View allAll Photos Tagged homedevelopment

double exposed film

 

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Fuji Reala 100

Tetenal Colortec C-41

Scan from negative film

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Rollei RPX 100

Kodak D76 1+0

12 min 20°C

Scan from negative film

Mamiya 7

Mamiya 65mm f/4

Kodak Portra 160

Tetenal Colortec C-41

Scan from negative film

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Portra 400

Bellini Foto C-41

Scan from negative film

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Fuji Reala 100

Tetenal Colortec C-41

Scan from negative film

August 14, 2014.

Shot with Mamiya 6 (75 mm lens), on Shanghai GP3 100 film, expiry date April, 2013. Developed in Fomadon R09 ("Rodinal" clone), 1+25 solution, for 10 minutes, 20 seconds water rinse and 5 minutes fix. – View at least large.

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 160

Bellini Foto C-41

Scan from negative film

Mamiya 7 II

Mamiya 65mm f/4 L

Kodak Portra 400

Bellini Foto C41

Scan from negative film

Olympus µ[mju:] Panorama

Fujifilm Neopan ACROS 100

 

On tumblr: theatreofthemundane.tumblr.com

On Instagram: lemonhats

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

Leica MP

Leica Elmarit 28mm f/2.8 III

Fujicolor C200

Bellini Foto C-41

Scan from negative film

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Portra 400

Bellini Foto C-41

Scan from negative film

They only see me. Oblivious to the needy.

 

A scene at Jalan Bukit Bintang, Kuala Lumpur. Shot during the outing with +pelican, Kupih and mybigbro - a few months back.

 

Leica M3 Wetzlar DS, Voigtlander Heliar 75/1.8, Kodak Tmax400-2, 400TMY-2, Home development, Stand development, 1/50th at 60 minutes, 6 minutes fix

On a recent walk with FilmNeverDie members practising film photography.

Developed in a JOBO C-41 kit over temperature for the developer to achieve a blue cast to the image.

Mamiya 7 II

Mamiya 65mm f/4

Ilford Ortho Plus 80

Zero Imaging 510-Pyro (1+100)

9 min 20°C

Scan from negative film

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film

Stitch from two negatives. Not so expertly done and mostly just to try it out ...

 

Camera: Zeiss Ikon Nettar 517/2 6x9 camera with Novar-Anastigmat 105mm F6.3 lens and Vario shutter.

Exposure: 1/200 @ F11

Film: Ilford FP4+ developed in XTOL 1+1

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

Stone Arch Bridge taken from Mill Ruins Park. Minneapolis, Minnesota. USA

  

Yashica Mat 124G | Fuji Neopan Acros 100 | Rodinal 1+50 68F 11 mins

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Portra 400

Bellini Foto C-41

Scan from negative film

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Portra 160

Bellini Foto C-41

Scan from negative film

Kodak Tmax 400 developed in Agfa Rodinal 1+50

Mamiya 645

Mamiya- Sekor C 80mm F/1.9

 

This shot pretty much summarizes my saturday. Yesterday I picked up a new lens. I finally have a Mamiya Sekor-C 80mm F/1.9.

 

The lens itself is in superb condition. The glass is clear; no dust, no scratches and no fungus. Focusing goes really smooth and the aperture blades move swiftly. The only damage I could find was a small scratch on the exterior.

 

There's just one "downside" to this lens. It was attached to another Mamiya 645 with WLF and AE prism. So by buying this lens, I extended my collection with another camera!;) Luckily it's in better shape than my first M645! So I'm thinking about selling my first m645...

 

Yesterday I developed my first black and white films. The first two were FP4+ film and the third one was Kodak Tmax 400. The first film seems to be failed. The second and third look better. But as you can see here; I made a lot of rookie mistakes. There's still a lot to learn!!

Nikon FE, Kodak Ektar 100

web / instagram / facebook / flickr / 500px / personal

Leica M6 TTL

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Portra 160

Tetenal Colortec C-41

Scan from negative film

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Fuji Pro 160 NS

Tetenal Colortec C-41

Scan from negative film

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Pro Image 100

Bellini Foto C-41

Scan from negative film

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film

Leica MP

Leica Elmarit 28mm f/2.8 III

Fujicolor C200

Bellini Foto C-41

Scan from negative film

Leica MP

Leica Elmarit 28mm f/2.8 III

Fujicolor C200

Bellini Foto C-41

Scan from negative film

Mamiya 7

Mamiya 65mm f/4

Kodak Portra 800

Tetenal Colortec C-41

Scan from negative film

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Fuji Pro 160 NS

Tetenal Colortec C-41

Scan from negative film

Lomo LC-A+

Ilford FP4+

Rodinal 1+50 @ 12 min

Double Exposure

 

Fluidr

 

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Portra 400

Bellini Foto C-41

Scan from negative film

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Portra 160

Bellini Foto C-41

Scan from negative film

On of the first threshing machines, powered by the 'geubel' shown on the next picture.

 

Mamiya M645 1000s

Sekor C 45mm f/2.8

Ilford FP4+

Ilfosol 3 1+14 7:30 min

Rolleiflex 2.8 E

Adox Pan 25

Kodak HC-110 Dil B (1+31)

5 min 30 sec 20°C

Scan from negative film

Classic on the racks. The Hassie shot with the Zuiko 55/1.2 - to test the DOF. Minimum focus and trying to keep still during the snap is unnerving.

 

Olympus OM2, G-Zuiko 55mm F1.2, Ilford FP4+ 125, Rated @400ASA, Pushed, "Home-Development", T-max Developer @ 1/4th, 8 1/2 minutes, Aggitation @ 1 minute, 2 minute wash, 6 minutes fix, Ilford Rapidfix 1/4th, Wide Open

 

Minolta XD-s, MC Tele Rokkor 135, Rollei Infrared 400, Haida 720 filter. Adonal 1+50. Early november, midday. Aperture priority.

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