View allAll Photos Tagged halftone
Here's the easiest way (for me) to explain how I do that halftone effect thing. If this isn't clear, post questions in the comments.
Between two galleries.
A cilyndrical stitch of 6 vertical images, then a little cropped. BW conversion with channel mixer and curves (per channel). Slightly halftoned again with another curves layer.
Stitch cilíndrico de 6 imágenes verticales, luego ligeramente recortado.
Maker: Alfred Stieglitz (1864-1946)
Born: USA
Active: USA
Medium: halftone
Size: 4 3/8" by 5 5/8"
Location: USA
Object No. 2016.810b
Shelf: C-4
Publication: Camera Work 48, October, 1916
Other Collections:
Notes: Through his activities as a photographer, critic, dealer, and theorist, Alfred Stieglitz had a decisive influence on the development of modern art in America during the early twentieth century. Born in 1864 in New Jersey, Stieglitz moved with his family to Manhattan in 1871 and to Germany in 1881. Enrolled in 1882 as a student of mechanical engineering in the Technische Hochschule (technical high school) in Berlin, he was first exposed to photography when he took a photochemistry course in 1883. From then on he was involved with photography, first as a technical and scientific challenge, later as an artistic one. Returning with his family to America in 1890, he became a member of and advocate for the school of pictorial photography in which photography was considered to be a legitimate form of artistic expression. In 1896 he joined the Camera Club in New York and managed and edited Camera Notes, its quarterly journal. Leaving the club six years later, Stieglitz established the Photo-Secession group in 1902 and the influential periodical Camera Work in 1903. In 1905, to provide exhibition space for the group, he founded the first of his three New York galleries, The Little Galleries of the Photo-Secession, which came to be known as Gallery 291. In 1907 he began to exhibit the work of other artists, both European and American, making the gallery a fulcrum of modernism. As a gallery director, Stieglitz provided emotional and intellectual sustenance to young modernists, both photographers and artists. His Gallery 291 became a locus for the exchange of critical opinions and theoretical and philosophical views in the arts, while his periodical Camera Work became a forum for the introduction of new aesthetic theories by American and European artists, critics, and writers. After Stieglitz closed Gallery 291 in 1917, he photographed extensively, and in 1922 he began his series of cloud photographs, which represented the culmination of his theories on modernism and photography. In 1924 Stieglitz married Georgia O'Keeffe, with whom he had shared spiritual and intellectual companionship since 1916. In December of 1925 he opened the Intimate Gallery and in 1929 opened a gallery called An American Place, which he was to operate until his death. During the thirties, Stieglitz photographed less, stopping altogether in 1937 due to failing health. He died in 1946, in New York. (source: The Phillips Collection)
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For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Used normal oil painting effect at 50% and then cropped. Then encased in halftone 1 frame at partial strength.
More halftone brushes. This may be the first time his hair is affected by gravity.
I need to draw profiles more. Profiles are hard....
O. Newman Co. (1904-1918)
Los Angeles and San Francisco, CA
Founded by Oscar Newman, this company published postcards in hand colored collotype and tinted halftones, consisting mostly of holiday cards and views of southern California. They also published a set on the San Francisco earthquake and the 1915 Panama Pacific Exposition. Some of their cards were printed with the Newman Post Card Co. logo on them.
Pasadena's Busch Gardens - Pasadena, California - The Los Angeles area is well known for its theme parks, and one of the earliest in the area was Pasadena’s Busch Gardens, opened in 1906. The gardens were built by flamboyant brewer Adolphus Busch on 38 acres of land he assembled near his winter home on Orange Grove Avenue, just east of the Arroyo Seco. Busch was soon busily landscaping his new pleasure park, eventually creating 14 miles of paths through extensive gardens which held 100,000 plants and featured fairy-tale tableaux of painted statues. The attraction became so popular that the Pacific Electric Railway ran a street car line to the ticket office, which admitted over 1,000,000 visitors over the lifetime of the park. Hollywood loved the park, too: Gone with the Wind, Robin Hood, and Dr. Jekyll and Mr. Hyde all feature scenes shot in Busch Gardens. Adolphus died in 1913 but the Gardens continued operations until 1937. After their closure, Busch’s widow offered the Gardens to Pasadena for use as a park on two separate occasions. The city refused and the park was sold and subdivided. Upscale homes now sit on land that once played host to concrete fairies and artificial waterfalls, in an attraction that paved the way for Disneyland and other modern theme parks. LINK to the complete article - www.atlasobscura.com/places/pasadena-s-busch-gardens
"In the early part of the twentieth century (about 1907), Adolphus Busch (yes, the original name on the Anheuser-Busch beer bottles) lived on a spacious estate in Pasadena, California. His home was spectacular, overlooking the floor of a very special canyon, the Arroyo Seco. The entire property was a large tract of land that bordered Bellefontaine St. on the northern end to Madeline Dr. on the southern end. The Arroyo Seco lies west of S. Arroyo Blvd. The Old Mill (star on the map) may still be viewed near the gate at 485 Madeline Drive. Mr. Busch had an idea to beautify his estate, which consisted of a large section of the Arroyo. He constructed some of the most beautiful gardens ever seen in California. Unfortunately, most of what you are seeing does not exist today, but restoring the beauty of the past is now in process in the lower Arroyo Seco." -- Ray Dashner. LINK to another photo of the Gardens - upload.wikimedia.org/wikipedia/commons/a/ab/Adolphus_Busc...
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YOU ROCK!!
[ X ] aka //HALFTONER//
STENCIL ON MDF
20X30 cm
[ X ] SUPPORTS www.silentproject.net & www.accorgitene.com/
As a little kid, I became absolutely fascinated by how printed photography consisted of thousands of tiny dots which when viewed from a distance made up an image. I remember using my magnifying glass to zoom in and examine various shapes and shades of black and white to determine their composition by nothing more than numerous repeated patterns of printed dots.
The process is called "Halftone". Much more history and information can be found here....
Maker:
Born:
Active: France
Medium: halftone
Size: 12 in x 9 3/4 in
Location:
Object No. 2020.515
Shelf: B-66
Publication:
Other Collections:
Provenance: Tableaux Modernes & Contemporains - Sculptures - Photos, Marc-Arthur Kohn, October 16, 2020, Lot 209
Notes: TBAL
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Maker: Edward Steichen (1879-1973)
Born: Luxembourg
Active: USA
Medium: Knudsen halftone process
Size: 7 1/2 in x 9 1/2 in
Location:
Object No. 2022.384x
Shelf: J-32
Publication: Carl Sandburg, Steichen The Photographer.
New York: Harcourt, Brace, 1929
Other Collections:
Provenance: Estate of Kathryn Graham, Photographs, Doyle New York, June 21, 2022, Lot 149
Notes: From one of 925 copies signed by Sandburg and Steichen, this copy 292. Edward Steichen is one of the greatest photographers of the 20th century. Born in Luxemburg in 1879, his parents emigrated to the USA when he was three. He led several lives: in the late 19th century, he worked with Alfred Stieglitz and contributed to the establishment of photography as an art medium. In the early 1900s, he went to France and became the official photographer of sculptor Auguste Rodin; he then took some of the world's most iconic photographs (Rodin's Balzac - Rodin & Le Penseur - The Thinker). He was back in France in 1917 as the US Army head of photography. Back in the States he shot what is considered the first fashion photograph of art history and went on to become one of the leading fashion photographers of his time. From 1947 to 1962, he was the head of the photography department at the MOMA in New York. He died in 1973, aged 93
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
currently up for scoring for threadless loves 2k10 contest. I'm trying to push some boundary of what i can do with one color prints
score the shirt by clicking HERE
Maker: Edward Steichen (1879-1973)
Born: Luxembourg
Active: USA
Medium: Knudsen halftone process
Size: 7 1/2 in x 9 1/2 in
Location:
Object No. 2022.384i
Shelf: J-32
Publication: Carl Sandburg, Steichen The Photographer.
New York: Harcourt, Brace, 1929
Other Collections:
Provenance: Estate of Kathryn Graham, Photographs, Doyle New York, June 21, 2022, Lot 149
Notes: From one of 925 copies signed by Sandburg and Steichen, this copy 292. Edward Steichen is one of the greatest photographers of the 20th century. Born in Luxemburg in 1879, his parents emigrated to the USA when he was three. He led several lives: in the late 19th century, he worked with Alfred Stieglitz and contributed to the establishment of photography as an art medium. In the early 1900s, he went to France and became the official photographer of sculptor Auguste Rodin; he then took some of the world's most iconic photographs (Rodin's Balzac - Rodin & Le Penseur - The Thinker). He was back in France in 1917 as the US Army head of photography. Back in the States he shot what is considered the first fashion photograph of art history and went on to become one of the leading fashion photographers of his time. From 1947 to 1962, he was the head of the photography department at the MOMA in New York. He died in 1973, aged 93
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Late, but done! Yay! Back to the halftones, with a little color.
Sort of the grown-up version of yesterdays? lol
Here is another very special piece I was able to bring home from my Salon visit last winter- I was actually very lucky since another buyer seems to have backed out and so I was able to bring this gown home :) Model is Onyx.
Maker: Edward Steichen (1879-1973)
Born: Luxembourg
Active: USA
Medium: Knudsen halftone process
Size: 7 1/2 in x 9 1/2 in
Location:
Object No. 2022.384h
Shelf: J-32
Publication: Carl Sandburg, Steichen The Photographer.
New York: Harcourt, Brace, 1929
Other Collections:
Provenance: Estate of Kathryn Graham, Photographs, Doyle New York, June 21, 2022, Lot 149
Notes: An image taken by Steichen during his engagement as a photographer for Vogue magazine. The model for this photograph was Marion Morehouse, wife of the poet e.e. cummings.From one of 925 copies signed by Sandburg and Steichen, this copy 292. Edward Steichen is one of the greatest photographers of the 20th century. Born in Luxemburg in 1879, his parents emigrated to the USA when he was three. He led several lives: in the late 19th century, he worked with Alfred Stieglitz and contributed to the establishment of photography as an art medium. In the early 1900s, he went to France and became the official photographer of sculptor Auguste Rodin; he then took some of the world's most iconic photographs (Rodin's Balzac - Rodin & Le Penseur - The Thinker). He was back in France in 1917 as the US Army head of photography. Back in the States he shot what is considered the first fashion photograph of art history and went on to become one of the leading fashion photographers of his time. From 1947 to 1962, he was the head of the photography department at the MOMA in New York. He died in 1973, aged 93
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Just keeping myself amused by trying some different effects on some old photos from previous model shoots. Looking forward to meeting up again, post Covid, for some real photo shoots again with the lovely models I have taken in the past. Keep safe, Guys!
Maker: Edward Steichen (1879-1973)
Born: Luxembourg
Active: USA
Medium: Knudsen halftone process
Size: 7 1/2 in x 9 1/2 in
Location:
Object No. 2022.384o
Shelf: J-32
Publication: Carl Sandburg, Steichen The Photographer.
New York: Harcourt, Brace, 1929
Other Collections: Portland Art Museum
Provenance: Estate of Kathryn Graham, Photographs, Doyle New York, June 21, 2022, Lot 149
Notes: Photograph to illustrate advertisement for Jergen's Lotion. From one of 925 copies signed by Sandburg and Steichen, this copy 292. Edward Steichen is one of the greatest photographers of the 20th century. Born in Luxemburg in 1879, his parents emigrated to the USA when he was three. He led several lives: in the late 19th century, he worked with Alfred Stieglitz and contributed to the establishment of photography as an art medium. In the early 1900s, he went to France and became the official photographer of sculptor Auguste Rodin; he then took some of the world's most iconic photographs (Rodin's Balzac - Rodin & Le Penseur - The Thinker). He was back in France in 1917 as the US Army head of photography. Back in the States he shot what is considered the first fashion photograph of art history and went on to become one of the leading fashion photographers of his time. From 1947 to 1962, he was the head of the photography department at the MOMA in New York. He died in 1973, aged 93
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Apps:-PureShot,VSCO,Afterlight, Sketch Club,Superimpose,Halftone,monokrom,iColorama,Snapseed,Phonto.