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Plants swaying gently in the breeze, their leaves whispering tales of forgotten love.
Here, amidst the nostalgic fragrance of blooming flowers, one finds a solitary figure, penning heartfelt letters to past lovers. Each stroke of the pen echoes the whispers of memories shared, of moments cherished, and of love lost but never forgotten. A love that lingers like a fragrant memory, forever etched in the garden of the heart.
Transform your own enchanting romantic garden into a whimsical oasis of shabby chic elegance with the exquisite KraftWork Mitos set, now available at a special price during the Happy Weekend Sale. Choose from a delightful array of colors to seamlessly complement your unique color palette.
Illuminate your garden path with the graceful glow of ionic's stunning Park street lamp, casting a soft, inviting light that dances among the lush greenery. The vibrant classic emerald green hue effortlessly harmonizes with the surrounding shrubbery.
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Excerpt from heritagemississauga.com/wp-content/uploads/2020/04/Port-C...:
First United Church
(c. 1894) 151 Lakeshore Road W.
The earlier church on the site, which was built in 1845, was relocated and a portion of the present building was built in 1894. Formerly the Port Credit Methodist Church, this building became an incorporated chapel of the First United Church in 1925. It had been the third meeting place for Port Credit’s Methodists, and was originally constructed of red brick. New additions and an extension were added in 1942 and 1950 respectively, and the entire church was sheathed in cut stone to harmonize the exterior. The original portion of the church, now missing its original tower, fronts onto Lakeshore Road, while the 1950 extension is home to First United Church.
С усталым, но воодушевленным настроением наша группа фотографов поднялась на вершину перевала, ухабистая горная тропа сменилась на удивление гладкой магистралью, которая элегантно змеилась через высокогорные луга. Настал золотой час, окутав мир вокруг нас теплыми объятиями, как будто само солнце спустилось, чтобы попрощаться с землей на ночь. Небо было усеяно колоссальными облаками, которые мерцали янтарным оттенком, нежно обнимая заснеженные вершины главного хребта. Несмотря на наше обещание ехать без остановки, непреодолимое очарование момента заставило нас остановиться и впитать великолепие, раскрывшееся перед нами. Одни фотографировали орлов, парящих высоко в небе, в то время как другие снимали красоту ледяных вершин крупным планом. Но среди этой грандиозной картины я не мог не заметить оранжевый грузовик, крошечное пятнышко на бесконечном просторе, мчащийся, словно движимый самим сердцебиением гор. Возможно, даже сейчас я не смогу дать ответ, почему я выбрал его в качестве объекта своей фотографии. Скорее всего потому, что выглядел он там совершенно нелепо и чуждо, но тогда он казался кометой, промчавшейся через долину, оставив после себя лишь пыльное облачко.
Время, отведенное на эту остановку, истекло, и все неохотно потянулись в машины. Двигатель взревел, и мы продолжили наш спешный и прерывистый путь к закатной съемке. Шины напевали тихую колыбельную, которая гармонировала с шепотом ветра, доносящегося сквозь приоткрытое окно. Дорога становилась ровнее и гладкий асфальт позволял нам ускориться, с полной уверенностью в том, что впереди нас ждут еще более захватывающие виды. Наш разговор становился тише, прерываемый лишь редкими восклицаниями, когда мы в очередной раз сталкивались с потрясающими видами, каждый из которых был великолепнее предыдущего. А когда красота становилась беспощадной, мы с вынужденным сожалением нарушали данное себе обещание.
With weary yet exhilarated spirits, our band of photographers crested the apex of the pass, the rugged path giving way to a surprisingly smooth thoroughfare that snaked elegantly through the high mountain meadows. The golden hour had arrived, casting a warm and gentle embrace upon the landscape, as if the very sun itself had descended to say the earth goodbye for the night. The vast sky was strewn with colossal clouds that shimmered with an amber hue, tenderly hugging the snow-capped peaks of the main ridge. Despite our earlier vow to push onward without pause, the irresistible allure of the moment compelled us to slow our pace and drink in the splendor before us. Some took pictures of eagles soaring high in the sky, while others noticed the beauty of the icy peaks and took close-up photos of them. Yet amidst this grand tableau, I couldn't help but notice an orange truck, a tiny speck in the vast wilderness, racing as if propelled by the very heartbeat of the mountains. Perhaps, even now I cannot give an answer as to why I chose him as the subject of my photograph. Most likely because he looked completely ridiculous and alien, but then he seemed like a comet that had rushed across the valley, leaving behind only a dusty cloud.
The time allotted for this stop expired, and everyone reluctantly made their way into the cars. The engine roared to life and we continued our hurried and choppy journey to the sunset shoot. The tires humming a soft lullaby that harmonized with the whispers of the wind, coming through the half-open window. The road became smoother and the smooth asphalt allowed us to accelerate, with complete confidence in that more breathtaking views await us ahead. Our conversation grew quieter, punctuated by the occasional exclamation as we encountered breathtaking vistas, each more magnificent than the last. And when beauty became merciless, we, with forced regret, broke the promise we had made to ourselves.
Looking east along a rain wet Going-to-the-Sun Highway in Glacier National Park on an August afternoon. Completed in 1932, the spectacular, 50 mile long Going-to-the-Sun Road bisects the park east to west. The paved two-lane highway spans the width of Glacier National Park and crosses the Continental Divide at 6,646-foot-high Logan Pass. It passes large glacial lakes and cedar forests in the lower valleys; canyons and cliffs; culminating at the windswept alpine tundra atop the pass. Scenic viewpoints and pullouts line the road offering dramatic views and photo opportunities. One thing I found interesting is that the view from the road varies depending on the direction you are traveling.
The road is nationally significant for its design and monumental engineering accomplishments. The original roadbed, bridges, tunnels, culverts, retaining walls, and guard walls were built in the “NPS Rustic” style. Individually, these structures are often significant examples of period engineering and design philosophy; collectively, they comprise a vital, integral component of the road’s unique character. Most of these structures were designed to harmonize with the roadway setting by using native materials and by blending with landforms as much as possible.The Going-To-The-Sun Road is a National Historic Landmark, is included in the National Register of Historic Places and is a National Historic Civil Engineering Landmark.
Created for : Challenge 195 Background ~ Part 2
All work completed in Photoshop PS25
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Modern living defined by light: Discover how the textures of Dreamland Designs harmonize with the airy architecture of Zmiyas sunny loft in this authentic in-world sanctuary.
Zmiya – Dreamland Designs @ Crafty Weekend Sales 1/31 – 2/2
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This historic home was built in 1910 by esteemed architect Charles Page for Fannie Badger Bailey and her husband, Dr. Edward Bailey. The Craftsman architecture of this home resembles the building style begun by architects Greene & Greene of Pasadena, California, during the Arts and Crafts era in the early 1900s. Their influence on architect Charles Page is seen in the building's broad porches, series of gable roofs, deep projecting eaves with exposed rafter tails and porte cochere.
The home exemplifies the Craftsman ideal by using local materials such as the river rocks on the chimneys and porch columns, the structural timberwork, and the interior long-leaf wood paneling, beams, and flooring. Open porches, casement windows, and warm natural shades of green and brown harmonize with the outdoor landscape. The Bailey-Houston House was designated a City of Austin Historic Landmark in 1987 and has been beautifully restored by the current owners/architect.
Listed on the National Register of Historic Places in 1990, the Hyde Park Historic District includes an eclectic mixture of architectural styles, from late 19th-century Queen Anne and Classical Revival homes to 20th-century bungalows and ranch houses. Additionally, many of the houses and buildings in Hyde Park have been designated City of Austin Historic Landmarks and Texas Historic Landmarks.
Source: Hyde Park Neighborhood Association Homes Tour Guide
Puente del Kursaal, Donostia, Guipúzcoa, España.
Puente de tramos rectos de hormigón armado, recubierto por piedra de Motrico y mármol rosa, con elementos decorativos de estilo modernista. Construido sobre grandes pilares, de donde arrancan las seis características farolas que contienen a esta obra su marcada personalidad.
A comienzos del siglo XX. El ayuntamiento apoya la construcción de un tercer puente sobre el Urumea "en el que se armonicen la solidez y la resistencia con la monumentalidad y belleza del conjunto".
El ingeniero Ribera presentó al Ayuntamiento una importante modificación: el puente de la Zurriola, proyecto inicialmente con arcos, será construido con tramos rectos.
El 14 de Agosto de 1921 numerosísimo público acudió a la inauguración.
El barandado metálico y los obeliscos que hacen de farolas son obra de Victor Arana. Las cuatro esfinges de bronce pertenecen a la reforma de 1993. Tienen 120 metros de largo como el puente de Santa catalina con el que mantiene cierta armonía de líneas y es algo mayor que el Puente de María Cristina, de 100 metros.
Años de realización: 1918-1921
Autor: J.E.RIBERA
Bridge of straight sections of reinforced concrete, covered by motric stone and pink marble, with decorative elements of modernist style. Built on large pillars, from which the six characteristic lanterns that contain this work its marked personality.
At the beginning of the 20th century. The city council supports the construction of a third bridge over the Urumea "in which solidity and resistance are harmonized with the monumentality and beauty of the whole".
Engineer Ribera presented the City Council with an important modification: the Zurriola bridge, initially with arches, will be built with straight sections.
On August 14, 1921, a large audience attended the inauguration.
The metal balustrade and the obelisks that act as lampposts are the work of Victor Arana. The four bronze sphinxes belong to the 1993 reform. They are 120 meters long, like the Santa Catalina bridge, with which it maintains a certain harmony of lines and is somewhat larger than the María Cristina Bridge, which is 100 meters long.
Years of realization: 1918-1921
Author: J.E.RIBERA
The weekend comes to this town
Seven days too soon
For the ones who have to make up
What we break up of their rules
Well I saw Captain Kidd on Sunset
Tell his boys they're in command
While Chino danced a tango
With a broomstick in his hand
He said: It's alright (alright) if you have a good time
It's alright (alright) if you want to cross that line
To break on through to the other side
Let it rock, let it go
You can't stop a fire burning out of control
Let it rock, let it go
With the night you're on the loose
You got to let it rock
A mesmerizing and painterly macro close-up that transforms a Rudbeckia blossom into a rich, abstract tapestry of nature. Because the framing extends past the edges, the focus is entirely pulled into the dense, dark velvet texture of the central cone and the sweeping folds of the petals. Looking at the image creates an almost tactile sensation of gentle peach fuzz as if a sweet peach has suddenly bloomed into the shape of a magnificent flower. The shot boasts a beautiful, organic triad of earth tones: a deep terracotta red, a soft golden yellow, and a calm olive green background. These colors never compete; instead, they harmonize perfectly, working together like fine brushstrokes on a living canvas.
This artistic framing was captured using a vintage Olympus-35 SP rangefinder camera equipped with an Olympus G.Zuiko 42mm f/1.7 lens and a close-up macro attachment lens. Due to the parallax effect inherent to rangefinders, the partial framing of the bloom became an intentional, happy accident that enhances the intimate, abstract feel. The gorgeous, buttery smooth color gradients and subtle grain were beautifully rendered by Kodak Portra 160 professional 35mm film.
Olympus-35 SP
G.Zuiko 42mm f/1.7
Kodak Portra 160 35mm
Noritsu QSS-37HD (HS-1800)
Photo ID: 000001420017RWJ
Buy this photo on Getty Images : Getty Images
Ulu Mosque is the largest mosque in the Netherlands.
Construction began in 2009 and the building was finished in 2015.
The mosque's exterior was designed by Dutch architect Ishak Önen.
Red bricks were a deliberate choice to ensure the building complements the Dutch architectural style and harmonizes with its surroundings.
The interior was designed by Semih Irteş, an Istanbul-based architect and artist known for his traditional style.
This ground floor is for men, 2 upper floors are for women. The building is suitable for 1600 visitors.
Submitted: 30/12/2025
Needs revision
Resubmitted: 07/01/2026
Accepted: 08/01/2026
Bei dieser Aufnahme gefällt mir wie gut die Amseline farblich mit den heruntergefallenen Blättern harmoniert. Sie guckt etwas streng. Ich verstehe sie. Da geht mal einer vor ihr auf die Knie und dann wird es statt eines Antrags - nur ein Foto... 😋
In this shot, I like how well the colour of the blackbird harmonizes with the colours of the fallen leaves. She looks a bit stern. I feel with her.... Finally someone gets on his knees in front of her and then instead of a proposal it becomes - just a photo... 😋
Created for DUC July 2026 Challenge
Thanks to swissrock for starter images.
EVERYTHING completed in Photoshop PS26
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Generated By Midjourney V7
**Prompt cinématographique ultra détaillé hyperréaliste :**
Une fresque cinématographique monumentale représentant la fusion mystique des quatre saisons incarnées par une seule femme énigmatique, composition panoramique divisée en quatre univers parfaitement harmonisés, portrait féminin ultra réaliste au centre de chaque transition, visage d’une beauté naturelle fascinante, peau porcelaine traversée de fines veines végétales organiques semblables à des racines anciennes, regard bleu glacier intense et profondément émotionnel.
À l’extrême gauche, royaume hivernal dramatique plongé dans une tempête de neige, forêt nordique recouverte d’un manteau blanc immaculé, ciel bleu acier chargé de nuages tourbillonnants, cheveux noirs aux reflets bleu nuit balayés par un vent violent, cristaux de glace suspendus dans les mèches, flocons détaillés en macro photographie, ambiance froide, mystérieuse et silencieuse, lumière lunaire diffuse cinématographique, profondeur atmosphérique volumétrique, rendu inspiré des grandes productions fantasy nordiques.
Transition vers l’automne flamboyant, branches blanches tortueuses fusionnant avec la chevelure auburn de la femme, feuilles érable orange brûlé virevoltant autour du visage, textures organiques hyper détaillées, couleurs cuivre, ambre et terre de sienne, lumière chaude de fin d’après-midi, contraste riche, ambiance mélancolique et poétique, particules lumineuses flottantes, micro détails sur les feuilles séchées, esthétique dark fantasy élégante.
Au centre, incarnation du printemps luxuriant, végétation vivante épousant la moitié du visage, lierre émeraude, petites fleurs blanches délicates écloses dans les cheveux, lumière douce filtrée à travers un feuillage humide, peau subtilement illuminée par des reflets verts naturels, rosée scintillante, sensation de renaissance et de magie sylvestre, réalisme botanique extrême, finesse des textures organiques, composition parfaitement symétrique, regard caméra hypnotique.
À droite, été incandescent baigné d’un coucher de soleil doré spectaculaire, champs lumineux sous un ciel orange intense, cheveux roux embrasés par la lumière solaire, mèches transformées en branches vivantes traversées de feuilles dorées, vent puissant donnant un mouvement épique et fluide à toute la scène, oiseaux noirs au loin, lumière volumétrique chaude, lens flare subtil, palette or, miel et cuivre incandescent, atmosphère héroïque et romantique.
Style visuel hyperréaliste 16K, qualité IMAX, rendu photographique ultra cinématographique, détails microscopiques, textures peau réalistes, profondeur de champ maîtrisée, color grading hollywoodien, contrastes riches, lumière volumétrique, ambiance fantasy poétique haut de gamme, fusion organique entre humain et nature, composition artistique symétrique, chef-d’œuvre visuel inspiré des univers de dark fantasy moderne et des affiches de cinéma épique, ultra sharp focus, HDR, ray tracing, particules atmosphériques, cheveux dynamiques ultra détaillés, rendu émotionnel intense.
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**Ultra-detailed hyperrealistic cinematic prompt (English):**
A monumental cinematic fresco portraying the mystical fusion of the four seasons embodied by a single enigmatic woman, panoramic composition divided into four perfectly harmonized worlds, ultra realistic feminine portrait at the center of every transition, naturally mesmerizing beauty, porcelain skin intertwined with delicate organic vein-like roots, intense ice-blue eyes filled with emotion and depth.
On the far left, a dramatic winter kingdom engulfed in a snowstorm, Nordic forest covered in pristine white snow, steel-blue sky filled with swirling clouds, dark hair with midnight-blue reflections swept violently by icy winds, frozen crystals embedded in flowing strands, macro-detailed snowflakes suspended in motion, cold mysterious atmosphere, diffuse moonlit cinematic lighting, volumetric fog and atmospheric depth, visual style inspired by grand Nordic fantasy films.
Transitioning into blazing autumn, twisted pale branches merging organically with her auburn hair, burnt orange maple leaves spiraling around her face, hyper-detailed natural textures, copper, amber, and sienna tones dominating the palette, warm late-afternoon cinematic light, rich contrast, melancholic poetic atmosphere, floating luminous particles, intricate dried leaf details, elegant dark fantasy aesthetic.
At the center, embodiment of lush spring, living vegetation embracing half of her face, emerald ivy, delicate white blossoms blooming through her hair, soft sunlight filtering through humid foliage, subtle green reflections illuminating her skin naturally, sparkling morning dew, sensation of rebirth and enchanted woodland magic, extreme botanical realism, intricate organic textures, perfectly symmetrical composition, hypnotic direct gaze toward the camera.
On the right, an incandescent summer bathed in spectacular golden sunset light, radiant fields beneath a blazing orange sky, fiery red hair illuminated by sunlight, strands transforming into living branches woven with glowing golden leaves, powerful wind creating epic cinematic motion across the entire scene, distant black birds flying through the horizon, warm volumetric lighting, subtle lens flare, gold, honey, and molten copper color palette, heroic and romantic atmosphere.
Hyperrealistic 16K cinematic masterpiece, IMAX-quality rendering, ultra-photographic realism, microscopic details, realistic skin textures, masterful depth of field, Hollywood cinematic color grading, rich contrasts, volumetric lighting, premium poetic fantasy atmosphere, seamless fusion between humanity and nature, perfectly balanced symmetrical composition, inspired by modern dark fantasy universes and epic movie posters, ultra sharp focus, HDR, ray tracing, atmospheric particles, highly detailed flowing hair simulation, emotionally powerful visual storytelling.
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--v 7 --ar 16:9 --stylize 750 --quality 2 --chaos 12 --raw
All this splendor makes me feel a little like a lonesome midget...
Monsieur Epernay Freschi has an eagle eye to select and harmonize his decor, with the help of his architect and interior designer, Madame Caroline de Rothschild.
Location: Petit Trianon @ Tikki
Created for Photoshop Contest ~ Week 1109 ~ Roman mosaic.
Thanks to Ken Barker for starter image.
All work completed in Photoshop PS26
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view on black www.flickriver.com/photos/10334788@N02© All rights reserved
1.102 / 139 / 370 / 1 gallery
# Glory in the Snow - Chionodoxa luciliae - Schneestolz, Schneeruhm, Schneeglanz
fresh out from the camera ..
for wishing us all a beautiful blue monday !
PERMISSION
Allow yourself...grant yourself the permission to be who you are. Taking advice...listening to suggestions from other beings, including us...is all well and good, but it is you that have to decide what works for you, you that have to decide what harmonizes with your frequency, you that have to be you. No one else is going to live your life for you, you
have to be the one to live it.~ Bashar
Bashar Permission Slips Pt 1
Perched majestically at an elevation of 320 metres on a ridge overlooking the rolling Vestina hills and the expansive Adriatic Sea, Città Sant'Angelo stands as one of Italy's most remarkable medieval borghi, proudly belonging to the prestigious I Borghi più belli d'Italia association. The historic center is defined by an elegant architectural tapestry dating primarily from the fourteenth to the eighteenth centuries, featuring honey-colored stone palazzi, wrought-iron balconies, and warm terracotta rooftops that harmonize seamlessly with the coastal horizon. This elevated strategic vantage point, located just 15 kilometres inland from Pescara, allowed the settlement to control vital agrarian and defensive routes since antiquity, evolving from ancient foundations into a sophisticated ecclesiastical and noble stronghold marked by distinguished civic structures like the Collegiata di San Michele Arcangelo.
The culinary heritage of Città Sant'Angelo reflects its unique geographical position bridging the rugged Apennine mountains and the azure Adriatic coast, offering a rich synthesis of land and sea flavors. Traditional gastronomy features iconic Abruzzese specialties such as maccheroni alla chitarra—handcrafted egg pasta cut on traditional steel strings—paired with robust ragù, alongside succulent arrosticini (mutton skewers) and fresh seafood sourced directly from the nearby coast. Furthermore, the surrounding terraced slopes are deeply embedded in regional viticulture and oleoculture, producing renowned local wines such as Montepulciano d'Abruzzo and exceptional extra virgin olive oils under dedicated designation charters.
RX_00986_20240423_Pescara
The orange umbrellas are extensions from the waterfront restaurants and cafes. The floodlights have just been turned on, imparting warm light on the sand which harmonizes with the mauve colour in some of the evening clouds and in contrast to the ever deepening blue of the sky. A pair of seagulls happen to be winging just above, adding a bit of motion to the otherwise serene beach scene.
In the middle left is W Barcelona, a 5-star hotel still in construction. Platja (beach) Barceloneta is facing Mediterranean Sea.
"Far Away Eyes" Rolling Stones 1978
I was driving home early Sunday morning through Bakersfield
Listening to gospel music on the colored radio station
And the preacher said, you know you always have the Lord by your side
And I was so pleased to be informed of this that I ran
Twenty red lights in his honor
Thank you Jesus, thank you Lord
I had an arrangement to meet a girl, and I was kind of late
And I thought by the time I got there she'd be off
She'd be off with the nearest truck driver she could find
Much to my surprise, there she was sittin' in the corner
A little bleary, worse for wear and tear
Was a girl with far away eyes
So if you're down on your luck
And you can't harmonize
Find a girl with far away eyes
And if you're downright disgusted
And life ain't worth a dime
Get a girl with far away eyes
Well the preacher kept right on saying that all I had to do was send
Ten dollars to the church of the Sacred Bleeding Heart Of Jesus
Located somewhere in Los Angeles, California
And next week they'd say my prayer on the radio
And all my dreams would come true
So I did, the next week, I got a prayer with a girl
Well, you know what kind of eyes she got, well I'll tell ya
So if you're down on your luck
I know you all sympathize
Find a girl with far away eyes
And if you're downright disgusted
And life ain't worth a dime
Get a girl with far away eyes
So if you're down on your luck
I know you all sympathize
Get a girl with far away eyes
Le bâtiment Richard Meier, d'un blanc éclatant, se dresse au cœur de la nature environnante. Que les visiteurs se réjouissent : là où l'art et le nouveau bâtiment du musée s'harmonisent, ils seront les gagnants. Ici, pas de compétition pour occuper la vedette, mais un lieu empreint d'art, un lieu qui révèle sa vraie nature et offre un écrin aux œuvres de l'artiste-mécène du musée ainsi qu'à l'art contemporain.
« Mon architecture ouverte et transparente crée des transitions fluides entre l'intérieur et l'extérieur et reflète le même lien avec la nature que celui exprimé dans les œuvres de Hans Arp. »
En tant que l'un des plus grands architectes de musées internationaux, Richard Meier se réfère dans son architecture aux principes du modernisme classique, un style qui a connu son apogée au début du XXe siècle. Cette époque a également façonné l'œuvre du duo d'artistes Hans Arp et Sophie Taeuber-Arp. Le bâtiment de Meier est baigné de lumière et semble emmener les visiteurs hors de leur quotidien. Ici, les œuvres trouvent un espace propice à leur épanouissement.
The dazzling white Richard Meier Building stands out in the heart of the surrounding nature. Visitors can rejoice: wherever art and the new museum building harmonize, they will be the winners. Here, there's no competition for the spotlight, but a place imbued with art, a place that reveals its true nature and provides a showcase for the works of the museum's artist-patron as well as contemporary art.
"My open and transparent architecture creates seamless transitions between indoors and outdoors and reflects the same connection with nature expressed in the works of Hans Arp."
As one of the greatest international museum architects, Richard Meier refers in his architecture to the principles of classical modernism, a style that reached its peak in the early 20th century. This era also shaped the work of the artist duo Hans Arp and Sophie Taeuber-Arp. Meier's building is bathed in light and seems to transport visitors away from their everyday lives. Here, the works find a space conducive to their development.
This image captures a quintessential architectural detail found in the historic urban fabric of Italian cities, likely in a region like Tuscany or Emilia-Romagna. The focus is a grand, semi-circular arched doorway framed by heavy, rusticated stone masonry known as ashlar. This technique, characterized by large, textured blocks of stone with beveled edges, was a hallmark of Renaissance architecture, designed to convey strength, permanence, and a sense of imposing aesthetic order. Above the wooden door, a delicate iron grille provides ventilation and light, contrasting with the robustness of the surrounding brickwork and stone.
The city depicted is Siena, Italy, a location renowned for its profound historical significance and medieval urban planning. Siena’s architecture is largely defined by its brick facades and the pervasive influence of Gothic and Renaissance styles, which have been meticulously preserved through the centuries. Visitors to this region often prioritize exploring the Piazza del Campo and the Duomo, while the culinary landscape offers exceptional local delicacies. One must sample pici, a thick, hand-rolled pasta, and panforte, a traditional dense fruit and nut cake that dates back to the 13th century, often enjoyed with a glass of robust Chianti Classico wine.
This type of entrance reflects the socio-economic status of the historic buildings in the city center, where such grand portals were indicators of wealth and civic prestige. The use of exposed brick—a material deeply tied to the clay-rich soils of the Tuscan landscape—harmonizes with the lighter stone accents to create the warm, monochromatic palette characteristic of the area. Beyond its functional role, this structure serves as a tangible link to the past, embodying the continuity of craftsmanship that allows historic Italian centers to remain living museums of human habitation, commerce, and art.
Le bâtiment Richard Meier, d'un blanc éclatant, se dresse au cœur de la nature environnante. Que les visiteurs se réjouissent : là où l'art et le nouveau bâtiment du musée s'harmonisent, ils seront les gagnants. Ici, pas de compétition pour occuper la vedette, mais un lieu empreint d'art, un lieu qui révèle sa vraie nature et offre un écrin aux œuvres de l'artiste-mécène du musée ainsi qu'à l'art contemporain.
« Mon architecture ouverte et transparente crée des transitions fluides entre l'intérieur et l'extérieur et reflète le même lien avec la nature que celui exprimé dans les œuvres de Hans Arp. »
En tant que l'un des plus grands architectes de musées internationaux, Richard Meier se réfère dans son architecture aux principes du modernisme classique, un style qui a connu son apogée au début du XXe siècle. Cette époque a également façonné l'œuvre du duo d'artistes Hans Arp et Sophie Taeuber-Arp. Le bâtiment de Meier est baigné de lumière et semble emmener les visiteurs hors de leur quotidien. Ici, les œuvres trouvent un espace propice à leur épanouissement.
The dazzling white Richard Meier Building stands out in the heart of the surrounding nature. Visitors can rejoice: wherever art and the new museum building harmonize, they will be the winners. Here, there's no competition for the spotlight, but a place imbued with art, a place that reveals its true nature and provides a showcase for the works of the museum's artist-patron as well as contemporary art.
"My open and transparent architecture creates seamless transitions between indoors and outdoors and reflects the same connection with nature expressed in the works of Hans Arp."
As one of the greatest international museum architects, Richard Meier refers in his architecture to the principles of classical modernism, a style that reached its peak in the early 20th century. This era also shaped the work of the artist duo Hans Arp and Sophie Taeuber-Arp. Meier's building is bathed in light and seems to transport visitors away from their everyday lives. Here, the works find a space conducive to their development.
As I stand before the watercolor painting created using digital tools using one of my own pictures as model, I am instantly transported to the quaint and picturesque streets of Brugge, Belgium. The artist's skillful brushstrokes have beautifully captured the essence of this historic city, and my eyes are drawn to a particular scene in the heart of the old town.
In the center of the painting, nestled among cobblestone streets and surrounded by charming modern buildings, stands a remarkably old house. Its weathered facade exudes a sense of history, revealing the passage of time etched onto its walls. The centuries have gently worn away its vibrant colors, leaving behind a muted palette of soft pastels, harmonizing with the surrounding architecture.
The house, once a residence of the past, has undergone a remarkable transformation. It has been lovingly repurposed into a chocolate store, its purpose changed, but its soul preserved. Windows adorn the ground floor, proudly displaying the mouthwatering creations within.
Through the windows, I catch glimpses of the delightful confections that await inside. Rows of handmade chocolates, elegantly arranged and tempting passersby, create a mesmerizing display. The store's interior seems to emanate a warm glow, inviting visitors to step inside and experience the enchantment within.
The artist's attention to detail is truly remarkable. They have skillfully captured the intricate architectural features of the old house. The steeply pitched roof, adorned with weathered tiles, adds character and charm.
The painting depicts a bustling scene around the chocolate store. Tourists and locals alike pause to admire the old house-turned-store, their faces alive with wonder and anticipation. The sound of laughter and conversation drifts through the air, mingling with the aromas of chocolate and the soft melody of distant church bells.
As I continue to gaze at the watercolor painting, I am filled with a sense of nostalgia and wonder. It encapsulates the essence of Brugge—the harmonious blend of history and modernity, the preservation of heritage in the face of changing times. It reminds me of the beauty that can emerge when the past and present come together, transforming a once-forgotten house into a sanctuary of chocolate delights in the heart of a city that holds its memories dear.
20220609_RX_05195_BRUJAS
Hi!♥
I created these Lovely magnolia Flower vase + Single Branches Available for you can use as you wish.
Very simple release but yet perfect to harmonize your table or décor your space with some colors and delicacy.
This Release is Available for Purchase at FaMEshed May 1
Thank you everyone :) Hope u like these!
The loblolly pines with their sharp needles and prickly cones soften when seen from a distance, harmonizing with the soft puffy texture of the clouds at sunset.
photo rights reserved by Ben
The stone sculptures in Sno, a small village in the Kazbegi region of Georgia, are part of a remarkable art project in the Caucasus. These sculptures consist of impressive stone artworks depicting giant faces, often with a melancholic or mysterious expression. They were created by local artist Merab Piranishvili, who is renowned for his unique ability to bring faces and emotions to life in natural stone. Working primarily with local stones, he carves expressive facial features that tell stories about life, the soul, and the deep connection with nature. The sculptures symbolize the ancient wisdom of the mountain dwellers and the spirit of the past. The faces sometimes appear sad or contemplative, reflecting both the challenges and the beauty of life in the Caucasus. Fully integrated into the surrounding landscape, the sculptures stand among the mountains, hills, and rugged grasslands, blending seamlessly with their natural environment. This is what makes Piranishvili’s work so unique: he respects the natural shapes of the stones and subtly adds human characteristics without compromising their raw, natural beauty. Piranishvili often works directly in the field, selecting local stones and carving them with a hammer and chisel. He carefully considers the natural form of each stone, adapting his designs to create a result that looks organic and harmonizes with the surrounding environment.
Sno is located near the breathtaking Stepantsminda area and the imposing Mount Kazbegi. The stone sculptures are a hidden gem in this region, attracting an increasing number of art enthusiasts and travelers. The site exudes a serene, almost meditative atmosphere—perfect for those seeking something unique off the beaten path. If you ever find yourself near Kazbegi, these sculptures are well worth a visit. They offer a truly unique experience where art and nature come together in perfect harmony.
De stenen sculpturen in Sno, een klein dorpje in de Kazbegi-regio van Georgië, maken deel uit van een bijzonder kunstproject in de Kaukasus. De sculpturen bestaan uit indrukwekkende stenen kunstwerken van gigantische gezichten, die vaak een melancholische of mysterieuze uitstraling hebben. Ze zijn gecreëerd door de lokale kunstenaar Merab Piranishvili, die bekendstaat om zijn unieke vaardigheid om gezichten en emoties tot leven te brengen in natuursteen. Hij werkt voornamelijk met lokale stenen en geeft ze expressieve gezichtsuitdrukkingen die verhalen vertellen over het leven, de ziel en de diepe verbondenheid met de natuur. De sculpturen symboliseren de oude wijsheid van de bergbewoners en de geest van het verleden. De gezichten tonen soms een droevige of reflectieve uitdrukking, wat de uitdagingen én de schoonheid van het leven in de Kaukasus weerspiegelt. De beelden zijn volledig geïntegreerd in het omringende landschap: ze staan tussen de bergen, heuvels en het ruige grasland, waardoor ze naadloos opgaan in hun natuurlijke omgeving. Dit maakt het werk van Piranishvili zo uniek: hij respecteert de oorspronkelijke vormen van de stenen en voegt subtiel menselijke kenmerken toe, zonder hun ruwe, natuurlijke schoonheid aan te tasten. Sno ligt vlakbij het adembenemende berggebied Stepantsminda en de imposante Kazbegi-berg. De stenen sculpturen zijn een verborgen juweel in deze regio en trekken steeds meer kunstliefhebbers en reizigers aan. De plek straalt een rustige, bijna meditatieve sfeer uit, ideaal voor wie op zoek is naar iets unieks buiten de gebaande paden. Piranishvili werkt meestal direct in het veld, waarbij hij natuursteen uit de regio selecteert en met hamer en beitel bewerkt. Hij houdt rekening met de oorspronkelijke vormen van de steen en past zijn ontwerpen hierop aan, zodat het eindresultaat natuurlijk oogt en harmonieert met de omgeving. Als je ooit in de buurt van Kazbegi bent, mag je deze sculpturen zeker niet missen. Ze bieden een bijzondere ervaring waarin kunst en natuur op een unieke manier samensmelten!
Ƈяєɗιтѕ
Some spaces are born to be admired, while others seem created to be lived in. This enchanting playground belongs to the latter category: a corner where nature, architecture, and children’s imaginations coexist in perfect harmony.
The elegant and serene white house stands as the heart of the scene. Its classic lines and spacious veranda convey a sense of refuge, of a true home, one of those places where afternoons seem to stretch slowly as the sun caresses every corner. Surrounded by centuries-old trees that offer shade and protection, the house blends naturally into the landscape, allowing the garden to become an extension of family life.
But it is outside where the magic truly happens.
Among wildflowers in soft colors, stone pathways, and grasses swaying in the breeze, a small universe dedicated to imagination emerges. The pastel-hued playhouse looks like it came straight out of a picture book, inviting children to create endless stories of princesses, explorers, adventurers, or simply afternoons of friendship and laughter.
Just a few steps away, a small children’s table patiently awaits an impromptu snack, an imaginary lesson, or a secret get-together with friends. Every element is placed with a naturalness that makes you feel the place has been lived in and loved for years.
The picnic blanket decorated with bunting adds a festive and welcoming touch. It’s the perfect corner for reading stories, sharing lemonade in spring, or simply watching the clouds slowly drift across the sky. The soft colors harmonize with the garden flowers, creating a delicate and luminous atmosphere that celebrates the beauty of small things.
The most captivating aspect of this design is its ability to respect nature rather than dominate it. Flowers grow freely around the play areas, the trees retain their prominence, and every shadow cast by the sun contributes to the feeling of realism and warmth. There is no excess or artifice; It’s simply a balanced composition where every detail seems to belong perfectly in its place.
This patio isn’t just a place to play. It’s a stage for creating memories. A refuge where the seasons leave their mark, where spring bursts into color, and where childhood finds the perfect environment to grow surrounded by beauty.
Because, in the end, the best spaces aren’t those that impress at first glance, but those that make us imagine the joy of lingering there a little longer. And this garden, full of flowers, light, and tenderness, achieves exactly that.
Hisa @equal10
HISA – Puddle B + Clover example
HISA – Puddle D + Clover example
HISA – Wildflowers – Patch A
HISA – Wildflowers – Patch B
HISA – Wildflowers – Patch
Little branch
LB_CrispyGrass{Animated}Seasons LB_ElderwoodOak{4Seasons}Animated
Trompe Loeil Mainstore – Mohegan Beach Cottage White @Uber
Kitty Kate
{KK} Dolly Eva w/Pillow
{KK} Dolly Lia w/pillow
{KK} Dolly Zoe w/pillow
{KK} Dream Playhouse (Parent ANIMATED)
{KK} Extra Zooby Mat
{KK} Playhouse Decor Rug
{KK} Zooby Summer Playmat
{KK} Zooby Aqua Flower Cushion
{KK} Zooby Pink Flower Cushion
{KK} Zooby Playhouse Pillow
{KK} Zooby Playtable (grouped)
{KK} Zooby Yellow Flower Cushion
Der Hauptbahnhof von Arnheim besticht durch seine sehr besondere Architektur. Diese ist geprägt durch riesige,skulpturenartige Elemente die sehr gut mit harten Linien harmonieren. Die abgerundeten Tische und Sitzgelegenheiten aus Holz koresspondieren gut mit den Holzelementen an den Wänden und Decken. Ich empfinde den Bahnhof schon als Gesamtkunstwerk und war sehr beeindruckt von dieser tollen Architektur.
Arnhem Central Station impresses with its very unique architecture. It is characterized by enormous, sculptural elements that harmonize beautifully with the bold lines. The rounded wooden tables and seating complement the wooden elements on the walls and ceiling. I consider the station a work of art in its own right, and I was very impressed by its stunning architecture.
I took a similar shot to this a few years ago, but it was afterhours and in black & white. This time, they left the engines out for some reason. I'm not complaining.
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'Chosen to Harmonize'
Camera: Mamiya m645j
Lens: Mamiya-Sekor 2.8; 45mm
Film: Rollei Crossbird
Process: DIY ECN-2
Promontory, Utah
July 2020
Excerpt from spatialsolutions.maps.arcgis.com/apps/MapTour/index.html?...:
Lookout Algonquin Park (83) by Shelly Locke: My painting “Look Out Trail-Algonquin Park”, is the first in a series of paintings from my own travel photos and one of my favourite places to decompress. Even though this is my rendition of Algonquin Park it will very easily lead one to think of many, nearby hiking trails on the escarpment. This series turns my photos into surreal, fantasy landscapes that have been reduced to colourful and vibrant, harmonizing shapes. This specific painting is a visual illusion of a rocky woodland that will speak volumes to the outdoor enthusiast as well as inspire a longing to walk amongst the trees by others less outdoorsy. Set off by a background blend of light blue and white representing a calm blue sky. The earthy undertones invoke a calm peacefulness. The warm tones of the landscape contrast perfectly with the organic lines and monochromatic cool tones of the shadowy rock face. The relaxed ambiance of nature is conjured within one’s mind.
The same design also appears on 61, 73, 75, 88.
Immerse yourself in the enchanting beauty of Pfarramt in Pinswang, nestled in the heart of the Austrian Alps. This curated collection of images captures not only the architectural splendor of the Pfarramt but also the breathtaking natural surroundings that make this place truly special. From lush alpine landscapes to the serene embrace of nature, each photo tells a story of spiritual tranquility harmonizing with the picturesque Austrian scenery. Join us on a visual journey celebrating the divine connection between architecture and nature in the idyllic setting of Pinswang.
XVII: The Star
(Male version): A man sculpted in light and shadow, with a multi-pointed star-like head covering his face, dressed in close-fitting attire and straps that suggest restraint and ritual. Around him, a nocturnal atmosphere and distorted stars vibrate in a deep sky.
Key symbolism: hope, renewal, and inner faith. In this male version, the light manifests as an intuition closed off from the outside world: a clarity that endures amidst the darkness, like an inner beacon that never goes out.
Message in Gothic terms: even in the densest night, there is a source of clarity and healing. The Star invites us to trust our own inner guidance, to harmonize past pain, and to allow hope to transform because darkness is not the end, but the prelude to an intimate renewal.
Thematic contrast: in contrast to the Tower/The Devil, the Star represents serenity, authenticity, and connection with the transcendent. In a dark context, it can point to the need to cultivate faith and balance when everything seems to be falling apart.
Emotional openness: It offers serenity, inspiration, and the promise of healing. In the masculine version, this healing can be seen as discipline, purification rituals, and a renewal born from will and dignity in the face of darkness.
photo rights reserved by Ben
The stone sculptures in Sno, a small village in the Kazbegi region of Georgia, are part of a remarkable art project in the Caucasus. These sculptures consist of impressive stone artworks depicting giant faces, often with a melancholic or mysterious expression. They were created by local artist Merab Piranishvili, who is renowned for his unique ability to bring faces and emotions to life in natural stone. Working primarily with local stones, he carves expressive facial features that tell stories about life, the soul, and the deep connection with nature. The sculptures symbolize the ancient wisdom of the mountain dwellers and the spirit of the past. The faces sometimes appear sad or contemplative, reflecting both the challenges and the beauty of life in the Caucasus. Fully integrated into the surrounding landscape, the sculptures stand among the mountains, hills, and rugged grasslands, blending seamlessly with their natural environment. This is what makes Piranishvili’s work so unique: he respects the natural shapes of the stones and subtly adds human characteristics without compromising their raw, natural beauty. Piranishvili often works directly in the field, selecting local stones and carving them with a hammer and chisel. He carefully considers the natural form of each stone, adapting his designs to create a result that looks organic and harmonizes with the surrounding environment.
Sno is located near the breathtaking Stepantsminda area and the imposing Mount Kazbegi. The stone sculptures are a hidden gem in this region, attracting an increasing number of art enthusiasts and travelers. The site exudes a serene, almost meditative atmosphere—perfect for those seeking something unique off the beaten path. If you ever find yourself near Kazbegi, these sculptures are well worth a visit. They offer a truly unique experience where art and nature come together in perfect harmony.
De stenen sculpturen in Sno, een klein dorpje in de Kazbegi-regio van Georgië, maken deel uit van een bijzonder kunstproject in de Kaukasus. De sculpturen bestaan uit indrukwekkende stenen kunstwerken van gigantische gezichten, die vaak een melancholische of mysterieuze uitstraling hebben. Ze zijn gecreëerd door de lokale kunstenaar Merab Piranishvili, die bekendstaat om zijn unieke vaardigheid om gezichten en emoties tot leven te brengen in natuursteen. Hij werkt voornamelijk met lokale stenen en geeft ze expressieve gezichtsuitdrukkingen die verhalen vertellen over het leven, de ziel en de diepe verbondenheid met de natuur. De sculpturen symboliseren de oude wijsheid van de bergbewoners en de geest van het verleden. De gezichten tonen soms een droevige of reflectieve uitdrukking, wat de uitdagingen én de schoonheid van het leven in de Kaukasus weerspiegelt. De beelden zijn volledig geïntegreerd in het omringende landschap: ze staan tussen de bergen, heuvels en het ruige grasland, waardoor ze naadloos opgaan in hun natuurlijke omgeving. Dit maakt het werk van Piranishvili zo uniek: hij respecteert de oorspronkelijke vormen van de stenen en voegt subtiel menselijke kenmerken toe, zonder hun ruwe, natuurlijke schoonheid aan te tasten. Sno ligt vlakbij het adembenemende berggebied Stepantsminda en de imposante Kazbegi-berg. De stenen sculpturen zijn een verborgen juweel in deze regio en trekken steeds meer kunstliefhebbers en reizigers aan. De plek straalt een rustige, bijna meditatieve sfeer uit, ideaal voor wie op zoek is naar iets unieks buiten de gebaande paden. Piranishvili werkt meestal direct in het veld, waarbij hij natuursteen uit de regio selecteert en met hamer en beitel bewerkt. Hij houdt rekening met de oorspronkelijke vormen van de steen en past zijn ontwerpen hierop aan, zodat het eindresultaat natuurlijk oogt en harmonieert met de omgeving. Als je ooit in de buurt van Kazbegi bent, mag je deze sculpturen zeker niet missen. Ze bieden een bijzondere ervaring waarin kunst en natuur op een unieke manier samensmelten!
Happy Caturday theme 19 October 2019: Containers. Tikki isn't that motivated by containers, so I decided to give her "incentive". I took this decorative gourd bucket and put a few treats in it - she's a sucker for treats - she knocked the gourd onto the floor almost immediately and did manage to extract the treats. There were plenty of shots with her buried up to her front shoulders in the thing, but I like this better. (You see a bit of face, and I know that white paw has a treat under it just extracted). And she harmonizes with the artwork on the gourd.
There are moments when mixing music where a DJ knows the next track is going to bang. The beats are matched, the keys are harmonized, the foundation is set, and all that is left is to do is push the incoming track all the way into the mix. As the moment approaches it can make you shudder deliciously. We rejoice in these moments with you, feeling the room get charged only helps to drive the music forward from that point. It really is a symbiotic relationship.
For those interested but unaware, I have a selection of recorded mixes available here for your perusal.
Happy Equinox everyone! Love and light <3
Semana Santa en Sevilla. En la fotografía, el momento esperado de la imagen anterior, la procesion del Santïsimo Cristo de la Salud (Hermandad de San Bernardo) procesionando por el Puente de los Bomberos.
Sobre su autoría, para ciertos entendidos y atendiendo a los escasos y diferentes estudios, esta obra podría haber salido de la gubia de José de Arce en el año 1669.
Tallada en madera de cedro policromada, que mide un metro setenta, y cinco centimetros, representando a Cristo muerto crucificado momentos después de la expiración.
Esta es una talla esbelta, nítidamente barroca, perfectamente armonizada, aunque de fuertes miembros proporcionados. Su aspecto dramático se identifica por el movimiento de laxitud del cuerpo sin vida, que cae de manera sobrecogedora de los clavos que lo sujetan a la Cruz, como se puede observar por la tensión de sus brazos y su posición colgante y encorvada. Sin embargo, muestra un rostro dulcificado que produce un extraordinario impacto devocional y que siempre llama a su contemplación. Dicho por los expertos, esta escultura es de los mejores que se han tallado en la ciudad.
El momento de la fotografía es procesionando sobre el Puente de San Bernardo, o también llamado Puente de los Bomberos (Ver foto anterior). Durante este tramo de recorrido se apaga toda la iluminación urbana y el Cristo se ilumina puntualmente con un foco instalado sobre una enorme grua del Parque de Bomberos (junto al puente) Esto y el silencio de la multitud, solo roto por el caminar de los costaleros bajo la canasta del Cristo, hacen de estos momentos algo único y con una fuerte carga de emoción y sentimientos, por lo menos para los sevillanos.
English
Holy Week in Seville. In the photograph, the expected moment of the previous image, the procession of the Santïsimo Cristo de la Salud (Brotherhood of San Bernardo) processioning by the Firefighters bridge.
Regarding its authorship, for certain experts and taking into account the few and different studies, this work could have come from the gouge of José de Arce in the year 1669.
Carved in polychrome cedar wood, measuring one meter seventy and five centimeters, representing the dead Christ crucified moments after expiration. This is a slender carving, clearly baroque, perfectly harmonized, although with strong proportioned limbs. Its dramatic appearance is identified by the lax movement of the lifeless body, which falls in an overwhelming way from the nails that hold it to the Cross, as can be seen by the tension of its arms and its hanging and hunched position. However, he shows a sweetened face that produces an extraordinary devotional impact and that always calls for contemplation of him. Said by experts, this sculpture is one of the best that has been carved in the city.
The moment of the photograph is procession over the San Bernardo Bridge, or also called the Firefighters Bridge (See previous photo). During this section of the route, all the urban lighting is turned off and the Christ is illuminated punctually with a spotlight installed on a huge crane in the Fire Station (next to the bridge). This and the silence of the crowd, only broken by the walking of the costaleros under the basket of Christ, make these moments something unique and with a strong charge of emotion and feelings, at least for the Sevillians.
Cámara Nikon D850 con lente Nikkor 14-24 F2.8/G-ED editada con ACR y Photoshop 2024
Recomiendo hacer doble click sobre la imagen y ver en grande.
I recommend see in larger, clicking double on the image.
www.youtube.com/watch?v=vSL5AHhpi6U
sorry Jamie Cullum's version is not available...but Shirley Horn is damn good
...A TIME FOR LOVE - Jamie Cullum
A time for summer skies
For hummingbirds and butterflies
For tender words that harmonize with love
A time for climbing hills
For leaning out of windowsills
Admiring daffodils above ADMIRING THE DAFFODILS ABOVE
A time for holding hands together
A time for rainbow coloured weather
A time of make believe that we've been dreaming of
As time goes drifting by
The willow bends and so do I
But all my friends whatever skies above BUT OH, MY FRIENDS, WHATEVER SKY ABOVE
I know a time for spring I'VE KNOWN A TIME FOR SPRING
A time for fall
But best of all
A time for love
A time for holding hands together
A time for rainbow coloured weather
A time of make believe that we've been dreaming of
As time goes drifting by
The willow bends and so do I
But all my friends whatever skies above
I know a time for spring
A time for fall
But best of all
A time for love
I step out into the forest, where secrets linger in the hush between branches, and the night seems to lean closer to listen. I wear my intrigue like a second skin—the Sama Jumpsuit by Enchantress—and the world follows my silhouette without asking where I’m going.
The cut is deliberate. The silhouette is unapologetically sensual. This jumpsuit traces my body with a knowing confidence, sculpting my waist and hips as though it were designed from memory rather than fabric. Strategic cutouts and peek holes reveal flashes of skin in precisely the right places—never too much, always enough—inviting the eye to linger, then move on wanting more. Gold-toned accents catch the low light, glinting softly as I shift, each detail whispering intention.
Against my flesh, the ethnic tattoo emerges like a private ritual—tinted to harmonize perfectly with my Sama Jumpsuit. It feels ancient and intimate all at once, an organic extension of my body rather than adornment. The ink moves with me, enhancing the curves the fabric so carefully frames, deepening the story written across my skin.
Topping it all is the Remi Hat by Vesta, a piece that grounds the look with quiet authority and timeless allure. Its plush-trimmed brim frames my face, lending a refined contrast to the bold sensuality beneath. With its color-changing HUD, I drift effortlessly through moods—rich wine, soft neutrals, earthy greens—each shade transforming the narrative. Fully resizable by script and crafted with exquisite texture, the Remi Hat draws inspiration from classic winter silhouettes and reimagines them for a woman who commands attention without asking for it.
The Sama Jumpsuit is BOM (Bakes on Mesh)—seamless, elegant, and effortlessly wearable. It is available in 10 stunning colors, allowing you to choose whether your presence tonight is mysterious, daring, or quietly irresistible.
I disappear out into the forest, leaving only the impression of movement, warmth, and unanswered questions.
Discover the Sama Jumpsuit by Enchantress, the Ethnic Tattoo, and the Remi Hat by Vesta —
exclusively at the Swank – Renew Yourself Makeover January Event:
👉 maps.secondlife.com/secondlife/Swank%20Events/128/124/39
Some stories are worn.
Others are felt.
Le bâtiment Richard Meier, d'un blanc éclatant, se dresse au cœur de la nature environnante. Que les visiteurs se réjouissent : là où l'art et le nouveau bâtiment du musée s'harmonisent, ils seront les gagnants. Ici, pas de compétition pour occuper la vedette, mais un lieu empreint d'art, un lieu qui révèle sa vraie nature et offre un écrin aux œuvres de l'artiste-mécène du musée ainsi qu'à l'art contemporain.
« Mon architecture ouverte et transparente crée des transitions fluides entre l'intérieur et l'extérieur et reflète le même lien avec la nature que celui exprimé dans les œuvres de Hans Arp. »
En tant que l'un des plus grands architectes de musées internationaux, Richard Meier se réfère dans son architecture aux principes du modernisme classique, un style qui a connu son apogée au début du XXe siècle. Cette époque a également façonné l'œuvre du duo d'artistes Hans Arp et Sophie Taeuber-Arp. Le bâtiment de Meier est baigné de lumière et semble emmener les visiteurs hors de leur quotidien. Ici, les œuvres trouvent un espace propice à leur épanouissement.
The dazzling white Richard Meier Building stands out in the heart of the surrounding nature. Visitors can rejoice: wherever art and the new museum building harmonize, they will be the winners. Here, there's no competition for the spotlight, but a place imbued with art, a place that reveals its true nature and provides a showcase for the works of the museum's artist-patron as well as contemporary art.
"My open and transparent architecture creates seamless transitions between indoors and outdoors and reflects the same connection with nature expressed in the works of Hans Arp."
As one of the greatest international museum architects, Richard Meier refers in his architecture to the principles of classical modernism, a style that reached its peak in the early 20th century. This era also shaped the work of the artist duo Hans Arp and Sophie Taeuber-Arp. Meier's building is bathed in light and seems to transport visitors away from their everyday lives. Here, the works find a space conducive to their development.
The sun began its slow descent in the sky, casting a warm golden glow upon the breathtaking landscape of Patagonia. As the scene unfolded, a pristine lake dominated the foreground, its calm waters gently lapping against the rocky shoreline. The crystal-clear lake acted as a mirror, reflecting the beauty of the surrounding scenery with stunning precision.
To the left of the frame, lush vegetation thrived, creating a vibrant tapestry of greens. Towering trees stood proud, their branches adorned with emerald leaves that swayed gently in the cool breeze. Sunlight filtered through the canopy, illuminating a small patch of the foliage and infusing it with a radiant glow.
In the distance, majestic mountains rose dramatically against the horizon. Their peaks were shrouded in a dark cloak, providing a striking contrast against the lighter tones of the landscape. Low-hanging clouds played hide-and-seek with the mountaintops, lending an air of mystique and grandeur to the scene. The clouds' fluffy formations danced across the sky, stretching as far as the eye could see.
A dense cloud cover dominated the upper reaches of the atmosphere, hinting at the possibility of an impending storm. The clouds swirled and swelled, creating an atmosphere of awe and anticipation. Despite their foreboding appearance, they added an ethereal beauty to the scenery, softening the harshness of the landscape below.
As the sun's rays kissed the water's surface, a mesmerizing spectacle unfolded. The lake transformed into a canvas of captivating colors. On the left side of the reflection, a vibrant shade of green painted the water, mirroring the lush vegetation nearby. On the right side, a deep shade of blue emerged, capturing the vastness and depth of the lake. The colors merged seamlessly, creating a beautiful divide that mirrored the scene above.
The clouds above were mirrored in the water's reflection, their intricate patterns and delicate wisps captured with precision. The calmness of the lake added a sense of tranquility to the scene, as if time stood still in this pristine corner of the world.
As the scene unfolded, it was impossible not to feel a sense of wonder and awe. The natural beauty of Patagonia was on full display, with its lush vegetation, majestic mountains, and captivating reflections. This was a place where nature's artistry was showcased in every detail, where the elements harmonized to create a scene that was both serene and awe-inspiring.
20230427_RX_07343_Lago Rosselot
The night begins with rhythm—soft, sultry, and full of promise. Every turn of my heel, every sweep of my skirt, feels like a waltz written just for me. This is the Etty Outfit by Enchantress—an ode to movement, to elegance, to the art of losing oneself in the dance.
❤️ Shaped by echoes of late-19th-century tournure glamour and the smoldering drama of flamenco couture, Etty sculpts the body with a precise corseted bodice and a layered high-low skirt that blooms on the beat. Sleek, lacquer-kissed panels trace the lines of my hips while filigreed lace at the sleeves and décolletage softens the edge—like a whispered cadenza between steps.
❤️ Materials that love the spotlight: satin-smooth gloss, leather-grain depth, and fine lace that nets the light as I spin. The cut moves with intent—waist cinched, skirt flared—so every pivot, dip, and promenade reads like choreography.
❤️ The comprehensive HUD is a conductor’s baton for style: 30 colors for the dress, gloves, stockings, and heels; 5 metallic accents for clasps and trims; plus an alpha mask for glove perfection. Harmonize hues or compose contrasts—the palette answers to your tempo.
❤️ Compatible mesh bodies:
• Maitreya + Petite
• LaraX + LaraX Petite
• Legacy, Legacy Perky, Bombshell
• eBody Reborn, Waifu
• Inithium Kupra
❤️ Where to acquire this masterpiece:
• Second Life Marketplace: Enchantress — Etty Outfit (PROMO)
• In-World Store: Enchantress @ LeLa Island
❤️ “Fashion is the rhythm we choose when the heart insists on music.”
A car negotiates a rain wet Going to the Sun Highway in Glacier National Park on an August afternoon. Completed in 1932, the spectacular, 50 mile long Going-to-the-Sun Road bisects the park east to west. The paved two-lane highway spans the width of Glacier National Park and crosses the Continental Divide at 6,646-foot-high Logan Pass. It passes large glacial lakes and cedar forests in the lower valleys; canyons and cliffs; culminating at the windswept alpine tundra atop the pass. Scenic viewpoints and pullouts line the road offering dramatic views and photo opportunities. One thing I found interesting is that the view from the road varies depending on the direction you are traveling. I drove both ways a few of times and saw different things each time.
The road is nationally significant for its design and monumental engineering accomplishments. The original roadbed, bridges, tunnels, culverts, retaining walls, and guard walls were built in the “NPS Rustic” style. Individually, these structures are often significant examples of period engineering and design philosophy; collectively, they comprise a vital, integral component of the road’s unique character. Most of these structures were designed to harmonize with the roadway setting by using native materials and by blending with landforms as much as possible.The Going-To-The-Sun Road is a National Historic Landmark, is included in the National Register of Historic Places and is a National Historic Civil Engineering Landmark.
Situated along Corso Vittorio Emanuele in Noto, southeastern Sicily, this storefront encapsulates the refined aesthetic integration that characterizes the historic core of this UNESCO World Heritage site. Rebuilt entirely following the devastating earthquake of 1693, Noto was reimagined in the Sicilian Baroque style, crafted from local golden limestone that radiates a warm, honey-colored hue under natural sunlight. The image showcases Parafarmacia Gli antichi rimedi naturali, operated by Dr. A. Viola, where traditional apothecaries' heritage harmonizes with contemporary retail design. Above the closed wooden rolling shutter sits an ornate, sculpted pediment featuring classical scrollwork, an emblem of the Rod of Asclepius—the ancient Greek symbol of medicine and healing—and elegant calligraphy advertising natural remedies, homeopathy, and herbalism. The entryway is flanked by modern vertical banners promoting local perfumes inspired by Sicilian botanical essences, such as Syracuse lemon and Taormina orange blossom, while an artistic installation of cobalt blue branches cascades over the façade, adding a contemporary stylistic contrast to the historic stone masonry.
Historically and geographically, Noto stands as a monument to urban planning of the Val di Noto region, located approximately 32 kilometers southwest of Syracuse and 8 kilometers from the Ionian coast. Designed on a grid layout across a hillside by architects such as Rosario Gagliardi and Vincenzo Sinatra, the town is celebrated for its theatrical urban vistas, grand palazzi, and magnificent churches. Today, tourism and cultural heritage drive the local economy, drawing visitors globally to experience events like the annual Infiorata di Noto, where streets are carpeted with intricate floral mosaics. The architectural landscape is defined by soft calcarenite stone, ornate wrought-iron balconies supported by sculpted grotesques, and classical porticos that reflect the 18th-century noble and ecclesiastical ambition.
Visitors exploring Noto and the broader Siracusa province are immersed in a rich culinary culture shaped by Mediterranean agriculture and centuries of Greek, Arab, and Norman influences. Local gastronomy highlights regional produce including Avola almonds, Pachino tomatoes, and wild herbs harvested from the Hyblaean countryside. Traditional dishes feature pasta alla Norma, prepared with fried aubergines, rich tomato sauce, and salted ricotta, as well as fresh seafood preparations utilizing local tuna and swordfish. Dessert traditions are particularly renowned, starring artisanal granite infused with local almond milk (granita di mandorla) or lemons, served alongside warm brioche, alongside classic Sicilian cannoli filled with sweetened sheep's milk ricotta.
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