homedevelopment photos on Flickr

(Dirty Laundry) by Robbie McIntosh

28 3

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film

(Shine a Blinding Light) by Robbie McIntosh

24 2

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Joy) by Robbie McIntosh

38 4

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Steve McQueen Was Here) by Robbie McIntosh

30 3

Rolleiflex 2.8 E

Kodak Portra 400

Tetenal Colortec C-41

Scan from negative film

Reykjavík Art Museum by Alexander Omarsson

44 1

(The Lonesome Death of Enrico Berlinguer) by Robbie McIntosh

30 2

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 160

Bellini Foto C-41

Scan from negative film

(Sunny Side Up) by Robbie McIntosh

33 1

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Pro Image 100

Bellini Foto C-41

Scan from negative film

(Who Can Stop What Must Arrive Now?) by Robbie McIntosh

44 4

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

Tree and Leaves in the Wind (Lower Guards Wood) by Jonathan Carr

88

Toyo 45a with Nikkor 210mm lens, 1 sec @f32, Fuji 160NS in Rollei Digibase C-41 Kit

(The Nature of Things) by Robbie McIntosh

29 3

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Ship To Wreck) by Robbie McIntosh

36 1

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Our Lady of Automobiles) by Robbie McIntosh

27 2

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 160

Bellini Foto C-41

Scan from negative film

(Licola Beach Bar Blues) by Robbie McIntosh

36 2

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Just The Same But Brand New) by Robbie McIntosh

29 1

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

Tractor, Weybourne by FearnPhoto

29

RealitySoSubtle 6x9F // RealitySoSubtle 0.2mm pinhole // Kodak Tri-X 400

Digitized with Negative Lab Pro v2.1.2

Home developed in Kodak HC-110 1+47 // 6:48/22

(The Faster We Go, The Rounder We Get) by Robbie McIntosh

26 2

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(On The Cosmic Eternity Party Line) by Robbie McIntosh

29 2

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

it's the pictures that got small by Michael Peregrine

31 2

This poor little negative. I'm amazed I'm even posting it after what it's been through. It's the sole survivor of its roll (the other exposures no doubt phenomenal and flawlessly executed). Long story short, here it is. Dust and scanner artifacts thrown in free of charge this time, but don't get used to getting so much bang for your buck around this stream.

(Stability) by Robbie McIntosh

30 4

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Fuji Pro 160 NS

Tetenal Colortec C-41

Scan from negative film

(Oasi) by Robbie McIntosh

30 3

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Future Shock) by Robbie McIntosh

31 6

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film

(Big Wheel Turn By The Grace of God) by Robbie McIntosh

25 2

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 160

Bellini Foto C-41

Scan from negative film

(Speed Limits) by Robbie McIntosh

34 4

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film

(San Sebastiano Violenta) by Robbie McIntosh

26 1

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Portra 160

Bellini Foto C-41

Scan from negative film

(Season of The Peach) by Robbie McIntosh

33 1

Leica MP

Leica Elmarit 28mm f/2.8 III

Fujicolor C200

Bellini Foto C-41

Scan from negative film

(Game Set Match) by Robbie McIntosh

25 3

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film

(Under Eternity Blue) by Robbie McIntosh

32 1

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

prairie oaks by Andy Jenkins

31 10

Holga

Shanghai GP3

Red 25A Filter

Diafine

Fluidr

mineral resources in Death Valley by Carl Fieler

35 5

canon F1

canon fd 200mm f2

ilford hp5 @1600

home development

v600 scan

(4'33") by Robbie McIntosh

36 5

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film

(Options) by Robbie McIntosh

34 3

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Wake Up) by Robbie McIntosh

37 6

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(All True Mermaids Are Shortsighted) by Robbie McIntosh

33 3

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Maradonabeach) by Robbie McIntosh

20 3

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film

(Seeing Triple) by Robbie McIntosh

31 3

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Going Out) by Robbie McIntosh

34 1

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Ius Soli) by Robbie McIntosh

41 4

Hasselblad 500 C/M

Carl Zeiss Distagon 50mm f/4 C T*

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Hypnotized From Doing The Same Old Thing) by Robbie McIntosh

33 5

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Pro Image 100

Bellini Foto C-41

Scan from negative film

(Hypothermia) by Robbie McIntosh

33 2

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film

Culvert #1 by FearnPhoto

33 2

Ondu 135 Panoramic // 0.2mm pinhole // Ilford PAN F+ 50

Home developed in Kodak HC-110 1+47 // 6:28/18

(The King of Mappatella Beach Is Back) by Robbie McIntosh

28 1

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film

by mathias is still around

23

(On The Surface of Your Tender Unintended Machine) by Robbie McIntosh

28 2

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Travelogue) by Robbie McIntosh

25 2

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

by seth bittersull

6 1

(Travels In Nihilon) by Robbie McIntosh

34 3

Mamiya RB67 Pro S

Mamiya Sekor 65mm f/4.5

Kodak Portra 160

Bellini Foto C-41

Scan from negative film

(Summertime 2022) by Robbie McIntosh

28 1

Leica MP

Leica Summicron 35mm f/2 IV "King of Bokeh"

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(There Are Things You Can Replace) by Robbie McIntosh

35 2

Rolleiflex 2.8 E

Kodak Ektar 100

Bellini Foto C-41

Scan from negative film

(Superfood For The Masses) by Robbie McIntosh

23 3

Leica MP

Leica Elmarit 28mm f/2.8 III

Kodak Gold 200

Bellini Foto C-41

Scan from negative film

(Overwater) by Robbie McIntosh

26 4

Rolleiflex 2.8 E

Kodak Ektar 100

Tetenal Colortec C-41

Scan from negative film

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