homedevelopment photos on Flickr

(Dirty Laundry) by Robbie McIntosh

45 2

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 160

Bellini Foto C-41

Scan from negative film

(Man Created Landscape) by Robbie McIntosh

50 9

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Back To Capri) by Robbie McIntosh

42 2

Nikonos V

Kodak Portra 400

Bellini Foto C-41

Scan from negative film

Usserød Å by Lars Holte

48 1

Camera: Zeiss Ikon Nettar 517/2 6x9 camera with Novar-Anastigmat 105mm f:6.3 lens and Vario shutter (yellow filter and hood)

Exposure: 1/75 @ F/8

Film: Foma Fomapan 100 Classic home developed in D-76 1+1

Usserød Å by Lars Holte

56 4

Camera: Zeiss Ikon Nettar 517/2 6x9 camera with Novar-Anastigmat 105mm f:6.3 lens and Vario shutter (yellow filter and hood)

Exposure: 1/200 @ F/8

Film: Foma Fomapan 100 Classic home developed in D-76 1+1

(Last Trip To Licola) by Robbie McIntosh

22 2

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Ponticelli a Mano Armata) by Robbie McIntosh

32 2

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 160

Bellini Foto C-41

Scan from negative film

(If You Go, No One May Follow) by Robbie McIntosh

23 1

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Uneventful Days) by Robbie McIntosh

25 2

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Lido Casetta Rossa) by Robbie McIntosh

30 4

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film

(My Funny Valentine) by Robbie McIntosh

21 1

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Open) by Robbie McIntosh

32 5

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film

(Final State) by Robbie McIntosh

24 2

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Ercolano a Mano Armata) by Robbie McIntosh

28 5

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film

(Paranoia, Part III) by Robbie McIntosh

30 4

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(In The Long Run We Are All Dead) by Robbie McIntosh

29 5

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Wrong Day In Pescopagano) by Robbie McIntosh

21 1

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Chronology) by Robbie McIntosh

26 3

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Alteration) by Robbie McIntosh

28 3

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film

(Stripes & Tripes) by Robbie McIntosh

43 3

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Pro Image 100

Bellini Foto C-41

Scan from negative film

by mathias is still around

16 1

(Brave The Storm To Come) by Robbie McIntosh

34 2

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

Lever de Soleil - Santa Cruz de La Palma by Damien André

21

Canon A1 - Ektar 100

(The End Was All Too Soon) by Robbie McIntosh

21 2

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Big Exit) by Robbie McIntosh

23 3

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Fuji Pro 400H

Bellini Foto C-41

Scan from negative film

(Deep In The Cell of My Heart I Will Feel So Glad To Go) by Robbie McIntosh

22 1

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Nirvana) by Robbie McIntosh

25 4

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film

(The Grass Is Always Greener) by Robbie McIntosh

20 1

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(K-Hole) by Robbie McIntosh

31 3

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Fish's King) by Robbie McIntosh

28 3

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Visions of Mary) by Robbie McIntosh

26 1

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 400

Bellini Foto C-41

Scan from negative film

(Starfish) by Robbie McIntosh

36 2

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Color Plus 200

Bellini Foto C-41

Scan from negative film

subtle curves by Ernst-Jan de Vries

33 11

Mamiya M645 1000s

Sekor C 45mm f/2.8

Kodak Tri-X 400. Expired 2011

Shot as iso 250. Developed in Rodinal/R09 1+25 7 min.

(You Can Run But You Cannot Hide) by Robbie McIntosh

25 2

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film

Edixa-Mat Reflex Mod. D-L by Elliot Alder

42 8

This heavy brass beast is by far my favourite hobbyist camera. Solid as a brick, with a plethora of inexpensive M42 lenses to choose from, interchangeable viewfinders, and an unparalleled mechanical feel.

Nikon FE, Ektar 100

web / instagram / facebook / 500px / personal

(They Got a Name For The Winners In The World) by Robbie McIntosh

23 1

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Lost In The Flood) by Robbie McIntosh

27 1

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(La Meccanica Delle Emozioni) by Robbie McIntosh

27 7

Rolleiflex 2.8 E

Kodak Portra 160

Tetenal Colortec C-41

Scan from negative film

(Time Is Not a Factor) by Robbie McIntosh

24 2

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Fuji Pro 400H

Bellini Foto C-41

Scan from negative film

(All I Know Is Something Like a Bird Within Her Sang) by Robbie McIntosh

27 3

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(No Aloha) by Robbie McIntosh

28 5

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film

(Keep Straight) by Robbie McIntosh

27 2

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(All The Sailors With Their Seasick Mamas Hear The Sirens On The Shore) by Robbie McIntosh

34 2

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Three Steps Back) by Robbie McIntosh

28 2

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Spiaggia Il Pescatore) by Robbie McIntosh

29 3

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film

(No End And No Conclusion) by Robbie McIntosh

29 2

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

vision smart ~ by Carl Fieler

30 3

canon AE1P

canon fd 135mm f3.5

fd 2x telephoto extender

multi image filters (x2)

ilford delta 400 (expired)

home development d76

v600 scan

(Summer of Love) by Robbie McIntosh

53 4

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Pro Image 100

Bellini Foto C-41

Scan from negative film

(The Wedding Life) by Robbie McIntosh

35 4

Leica MP

Leica Elmarit 28mm f/2.8 III

Fujicolor C200

Bellini Foto C-41

Scan from negative film

(From Paris To Salerno) by Robbie McIntosh

22 1

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

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