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I am a fan of art, art my maker, I am photographer. The influence of contemporary art, pop art and collage brought by international artist such as Andrea Floris, Robert Rauschenberg, Andy Warhol, Roy Lichtenstein and several local artists such as Ahmad Shukri, Go with Abu Hassan and etc have made me to create artwork as above.
Virtually every week often appear in newspaper stories about children abuse. as an art maker and photographer, I started to feel not satisfied with what happened. from there I began to work on. Use of the main subject (kids) and the use of words in this artwork will make audiences think what is happening around us. I use the colors that are often used other pop artists to raise the mood of kids in this artwork.
Some people talk about how I create this artwork is not photography, too much text in this artwork, and etc. This is still photography, because I use the camera to capture the subject matter (kids), I use the lighting in my work, I use my drawing in the paper, but I tried to run away from the box what is photography itself. Reached when the photography / photographer to stay in style at the existing?
“ Art as part of culture usually serves to protect society " - Arnold Hauser (1951)
Two colour variations of a new style bar tap handle that I made at work. Just in case you were wondering.. these are both one piece solid resin castings... no wood or metal used in it! Finishes are painted and stained.
Looking like candy bars, these handles were carved from laminated pearlized Galalith plastic to match the wood veneer of 1930s heavy deco furniture. Made in Brazil, they are 22cm long.
And thankfully not much of an ice storm either! Little ( 3/4in ) icicles on the handle of the trash can. Please view large.
83 North Union Street, Burlington, Vermont USA • Elaborate pair of stamped brass door handles.
☞ Part of a series of photos documenting my new home & neighborhood, in the heart of Vermont's largest town: Burlington 05401. • After almost a dozen years in rural Cornwall, 40 miles to the south, I have moved to one of the true outposts of optimism, on the eastern shore of Lake Champlain (the 6th Great Lake).
A resident artist carving a handle at the Kuala Lumpur Craft Complex, Jalan Conlay.
II Outing, Kuala Lumpur Craft Centre, Jalan Conlay. II Bigbro, ::pelican::, - wer - II Artist and Arts II
NIKON F5, Nikon 50mm F1.4 D, Kodak Ektachrome 100, E100VS, Wide Open.
The We're Here! gang is looking at handles and knobs today. These handles are on one of my cabinets. I've always thought they were so pretty and fancy. From England originally.
For the 52 in 2024 Challenge:
Theme #5 Fancy
In this Aug. 22, 1944 photo, members of the Pentecostal Church of God, a faith healing sect, surround a woman who has "Got the Spirit" as a man holds a snake above her head in Evarts, Ky. Although a Kentucky statute passed in 1940 prohibits the handling of snakes in connection with religious services, this sect revived the ritual after the recent death of a native of the region who was bitten by rattlesnake.
© All Rights Reserved. Please do not use or reproduce this image on Websites, Blogs or any other media without my explicit permission.
Tactical shooting requires agile and adaptive thinkers able to handle the challenges of full spectrum operations in an era of persistent conflict. To meet this requirement, TAPS delivers a comprehensive, systematic, progressive Train-the-Trainer shooting program focused on fundamental mastery and built for Law Enforcement officers, military personal, and qualified civilians. Designed for leaders and trainers, the TAPS course also applies to the patrol-level officer, basic level Soldiers, and civilian self & home defense minded shooters. The approach to instruction is through coaching and mentorship and both demonstrates and transfers a training method that is safe, effective, combat relevant, and encourages a continuous thought process that demands accountability. Training is conducted on the range and focuses on advanced refinement of the basic fundamentals of marksmanship as applied to the primary and secondary weapons systems. Utilizing a building block learning model, TAPS combines the pressures and dynamics of competitive shooting and tactical application. While course of instruction is on the firing range, the TAPS training approach also translates into training venues outside the range.
Course Outline:
The 2-day course offering provides the following training and instruction:
- Lecture on proper weapons handling and safety
- Refresh the fundamentals and grouping exercises
- Conduct a diagnostic course of fire
- Conduct a discussion on the importance of performing a focal shift during training and avoiding mundane drills that do not encourage a thought process
- Other topics covered and practiced are; grouping exercises with both primary and secondary weapon systems, target discrimination, use of barricades, movement, close quarter battle techniques, immediate action drills, ballistics 101, transitions, magazine changes
- Escalation of training and intensity will vary depending on number of students and their skill level though the core of the course will always remain the same
- This course is marksmanship intensive.
Instructor: Patrick McNamara (AKA - "Mac")
OBS! Thumbnail doesn't do justice.
"One afternoon the last week in April
Showing Kai how to throw a hatchet
One-half turn and it sticks in a stump.
He recalls the hatchet-head
Without a handle, in the shop
And go gets it, and wants it for his own.
A broken-off axe handle behind the door
Is long enough for a hatchet,
We cut it to length and take it
With the hatchet head
And working hatchet, to the wood block.
There I begin to shape the old handle
With the hatchet, and the phrase
First learned from Ezra Pound
Rings in my ears!
"When making an axe handle
the pattem is not far off."
And I say this to Kai
"Look: We'll shape the handle
By checking the handle
Of the axe we cut with-"
And he sees. And I hear it again:
It's in Lu Ji's Wen Fu, fourth century
A.D. "Essay on Literature"-in the
Preface: "In making the handle Of an axe
By cutting wood with an axe
The model is indeed near at hand.-
My teacher Shih-hsiang Chen
Translated that and taught it years ago
And I see: Pound was an axe,
Chen was an axe, I am an axe
And my son a handle, soon
To be shaping again, model
And tool, craft of culture,
How we go on."
Gary Snyder, Axe Handles
Ovorkhangai aimag, September 2006
A test fit of the handles allowed us to check the operation of the locks, a small bit of metal was stopping one for working right so a quick bit of filing saw the problem fixed.
An ugly handle on a nice door. As you can guess this is not one of my doors.
Una brutta maniglia su una bella porta. Come potrete immaginare non è una delle mie porte.
A couple of days ago, the dishwasher handle switch gave up again - Sugru wasn't rigid enough to hold its shape under regular compression and friction. So I measured out the critical dimensions, designed and printed off an insert to address the worn-down nubs.
Of course, once that was addressed the electronics died completely! They were already only half-working, but the previously-glitchy switches were probably what killed them in the end.
Replacement board(s) ordered. Once those arrive though, I think I'll reverse engineer the broken board and open source the results. Who knows what may result? ;-)
Design files are at www.thingiverse.com/thing:11351
A short drive from Aylesford is Birling, a small but attractive village, stretched out along a winding street, and dominated by the church on a rise. The road winds round it then out of the village.
I was past the church and out of the village again before I knew it.
I found a place to park and walked to the church, hopeful it might be open.
It was not.
But details of the keyholder said they lived opposite, so I knocked and was presented with the large key from a rusty nail on the wall. I thought you were selling something she said.
I walk back through the lych gate, up the steps and turn the key in the lock. Turning the handle, I push and the door swung open, revealing the church to be dark. But there were light, I flicked them on.
-------------------------------------------------
Dominating the centre of this tiny village, Birling tower is a thinned down version of the familiar `beacon turret` so commonly found in Kent. Thinned down because there wasn't room for a properly proportioned structure, so close is it built to the end of the escarpment on which the church stands. The church is famed for two features, both connected with the Nevill family. The first is the cast-iron trapdoor the their burial vault in the chancel, resplendent with highly coloured bulls (the family emblem) and the family motto. The second is the font cover, carved by daughters of the family in the nineteenth century. Each section is initialled on the inside so that you can see who carved it. West tower, south aisle, nave, north aisle, chancel.
The church, which is dedicated to All Saints, is a handsome building, consisting of a nave, south isle, and chancel. It has a good tower at the west end of it.
The church of Birling, with certain land in this parish, was given by Walkelin de Maminot, lord of this place, in the 15th year of king Henry II. anno 1168, to the priory of Bermondsey, in perpetual alms; which gift was confirmed by that king. Soon after which it seems to have been confirmed and appropri ated to it by Walter, bishop of Rochester, at the king's request; and again more amply by the bishops Gualeran and Gilbert, his successor; and again by the Says, as heirs to the Maminots; and by Geoffry de Say, who married Alice, sister and coheir of Wakelin Maminot. The prior and convent of Rochester, in 1270, John, prior of, and the convent of St. Saviour, Bermondsey, acknowledged an annual pension of 20s. due from this church to the bishop of Rochester, which pension continues to be paid to the bishops of that see.
Upon a writ in the 20th year of king Edward III. the bishop certified, that the prior and convent possessed the appropriation of this church, which was taxed at ten pounds, and that the religious were not resident upon it. (fn. 14)
Richard Mann, perpetual vicar of this church, about the year 1447, anno 26 Henry VI. made complaint to the archbishop of Canterbury, of the insufficiency of the revenue of the vicarage for his maintenance, and that the prior and convent of Bermondsey, proprietaries of this church, refused to augment the portion of it; and he set forth that the produce and income belonging to the vicar and vicarage, did not exceed the annual value or sum of 4l. 15s. 8d. in the tithes of calves, milk, and foals 8s. 9d. yearly; in the tithes of lambs, wool, pigs, geese, apples, hemp, and in the tithes of the oblations of the four days yearly; and for sheep and cows forty one shillings and twelve-pence, in the pension paid to the vicar by the abbot and convent forty-four shillings and tenpence. And further, that the portion of the vicar and vicarage had been for some time, and was then insufficient, incompetent, and too slender; and that he could not, out of it, be supported in a proper manner, nor undergo the rights and burthens incumbent on him, or his vicarage, nor use that hospitality which he ought and was bound to do. That the parish church had a large and extended parish, containing six miles in circuit, having some of the parishioners of both sexes two miles or thereabout distant from the church, which, when there was occasion, he was bound to visit, and to administer to them the church offices and sacraments. That the mansion of the vicar there, and the buildings belonging to it, were, through the negligence of the abbot and convent, in a ruinous state, and would very soon, fall to the ground; which if they should they could not be rebuilt again for twenty pounds. That he the vicar had exercised the no small cure of fouls of the parish church, of one hundred parishioners, or thereabouts, although with great inconvenience, and in great misery and want during the whole time of his having been vicar, and had employed himself in every religious duty to the best of his abilities, and still continued so to do. That the portion of the fruits and profits of the parish church, belonging to the abbot and convent, proprietaries of it, had been from the time of the appropriation of it, and was then so rich and abundant, that, according to common estimation, the portion of the vicar might well be augmented out of it to the value of twenty marcs sterling, or thereabout; and that the abbot and convent, although they had been often requested, to augment the portion of the vicarage, out of the revenues of the church, in a competent manner, had, without alledging any reason, always refused it, or at least deferred it beyond reason, to the great damage, &c. Upon which it was decreed, that the prior and convent should augment the portion of the vicarage out of the fruits and profits of this church, or in money, to the amount of eight marcs sterling, beyond the antient portion of it, within the space of one month; and they were condemned in all costs, &c. but on their neglecting to obey this decree, a further one was made, that in satisfaction of the payment of the said eight marcs, there should be set apart and assigned to the vicar, and his successors, (at his request) the tithes, as well great as small, yearly accruing and arising from the lands, fields, and places below the lane, vulgarly called Benetis-lane, westward, and from the north side of the said lane, according to the bounds and limits of this parish, to those of the parish of Snodland on the north side, and from thence to the bounds and limits of the parish of East Malling on the east side, to the common pasture of Hordo, and from thence to the south end of Benetis-lane aforesaid, &c.
¶When the church of Birling, and the advowson of the vicarage passed from the above mentioned monastery, I have not found, but it appears by an inrolment made in chancery, and now in the Augmentation-office, that in the 13th year of king Henry VIII. George Nevill, lord Abergavenny, was possessed of a barn, and one hundred and fifty acres of land late belonging to that monastery, and then inclosed in the park of Birling, and also of the rectory of Birling, and all tithes, tenths, &c. belonging to it, and the advowson of the vicarage late belonging to the abbot and convent. Since which, they have descended down to the Right Hon. Henry, earl of Abergavenny, the present owner and patron of them.
www.british-history.ac.uk/survey-kent/vol4/pp474-488
LOCATION: At c. 110 feet above O.D. on a Folkestone beds knoll at the north end of the village. Birling Place lies ¾ mile to the north-west.
DESCRIPTION: A church is mentioned in Domesday Book (1086), and it is probable that the nave of the present church, without its aisles, is Norman. The only evidence for this, however, is one tufa block on the south-west corner of the nave, and some detached (?reused) tufa blocks in the west face of the south-west buttress to the south aisle.
In the early 14th century first one aisle, then the other, was rebuilt with finely-tooled octagonal arcade piers of Kentish Ragstone. Above them are moulded capitals (slightly different south and north) with pointed arches over with double hollow chamfers. There are four bays of arcading, but the arches are not exactly regularly spaced, and the centre pier on the north is more elongated east-west, with an indication that there might have been a narrow partition on its north and south sides. There is also a slight scar opposite in the north wall. The south side has a separate gabled roof (of plain rafters, collars, braces and unmoulded tie-beams), and this is also perhaps 14th century. The aisle wall has three buttresses on the south, and at its east end (possibly the chapel of St. James) is a double trefoiled window. There is another in the south wall at the east end, with piscina just east of it. All the other windows in the south aisle are single trefoiled lights. The south doorway is also contemporary and has a hoodmould over its 2-centred arch. The door and hinges may also be original. Outside the door was a porch, but this was removed in the mid-19th century.
The north aisle outer wall has a more complicated history. At its east end, which may have been the Lady Chapel, two 2-light 15th century windows (on the north and east) seem to have been inserted into the 14th century fabric. There is also a high lancet over the east window, and a small blocked doorway (visible outside) in the north-east corner. A long thin pilaster buttress on the outside of the north wall, which slopes back into the wall, may have related to a later 15th century Rood stair. The west end of the aisle, which has an external plinth seems certainly to have been rebuilt in the late 15th or early 16th century, though the 2-light north window here appears to be a reset 14th century one. The north doorway has pyramid stops, and an early 14th century single-light trefoil-headed window above. It now leads into a 19th century vestry. There is also perhaps an original door here. The roof over the aisle has moulded beams and wall-plates, and a partitioned off vestry at its west end. Also the ground level in this aisle appears to have been lowered.
The west tower is a fine early 15th century ‘Kentish’ tower with a crenellated parapet and pyramid roof. It contains 8 bells (three of 1631) set in a new (1987) iron frame. It has also had many of its find Kentish ragstone dressings restored (also in 1986-7) with many new stones. This has been an over-zealous restoration. On the south-east side of the tower is a semi-octagonal stair-turret, which rises above the tower-top, and has its own tiled octagonal roof. The tower has diagonal western buttresses, and a square-headed western doorway with pyramid stops (all the dressings of this doorway, and the tracery of the Perpendicular windows above have recently - 1987 - been restored). Under the tower arch was a gallery until 1866.
As has already been seen, the west end of the north aisle was probably rebuilt in the later 15th century (there are a few red-bricks in the walls), and at the east end of this aisle a north and a south window seems to have been inserted, as well as possibly a Rood-stair. There is also a 15th century Ragstone font (with 1853 cover).
There is no chancel arch, and a large wide early 16th century chancel. This chancel must have been completely rebuilt in the 1520s by the Nevill family after they had acquired the patronage of the church from Bermondsey Abbey. On the south side are four square-headed early Tudor 2-light windows, and only the western one has Perpendicular tracery. The wall is in quasi-checker work, and has a hollow-chamfered plinth, which also goes round a diagonal (south-east) buttress and along the east wall. Here there is a large six-light window (also without tracery and perhaps with original ferromenta) that Hasted says contained glass with the arms of Sir George Nevill, Lord Bergavenney, ‘within the garter’ (He was a knight of the garter from 1514, and was buried here in 1535). There is also a small round-headed window in the east gable, with red bricks around it, but the wall and window had to be repaired after 1942 bomb damage. The very plain north wall of the chancel contains large Rag and ironstone blocks in quasi-checker pattern. It has no plinth and only one window (at the extreme western end), but also a north doorway from it into a 19th century vestry. Was there an earlier larger vestry?
The chancel has a moulded flat ceiling (painted in 1963), and the earlier steep-pitched roof was replaced in c.1828 with a low-pitched slate covered roof. At about the same time the Nevill family burial vault was rebuilt under the eastern third of the chancel. It has a cast-iron cover to the entry steps, and there are two early 19th century niches on either side of the sanctuary, with air-vents to the vault beneath. The family pews in the chancel, and the other fittings and memorials were put there in the mid-19th century. (Two fire helms from the chancel are now in ‘safekeeping’).
BUILDING MATERIALS: c.):
The principle rubble materials are local Ragstone and ironstone, with Ragstone dressings. A few perhaps reused tufa blocks from the early church are in the west wall, and some red brick is used in the early 16th century work.
Some Caenstone (?for restoration) and cement repairs.
EXCEPTIONAL MONUMENTS IN CHURCH: -
Various 19th century Nevill monuments in the church, especially in the chancel (with early 19th century burial vault below it). Royal Arms of 1700 above south doorway.
CHURCHYARD AND ENVIRONS:
Size & Shape: Large irregular area around the church with a steep drop to the north, west and south. It has been much extended to the north- east. There is a very good plan of the whole churchyard (with all known graves surveyed on it) hanging in the Church. Enlarged in the 19th century from small graveyard around the church. Very steep slope on the east side, down to the road (Horn Street)
Condition: Good.
Boundary walls: Ragstone walls retaining sunken lanes on north and west
Building in churchyard or on boundary: 1987 Lychgate to the south-west.
Exceptional monuments: Some good headstones.
Ecological potential: Yes.
HISTORICAL RECORD (where known):
Earliest ref. to church: Domesday Book.
Late med. status: Vicarage.
Patron: Given by the Lord of Birling manor to Bermondsey Abbey in 1168. It was appropriated soon afterwards. After the Dissolution (by c.1530) to Lord Abergavenny (Nevill formerly) till 1959.
Other documentary sources: Hasted IV (1798), 485 - 8.
Testamenta Cantiana (W.Kent, 1906), 5, mentions: Repair to one window on the south side of the church (1501). Also altars of ‘Our Lady in the chapel’ (1516) and ‘To be buried by side of Chaunsell of Birlyng at the hede of Saynt James aulter’ 1523).
ARCHAEOLOGICAL RECORD:
Reused materials: A few reused Roman bricks, and tufa blocks in S.W. corner of south aisle.
SURVIVAL OF ARCHAEOLOGICAL DEPOSITS:
Inside present church: ? Good, though there is a large vault under the chancel, and the floor level of the north aisle appears to have been lowered.
Outside present church: ? Good.
RECENT DISTURBANCES/ALTERATIONS:
To structure: The tower was very heavily restored with many new dressings, and a new iron bellframe on a reinforced concrete ringbeam in 1986-7.
ARCHAEOLOGICAL AND HISTORICAL ASSESSMENT:
The church and churchyard: A few tufa blocks perhaps from the Norman nave west quoins, but otherwise the earliest visible fabric are the 14th century nave aisles and arcades. Early 15th century west tower. West end of north aisle rebuilt in c. 1500, and possibly a Rood stair made on the north side. Chancel completely rebuilt in the 1520s by the Nevill family.
The wider context: One of a small group with a rebuilt (by an important patron) early 16th century chancel.
REFERENCES: -
Guide Book: Leaflet (Revised) 1989 Anon.
Photographs: Photo of font and font cover in Kent Churches 1954, 127 (cover made 1853).
Plans & early drawings: Petrie 1807 view of church from S.E., showing steep-pitched roof over chancel. Also a porch on the south side of the church.