♫ Bon Jovi - Let It Rock ♫

The weekend comes to this town

Seven days too soon

For the ones who have to make up

What we break up of their rules

Well I saw Captain Kidd on Sunset

Tell his boys they're in command

While Chino danced a tango

With a broomstick in his hand

He said: It's alright (alright) if you have a good time

It's alright (alright) if you want to cross that line

To break on through to the other side

Let it rock, let it go

You can't stop a fire burning out of control

Let it rock, let it go

With the night you're on the loose

You got to let it rock

Le bâtiment Richard Meier, d'un blanc éclatant, se dresse au cœur de la nature environnante. Que les visiteurs se réjouissent : là où l'art et le nouveau bâtiment du musée s'harmonisent, ils seront les gagnants. Ici, pas de compétition pour occuper la vedette, mais un lieu empreint d'art, un lieu qui révèle sa vraie nature et offre un écrin aux œuvres de l'artiste-mécène du musée ainsi qu'à l'art contemporain.

« Mon architecture ouverte et transparente crée des transitions fluides entre l'intérieur et l'extérieur et reflète le même lien avec la nature que celui exprimé dans les œuvres de Hans Arp. »

En tant que l'un des plus grands architectes de musées internationaux, Richard Meier se réfère dans son architecture aux principes du modernisme classique, un style qui a connu son apogée au début du XXe siècle. Cette époque a également façonné l'œuvre du duo d'artistes Hans Arp et Sophie Taeuber-Arp. Le bâtiment de Meier est baigné de lumière et semble emmener les visiteurs hors de leur quotidien. Ici, les œuvres trouvent un espace propice à leur épanouissement.

The dazzling white Richard Meier Building stands out in the heart of the surrounding nature. Visitors can rejoice: wherever art and the new museum building harmonize, they will be the winners. Here, there's no competition for the spotlight, but a place imbued with art, a place that reveals its true nature and provides a showcase for the works of the museum's artist-patron as well as contemporary art.

"My open and transparent architecture creates seamless transitions between indoors and outdoors and reflects the same connection with nature expressed in the works of Hans Arp."

As one of the greatest international museum architects, Richard Meier refers in his architecture to the principles of classical modernism, a style that reached its peak in the early 20th century. This era also shaped the work of the artist duo Hans Arp and Sophie Taeuber-Arp. Meier's building is bathed in light and seems to transport visitors away from their everyday lives. Here, the works find a space conducive to their development.

Enjoying myself whilst exploring bits of SL tonight! ♥

I will never get enough of the beautiful intense morning colours and their harmonized rich tones

Bei dieser Aufnahme gefällt mir wie gut die Amseline farblich mit den heruntergefallenen Blättern harmoniert. Sie guckt etwas streng. Ich verstehe sie. Da geht mal einer vor ihr auf die Knie und dann wird es statt eines Antrags - nur ein Foto... 😋

In this shot, I like how well the colour of the blackbird harmonizes with the colours of the fallen leaves. She looks a bit stern. I feel with her.... Finally someone gets on his knees in front of her and then instead of a proposal it becomes - just a photo... 😋

Excerpt from spatialsolutions.maps.arcgis.com/apps/MapTour/index.html?...:

Lookout Algonquin Park (83) by Shelly Locke: My painting “Look Out Trail-Algonquin Park”, is the first in a series of paintings from my own travel photos and one of my favourite places to decompress. Even though this is my rendition of Algonquin Park it will very easily lead one to think of many, nearby hiking trails on the escarpment. This series turns my photos into surreal, fantasy landscapes that have been reduced to colourful and vibrant, harmonizing shapes. This specific painting is a visual illusion of a rocky woodland that will speak volumes to the outdoor enthusiast as well as inspire a longing to walk amongst the trees by others less outdoorsy. Set off by a background blend of light blue and white representing a calm blue sky. The earthy undertones invoke a calm peacefulness. The warm tones of the landscape contrast perfectly with the organic lines and monochromatic cool tones of the shadowy rock face. The relaxed ambiance of nature is conjured within one’s mind.

The same design also appears on 61, 73, 75, 88.

"Far Away Eyes" Rolling Stones 1978

I was driving home early Sunday morning through Bakersfield

Listening to gospel music on the colored radio station

And the preacher said, you know you always have the Lord by your side

And I was so pleased to be informed of this that I ran

Twenty red lights in his honor

Thank you Jesus, thank you Lord

I had an arrangement to meet a girl, and I was kind of late

And I thought by the time I got there she'd be off

She'd be off with the nearest truck driver she could find

Much to my surprise, there she was sittin' in the corner

A little bleary, worse for wear and tear

Was a girl with far away eyes

So if you're down on your luck

And you can't harmonize

Find a girl with far away eyes

And if you're downright disgusted

And life ain't worth a dime

Get a girl with far away eyes

Well the preacher kept right on saying that all I had to do was send

Ten dollars to the church of the Sacred Bleeding Heart Of Jesus

Located somewhere in Los Angeles, California

And next week they'd say my prayer on the radio

And all my dreams would come true

So I did, the next week, I got a prayer with a girl

Well, you know what kind of eyes she got, well I'll tell ya

So if you're down on your luck

I know you all sympathize

Find a girl with far away eyes

And if you're downright disgusted

And life ain't worth a dime

Get a girl with far away eyes

So if you're down on your luck

I know you all sympathize

Get a girl with far away eyes

I dress in whispers of lace and moonlight, the Coralyne Lace Dress by Malandra sliding over my skin like a secret meant only for him 💋✨ In this sensual mystic moment, I do not simply get dressed—I enchant. The barely-there silhouette sculpts my waist, tracing every curve with intoxicating precision. Fine lace panels shimmer with soft PBR glow, catching candlelight and starlight alike, while delicate gold chains float against my flesh like jewelry forged from temptation 🔗💎 Each cutout is intentional, framing my body in negative space, teasing the imagination, drawing him closer with every slow step I take.

This is how I dress to seduce him… not loudly, but deliberately 🔥 The micro-contoured hemline glides over my thighs, hugging me in a second-skin embrace. The neckline cradles me with daring elegance, suspended by gleaming links that whisper luxury and desire. In this dress, I am both spell and siren 💖

Compatible Mesh Bodies 💃

• Reborn

• Waifu

• Legacy

• Bombshell

With a subtle touch, the Coralyne HUD awakens ✨ I shift between glossy latex-inspired finishes and intricate lace textures, adjusting metallic accents, shine intensity, and reflective highlights. Multiple colorways allow me to transform from dark velvet temptation to pale luminous fantasy —each preset crafted for a different mood, each one irresistibly seductive.

Across my skin blooms the Delight Tattoo by Venus 💫 a living canvas of allure and artistry. Ornamental patterns flow along my body like ancient symbols of beauty and power—baroque filigree fused with modern sensual tattoo design. I choose between fresh ink brilliance, softly faded romance, aged vintage patina, bold black statements, or tintable hues that let me perfectly harmonize with my look 🎨 Whether glowing in molten gold or whispering in smoky sepia, my body becomes a gallery of desire.

Together, Coralyne and Delight become my armor of seduction—fabric, ink, and light woven into one hypnotic vision 💎🔥 When he looks at me, he does not simply see a dress… he feels the invitation.

✨ Exclusive at the January Swank – Renew Yourself Event ✨

👉 maps.secondlife.com/secondlife/Swank%20Events/128/124/39

I step forward, lace shimmering, skin glowing, lips parted in quiet promise 💋 Mystique is not worn… it is embodied.

Geometry and textile material

Harmonization

Le bâtiment Richard Meier, d'un blanc éclatant, se dresse au cœur de la nature environnante. Que les visiteurs se réjouissent : là où l'art et le nouveau bâtiment du musée s'harmonisent, ils seront les gagnants. Ici, pas de compétition pour occuper la vedette, mais un lieu empreint d'art, un lieu qui révèle sa vraie nature et offre un écrin aux œuvres de l'artiste-mécène du musée ainsi qu'à l'art contemporain.

« Mon architecture ouverte et transparente crée des transitions fluides entre l'intérieur et l'extérieur et reflète le même lien avec la nature que celui exprimé dans les œuvres de Hans Arp. »

En tant que l'un des plus grands architectes de musées internationaux, Richard Meier se réfère dans son architecture aux principes du modernisme classique, un style qui a connu son apogée au début du XXe siècle. Cette époque a également façonné l'œuvre du duo d'artistes Hans Arp et Sophie Taeuber-Arp. Le bâtiment de Meier est baigné de lumière et semble emmener les visiteurs hors de leur quotidien. Ici, les œuvres trouvent un espace propice à leur épanouissement.

The dazzling white Richard Meier Building stands out in the heart of the surrounding nature. Visitors can rejoice: wherever art and the new museum building harmonize, they will be the winners. Here, there's no competition for the spotlight, but a place imbued with art, a place that reveals its true nature and provides a showcase for the works of the museum's artist-patron as well as contemporary art.

"My open and transparent architecture creates seamless transitions between indoors and outdoors and reflects the same connection with nature expressed in the works of Hans Arp."

As one of the greatest international museum architects, Richard Meier refers in his architecture to the principles of classical modernism, a style that reached its peak in the early 20th century. This era also shaped the work of the artist duo Hans Arp and Sophie Taeuber-Arp. Meier's building is bathed in light and seems to transport visitors away from their everyday lives. Here, the works find a space conducive to their development.

Puente del Kursaal, Donostia, Guipúzcoa, España.

Puente de tramos rectos de hormigón armado, recubierto por piedra de Motrico y mármol rosa, con elementos decorativos de estilo modernista. Construido sobre grandes pilares, de donde arrancan las seis características farolas que contienen a esta obra su marcada personalidad.

A comienzos del siglo XX. El ayuntamiento apoya la construcción de un tercer puente sobre el Urumea "en el que se armonicen la solidez y la resistencia con la monumentalidad y belleza del conjunto".

El ingeniero Ribera presentó al Ayuntamiento una importante modificación: el puente de la Zurriola, proyecto inicialmente con arcos, será construido con tramos rectos.

El 14 de Agosto de 1921 numerosísimo público acudió a la inauguración.

El barandado metálico y los obeliscos que hacen de farolas son obra de Victor Arana. Las cuatro esfinges de bronce pertenecen a la reforma de 1993. Tienen 120 metros de largo como el puente de Santa catalina con el que mantiene cierta armonía de líneas y es algo mayor que el Puente de María Cristina, de 100 metros.

Años de realización: 1918-1921

Autor: J.E.RIBERA

Bridge of straight sections of reinforced concrete, covered by motric stone and pink marble, with decorative elements of modernist style. Built on large pillars, from which the six characteristic lanterns that contain this work its marked personality.

At the beginning of the 20th century. The city council supports the construction of a third bridge over the Urumea "in which solidity and resistance are harmonized with the monumentality and beauty of the whole".

Engineer Ribera presented the City Council with an important modification: the Zurriola bridge, initially with arches, will be built with straight sections.

On August 14, 1921, a large audience attended the inauguration.

The metal balustrade and the obelisks that act as lampposts are the work of Victor Arana. The four bronze sphinxes belong to the 1993 reform. They are 120 meters long, like the Santa Catalina bridge, with which it maintains a certain harmony of lines and is somewhat larger than the María Cristina Bridge, which is 100 meters long.

Years of realization: 1918-1921

Author: J.E.RIBERA

🌆 Havana at Dusk: Beauty, Burden, and the Burnt Sky

As the sun sinks behind the Capitolio’s neoclassical dome, Havana exhales a palette of fire and ash. The sky ignites in surreal hues—orange bleeding into violet, cobalt streaked with soot—casting the city in a cinematic glow that’s both breathtaking and unsettling. This isn’t just tropical sunset magic. It’s the particulate signature of Havana’s power plant, burning low-grade bunker fuel shipped from Venezuelan refineries. The result: a sky that stuns, but stains.

Below, the Hotel Telégrafo anchors the foreground, its colonial bones bathed in amber light. The city’s architecture—ornate, weathered, defiant—stands as both witness and participant in this daily ritual. Tourists marvel. Locals endure. The air carries the scent of salt, diesel, and resilience.

This is Havana in transition: a city where beauty and burden share the same skyline. The Capitolio gleams, but the clouds above it whisper of trade deals, energy scarcity, and environmental compromise. And yet, in this moment, the scene is undeniably poetic—a testament to the layered truths documentary photography seeks to reveal.

Capturing the Capitol: The Edit ️

The architecture of Old Havana is grand, but often the lighting at dusk can leave the city’s most iconic landmarks lost in the shadows. For this shot of the Capitolio, the original capture was moody and heavy with purple tones, but I wanted it to glow with the same energy as the rest of my Havana shifting from day to night series.

The Goal: To reveal the intricate architectural details of the skyline while harmonizing the dramatic sky with a cohesive golden-hour palette.

The Process:

Shadow Recovery: I significantly lifted the shadows on the Hotel Telégrafo and the Capitol dome to bring out the textures of the stone and scaffolding that were previously hidden.

Neutralizing the Purples: By adjusting the white balance tint and temperature, I moved away from the deep magenta cast and toward a more natural, radiant sunset warmth.

Cinematic Color Grading: I used the color wheels to inject a warm orange into the highlights of the clouds while keeping a cool, subtle teal in the deeper sky for maximum "pop".

Targeted Detail: I added a touch of clarity and sharpening specifically to the building facades to ensure the urban density feels sharp against the soft, rolling clouds.

By bringing these details forward, the image now feels like a true companion to the wider skyline view, capturing the majestic transition into the Cuban night.

Der Hauptbahnhof von Arnheim besticht durch seine sehr besondere Architektur. Diese ist geprägt durch riesige,skulpturenartige Elemente die sehr gut mit harten Linien harmonieren. Die abgerundeten Tische und Sitzgelegenheiten aus Holz koresspondieren gut mit den Holzelementen an den Wänden und Decken. Ich empfinde den Bahnhof schon als Gesamtkunstwerk und war sehr beeindruckt von dieser tollen Architektur.

Arnhem Central Station impresses with its very unique architecture. It is characterized by enormous, sculptural elements that harmonize beautifully with the bold lines. The rounded wooden tables and seating complement the wooden elements on the walls and ceiling. I consider the station a work of art in its own right, and I was very impressed by its stunning architecture.

Hi!♥

I created these Lovely magnolia Flower vase + Single Branches Available for you can use as you wish.

Very simple release but yet perfect to harmonize your table or décor your space with some colors and delicacy.

This Release is Available for Purchase at FaMEshed May 1

Thank you everyone :) Hope u like these!

The night begins with rhythm—soft, sultry, and full of promise. Every turn of my heel, every sweep of my skirt, feels like a waltz written just for me. This is the Etty Outfit by Enchantress—an ode to movement, to elegance, to the art of losing oneself in the dance.

❤️ Shaped by echoes of late-19th-century tournure glamour and the smoldering drama of flamenco couture, Etty sculpts the body with a precise corseted bodice and a layered high-low skirt that blooms on the beat. Sleek, lacquer-kissed panels trace the lines of my hips while filigreed lace at the sleeves and décolletage softens the edge—like a whispered cadenza between steps.

❤️ Materials that love the spotlight: satin-smooth gloss, leather-grain depth, and fine lace that nets the light as I spin. The cut moves with intent—waist cinched, skirt flared—so every pivot, dip, and promenade reads like choreography.

❤️ The comprehensive HUD is a conductor’s baton for style: 30 colors for the dress, gloves, stockings, and heels; 5 metallic accents for clasps and trims; plus an alpha mask for glove perfection. Harmonize hues or compose contrasts—the palette answers to your tempo.

❤️ Compatible mesh bodies:

• Maitreya + Petite

• LaraX + LaraX Petite

• Legacy, Legacy Perky, Bombshell

• eBody Reborn, Waifu

• Inithium Kupra

❤️ Where to acquire this masterpiece:

• Second Life Marketplace: Enchantress — Etty Outfit (PROMO)

• In-World Store: Enchantress @ LeLa Island

❤️ “Fashion is the rhythm we choose when the heart insists on music.”

There are moments when mixing music where a DJ knows the next track is going to bang. The beats are matched, the keys are harmonized, the foundation is set, and all that is left is to do is push the incoming track all the way into the mix. As the moment approaches it can make you shudder deliciously. We rejoice in these moments with you, feeling the room get charged only helps to drive the music forward from that point. It really is a symbiotic relationship.

For those interested but unaware, I have a selection of recorded mixes available here for your perusal.

Happy Equinox everyone! Love and light <3

view on black www.flickriver.com/photos/10334788@N02© All rights reserved

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# Glory in the Snow - Chionodoxa luciliae - Schneestolz, Schneeruhm, Schneeglanz

fresh out from the camera ..

for wishing us all a beautiful blue monday !

PERMISSION

have to be the one to live it.~ Bashar

www.bashar.org

Bashar Permission Slips Pt 1

www.youtube.com/watch?v=zzyXLfiYKZc

The orange umbrellas are extensions from the waterfront restaurants and cafes. The floodlights have just been turned on, imparting warm light on the sand which harmonizes with the mauve colour in some of the evening clouds and in contrast to the ever deepening blue of the sky. A pair of seagulls happen to be winging just above, adding a bit of motion to the otherwise serene beach scene.

In the middle left is W Barcelona, a 5-star hotel still in construction. Platja (beach) Barceloneta is facing Mediterranean Sea.

Created for DUC 25 ~ October Challenge

BEST VIEWED LARGE

Immerse yourself in the enchanting beauty of Pfarramt in Pinswang, nestled in the heart of the Austrian Alps. This curated collection of images captures not only the architectural splendor of the Pfarramt but also the breathtaking natural surroundings that make this place truly special. From lush alpine landscapes to the serene embrace of nature, each photo tells a story of spiritual tranquility harmonizing with the picturesque Austrian scenery. Join us on a visual journey celebrating the divine connection between architecture and nature in the idyllic setting of Pinswang.

photo rights reserved by Ben

The stone sculptures in Sno, a small village in the Kazbegi region of Georgia, are part of a remarkable art project in the Caucasus. These sculptures consist of impressive stone artworks depicting giant faces, often with a melancholic or mysterious expression. They were created by local artist Merab Piranishvili, who is renowned for his unique ability to bring faces and emotions to life in natural stone. Working primarily with local stones, he carves expressive facial features that tell stories about life, the soul, and the deep connection with nature. The sculptures symbolize the ancient wisdom of the mountain dwellers and the spirit of the past. The faces sometimes appear sad or contemplative, reflecting both the challenges and the beauty of life in the Caucasus. Fully integrated into the surrounding landscape, the sculptures stand among the mountains, hills, and rugged grasslands, blending seamlessly with their natural environment. This is what makes Piranishvili’s work so unique: he respects the natural shapes of the stones and subtly adds human characteristics without compromising their raw, natural beauty. Piranishvili often works directly in the field, selecting local stones and carving them with a hammer and chisel. He carefully considers the natural form of each stone, adapting his designs to create a result that looks organic and harmonizes with the surrounding environment.

Sno is located near the breathtaking Stepantsminda area and the imposing Mount Kazbegi. The stone sculptures are a hidden gem in this region, attracting an increasing number of art enthusiasts and travelers. The site exudes a serene, almost meditative atmosphere—perfect for those seeking something unique off the beaten path. If you ever find yourself near Kazbegi, these sculptures are well worth a visit. They offer a truly unique experience where art and nature come together in perfect harmony.

De stenen sculpturen in Sno, een klein dorpje in de Kazbegi-regio van Georgië, maken deel uit van een bijzonder kunstproject in de Kaukasus. De sculpturen bestaan uit indrukwekkende stenen kunstwerken van gigantische gezichten, die vaak een melancholische of mysterieuze uitstraling hebben. Ze zijn gecreëerd door de lokale kunstenaar Merab Piranishvili, die bekendstaat om zijn unieke vaardigheid om gezichten en emoties tot leven te brengen in natuursteen. Hij werkt voornamelijk met lokale stenen en geeft ze expressieve gezichtsuitdrukkingen die verhalen vertellen over het leven, de ziel en de diepe verbondenheid met de natuur. De sculpturen symboliseren de oude wijsheid van de bergbewoners en de geest van het verleden. De gezichten tonen soms een droevige of reflectieve uitdrukking, wat de uitdagingen én de schoonheid van het leven in de Kaukasus weerspiegelt. De beelden zijn volledig geïntegreerd in het omringende landschap: ze staan tussen de bergen, heuvels en het ruige grasland, waardoor ze naadloos opgaan in hun natuurlijke omgeving. Dit maakt het werk van Piranishvili zo uniek: hij respecteert de oorspronkelijke vormen van de stenen en voegt subtiel menselijke kenmerken toe, zonder hun ruwe, natuurlijke schoonheid aan te tasten. Sno ligt vlakbij het adembenemende berggebied Stepantsminda en de imposante Kazbegi-berg. De stenen sculpturen zijn een verborgen juweel in deze regio en trekken steeds meer kunstliefhebbers en reizigers aan. De plek straalt een rustige, bijna meditatieve sfeer uit, ideaal voor wie op zoek is naar iets unieks buiten de gebaande paden. Piranishvili werkt meestal direct in het veld, waarbij hij natuursteen uit de regio selecteert en met hamer en beitel bewerkt. Hij houdt rekening met de oorspronkelijke vormen van de steen en past zijn ontwerpen hierop aan, zodat het eindresultaat natuurlijk oogt en harmonieert met de omgeving. Als je ooit in de buurt van Kazbegi bent, mag je deze sculpturen zeker niet missen. Ze bieden een bijzondere ervaring waarin kunst en natuur op een unieke manier samensmelten!

Buy this photo on Getty Images : Getty Images

Ulu Mosque is the largest mosque in the Netherlands.

Construction began in 2009 and the building was finished in 2015.

The mosque's exterior was designed by Dutch architect Ishak Önen.

Red bricks were a deliberate choice to ensure the building complements the Dutch architectural style and harmonizes with its surroundings.

The interior was designed by Semih Irteş, an Istanbul-based architect and artist known for his traditional style.

This ground floor is for men, 2 upper floors are for women. The building is suitable for 1600 visitors.

Submitted: 30/12/2025

Needs revision

Resubmitted: 07/01/2026

Accepted: 08/01/2026

photo rights reserved by Ben

The stone sculptures in Sno, a small village in the Kazbegi region of Georgia, are part of a remarkable art project in the Caucasus. These sculptures consist of impressive stone artworks depicting giant faces, often with a melancholic or mysterious expression. They were created by local artist Merab Piranishvili, who is renowned for his unique ability to bring faces and emotions to life in natural stone. Working primarily with local stones, he carves expressive facial features that tell stories about life, the soul, and the deep connection with nature. The sculptures symbolize the ancient wisdom of the mountain dwellers and the spirit of the past. The faces sometimes appear sad or contemplative, reflecting both the challenges and the beauty of life in the Caucasus. Fully integrated into the surrounding landscape, the sculptures stand among the mountains, hills, and rugged grasslands, blending seamlessly with their natural environment. This is what makes Piranishvili’s work so unique: he respects the natural shapes of the stones and subtly adds human characteristics without compromising their raw, natural beauty. Piranishvili often works directly in the field, selecting local stones and carving them with a hammer and chisel. He carefully considers the natural form of each stone, adapting his designs to create a result that looks organic and harmonizes with the surrounding environment.

Sno is located near the breathtaking Stepantsminda area and the imposing Mount Kazbegi. The stone sculptures are a hidden gem in this region, attracting an increasing number of art enthusiasts and travelers. The site exudes a serene, almost meditative atmosphere—perfect for those seeking something unique off the beaten path. If you ever find yourself near Kazbegi, these sculptures are well worth a visit. They offer a truly unique experience where art and nature come together in perfect harmony.

De stenen sculpturen in Sno, een klein dorpje in de Kazbegi-regio van Georgië, maken deel uit van een bijzonder kunstproject in de Kaukasus. De sculpturen bestaan uit indrukwekkende stenen kunstwerken van gigantische gezichten, die vaak een melancholische of mysterieuze uitstraling hebben. Ze zijn gecreëerd door de lokale kunstenaar Merab Piranishvili, die bekendstaat om zijn unieke vaardigheid om gezichten en emoties tot leven te brengen in natuursteen. Hij werkt voornamelijk met lokale stenen en geeft ze expressieve gezichtsuitdrukkingen die verhalen vertellen over het leven, de ziel en de diepe verbondenheid met de natuur. De sculpturen symboliseren de oude wijsheid van de bergbewoners en de geest van het verleden. De gezichten tonen soms een droevige of reflectieve uitdrukking, wat de uitdagingen én de schoonheid van het leven in de Kaukasus weerspiegelt. De beelden zijn volledig geïntegreerd in het omringende landschap: ze staan tussen de bergen, heuvels en het ruige grasland, waardoor ze naadloos opgaan in hun natuurlijke omgeving. Dit maakt het werk van Piranishvili zo uniek: hij respecteert de oorspronkelijke vormen van de stenen en voegt subtiel menselijke kenmerken toe, zonder hun ruwe, natuurlijke schoonheid aan te tasten. Sno ligt vlakbij het adembenemende berggebied Stepantsminda en de imposante Kazbegi-berg. De stenen sculpturen zijn een verborgen juweel in deze regio en trekken steeds meer kunstliefhebbers en reizigers aan. De plek straalt een rustige, bijna meditatieve sfeer uit, ideaal voor wie op zoek is naar iets unieks buiten de gebaande paden. Piranishvili werkt meestal direct in het veld, waarbij hij natuursteen uit de regio selecteert en met hamer en beitel bewerkt. Hij houdt rekening met de oorspronkelijke vormen van de steen en past zijn ontwerpen hierop aan, zodat het eindresultaat natuurlijk oogt en harmonieert met de omgeving. Als je ooit in de buurt van Kazbegi bent, mag je deze sculpturen zeker niet missen. Ze bieden een bijzondere ervaring waarin kunst en natuur op een unieke manier samensmelten!

I took a similar shot to this a few years ago, but it was afterhours and in black & white. This time, they left the engines out for some reason. I'm not complaining.

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.

.

'Chosen to Harmonize'

Camera: Mamiya m645j

Lens: Mamiya-Sekor 2.8; 45mm

Film: Rollei Crossbird

Process: DIY ECN-2

Promontory, Utah

July 2020

Semana Santa en Sevilla. En la fotografía, el momento esperado de la imagen anterior, la procesion del Santïsimo Cristo de la Salud (Hermandad de San Bernardo) procesionando por el Puente de los Bomberos.

Sobre su autoría, para ciertos entendidos y atendiendo a los escasos y diferentes estudios, esta obra podría haber salido de la gubia de José de Arce en el año 1669.

Tallada en madera de cedro policromada, que mide un metro setenta, y cinco centimetros, representando a Cristo muerto crucificado momentos después de la expiración.

Esta es una talla esbelta, nítidamente barroca, perfectamente armonizada, aunque de fuertes miembros proporcionados. Su aspecto dramático se identifica por el movimiento de laxitud del cuerpo sin vida, que cae de manera sobrecogedora de los clavos que lo sujetan a la Cruz, como se puede observar por la tensión de sus brazos y su posición colgante y encorvada. Sin embargo, muestra un rostro dulcificado que produce un extraordinario impacto devocional y que siempre llama a su contemplación. Dicho por los expertos, esta escultura es de los mejores que se han tallado en la ciudad.

El momento de la fotografía es procesionando sobre el Puente de San Bernardo, o también llamado Puente de los Bomberos (Ver foto anterior). Durante este tramo de recorrido se apaga toda la iluminación urbana y el Cristo se ilumina puntualmente con un foco instalado sobre una enorme grua del Parque de Bomberos (junto al puente) Esto y el silencio de la multitud, solo roto por el caminar de los costaleros bajo la canasta del Cristo, hacen de estos momentos algo único y con una fuerte carga de emoción y sentimientos, por lo menos para los sevillanos.

English

Holy Week in Seville. In the photograph, the expected moment of the previous image, the procession of the Santïsimo Cristo de la Salud (Brotherhood of San Bernardo) processioning by the Firefighters bridge.

Regarding its authorship, for certain experts and taking into account the few and different studies, this work could have come from the gouge of José de Arce in the year 1669.

Carved in polychrome cedar wood, measuring one meter seventy and five centimeters, representing the dead Christ crucified moments after expiration. This is a slender carving, clearly baroque, perfectly harmonized, although with strong proportioned limbs. Its dramatic appearance is identified by the lax movement of the lifeless body, which falls in an overwhelming way from the nails that hold it to the Cross, as can be seen by the tension of its arms and its hanging and hunched position. However, he shows a sweetened face that produces an extraordinary devotional impact and that always calls for contemplation of him. Said by experts, this sculpture is one of the best that has been carved in the city.

The moment of the photograph is procession over the San Bernardo Bridge, or also called the Firefighters Bridge (See previous photo). During this section of the route, all the urban lighting is turned off and the Christ is illuminated punctually with a spotlight installed on a huge crane in the Fire Station (next to the bridge). This and the silence of the crowd, only broken by the walking of the costaleros under the basket of Christ, make these moments something unique and with a strong charge of emotion and feelings, at least for the Sevillians.

Cámara Nikon D850 con lente Nikkor 14-24 F2.8/G-ED editada con ACR y Photoshop 2024

Recomiendo hacer doble click sobre la imagen y ver en grande.

I recommend see in larger, clicking double on the image.

The sounds of the waves and ripples, each wave a new movement.

Just me, a little imagination a millennium of erosion and a concofiny of sounds that harmonizes in a ripple ...... then it's gone.

After performing colourful rail topics ( flic.kr/p/2pDz1CE ), it is time for a never colourful flowershot of a bred tulip. To highlight its lovely patterns and harmonizing colours in high resolution in the poorly lit environment, the capabilities of the robust Tamron tele lens were required.

Nikon D5300 + Tamron SP 70-300mm Di VC USD

ISO-400; 1/400sec; F-stop f/7.1; EV:+0.3; 390mm (260mm)

I step out into the forest, where secrets linger in the hush between branches, and the night seems to lean closer to listen. I wear my intrigue like a second skin—the Sama Jumpsuit by Enchantress—and the world follows my silhouette without asking where I’m going.

The cut is deliberate. The silhouette is unapologetically sensual. This jumpsuit traces my body with a knowing confidence, sculpting my waist and hips as though it were designed from memory rather than fabric. Strategic cutouts and peek holes reveal flashes of skin in precisely the right places—never too much, always enough—inviting the eye to linger, then move on wanting more. Gold-toned accents catch the low light, glinting softly as I shift, each detail whispering intention.

Against my flesh, the ethnic tattoo emerges like a private ritual—tinted to harmonize perfectly with my Sama Jumpsuit. It feels ancient and intimate all at once, an organic extension of my body rather than adornment. The ink moves with me, enhancing the curves the fabric so carefully frames, deepening the story written across my skin.

Topping it all is the Remi Hat by Vesta, a piece that grounds the look with quiet authority and timeless allure. Its plush-trimmed brim frames my face, lending a refined contrast to the bold sensuality beneath. With its color-changing HUD, I drift effortlessly through moods—rich wine, soft neutrals, earthy greens—each shade transforming the narrative. Fully resizable by script and crafted with exquisite texture, the Remi Hat draws inspiration from classic winter silhouettes and reimagines them for a woman who commands attention without asking for it.

The Sama Jumpsuit is BOM (Bakes on Mesh)—seamless, elegant, and effortlessly wearable. It is available in 10 stunning colors, allowing you to choose whether your presence tonight is mysterious, daring, or quietly irresistible.

I disappear out into the forest, leaving only the impression of movement, warmth, and unanswered questions.

Discover the Sama Jumpsuit by Enchantress, the Ethnic Tattoo, and the Remi Hat by Vesta —

exclusively at the Swank – Renew Yourself Makeover January Event:

👉 maps.secondlife.com/secondlife/Swank%20Events/128/124/39

Some stories are worn.

Others are felt.

HI! This November i made this Dinner set inspired by Scandivanian Style & Minimalist . I bring wood tone & Soft Clean Textures .You also have Poses & Textures include with the Chair!! Which make it Unique & different Decor to harmonized your Space the way u desired♥

It will be Available @Fameshed November 1

maps.secondlife.com/secondlife/FaMESHed/222/147/800

Hope you like this ! ^__^ Love you all♥

"Durch die Nacht gezogen" stelt ein Kontrast zwischen Bewegung und Stille dar. Im Vordergrund zieht eine Straßenbahn mit leuchtenden Lichtstreifen vorbei und erzeugt eine dynamische, verschwommene Spur, während im Hintergrund die städtische Architektur ruhig und klar zu erkennen ist. Die warme orangefarbene Beleuchtung des Gebäudes harmoniert mit den kühlen Neonlichtern und schafft eine einzigartige Stimmung, die sowohl lebendig als auch nostalgisch wirkt. Hinter den Fenstern des Gebäudes scheinen kleine Geschichten zu warten – ein gemütliches Lokal, ein sanft beleuchteter Raum, eine leise Welt mitten in der hektischen Stadt.

Mit dem Foto habe ich ein Moment des urbanen Rhythmus einer Stadt festgehalten, die nie stillsteht.

“Drawn through the night” - represents a contrast between movement and stillness. In the foreground, a streetcar passes by with glowing strips of light, creating a dynamic, blurred trail, while in the background the urban architecture is calm and clear. The warm orange lighting of the building harmonizes with the cool neon lights, creating a unique mood that is both vibrant and nostalgic. Little stories seem to be waiting behind the windows of the building - a cozy pub, a softly lit room, a quiet world in the middle of the hectic city.

With this photo, I have captured a moment of the urban rhythm of a city that never stands still.

www.youtube.com/watch?v=vSL5AHhpi6U

sorry Jamie Cullum's version is not available...but Shirley Horn is damn good

...A TIME FOR LOVE - Jamie Cullum

A time for summer skies

For hummingbirds and butterflies

For tender words that harmonize with love

A time for climbing hills

For leaning out of windowsills

Admiring daffodils above ADMIRING THE DAFFODILS ABOVE

A time for holding hands together

A time for rainbow coloured weather

A time of make believe that we've been dreaming of

As time goes drifting by

The willow bends and so do I

But all my friends whatever skies above BUT OH, MY FRIENDS, WHATEVER SKY ABOVE

I know a time for spring I'VE KNOWN A TIME FOR SPRING

A time for fall

But best of all

A time for love

A time for holding hands together

A time for rainbow coloured weather

A time of make believe that we've been dreaming of

As time goes drifting by

The willow bends and so do I

But all my friends whatever skies above

I know a time for spring

A time for fall

But best of all

A time for love

I couldn't help it; here's another “last one” for this week, hope you like it too ;-)

Do you recognize this style?

Modern architecture captivates with its sleek lines, innovative materials, and minimalist designs, harmonizing form and function.

It emphasizes open spaces, natural light, and sustainable practices, creating elegant structures that blend seamlessly with their surroundings while pushing creative boundaries.

A week ago, an intriguing idea struck me. What if each week I came up with a different theme? This notion seemed both exciting and promising, offering a fresh perspective and a constant source of novelty. I imagined diving into a new world every seven days, exploring diverse themes.

IG: www.instagram.com/frank_van_dongen/

Thanks for the comments, faves and visits

This captivating photograph showcases a meticulously designed garden path that beckons visitors into a world of natural beauty and tranquility. The winding pathway, bathed in dappled sunlight, leads the eye through a lush landscape towards a picturesque wooden pavilion in the distance.

In the foreground, a graceful multi-trunked tree stands sentinel, its smooth bark catching the sunlight and creating a striking contrast against the verdant foliage. The path, curving gently around beds of diverse plantings, tells a story of thoughtful landscape design that harmonizes with the surrounding nature.

The garden's palette is a rich tapestry of greens, punctuated by hints of autumn gold in the background, suggesting the changing of seasons. Ornamental grasses, shrubs, and carefully placed rocks line the edges of the path, creating texture and depth.

The wooden pavilion, with its simple yet elegant design, serves as both a focal point and a promise of rest at the journey's end. Its presence adds a touch of human craftsmanship that complements rather than competes with the natural elements.

This image captures the essence of a peaceful retreat, where every turn in the path offers a new perspective and invites moments of reflection. It's a testament to the artistry of landscape design and the restorative power of green spaces.

This set is another touch of Colorful Bright harmonization for your Garden . I created a Garden Seat that can suits many style with Hanging plants you can bring almost anywhere with a ceilling or Small spot. This set will be Available At Mainstore!

Let me know what you think ? :) Thanks you so much hope u like ^-^ ♥

5 minutes to get the brass section to harmonize with the woodwind. All the while hoping some bicyclist or motorcyclist would speed past.

Le bâtiment Richard Meier, d'un blanc éclatant, se dresse au cœur de la nature environnante. Que les visiteurs se réjouissent : là où l'art et le nouveau bâtiment du musée s'harmonisent, ils seront les gagnants. Ici, pas de compétition pour occuper la vedette, mais un lieu empreint d'art, un lieu qui révèle sa vraie nature et offre un écrin aux œuvres de l'artiste-mécène du musée ainsi qu'à l'art contemporain.

« Mon architecture ouverte et transparente crée des transitions fluides entre l'intérieur et l'extérieur et reflète le même lien avec la nature que celui exprimé dans les œuvres de Hans Arp. »

En tant que l'un des plus grands architectes de musées internationaux, Richard Meier se réfère dans son architecture aux principes du modernisme classique, un style qui a connu son apogée au début du XXe siècle. Cette époque a également façonné l'œuvre du duo d'artistes Hans Arp et Sophie Taeuber-Arp. Le bâtiment de Meier est baigné de lumière et semble emmener les visiteurs hors de leur quotidien. Ici, les œuvres trouvent un espace propice à leur épanouissement.

The dazzling white Richard Meier Building stands out in the heart of the surrounding nature. Visitors can rejoice: wherever art and the new museum building harmonize, they will be the winners. Here, there's no competition for the spotlight, but a place imbued with art, a place that reveals its true nature and provides a showcase for the works of the museum's artist-patron as well as contemporary art.

"My open and transparent architecture creates seamless transitions between indoors and outdoors and reflects the same connection with nature expressed in the works of Hans Arp."

As one of the greatest international museum architects, Richard Meier refers in his architecture to the principles of classical modernism, a style that reached its peak in the early 20th century. This era also shaped the work of the artist duo Hans Arp and Sophie Taeuber-Arp. Meier's building is bathed in light and seems to transport visitors away from their everyday lives. Here, the works find a space conducive to their development.

A car negotiates a rain wet Going to the Sun Highway in Glacier National Park on an August afternoon. Completed in 1932, the spectacular, 50 mile long Going-to-the-Sun Road bisects the park east to west. The paved two-lane highway spans the width of Glacier National Park and crosses the Continental Divide at 6,646-foot-high Logan Pass. It passes large glacial lakes and cedar forests in the lower valleys; canyons and cliffs; culminating at the windswept alpine tundra atop the pass. Scenic viewpoints and pullouts line the road offering dramatic views and photo opportunities. One thing I found interesting is that the view from the road varies depending on the direction you are traveling. I drove both ways a few of times and saw different things each time.

The road is nationally significant for its design and monumental engineering accomplishments. The original roadbed, bridges, tunnels, culverts, retaining walls, and guard walls were built in the “NPS Rustic” style. Individually, these structures are often significant examples of period engineering and design philosophy; collectively, they comprise a vital, integral component of the road’s unique character. Most of these structures were designed to harmonize with the roadway setting by using native materials and by blending with landforms as much as possible.The Going-To-The-Sun Road is a National Historic Landmark, is included in the National Register of Historic Places and is a National Historic Civil Engineering Landmark.

Happy Caturday theme 19 October 2019: Containers. Tikki isn't that motivated by containers, so I decided to give her "incentive". I took this decorative gourd bucket and put a few treats in it - she's a sucker for treats - she knocked the gourd onto the floor almost immediately and did manage to extract the treats. There were plenty of shots with her buried up to her front shoulders in the thing, but I like this better. (You see a bit of face, and I know that white paw has a treat under it just extracted). And she harmonizes with the artwork on the gourd.

💋 The evening unfurled like silk — that perfect hush before twilight deepens into desire. I leaned against the stone ledge outside my home, my faithful cat perched beside me, his blue eyes reflecting the amber glow of the porch light. He watched me the way only cats can — patient, knowing, as if he understood that tonight wasn’t just another night. Somewhere down the road, headlights would appear, and with them, him.

✨ The Hale Outfit by Enchantress clung to me like a secret I wasn’t ready to tell. Its silhouette — a masterwork of sensual architecture — sculpted every curve, tracing the hourglass of my form with confidence and a whisper of rebellion. The bodysuit’s daring plunge revealed just enough to suggest the rest, framed by a belt of metallic rings that shimmered like moonlight against crimson leather. It felt both dangerous and divine, a perfect balance between softness and control.

🌹 There’s something timeless about its cut — a revival of 1950s bombshell glamour blended with the unapologetic edge of 1980s high-shine couture. It’s the kind of design that refuses to belong to one decade, existing instead in that eternal realm where confidence becomes the ultimate accessory. The supple, leather-like finish moves like a second skin, every step an unspoken promise.

💄 The Enchantress Hale Outfit HUD is its own love letter to versatility: 30 rich, customizable shades for the bodysuit, belt, and boots — a palette that ranges from soft blush to midnight noir. One tap and the entire mood shifts. Red for passion. Black for mystery. Gold for the woman who knows her power.

🐾 My cat brushed his tail against my arm, a gentle reminder that I wasn’t alone in my anticipation. The night carried the faint scent of roses and rain on warm pavement. When I caught the first glint of headlights approaching, my lips curved into a quiet smile. I could almost feel his pulse quicken already — though he hadn’t yet seen what waited for him beneath the stars.

💫 Compatible mesh bodies:

• Maitreya + Petite

• Lara X + Petite

• Reborn & Waifu

• Legacy + Perky + Bombshell

• Gen X Classic & Curvy

• Kupra

• Star

💎 And tonight, my skin told a story of its own. Draped beneath the open cut of my Hale Outfit is the Venus Midnight Rose Tattoo Set, a masterpiece of sensual ink artistry that evolves with mood and memory. This set offers twelve exquisite tattoo options, each one a different chapter of the same love story — from the passionate to the timeless.

There’s Fresh, with its newly-inked vibrance and luminous, saturated tones that look as if the roses were painted moments ago… and Fresh BW, the same precision rendered in classic monochrome for a strikingly elegant contrast. Faded softens the bloom, giving the petals a lived-in sensuality, while Faded BW whispers of nostalgia in grayscale. The Aged and Aged BW layers deepen that romance, their muted pigments warming to the skin like memories etched over time. For those who adore the character of history, Old and Old BW embody the allure of vintage ink, weathered beautifully yet forever captivating. Then come the artist’s full expressions — Color and BW — lush or minimal, each emphasizing the tattoo’s exquisite floral detail. Finally, Tint and Tint BW invite personal creativity, allowing soft hue adjustments to harmonize with your tone, mood, or outfit.

Each version transforms how the roses unfold against the skin — some bold and fiery, others whisper-light — all revealing a part of who I am beneath the Hale’s crimson silhouette. Beneath the glow, the roses seem to breathe with me, turning my body into a living canvas of passion, elegance, and feminine power.

🌙 Both the Enchantress Hale Outfit and the Venus Body Heart Tatto are exclusive at the Swank Goth October Event from October 7th to October 30th.

💋 [Teleport to the Event]

maps.secondlife.com/secondlife/Swank%20Events/128/124/39

As the car slowed to a stop, I looked at my cat and whispered,

“Wish me luck.”

He blinked once, as if to say, He won’t stand a chance.

The facade of the house adjacent to the Chiesa della Madonna del Carmine in Noto, Sicily, exudes a sense of timeless simplicity and historical charm. The architectural design is unadorned yet elegant, characteristic of the region's traditional style. The doorway and window are modestly framed, reflecting the straightforward, utilitarian aesthetics that define many Sicilian homes. Despite the wear of centuries, the façade retains its distinct features, showcasing the resilient beauty of its original construction.

Age has left its mark on the building, evident in the ochre paint that has peeled and faded over time. This weathered exterior tells a story of endurance and the passage of years, adding to the house's rustic appeal. The patina of age enhances its character, harmonizing with the historical ambiance of Noto. The soft, earthy tones of the worn paint blend seamlessly with the surrounding architecture, creating a cohesive and authentic Sicilian atmosphere.

The Chiesa della Madonna del Carmine, located in Noto, Sicily, is a historic church with deep roots in the region's religious and architectural heritage. Constructed in the early 18th century, it is a fine example of the Sicilian Baroque style that flourished after the devastating earthquake of 1693. The church was built as part of the extensive reconstruction efforts that transformed Noto into a baroque masterpiece. Its ornate façade, adorned with intricate stone carvings and statues, contrasts with the simple neighboring structures, such as the adjacent house. Over the centuries, the Chiesa della Madonna del Carmine has stood as a testament to the resilience and artistic spirit of the local community, serving as a place of worship and cultural significance.

RX_02666_20240511_Noto

The Rainbow Bridge (レインボーブリッジ, Reinbō Buridji) is a suspension bridge crossing northern Tokyo Bay between Shibaura Pier and the Odaiba waterfront development in Minato, Tokyo, Japan.

It is named Tōkyō Kō Renrakukyō (東京港連絡橋) as the official name in Japanese.

It was built by Kawasaki Heavy Industries,[1][2] with construction starting in 1987 and completed in 1993.[3] The bridge is 798 m (2,618 ft) long with a main span of 580 m (1,903 ft).[4] Officially called the "Shuto Expressway No. 11 Daiba Route - Port of Tokyo Connector Bridge,"[5] the name "Rainbow Bridge" was decided by the public.

The towers supporting the bridge are white in color, designed to harmonize with the skyline of central Tokyo seen from Odaiba. There are lamps placed on the wires supporting the bridge, which are illuminated into three different colors, red, white and green every night using solar energy obtained during the day.

The bridge can be accessed by foot from Tamachi Station (JR East) or Shibaura-futō Station (Yurikamome) on the mainland side.

The loblolly pines with their sharp needles and prickly cones soften when seen from a distance, harmonizing with the soft puffy texture of the clouds at sunset.

Thankful for my backyard. Yesterday was a gorgeous warm day and I sat in a chair and just sat peacefully quiet and enjoyed the way back fence view.

Is not this a true autumn day? Just the still melancholy that I love—that makes life and nature harmonize.

photo rights reserved by Ben

The stone sculptures in Sno, a small village in the Kazbegi region of Georgia, are part of a remarkable art project in the Caucasus. These sculptures consist of impressive stone artworks depicting giant faces, often with a melancholic or mysterious expression. They were created by local artist Merab Piranishvili, who is renowned for his unique ability to bring faces and emotions to life in natural stone. Working primarily with local stones, he carves expressive facial features that tell stories about life, the soul, and the deep connection with nature. The sculptures symbolize the ancient wisdom of the mountain dwellers and the spirit of the past. The faces sometimes appear sad or contemplative, reflecting both the challenges and the beauty of life in the Caucasus. Fully integrated into the surrounding landscape, the sculptures stand among the mountains, hills, and rugged grasslands, blending seamlessly with their natural environment. This is what makes Piranishvili’s work so unique: he respects the natural shapes of the stones and subtly adds human characteristics without compromising their raw, natural beauty. Piranishvili often works directly in the field, selecting local stones and carving them with a hammer and chisel. He carefully considers the natural form of each stone, adapting his designs to create a result that looks organic and harmonizes with the surrounding environment.

Sno is located near the breathtaking Stepantsminda area and the imposing Mount Kazbegi. The stone sculptures are a hidden gem in this region, attracting an increasing number of art enthusiasts and travelers. The site exudes a serene, almost meditative atmosphere—perfect for those seeking something unique off the beaten path. If you ever find yourself near Kazbegi, these sculptures are well worth a visit. They offer a truly unique experience where art and nature come together in perfect harmony.

De stenen sculpturen in Sno, een klein dorpje in de Kazbegi-regio van Georgië, maken deel uit van een bijzonder kunstproject in de Kaukasus. De sculpturen bestaan uit indrukwekkende stenen kunstwerken van gigantische gezichten, die vaak een melancholische of mysterieuze uitstraling hebben. Ze zijn gecreëerd door de lokale kunstenaar Merab Piranishvili, die bekendstaat om zijn unieke vaardigheid om gezichten en emoties tot leven te brengen in natuursteen. Hij werkt voornamelijk met lokale stenen en geeft ze expressieve gezichtsuitdrukkingen die verhalen vertellen over het leven, de ziel en de diepe verbondenheid met de natuur. De sculpturen symboliseren de oude wijsheid van de bergbewoners en de geest van het verleden. De gezichten tonen soms een droevige of reflectieve uitdrukking, wat de uitdagingen én de schoonheid van het leven in de Kaukasus weerspiegelt. De beelden zijn volledig geïntegreerd in het omringende landschap: ze staan tussen de bergen, heuvels en het ruige grasland, waardoor ze naadloos opgaan in hun natuurlijke omgeving. Dit maakt het werk van Piranishvili zo uniek: hij respecteert de oorspronkelijke vormen van de stenen en voegt subtiel menselijke kenmerken toe, zonder hun ruwe, natuurlijke schoonheid aan te tasten. Sno ligt vlakbij het adembenemende berggebied Stepantsminda en de imposante Kazbegi-berg. De stenen sculpturen zijn een verborgen juweel in deze regio en trekken steeds meer kunstliefhebbers en reizigers aan. De plek straalt een rustige, bijna meditatieve sfeer uit, ideaal voor wie op zoek is naar iets unieks buiten de gebaande paden. Piranishvili werkt meestal direct in het veld, waarbij hij natuursteen uit de regio selecteert en met hamer en beitel bewerkt. Hij houdt rekening met de oorspronkelijke vormen van de steen en past zijn ontwerpen hierop aan, zodat het eindresultaat natuurlijk oogt en harmonieert met de omgeving. Als je ooit in de buurt van Kazbegi bent, mag je deze sculpturen zeker niet missen. Ze bieden een bijzondere ervaring waarin kunst en natuur op een unieke manier samensmelten!

🍁 Annabel and the Art of Autumn 🍂

There’s something extraordinary about how autumn whispers through my wardrobe — how the hush of falling leaves, the scent of rain-soaked cedar, and the warmth of amber sunlight seem to find their way into fabric, lace, and silk. My Annabel Outfit by Zenessa feels born from that moment — when the air turns gold and everything softens. Its silhouette, tenderly sculpted and irresistibly feminine, traces my curves with a painter’s devotion. The delicate satin finish catches the light like morning dew on copper leaves, while the optional puffed sleeves flutter with a charm that recalls 18th-century pastoral romance.

It is as if nature herself inspired its creation — biophilia woven into design — that ancient longing to surround ourselves with what is alive and organic. The Annabel hues, from dusk rose to deep onyx, evoke the sensual poetry of autumnal light; the kind that glows just before twilight when desire and reflection entwine. 🌾

✨ VV Paris 9 Prentice Hold-Up Stockings

Completing the ensemble, my legs are embraced by VV Paris’ Prentice Hold-Ups — those timeless seamed stockings that redefined allure in the 1940s and continue to seduce today. Crafted in voile extensible sheer stretch, they sculpt with quiet sophistication.

Each pair is whisper-thin yet resilient, finished with authentic dentelle de Calais lace that clings with barely a sigh. Their HUD offers a palette of classic tones — noir, chocolate, champagne, rose, sable, marine, plum, nude, and ivory — all tinted with the soft nostalgia of candlelight. These are not merely stockings; they are an attitude, a gesture of confidence that moves like silk smoke across skin.

🌻 Venus “Paradisa” Body Tattoo

And beneath the fabric, art blooms. VENUS Paradisa, a masterpiece in color and detail, celebrates the living garden of the human form. Every line and petal unfurls like a story — sunflowers, peonies, and fruit-laden vines dancing over shoulders and hips in a vivid ode to fertility and freedom. The HUD allows me to choose among 12 versions — Fresh, Faded, Aged, Old, Color, BW, and Tint — a complete narrative of time and memory painted across the body. It’s sensual but intelligent; wild yet intentional — like passion itself. 🍂

Together, the Zenessa Annabel Outfit, the VV Paris Prentice Hold-Ups, and the VENUS Paradisa Tattoo harmonize into an autumnal symphony — fashion touched by nature’s own hand, celebrating rebirth, sensuality, and the artistry of change.

Available now at the SWANK November “Fall into Autumn” Event:

🌐 maps.secondlife.com/secondlife/Swank%20Events/128/124/39

🍁"Fashion is the season’s heartbeat — nature’s rhythm stitched into what we wear."

Sandhill cranes harmonize in the late afternoon sun. Jimmie Rodgers might have approved....

chacun dans son propre monde. et ils s'harmonisent bien quand même. :))

each one in his own world, and yet they harmonize well. :)

Modern architecture captivates with its sleek lines, innovative materials, and minimalist designs, harmonizing form and function.

It emphasizes open spaces, natural light, and sustainable practices, creating elegant structures that blend seamlessly with their surroundings while pushing creative boundaries.

In the past few days, an intriguing idea struck me. What if each week I came up with a different theme? This notion seemed both exciting and promising, offering a fresh perspective and a constant source of novelty. I imagined diving into a new world every seven days, exploring diverse themes.

IG: www.instagram.com/frank_van_dongen/

Sun breaks though illuminating the Going to the Sun Highway in Glacier National Park on a rainy, August afternoon. Completed in 1932, the spectacular, 50 mile long Going-to-the-Sun Road bisects the park east to west. The paved two-lane highway spans the width of Glacier National Park and crosses the Continental Divide at 6,646-foot-high Logan Pass. It passes large glacial lakes and cedar forests in the lower valleys; canyons and cliffs; culminating at the windswept alpine tundra atop the pass. Scenic viewpoints and pullouts line the road offering dramatic views and photo opportunities. One thing I found interesting is that the view from the road varies depending on the direction you are traveling. I drove both ways a few of times and see different things each time.

The road is nationally significant for its design and monumental engineering accomplishments. The original roadbed, bridges, tunnels, culverts, retaining walls, and guard walls were built in the “NPS Rustic” style. Individually, these structures are often significant examples of period engineering and design philosophy; collectively, they comprise a vital, integral component of the road’s unique character. Most of these structures were designed to harmonize with the roadway setting by using native materials and by blending with landforms as much as possible.The Going-To-The-Sun Road is a National Historic Landmark, is included in the National Register of Historic Places and is a National Historic Civil Engineering Landmark.