View allAll Photos Tagged harmonize
The winner is Ms. Mallard incredibly harmonizing with the rocks and tucked behind Mr. Mallard. Sorry beautiful Mute Swan :)
Las torres de la Iglesia de la Clerecía, enmarcadas en el cielo sobre el claustro de la Casa de las Conchas, es una de las imágenes icónicas de Salamanca. El reto es encontrar una visión personal de esa instantánea tantas veces capturada.
En la composición traté de jugar con la repetición en fuga de elementos y formas simétricas, característico de la arquitectura de los claustros. El propio formato de la imagen se acerca a un cuadrado para acentuar la simetría multidireccional, que es rota por las torres sobresaliendo sobre el cuarto superior de la escena.
Para amplificar el espacio disponible, utilicé un objetivo de 14 mm sobre una cámara de formato completo, cosido en una panorámica de 4 tomas en vertical. Las líneas rectas se convirtieron en curvas vertiginosas en la imagen resultante. Pero gracias a un trabajo artesanal con la herramienta “angulo ancho adaptable” de Photoshop, he conseguido que la perspectiva recupere un aspecto hasta cierto punto “natural”.
Esperé a la “hora mágica” para que las luces artificiales y naturales armonizasen su intensidad. Necesitaba cerrar el objetivo a F8 para conseguir una profundidad de campo óptima. No tenía trípode. Así que subí la velocidad de obturación a 125, y tuve que trabajar con el ISO a 800, lo que producía un visible ruido en las zonas menos iluminadas. Lo eliminé en el procesado utilizando un software que me tiene fascinado: PureRaw.
The towers of the Clerecía Church, framed in the sky above the cloister of the Casa de las Conchas, is one of the iconic images of Salamanca. The challenge is to find a personal vision of that snapshot so many times captured.
In the composition I tried to play with the fleeting repetition of elements and symmetrical forms, characteristic of the architecture of the cloisters. The image format itself is close to a square to accentuate the multidirectional symmetry, which is broken by the towers jutting out over the top quarter of the scene.
To amplify the available space, I used a 14mm lens on a full frame camera, stitched into a 4 shot vertical panorama. Straight lines turned into dizzying curves in the resulting image. But thanks to some craftsmanship with Photoshop's "adaptive wide angle" tool, I managed to get the perspective back to a somewhat "natural" look.
I waited for the "magic hour" for the artificial and natural lights to harmonize their intensity. I needed to close the lens down to F8 to get optimal depth of field. I had no tripod. So I increased the shutter speed to 125, and had to work with the ISO at 800, which produced visible noise in the dim areas. I removed it in processing using software that has fascinated me: PureRaw.
Chest deep, a density and diversity of native wildflowers that would thrill any naturalist. Blacktip senecio (yellow), alpine larkspur (dark blue/purple), Porter lovage (white) and bluebells (light blue) harmonize to form a pleasing landscape. Governor Basin, San Juan Mountains
One Lily is joy and several are a pleasure. In the wondrous white flowering there was an unfocused centre ready to be composed into a Heart. The Heart was all ready fading, the bright petals were gently time spent mouldering back to soil from where they had sprouted with their moment of splendid presentation now fading into degradation. One picture repeated and repeated to release the central pulse from the Heart of Death and of Life to fulfil the flowering out of The Lily of Life not unlike the sephira of Tiphareth on The Tree of Life.
© PHH Sykes 2025
phhsykes@gmail.com
Tiferet (Hebrew: תִּפְאֶרֶת Tip̄ʾereṯ, in pausa: תִּפְאָרֶת Tip̄ʾāreṯ, lit. 'beauty, glory, adornment')[1] alternatively Tifaret, Tiphareth, Tifereth or Tiphereth, is the sixth sefira in the kabbalistic Tree of Life. It has the common association of "Spirituality", "Balance", "Integration", "Beauty", "Miracles", and "Compassion".[2]
Description
In the Bahir it states: "Sixth is the adorned, glorious, delightful throne of glory, the house of the world to come. Its place is engraved in wisdom as it says 'God said: Let there be light, and there was light.'" [3]
Tiferet is the force that integrates the sefira of Chesed ("Kindness") and Gevurah ("Strength", also called Din, "Judgement"). These two forces are, respectively, expansive (giving) and restrictive (receiving). Either of them without the other could not manifest the flow of Divine energy; they must be balanced in perfect proportion by balancing compassion with discipline. This balance can be seen in the role of Tiferet, wherein the conflicting forces are harmonized, and creation flowers forth. Tiferet also similarly balances Netzach and Hod. In that case, Hod can be seen as the intellect whereas Netzach is seen as emotion.
ANSH 121 # 14 "Harmony of colors"
123 Pictures in 2023 #12 "Biscuits (Cookies)
These are some shortbread Valentines Day cookies I got at the grocery store (made in the store's main bakery in San Antonio). The pink icing harmonizes with the red and white winter motif of the plate (actually a Christmas snack plate we've had for years).
Dare to Shine – The Nomi Bodysuit by Enchantress
The moment I slip into the Nomi Bodysuit, I transform. The way this high-shine latex caresses my body, molding every curve, is pure temptation. The sleek, liquid finish reflects the light with every move—an irresistible dance of allure and attitude.
This isn’t just a bodysuit—it’s a statement. With daring cutouts sculpting my silhouette, I decide exactly how to own the night. And the best part? The fully customizable HUD lets me mix and match 30 stunning colors separately for the bodysuit, sleeves, and boots to complement my accessories perfectly. Tonight, I indulge in lustrous lavender, a hypnotic shade that harmonizes effortlessly with my wide-brimmed hat and intricate jewelry. Every detail, every shimmer, is curated—elevating the look from merely stunning to completely unforgettable.
Designed for the perfect fit, the Nomi Outfit is compatible with Maitreya (Petite), Legacy (Perky), Reborn, Waifu, Kupra (Kups), Khara, and GenX (Classic & Curvy). Whether I slip into it for a night of seduction or pair it with statement accessories for high-fashion drama, I command attention with every step.
Tonight, I don’t just dress. I captivate.
Taxi to Mainstore: maps.secondlife.com/secondlife/LeLa%20Island/48/141/2232
- Light Painting - ©WhiteAngel Photography. All rights reserved.
Boy, this has been difficult considering the large surface taken by the objects, the only use of candle's light and the necessity to illuminate the plants and tiny leaves from up high, always just with few candles directioned in the right way. I had to build a sort of latch pulley where to attach a candle holder inside a clear glass bottle and pull it up with several attempts in order to fix the right high...
Challenging to obtain a razor sharp framing too, treating the whole large composition as a macro. Not sure if it deserved a macro but it's amazing how the calla looks like when illuminated by the light of candles...
The use of Vintage Murano glass of a deep red colour has harmonized the plums and given to the overall compo a sort of reddish light, facilitated by the sole use of candles.
The greenish/reddish hues of the calla are totally natural and I am happy I could illuminate it to emphasize those spectacular chromatic tones. ...And my parrots family always keep me company nightime when I do such experiments 🐤🐦🐥 :-))
Ref.Still life\Apricots & plums 047 okk VM DEF 10.07.22_05.14.25
©WhiteAngel Photography. All rights reserved.
On Fluidr : www.fluidr.com/photos/white-angel/52388436163/ # 289 > # 262
⭐EXPLORED⭐27.09.2022: flickr.com/photos/white-angel/52388436163/in/explore-2022...
in-Explore: www.flickr.com/photos/white-angel/52388436163/in/explore-...
Le bâtiment Richard Meier, d'un blanc éclatant, se dresse au cœur de la nature environnante. Que les visiteurs se réjouissent : là où l'art et le nouveau bâtiment du musée s'harmonisent, ils seront les gagnants. Ici, pas de compétition pour occuper la vedette, mais un lieu empreint d'art, un lieu qui révèle sa vraie nature et offre un écrin aux œuvres de l'artiste-mécène du musée ainsi qu'à l'art contemporain.
« Mon architecture ouverte et transparente crée des transitions fluides entre l'intérieur et l'extérieur et reflète le même lien avec la nature que celui exprimé dans les œuvres de Hans Arp. »
En tant que l'un des plus grands architectes de musées internationaux, Richard Meier se réfère dans son architecture aux principes du modernisme classique, un style qui a connu son apogée au début du XXe siècle. Cette époque a également façonné l'œuvre du duo d'artistes Hans Arp et Sophie Taeuber-Arp. Le bâtiment de Meier est baigné de lumière et semble emmener les visiteurs hors de leur quotidien. Ici, les œuvres trouvent un espace propice à leur épanouissement.
The dazzling white Richard Meier Building stands out in the heart of the surrounding nature. Visitors can rejoice: wherever art and the new museum building harmonize, they will be the winners. Here, there's no competition for the spotlight, but a place imbued with art, a place that reveals its true nature and provides a showcase for the works of the museum's artist-patron as well as contemporary art.
"My open and transparent architecture creates seamless transitions between indoors and outdoors and reflects the same connection with nature expressed in the works of Hans Arp."
As one of the greatest international museum architects, Richard Meier refers in his architecture to the principles of classical modernism, a style that reached its peak in the early 20th century. This era also shaped the work of the artist duo Hans Arp and Sophie Taeuber-Arp. Meier's building is bathed in light and seems to transport visitors away from their everyday lives. Here, the works find a space conducive to their development.
In the heart of Tours, France, the cityscape unfolds like a captivating chapter in a historical novel. The cobblestone streets wind gracefully, adorned with architectural gems that echo the elegance of centuries past. The charming buildings, with their stone facades and ornate wrought-iron balconies, stand as silent witnesses to the city's rich history.
As you stroll through the center, you are greeted by a symphony of colors – the warm beige of medieval structures harmonizing with the soft hues of Renaissance mansions. The intricate details of each building tell stories of bygone eras, adding a layer of sophistication to the city's ambiance.
The lively atmosphere is further enriched by the presence of quaint cafes and restaurants that spill onto the sidewalks. Elegant tables with checkered tablecloths invite locals and visitors alike to savor a moment of relaxation amidst the architectural splendor. The air is filled with the tantalizing aroma of French cuisine, drawing you in with promises of gastronomic delights.
Sunlight filters through the narrow streets, casting a gentle glow on the facades and creating a play of shadows that accentuates the city's timeless beauty. The rhythm of life in Tours seems to slow down as people leisurely enjoy their meals, engaged in animated conversations against the backdrop of this architectural marvel.
Tours, with its fusion of history and modernity, captures the essence of French charm. It is a city where the past seamlessly intertwines with the present, and every corner reveals a picturesque scene that delights the senses and nourishes the soul.
20220419_RX_07465_TOURS
An old stone portico in Nuits-Saint-Georges, the main town of the Côte de Nuits wine-producing area of Burgundy. The local marble is a sedimentary rock, a limestone, that is not susceptible to frost damage. It is fine-grained and capable of accepting a polish. There is a vein of this stone, called popularly "the Comblanchien" and extending from Nuits-Saint-Georges to Nevers, which has made the reputations of the quarries of the region. The stone will harmonize with any style by virtue of the variety of its shades of colour, the pink of bindweed (Convolvulus) and beige, and its grain.
This is my very first Milky Way photo – and the beginning of an exciting journey.
It consists of a 3×2 mosaic built from two sets of exposures. You’ll find the full technical data below.
One mosaic was tracked to keep the stars sharp and round during long exposures, and to capture fine detail in the galactic core. The second mosaic was untracked, focused solely on the landscape, to avoid any motion blur in the foreground. Both panoramas were then carefully aligned and merged.
To edit the Milky Way separately from the stars, I used StarNet, a neural network that removes stars from the image. This allowed me to create two additional layers: one for the bright nebula regions and one for the dark dust lanes. Each layer was processed individually to bring out depth, contrast, and atmosphere – otherwise, the stars would get damaged during editing.
This kind of post-processing is highly complex and time-consuming.
In the final step, everything was brought back together: the sky, the landscape, the stars, the bright core regions, and the dark dust structures of the Milky Way. Color tones and brightness needed to harmonize perfectly – otherwise, the image would feel disjointed and fall apart visually.
The photo was taken under Bortle Class 4 skies (www.lightpollutionmap.info) – far from ideal for astrophotography. In a densely populated country like Germany, it takes a great deal of planning, patience, and precision to reach this level of quality. I wanted to see what was technically possible here – and gain experience for what lies ahead.
And now, I'm counting down the days until summer: three weeks with a camper van in the Dolomites, chasing the stars. At 2,500 meters elevation, under some of the clearest skies in Europe, the Milky Way doesn’t just arch overhead – it feels like it flows through you. I can’t wait to experience what's possible there in terms of image quality.
Thanks to tracking, I was able to shoot at a moderate ISO 400 with long single exposures of 3 minutes and 20 seconds. Compared to stacking 20 to 50 high-ISO frames, this technique offers several advantages: less noise, more depth, and finer detail. Without tracking, stars would start trailing after just 6 to 8 seconds.
⚙️ Technical Data:
📷 Camera: Sony Alpha 7R V
🔭 Lens: Sony FE 14mm F1.8 GM
🗻 Mount: Benro Cyanbird Carbon Tripod + Benro Polaris Astro Tracker
➕ Panorama: 3×2 mosaic (tracked for sky, untracked for foreground), with approx. 65% overlap for maximum image quality
✂️ Stitched in: PTGui
🔍 Focal Length: 14mm
🌌 Aperture: f/2
🌙 ISO: 400
⏱️ Exposure per frame: 3 minutes 20 seconds
🕒 Total exposure time: approx. 40 minutes (12 frames total)
Prince Mihailo Monument
Prince Mihailo Monument (Serbian: Споменик кнезу Михаилу / Spomenik knezu Mihailu) is a monument of Prince Mihailo. It is located in the main Republic Square in Belgrade, Serbia, and was erected in 1882. It was the first public monument with representation of an equestrian figure of a ruler in Serbia. The author of the monument is Italian sculptor Enrico Pazzi. Reliefs on the monument were performed according to the drawings of architect Konstantin Jovanović. The monument was declared a Monument of Culture of Great Importance in 1979 and it is protected by Republic of Serbia. Prince Mihailo (1823–1868) was Prince of Serbia from 1839 to 1842 and again from 1860 to 1868. His rule began after the death of his elder brother, and ruled until 1842, when he was ousted in a revolt led by Toma Vučić-Perišić.
Prince Mihailo has come on the throne, for a second time, after the death of his father, Miloš Obrenović I, 1860. He ruled for eight years as the absolutists, making progress in Serbia, harmonizing agreements with neighboring countries, for common action on the Balkans. During the second reign of Prince Mihailo, Turkish authorities were handed over the remaining cities of Belgrade, Šabac, Smederevo, Soko, Užice and Kladovo management Serbia in 1867. Rule of Prince Mihailo Obrenovic was discontinued by assassination in the Košutnjak 1868.- Wikipedia
I was down here just this morning, and Cathedral Park is awash in color. In fact, this is almost exactly how it looks right now, though this image was taken almost exactly a year ago.
It really is amazing how well planned out this bridge is, and how much thought was put into designing and building it so that it harmonized with Forest Park. I know it may seem hard to believe, as often as I have been to this bridge and photographed it, but it amazes me just a little bit more every time I visit, without fail.
Photo session with Tikki on a grey day. This is the walkway from the driveway to the front door of one of the houses up the street. I liked the way the green moss harmonized with her green eyes. Also, these pictures show her at full winter coat, and I wanted some documentation.
Submitted for Happy Caturday 2020 “Makes me Happy” (a favorite pose). I like how she looked in this place, when we were out for a walk... it’s a few doors down the block and they have had work done so that place isn’t quite there any more. But she liked to sit & pose there. I also like how she looks here as a maximally fluffy winter coat “loaf.” This was about 11 months after she came to live with me, and it was about the first time her well fed and confident self was in winter coat that I had seen.
Today, July 1, 2017 we celebrate Canada's 150th birthday. TO Canada with love" TO on aime Canada. Bonne Fête Canada! Happy birthday, Canadians! #Canada150
The First Nation's people have been here for 13,000 years and our task, both individually and collectively is to harmonize with them respectfully.
Thanks for visiting, enjoy your weekend!
HARMONIZER
Ritchie Banipal Art 2021
Sun Kissing Forest Series
for sale
$400 CDN + tax & shipping
16x24 inches
FUJIFLEX Professional Paper
$300 CDN + tax & shipping
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Digital/Lease:
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*Larger print formats/mediums available, Just ask.
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Built in 1928, this is the only skyscraper in the historic center of St. Augustine, and was designed in the Spanish Colonial Revival style in order to harmonize with the surrounding city. The 7-story building served as bank offices for most of its existence, now being home to professional offices on the upper levels, a restaurant at ground level, and Treasury on the Plaza, an events venue, in the old lobby and banking hall.
I end this series with four shots of birds on ice. KInd of like a little series within a series. This is the first of three shots of Ring-billed Gulls. Yep, three shots of three different birds. I liked all three and could not decide which to post.
Taken at Hermitage Park in Edmonton's river valley, where only the one pond had open water at the time. Here I thought that the ice made for nice harmonizing and simple surroundings. It was great to see Gulls again and hearing their cries.
Two clicks to the best detail.
Macro Mondays 'speckled' theme.
Tibetan prayer or meditation beads made from Picture Jasper crystal.
Picture Jasper is a variety of Brown Jasper. It is a grounding and harmonizing gemstone with a tough connection to the earth. It is said to encourage feelings of dependability towards the planet, heartening a need to care for and keep it.
It is a gemstone that usually consists of a combination of petrified mud in pockets of earliest volcanic rock in such a way that it produces a “picture”, which is referred as picture jasper.
Each bead measures just under .75 cm in diameter
My other shot for today's theme.
118 pictures in 2018 (68) connected
This image shows the famous Golden Pavilion, or Kinkaku-ji, located in Kyoto, Japan. The temple’s exterior is covered in brilliant gold leaf, and it sits peacefully beside a reflective pond, surrounded by meticulously manicured trees and traditional Japanese gardens. The architecture is a striking example of Muromachi period design, characterized by harmony with nature, elegance, and a balanced blend of simplicity and grandeur. The top two floors of the pavilion are entirely gilded, and a golden phoenix perches atop the roof, symbolizing rebirth and immortality.
Historically, Kinkaku-ji was originally built in the 14th century as a retirement villa for the shogun Ashikaga Yoshimitsu, and later converted into a Zen Buddhist temple. The current structure is a post-war reconstruction from 1955, as the original was tragically burned down in 1950. Despite this, Kinkaku-ji remains one of Japan's most iconic and visited landmarks, representing not only Kyoto's rich feudal history but also the resilience of Japanese cultural preservation.
Geographically, Kyoto is nestled in a valley surrounded by mountains in the Kansai region of Japan. Once the imperial capital for over a millennium, the city is now a major cultural hub known for its temples, shrines, traditional tea houses, and seasonal beauty—especially during cherry blossom season and autumn foliage. Kyoto's climate, with its distinct seasons, enhances the scenic splendor of landmarks like Kinkaku-ji, making them feel different and magical in each part of the year.
Culturally and gastronomically, Kyoto is revered for its refined and elegant cuisine, known as kaiseki. This multi-course meal emphasizes seasonal ingredients and artistic presentation. Visitors to the area can also enjoy specialties such as yudofu (boiled tofu), matcha (green tea) from nearby Uji, and traditional sweets called wagashi. Kyoto’s food scene harmonizes beautifully with its temples and gardens, offering not just nourishment but a deep sensory connection to the land and its long-standing traditions.
20191003_RX_02218
Historium
Bruges, Belgium
04-20-26
The Historium is a tourist attraction in the Market Square of Bruges, located in a building that was originally constructed between 1910 and 1920. The buildings on this particular side of the Market Square were destroyed in an 1887 fire. While it looks like a medieval monument, it is a "Neo-Gothic" creation designed to harmonize with the Belfry and the Provincial Court.
This is my friend, the very gifted songwriter,
singer, producer, guitarist and photographer,
Noah Stone, who performed last night for a packed
house at the Hotel Cafe, one of my favorite clubs,
which is on Cahuenga in Hollywood.
I met Noah through my friend Nurit Wilde - both
are flickr friends and fine photographers.
Noah, who grew up in Joni Mitchell's house in
Laurel Canyon (after she moved out, I assume),
is a talented writer and performer. He did a great set
last night solo - and with a lovely singer who
harmonized on two songs. He played "Married
To A Mystery," "Paula," "Little Revolution" and other
songs that are all quite great.
He also had a nifty thing going where he would
trigger a sampler, and quickly and effortlessly, it
seemed, lay down vocal tracks, or a shaker or
guitar rhythm, and allow those to repeat, and then
sing and play over that. It's a techy kind of trick
that could be gimmicky if done poorly, but since he
did it so well and so fluidly it was musical and nice.
Reminded me of when Jaco used to do it on his
bass solos with Joni and with Weather Report many
moons ago.
I sat down right in front of the stage, and took many
photos, of which this is my first favorite.
La fachada del Obradoiro es un ejemplo del estilo barroco recargado y movido que se extiende durante el siglo XVIII, aunque los arquitectos lo intentan armonizar con el pórtico manteniendo la iluminación.
Adquiere importancia la idea de monumentalidad y grandiosidad como modo de atracción de los peregrinos.
The Obradoiro façade is an example of the ornate and busy baroque style that extended during the 18th century, although the architects tried to harmonize it with the portico while maintaining the lighting.
The idea of monumentality and grandiosity as a way of attracting pilgrims becomes important.
OLYMPUS DIGITAL CAMERA
the beautiful colors of a twig of hops I found, were the inspiration for this selfie portrait with a garland on my head. In real life I'm grey, but this brownish hair is harmonizing with the hops better
;-) :-)))
Intention: My intention with this photo was to demonstrate strong, dramatic mood through color, weather and light.
Reference to the Reading: David DuChemin talks about how strong color contrast introduces stronger visual mass to the contrasting element, pulling the eye with greater strength.
Outcome: I'd say this photo was a success. I had a few ideas of how to go about editing this photo but decided with a desaturated photo with a color grade added. I think this process really helped to create the mood I was looking for. I also really like how the composition shows almost a yin-yang of light, harmonizing and balancing the photo.
Edits: +Contrast, -Blacks, +Texture, +Clarity, -Vibrance, -Saturation, +Sharpen, +Noise Reduction, Color Grading for shadows/Midtones/Highlights, and +Vignette.
In the enchanting city of Porto, magnificent architecture gracefully ascends the hills that line the riverbanks, creating a breathtaking panorama that captivates the beholder. The picturesque scene unfolds with a harmonious blend of historic charm and contemporary design, as buildings of various epochs proudly showcase their unique styles.
Perched atop the hills, the architecture exudes a timeless elegance, reflecting the city's rich cultural heritage. Ornate facades adorned with intricate details stand alongside sleek, modern structures, forming a seamless tapestry that tells the story of Porto's architectural evolution. The warm hues of weathered stone and terracotta roofs harmonize with the vibrant greenery that surrounds, creating a visual symphony of colors against the backdrop of the flowing river.
Narrow, winding streets meander through the architectural ensemble, revealing hidden gems at every turn. Cobblestone pathways invite exploration, guiding visitors through a maze of historic buildings that seem to whisper tales of the city's past. As sunlight bathes the structures in a golden glow, the cityscape takes on a magical quality, inviting contemplation and admiration.
The river, a shimmering ribbon of life, weaves its way through the architectural masterpiece, adding a touch of serenity to the vibrant urban landscape. Bridges elegantly span the water, connecting the hills and inviting pedestrians to traverse between the different architectural realms. From the riverbanks, the cityscape rises majestically, creating an awe-inspiring sight that leaves an indelible mark on those fortunate enough to witness it.
In Porto, the marriage of nature and architecture is a testament to the city's ability to seamlessly blend the old and the new, creating a captivating tapestry that beckons travelers and locals alike to immerse themselves in the splendor of its riverside hills.
20220509_RX_00479_PORTO
The Miho Museum is a little gem nestled in the remote mountains of Kyoto, Japan. It houses Mihoko Koyama's private collection of Asian and Western antiques bought on the world market by the Shumei organisation in the years before the museum was opened in 1997. The design of the museum was done by the world renowned architect I. M. Pei, who came to call it “Shangri-la”, and who by the way just turned 100 this year.
Out of respect for nature, Pei built 80% of the museum below ground. While the silhouette of the roof has its origins in traditional Japanese architecture, which harmonizes beautifully with the surrounding landscape, the building’s contemporary glass structure allows a light-filled interior space. From the geometric design of its glass ceilings to its limestone walls (the same material used by Pei in the reception hall of the Louvre), the entire building welcomes its visitors as it enfolds rich visions in the splendor of natural light.
[Source: Wikipedia and Miho Museum Pamphlet]
♫♫ Orianthi - "Light It Up" - Official Music Video
♫♫
Skye's entry into “The Riot Girls” was purely serendipitous, a fortunate accident in the grand theater of virtual existence. Ronnie, a soul seeking refuge from the relentless cacophony of the outside world, found solace within the velvet embrace of the BlackHouse club. It was there, amidst the swirling digital smoke and pulsing rhythms, that fate orchestrated a chance encounter with Skye. Initially, their connection was a fragile seedling of friendship, tenderly nurtured by shared laughter and whispered confidences, prompting Ronnie to move to Skye's Sim, where she presided over a bustling rental enterprise, a vibrant tapestry woven with the threads of commerce and camaraderie. Their bond deepened over time, like roots intertwining beneath the soil, growing stronger with each passing season.
Skye's captivating conversational skills, a veritable symphony of wit and wisdom, instantly charmed Ambre, elevating her to the status of one of her dearest friends. Mornings often found Ambre and Skye entwined in animated discourse over steaming cups of coffee, their voices dancing through the air as they delved into the kaleidoscopic tapestry of diverse topics, exchanging tales of the vibrant happenings that painted the canvas of their SL life. Given Skye's undeniable passion for music Ronnie extended an invitation to join the band. Their collaboration proved to be a period of unparalleled joyous creativity, a symphony of collaboration where individual notes harmonized to create a masterpiece of collective expression.
Skye distinguished herself as a gifted rhythm guitarist, her fingers dancing across the fretboard with the grace of a seasoned maestro, her rhythmic precision and chordal command captivating audiences, weaving spells of sonic enchantment that left them breathless and yearning for more. Regrettably, as life's unrelenting demands tightened their grip, pulling Skye back to the mundane realities of the physical world, her participation in concerts became impossible, a bittersweet farewell to the stage that had so readily embraced her talent. However, Ronnie and Ambre will forever cherish the treasured memories of performing alongside their dear friend Skye, a radiant star, a constant reminder of the power of friendship, creativity, and the enduring magic of "The Riot Girls."
(To be continued)
Devoted to "the Riot Girls" Rock Band
Από τον Σεπτέμβριο του 2023 το Ζαγόρι ενεγράφη ως πολιτισμικό τοπίο στην παγκόσμια κληρονομιά της UNESCO.
From September 2023, Zagori was registered as a cultural landscape in the UNESCO world heritage.
My Board ”Balta di stringa” waterfalls on gettyimages
My board Zagori mountain on Getty Images
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Μπάλτα ντι στρίγκα
Ένας μέχρι πρό λίγων ετών άγνωστος για τους περισσοτέρους φυσικός θησαυρός της Ηπειρώτικης γής είναι οι εικονιζόμενοι καταρράκτες με το Βλάχικο όνομα Μπάλτα ντί στρίγκα ( η οβίρα=μικρή λίμνη της κραυγής) στο Ηλιοχώρι του κεντρικού Ζαγορίου.
Η ονομασία προέρχεται από έναν σχετικό μύθο για μιάν απελπισμένη ερωτικά κοπέλα η οποία εξ αιτίας του χωρισμού από τον καλό της αυτοκτόνησε στα νερά τους και από τότε ακούγονται οι κραυγές της.Στο να γίνει ο τόπος προσφάτως σχετικά,ευρύτερα γνωστός,αναμφιβόλως συνετέλεσε και η αναβάθμιση του μέχρι πρότινος δύσβατου μονοπατιού το οποίο οδηγούσε εκεί σε μια σύγχρονη και πλήρως εναρμονισμένη με το περιβάλλον ορεινή περιπατητική διαδρομή.
Το μονοπάτι διανοίχθηκε και σημάνθηκε άριστα σε,όλο το μήκος του,στρώθηκε επιμελώς με τα υλικά τα οποία βρίθουν στην περιοχή,πέτρα,χαλίκι και ξύλο με ξύλινα στηθαία όπου κρίθηκε απαραίτητο,δημιουργήθηκε χώρος προσωρινής στάσης για ανάπαυση με τρεχούμενο νερό,ακόμη και ένα εξαιρετικά καλαίσθητο ξύλινο γεφυράκιι χτίστηκε ώστε η πρόσβαση των πολλών πλέον καθημερινών επισκεπτών να γίνει όσο το δυνατόν πιο εύκολη γρήγορη και ασφαλής.
Η σύζυγος κι εγώ είχαμε την επιπλέον χαρά να μας καθοδηγήσει ο…αυτοδιορισθείς ξεναγός του χωριού ο εικονιζόμενος εκπληκτικός,καθαρόαιμος, Ελληνικός ποιμενικός ο οποίος ακούει στο όνομα….Νταβέλης :ο))) !!! προφανώς λόγω της γιγαντόσωμης διάπλασής του.
Μας….παρέλαβε από το πρώτο πλάτωμα του χωριού στην κορυφή ,μας…παρέδωσε στον προορισμό μας στα ριζά του βουνούκαι,αφού πρώτα πήρε και το αναζωογονητικό μπανάκι του στα παγωμένα νερά,αναχώρησε προς άγραν νέων….πελατών :ο))) !!!
Το (υπερ)θέαμα σου κόβει την ανάσα παρ’όλο που το επισκεφθήκαμε καλοκαίρι κατά την διάρκεια του οποίου η ροή των υδάτων δεν είναι τόσο εντυπωσιακή σε όγκο και δύναμη όπως τις άλλες εποχές-φθινόπωρο και χειμώνα κυρίως-διότι τα νερά προέρχονται αποκλειστικά από το λιώσιμο του χιονιού και είναι τόσο καθαρά ώστε μπορεί κανείς να πιεί άφοβα απ’αυτά!
Την ανάσα σου κόβει,όμως,κυριολεκτικά και η ανηφόρα της επιστροφής(καθώς τα περισσότερα από τα 1200 μέτρα της τα κάνεις σχεδόν….κάθετα προςτον ουρανό)ιδίως όταν είσαι φορτωμένος με φωτογραφικές «γκουμούτσες» σαν τις δικές μου και-κυρίως-με το…κοντέρ της ηλικίας να απέχει πλέον μόλις 4 γραμμές από τα 60!!!
Ευτυχώς περάσαμε με επιτυχία αυτό το λίγο βίαιο “τέστ κοπώσεως” και επιφυλασσόμεθα-πρώτα ο Θεός-για μιάν επόμενη σε προσφορότερη εποχή επίσκεψη.
Balta di striga
A until a few years unknown for most people natural treasure of Epirus earth are the released waterfalls with Vlachiko name Balta Di striga (the ovires = small lake scream) in Iliochori central Zagori.The name comes from a legend related to a desperate erotic girl which because of separation from her lover of suicide in their waters and then the screams heard.
To be the place recently regarding, widely known, undoubtedly contributed to the upgrading of previously inaccessible path that led there in a modern and fully harmonized with the environment ambulatory mountainous route.The path was drilled and labeled in excellent, full length, was covered thoroughly with the materials that abound in the area, stone, gravel and wood with wooden parapets where necessary, created a temporary staging area for rest with running water,even an extremely elegant wooden small bridge is built to access the many daily visitors become as easy fast and safe as possible.
My wife and I have the additional pleasure to guide us a depicted surprising, blooded, Greek shepherd who goes by the name ... .Ntavelis: o))) !!! apparently because of the giant physique.He took us the first plateau of the village at the top,... gave us our destination at the roots of the mountain and, after taking its refreshing banana into the icy waters,departed chasing... new clients : o))) !!!
The attraction is breathtaking although we visited summer during which the water flow is not as impressive in size and strength as the other seasons-autumn and winter-mainly because the waters come exclusively from melting snow and is so clean that you can drink without fear of them!
But breathtaking is, literally the acclivity of turn back too (as most of the 1200 meters of this acclivity is ... almostvertical to the sky), especially when you are laden with my heavy cameras -and mainly-by ... the speedometer of age to is now just 4 lines of 60 !!!
Luckily we passed successfully this little violent "stress-test" and we reserve first-God-for a next to a more appropriate time visit.
Explore #418
Red velvet sunset
Serenades earth and sky
An opera in red
Ribbons of color
Harmonize across sky
Red velvet sunset
xx Car xx
Le bâtiment Richard Meier, d'un blanc éclatant, se dresse au cœur de la nature environnante. Que les visiteurs se réjouissent : là où l'art et le nouveau bâtiment du musée s'harmonisent, ils seront les gagnants. Ici, pas de compétition pour occuper la vedette, mais un lieu empreint d'art, un lieu qui révèle sa vraie nature et offre un écrin aux œuvres de l'artiste-mécène du musée ainsi qu'à l'art contemporain.
« Mon architecture ouverte et transparente crée des transitions fluides entre l'intérieur et l'extérieur et reflète le même lien avec la nature que celui exprimé dans les œuvres de Hans Arp. »
En tant que l'un des plus grands architectes de musées internationaux, Richard Meier se réfère dans son architecture aux principes du modernisme classique, un style qui a connu son apogée au début du XXe siècle. Cette époque a également façonné l'œuvre du duo d'artistes Hans Arp et Sophie Taeuber-Arp. Le bâtiment de Meier est baigné de lumière et semble emmener les visiteurs hors de leur quotidien. Ici, les œuvres trouvent un espace propice à leur épanouissement.
The dazzling white Richard Meier Building stands out in the heart of the surrounding nature. Visitors can rejoice: wherever art and the new museum building harmonize, they will be the winners. Here, there's no competition for the spotlight, but a place imbued with art, a place that reveals its true nature and provides a showcase for the works of the museum's artist-patron as well as contemporary art.
"My open and transparent architecture creates seamless transitions between indoors and outdoors and reflects the same connection with nature expressed in the works of Hans Arp."
As one of the greatest international museum architects, Richard Meier refers in his architecture to the principles of classical modernism, a style that reached its peak in the early 20th century. This era also shaped the work of the artist duo Hans Arp and Sophie Taeuber-Arp. Meier's building is bathed in light and seems to transport visitors away from their everyday lives. Here, the works find a space conducive to their development.
Shruti - she would prefer to listen and think
in different directions rather than in oppositions,
to meet the full circle of her portrait.
she would not be imposed upon
but chivy her way out of one who chivies her.
her good vibes weave her porous boundaries
textured between her inside and out
to find beautiful ways for us.
as the willy whale dives and disappears
before the final sunset, the sun down several times
horizon shaped, waves movement in foreground;
a constant oscillation between
the grasping of meaning and its loss,
nothing is lost; everything belongs.
the sun sets and the music just expands...
each sun-set matures - impressions of the moment
be that as it may be a temporal horizon
the estimated temporal horizon of its effect
was not meant to be limited to that moment.
wavy unruly curls; not fickle minded she is.
between the waves of our mind, we meet her
to find an unexpected conjuration.
therein lies hidden promise in her portrait
layered in a particular relation
between space and time
and suddenly the light enough the sight
life through the eyes of a beautiful dream
certain ghost suddenly being out of that time
hovering in these spaces infinite,
we end up going in circles of 8-fold skies.
in the final frontier, after scaling all the heights
won one but none in a galaxy of stories.
then, we cannot hide our gravity of mistakes.
how come you can't fly anymore?
where you gonna hide this time
we are all passengers on the same ship.
hesitant, we all returned to our bubbles
broom broom, abrasive forces back in the game.
tangles a series of beseeching questions;
struck on the breastbone? the bare soul.
opposite waves shaping presence-absence
contrary dimensions of lived experience.
portrait takes shape in the constant abrasion
of the relationships of our estimated horizons
respectful approach to an ocean of materials
some thoughts, just a bud. others in full bloom.
'here', upon this bank and shoal of time.
she retains an unfinished magic
that retains pure possibility of beauty
and ocean-full promise to be unfolded in time.
spaciousness offered to inner experience
harmonizing energy flows unhindered.
the smoke knows if there is wind
flashes of emotional vulnerability in honesty
she shines and vibrates with authenticity;
buffered. each breath, fiercely, gracefully...
back to the epigraph of her Nazakat
to photograph her best is to see the familiar
breeze through the liminal moments
and respirate the immortal fragrance
“We don't get harmony when everybody sings the same note. Only notes that are different can harmonize. The same is true with people.” ― Steve Goodier
Model & Photographer: Giselle Chauveau
Created for DUC25 ~ September Challenge
Thanks to Bodrins for starter image.
All work completed in Photoshop Beta 2025
BEST VIEWED LARGE
Le grand-orgue de Saint-Bénigne
Les premiers orgues de l'église se trouvaient sur le jubé. En 1740, les moines bénédictins décident d'installer un orgue dans la nef ; ils firent donc construire une tribune (on en voit la partie supérieure dans la photo ci-dessus : un bas-relief du roi David jouant de la harpe à gauche, sainte Cécile à droite). Simultanément, la construction de l'orgue est confiée, en 1740, au facteur Karl-Joseph Riepp (1710-1775) et à son frère Rupert. Le tout sera mis en valeur par un somptueux buffet commandé aux menuisiers et sculpteurs dijonnais Edme et Guillaume Marlet. Les cariatides (ou atlantes), les panneaux ornés d'attributs musicaux, les angelots qui dansent, les anges qui soufflent dans les trompettes, associés à des dimensions plus que respectables donnent à ce meuble en chêne, de style Louis XV, une stature et une vigueur que l'on voit rarement dans une église. À sa création, c'était l'instrument le plus imposant que l'on pouvait admirer en province.
En 1788, les goûts musicaux avaient changé. On modifia donc l'orgue. La tâche fut confiée à Jean Richard de Troyes. Vint la Révolution et ses exigences ubuesques :
les patriotes de la section de Saint-Philibert exigèrent le métal de l'instrument (sans doute pour le fondre). Dominique Parin, titulaire de l'instrument, réussit à le sauver en s'engageant à jouer des airs patriotiques pour le peuple.
La tourmente une fois passée, c'est en 1846-47 qu'eut lieu la première restauration du XIXe siècle. L'orgue est transformé en instrument romantique. En 1860, avec Joseph Merklin, l'aspect symphonique est accentué. Enfin, en 1953, c'est la maison Roethinger de Strasbourg qui harmonise le grand-orgue de Saint-Bénigne dans le style néo-classique. Marcel Dupré inaugure le nouvel instrument en 1955. En 1987, une nouvelle reconstruction de l'orgue est confiée au facteur allemand Gerhard Schmid de Kaufbeuren. Il aura désormais 6000 tuyaux, 73 jeux et cinq claviers. L'inauguration a lieu en mars 1996.
Si vous n'avez pas l'habitude d'entrer dans une église, faites une exception pour Saint-Bénigne à Dijon, rien que pour admirer cet orgue imposant.
Source : «Cathédrale Saint-Bénigne de Dijon» édité par la paroisse Saint-Bénigne.
www.patrimoine-histoire.fr/Patrimoine/Dijon/Dijon-Saint-B...
_____________________________________
The great organ of Saint-Bénigne
The first church organs were on the rood screen. In 1740 the Benedictine monks decided to install an organ in the nave; therefore they did build a platform (we see the top in the picture above: a bas-relief of King David playing the harp left, St. Cecilia right). Simultaneously, the construction of the organ is entrusted in 1740 to the factor Riepp Karl-Joseph (1710-1775) and his brother Rupert. This will be enhanced by a sumptuous buffet commanded the carpenters and sculptors Edme and William Marlet. The caryatids (or Atlantis), panels decorated with musical attributes, dancing cherubs, angels blowing trumpets in, associated with more than respectable dimensions give this oak cabinet, Louis XV style, stature and a force that is rarely seen in a church. At its inception, it was the largest instrument that could be seen in the provinces.
In 1788 musical tastes had changed. So we changed the organ. The task was entrusted to Jean Richard de Troyes. Then came the Revolution and its grotesque requirements:
Patriots section of Saint-Philibert demanded the metal of the instrument (probably to melt). Dominique Parin, instrument holder, managed to save it by committing to play patriotic songs for the people.
Once the storm passed, from 1846 to 1847 took place the first restoration of the nineteenth century. The organ is transformed into romantic instrument. In 1860, with Joseph Merklin, symphonic aspect is accentuated. Finally, in 1953, it is the house of Strasbourg Roethinger harmonizing the great organ of Saint-Bénigne in the neoclassical style. Marcel Dupré inaugurated the new instrument in 1955. In 1987, a new reconstruction of the organ is assigned to the German Gerhard Schmid factor of Kaufbeuren. He will now have 6,000 pipes, 73 games and five keyboards. The inauguration took place in March 1996.
If you do not have the habit of entering a church, made an exception for Saint-Bénigne in Dijon, just to admire this impressive organ.
From: "Cathédrale Saint-Bénigne de Dijon" published by the Saint-Bénigne church.
Translated from:
www.patrimoine-histoire.fr/Patrimoine/Dijon/Dijon-Saint-B...
I guess I'm trying to collect them all, leading here, at night beneath the siggies at 506. So far, so good. I'm sure the clock will soon be ticking on this last multi-track Pennsy signal bridge near the city. This is WBD NS 21Z-12 at CP506, Whiting Indiana with some harmonizing greens to complete the scene.
Από τον Σεπτέμβριο του 2023 το Ζαγόρι ενεγράφη ως πολιτισμικό τοπίο στην παγκόσμια κληρονομιά της UNESCO.
From September 2023, Zagori was registered as a cultural landscape in the UNESCO world heritage.
My Board ”Balta di stringa” waterfalls on gettyimages
My board Zagori mountain on Getty Images
My photos for sale on getty images
My blog Λογεικών Logikon
Μπάλτα ντι στρίγκα
Ένας μέχρι πρό λίγων ετών άγνωστος για τους περισσοτέρους φυσικός θησαυρός της Ηπειρώτικης γής είναι οι εικονιζόμενοι καταρράκτες με το Βλάχικο όνομα Μπάλτα ντί στρίγκα ( η οβίρα=μικρή λίμνη της κραυγής) στο Ηλιοχώρι του κεντρικού Ζαγορίου.
Η ονομασία προέρχεται από έναν σχετικό μύθο για μιάν απελπισμένη ερωτικά κοπέλα η οποία εξ αιτίας του χωρισμού από τον καλό της αυτοκτόνησε στα νερά τους και από τότε ακούγονται οι κραυγές της.Στο να γίνει ο τόπος προσφάτως σχετικά,ευρύτερα γνωστός,αναμφιβόλως συνετέλεσε και η αναβάθμιση του μέχρι πρότινος δύσβατου μονοπατιού το οποίο οδηγούσε εκεί σε μια σύγχρονη και πλήρως εναρμονισμένη με το περιβάλλον ορεινή περιπατητική διαδρομή.
Το μονοπάτι διανοίχθηκε και σημάνθηκε άριστα σε,όλο το μήκος του,στρώθηκε επιμελώς με τα υλικά τα οποία βρίθουν στην περιοχή,πέτρα,χαλίκι και ξύλο με ξύλινα στηθαία όπου κρίθηκε απαραίτητο,δημιουργήθηκε χώρος προσωρινής στάσης για ανάπαυση με τρεχούμενο νερό,ακόμη και ένα εξαιρετικά καλαίσθητο ξύλινο γεφυράκιι χτίστηκε ώστε η πρόσβαση των πολλών πλέον καθημερινών επισκεπτών να γίνει όσο το δυνατόν πιο εύκολη γρήγορη και ασφαλής.
Η σύζυγος κι εγώ είχαμε την επιπλέον χαρά να μας καθοδηγήσει ο…αυτοδιορισθείς ξεναγός του χωριού ο εικονιζόμενος εκπληκτικός,καθαρόαιμος, Ελληνικός ποιμενικός ο οποίος ακούει στο όνομα….Νταβέλης :ο))) !!! προφανώς λόγω της γιγαντόσωμης διάπλασής του.
Μας….παρέλαβε από το πρώτο πλάτωμα του χωριού στην κορυφή ,μας…παρέδωσε στον προορισμό μας στα ριζά του βουνούκαι,αφού πρώτα πήρε και το αναζωογονητικό μπανάκι του στα παγωμένα νερά,αναχώρησε προς άγραν νέων….πελατών :ο))) !!!
Το (υπερ)θέαμα σου κόβει την ανάσα παρ’όλο που το επισκεφθήκαμε καλοκαίρι κατά την διάρκεια του οποίου η ροή των υδάτων δεν είναι τόσο εντυπωσιακή σε όγκο και δύναμη όπως τις άλλες εποχές-φθινόπωρο και χειμώνα κυρίως-διότι τα νερά προέρχονται αποκλειστικά από το λιώσιμο του χιονιού και είναι τόσο καθαρά ώστε μπορεί κανείς να πιεί άφοβα απ’αυτά!
Την ανάσα σου κόβει,όμως,κυριολεκτικά και η ανηφόρα της επιστροφής(καθώς τα περισσότερα από τα 1200 μέτρα της τα κάνεις σχεδόν….κάθετα με τον ουρανό)ιδίως όταν είσαι φορτωμένος με φωτογραφικές «γκουμούτσες» σαν τις δικές μου και-κυρίως-με το…κοντέρ της ηλικίας να απέχει πλέον μόλις 4 γραμμές από τα 60!!!
Ευτυχώς περάσαμε με επιτυχία αυτό το λίγο βίαιο “τέστ κοπώσεως” και επιφυλασσόμεθα-πρώτα ο Θεός-για μιάν επόμενη σε προσφορότερη εποχή επίσκεψη.
Balta di striga
A until a few years unknown for most people natural treasure of Epirus earth are the released waterfalls with Vlachiko name Balta Di striga (the ovires = small lake scream) in Iliochori central Zagori.The name comes from a legend related to a desperate erotic girl which because of separation from her lover of suicide in their waters and then the screams heard.
To be the place recently regarding, widely known, undoubtedly contributed to the upgrading of previously inaccessible path that led there in a modern and fully harmonized with the environment ambulatory mountainous route.The path was drilled and labeled in excellent, full length, was covered thoroughly with the materials that abound in the area, stone, gravel and wood with wooden parapets where necessary, created a temporary staging area for rest with running water,even an extremely elegant wooden small bridge is built to access the many daily visitors become as easy fast and safe as possible.
My wife and I have the additional pleasure to guide us a depicted surprising, blooded, Greek shepherd who goes by the name ... .Ntavelis: o))) !!! apparently because of the giant physique.He took us the first plateau of the village at the top,... gave us our destination at the roots of the mountain and, after taking its refreshing banana into the icy waters,departed chasing... new clients : o))) !!!
The attraction is breathtaking although we visited summer during which the water flow is not as impressive in size and strength as the other seasons-autumn and winter-mainly because the waters come exclusively from melting snow and is so clean that you can drink without fear of them!
But breathtaking is, literally the acclivity of turn back too (as most of the 1200 meters of this acclivity is ... almostvertical to the sky), especially when you are laden with my heavy cameras -and mainly-by ... the speedometer of age to is now just 4 lines of 60 !!!
Luckily we passed successfully this little violent "stress-test" and we reserve first-God-for a next to a more appropriate time visit.
The Bremen Parliament building, the *Bremische Bürgerschaft*, stands with quiet dignity on the market square, its modern lines contrasting yet harmonizing with the city’s historic heart. It feels like a house of voices — where the spirit of Bremen’s citizens and centuries of democracy still echo through its glass and stone......
HI!♥
I created these lovely Lotus Flower this have been highly request from some of you , i hope these suit your visions and can harmonized your homes or Garden. This will be Avilable at
FaMEShed September 1st.
maps.secondlife.com/secondlife/FaMESHed/158/158/22
Thank you everyone :)♥
I come from a very musical family. When my sister and I were kids, we used to delight in harmonizing with our dad (mom played the piano), especially with rounds. "Row, Row, Row Your Boat" can be sung as a 3-part round by itself but it's especially fun when sung simultaneously with "Three Blind Mice" and "Frère Jacques." Try it some time :-)!
Created for the Artistic Manipulation Group's MIXMASTER CHALLENGE #59.
CHEF PaulO Classic is sending us back to our childhoods!
➤ Build your image around one of the main characters (or objects, as the case may be) of your favorite children’s story or nursery rhyme.
➤ You must use a square format.
➤ Include relevant text in your image. It may be the title and/or any other text that reflects the story.
➤ Use a paper texture prominently in your composition.
➤ NO BIRDS IN FLIGHT.
Credits: background scene via Pixabay; boy, boat, and scroll via PixelSquid; squirrel is mine.
Here's the next interlude between my Scotland Series. Last weekend I've been out shooting again. I went to the Alps with my flickr buddy Andy, an awesome trip. Friday after work we directly hit the autobahn heading to the Karwendel region which I by now know quite well. Next morning we were served this sweet light at lake Gerold, really a great start into the day. This is one of the last shots were I wanted to include those beautiful grasses in a way to harmonize with the rest of the shot. The mist on the lake was great that morning, not to much but enough to create some nice mood.
Later we went into the Stubai valley in austria for some hike into the mountains where we went shooting waterfalls and obviously mountains. We made nearly 3000ft elevation, slept up on the mountain in the Sulzenauf Hütte and rose 4am for a short hike to a mountain lake.. but that's a story I'll tell you together with some photos next time.
I used a lee 0.6 soft GND + My Hoya Polarizer turned for max reflection here. I also used a new sharpening technique which mixes my old one with the Marc Adamus technique in different strengths, all masked together trying to look good
cheers
PS: I just got published in a major german photomagazine, DigitalPHOTO, were my photos and some tips on Landscape photography are spread over full 8 pages. So if you life in Germany you might want to take a look ;-)