View allAll Photos Tagged harmonize
"The phrase and the day and the scene harmonized in a chord. Words. Was it their colours? He allowed them to glow and fade, hue after hue..." ― James Joyce, A Portrait of the Artist as a Young Man
Buy this photo on Getty Images : Getty Images
Ulu Mosque is the largest mosque in the Netherlands.
Construction began in 2009 and the building was finished in 2015.
The mosque's exterior was designed by Dutch architect Ishak Önen.
Red bricks were a deliberate choice to ensure the building complements the Dutch architectural style and harmonizes with its surroundings.
The interior was designed by Semih Irteş, an Istanbul-based architect and artist known for his traditional style.
This ground floor is for men, 2 upper floors are for women. The building is suitable for 1600 visitors.
Submitted: 30/12/2025
Needs revision
Resubmitted: 07/01/2026
Accepted: 08/01/2026
Val d'Orcia
Mi principal objetivo en este viaje a la Toscana era explorar el Val d'Orcia, pero cualquier tiempo que planifiques siempre será escaso ya que esta lleno de millones de detalles sorprendentes.
Nada más llegar parece que el tiempo se ha detenido y entramos en un espacio donde la naturaleza y los hombres se han armonizado completamente.
My main objective on this trip to Tuscany was to explore the Val d'Orcia, but any time you plan will always be limited since it is full of millions of surprising details.
As soon as we arrive it seems that time has stopped and we enter a space where nature and men have completely harmonized.
Posé dans une ambiance si particulière que je suis passé devant lui sans le voir précisément sur son support... à l'ombre et immobile il harmonise la couleur de ses ailles aux couleurs de son environnement.
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Posed in such a special atmosphere that I passed in front of him without seeing him precisely on his support... In the shade and motionless it harmonizes the color of its wings with the colors of its environment.
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In posa in un'atmosfera così speciale che sono passata davanti a lui senza vederlo esattamente sul suo appoggio... All'ombra e immobile armonizza il colore delle sue ali con i colori del suo ambiente.
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Posó en un ambiente tan especial que pasé frente a él sin verlo precisamente en su apoyo... En la sombra e inmóvil armoniza el color de sus alas con los colores de su entorno.
Philip
Looking east along a rain wet Going-to-the-Sun Highway in Glacier National Park on an August afternoon. Completed in 1932, the spectacular, 50 mile long Going-to-the-Sun Road bisects the park east to west. The paved two-lane highway spans the width of Glacier National Park and crosses the Continental Divide at 6,646-foot-high Logan Pass. It passes large glacial lakes and cedar forests in the lower valleys; canyons and cliffs; culminating at the windswept alpine tundra atop the pass. Scenic viewpoints and pullouts line the road offering dramatic views and photo opportunities. One thing I found interesting is that the view from the road varies depending on the direction you are traveling.
The road is nationally significant for its design and monumental engineering accomplishments. The original roadbed, bridges, tunnels, culverts, retaining walls, and guard walls were built in the “NPS Rustic” style. Individually, these structures are often significant examples of period engineering and design philosophy; collectively, they comprise a vital, integral component of the road’s unique character. Most of these structures were designed to harmonize with the roadway setting by using native materials and by blending with landforms as much as possible.The Going-To-The-Sun Road is a National Historic Landmark, is included in the National Register of Historic Places and is a National Historic Civil Engineering Landmark.
Modern living defined by light: Discover how the textures of Dreamland Designs harmonize with the airy architecture of Zmiyas sunny loft in this authentic in-world sanctuary.
Zmiya – Dreamland Designs @ Crafty Weekend Sales 1/31 – 2/2
please zoom in twice to see all beautiful details
more information and pictures here :
lillygoesfashion.blogspot.com/2026/01/608-dreamland-desig...
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For the Macro Monday theme "Father"
"To guard the memory of the victims of war and violence, to work for peace among all nations and to guarantee dignity of men, are the main goals in the statutes of the German War Graves Commission. All activities of German War Graves Commission must harmonize with these general principles."
(Wikipedia about VDK = Volksbund Deutsche Kriegsgräberfürsorge)
Mein Vater wurde im Alter von 23 Jahren zum Wehrdienst im 2. Weltkrieg eingezogen. Nach dem Krieg hat er über viele Jahre Spenden für den VDK gesammelt. Für sein Engagement erhielt er diese Ehrennadeln.
Ein Blick auf die Welt von heute würde ihn fassungslos und tief traurig machen.
Ich vermisse ihn sehr.
My father was drafted into military service in World War II at the age of 23. After the war, he collected donations for the VDK for many years. He received these badges of honor for his commitment.
A look at the world today would leave him stunned and deeply sad.
I miss him very much. ❤️
HMM to all participants 💙💙💙
С усталым, но воодушевленным настроением наша группа фотографов поднялась на вершину перевала, ухабистая горная тропа сменилась на удивление гладкой магистралью, которая элегантно змеилась через высокогорные луга. Настал золотой час, окутав мир вокруг нас теплыми объятиями, как будто само солнце спустилось, чтобы попрощаться с землей на ночь. Небо было усеяно колоссальными облаками, которые мерцали янтарным оттенком, нежно обнимая заснеженные вершины главного хребта. Несмотря на наше обещание ехать без остановки, непреодолимое очарование момента заставило нас остановиться и впитать великолепие, раскрывшееся перед нами. Одни фотографировали орлов, парящих высоко в небе, в то время как другие снимали красоту ледяных вершин крупным планом. Но среди этой грандиозной картины я не мог не заметить оранжевый грузовик, крошечное пятнышко на бесконечном просторе, мчащийся, словно движимый самим сердцебиением гор. Возможно, даже сейчас я не смогу дать ответ, почему я выбрал его в качестве объекта своей фотографии. Скорее всего потому, что выглядел он там совершенно нелепо и чуждо, но тогда он казался кометой, промчавшейся через долину, оставив после себя лишь пыльное облачко.
Время, отведенное на эту остановку, истекло, и все неохотно потянулись в машины. Двигатель взревел, и мы продолжили наш спешный и прерывистый путь к закатной съемке. Шины напевали тихую колыбельную, которая гармонировала с шепотом ветра, доносящегося сквозь приоткрытое окно. Дорога становилась ровнее и гладкий асфальт позволял нам ускориться, с полной уверенностью в том, что впереди нас ждут еще более захватывающие виды. Наш разговор становился тише, прерываемый лишь редкими восклицаниями, когда мы в очередной раз сталкивались с потрясающими видами, каждый из которых был великолепнее предыдущего. А когда красота становилась беспощадной, мы с вынужденным сожалением нарушали данное себе обещание.
With weary yet exhilarated spirits, our band of photographers crested the apex of the pass, the rugged path giving way to a surprisingly smooth thoroughfare that snaked elegantly through the high mountain meadows. The golden hour had arrived, casting a warm and gentle embrace upon the landscape, as if the very sun itself had descended to say the earth goodbye for the night. The vast sky was strewn with colossal clouds that shimmered with an amber hue, tenderly hugging the snow-capped peaks of the main ridge. Despite our earlier vow to push onward without pause, the irresistible allure of the moment compelled us to slow our pace and drink in the splendor before us. Some took pictures of eagles soaring high in the sky, while others noticed the beauty of the icy peaks and took close-up photos of them. Yet amidst this grand tableau, I couldn't help but notice an orange truck, a tiny speck in the vast wilderness, racing as if propelled by the very heartbeat of the mountains. Perhaps, even now I cannot give an answer as to why I chose him as the subject of my photograph. Most likely because he looked completely ridiculous and alien, but then he seemed like a comet that had rushed across the valley, leaving behind only a dusty cloud.
The time allotted for this stop expired, and everyone reluctantly made their way into the cars. The engine roared to life and we continued our hurried and choppy journey to the sunset shoot. The tires humming a soft lullaby that harmonized with the whispers of the wind, coming through the half-open window. The road became smoother and the smooth asphalt allowed us to accelerate, with complete confidence in that more breathtaking views await us ahead. Our conversation grew quieter, punctuated by the occasional exclamation as we encountered breathtaking vistas, each more magnificent than the last. And when beauty became merciless, we, with forced regret, broke the promise we had made to ourselves.
Sponsored by KraftWork & ionic
Plants swaying gently in the breeze, their leaves whispering tales of forgotten love.
Here, amidst the nostalgic fragrance of blooming flowers, one finds a solitary figure, penning heartfelt letters to past lovers. Each stroke of the pen echoes the whispers of memories shared, of moments cherished, and of love lost but never forgotten. A love that lingers like a fragrant memory, forever etched in the garden of the heart.
Transform your own enchanting romantic garden into a whimsical oasis of shabby chic elegance with the exquisite KraftWork Mitos set, now available at a special price during the Happy Weekend Sale. Choose from a delightful array of colors to seamlessly complement your unique color palette.
Illuminate your garden path with the graceful glow of ionic's stunning Park street lamp, casting a soft, inviting light that dances among the lush greenery. The vibrant classic emerald green hue effortlessly harmonizes with the surrounding shrubbery.
Full Credits and Links -
Created for Photoshop Contest ~ Week 1080 ~ Blossom
Thanks to Piet Krom for starter image.
BEST VIEWED LARGE
Created for DUC July 2026 Challenge
Thanks to swissrock for starter images.
EVERYTHING completed in Photoshop PS26
BEST VIEWED LARGE
This historic home was built in 1910 by esteemed architect Charles Page for Fannie Badger Bailey and her husband, Dr. Edward Bailey. The Craftsman architecture of this home resembles the building style begun by architects Greene & Greene of Pasadena, California, during the Arts and Crafts era in the early 1900s. Their influence on architect Charles Page is seen in the building's broad porches, series of gable roofs, deep projecting eaves with exposed rafter tails and porte cochere.
The home exemplifies the Craftsman ideal by using local materials such as the river rocks on the chimneys and porch columns, the structural timberwork, and the interior long-leaf wood paneling, beams, and flooring. Open porches, casement windows, and warm natural shades of green and brown harmonize with the outdoor landscape. The Bailey-Houston House was designated a City of Austin Historic Landmark in 1987 and has been beautifully restored by the current owners/architect.
Listed on the National Register of Historic Places in 1990, the Hyde Park Historic District includes an eclectic mixture of architectural styles, from late 19th-century Queen Anne and Classical Revival homes to 20th-century bungalows and ranch houses. Additionally, many of the houses and buildings in Hyde Park have been designated City of Austin Historic Landmarks and Texas Historic Landmarks.
Source: Hyde Park Neighborhood Association Homes Tour Guide
The weekend comes to this town
Seven days too soon
For the ones who have to make up
What we break up of their rules
Well I saw Captain Kidd on Sunset
Tell his boys they're in command
While Chino danced a tango
With a broomstick in his hand
He said: It's alright (alright) if you have a good time
It's alright (alright) if you want to cross that line
To break on through to the other side
Let it rock, let it go
You can't stop a fire burning out of control
Let it rock, let it go
With the night you're on the loose
You got to let it rock
English
This photo features the indoor pool area at Hurdalsjøen Hotell & Spa, a tranquil sanctuary nestled in the forests of Hurdal, Norway. Situated right on the shores of the scenic Lake Hurdalsjøen, this 'terapibasseng' (therapy pool) is designed for ultimate wellness. The warm water and the striking stainless steel neck-shower waterfall are specifically engineered to relieve muscle tension and promote deep relaxation. Large glass windows at the far end bridge the gap between the indoors and the pristine Norwegian wilderness, offering swimmers a view of the lake and surrounding woodlands. The sleek design with dark wooden paneling beautifully reflects modern Scandinavian architecture, built to harmonize with the peaceful natural environment.
Nederlands
Deze foto toont het binnenzwembad van het Hurdalsjøen Hotell & Spa, een oase van rust verscholen in de bossen van Hurdal, Noorwegen. Het hotel ligt direct aan de oevers van het idyllische Hurdalsjøen-meer. Het zwembad is ontworpen als een 'terapibasseng' (therapiebad), waarbij het warme water en de opvallende roestvrijstalen nekdouche/waterval speciaal bedoeld zijn om spieren te ontspannen en stress te verminderen. De grote glazen wanden aan de achterzijde halen de Noorse natuur naar binnen, waardoor gasten tijdens het zwemmen kunnen genieten van het uitzicht over het uitgestrekte meer en de omliggende bossen. Het strakke design met donkere houttinten weerspiegelt de moderne Scandinavische architectuur die naadloos opgaat in de rustgevende omgeving.
Puente del Kursaal, Donostia, Guipúzcoa, España.
Puente de tramos rectos de hormigón armado, recubierto por piedra de Motrico y mármol rosa, con elementos decorativos de estilo modernista. Construido sobre grandes pilares, de donde arrancan las seis características farolas que contienen a esta obra su marcada personalidad.
A comienzos del siglo XX. El ayuntamiento apoya la construcción de un tercer puente sobre el Urumea "en el que se armonicen la solidez y la resistencia con la monumentalidad y belleza del conjunto".
El ingeniero Ribera presentó al Ayuntamiento una importante modificación: el puente de la Zurriola, proyecto inicialmente con arcos, será construido con tramos rectos.
El 14 de Agosto de 1921 numerosísimo público acudió a la inauguración.
El barandado metálico y los obeliscos que hacen de farolas son obra de Victor Arana. Las cuatro esfinges de bronce pertenecen a la reforma de 1993. Tienen 120 metros de largo como el puente de Santa catalina con el que mantiene cierta armonía de líneas y es algo mayor que el Puente de María Cristina, de 100 metros.
Años de realización: 1918-1921
Autor: J.E.RIBERA
Bridge of straight sections of reinforced concrete, covered by motric stone and pink marble, with decorative elements of modernist style. Built on large pillars, from which the six characteristic lanterns that contain this work its marked personality.
At the beginning of the 20th century. The city council supports the construction of a third bridge over the Urumea "in which solidity and resistance are harmonized with the monumentality and beauty of the whole".
Engineer Ribera presented the City Council with an important modification: the Zurriola bridge, initially with arches, will be built with straight sections.
On August 14, 1921, a large audience attended the inauguration.
The metal balustrade and the obelisks that act as lampposts are the work of Victor Arana. The four bronze sphinxes belong to the 1993 reform. They are 120 meters long, like the Santa Catalina bridge, with which it maintains a certain harmony of lines and is somewhat larger than the María Cristina Bridge, which is 100 meters long.
Years of realization: 1918-1921
Author: J.E.RIBERA
Buy this photo on Getty Images : Getty Images
Ulu Mosque is the largest mosque in the Netherlands.
Construction began in 2009 and the building was finished in 2015.
The mosque's exterior was designed by Dutch architect Ishak Önen.
Red bricks were a deliberate choice to ensure the building complements the Dutch architectural style and harmonizes with its surroundings.
The interior was designed by Semih Irteş, an Istanbul-based architect and artist known for his traditional style.
This ground floor is for men, 2 upper floors are for women. The building is suitable for 1600 visitors.
Submitted: 30/12/2025
Needs revision
Resubmitted: 07/01/2026
Accepted: 08/01/2026
Bei dieser Aufnahme gefällt mir wie gut die Amseline farblich mit den heruntergefallenen Blättern harmoniert. Sie guckt etwas streng. Ich verstehe sie. Da geht mal einer vor ihr auf die Knie und dann wird es statt eines Antrags - nur ein Foto... 😋
In this shot, I like how well the colour of the blackbird harmonizes with the colours of the fallen leaves. She looks a bit stern. I feel with her.... Finally someone gets on his knees in front of her and then instead of a proposal it becomes - just a photo... 😋
Created for DUC July 2026 Challenge
Thanks to swissrock for starter images.
EVERYTHING completed in Photoshop PS26
BEST VIEWED LARGE
Created for Photoshop Contest Week 1094 ~ Guitar.
Thanks to Gillian Everett for starter image.
Entire image created in Photoshop PS26
BEST VIEWED LARGE
This image captures a quintessential architectural detail found in the historic urban fabric of Italian cities, likely in a region like Tuscany or Emilia-Romagna. The focus is a grand, semi-circular arched doorway framed by heavy, rusticated stone masonry known as ashlar. This technique, characterized by large, textured blocks of stone with beveled edges, was a hallmark of Renaissance architecture, designed to convey strength, permanence, and a sense of imposing aesthetic order. Above the wooden door, a delicate iron grille provides ventilation and light, contrasting with the robustness of the surrounding brickwork and stone.
The city depicted is Siena, Italy, a location renowned for its profound historical significance and medieval urban planning. Siena’s architecture is largely defined by its brick facades and the pervasive influence of Gothic and Renaissance styles, which have been meticulously preserved through the centuries. Visitors to this region often prioritize exploring the Piazza del Campo and the Duomo, while the culinary landscape offers exceptional local delicacies. One must sample pici, a thick, hand-rolled pasta, and panforte, a traditional dense fruit and nut cake that dates back to the 13th century, often enjoyed with a glass of robust Chianti Classico wine.
This type of entrance reflects the socio-economic status of the historic buildings in the city center, where such grand portals were indicators of wealth and civic prestige. The use of exposed brick—a material deeply tied to the clay-rich soils of the Tuscan landscape—harmonizes with the lighter stone accents to create the warm, monochromatic palette characteristic of the area. Beyond its functional role, this structure serves as a tangible link to the past, embodying the continuity of craftsmanship that allows historic Italian centers to remain living museums of human habitation, commerce, and art.
All this splendor makes me feel a little like a lonesome midget...
Monsieur Epernay Freschi has an eagle eye to select and harmonize his decor, with the help of his architect and interior designer, Madame Caroline de Rothschild.
Location: Petit Trianon @ Tikki
view on black www.flickriver.com/photos/10334788@N02© All rights reserved
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# Glory in the Snow - Chionodoxa luciliae - Schneestolz, Schneeruhm, Schneeglanz
fresh out from the camera ..
for wishing us all a beautiful blue monday !
PERMISSION
Allow yourself...grant yourself the permission to be who you are. Taking advice...listening to suggestions from other beings, including us...is all well and good, but it is you that have to decide what works for you, you that have to decide what harmonizes with your frequency, you that have to be you. No one else is going to live your life for you, you
have to be the one to live it.~ Bashar
Bashar Permission Slips Pt 1
As I stand before the watercolor painting created using digital tools using one of my own pictures as model, I am instantly transported to the quaint and picturesque streets of Brugge, Belgium. The artist's skillful brushstrokes have beautifully captured the essence of this historic city, and my eyes are drawn to a particular scene in the heart of the old town.
In the center of the painting, nestled among cobblestone streets and surrounded by charming modern buildings, stands a remarkably old house. Its weathered facade exudes a sense of history, revealing the passage of time etched onto its walls. The centuries have gently worn away its vibrant colors, leaving behind a muted palette of soft pastels, harmonizing with the surrounding architecture.
The house, once a residence of the past, has undergone a remarkable transformation. It has been lovingly repurposed into a chocolate store, its purpose changed, but its soul preserved. Windows adorn the ground floor, proudly displaying the mouthwatering creations within.
Through the windows, I catch glimpses of the delightful confections that await inside. Rows of handmade chocolates, elegantly arranged and tempting passersby, create a mesmerizing display. The store's interior seems to emanate a warm glow, inviting visitors to step inside and experience the enchantment within.
The artist's attention to detail is truly remarkable. They have skillfully captured the intricate architectural features of the old house. The steeply pitched roof, adorned with weathered tiles, adds character and charm.
The painting depicts a bustling scene around the chocolate store. Tourists and locals alike pause to admire the old house-turned-store, their faces alive with wonder and anticipation. The sound of laughter and conversation drifts through the air, mingling with the aromas of chocolate and the soft melody of distant church bells.
As I continue to gaze at the watercolor painting, I am filled with a sense of nostalgia and wonder. It encapsulates the essence of Brugge—the harmonious blend of history and modernity, the preservation of heritage in the face of changing times. It reminds me of the beauty that can emerge when the past and present come together, transforming a once-forgotten house into a sanctuary of chocolate delights in the heart of a city that holds its memories dear.
20220609_RX_05195_BRUJAS
"Far Away Eyes" Rolling Stones 1978
I was driving home early Sunday morning through Bakersfield
Listening to gospel music on the colored radio station
And the preacher said, you know you always have the Lord by your side
And I was so pleased to be informed of this that I ran
Twenty red lights in his honor
Thank you Jesus, thank you Lord
I had an arrangement to meet a girl, and I was kind of late
And I thought by the time I got there she'd be off
She'd be off with the nearest truck driver she could find
Much to my surprise, there she was sittin' in the corner
A little bleary, worse for wear and tear
Was a girl with far away eyes
So if you're down on your luck
And you can't harmonize
Find a girl with far away eyes
And if you're downright disgusted
And life ain't worth a dime
Get a girl with far away eyes
Well the preacher kept right on saying that all I had to do was send
Ten dollars to the church of the Sacred Bleeding Heart Of Jesus
Located somewhere in Los Angeles, California
And next week they'd say my prayer on the radio
And all my dreams would come true
So I did, the next week, I got a prayer with a girl
Well, you know what kind of eyes she got, well I'll tell ya
So if you're down on your luck
I know you all sympathize
Find a girl with far away eyes
And if you're downright disgusted
And life ain't worth a dime
Get a girl with far away eyes
So if you're down on your luck
I know you all sympathize
Get a girl with far away eyes
The orange umbrellas are extensions from the waterfront restaurants and cafes. The floodlights have just been turned on, imparting warm light on the sand which harmonizes with the mauve colour in some of the evening clouds and in contrast to the ever deepening blue of the sky. A pair of seagulls happen to be winging just above, adding a bit of motion to the otherwise serene beach scene.
In the middle left is W Barcelona, a 5-star hotel still in construction. Platja (beach) Barceloneta is facing Mediterranean Sea.
Hi!♥
I created these Lovely magnolia Flower vase + Single Branches Available for you can use as you wish.
Very simple release but yet perfect to harmonize your table or décor your space with some colors and delicacy.
This Release is Available for Purchase at FaMEshed May 1
Thank you everyone :) Hope u like these!
photo rights reserved by Ben
The stone sculptures in Sno, a small village in the Kazbegi region of Georgia, are part of a remarkable art project in the Caucasus. These sculptures consist of impressive stone artworks depicting giant faces, often with a melancholic or mysterious expression. They were created by local artist Merab Piranishvili, who is renowned for his unique ability to bring faces and emotions to life in natural stone. Working primarily with local stones, he carves expressive facial features that tell stories about life, the soul, and the deep connection with nature. The sculptures symbolize the ancient wisdom of the mountain dwellers and the spirit of the past. The faces sometimes appear sad or contemplative, reflecting both the challenges and the beauty of life in the Caucasus. Fully integrated into the surrounding landscape, the sculptures stand among the mountains, hills, and rugged grasslands, blending seamlessly with their natural environment. This is what makes Piranishvili’s work so unique: he respects the natural shapes of the stones and subtly adds human characteristics without compromising their raw, natural beauty. Piranishvili often works directly in the field, selecting local stones and carving them with a hammer and chisel. He carefully considers the natural form of each stone, adapting his designs to create a result that looks organic and harmonizes with the surrounding environment.
Sno is located near the breathtaking Stepantsminda area and the imposing Mount Kazbegi. The stone sculptures are a hidden gem in this region, attracting an increasing number of art enthusiasts and travelers. The site exudes a serene, almost meditative atmosphere—perfect for those seeking something unique off the beaten path. If you ever find yourself near Kazbegi, these sculptures are well worth a visit. They offer a truly unique experience where art and nature come together in perfect harmony.
De stenen sculpturen in Sno, een klein dorpje in de Kazbegi-regio van Georgië, maken deel uit van een bijzonder kunstproject in de Kaukasus. De sculpturen bestaan uit indrukwekkende stenen kunstwerken van gigantische gezichten, die vaak een melancholische of mysterieuze uitstraling hebben. Ze zijn gecreëerd door de lokale kunstenaar Merab Piranishvili, die bekendstaat om zijn unieke vaardigheid om gezichten en emoties tot leven te brengen in natuursteen. Hij werkt voornamelijk met lokale stenen en geeft ze expressieve gezichtsuitdrukkingen die verhalen vertellen over het leven, de ziel en de diepe verbondenheid met de natuur. De sculpturen symboliseren de oude wijsheid van de bergbewoners en de geest van het verleden. De gezichten tonen soms een droevige of reflectieve uitdrukking, wat de uitdagingen én de schoonheid van het leven in de Kaukasus weerspiegelt. De beelden zijn volledig geïntegreerd in het omringende landschap: ze staan tussen de bergen, heuvels en het ruige grasland, waardoor ze naadloos opgaan in hun natuurlijke omgeving. Dit maakt het werk van Piranishvili zo uniek: hij respecteert de oorspronkelijke vormen van de stenen en voegt subtiel menselijke kenmerken toe, zonder hun ruwe, natuurlijke schoonheid aan te tasten. Sno ligt vlakbij het adembenemende berggebied Stepantsminda en de imposante Kazbegi-berg. De stenen sculpturen zijn een verborgen juweel in deze regio en trekken steeds meer kunstliefhebbers en reizigers aan. De plek straalt een rustige, bijna meditatieve sfeer uit, ideaal voor wie op zoek is naar iets unieks buiten de gebaande paden. Piranishvili werkt meestal direct in het veld, waarbij hij natuursteen uit de regio selecteert en met hamer en beitel bewerkt. Hij houdt rekening met de oorspronkelijke vormen van de steen en past zijn ontwerpen hierop aan, zodat het eindresultaat natuurlijk oogt en harmonieert met de omgeving. Als je ooit in de buurt van Kazbegi bent, mag je deze sculpturen zeker niet missen. Ze bieden een bijzondere ervaring waarin kunst en natuur op een unieke manier samensmelten!
Der Hauptbahnhof von Arnheim besticht durch seine sehr besondere Architektur. Diese ist geprägt durch riesige,skulpturenartige Elemente die sehr gut mit harten Linien harmonieren. Die abgerundeten Tische und Sitzgelegenheiten aus Holz koresspondieren gut mit den Holzelementen an den Wänden und Decken. Ich empfinde den Bahnhof schon als Gesamtkunstwerk und war sehr beeindruckt von dieser tollen Architektur.
Arnhem Central Station impresses with its very unique architecture. It is characterized by enormous, sculptural elements that harmonize beautifully with the bold lines. The rounded wooden tables and seating complement the wooden elements on the walls and ceiling. I consider the station a work of art in its own right, and I was very impressed by its stunning architecture.
Le bâtiment Richard Meier, d'un blanc éclatant, se dresse au cœur de la nature environnante. Que les visiteurs se réjouissent : là où l'art et le nouveau bâtiment du musée s'harmonisent, ils seront les gagnants. Ici, pas de compétition pour occuper la vedette, mais un lieu empreint d'art, un lieu qui révèle sa vraie nature et offre un écrin aux œuvres de l'artiste-mécène du musée ainsi qu'à l'art contemporain.
« Mon architecture ouverte et transparente crée des transitions fluides entre l'intérieur et l'extérieur et reflète le même lien avec la nature que celui exprimé dans les œuvres de Hans Arp. »
En tant que l'un des plus grands architectes de musées internationaux, Richard Meier se réfère dans son architecture aux principes du modernisme classique, un style qui a connu son apogée au début du XXe siècle. Cette époque a également façonné l'œuvre du duo d'artistes Hans Arp et Sophie Taeuber-Arp. Le bâtiment de Meier est baigné de lumière et semble emmener les visiteurs hors de leur quotidien. Ici, les œuvres trouvent un espace propice à leur épanouissement.
The dazzling white Richard Meier Building stands out in the heart of the surrounding nature. Visitors can rejoice: wherever art and the new museum building harmonize, they will be the winners. Here, there's no competition for the spotlight, but a place imbued with art, a place that reveals its true nature and provides a showcase for the works of the museum's artist-patron as well as contemporary art.
"My open and transparent architecture creates seamless transitions between indoors and outdoors and reflects the same connection with nature expressed in the works of Hans Arp."
As one of the greatest international museum architects, Richard Meier refers in his architecture to the principles of classical modernism, a style that reached its peak in the early 20th century. This era also shaped the work of the artist duo Hans Arp and Sophie Taeuber-Arp. Meier's building is bathed in light and seems to transport visitors away from their everyday lives. Here, the works find a space conducive to their development.
Immerse yourself in the enchanting beauty of Pfarramt in Pinswang, nestled in the heart of the Austrian Alps. This curated collection of images captures not only the architectural splendor of the Pfarramt but also the breathtaking natural surroundings that make this place truly special. From lush alpine landscapes to the serene embrace of nature, each photo tells a story of spiritual tranquility harmonizing with the picturesque Austrian scenery. Join us on a visual journey celebrating the divine connection between architecture and nature in the idyllic setting of Pinswang.
XVII: The Star
(Male version): A man sculpted in light and shadow, with a multi-pointed star-like head covering his face, dressed in close-fitting attire and straps that suggest restraint and ritual. Around him, a nocturnal atmosphere and distorted stars vibrate in a deep sky.
Key symbolism: hope, renewal, and inner faith. In this male version, the light manifests as an intuition closed off from the outside world: a clarity that endures amidst the darkness, like an inner beacon that never goes out.
Message in Gothic terms: even in the densest night, there is a source of clarity and healing. The Star invites us to trust our own inner guidance, to harmonize past pain, and to allow hope to transform because darkness is not the end, but the prelude to an intimate renewal.
Thematic contrast: in contrast to the Tower/The Devil, the Star represents serenity, authenticity, and connection with the transcendent. In a dark context, it can point to the need to cultivate faith and balance when everything seems to be falling apart.
Emotional openness: It offers serenity, inspiration, and the promise of healing. In the masculine version, this healing can be seen as discipline, purification rituals, and a renewal born from will and dignity in the face of darkness.
Le bâtiment Richard Meier, d'un blanc éclatant, se dresse au cœur de la nature environnante. Que les visiteurs se réjouissent : là où l'art et le nouveau bâtiment du musée s'harmonisent, ils seront les gagnants. Ici, pas de compétition pour occuper la vedette, mais un lieu empreint d'art, un lieu qui révèle sa vraie nature et offre un écrin aux œuvres de l'artiste-mécène du musée ainsi qu'à l'art contemporain.
« Mon architecture ouverte et transparente crée des transitions fluides entre l'intérieur et l'extérieur et reflète le même lien avec la nature que celui exprimé dans les œuvres de Hans Arp. »
En tant que l'un des plus grands architectes de musées internationaux, Richard Meier se réfère dans son architecture aux principes du modernisme classique, un style qui a connu son apogée au début du XXe siècle. Cette époque a également façonné l'œuvre du duo d'artistes Hans Arp et Sophie Taeuber-Arp. Le bâtiment de Meier est baigné de lumière et semble emmener les visiteurs hors de leur quotidien. Ici, les œuvres trouvent un espace propice à leur épanouissement.
The dazzling white Richard Meier Building stands out in the heart of the surrounding nature. Visitors can rejoice: wherever art and the new museum building harmonize, they will be the winners. Here, there's no competition for the spotlight, but a place imbued with art, a place that reveals its true nature and provides a showcase for the works of the museum's artist-patron as well as contemporary art.
"My open and transparent architecture creates seamless transitions between indoors and outdoors and reflects the same connection with nature expressed in the works of Hans Arp."
As one of the greatest international museum architects, Richard Meier refers in his architecture to the principles of classical modernism, a style that reached its peak in the early 20th century. This era also shaped the work of the artist duo Hans Arp and Sophie Taeuber-Arp. Meier's building is bathed in light and seems to transport visitors away from their everyday lives. Here, the works find a space conducive to their development.
Ƈяєɗιтѕ
Some spaces are born to be admired, while others seem created to be lived in. This enchanting playground belongs to the latter category: a corner where nature, architecture, and children’s imaginations coexist in perfect harmony.
The elegant and serene white house stands as the heart of the scene. Its classic lines and spacious veranda convey a sense of refuge, of a true home, one of those places where afternoons seem to stretch slowly as the sun caresses every corner. Surrounded by centuries-old trees that offer shade and protection, the house blends naturally into the landscape, allowing the garden to become an extension of family life.
But it is outside where the magic truly happens.
Among wildflowers in soft colors, stone pathways, and grasses swaying in the breeze, a small universe dedicated to imagination emerges. The pastel-hued playhouse looks like it came straight out of a picture book, inviting children to create endless stories of princesses, explorers, adventurers, or simply afternoons of friendship and laughter.
Just a few steps away, a small children’s table patiently awaits an impromptu snack, an imaginary lesson, or a secret get-together with friends. Every element is placed with a naturalness that makes you feel the place has been lived in and loved for years.
The picnic blanket decorated with bunting adds a festive and welcoming touch. It’s the perfect corner for reading stories, sharing lemonade in spring, or simply watching the clouds slowly drift across the sky. The soft colors harmonize with the garden flowers, creating a delicate and luminous atmosphere that celebrates the beauty of small things.
The most captivating aspect of this design is its ability to respect nature rather than dominate it. Flowers grow freely around the play areas, the trees retain their prominence, and every shadow cast by the sun contributes to the feeling of realism and warmth. There is no excess or artifice; It’s simply a balanced composition where every detail seems to belong perfectly in its place.
This patio isn’t just a place to play. It’s a stage for creating memories. A refuge where the seasons leave their mark, where spring bursts into color, and where childhood finds the perfect environment to grow surrounded by beauty.
Because, in the end, the best spaces aren’t those that impress at first glance, but those that make us imagine the joy of lingering there a little longer. And this garden, full of flowers, light, and tenderness, achieves exactly that.
Hisa @equal10
HISA – Puddle B + Clover example
HISA – Puddle D + Clover example
HISA – Wildflowers – Patch A
HISA – Wildflowers – Patch B
HISA – Wildflowers – Patch
Little branch
LB_CrispyGrass{Animated}Seasons LB_ElderwoodOak{4Seasons}Animated
Trompe Loeil Mainstore – Mohegan Beach Cottage White @Uber
Kitty Kate
{KK} Dolly Eva w/Pillow
{KK} Dolly Lia w/pillow
{KK} Dolly Zoe w/pillow
{KK} Dream Playhouse (Parent ANIMATED)
{KK} Extra Zooby Mat
{KK} Playhouse Decor Rug
{KK} Zooby Summer Playmat
{KK} Zooby Aqua Flower Cushion
{KK} Zooby Pink Flower Cushion
{KK} Zooby Playhouse Pillow
{KK} Zooby Playtable (grouped)
{KK} Zooby Yellow Flower Cushion
The loblolly pines with their sharp needles and prickly cones soften when seen from a distance, harmonizing with the soft puffy texture of the clouds at sunset.
photo rights reserved by Ben
The stone sculptures in Sno, a small village in the Kazbegi region of Georgia, are part of a remarkable art project in the Caucasus. These sculptures consist of impressive stone artworks depicting giant faces, often with a melancholic or mysterious expression. They were created by local artist Merab Piranishvili, who is renowned for his unique ability to bring faces and emotions to life in natural stone. Working primarily with local stones, he carves expressive facial features that tell stories about life, the soul, and the deep connection with nature. The sculptures symbolize the ancient wisdom of the mountain dwellers and the spirit of the past. The faces sometimes appear sad or contemplative, reflecting both the challenges and the beauty of life in the Caucasus. Fully integrated into the surrounding landscape, the sculptures stand among the mountains, hills, and rugged grasslands, blending seamlessly with their natural environment. This is what makes Piranishvili’s work so unique: he respects the natural shapes of the stones and subtly adds human characteristics without compromising their raw, natural beauty. Piranishvili often works directly in the field, selecting local stones and carving them with a hammer and chisel. He carefully considers the natural form of each stone, adapting his designs to create a result that looks organic and harmonizes with the surrounding environment.
Sno is located near the breathtaking Stepantsminda area and the imposing Mount Kazbegi. The stone sculptures are a hidden gem in this region, attracting an increasing number of art enthusiasts and travelers. The site exudes a serene, almost meditative atmosphere—perfect for those seeking something unique off the beaten path. If you ever find yourself near Kazbegi, these sculptures are well worth a visit. They offer a truly unique experience where art and nature come together in perfect harmony.
De stenen sculpturen in Sno, een klein dorpje in de Kazbegi-regio van Georgië, maken deel uit van een bijzonder kunstproject in de Kaukasus. De sculpturen bestaan uit indrukwekkende stenen kunstwerken van gigantische gezichten, die vaak een melancholische of mysterieuze uitstraling hebben. Ze zijn gecreëerd door de lokale kunstenaar Merab Piranishvili, die bekendstaat om zijn unieke vaardigheid om gezichten en emoties tot leven te brengen in natuursteen. Hij werkt voornamelijk met lokale stenen en geeft ze expressieve gezichtsuitdrukkingen die verhalen vertellen over het leven, de ziel en de diepe verbondenheid met de natuur. De sculpturen symboliseren de oude wijsheid van de bergbewoners en de geest van het verleden. De gezichten tonen soms een droevige of reflectieve uitdrukking, wat de uitdagingen én de schoonheid van het leven in de Kaukasus weerspiegelt. De beelden zijn volledig geïntegreerd in het omringende landschap: ze staan tussen de bergen, heuvels en het ruige grasland, waardoor ze naadloos opgaan in hun natuurlijke omgeving. Dit maakt het werk van Piranishvili zo uniek: hij respecteert de oorspronkelijke vormen van de stenen en voegt subtiel menselijke kenmerken toe, zonder hun ruwe, natuurlijke schoonheid aan te tasten. Sno ligt vlakbij het adembenemende berggebied Stepantsminda en de imposante Kazbegi-berg. De stenen sculpturen zijn een verborgen juweel in deze regio en trekken steeds meer kunstliefhebbers en reizigers aan. De plek straalt een rustige, bijna meditatieve sfeer uit, ideaal voor wie op zoek is naar iets unieks buiten de gebaande paden. Piranishvili werkt meestal direct in het veld, waarbij hij natuursteen uit de regio selecteert en met hamer en beitel bewerkt. Hij houdt rekening met de oorspronkelijke vormen van de steen en past zijn ontwerpen hierop aan, zodat het eindresultaat natuurlijk oogt en harmonieert met de omgeving. Als je ooit in de buurt van Kazbegi bent, mag je deze sculpturen zeker niet missen. Ze bieden een bijzondere ervaring waarin kunst en natuur op een unieke manier samensmelten!
Created for Photoshop Contest ~ Week 1109 ~ Roman mosaic.
Thanks to Ken Barker for starter image.
All work completed in Photoshop PS26
BEST VIEWED LARGE
I took a similar shot to this a few years ago, but it was afterhours and in black & white. This time, they left the engines out for some reason. I'm not complaining.
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'Chosen to Harmonize'
Camera: Mamiya m645j
Lens: Mamiya-Sekor 2.8; 45mm
Film: Rollei Crossbird
Process: DIY ECN-2
Promontory, Utah
July 2020
I step out into the forest, where secrets linger in the hush between branches, and the night seems to lean closer to listen. I wear my intrigue like a second skin—the Sama Jumpsuit by Enchantress—and the world follows my silhouette without asking where I’m going.
The cut is deliberate. The silhouette is unapologetically sensual. This jumpsuit traces my body with a knowing confidence, sculpting my waist and hips as though it were designed from memory rather than fabric. Strategic cutouts and peek holes reveal flashes of skin in precisely the right places—never too much, always enough—inviting the eye to linger, then move on wanting more. Gold-toned accents catch the low light, glinting softly as I shift, each detail whispering intention.
Against my flesh, the ethnic tattoo emerges like a private ritual—tinted to harmonize perfectly with my Sama Jumpsuit. It feels ancient and intimate all at once, an organic extension of my body rather than adornment. The ink moves with me, enhancing the curves the fabric so carefully frames, deepening the story written across my skin.
Topping it all is the Remi Hat by Vesta, a piece that grounds the look with quiet authority and timeless allure. Its plush-trimmed brim frames my face, lending a refined contrast to the bold sensuality beneath. With its color-changing HUD, I drift effortlessly through moods—rich wine, soft neutrals, earthy greens—each shade transforming the narrative. Fully resizable by script and crafted with exquisite texture, the Remi Hat draws inspiration from classic winter silhouettes and reimagines them for a woman who commands attention without asking for it.
The Sama Jumpsuit is BOM (Bakes on Mesh)—seamless, elegant, and effortlessly wearable. It is available in 10 stunning colors, allowing you to choose whether your presence tonight is mysterious, daring, or quietly irresistible.
I disappear out into the forest, leaving only the impression of movement, warmth, and unanswered questions.
Discover the Sama Jumpsuit by Enchantress, the Ethnic Tattoo, and the Remi Hat by Vesta —
exclusively at the Swank – Renew Yourself Makeover January Event:
👉 maps.secondlife.com/secondlife/Swank%20Events/128/124/39
Some stories are worn.
Others are felt.
Excerpt from spatialsolutions.maps.arcgis.com/apps/MapTour/index.html?...:
Lookout Algonquin Park (83) by Shelly Locke: My painting “Look Out Trail-Algonquin Park”, is the first in a series of paintings from my own travel photos and one of my favourite places to decompress. Even though this is my rendition of Algonquin Park it will very easily lead one to think of many, nearby hiking trails on the escarpment. This series turns my photos into surreal, fantasy landscapes that have been reduced to colourful and vibrant, harmonizing shapes. This specific painting is a visual illusion of a rocky woodland that will speak volumes to the outdoor enthusiast as well as inspire a longing to walk amongst the trees by others less outdoorsy. Set off by a background blend of light blue and white representing a calm blue sky. The earthy undertones invoke a calm peacefulness. The warm tones of the landscape contrast perfectly with the organic lines and monochromatic cool tones of the shadowy rock face. The relaxed ambiance of nature is conjured within one’s mind.
The same design also appears on 61, 73, 75, 88.
Semana Santa en Sevilla. En la fotografía, el momento esperado de la imagen anterior, la procesion del Santïsimo Cristo de la Salud (Hermandad de San Bernardo) procesionando por el Puente de los Bomberos.
Sobre su autoría, para ciertos entendidos y atendiendo a los escasos y diferentes estudios, esta obra podría haber salido de la gubia de José de Arce en el año 1669.
Tallada en madera de cedro policromada, que mide un metro setenta, y cinco centimetros, representando a Cristo muerto crucificado momentos después de la expiración.
Esta es una talla esbelta, nítidamente barroca, perfectamente armonizada, aunque de fuertes miembros proporcionados. Su aspecto dramático se identifica por el movimiento de laxitud del cuerpo sin vida, que cae de manera sobrecogedora de los clavos que lo sujetan a la Cruz, como se puede observar por la tensión de sus brazos y su posición colgante y encorvada. Sin embargo, muestra un rostro dulcificado que produce un extraordinario impacto devocional y que siempre llama a su contemplación. Dicho por los expertos, esta escultura es de los mejores que se han tallado en la ciudad.
El momento de la fotografía es procesionando sobre el Puente de San Bernardo, o también llamado Puente de los Bomberos (Ver foto anterior). Durante este tramo de recorrido se apaga toda la iluminación urbana y el Cristo se ilumina puntualmente con un foco instalado sobre una enorme grua del Parque de Bomberos (junto al puente) Esto y el silencio de la multitud, solo roto por el caminar de los costaleros bajo la canasta del Cristo, hacen de estos momentos algo único y con una fuerte carga de emoción y sentimientos, por lo menos para los sevillanos.
English
Holy Week in Seville. In the photograph, the expected moment of the previous image, the procession of the Santïsimo Cristo de la Salud (Brotherhood of San Bernardo) processioning by the Firefighters bridge.
Regarding its authorship, for certain experts and taking into account the few and different studies, this work could have come from the gouge of José de Arce in the year 1669.
Carved in polychrome cedar wood, measuring one meter seventy and five centimeters, representing the dead Christ crucified moments after expiration. This is a slender carving, clearly baroque, perfectly harmonized, although with strong proportioned limbs. Its dramatic appearance is identified by the lax movement of the lifeless body, which falls in an overwhelming way from the nails that hold it to the Cross, as can be seen by the tension of its arms and its hanging and hunched position. However, he shows a sweetened face that produces an extraordinary devotional impact and that always calls for contemplation of him. Said by experts, this sculpture is one of the best that has been carved in the city.
The moment of the photograph is procession over the San Bernardo Bridge, or also called the Firefighters Bridge (See previous photo). During this section of the route, all the urban lighting is turned off and the Christ is illuminated punctually with a spotlight installed on a huge crane in the Fire Station (next to the bridge). This and the silence of the crowd, only broken by the walking of the costaleros under the basket of Christ, make these moments something unique and with a strong charge of emotion and feelings, at least for the Sevillians.
Cámara Nikon D850 con lente Nikkor 14-24 F2.8/G-ED editada con ACR y Photoshop 2024
Recomiendo hacer doble click sobre la imagen y ver en grande.
I recommend see in larger, clicking double on the image.
Happy Caturday theme 19 October 2019: Containers. Tikki isn't that motivated by containers, so I decided to give her "incentive". I took this decorative gourd bucket and put a few treats in it - she's a sucker for treats - she knocked the gourd onto the floor almost immediately and did manage to extract the treats. There were plenty of shots with her buried up to her front shoulders in the thing, but I like this better. (You see a bit of face, and I know that white paw has a treat under it just extracted). And she harmonizes with the artwork on the gourd.
www.youtube.com/watch?v=vSL5AHhpi6U
sorry Jamie Cullum's version is not available...but Shirley Horn is damn good
...A TIME FOR LOVE - Jamie Cullum
A time for summer skies
For hummingbirds and butterflies
For tender words that harmonize with love
A time for climbing hills
For leaning out of windowsills
Admiring daffodils above ADMIRING THE DAFFODILS ABOVE
A time for holding hands together
A time for rainbow coloured weather
A time of make believe that we've been dreaming of
As time goes drifting by
The willow bends and so do I
But all my friends whatever skies above BUT OH, MY FRIENDS, WHATEVER SKY ABOVE
I know a time for spring I'VE KNOWN A TIME FOR SPRING
A time for fall
But best of all
A time for love
A time for holding hands together
A time for rainbow coloured weather
A time of make believe that we've been dreaming of
As time goes drifting by
The willow bends and so do I
But all my friends whatever skies above
I know a time for spring
A time for fall
But best of all
A time for love
There are moments when mixing music where a DJ knows the next track is going to bang. The beats are matched, the keys are harmonized, the foundation is set, and all that is left is to do is push the incoming track all the way into the mix. As the moment approaches it can make you shudder deliciously. We rejoice in these moments with you, feeling the room get charged only helps to drive the music forward from that point. It really is a symbiotic relationship.
For those interested but unaware, I have a selection of recorded mixes available here for your perusal.
Happy Equinox everyone! Love and light <3
Thanks for the comments, faves and visits
This captivating photograph showcases a meticulously designed garden path that beckons visitors into a world of natural beauty and tranquility. The winding pathway, bathed in dappled sunlight, leads the eye through a lush landscape towards a picturesque wooden pavilion in the distance.
In the foreground, a graceful multi-trunked tree stands sentinel, its smooth bark catching the sunlight and creating a striking contrast against the verdant foliage. The path, curving gently around beds of diverse plantings, tells a story of thoughtful landscape design that harmonizes with the surrounding nature.
The garden's palette is a rich tapestry of greens, punctuated by hints of autumn gold in the background, suggesting the changing of seasons. Ornamental grasses, shrubs, and carefully placed rocks line the edges of the path, creating texture and depth.
The wooden pavilion, with its simple yet elegant design, serves as both a focal point and a promise of rest at the journey's end. Its presence adds a touch of human craftsmanship that complements rather than competes with the natural elements.
This image captures the essence of a peaceful retreat, where every turn in the path offers a new perspective and invites moments of reflection. It's a testament to the artistry of landscape design and the restorative power of green spaces.