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Beyond exited to Show you Noni. This Wedding Collections is by hand one of Most Flowery details i created so far. This Collections offer a Set of Flowers Bouquet bento . A range of Colorful Cakes & Fulbright Wall Candle decor to harmonized any Decorations . This set is going to be featured FaMESHed August 1th. I hope you like this collections iv made for you ♥♥♥
Excerpt from historicplaces.ca:
Description of Historic Place
The Navy Hall stands alone in a carefully manicured park setting just below Fort George National Historic Site. Designed with clear, clean lines, it is a low, rectangular, stone-clad structure with a hipped-roof clad in copper, and with a symmetrical organization of its windows and entry points. The designation is confined to the footprint of the building.
Heritage Value
The Navy Hall is a Recognized Federal Heritage Building because of its historical associations, and its architectural and environmental values.
Historical Value:
The Navy Hall is a very good example of a building associated with the beginnings of the heritage movement in the first half of the 20th century. It illustrates changing approaches to the management of important historic buildings over time. In particular, it illustrates the role of aesthetics in conservation in the 1930s. Originally a commissariat storehouse, regular troops, the militia and also the Boy Scouts used the building, built in 1815. In the 1930s, the building was taken over by the Niagara Parks Commission.
Architectural Value:
The Navy Hall is valued for its good aesthetic design. The exterior fabric of the structure, the stone cladding, the copper clad roof, and the enhanced symmetry of the fenestration are features of the 1930s intervention. These features, clearly of a later era and philosophy, reflect the classical revival tastes of the period and the design idiom of the Niagara Parks Commission. Good functional design is evidenced in the placement of doors and windows, and in the spatial arrangement and planning of the interior.
Environmental Value:
The Navy Hall reinforces the landscaped parkway that runs along the Niagara lakefront and is a familiar landmark to residents and to visitors.
Character-Defining Elements
The character-defining elements of the Navy Hall should be respected.
Its good aesthetic, good functional design and good quality materials and craftsmanship, for example:
-the simple, rectangular massing.
-the low-pitched hipped roof, the copper roof cladding, and the symmetrically placed chimneys.
-the stone cladding of the exterior walls, the small multi-paned windows and large entrances.
-the interior spatial arrangement of the principal rooms.
The manner in which the Navy Hall reinforces the landscaped setting and is a familiar landmark, as evidenced by:
-its simple design and materials that harmonize with the landscaped parkway consisting of well-maintained lawns and walks, all introduced as part of the Niagara Park Commission’s parkway landscaping in the 1930s.
-its visibility and recognition by those frequenting the parkway and the National Historic Site.
Magnetite for Smile on Saturday
It is one of just a few minerals that are attracted to a common magnet. It is a black, opaque, submetallic to metallic mineral with a Mohs hardness between 5 and 6.5. It is often found in the form of isometric crystals. It is the most strongly magnetic mineral found in nature.
Not good IN our body, but useful on the skin for harmonizing, balancing, pain relief ...
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PS: Mi scuso con gli amici e i visitatori, ma sono costretta a venirvi a trovare solo un po' per volta ...
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Sorry, to me is very difficult to visit people that always only leave a fav without commenting...
Do not use any of my images on websites, blogs or other media without my explicit written permission.
All rights reserved - Copyright © fotomie2009 - Nora Caracci
My late parents used to sing this song while Dad strummed his guitar when I was a child. They would harmonize their voices and it sounded so beautiful to me. They met in high school and were lifelong soulmates.
"Down by the Old Mill Stream
where I first met you
With your eyes of blue, dressed in gingham too
It was there I knew that you loved me true
You were sixteen, My village queen,
By the Old Mill Stream"
Excerpt from historicplaces.ca:
Description of Historic Place
The Navy Hall stands alone in a carefully manicured park setting just below Fort George National Historic Site. Designed with clear, clean lines, it is a low, rectangular, stone-clad structure with a hipped-roof clad in copper, and with a symmetrical organization of its windows and entry points. The designation is confined to the footprint of the building.
Heritage Value
The Navy Hall is a Recognized Federal Heritage Building because of its historical associations, and its architectural and environmental values.
Historical Value:
The Navy Hall is a very good example of a building associated with the beginnings of the heritage movement in the first half of the 20th century. It illustrates changing approaches to the management of important historic buildings over time. In particular, it illustrates the role of aesthetics in conservation in the 1930s. Originally a commissariat storehouse, regular troops, the militia and also the Boy Scouts used the building, built in 1815. In the 1930s, the building was taken over by the Niagara Parks Commission.
Architectural Value:
The Navy Hall is valued for its good aesthetic design. The exterior fabric of the structure, the stone cladding, the copper clad roof, and the enhanced symmetry of the fenestration are features of the 1930s intervention. These features, clearly of a later era and philosophy, reflect the classical revival tastes of the period and the design idiom of the Niagara Parks Commission. Good functional design is evidenced in the placement of doors and windows, and in the spatial arrangement and planning of the interior.
Environmental Value:
The Navy Hall reinforces the landscaped parkway that runs along the Niagara lakefront and is a familiar landmark to residents and to visitors.
Character-Defining Elements
The character-defining elements of the Navy Hall should be respected.
Its good aesthetic, good functional design and good quality materials and craftsmanship, for example:
-the simple, rectangular massing.
-the low-pitched hipped roof, the copper roof cladding, and the symmetrically placed chimneys.
-the stone cladding of the exterior walls, the small multi-paned windows and large entrances.
-the interior spatial arrangement of the principal rooms.
The manner in which the Navy Hall reinforces the landscaped setting and is a familiar landmark, as evidenced by:
-its simple design and materials that harmonize with the landscaped parkway consisting of well-maintained lawns and walks, all introduced as part of the Niagara Park Commission’s parkway landscaping in the 1930s.
-its visibility and recognition by those frequenting the parkway and the National Historic Site.
Le bâtiment Richard Meier, d'un blanc éclatant, se dresse au cœur de la nature environnante. Que les visiteurs se réjouissent : là où l'art et le nouveau bâtiment du musée s'harmonisent, ils seront les gagnants. Ici, pas de compétition pour occuper la vedette, mais un lieu empreint d'art, un lieu qui révèle sa vraie nature et offre un écrin aux œuvres de l'artiste-mécène du musée ainsi qu'à l'art contemporain.
« Mon architecture ouverte et transparente crée des transitions fluides entre l'intérieur et l'extérieur et reflète le même lien avec la nature que celui exprimé dans les œuvres de Hans Arp. »
En tant que l'un des plus grands architectes de musées internationaux, Richard Meier se réfère dans son architecture aux principes du modernisme classique, un style qui a connu son apogée au début du XXe siècle. Cette époque a également façonné l'œuvre du duo d'artistes Hans Arp et Sophie Taeuber-Arp. Le bâtiment de Meier est baigné de lumière et semble emmener les visiteurs hors de leur quotidien. Ici, les œuvres trouvent un espace propice à leur épanouissement.
The dazzling white Richard Meier Building stands out in the heart of the surrounding nature. Visitors can rejoice: wherever art and the new museum building harmonize, they will be the winners. Here, there's no competition for the spotlight, but a place imbued with art, a place that reveals its true nature and provides a showcase for the works of the museum's artist-patron as well as contemporary art.
"My open and transparent architecture creates seamless transitions between indoors and outdoors and reflects the same connection with nature expressed in the works of Hans Arp."
As one of the greatest international museum architects, Richard Meier refers in his architecture to the principles of classical modernism, a style that reached its peak in the early 20th century. This era also shaped the work of the artist duo Hans Arp and Sophie Taeuber-Arp. Meier's building is bathed in light and seems to transport visitors away from their everyday lives. Here, the works find a space conducive to their development.
Lungta (Windhorse) are prayer flags made in five cardinal
colours of yellow, green, red, white and blue, symbolizing the
five elements of earth, water, fire, air and earth respectively.
The silent prayers are blessings spoken on the breath of nature. Just as a drop of water can permeate the ocean,
prayers dissolved in the wind extend to fill all of space, quietly harmonizes the environment.
Outer Level: Mythical Creature
On the outer level, the lungta is a mythical Tibetan creature from pre-Buddhist times that combines the speed of the wind and the strength of the horse to carry prayers from earth to the heavens.
Inner Level: Positive Qualities
Lungta is associated with positive energy or ‘life force’ and with ‘good luck’. It is both the subduer of evil and the vehicle of enlightenment.
The lungta symbol is often depicted on prayer flags, which are flown to generate merit and increase one's life force. Lungta prayer flags typically display a tiger, a snow lion, a garuda, and a dragon, (the four dignities) with a lungta in the center. Certain lungta prayers also refer to these four symbols.
The tiger, snow lion, garuda, and dragon are ancient symbols of the qualities of lungta that originate with pre-Buddhist Tibetan and Chinese astrological traditions. Generally, they symbolize the fearlessness and resilience of lungta. (See Shambhala: The Path of the Warrior.)
A stone train from Hanson quarry in Jamesville crawls up the grade at Onativia on 22 August 1998. With Lenny at the throttle, the two big Alco products - ex-CP M636 No. 4743, leased from GVT, and NYSW's own C430 No. 3006, make an impressive sound as they harmonize in Run 8 with their heavy loads.
🌸 Phoebe Outfit by adorsy 🌸
Step into the spotlight with the Phoebe Outfit by adorsy — a spirited ensemble that plays on contrasts: cheeky and sweet, polished and daring, girlish charm with a whisper of rebellion. Phoebe isn’t just an outfit; it’s an attitude that turns an ordinary day into a playful story.
✨ Styling & Cut ✨
The look begins with a daring cropped bra, its slender straps crisscrossing the torso with sultry precision. Draped over is a teasing, off-the-shoulder top that softens the lines, letting the bra peek through just enough to hint at mischief. Below, wide-legged pants flow with ease — a flattering cut that elongates the silhouette while giving freedom to move and play. Whether in classic denims or bold, whimsical patterns, they exude confidence and fun. Completing the set, casual sneakers provide that finishing touch, either harmonizing with subtle tones or popping with bold color.
🌟 Historical Influences 🌟
Phoebe draws inspiration from two unforgettable eras: the 1970s and the early 2000s. The wide-leg trousers echo the disco age, reminiscent of Cher’s stage-defining glamour and Bianca Jagger’s legendary Studio 54 looks, where length and flow embodied freedom and allure. The cropped, strappy top channels the playful daring of Y2K fashion icons like Britney Spears and Christina Aguilera, who made bold layering and peek-a-boo styling the heartbeat of a generation. Together, Phoebe fuses these influences into a look that feels both nostalgic and unmistakably modern.
🎨 HUD Options 🎨
Phoebe’s versatility shines through its expansive HUD system:
* Top & Bra: 55 shades, from candy brights to seductive darks.
* Pants: 35 denim washes plus 55 vibrant graphic and bold fabric options.
* Shoes: 45 polished hues, letting you mix, match, or contrast as the mood strikes.
💃 Compatible Mesh Bodies 💃
Tailored to flatter perfectly on the most popular mesh bodies:
* LaraX / PetiteX
* Legacy
* Reborn
* Waifu
Phoebe isn’t grunge, nor is it prim. It’s smart streetwear with a flirtatious edge — the kind of outfit that makes you smile at your reflection and tempts you to stay out just a little longer. Fresh, cheeky, and unapologetically stylish, Phoebe lets you wear your personality in every thread.
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💋 Slip into Phoebe, channel your inner diva, and let the night wonder who’s following your lead.
Is not this a true autumn day? Just the still melancholy that I love—that makes life and nature harmonize."
~George Elliot~
photo rights reserved by Ben
The stone sculptures in Sno, a small village in the Kazbegi region of Georgia, are part of a remarkable art project in the Caucasus. These sculptures consist of impressive stone artworks depicting giant faces, often with a melancholic or mysterious expression. They were created by local artist Merab Piranishvili, who is renowned for his unique ability to bring faces and emotions to life in natural stone. Working primarily with local stones, he carves expressive facial features that tell stories about life, the soul, and the deep connection with nature. The sculptures symbolize the ancient wisdom of the mountain dwellers and the spirit of the past. The faces sometimes appear sad or contemplative, reflecting both the challenges and the beauty of life in the Caucasus. Fully integrated into the surrounding landscape, the sculptures stand among the mountains, hills, and rugged grasslands, blending seamlessly with their natural environment. This is what makes Piranishvili’s work so unique: he respects the natural shapes of the stones and subtly adds human characteristics without compromising their raw, natural beauty. Piranishvili often works directly in the field, selecting local stones and carving them with a hammer and chisel. He carefully considers the natural form of each stone, adapting his designs to create a result that looks organic and harmonizes with the surrounding environment.
Sno is located near the breathtaking Stepantsminda area and the imposing Mount Kazbegi. The stone sculptures are a hidden gem in this region, attracting an increasing number of art enthusiasts and travelers. The site exudes a serene, almost meditative atmosphere—perfect for those seeking something unique off the beaten path. If you ever find yourself near Kazbegi, these sculptures are well worth a visit. They offer a truly unique experience where art and nature come together in perfect harmony.
De stenen sculpturen in Sno, een klein dorpje in de Kazbegi-regio van Georgië, maken deel uit van een bijzonder kunstproject in de Kaukasus. De sculpturen bestaan uit indrukwekkende stenen kunstwerken van gigantische gezichten, die vaak een melancholische of mysterieuze uitstraling hebben. Ze zijn gecreëerd door de lokale kunstenaar Merab Piranishvili, die bekendstaat om zijn unieke vaardigheid om gezichten en emoties tot leven te brengen in natuursteen. Hij werkt voornamelijk met lokale stenen en geeft ze expressieve gezichtsuitdrukkingen die verhalen vertellen over het leven, de ziel en de diepe verbondenheid met de natuur. De sculpturen symboliseren de oude wijsheid van de bergbewoners en de geest van het verleden. De gezichten tonen soms een droevige of reflectieve uitdrukking, wat de uitdagingen én de schoonheid van het leven in de Kaukasus weerspiegelt. De beelden zijn volledig geïntegreerd in het omringende landschap: ze staan tussen de bergen, heuvels en het ruige grasland, waardoor ze naadloos opgaan in hun natuurlijke omgeving. Dit maakt het werk van Piranishvili zo uniek: hij respecteert de oorspronkelijke vormen van de stenen en voegt subtiel menselijke kenmerken toe, zonder hun ruwe, natuurlijke schoonheid aan te tasten. Sno ligt vlakbij het adembenemende berggebied Stepantsminda en de imposante Kazbegi-berg. De stenen sculpturen zijn een verborgen juweel in deze regio en trekken steeds meer kunstliefhebbers en reizigers aan. De plek straalt een rustige, bijna meditatieve sfeer uit, ideaal voor wie op zoek is naar iets unieks buiten de gebaande paden. Piranishvili werkt meestal direct in het veld, waarbij hij natuursteen uit de regio selecteert en met hamer en beitel bewerkt. Hij houdt rekening met de oorspronkelijke vormen van de steen en past zijn ontwerpen hierop aan, zodat het eindresultaat natuurlijk oogt en harmonieert met de omgeving. Als je ooit in de buurt van Kazbegi bent, mag je deze sculpturen zeker niet missen. Ze bieden een bijzondere ervaring waarin kunst en natuur op een unieke manier samensmelten!
ANSH 121 # 14 "Harmony of colors"
123 Pictures in 2023 #12 "Biscuits (Cookies)
These are some shortbread Valentines Day cookies I got at the grocery store (made in the store's main bakery in San Antonio). The pink icing harmonizes with the red and white winter motif of the plate (actually a Christmas snack plate we've had for years).
Interesting Fact: The Brown Thrasher can sing “internal duets” with itself. In the final trilling phrase of its three-part song, it sings pairs of notes simultaneously, one in each branch of its voice box. The two parts harmonize with each other.
Modern architecture captivates with its sleek lines, innovative materials, and minimalist designs, harmonizing form and function.
It emphasizes open spaces, natural light, and sustainable practices, creating elegant structures that blend seamlessly with their surroundings while pushing creative boundaries.
In the past few days, an intriguing idea struck me. What if each week I came up with a different theme? This notion seemed both exciting and promising, offering a fresh perspective and a constant source of novelty. I imagined diving into a new world every seven days, exploring diverse themes.
Seen while walking in our Botanic Gardens which are full of azaleas flowering. I guess the guy in the red skirt was harmonizing with the colours? Maybe?? Or maybe red and blue can hold hands in NZ?
Is not this a true autumn day? Just the still melancholy that I love — that makes life and nature harmonize. The birds are consulting about their migrations, the trees are putting on the hectic or the pallid hues of decay, and begin to strew the ground, that one’s very footsteps may not disturb the repose of earth and air, while they give us a scent that is a pefect anodyne to the restless spirit. Delicious autumn! My very soul is wedded to it, and if I were a bird I would fly about the earth seeking the successive autumns. ~George Eliot, letter to Miss Lewis, 1st October 1841
Conditions de prises de vues très diificiles dans cette cathédrale, peu de lumière.
L’orgue de la cathédrale Saint-Bertrand de Comminges possède l’un des plus beaux buffets Renaissance conservé à ce jour et classé Monument Historique depuis 1840. Commandé par Jean de Mauléon, évêque du Comminges, il fut réalisé après l’achèvement des stalles du chœur en 1551.
Comme les stalles, ce buffet serait l’œuvre de Nicolas Bachelier, architecte et sculpteur français (1487 – 1556) à qui l’on doit, entre autre, le célèbre Hôtel d’Assézat à Toulouse.
Le nom du facteur et la composition d’origine de l’instrument nous sont inconnus. Il subira de nombreux avatars au cours des siècles et, en 1793, les tuyaux de montre seront fondus et l’instrument abandonné.
De l’instrument Renaissance enfermé dans ce buffet, il ne reste rien. Pour imaginer en quoi pouvait consister l’instrument commandé par Jean de Mauléon, évêque du Comminges, on en est réduit à formuler des hypothèses, en se référant d’une part à la composition connue d’orgues de cette époque, à la structure du buffet, et d’autre part, à la littérature pour clavier éditée autour des années 1550. Les parties les plus anciennes (2 sommiers de grand orgue de 48 notes et deux petits sommiers de pédale, plus quelques jeux anciens, bourdons et flûtes) remontent aux XVIIe et XVIIIe siècles.
Bernard Raupp, facteur d’orgues à Mirande, a retrouvé des dessins sur des soupapes des sommiers de grand orgue, qui peuvent être attribués à Jean-François Lépine. Le reste résulte des reconstructions successives menées au cours des siècles suivants.
En 1896, les frères Magen reconstruisent l’orgue et livrent un instrument à 2 claviers et pédale.
En 1970, Robert Chauvin restaure les sommiers du Grand Orgue, puis sous la direction de Pierre Lacroix, la reconstruction de l’instrument actuel est confiée à Jean-Pierre Swiderski et réalisée en plusieurs tranches, de 1975 à 1981. À l’exception de 218 tuyaux du XVIIe siècle et de 243 tuyaux de Magen, la tuyauterie est entièrement neuve. Réalisée à la demande, elle a été harmonisée par Jean-Pierre Swiderski pour les jeux de fonds et Georges Lhôte pour les jeux d’anches. L’instrument conserve encore deux sommiers de 14 jeux au Grand Orgue et deux sommiers 4 jeux à la pédale remontant au XVIIe siècle.
Depuis 1974, la commune de Saint-Bertrand-de-Comminges, propriétaire, a délégué ses pouvoirs à l’Association des Amis de l’Orgue de Saint-Bertrand-de-Comminges, en vue de la restauration et de l’entretien de l’instrument.
Very difficult shooting conditions in this cathedral, little light.
The organ of the Saint-Bertrand de Comminges cathedral has one of the most beautiful Renaissance cases preserved to date and classified as a Historic Monument since 1840. Commissioned by Jean de Mauléon, bishop of Comminges, it was made after the completion of the stalls of the choir in 1551.
Like the stalls, this buffet would be the work of Nicolas Bachelier, French architect and sculptor (1487 – 1556) to whom we owe, among other things, the famous Hôtel d’Assézat in Toulouse.
The name of the maker and the original composition of the instrument are unknown to us. It will undergo many avatars over the centuries and, in 1793, the watch stems will be melted down and the instrument abandoned.
Of the Renaissance instrument enclosed in this case, nothing remains. To imagine what the instrument ordered by Jean de Mauléon, bishop of Comminges, could consist of, one is reduced to formulating hypotheses, by referring on the one hand to the known composition of organs of this period, to the structure of the buffet, and on the other hand, to keyboard literature published around the 1550s. in the 17th and 18th centuries.
Bernard Raupp, organ builder in Mirande, found drawings on the valves of the windchests of the great organ, which can be attributed to Jean-François Lépine. The rest is the result of successive reconstructions carried out over the following centuries.
In 1896, the Magen brothers rebuilt the organ and delivered an instrument with 2 keyboards and pedal.
In 1970, Robert Chauvin restored the windchests of the Grand Orgue, then under the direction of Pierre Lacroix, the reconstruction of the current instrument was entrusted to Jean-Pierre Swiderski and carried out in several stages, from 1975 to 1981. With the exception of 218 pipes from the 17th century and 243 pipes from Magen, the pipework is completely new. Produced on demand, it was harmonized by Jean-Pierre Swiderski for the back stops and Georges Lhôte for the reed stops. The instrument still retains two 14-stop windchests in the Grand Orgue and two 4-stop pedal windchests dating back to the 17th century.
Since 1974, the municipality of Saint-Bertrand-de-Comminges, owner, has delegated its powers to the Association of Friends of the Organ of Saint-Bertrand-de-Comminges, with a view to the restoration and maintenance of the tool.
Parlamentsgebäude, in the Museumsquartier district of Vienna in Austria.
It is where the two houses of the Austrian Parliament conduct their sessions. The building is located on the Ringstraße boulevard, near Hofburg Palace and the Palace of Justice. It was built to house the two chambers of the Imperial Council (Reichsrat), the bicameral legislature of the Cisleithanian (Austrian) part of the Austro-Hungarian Empire. Since its construction, the Parliament Building has been the seat of these two houses, and their successors—the National Council (Nationalrat) and the Federal Council (Bundesrat)—of the Austrian legislature.
The foundation stone was laid in 1874; the building was completed in 1883. The architect responsible for its Greek Revival style was Theophil Hansen. He designed the building holistically, aiming to have each element harmonizing with all the others. He was therefore also responsible for the interior decoration, such as statues, paintings, furniture, chandeliers, and numerous other elements. Hansen was honored by Emperor Franz Joseph with the title of Freiherr (Baron) after its completion. Following heavy damage and destruction in World War II, most of the interior has been restored to its original splendour.
The parliament building covers over 13,500 square meters, making it one of the largest structures on Ringstraße. It contains over one hundred rooms, the most important of which are the Chambers of the National Council, the Federal Council, and the former Imperial House of Representatives (Abgeordnetenhaus). The building also includes committee rooms, libraries, lobbies, dining rooms, bars and gymnasiums. One of the building's most famous features is the Pallas Athena fountain in front of the main entrance, built by Carl Kundmann after plans from Hansen, from 1898 to 1902 and it is a notable Viennese tourist attraction.
The Parliament Building is the site of important state ceremonies, most notably the swearing-in ceremony of the President of Austria and the state speech on National Day each October 26. The building is closely associated with the two parliamentary bodies, as is shown by the use of the term Hohes Haus as a metonym for "Parliament". Parliamentary offices spill over into nearby buildings, such as the Palais Epstein.
Information Source:
Photo of oil droplets from the oil & water macro abstract photography assignment captured via Minolta MD Macro Rokkor-X 100mm F/4 lens. Inside the creative halls of the 494 ∞ Labs. Early October 2020.
Exposure Time: 1/4 sec. * ISO Speed: ISO-100 * Aperture: F/8 * Bracketing: None * Color Temperature: 3500 K * Mood: Kodak Vision 2383 * Adaptor: 1:1 Extension Tube
Diese Aufnahme eines ausgewachsenen Kormoran entstand am 7. Januar. Mir kommt das etwas früh vor für das Prachtkleid aber vielleicht ist das bei Kormoranen ja die normale Zeit dafür. Man sieht jedenfalls sehr schön die weissen Federn an Hinterkopf und am Hals, sowie den weißen Fleck vor dem Schenkel. Die bronzefarbenen Federn der Flügel harmonieren farblich sehr schön mit dem auf dem Wasser reflektierten Braun der Baumstämme im Wald hinter dem See. Der Kormoran saß relativ entspannt auf den Resten eines versunkenen Baumstammes weil er wußte, dass ich ihm auf seinem Inselchen nichts kann.... 😋
Tech. Detail: Die 1/60 Sekunde war freihand. Gerettet hat mich (mal wieder) die Bildstabilisierung des Objektivs.
Um das Bild besonders detailreich sehen zu können, drückt die Tasten l (kleines L) und F11. Beim vergrößern nur durch Anklicken gehen viele Details verloren.
This picture of an adult cormorant was taken on January 7th. It seems a bit early for the breeding plumage to me, but maybe that's the normal time for cormorants. You can see the white feathers on the back of the head and on the neck, as well as the white spot in front of the thigh. The bronze coloured feathers of the wings harmonize beautifully with the reflected brown of the tree trunks in the forest behind the lake. The cormorant sat relatively relaxed on the remains of a sunken tree trunk because he knew that I couldn't do anything to him on his little island....😋
To view this picture with the best resolution in full screen press the "l" (small L) and F11 keys. When enlarging the pic by just mouse clicking you lose quality. Enjoy!
Conditions de prises de vues très diificiles dans cette cathédrale, peu de lumière.
L’orgue de la cathédrale Saint-Bertrand de Comminges possède l’un des plus beaux buffets Renaissance conservé à ce jour et classé Monument Historique depuis 1840. Commandé par Jean de Mauléon, évêque du Comminges, il fut réalisé après l’achèvement des stalles du chœur en 1551.
Comme les stalles, ce buffet serait l’œuvre de Nicolas Bachelier, architecte et sculpteur français (1487 – 1556) à qui l’on doit, entre autre, le célèbre Hôtel d’Assézat à Toulouse.
Le nom du facteur et la composition d’origine de l’instrument nous sont inconnus. Il subira de nombreux avatars au cours des siècles et, en 1793, les tuyaux de montre seront fondus et l’instrument abandonné.
De l’instrument Renaissance enfermé dans ce buffet, il ne reste rien. Pour imaginer en quoi pouvait consister l’instrument commandé par Jean de Mauléon, évêque du Comminges, on en est réduit à formuler des hypothèses, en se référant d’une part à la composition connue d’orgues de cette époque, à la structure du buffet, et d’autre part, à la littérature pour clavier éditée autour des années 1550. Les parties les plus anciennes (2 sommiers de grand orgue de 48 notes et deux petits sommiers de pédale, plus quelques jeux anciens, bourdons et flûtes) remontent aux XVIIe et XVIIIe siècles.
Bernard Raupp, facteur d’orgues à Mirande, a retrouvé des dessins sur des soupapes des sommiers de grand orgue, qui peuvent être attribués à Jean-François Lépine. Le reste résulte des reconstructions successives menées au cours des siècles suivants.
En 1896, les frères Magen reconstruisent l’orgue et livrent un instrument à 2 claviers et pédale.
En 1970, Robert Chauvin restaure les sommiers du Grand Orgue, puis sous la direction de Pierre Lacroix, la reconstruction de l’instrument actuel est confiée à Jean-Pierre Swiderski et réalisée en plusieurs tranches, de 1975 à 1981. À l’exception de 218 tuyaux du XVIIe siècle et de 243 tuyaux de Magen, la tuyauterie est entièrement neuve. Réalisée à la demande, elle a été harmonisée par Jean-Pierre Swiderski pour les jeux de fonds et Georges Lhôte pour les jeux d’anches. L’instrument conserve encore deux sommiers de 14 jeux au Grand Orgue et deux sommiers 4 jeux à la pédale remontant au XVIIe siècle.
Depuis 1974, la commune de Saint-Bertrand-de-Comminges, propriétaire, a délégué ses pouvoirs à l’Association des Amis de l’Orgue de Saint-Bertrand-de-Comminges, en vue de la restauration et de l’entretien de l’instrument.
Very difficult shooting conditions in this cathedral, little light.
The organ of the Saint-Bertrand de Comminges cathedral has one of the most beautiful Renaissance cases preserved to date and classified as a Historic Monument since 1840. Commissioned by Jean de Mauléon, bishop of Comminges, it was made after the completion of the stalls of the choir in 1551.
Like the stalls, this buffet would be the work of Nicolas Bachelier, French architect and sculptor (1487 – 1556) to whom we owe, among other things, the famous Hôtel d’Assézat in Toulouse.
The name of the maker and the original composition of the instrument are unknown to us. It will undergo many avatars over the centuries and, in 1793, the watch stems will be melted down and the instrument abandoned.
Of the Renaissance instrument enclosed in this case, nothing remains. To imagine what the instrument ordered by Jean de Mauléon, bishop of Comminges, could consist of, one is reduced to formulating hypotheses, by referring on the one hand to the known composition of organs of this period, to the structure of the buffet, and on the other hand, to keyboard literature published around the 1550s. in the 17th and 18th centuries.
Bernard Raupp, organ builder in Mirande, found drawings on the valves of the windchests of the great organ, which can be attributed to Jean-François Lépine. The rest is the result of successive reconstructions carried out over the following centuries.
In 1896, the Magen brothers rebuilt the organ and delivered an instrument with 2 keyboards and pedal.
In 1970, Robert Chauvin restored the windchests of the Grand Orgue, then under the direction of Pierre Lacroix, the reconstruction of the current instrument was entrusted to Jean-Pierre Swiderski and carried out in several stages, from 1975 to 1981. With the exception of 218 pipes from the 17th century and 243 pipes from Magen, the pipework is completely new. Produced on demand, it was harmonized by Jean-Pierre Swiderski for the back stops and Georges Lhôte for the reed stops. The instrument still retains two 14-stop windchests in the Grand Orgue and two 4-stop pedal windchests dating back to the 17th century.
Since 1974, the municipality of Saint-Bertrand-de-Comminges, owner, has delegated its powers to the Association of Friends of the Organ of Saint-Bertrand-de-Comminges, with a view to the restoration and maintenance of the tool.
Pocos lugares recrean tan perfectamente la simbiosis cultural hispánica como la mezquita de Córdoba, donde el gótico armoniza increíblemente con el arte hispanomusulmán.
Few places recreate so perfectly cultural simbiosis Hispanic as the mosque of Cordova, where the Gothic harmonizes incredibly with the "hispanomusulmán" art .
Esta foto tiene derechos de autor. Por favor, no la utilice sin mi conocimiento y autorización. Gracias.
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reservats. Thanks.
Dare to Shine – The Nomi Bodysuit by Enchantress
The moment I slip into the Nomi Bodysuit, I transform. The way this high-shine latex caresses my body, molding every curve, is pure temptation. The sleek, liquid finish reflects the light with every move—an irresistible dance of allure and attitude.
This isn’t just a bodysuit—it’s a statement. With daring cutouts sculpting my silhouette, I decide exactly how to own the night. And the best part? The fully customizable HUD lets me mix and match 30 stunning colors separately for the bodysuit, sleeves, and boots to complement my accessories perfectly. Tonight, I indulge in lustrous lavender, a hypnotic shade that harmonizes effortlessly with my wide-brimmed hat and intricate jewelry. Every detail, every shimmer, is curated—elevating the look from merely stunning to completely unforgettable.
Designed for the perfect fit, the Nomi Outfit is compatible with Maitreya (Petite), Legacy (Perky), Reborn, Waifu, Kupra (Kups), Khara, and GenX (Classic & Curvy). Whether I slip into it for a night of seduction or pair it with statement accessories for high-fashion drama, I command attention with every step.
Tonight, I don’t just dress. I captivate.
Taxi to Mainstore: maps.secondlife.com/secondlife/LeLa%20Island/48/141/2232
Conditions de prises de vues très diificiles dans cette cathédrale, peu de lumière.
L’orgue de la cathédrale Saint-Bertrand de Comminges possède l’un des plus beaux buffets Renaissance conservé à ce jour et classé Monument Historique depuis 1840. Commandé par Jean de Mauléon, évêque du Comminges, il fut réalisé après l’achèvement des stalles du chœur en 1551.
Comme les stalles, ce buffet serait l’œuvre de Nicolas Bachelier, architecte et sculpteur français (1487 – 1556) à qui l’on doit, entre autre, le célèbre Hôtel d’Assézat à Toulouse.
Le nom du facteur et la composition d’origine de l’instrument nous sont inconnus. Il subira de nombreux avatars au cours des siècles et, en 1793, les tuyaux de montre seront fondus et l’instrument abandonné.
De l’instrument Renaissance enfermé dans ce buffet, il ne reste rien. Pour imaginer en quoi pouvait consister l’instrument commandé par Jean de Mauléon, évêque du Comminges, on en est réduit à formuler des hypothèses, en se référant d’une part à la composition connue d’orgues de cette époque, à la structure du buffet, et d’autre part, à la littérature pour clavier éditée autour des années 1550. Les parties les plus anciennes (2 sommiers de grand orgue de 48 notes et deux petits sommiers de pédale, plus quelques jeux anciens, bourdons et flûtes) remontent aux XVIIe et XVIIIe siècles.
Bernard Raupp, facteur d’orgues à Mirande, a retrouvé des dessins sur des soupapes des sommiers de grand orgue, qui peuvent être attribués à Jean-François Lépine. Le reste résulte des reconstructions successives menées au cours des siècles suivants.
En 1896, les frères Magen reconstruisent l’orgue et livrent un instrument à 2 claviers et pédale.
En 1970, Robert Chauvin restaure les sommiers du Grand Orgue, puis sous la direction de Pierre Lacroix, la reconstruction de l’instrument actuel est confiée à Jean-Pierre Swiderski et réalisée en plusieurs tranches, de 1975 à 1981. À l’exception de 218 tuyaux du XVIIe siècle et de 243 tuyaux de Magen, la tuyauterie est entièrement neuve. Réalisée à la demande, elle a été harmonisée par Jean-Pierre Swiderski pour les jeux de fonds et Georges Lhôte pour les jeux d’anches. L’instrument conserve encore deux sommiers de 14 jeux au Grand Orgue et deux sommiers 4 jeux à la pédale remontant au XVIIe siècle.
Depuis 1974, la commune de Saint-Bertrand-de-Comminges, propriétaire, a délégué ses pouvoirs à l’Association des Amis de l’Orgue de Saint-Bertrand-de-Comminges, en vue de la restauration et de l’entretien de l’instrument.
Very difficult shooting conditions in this cathedral, little light.
The organ of the Saint-Bertrand de Comminges cathedral has one of the most beautiful Renaissance cases preserved to date and classified as a Historic Monument since 1840. Commissioned by Jean de Mauléon, bishop of Comminges, it was made after the completion of the stalls of the choir in 1551.
Like the stalls, this buffet would be the work of Nicolas Bachelier, French architect and sculptor (1487 – 1556) to whom we owe, among other things, the famous Hôtel d’Assézat in Toulouse.
The name of the maker and the original composition of the instrument are unknown to us. It will undergo many avatars over the centuries and, in 1793, the watch stems will be melted down and the instrument abandoned.
Of the Renaissance instrument enclosed in this case, nothing remains. To imagine what the instrument ordered by Jean de Mauléon, bishop of Comminges, could consist of, one is reduced to formulating hypotheses, by referring on the one hand to the known composition of organs of this period, to the structure of the buffet, and on the other hand, to keyboard literature published around the 1550s. in the 17th and 18th centuries.
Bernard Raupp, organ builder in Mirande, found drawings on the valves of the windchests of the great organ, which can be attributed to Jean-François Lépine. The rest is the result of successive reconstructions carried out over the following centuries.
In 1896, the Magen brothers rebuilt the organ and delivered an instrument with 2 keyboards and pedal.
In 1970, Robert Chauvin restored the windchests of the Grand Orgue, then under the direction of Pierre Lacroix, the reconstruction of the current instrument was entrusted to Jean-Pierre Swiderski and carried out in several stages, from 1975 to 1981. With the exception of 218 pipes from the 17th century and 243 pipes from Magen, the pipework is completely new. Produced on demand, it was harmonized by Jean-Pierre Swiderski for the back stops and Georges Lhôte for the reed stops. The instrument still retains two 14-stop windchests in the Grand Orgue and two 4-stop pedal windchests dating back to the 17th century.
Since 1974, the municipality of Saint-Bertrand-de-Comminges, owner, has delegated its powers to the Association of Friends of the Organ of Saint-Bertrand-de-Comminges, with a view to the restoration and maintenance of the tool.
A lot going on here, yet it harmonizes nicely. Please view on black (press "L")
EXPLORED: February 6, 2012 #67
Manage moments while photography, chose or find some background to accentuate or harmonize. Background adds complementary Colour to the frame.
Siberian Stonechat
21 November, 2022
Rajaji National Park, Haridwar, Uttarakhand
OM1, 300f4-MC14
1/2000, f5.6, ISO640
Le bâtiment Richard Meier, d'un blanc éclatant, se dresse au cœur de la nature environnante. Que les visiteurs se réjouissent : là où l'art et le nouveau bâtiment du musée s'harmonisent, ils seront les gagnants. Ici, pas de compétition pour occuper la vedette, mais un lieu empreint d'art, un lieu qui révèle sa vraie nature et offre un écrin aux œuvres de l'artiste-mécène du musée ainsi qu'à l'art contemporain.
« Mon architecture ouverte et transparente crée des transitions fluides entre l'intérieur et l'extérieur et reflète le même lien avec la nature que celui exprimé dans les œuvres de Hans Arp. »
En tant que l'un des plus grands architectes de musées internationaux, Richard Meier se réfère dans son architecture aux principes du modernisme classique, un style qui a connu son apogée au début du XXe siècle. Cette époque a également façonné l'œuvre du duo d'artistes Hans Arp et Sophie Taeuber-Arp. Le bâtiment de Meier est baigné de lumière et semble emmener les visiteurs hors de leur quotidien. Ici, les œuvres trouvent un espace propice à leur épanouissement.
The dazzling white Richard Meier Building stands out in the heart of the surrounding nature. Visitors can rejoice: wherever art and the new museum building harmonize, they will be the winners. Here, there's no competition for the spotlight, but a place imbued with art, a place that reveals its true nature and provides a showcase for the works of the museum's artist-patron as well as contemporary art.
"My open and transparent architecture creates seamless transitions between indoors and outdoors and reflects the same connection with nature expressed in the works of Hans Arp."
As one of the greatest international museum architects, Richard Meier refers in his architecture to the principles of classical modernism, a style that reached its peak in the early 20th century. This era also shaped the work of the artist duo Hans Arp and Sophie Taeuber-Arp. Meier's building is bathed in light and seems to transport visitors away from their everyday lives. Here, the works find a space conducive to their development.
The winner is Ms. Mallard incredibly harmonizing with the rocks and tucked behind Mr. Mallard. Sorry beautiful Mute Swan :)
In the heart of a dense, ancient forest, where the trees whispered secrets and the air hummed with magic, there lived a fantastical gypsy. Cloaked in an air of mystery and adorned with enchanting attire, she wore the irrISIStible Fortune Teller Full Outfit with Skin + Accessories, a garment that seemed to have been woven from dreams and stardust. Tailored for both Legacy and Maitreya, the outfit bestowed upon her an aura of otherworldly elegance, making her presence in the woods even more enchanting.
Her attire was a vibrant tapestry of colors – a blend of blues, purples, and yellows that harmonized with the natural hues of the forest. Adorned with intricate accessories, each piece told a story of ancient wisdom and mystical knowledge. Her skin, touched by the glow of the woodland spirits, radiated a gentle, ethereal light, making her seem like a living embodiment of the forest’s magic.
But the gypsy was more than just a vision of beauty; she possessed a profound connection with the mystical forces that dwelled in the woods. Among the ancient trees stood the irrISIStible Gypsy Wagons + Furnitures and Anim 2023, their shades of Blue, Purple, and Yellow blending seamlessly with the natural surroundings. These magical carriages were not just inanimate objects; they were living entities, pulsating with the essence of the forest itself. Within their ornate interiors lay a world of wonders – aromatic herbs, shimmering crystals, and ancient artifacts, all carefully curated by the gypsy.
Located amidst the whispering leaves and rustling branches, the irrISIStible Shop was a haven for seekers of magic and wonder. It was here that the gypsy’s creations came to life, where the Fortune Teller Full Outfit and the Gypsy Wagons found their way into the hands of those who longed for a touch of the fantastical in their lives.
Visitors from far and wide would make pilgrimages to the irrISIStible Shop, drawn by the allure of the gypsy’s mystical offerings. They marveled at her attire, enchanted by the vibrant colors and intricate details. The wagons, with their bewitching shades, captured their imaginations, inviting them to step into a world where reality and fantasy merged seamlessly.
The tale of the enchanting gypsy in the woods spread far and wide, carried on the whispers of the wind and the songs of the birds. She became a legend, a symbol of the hidden wonders that the world held for those who dared to believe in the fantastical. In the heart of the ancient forest, where the mystical and the mundane coexisted, the enchanting gypsy continued to weave her magic, reminding the world that sometimes, all it took to experience wonder was a little belief and a dash of imagination.
The Bremen Parliament building, the *Bremische Bürgerschaft*, stands with quiet dignity on the market square, its modern lines contrasting yet harmonizing with the city’s historic heart. It feels like a house of voices — where the spirit of Bremen’s citizens and centuries of democracy still echo through its glass and stone......
Cloudless sunrises are the horror of every photographer. However, on the opposite horizon there is usually a pastel-colored pink color that harmonized wonderfully with the snow mountains. Fortunately, this was the only day of my Iceland vacation that it didn't storm, so I was able to use the drone.
Can't think of many better ways to spend a Saturday evening.
Image imagined in MidJourney AI and finished with Topaz Studio 2.0 and Lightroom Classic.
♫♫ Orianthi - "Light It Up" - Official Music Video
♫♫
Skye's entry into “The Riot Girls” was purely serendipitous, a fortunate accident in the grand theater of virtual existence. Ronnie, a soul seeking refuge from the relentless cacophony of the outside world, found solace within the velvet embrace of the BlackHouse club. It was there, amidst the swirling digital smoke and pulsing rhythms, that fate orchestrated a chance encounter with Skye. Initially, their connection was a fragile seedling of friendship, tenderly nurtured by shared laughter and whispered confidences, prompting Ronnie to move to Skye's Sim, where she presided over a bustling rental enterprise, a vibrant tapestry woven with the threads of commerce and camaraderie. Their bond deepened over time, like roots intertwining beneath the soil, growing stronger with each passing season.
Skye's captivating conversational skills, a veritable symphony of wit and wisdom, instantly charmed Ambre, elevating her to the status of one of her dearest friends. Mornings often found Ambre and Skye entwined in animated discourse over steaming cups of coffee, their voices dancing through the air as they delved into the kaleidoscopic tapestry of diverse topics, exchanging tales of the vibrant happenings that painted the canvas of their SL life. Given Skye's undeniable passion for music Ronnie extended an invitation to join the band. Their collaboration proved to be a period of unparalleled joyous creativity, a symphony of collaboration where individual notes harmonized to create a masterpiece of collective expression.
Skye distinguished herself as a gifted rhythm guitarist, her fingers dancing across the fretboard with the grace of a seasoned maestro, her rhythmic precision and chordal command captivating audiences, weaving spells of sonic enchantment that left them breathless and yearning for more. Regrettably, as life's unrelenting demands tightened their grip, pulling Skye back to the mundane realities of the physical world, her participation in concerts became impossible, a bittersweet farewell to the stage that had so readily embraced her talent. However, Ronnie and Ambre will forever cherish the treasured memories of performing alongside their dear friend Skye, a radiant star, a constant reminder of the power of friendship, creativity, and the enduring magic of "The Riot Girls."
(To be continued)
Devoted to "the Riot Girls" Rock Band
As the sun bathes the Jellybean Cabana in its golden light, a sense of tranquility envelops the air. The gentle rustle of palm trees harmonizes with the soothing melody of waves caressing the shore, creating a serene ambiance. Stepping closer, two tortoises bask lazily in the warmth, their slow movements echoing the unhurried pace of life in this coastal retreat.
Adorned with charming cane furniture and framed by a shimmering pool, the Cabana exudes a laid-back elegance that invites relaxation. The weather beckons for an afternoon dip, promising refreshing relief from the tropical heat. Embrace the idyllic allure of seaside living and unwind in the blissful sanctuary of the Jellybean Cabana.
_______________________________________________
It’s the last week to grab the Jellybean cabana - a sizzling new release by Dead Unicorn, out at Cosmopolitan now! 🔥
In addition to Dead Unicorn. Thanks to my sponsors Rezz Room, Bricolage and Pitaya. 🙏💕
(Side note - this picture took forever to decorate - thanks for the help Kaelyn!)
_______________________________________________
Credits
∘ Dead Unicorn
Dead Unicorn - Jellybean Cabana (Green) - available exclusively at Cosmopolitan Event - {Round 22/12} 19th February - 2nd March
Dead Unicorn - Beach Fence
Dead Unicorn - Armoire (Beachy)
∘ [Rezz Room]
[Rezz Room] Tortoise Animesh (Companion)
∘ Bricolage
Bricolage Mango Sectional Sofa_PG
Bricolage Mango Rattan Armchair - PG
Bricolage Mango Rattan Coffee Table
Bricolage Mango Lantern 1
Bricolage Seashell Collection II
Bricolage Coastal Magazines
∘ Pitaya
Pitaya - Lazy Hanging Planter
Pitaya - Bohemian Desert - Pergola
Pitaya - Bohemian Desert - Pergola lights
Pitaya - Bohemian Desert - Rug light
Pitaya - Bohemian Desert - Rug natural
Pitaya - Bohemian Desert - Wicker chair raw RARE
Pitaya - Bohemian Desert - Coffee table natural
Pitaya - Flowing curtains 03 SHEER
Pitaya - Rustic fall - table
Pitaya - Rustic fall - chair (white)
Pitaya - Rustic fall - centerpiece
Pitaya - Rustic fall - tableware
∘ Merak
[Merak] - Summer Chill - PG
[Merak] - Eloise Cozy Corner - PG
[Merak] - Potted Plant A
[Merak] - Potted Plant B
[Merak] - Potted Plant C
[Merak] - Woven Baskets
∘ ~BAZAR~
~BAZAR~ Cloud lounger V1 ADULT
~BAZAR~ Cloud cocktail
~BAZAR~ Cloud pitcher
~BAZAR~ Cloud oranges
~BAZAR~ Ibiza Parasol
~BAZAR~ Ibiza Sunglasses
~BAZAR~ Ibiza Beach bag 01
~BAZAR~ Ibiza Beach bag 02
~BAZAR~ Ibiza Towel 01
~BAZAR~ Ibiza Towel 02
~BAZAR~ Ibiza Crates
~BAZAR~ Ibiza Lime Crate
~BAZAR~ Ibiza Watermelon
~BAZAR~ Ibiza Watermelon slice
∘ What Next
{what next} Kentia Palm Plant (ceramic)
{what next} Kentia Palm Plant (basket)
{what next} Fiddle Leaf Plant (ceramic)
{what next} Fiddle Leaf Plant (basket)
{what next} Bird of Paradise Plant (rattan)
{what next} Bird of Paradise Plant (basket)
{what next} Bird of Paradise Plant (pot)
{what next} Kentia Palm Plant (rattan)
∘ Fundati
(Fundati) Tropical Palm I
(Fundati) Tropical Palm II
(Fundati) rock I -SAND-
(Fundati) Sand Beaches I,II,IV -waves-
∘ Studio Skye
Skye Bamboo Palm
Skye Temperate Shrubs - Hebe
Skye Temperate Shrubs - Buckeye
Skye Temperate Shrubs - Fern Type 2
Skye Temperate Shrubs - Ash
Skye Temperate Shrubs - Hosta Leaf 3
∘ Caboodle
Caboodle. - Pool Floaty - Frog
Caboodle. - Pool Floaty - Ruffled
∘ Nutmeg
Nutmeg. Clean Laundry Rack
Nutmeg. Clean Laundry Ironing Board
∘ KIDD GRASS Garden
KIDD GRASS GARDEN - PAMPAS Grass * Trio Bush *
KIDD GRASS GARDEN LONG GRASS * Wild Sword *
∘ Misc
Amelia's Coastal Treasures - Welcome to the Beach Bar & Stools
DAD "Hammock w Heart Palm Trees 2023" PG v.1.0 c/m
Little Branch _LipstickPalm.v2{Animated}
{YD} Diamond Laundry - Laundry cabinet sink PG/A
Petite Mort- Cottage Vintage Stove Cream
MINIMAL - Beach Palmtree -1 & 3-
- Legna - Deby Collection (Gold Turtle)
hive // palm tree with base . A & B
dust bunny . areca palm plant
Da Vinci Gardens. Group of 12 seagulls with sounds 5prims
This image captures the tranquil and majestic beauty of the Grüner See in Austria, surrounded by the steep, rugged Alps. The crystal-clear water reflects the surrounding trees and mountains, enhancing the breathtaking natural scenery. The deep greens of the water harmonize perfectly with the lush forest that stretches up to the craggy rocks in the background. The serene, cloud-covered sky adds a calming, almost meditative mood to the scene, inviting the viewer to immerse themselves in the untouched nature.
✨ VELOUR presents — BIA, TINA, SIS & MARINA ✨
A new chapter of elegance and authenticity arrives.
Designed to harmonize perfectly with the Picasso Eternal Body Skin, these faces celebrate timeless beauty through strength, softness, and individuality.
💫 BIA and SIS are available in 16 Velour skintones, while TINA and MARINA are available in 8 Velour skintones, offering a universal match for every tone and personality.
Each look was crafted to enhance the natural grace of mature features — expressive eyes, lived-in contours, and the quiet confidence that only time can sculpt.
Because beauty doesn’t fade — it evolves.
VELOUR – Picasso Eternal Collection 💖
For Lelutka Evo X (shown on Avalon, Briannon & Ceylon).
Spring is coming at the speed of color… and, since color is light, that’s pretty fast. You’d better get out of the way! This is not only big, bold primary color, it’s complementary color. Remember Billy Crystal as Fernando? “You look mahhvelous!” Yes, read it the way it’s spelled… and then, “To look good is to feel good, dahhling!” That’s complimentary, but it’s not complementary. Do you remember learning about the color wheel? Colors on opposite sides of the wheel are complementary, or harmonizing. It involves a bit of science as to how the various photoreceptors in your eyes perceive contrastive colors… your brain just goes along with the ride and is quite often happy to do so. The most contrastive of the complementary colors are yellow/blue and red/green. Such colors have superpowers, able to lift one from a deep funk in a single bound! Hmmm… that seems familiar for some reason. The “deep funk” of winter’s grays and browns go ‘poof’ in the light of spring’s color BOOM.
This image was taken April 20th of 2013 at Biltmore gardens. It’s shot from the ground up with a polarizing filter to take out reflective color. Reflective color… that’s a story for another time. The floor is now open for complimentary discussion… go!
A bleak rural tableau on a wet and raw autumn day. I could not have imagined better conditions for this type of photography. Photos like this have much more impact when the weather and sky conditions harmonize with the subject matter. The wet road really helped seal the deal on this image.
It's surprising how the bluest flowers arrive in spring, harmonizing with the blue skies that come with it.
Oshino Hakkai is made up of eight spring water ponds. The water is melted snow water that comes from Mt Fuji. It takes more than 80 years to filter through the underground layers of Mt Fuji. On a clear day, the water surface reflects Mt Fuji and appears to be veiled in an almost mystic air. Not only do these ponds provide fine-quality water, but they harmonize wonderfully with the surrounding rustic scenery, and the water of Oshino Hakkai is ranked among the best-quality waters of Japan.
Kawaguchico, Japan
Copyright 2014 © Serge Daigneault
View the entire Japan journey here!
Although this Lesser Yellowlegs looking away from me slightly, this may still be my favourite shot of one from that trip to Elk Island National Park. Without doubt it is the reflections and how those reflections harmonize with the colour of this elegant shorebird that I find so special.
Okay, John and Jax. Having been tagged by both of you in less than 24 hours, I guess I really need to go ahead and devote the time to this task. My favorite 10 albums of all time. IMPOSSIBLE! It simply cannot be done. To try and cultivate into a mere 10 albums (and let alone rank them) a half a century of musical tastes and preferences is physically impossible. So I cannot even begin to do so.
I can however, relate to you perhaps ten albums that, for a plethera of reasons, have impacted who I am, how I feel about life or world issues or just everyday living, or have seeded themselves firmly into the medley of musical variations I have come to enjoy over the span of 50 years. Some are rock, some are country, some are blues, some are just uniquely different. But the majority of them have had their early roots in the blues, or have been influenced by various blues artists to some degree. So in no particular order, here they are.
SRV, Stevie Ray Vaughan and Double Trouble, The Sky is Crying.
Released about one year after Vaughan's death in 1990, the album features ten tracks originally recorded between 1984 and 1989.
The Sky Is Crying illustrates many of Vaughan's musical influences, including songs in the style of traditional Delta blues, Chicago blues, jump blues, jazz blues, and Jimi Hendrix. The album's tone alternates primarily between uptempo pieces and gritty, slow blues. The album includes a Grammy-winning extended instrumental cover version of Jimi Hendrix's "Little Wing"; "Chitlins con Carne", a jazz instrumental; and, "Life by the Drop", a song written by Vaughan's friend Doyle Bramhall and played on acoustic guitar. This song is not about Vaughan's struggle with drug abuse, as many think, but actually about Vaughan's friendship with Doyle Bramhall from Bramhall's perspective.
ZZ Top, Tres Hombres.
Tres Hombres is the third album by American blues-rock band ZZ Top, released in 1973, and marked the first of many times the band worked with engineer Terry Manning. It proved to be the group's commercial breakthrough, attracting a far larger fanbase. The album hit the top ten while the single "La Grange" hit 41 on the singles chart.
The band's name is often said to be a combination of two popular brands of rolling paper, Zig-Zag and Top. It has also been claimed as a tribute to blues singer Z. Z. Hill. However, Gibbons wrote in his autobiography, Rock + Roll Gearhead, that it actually came from a tribute to and a play on the name of blues guitar master B. B. King. The band had planned to call themselves Z.Z. King, but felt it was too similar. Since B.B. King was at the "top", they settled on ZZ Top.
In January 1973, ZZ Top opened for The Rolling Stones three shows in Hawaii. They also began recording with engineer Terry Manning at Ardent Studios in Memphis. The resultant third album, Tres Hombres (1973), was the first for which the band gained a million-seller and wide acclaim. Hombres featured ZZ's classic hit "La Grange", written about the Chicken Ranch, a famous La Grange, Texas bordello (that was also the subject of the musical The Best Little Whorehouse in Texas). Other album cuts like "Waitin' for the Bus" and its immediate follower "Jesus Just Left Chicago" became fan favorites and rock-radio staples. However, my favorite tune to be spawned on this album was "Hot, Blue and Righteous".
Delbert McClinton, Never Been Rocked Enough.
This album is probably the most currently produced album on my list here, and possibly on my list of the 50 most influential albums for me. It as produced and relased in 1992. Nothing since then, at least to my immediate knowledge, would make the list.
Delbert McClinton (born 4 November 1940, Lubbock, Texas) is a singer-songwriter, guitarist, harmonica player, and pianist. Active as a side-man since at least 1962 and as a band leader since 1972, he has recorded several major-label albums, and charted singles on the Billboard Hot 100, Mainstream Rock Tracks, and Hot Country Songs charts. His highest-peaking single was "Tell Me About It", a 1992 duet with Tanya Tucker which reached #4 on the Country charts. He has also had four albums that made it to #1 on the U.S. Blues chart, and another that reached #2.
His 1992 release of this album featured the hit single "Every Time I Roll the Dice", which made it to #13 on the US Mainstream Rock charts, While the album only made it to #113. He has written for and recorded with a group of musicians that reads like the who's who or the music industry, including John Lennon.
And at the legendary Skyliner Ballroom, where McClinton's band was the only white act to play its Blue Monday nights AND be the backing band for the headliners, he received a first-class tutelage from the masters of blues music like Jimmy Reed, Howlin' Wolf and Sonny Boy Williamson. McClinton cut a number of local and regional singles before hitting the national charts in 1962 playing harmonica on Bruce Channel's now classic “Hey! Baby.” On a subsequent package tour of England, Delbert showed some of his harp licks to the rhythm guitarist for a young band at the bottom of the bill. The lessons he gave John Lennon were later heard on hit singles by The Beatles; when the two met Lennon already knew the instrument's basics, and the experienced McClinton shared some new licks with him.
Pink Floyd, Momentary Lapse of Reason
A Momentary Lapse of Reason is the thirteenth studio album by English progressive rock group Pink Floyd. It was released in the UK and US in September 1987. In 1985 guitarist David Gilmour began to assemble a group of musicians to work on his third solo album. At the end of 1986 he changed his mind, and decided that the new material would instead be included in a new Pink Floyd album. Subsequently Pink Floyd drummer Nick Mason and keyboardist Richard Wright (who had left the group in 1979) were brought on board for the project. Although for legal reasons Wright could not be re-admitted to the band, he and Mason helped Gilmour craft what would become the first Pink Floyd album since the departure of lyricist and bass guitarist Roger Waters in December 1985.
The album was recorded primarily on Gilmour's converted houseboat, Astoria. Its production was marked by an ongoing legal dispute between Waters and the band as to who owned the rights to Pink Floyd's name, which was not resolved until several months after the album was released. Unlike most of Pink Floyd's studio albums, A Momentary Lapse of Reason has no central theme, and is instead a collection of rock songs written mostly by Gilmour and musician Anthony Moore. Although the album received mixed reviews and was derided by Waters, with the help of an enormously successful world tour it easily out-sold their previous album The Final Cut. A Momentary Lapse of Reason is certified multi-platinum in the US.
Although the amazing talents of Water's were not present on this album, it still spawned two of my all time favorite songs, "Dogs of War", and "On the Turning Away".
Iron Maiden, Live After Death.
Live After Death is a live album by the British heavy metal band Iron Maiden, released on October 14, 1985 on EMI in Europe and its sister label Capitol Records in the US (it was re-released by Sanctuary/Columbia Records in the US in 2002). It was recorded during the band's World Slavery Tour. The album was instrumental in establishing the band as an extraordinary live band and is regarded as one of the best live albums ever recorded.
For anyone with a love of metal, Iron Maiden is a must hear band. The cover art was done by Derek Riggs, and pictures the band's mascot, Eddie rising from a grave. On that grave is a tombstone with a quote from the fantasy and horror fiction author H. P. Lovecraft's The Nameless City:
"That is not dead which can eternal lie
Yet with strange aeons even death may die."
The proper quote is actually "And with strange..." instead of "Yet with strange...". A similar version of this phrase is used in Metallica's song "The Thing That Should Not Be" from the Master of Puppets album.
Queensryche, Operation Mindcrime.
Operation: Mindcrime is a concept album by American progressive metal band Queensrÿche. Released on May 3, 1988, it is the band's third full-length album. A rock opera, its story follows a man who becomes disillusioned with the society of the time and reluctantly becomes involved with a revolutionary group as an assassin of political leaders. The album is highly regarded within the heavy metal community, often labelled as one of the genre's finest works. It ranked at number 10 at metal-rules.com's best heavy metal albums ever. In January 1989, it ranked #34 on Kerrang! magazine's "100 Greatest Heavy Metal Albums Of All Time."
The album begins with the protagonist, Nikki, in a hospital. He lies in a near catatonic state, unable to remember anything but snippets from his past. Suddenly, Nikki's memories come flooding back in a torrent. He remembers how, as a heroin addict and would-be political radical frustrated with contemporary society, he was manipulated into joining a supposed secret organization dedicated to revolution. At the head of this organization is a political and religious demagogue known only as Dr. X, who by manipulating Nikki through a combination of his heroin addiction and brainwashing techniques, uses Nikki as an assassin. Whenever Dr. X uses the word "mindcrime" Nikki becomes his docile puppet, a state which Dr. X uses to command Nikki to undertake any murder that the Doctor wishes. Through one of Dr. X's probable associates, a corrupt priest named Father William, Nikki is offered the services of a prostitute-turned-nun named Sister Mary. Through his friendship and growing affection toward Sister Mary, Nikki begins to question the nature of what he is doing. Dr. X notices this and, seeing a potential threat in Mary, orders Nikki to kill both her and the priest. Nikki goes to Mary's church and kills the priest, but after confronting Mary fails to comply with the command to murder her. He and Mary decided to leave the organization together, and Nikki goes to Dr. X to tell him that they are out. Dr. X, however, reminds Nikki that he is an addict, and that he is the one who can provide him with his daily fix. Nikki leaves, conflicted and returns to Mary, only to find her dead, hanging from her own rosary. He cannot cope with the loss, as well as the possibility that he himself may have killed her and not known it, and begins to succumb to insanity. The police, arriving on the scene, arrest him for Mary's murder and the murders he committed for Dr. X. He is put into a hospital, where he begins to remember what has happened.
Rush, Hemispheres.
Hemispheres is the sixth studio album by the Canadian rock band Rush, released in 1978. The album was recorded at Rockfield Studios in Wales and mixed at Trident Studios in London. This album continues Rush's trend of using the fantasy and science fiction lyrics written by Neil Peart. Similar to their 1976 release, 2112, Hemispheres contains a single, epic song broken into chapters as the first half of the album ("Cygnus X-1, Book II: Hemispheres") while the second half contains two more conventionally-executed tracks ("Circumstances", "The Trees"), then is rounded out by the nine-and-a-half-minute instrumental, "La Villa Strangiato".
The album contains examples of Rush's adherence to progressive rock standards including the use of epic, multi-movement song structures, complex rhythms and time signatures, and flexible guitar solos, like those found in "La Villa Strangiato".
Hemispheres was Rush's fourth consecutive Gold album upon release in 1978 and would subsequently go Platinum in the US. For a short period of time, the album was released on Canadian red vinyl in a gatefold sleeve with poster (catalogue number SANR-1-1015), and as a limited edition picture disc (catalogue number SRP-1300),both have which become much sought after collectors items.
Hang in there, folks....only 3 to go. I apologize, but I try not to halfway do anything...LOL!
Metallica, Ride the Lightning.
Ride the Lightning is the second studio album by the American heavy metal band Metallica. It was released on July 27, 1984 through Megaforce Records and was re-released on November 19, 1984 by Elektra Records. Ride the Lightning was certified gold by the RIAA on November 5, 1987 and was most recently certified 5x platinum on June 9, 2003.
Ride the Lightning retains the speed of Kill 'Em All on songs like "Trapped Under Ice" and "Fight Fire with Fire", but also contains the first of Metallica's longer, more intricate tracks, such as "Fade to Black" and the nearly 9-minute closing instrumental "The Call of Ktulu". "Ride the Lightning" is the last Metallica album to credit former member, Dave Mustaine. Ride the Lightning was listed at #3 on a list compiled by metal-rules.com of the Top 100 Metal Albums of All Time.
"Ride the Lightning" is Metallica's first song which directly pointed on the misery of the criminal justice system. The song is one of two on the album that credits former member Dave Mustaine. The lyrics of the song "Ride the Lightning" are written from the perspective of someone who is forthcoming death-by-electrocution, although he didn't commit murder.
"For Whom the Bell Tolls" was composed by Cliff Burton, James Hetfield, and Lars Ulrich. The songs inspiration is Ernest Hemingway's novel For Whom the Bell Tolls about the dishonor of modern warfare and Robert Jordan's eminent doom during the bloody Spanish Civil War, with specific allusions to the scene in which five soldiers are obliterated during an air-strike, whilst taking a position on a hill.
The lyrics of Fade to Black suggest a man contemplating, then eventually committing suicide. Metallica revealed that they have received letters from fans who were dissuaded from committing suicide by the song.
"Creeping Death" describes the Plague of the Firstborn (Exodus 12:29). The lyrics deal with the 10 plagues on Egypt, and throughout the song, four of the ten plagues are mentioned as well as the Passover.
"The Call of Ktulu" was Metallica's second instrumental song, following the first instrumental "(Anesthesia) Pulling Teeth" from Kill 'Em All. The song working title was originally "When Hell Freezes Over".
The idea of the song "The Call of Ktulu" is based upon H.P. Lovecraft's book The Shadow Over Innsmouth which was first introduced to the rest of the band by Cliff Burton. The song's name was taken from one of H.P. Lovecraft's main stories featuring Cthulhu, The Call of Cthulhu, which was written in 1928 for the magazine Weird Tales. The name "Ktulu" is originally written "Cthulhu" by H.P. Lovecraft.
And all this time you thought they were just a bunch of fucking stoners.....hehehe.
Led Zeppelin, IV.
The fourth album by the English rock band Led Zeppelin was released on 8 November 1971. No title is printed on the album, so it is generally referred to as Led Zeppelin IV, following the naming standard used by the band's first three studio albums. Also the album has alternatively been referred to as , Four Symbols, The Fourth Album (those two titles each having been used in the Atlantic Records catalogue), Untitled, Runes, Sticks, ZoSo and The Hermit. Zoso is also the moniker for the band's guitarist, Jimmy Page.
Upon its release, Led Zeppelin IV was a commercial and critical success. The album is one of the best-selling albums in history at 37 million units. It has shipped over 23 million units in the United States alone, putting it third on the all-time list in the United States and twelfth world-wide. In 2003, the album was ranked 66th on Rolling Stone magazine's list of the 500 greatest albums of all time.
"Black Dog" got its name from a stray black dog that was roaming about the concourse of Headley Grange during recording sessions for the song.
"The Battle of Evermore" and "Misty Mountain Hop" are references to J.R.R. Tolkien's Lord of the Rings novels.
"Going to California" is a reference to John Steinbeck's The Grapes of Wrath.
The idea for each member of the band to choose a personal emblem for the cover was Page's. In an interview he gave in 1977, he recalled:
After all this crap that we'd had with the critics, I put it to everybody else that it'd be a good idea to put out something totally anonymous. At first I wanted just one symbol on it, but then it was decided that since it was our fourth album and there were four of us, we could each choose our own symbol. I designed mine and everyone else had their own reasons for using the symbols that they used.
Page stated that he designed his own symbol himself and has never publicly disclosed any reasoning behind it. However, it has been argued that his symbol appeared as early as 1557 to represent Saturn. The symbol is sometimes referred to as "ZoSo", though Page has explained that it was not in fact intended to be a word at all.
Bassist John Paul Jones' symbol, which he chose from Rudolf Koch's Book of Signs, is a single circle intersecting 3 vesica pisces (a triquetra). It is intended to symbolise a person who possesses both confidence and competence.
Drummer John Bonham's symbol, the three interlocking rings, was picked by the drummer from the same book. It represents the triad of mother, father and child, but also happens to be the logo for Ballantine beer.
Singer Robert Plant's symbol was his own design, being based on the sign of the supposed Mu civilisation.
There is also a fifth, smaller symbol chosen by guest vocalist Sandy Denny representing her contribution to the track "The Battle of Evermore"; it appears in the credits list on the inner sleeve of the LP, serving as an asterisk and is shaped like three triangles touching at their points.
And finally we make it home with....
Allman Brothers, Live at Fillmore East.
At Fillmore East is a double live album by The Allman Brothers Band. The band's breakthrough success, At Fillmore East was released in July 1971. It ranks Number 49 among Rolling Stone magazine’s 500 Greatest Albums of All Time and remains among the top-selling albums in the band’s catalogue. It is often cited as being one of the most well-known live recordings in history.
Recorded at the Fillmore East concert hall, the storied rock venue in New York City, on Friday and Saturday March 12, 1971–March 13, 1971, it showcased the band's mixture of blues, Southern rock and jazz. The cover of Blind Willie McTell's "Statesboro Blues" which opens the set showcases Duane Allman's slide guitar work in open E Tuning. "Whipping Post" became the standard for a long, epic jam that never lost interest (opening in 11/8 time, unusual territory for a rock band), while the ethereal-to-furious "In Memory of Elizabeth Reed", with its harmonized melody, Latin feel and burning drive invited comparisons with John Coltrane (especially Duane's solo-ending pull-offs, a direct nod to the jazz saxophonist).
The album was produced by Tom Dowd, who condensed the running time of various songs, occasionally even merging multiple performances onto one track. At Fillmore East peaked at #13 on Billboard's Pop Albums chart.
Two other songs recorded during the same set of shows, "Trouble No More", and the memorable "Mountain Jam", were later released on Eat a Peach, the latter spanning two sides of the double album.
Those songs were later included in their entirety, along with uncut versions of some, re-edited versions of others, and some previously omitted tracks, on a new release of the Fillmore material entitled The Fillmore Concerts (1992). "Stormy Monday" gained back a harmonica solo; "Don't Keep Me Wonderin'" and "Drunken Hearted Boy" were included as well.
In 1998 a 5.1 DTS mix of the original version was released with Duane Allman in the left rear channel, Dickey Betts in the right rear channel, Jai Johanny Johanson in the front left channel, Butch Trucks in the right front channel and Gregg Allman and Berry Oakley both spread out over the front and center channels.
George Kimball of Rolling Stone magazine hailed them as "the best damn rock and roll band this country has produced in the past five years." A few months later, group leader Duane Allman was killed in a motorcycle accident. The group survived that and the death of bassist Oakley in another motorcycle accident a year later; with replacement members Chuck Leavell and Lamar Williams, the Allman Brothers Band achieved its peak commercial success in 1973 with the album Brothers and Sisters and the hit single "Ramblin' Man". Internal turmoil overtook the band soon after; the group dissolved in 1976, reformed briefly at the end of the decade with additional personnel changes, and dissolved again in 1982.
In 1989, the group reformed with some new members and has been recording and touring since. A series of personnel changes in the late 1990s was capped by the departure of Betts. The group found stability during the 2000s with Warren Haynes and Derek Trucks, the nephew of their drummer, serving as its guitarists, and became renowned for their month-long string of shows in New York City each spring. The band has been awarded eleven gold and five platinum albums between 1971 and 2005 and was inducted into the Rock and Roll Hall of Fame in 1995. Rolling Stone ranked them 52nd on their list of the 100 Greatest Artists of All Time in 2004.
These days models are dime a dozen. In fact, she did not even cost me 1/12 of a dime.
Just select an interesting background and make it a contest. I've selected this girl, as her dress harmonized the best with those illuminated panels. I could not find out the artist who is responsible for the display. I may still try.
456. TMR Toronto 2020- July -15, P1400132; Uploaded 1. Aug, 2020. Lmx -ZS100.
Peppermint Patty breathes in the adventure. The air crackles with an almost palpable energy, a constant hum of anticipation and movement.
"Oboy, oboy," she thinks. "I've got to get a window seat. I've just got to!"
Visually, the Paprihaven train station is a kaleidoscope of activity. The platforms themselves are stages upon which streams of people pass by, the jumble of their conversations a flow of individual stories converging and diverging.
"Hmmm... but I also need to check out the passengers. I want to sit next to someone looks interesting and talkative. No sleepers or sourpusses!"
The vast arching ceilings add to the ambiance of something momentous. They lend natural and artificial light along with the electronic departure and arrival boards. Each flickering change of venue promises the lure and lore of travel.
"Okay, gotta keep my ticket ready and accessible for the collector."
Vendors at newsstands and coffee shops add splashes of color, their displays of magazines, snacks, and steaming cups of coffee a beacon for weary travelers.
"Did I remember my sandwiches? Yes! One peanut butter, jelly, and banana, and one cheese and baloney."
And of course, the trains themselves are monumental presences – sleek, powerful machines of steel and glass, their windows reflecting the bustling scene around them.
"This train is my favorite type. I love their seats!"
The soundscape of a busy train station is equally rich and complex, a cacophony that somehow harmonizes into an urban symphony. The most dominant sound is the constant murmur of human voices, a low thrum of conversations in countless languages, punctuated by bursts of laughter or the occasional shouted farewell.
"Everyone is dressed so nice. I guess blue was the memo. That lady even has one blue stocking. Ah, well. Never let AI dress you."
This is layered with the rattle and roll of luggage wheels on the tiled floors, a rhythmic percussion that underscores the flow of people. From the tracks, there's the distant, echoing rumble of an approaching train, growing steadily louder until it culminates in a powerful whoosh as it pulls into the station. The hiss of air brakes is a sharp, characteristic sound, followed by the metallic groan of the doors opening and closing.
Over it all, the disembodied voice of the station announcer cuts through the din, a calm, authoritative presence relaying vital information about platforms and delays, often accompanied by the distinctive chime or melodic jingle that precedes each announcement. The occasional toot of a train horn adds a deeper, more resonant note to this intricate sound tapestry.
"Did I put my favorite mixtape in my cassette player? Did I remember my headphones?"
Together, the sights and sounds create an atmosphere of constant motion and fleeting connections, a place where journeys begin and end, and the pulse of travel life beats strong.
"It's going to be a great day!"
Yes, just 'a day'. You see, Peppermint Patty loves train travel so much, she saves up her allowance to ride the train around Paprihaven. She will disembark at the Eastern Woods and enjoy a lunch and a few hours of relaxation at one of the parks there. Then get back on the next train and complete the circuit.
•────────────────•°•❀•°•────────────────•
A year of the shows and performers of the Bijou Planks Theater.
Peanuts Collection
50 Years Celebration
Peppermint Patty
1998, Flambro
Flambro is another of our favorite brands for the Peanuts license. We had an account with them when we had our collectibles store and Flambro never failed to delight with their colorful and innovative designs.
This series, celebrating the 50th anniversary of Peanuts (Which occured in 2000), features nine figurines, each of them incredibly cute, such as Peppermint Patty here.
This guy reminded me of one of my late Mom's favorite songs. I would, then, harmonize with her and Dad would join in from time to time. Just one of many memorable moments I spent with them.
www.youtube.com/watch?v=kXUfpme4H30
I think this little guy is a warbler. But then again, what do I know about birds, nothing. I just see something that looks beautiful to me and I take a picture of it.
Happy First Week of December, Everyone!
Thank you so much for dropping by!
This is a simple, classic still life, of course... It has been set in a hearth, sporting a copper pot courtesy of my mother-in-law Antonia, and a firedog in the background. And it should be tasted listening to this cheery execution of the two Quodlibet by Bach (the so-called Wedding quodlibet BWV 524, followed by the 30th variation ending the Goldberg variations BWV 988 - starting at 10 min 16'').
As for the quodlibet (Latin word for "whatever you wish"), it was a common practice to mix different tunes - most often from folk songs - into one.
It should be noted that according to Forkel, Bach's earliest biographer, quodlibets were a custom observed at Bach family reunions: "they then sang popular songs partly of comic and also partly of indecent content, all mixed together on the spur of the moment. (…) This kind of improvised harmonizing they called a Quodlibet, and not only could laugh over it quite whole-heartedly themselves, but also aroused just as hearty and irresistible laughter in all who heard them."
So quodlibets are endowed with the rich scent and the good humour of familiar, everyday life. Hope that you will enjoy both the picture and the music. Wish you all a good wekend.
Just allow me a concluding linguistic afterthought. For the vast majority of you who do not know Italian, I must say that I love the English phrase "still life" - for in Italian this kind of subject is called a natura morta (i.e. dead nature, dead things). I like much better "still life", which entails the idea that the portrayed things may not be so dead - just temporarily removed from the flux of the life of the world to perform a lasting performance which will render them durable :-)
New skin for Synnove. Very happy with it.
"Hear my call Great Old One!
Feel my Thirst in this Invocation
and the Terror of my Transcendental Act!
Devour this Sacrifice beyond the Mind of Reason
Through the Transcendence of Lawless Manifestations!
Through the Call of Terrifying Names, through webs of the Parallel Universes
I lie and remember the First Birth in the Blood
I crossed Seven Constellations
to Meet Your Flaming Breaths at Twilight and be purified.
I pray to your Abyss.
The key to becoming and the Key to Awareness
in the ocean of the bottomless Abyss
the wandering in the road to ceremony.
Magnificence and contemplation of the Universes
Coronation of the dethroned Sovereignity.
The Alignment of the Houses of causality and the Fallen Kingdoms
The End of the Eternal Emanation
The Eternal Return…
The ideal and the harmonization of Starlit Exaltation
The old and familiar in consciousness, the Work of Scarlet restoration
Psalms of the seven Houses
resound and mumble
The terrible secrets in absurd Languages unknown to me
The wings of Angels
the caress of an Orgiastic purification
Memories of an experience
that I live again and again
Fumes of a new Age
So familiar and pure
through the Pits of Demons
and the Five Towers..."