 32 grandchildren. They were conscientous & caring. May God continue to bless them through eternity. Amen

St. John's Norway Cemetery

Toronto, Ontario

The Magazine for Career Girls and Homemakers of Tomorrow

Aprons are a classic and never go out of style ... even this vintage apron paired with a modern spaghetti strapped dress looks just as in style as when it was worn in the 1950s.

Italian postcard in the 'World Collection' series, no. P.c. 310. Photo: G. Neri.

American actor Richard Gere (1949) has been hailed as The Sexiest Man alive and a humanitarian, but he is foremost a good actor. He shone in such box office hits as American Gigolo (1980), An Officer and a Gentleman (1982) and Pretty Woman (1990). For portraying Billy Flynn in the Academy Award-winning musical Chicago (2002), he won a Golden Globe Award and a Screen Actors Guild Award as part of the cast.

Richard Tiffany Gere was born in 1949, in Philadelphia, Pennsylvania, USA. He was the second of five children of Doris Ann (Tiffany), a homemaker, and Homer George Gere, an insurance salesman, both Mayflower descendants. Gere had a strict Methodist upbringing. Richard started early as a musician, playing a number of instruments in high school and writing music for high school productions. He graduated from North Syracuse Central High School in 1967, and won a gymnastics scholarship to the University of Massachusetts in Amherst, where he majored in philosophy. He left college after two years to pursue acting. Gere first worked professionally at the Seattle Repertory Theatre and Provincetown Playhouse on Cape Cod in 1969, where he starred in Rosencrantz and Guildenstern Are Dead. He landed the lead role as Danny Zuko in the London production of the musical Grease in 1973. While in London, Gere gained the privilege of becoming one of the few Americans ever to work with Britain's Young Vic Theater, with which he appeared in The Taming of the Shrew. He later reprised his role as Danny Zuko in Grease on Broadway. In 1974, Gere made his feature film debut with a tiny part in Report to the Commissioner (Milton Katselas, 1974). He returned to the stage the following year as part of the cast of an off-Broadway production of Sam Shepard's Killer's Head. Some of Gere's earliest photos, known as 'head shots' were taken by boyhood friend and struggling photographer Herb Ritts. The people handling Gere were so impressed with the photos that they began hiring Ritts for other assignments. Ritts became a top photographer. Onscreen, Gere had a few roles, and gained recognition in Looking for Mr. Goodbar (Richard Brooks, 1977) opposite Diane Keaton. He played his first leading role in the dream-like drama Days of Heaven (Terrence Malick, 1978). Joshua Dysart at IMDb: "A poetic biblical parable played out in the Texas Panhandle at the turn of the century, it gives total preference to the emotion of imagery over the emotion of the actors. It's an exorcise in feeling and seeing that's so successful it elevated Terrence Malick into the ranks of visual storytellers like Tarkovski and Kurosawa." In Italy, Gere won the David di Donatello Award (the Italian Oscar) for Best Foreign Actor. Gere spent 1978 meeting Tibetans when he travelled to Nepal, where he spoke to many monks and lamas. Returning to the US, Gere won considerable theatrical acclaim for his performance as a gay concentration-camp prisoner in the Broadway production of Martin Sherman's Bent. For his role he received the 1980 Theatre World Award. Back in Hollywood, he played the title role in American Gigolo (Paul Schrader, 1980), which established him as a leading man and a sex symbol. His star status was reaffirmed by An Officer and a Gentleman (Taylor Hackford, 1982) with Debra Winger. The film grossed almost $130 million and won two Academy Awards out of six nominations. Gere himself received his first Golden Globe Award nomination. In The Cotton Club (Francios Coppola, 1984) he appeared with Diane Lane. In the early 1980s, Richard went to Honduras, Nicaragua and El Salvador amidst ongoing wars and political violence. With a doctor, he visited refugee camps. In the late 1980s, his career seemed to have a dip. His celebrity status was jeopardized with roles in the several poorly received biblical drama King David (Bruce Beresford, 1985) and the underrated political drama Power ( Sidney Lumet, 1986).

In 1990 Richard Gere returned to the front row with two excellent films. In Internal Affairs (Mike Figgis, 1990), he was a sensation as the bad guy. Andy Garcia played an Internal Affairs agent who becomes obsessed with bringing down a cop (Gere) who manages to maintain a spotless reputation despite being involved in a web of corruption. Gere then teamed up with Julia Roberts to star in the the smash romantic comedy Pretty Woman (Garry Marshall, 1990). His cool reserve as a ruthless businessman was the perfect complement to Julia's bubbling enthusiasm. The film captured the nation's heart, and it earned Gere his second Golden Globe Award nomination. Fans clamored for years for a sequel, or at least another pairing of Julia and Richard. They got that with Runaway Bride (Garry Marshall, 1999), which was a runaway success. Gere received $12 million, and the box office was $152 million. Offscreen, Richard and Cindy Crawford got married in 1991. They were divorced in 1995. Gere had a leading role in the Japanese film Hachi-gatsu no rapusodî (Akira Kurosawa, 1991), a film warning viewers of the dangers of nuclear power. Gere is also active in AIDS fundraising and agreed to play a small role in the HBO film And the Band Played On (Roger Spottiswoode, 1993) despite the prevalent belief in the film industry a film about AIDS would be detrimental to his career. It was not. He co-starred with Jodie Foster in the box office hit Sommersby (Jon Amiel, 1993). A Buddhist for over a decade, he was banned from the Oscars once after making anti-China comments on the air at the 1993 ceremony. Gere played one of his best roles in Primal Fear (Gregory Hoblit, 1996), as a fame-hungry lawyer who defends an altar boy (Edward Norton) accused of murdering a priest. People magazine had picked him as one of the 50 Most Beautiful People in the world in 1991, and in 1999 picked him as their Sexiest Man Alive. The following year, the actor enjoyed some of his best reviews to date as a gynecologist at once devoted to and bewildered by all of the women in his life in the aptly titled Dr. T & the Women (Robert Altman, 2000). Critics noted that Gere seemed to have finally come into his own as an actor, having matured amiably with years and experience. After his divorce from Cindy Crawford, Gere had started dating actress Carey Lowell. In 2000, they had a son, Homer James Jigme Gere. Jigme means 'fearless' in Tibetan. Gere and Lowell married in 2002. His later films include the thriller Unfaithful (Adrian Lyne, 2002) in which he reunited with Diane Lane, the Oscar winning musical Chicago (Rob Marshall, 2002) with Renée Zellweger and Catherine Zeta-Jones, and the ballroom dancing drama Shall We Dance? (Peter Chelsom, 2004), which grossed $170 million worldwide. In the comedy-drama The Hoax (Lasse Hallström, 2006), he played Clifford Irving who sold his bogus biography of Howard Hughes to a premiere publishing house in the early 1970s. Gere was one of the characters who embody a different aspect of Bob Dylan's life and work in I'm Not There (Todd Haynes, 2007). Other interesting films are the crime drama Brooklyn's Finest (Antoine Fuqua, 2009) with Don Cheadle, the British comedy-drama The Second Best Exotic Marigold Hotel (John Madden, 2015) with Judi Dench and Maggie Smith, and Three Christs (Jon Avnet, 2017) with Peter Dinklage. He was notably singled out for portraying businessman Robert Miller opposite Susan Sarandon in Arbitrage (Nicholas Jarecki, 2012), earning his fourth Golden Globe Award nomination. Gere is also an accomplished pianist, music writer, and above all a humanitarian. He's a founding member of Tibet House, a nonprofit organization dedicated to the preservation of Tibetan culture. He has been an active supporter of Survival International, which supports tribal people, including the natives of the Amazon, the Maasai of East Africa, the Wichi of Argentina. After 11 years of marriage, Gere and Lowell separated. Since April 2018, Richard Gere is married to Spanish activist Alejandra Silva.

Source: Sandra Brennan (AllMovie), K.D. Haisch (IMDb), AllMovie, Wikipedia and IMDb.

Former Blockbuster Video store on Burwood Highway located in the homemaker section outside the main shopping centre. This store lasted longer than most, closing in April 2014 after a closing down sale for its stock. The store's fittings were quickly removed after closure.

Blockbuster Video commenced in Australia in 1991 and was eventually taken over by local chain Video Ezy. Both chains have seen a significant decline in recent years, particularly due to the effect of the internet.

Cover of Co-ed magazine, February 1963

"The High School Magazine for Homemakers and Career Girls"