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DB 66111 at a stand with the 498L 12.29 Chesterton Redland Siding to Mountsorrel Sidings with an HST (power units 43017 and 43017) forming the 588R 11.55 St Philips Marsh H S T D to Ely Mlf Papworth Sidings working held in Melton Up Loop
Hand-held Panorama of Wilson Castle
Proctor, VT
October 9, 2021
"The castle’s construction began in 1885, as instructed by Doctor & Lady Johnson. Doctor Johnson was a Vermonter who went to England to study medicine. While there he met & married a wealthy lady of the aristocracy. After 7 and a half years of planning and construction the castle was completed at the sum of $1,300,000. The Johnson’s remained in the castle for only a brief time.
From the 1880’s until 1939, the castle was bought & sold numerous times. In 1939, a radio engineer named Herbert Lee Wilson, came to Vermont. He was a pioneer in the AM radio field and built radio stations all over the world. He was looking for a new location to build another station and a summer home for his family. He purchased the estate and the history of Wilson’s Castle officially starts. In the early 1940’s, Col. Wilson was noted for his engineering and radio work in Vermont. He designed radio station WHWB, owned by the Wilson’s and Charles Bates through the Central Vermont Broadcasting Corporation. Other radio work included WSYB in Rutland, Vermont which had the first directional antenna in the state of Vermont. Col. Wilson also provided engineering on WCAX channel 3 television station in Burlington, Vermont.
When America joined WWII in 1941, Herbert Wilson joined the Army Signal Corps, from which he retired in the 1950’s as rank of Colonel. He retired to the castle, and in 1962, opened it for tours. He passed away in 1981 at the age of 82 and left the estate to his daughter, Blossom Wilson Davine Ladabouche. Blossom passed away in 2010 and currently her daughter Denise Davine is the owner/operator."
We held a "Ian Mcque's Airships" Challenge on LugBrasil, starting from March 3rd to today April 30. Being the Host, I'm not allowed to enter the Challenge's voting pool, but had anyway to dig into the theme to create this MOC. I'd assure the photos hardly resemble the "greatness" of it, being one of the funniest creations I've ever made. Had a really good time working on this, also wil be hard to take it apart for parts, soon once they're needed.
This model is heavily inspired by te Remora ship, though not supposed to be a Lego replica.
Follow this link to look at more models created (in portuguese)
The first nice light in what feels like weeks fell on London yesterday.
I was having a quick post-work walk past one of Britain's most recognisable landmarks...this is the result.
Houses of Parliament - or Palace of Westminster as it's more properly known - info here. Bonus airship!
Tech - D800 with a 50mm lens, 5xp hand-held HDR blended in SNS and then some post in Photoshop. Minor crop from the original shot.
My friend, Sævar, held his birthday party in the highlands of Iceland, in Kjölur. We went on hiking in Hveradalir, Kerlingarfjöll, and as he walked faster than I and my friends he was already on the other side waving when we were taking pictures and slowly hiking in his footsteps.
Hveradalir geothermal Area is located in the Highlands, by Kjolur Highland Road, in Iceland. One of the largest geothermal areas in all of Iceland, Hveradalir offers hot springs you can view up close and others that can be admired from a safe distance. The site is surrounded by the rhyolite mountains of the Kerlingarfjoll range, making for some spectacular and colorful surroundings and excellent hiking opportunities. Situated by the volcanic mountain ridge of Kerlingarfjoll, Hveradalir draws its name from the many hot springs in the area. From smaller, bubbling mud pools to larger springs of steaming water, the site offers visitors a glimpse into the stunning complexities of Iceland's geology.
One of Hveradalir's main attractions is the many striking natural formations created by the geothermal energy coursing beneath the surface. The hot waters flowing through the ground have interacted with the minerals, causing chemical changes that often result in unique patterns and colors appearing in the rocks above. Read more here: guidetoiceland.is/travel-iceland/drive/hveradalir
The article below originated from:
Traditional Building Magazine
Updated: Jan 6, 2020
Original: Feb 2, 2016
Originally built in 1916, the Palm Beach courthouse was a tour de force of Neoclassical architecture. The architect Wilber Burt Talley designed a granite base, brick and stone façades, soaring Indiana limestone columns and Corinthian capitals that held up triangle pediments, and a dentil molding below the cornice. The four-story, 40,000-sq.ft. the building housed the county government offices and records, as well as the jail.
Almost immediately the courthouse ran out of space, and 11 years later an addition was constructed 25 feet to the east. Talley again served as the courthouse architect, and the 1927 addition was similar in appearance and used many of the same materials as the original building. In 1955, the two buildings were connected with usable rooms to accommodate the growing county.
Yet another addition was required in the late ’60s; it was completed in 1969. The architecture firm Edge & Powell delivered a brick building that nearly doubled the square footage to 180,000 sq. ft. This time, the addition was less than sympathetic. In fact, the 1916 and 1927 buildings were lost in the center of the new construction, which wrapped around them completely.
The building was utilized for 36 years in this configuration, until 1995, when a new courthouse opened across the street. Expansions had plagued the 1916 courthouse almost as soon as it was built, and this was no exception. “After the new courthouse opened, the old one was slated for demolition,” says Rick Gonzales, Jr., AIA, CEO and principal at REG Architects. “Since I knew about the 1916 courthouse, I recognized the potential of the site and got in touch with preservation specialists in the area. It took some time, but a group of us eventually convinced the county to fund a feasibility study, which we conducted in 2002.”
Gonzales talks about stimulating interest in the project: “We would go to the new courthouse to sell our idea and walk people up to the windows to look at the old site,” he says.
“‘Believe it or not, there’s a building inside that building,’ I’d say. That really piqued people’s interest.”
The county agreed to fund the project, and demolition of the additions began in January 2004 and was completed two years later. “It took a long time because it was a selective demolition,” says Gonzales. “We needed to be careful to salvage many of the materials from the 1927 building to use in the restoration of the 1916 structure. It resembled the original, so we took everything we could for reuse.” A number of materials were recovered, including limestone, granite, wood windows, doors, marble wainscot, mosaic floor tiles, wood flooring, trim, and hardware.
While a majority of the materials were the same from building to building, the detailing was not identical. “We were working from the drawings of the 1927 building because we couldn’t find drawings for the earlier structure,” says Gonzales. “We had thought the detailing was the same, but when we put our studies together we saw that the rhythm, proportion, and cornices were different.”
When REG Architects couldn’t apply the 1927 documentation to the restoration, the firm examined what was remaining of the building and the few images that had survived. “For a while, we had no cornice pieces, because all of the exterior ornamentations had been destroyed when the façades were smoothed for the addition,” says Gonzales. “Then a contractor found a 16-in. piece, which we used to re-create the cornice line.”
Other elements that needed to be re-created, such as the granite and limestone porticos on the north, south, and west façades, were designed using historic photographs. “We found limestone with the same vein from the same Indiana quarry that was originally used,” says Gonzales. “We were extremely lucky in that the quarry ran out of that vein right after our order.” REG Architects was also able to match the granite.
Many components of the building were salvaged and restored. The cornerstones were restored and placed in their original locations at the northwest corner. The 12 Corinthian capitals and the load-bearing limestone columns – each of which weighs 30,600 lbs. – were pieced back together and repaired. “Placement of the capitals was especially tedious,” says Gonzales, “because it needed to be precise. They were then secured with pegs and glue.”
On the north, south, and west elevations, the brick was restored and, when necessary, replaced. “We couldn’t locate replacement brick with the same hues as the existing brick hues,” says Gonzales, “so we hired artists to stain it so that it blended with the original brick.” On the east elevation, REG Architects specified new brick so the new façade clearly stood out from the old ones.
To the same point, new hurricane-proof wood windows were chosen for the east elevation, while REG Architects was careful to preserve as many old windows as possible on the other elevations. Hedrick Brothers repaired 76 original wood windows as well as the window hardware. “We found a local manufacturer, Coastal Millwork of Riviera Beach, FL, to get the original windows tested for hurricane-preparedness,” says Gonzales. “The company reinforced and laminated the windows, so we were able to reinstall them.”
The crowning achievement of the exterior work was the re-creation of an eagle crest on the west pediment.
Based on a small postcard and images of other eagle crests, Ontario, Canada-based Traditional Cut Stone designed the crest for Palm Beach. “They created a small scale model and then a full-scale model in clay,” says Gonzales. “The final piece, which took five months to produce, was hand-carved from five pieces of Indiana limestone.” Traditional Cut Stone was also responsible for all of the limestone work on the building. REG Architects based much of its interior design on the Desoto County Courthouse in Arcadia, FL, which was built by Talley in 1913.
“The dilemma about the interiors was that there was little archival material and few original photographs to give a precise vision for the interiors,” says Gonzales. “Emphasis was placed on trying to restore the character of the main courtroom and the main interior public spaces.” The main courtroom on the third and fourth floors was especially aided by the Desoto research. The millwork was re-created and the plaster ceiling and moldings, maple flooring, doors, and door hardware were restored. Replica lighting was fabricated.
Architectural elements in the corridors and staircases received similar treatment. Hendrick Brothers uncovered the original mosaic flooring and had it repaired. Only five percent of the tile needed to be replaced; in these cases, matching tile from the 1927 building was used. About 80 percent of the marble wainscoting was salvaged, while the other 20 percent was replaced with matching marble from the original quarry. Wood doors and door hardware were salvaged and reused.
All of the building code upgrades – including efficient HVAC, fire protection, and hurricane protection – were hidden as much as possible with historic finishes. The alley elevation provided an ADA-accessible entrance and space for elevators.
The newly restored Palm Beach County Court House now accommodates a museum for the historical society, as well as offices for the County’s Public Affairs Department and County Attorney. “People say this project was an alignment of the stars,” says Gonzales. “It was. We were lucky to have the opportunity to save this building, we worked with a lot of great people, and it turned out well. It was a great labor of love.” TB
Credit for the data above is given to the following websites:
www.traditionalbuilding.com/projects/courthouse-unwrapped
downtownwpb.com/things-to-do/history-museum-and-restored-...
en.wikipedia.org/wiki/Richard_and_Pat_Johnson_Palm_Beach_...
© All Rights Reserved - you may not use this image in any form without my prior permission.
Held each November at the time of the Kartik Purnima full moon, Pushkar Camel Fair is one of India’s most highly-rated travel experiences, a spectacle on an epic scale, attracting camels, horses and cattle visited by over 400,000 people over a period of around fourteen days.
For visitors it’s a once-in-a-lifetime opportunity to witness the colour, spectacle and carnival of one of the last great traditional melas, which brings livestock, farmers, traders and villagers from all over Rajasthan.
I held a big bubble in front of a fluorescent bulb here. I love the range of colours. It's like a colour palette. There's no editing here. I just cropped and turned the image. No saturation or contrast edits!
Exposure can be difficult though. If you try this yourself, try manual settings.
Oh, and it's a macro shot. You can find the EXIF data up in 'actions' - above left.
Its getting close to Tet so my wife and I took a little ride I wanted to test the Pany 14mm and was surprised how good it did. This little trip was done with the Oly 12 and Many 14 in my pocket and the 75 on the camera. No tripod etc. that was it. This is what MFT does so well.
Den Helder. A walk through the Helderse Duinen.
Kroontjesbunker (FL250) Deze FL250 Flakgruppenkommandostand kreeg de bijnaam 'Kroontjesbunker' vanwege de vorm van de toren. In de bunker werden middels een glazen plotterwand de vliegbewegingen van vliegtuigen.
Held for few hours due to sun kinks further west, the consist glides toward Megantic as it departs the siding at Vachon on the Moosehead Subdivision.
This is a hand held photo. See it better, tap on it!
The gave a little of their time, and posed for me! I was in luck, because they were coming to the edge of the lake for a little rest. Thanks guys!
I do must of all nature photography, and from time to time city life. I enjoy trying new techniques, and transforming some of my photos into something different and ( I think) artistic.
EXPLORE:
Also, I’m very proud to say that twenty eight of my photos made it to Explore, many are still on, three of them at 25, 14 and 52, still! If you’d like to see them, please go to my Explore set.
If you’d like to see them, please go to my Explore set.
TO MY FRIENDS:
Flickr has giving me opportunity to meet a group of wonderful people. Thanks for making me feel so proud of what I do and love. You know who you are…
ABOUT GROUPS:
I would gladly submit my photos to the groups that would allow me to see their pages and be part of them. Please, don’t invite me to groups that will show my work once, and by invitation. I rather be part of a group that will allow me to choose my own material, and decide what to put and when. Remember, we are artists, and very temperamental ;)
MY THANKS:
Thanks for coming and for viewing my photos. I appreciate all comments, so leave one, if you want to.
Have great day, and enjoy the ride!
Martha.
"Tudo assalta tudo,e eu sou a imagem de tudo.
O dia roda o dorso e mostra as queimaduras,
a luz cambaleia,
a beleza é ameaçadora
-não posso escrever mais alto
transmitem-se,interiores,as formas."
O olhar é um pensamento | Herberto Hélder
in:Poesia Toda,1990
The quill is being held between the toes, and the owl played with it, passing it from foot to foot and stroking it along its beak. At first, I thought it was licking off remaining food, but looking at the pictures, it seems as though the owl was just toying with it.
Some years, the annual Audubon Christmas Bird Count for Nanton is held late in December. Other years, it ends up being held early January. The Count on 3 January 2016 was part of the 2015 Bird Count.
I think these gorgeous Pine Grosbeaks, this one a male, were the highlight of the day for me. We had been told about a farm family who had lots of these Grosbeaks at their feeders, and we are so glad that we arranged to call in. We also saw a Gray Jay there, to add to our species list. My small group of 4 friends and myself, travelling in two cars, did see 5 Golden Eagles, too, which was a thrill, but they were way off in the distance and I couldn't get any close photos like this one of a Grosbeak : )
"One of the larger members of its family, the Pine Grosbeak is a bird of the boreal forests, found across northern Eurasia and North America, and south into the mountains of western Canada and the United States. A large, unwary finch, it makes periodic winter irruptions into southern Canada and northern United States. It is the largest and rarest of the "winter finches." From AllAboutBirds.
www.allaboutbirds.org/guide/Pine_Grosbeak/id
As you can see, the weather was bright and sunny for us this day. What you can't see was that it was very cold for the first part of the day, then warming up to a pleasant cold later on! I think it was -21C when we started. Two years ago, on the trip in January (for the 2013 Count), on the hour-long drive south of Calgary, we hit -34C (-29.2F)!!!!! Again, this year, there was no or very little wind, which makes all the difference. Also, the only walking we had to do was when we called in at various farms/acreages.
We drove through such beautiful scenery when we were covering the SW quadrant of the Christmas Bird Count circle that centered on the town of Nanton, Alberta. A landscape over which the occasional Golden Eagle soars and in which some years - but definitely not on this day! - numerous Sharp-tailed Grouse wander on the ground or perch in trees. Unlike some years, we saw only a handful of very distant Grouse, perched on a group of hay bales. I absolutely love this area SW of Nanton! Some of the backroads are extremely steep and almost look vertical when seen from a distance. Some years, the whole area is white, covered in deep snow, so that you can't tell where the roadside ends and the ditch begins. This Count, it wasn't too bad, thank goodness, though I might have felt differently if I had been one of the two drivers for our group!
Around lunch time, we returned to the Truch family's home as we were very nearby, and ate our lunch in the warmth of their cosy home.
After driving (being driven, for me, which is always pure luxury) the backroads from about 8:00 a.m. till around 3:30 p.m., we returned to the wonderful home of the Truch family. Not only do Bill and Leah Truch and their son, Mike, always welcome everyone with open arms, they also provide a much-appreciated breakfast snack for us and then, at the end of the day, a delicious supper. Have to say that I love travelling these scenic backroads, but I also really enjoy getting together with everyone afterwards. This is one of my favourite Bird Counts, and perhaps the most favourite.
Just before leaving for Calgary at the end of the day, we were shown the family's Llamas, two Donkeys, Peacocks, and several tiny white Quail. I should have taken photos of these animals when it was daylight - but maybe I can do it next year.
Thanks so much for doing all the driving, Tony and Andrew, and thanks, Leah, Bill and Mike for all the effort and time you put into your warm welcome! It was another well-organized Count, Mike, as usual - thanks. Can't wait for next Christmas!
List of species seen by our small group, from Andrew Hart:
Nanton general area
Jan 3, 2016
8:45 AM
Traveling
113.00 km
360 Minutes
All birds reported? Yes
Comments: -14 to +1 deg C sunny. Nanton CBC area D
32 Sharp-tailed Grouse
5 Golden Eagle
1 Bald Eagle
12 Rough-legged Hawk
50 Rock Pigeon (Feral Pigeon)
2 Eurasian Collared-Dove
8 Downy Woodpecker
1 Northern Flicker (Red-shafted)
3 Northern Shrike
4 Gray Jay
100 Black-billed Magpie
28 Common Raven
16 Black-capped Chickadee
4 European Starling
2 American Tree Sparrow
105 Pine Grosbeak -- First 60 In a yard with feeders. Balance seen elsewhere along route. Another 35 in a yard off Williams Coulee.
3 White-winged Crossbill
220 Common Redpoll
4 Hoary Redpoll
40 House Sparrow
Number of Species: 20
Hand held and in natural early morning light of a baby Green Tree Frog (Hyla cinerea)....about 3/4" long....on a blade of grass.
Please view Large HERE
The article below originated from:
Traditional Building Magazine
Updated: Jan 6, 2020
Original: Feb 2, 2016
Originally built in 1916, the Palm Beach courthouse was a tour de force of Neoclassical architecture. The architect Wilber Burt Talley designed a granite base, brick and stone façades, soaring Indiana limestone columns and Corinthian capitals that held up triangle pediments, and a dentil molding below the cornice. The four-story, 40,000-sq.ft. the building housed the county government offices and records, as well as the jail.
Almost immediately the courthouse ran out of space, and 11 years later an addition was constructed 25 feet to the east. Talley again served as the courthouse architect, and the 1927 addition was similar in appearance and used many of the same materials as the original building. In 1955, the two buildings were connected with usable rooms to accommodate the growing county.
Yet another addition was required in the late ’60s; it was completed in 1969. The architecture firm Edge & Powell delivered a brick building that nearly doubled the square footage to 180,000 sq. ft. This time, the addition was less than sympathetic. In fact, the 1916 and 1927 buildings were lost in the center of the new construction, which wrapped around them completely.
The building was utilized for 36 years in this configuration, until 1995, when a new courthouse opened across the street. Expansions had plagued the 1916 courthouse almost as soon as it was built, and this was no exception. “After the new courthouse opened, the old one was slated for demolition,” says Rick Gonzales, Jr., AIA, CEO and principal at REG Architects. “Since I knew about the 1916 courthouse, I recognized the potential of the site and got in touch with preservation specialists in the area. It took some time, but a group of us eventually convinced the county to fund a feasibility study, which we conducted in 2002.”
Gonzales talks about stimulating interest in the project: “We would go to the new courthouse to sell our idea and walk people up to the windows to look at the old site,” he says.
“‘Believe it or not, there’s a building inside that building,’ I’d say. That really piqued people’s interest.”
The county agreed to fund the project, and demolition of the additions began in January 2004 and was completed two years later. “It took a long time because it was a selective demolition,” says Gonzales. “We needed to be careful to salvage many of the materials from the 1927 building to use in the restoration of the 1916 structure. It resembled the original, so we took everything we could for reuse.” A number of materials were recovered, including limestone, granite, wood windows, doors, marble wainscot, mosaic floor tiles, wood flooring, trim, and hardware.
While a majority of the materials were the same from building to building, the detailing was not identical. “We were working from the drawings of the 1927 building because we couldn’t find drawings for the earlier structure,” says Gonzales. “We had thought the detailing was the same, but when we put our studies together we saw that the rhythm, proportion, and cornices were different.”
When REG Architects couldn’t apply the 1927 documentation to the restoration, the firm examined what was remaining of the building and the few images that had survived. “For a while, we had no cornice pieces, because all of the exterior ornamentations had been destroyed when the façades were smoothed for the addition,” says Gonzales. “Then a contractor found a 16-in. piece, which we used to re-create the cornice line.”
Other elements that needed to be re-created, such as the granite and limestone porticos on the north, south, and west façades, were designed using historic photographs. “We found limestone with the same vein from the same Indiana quarry that was originally used,” says Gonzales. “We were extremely lucky in that the quarry ran out of that vein right after our order.” REG Architects was also able to match the granite.
Many components of the building were salvaged and restored. The cornerstones were restored and placed in their original locations at the northwest corner. The 12 Corinthian capitals and the load-bearing limestone columns – each of which weighs 30,600 lbs. – were pieced back together and repaired. “Placement of the capitals was especially tedious,” says Gonzales, “because it needed to be precise. They were then secured with pegs and glue.”
On the north, south, and west elevations, the brick was restored and, when necessary, replaced. “We couldn’t locate replacement brick with the same hues as the existing brick hues,” says Gonzales, “so we hired artists to stain it so that it blended with the original brick.” On the east elevation, REG Architects specified new brick so the new façade clearly stood out from the old ones.
To the same point, new hurricane-proof wood windows were chosen for the east elevation, while REG Architects was careful to preserve as many old windows as possible on the other elevations. Hedrick Brothers repaired 76 original wood windows as well as the window hardware. “We found a local manufacturer, Coastal Millwork of Riviera Beach, FL, to get the original windows tested for hurricane-preparedness,” says Gonzales. “The company reinforced and laminated the windows, so we were able to reinstall them.”
The crowning achievement of the exterior work was the re-creation of an eagle crest on the west pediment.
Based on a small postcard and images of other eagle crests, Ontario, Canada-based Traditional Cut Stone designed the crest for Palm Beach. “They created a small scale model and then a full-scale model in clay,” says Gonzales. “The final piece, which took five months to produce, was hand-carved from five pieces of Indiana limestone.” Traditional Cut Stone was also responsible for all of the limestone work on the building. REG Architects based much of its interior design on the Desoto County Courthouse in Arcadia, FL, which was built by Talley in 1913.
“The dilemma about the interiors was that there was little archival material and few original photographs to give a precise vision for the interiors,” says Gonzales. “Emphasis was placed on trying to restore the character of the main courtroom and the main interior public spaces.” The main courtroom on the third and fourth floors was especially aided by the Desoto research. The millwork was re-created and the plaster ceiling and moldings, maple flooring, doors, and door hardware were restored. Replica lighting was fabricated.
Architectural elements in the corridors and staircases received similar treatment. Hendrick Brothers uncovered the original mosaic flooring and had it repaired. Only five percent of the tile needed to be replaced; in these cases, matching tile from the 1927 building was used. About 80 percent of the marble wainscoting was salvaged, while the other 20 percent was replaced with matching marble from the original quarry. Wood doors and door hardware were salvaged and reused.
All of the building code upgrades – including efficient HVAC, fire protection, and hurricane protection – were hidden as much as possible with historic finishes. The alley elevation provided an ADA-accessible entrance and space for elevators.
The newly restored Palm Beach County Court House now accommodates a museum for the historical society, as well as offices for the County’s Public Affairs Department and County Attorney. “People say this project was an alignment of the stars,” says Gonzales. “It was. We were lucky to have the opportunity to save this building, we worked with a lot of great people, and it turned out well. It was a great labor of love.” TB
Credit for the data above is given to the following websites:
www.traditionalbuilding.com/projects/courthouse-unwrapped
downtownwpb.com/things-to-do/history-museum-and-restored-...
en.wikipedia.org/wiki/Richard_and_Pat_Johnson_Palm_Beach_...
© All Rights Reserved - you may not use this image in any form without my prior permission.