View allAll Photos Tagged halftone
Maker: Leonard Misonne (1870-1943)
Born: Belgium
Active: Belgium
Medium: halftone
Size: 5 1/4 in x 3 7/8 in
Location:
Object No. 2016.494ad
Shelf: PER-1903
Publication: Photo-Club de Paris - La Revue de Photographie, Premiere Annee, 1903
Other Collections:
Provenance:
Notes: Léonard Misonne (1 July 1870 – 14 September 1943) was a Belgian pictorialist photographer. He is known for his landscapes and street scenes with atmospheric skies. Misonne is best known for his atmospheric photographs of landscapes and street scenes, with light as a key feature, and as a pioneer of pictorialism. According to the Directory of Belgian Photographers, "Misonne’s work is characterised by a masterly treatment of light and atmospheric conditions. His images express poetic qualities, but sometimes slip into an anecdotal sentimentality." He was nicknamed "the Corot of photography". Misonne devoted himself to photography from 1896, joining the Belgian Photography Association in 1897. He became a leading light in pictorialism, frequently exhibiting his photographs at exhibitions. He also did slide shows. Much of his photography was in Belgium and the Netherlands, but he also visited London, France, Germany and Switzerland. The German occupation of Belgium during World War II greatly restricted his photography.
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Maker: Edward Steichen (1879-1973)
Born: Luxembourg
Active: USA
Medium: halftone
Size: 8" x 6.25"
Location:
Object No. 2014.296
Shelf: A-9
Publication: Camera Work 14 , 1906
Camera Work, The Complete Illustrations 1903-1917, Taschen, 1997, pg 277
Weston Naef, The Collection of Alfred Stieglitz, Metropolitan Museum of Art/Viking Press, New York, 1978, pg 449, #465
Camera Work, A Pictorial Guide, Dover, 1978, pg
Joel Smith, Edward Steichen, The Early Years, Princeton University Press, 1999, pl 29
Other Collections:
Notes: Edward Steichen is one of the greatest photographers of the 20th century. Born in Luxemburg in 1879, his parents emigrated to the USA when he was three. He led several lives: in the late 19th century, he worked with Alfred Stieglitz and contributed to the establishment of photography as an art medium. In the early 1900s, he went to France and became the official photographer of sculptor Auguste Rodin; he then took some of the world's most iconic photographs (Rodin's Balzac - Rodin & Le Penseur - The Thinker). He was back in France in 1917 as the US Army head of photography. Back in the States he shot what is considered the first fashion photograph of art history and went on to become one of the leading fashion photographers of his time. From 1947 to 1962, he was the head of the photography department at the MOMA in New York. He died in 1973, aged 93
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
At a time when the vast majority of stereoviews were black & white photographs mounted on cardboard, the T. W. Ingersoll Company published these brightly colored stereo images using a printing process like that used to reproduce photos in newspapers. Although the result is not as pleasing as beautifully hand colored photographs, Ingersoll stereoviews were inexpensive and very popular. Another advantage that is more apparent now, a century later, is that Ingersoll mounts remain flat whereas nearly all mounted photographs are annoyingly curled.
In the picture above, Grey Eagle, the chief, is shown at the right, his son Tomahawk to the left and his wife and youngest child in the opening to the lodge. Grey Eagle wears the full regalia of the chief, the war bonnet being remarkable for the beauty of the eagle feathers. The child in the wife’s arms is deprived of his usual carrying board by the fact that the family is away from home and the mother has extemporized a Sioux carrying bag. The shawl which is draped over her shoulders will, upon occasions, be deftly fashioned into a sack and the child placed upright therein. It is held just over one of the mother’s shoulders. Holding the fabric closely crossed over her breast, Mrs. Grey Eagle can carry the baby without great inconvenience for a long distance. [From the description on the back of the card]
Born an Oglala about 1850-54, Gray Eagle was among the northern or "non treaty" bands living away from the agencies by the 1870s. In the spring of 1872, Sitting Bull approached Gray Eagle about marrying his sister, Four Robes, an action that suggests that Gray Eagle's father had died by this time. That fall, Sitting Bull also married a second sister, Seen by the Nation, a widow with two sons. As a brother-in-law of Sitting Bull, Gray Eagle became closely aligned with the noted Hunkpapa headman.
Gray Eagle married a Hunkpapa woman named Deer Woman Tahca Winla (later known as Lizzie Gray Eagle) by about 1874(?). Gray Eagle appears to have joined the Hunkpapa about this time. In 1876, Gray Eagle, now about 22 years old, fought against the Army at the Battles of the Rosebud and at the Little Bighorn. During Sitting Bull's council with Colonel Miles, Gray Eagle was standing nearby, holding horses. He was among the Hunkpapa who fled across the boundary into Canada for more than 2 years. Gray Eagle later recalled that he and Low Dog, a rising northern Oglala leader, were good friends and that they decided to come in and surrender in advance of Sitting Bull and other Hunkpapa.
Gray Eagle is first listed in agency documents as a leader of his own band in November 1882. Agent James McLaughlin described Gray Eagle as "a man of determination and strong will power... an influential leader of his people." He was noted as one of the first of the northern Hunkpapa to adopt western dress. He served as a tribal judge and went to Washington, D.C. as a delegate from Standing Rock in 1888.
His relationship with his brother-in-law, Sitting Bull, has been open to debate. Gray Eagle said that their relationship began to deteriorate in the late 1880s when he was attempting to persuade Sitting Bull to abandon traditional ways and to not engage in the newly emerging Ghost Dance. "You go ahead and follow what white man says but for my part, leave me alone," Sitting Bull reportedly said. Gray Eagle warned Sitting Bull that his refusal to obey the Indian agent would cause trouble. "We have been friends for a long time," Gray Eagle replied, "but if you are not going to do as whites say, we will not be together any more."
There is considerable speculation as to why Gray Eagle accompanied the agency police to Sitting Bull's home that morning of December 15, 1890. Some have speculated that he had turned against his brother-in-law and had led the police there. Others suggest that he came to protect his sisters and their children. Gray Eagle himself said that he went to try and use his influence to convince Sitting Bull to come in to the Agency with the police as ordered. Tragically, during the struggle with the agency police, Sitting Bull and several family members were killed.
In the aftermath of Sitting Bull's death, his widows and children joined Gray Eagle's band and then, about 1892, transferred to the Pine Ridge Agency. Gray Eagle remained at Standing Rock as a vocal spokesman for his community. He died at Standing Rock on June 13, 1935. [Post by ephriam at American Tribes. Com. Read more: amertribes.proboards.com/thread/171#ixzz2nJ5smIHg]
(Note: An inexpensive viewer can turn the side-by-side images on the computer screen into a 3-D image. The viewer is available from the following source:
Digital Accession Number: 2008:0501:0016.0001
Maker: Unidentified Photographer
Title: Boy on porch steps
Date: ca. 1922
Medium: gelatin silver print (POP) halftone photoengraving print, mounted on celluloid medallion with easel back
Dimensions: Image: 11.3 x 7.5 cm (oval) Overall: 19.8 x 14.7 cm (oval)
George Eastman House Collection
General – information about the George Eastman House Photography Collection is available at http://www.eastmanhouse.org/inc/collections/photography.php.
For information on obtaining reproductions go to: www.eastmanhouse.org/flickr/index.php?pid=200805010016.
numero uno
1.1.2010
nothing screams new year like bathing suits, balloons, vintage-found polaroids, and a color halftone pattern.
Maker: Edward Steichen (1879-1973)
Born: Luxembourg
Active: USA
Medium: Knudsen halftone process
Size: 7 1/2 in x 9 1/2 in
Location:
Object No. 2022.384p
Shelf: J-32
Publication: Carl Sandburg, Steichen The Photographer.
New York: Harcourt, Brace, 1929
Other Collections:
Provenance: Estate of Kathryn Graham, Photographs, Doyle New York, June 21, 2022, Lot 149
Notes: From one of 925 copies signed by Sandburg and Steichen, this copy 292. Edward Steichen is one of the greatest photographers of the 20th century. Born in Luxemburg in 1879, his parents emigrated to the USA when he was three. He led several lives: in the late 19th century, he worked with Alfred Stieglitz and contributed to the establishment of photography as an art medium. In the early 1900s, he went to France and became the official photographer of sculptor Auguste Rodin; he then took some of the world's most iconic photographs (Rodin's Balzac - Rodin & Le Penseur - The Thinker). He was back in France in 1917 as the US Army head of photography. Back in the States he shot what is considered the first fashion photograph of art history and went on to become one of the leading fashion photographers of his time. From 1947 to 1962, he was the head of the photography department at the MOMA in New York. He died in 1973, aged 93
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Taken with a Canon 35mm f/2 lens and enhanced with the Graphic Converter halftone effect filter. Type L for a better view.
Our Daily Challenge - On The Table - 7/18/12
I love the way old CMYK halftone prints look. I shot these photos of clouds but didn't want to just give you guys the generic cloud shots. You can find those everywhere. So I decided to retrofy them. This is just 1 of 7 free textures. You can download all 7 at: www.thedigitalyardsale.com/freebies/freebie-7-retro-cloud...
Enjoy :)
Maker: Alfred Stieglitz (1864-1946)
Born: USA
Active: USA
Medium: halftone
Size: 5 7/8 in x 7 3/4 in
Location: USA
Object No. 2022.268h
Shelf: N-18
Publication: Alfred Stieglitz - Camera Work, Special Number, 1912
Other Collections:
Provenance:
Notes: Halftone block made by Photochrome Engraving Co and printed by Rogers & Co. Through his activities as a photographer, critic, dealer, and theorist, Alfred Stieglitz had a decisive influence on the development of modern art in America during the early twentieth century. Born in 1864 in New Jersey, Stieglitz moved with his family to Manhattan in 1871 and to Germany in 1881. Enrolled in 1882 as a student of mechanical engineering in the Technische Hochschule (technical high school) in Berlin, he was first exposed to photography when he took a photochemistry course in 1883. From then on he was involved with photography, first as a technical and scientific challenge, later as an artistic one. Returning with his family to America in 1890, he became a member of and advocate for the school of pictorial photography in which photography was considered to be a legitimate form of artistic expression. In 1896 he joined the Camera Club in New York and managed and edited Camera Notes, its quarterly journal. Leaving the club six years later, Stieglitz established the Photo-Secession group in 1902 and the influential periodical Camera Work in 1903. In 1905, to provide exhibition space for the group, he founded the first of his three New York galleries, The Little Galleries of the Photo-Secession, which came to be known as Gallery 291. In 1907 he began to exhibit the work of other artists, both European and American, making the gallery a fulcrum of modernism. As a gallery director, Stieglitz provided emotional and intellectual sustenance to young modernists, both photographers and artists. His Gallery 291 became a locus for the exchange of critical opinions and theoretical and philosophical views in the arts, while his periodical Camera Work became a forum for the introduction of new aesthetic theories by American and European artists, critics, and writers. After Stieglitz closed Gallery 291 in 1917, he photographed extensively, and in 1922 he began his series of cloud photographs, which represented the culmination of his theories on modernism and photography. In 1924 Stieglitz married Georgia O'Keeffe, with whom he had shared spiritual and intellectual companionship since 1916. In December of 1925 he opened the Intimate Gallery and in 1929 opened a gallery called An American Place, which he was to operate until his death. During the thirties, Stieglitz photographed less, stopping altogether in 1937 due to failing health. He died in 1946, in New York. (source: The Phillips Collection)
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Maker:
Born: France
Active: France
Medium: halftone
Size: 3 in x 4 3/4 in
Location:
Object No. 2022.571
Shelf: D-22
Publication: Art Journal, 1893
Other Collections:
Provenance:
Rank: 50
Notes: Jean-Baptiste Adolphe Goupil, was born on March 7, 1806 in Paris. He was the son of Auguste Goupil, pharmacist, and Anne Lutton (1774-1849) and ancestor of Hubert Drouais. He became a leader of the art and publishing industry and one of the most important art dealers and publishers of the 19th century. From 1827, Jean-Baptiste Adolphe Goupil engaged in the business of printing and publishing original prints and interpretation in several countries, most importantly in France, England and Germany. He married Victoire Brincard (1808-1886), originally from Belfort, in August 1829, and had five children: Léon, Amélie, Albert, Marie and Blanche. After the disappearance of his first partner, Henry Rittner in 1840, Goupil found a new partner Théodore Vibert (1816-1850) the following year in 1841. Between 1845-1848, Goupil and Vibert opened a branch in London and then in New York at 289 Broadway. Vibert died in 1850, leaving several children that Jean-Baptiste Adolphe Goupil took care of. In addition to a printer-publisher, Goupil also became a dealer in paintings and drawings. Goupil signed a contract in 1845 with the painter Charles Landelle, who undertook not to dispose of his reproduction rights before having offered it to Maison Goupil. Jean-Baptiste Adolphe Goupil founded the international company Goupil & Cie in 1850, which in a few decades became one of the greatest art dealers of the 19th century. Jean-Baptiste Adolphe Goupil was elected mayor of Saint-Martin-aux-Chartrains (Calvados) from 1875 to 1893 where he owned the "castle of the whole city".[citation needed] He was appointed officer of the Legion of Honor in 1877. Having already lost his eldest son in 1855, Jean-Baptiste Adolphe Goupil decided to gradually retire from business from 1884, when his second son Albert died. Jean-Baptiste Adolphe Goupil died on May 9, 1893 in Saint-Martin-aux-Chartrains.
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Backgrounds Etc. is pleased to offer free high quality background images for desktop wallpapers, graphic design, twitter, myspace and other purposes. When downloaded the size of this Stock Background image will be 1440x900. Download the full set at: backgrounds.mysitemyway.com/free-background-image/29/webs...
Maker: Edward Steichen (1879-1973)
Born: Luxembourg
Active: USA
Medium: Knudsen halftone process
Size: 7 1/2 in x 9 1/2 in
Location:
Object No. 2022.384c
Shelf: J-32
Publication: Carl Sandburg, Steichen The Photographer.
New York: Harcourt, Brace, 1929
Other Collections:
Provenance: Estate of Kathryn Graham, Photographs, Doyle New York, June 21, 2022, Lot 149
Notes: From one of 925 copies signed by Sandburg and Steichen, this copy 292. Edward Steichen is one of the greatest photographers of the 20th century. Born in Luxemburg in 1879, his parents emigrated to the USA when he was three. He led several lives: in the late 19th century, he worked with Alfred Stieglitz and contributed to the establishment of photography as an art medium. In the early 1900s, he went to France and became the official photographer of sculptor Auguste Rodin; he then took some of the world's most iconic photographs (Rodin's Balzac - Rodin & Le Penseur - The Thinker). He was back in France in 1917 as the US Army head of photography. Back in the States he shot what is considered the first fashion photograph of art history and went on to become one of the leading fashion photographers of his time. From 1947 to 1962, he was the head of the photography department at the MOMA in New York. He died in 1973, aged 93
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
I had some people from MTV visit my studio last week for a little interview for a show they're doing about street art in London..... We hit the streets too to try out this new stencil I cut.
I was so pleased to get this one finished - I almost gave up at one point. I felt like I was doing my own hands some long term damage, but in the end it needed to get done! There are too many holes to count in this halftone stencil, but at a guess I'd say roughly 25,000. Silly.
This is not a traditional black and white conversion with the subtle interplay of color channels. It is just the simple application an art filter, halftone pattern, in Elements 12.
XPNo9
Halftone of L. Pierre + letters + a couple numbers + ink as black as my heart + aged newsprint
Included here: observatory.designobserver.com/feature/accidental-mysteri...
Love these halftone effects. The closer you get the blurrier they are...but back away, or squint, and they are clear as a bell.
I needed a color fix the other day and made this....then I tried to make the same design with Inktense Watercolor Pencils (previous picture)
Digital Accession Number: 2008:0503:0009.0001
Maker: Unidentified Photographer
Title: Bride and groom
Date: ca. 1924
Medium: gelatin silver print (POP) with applied color and halftone photoengraving print, mounted on celluloid medallion
Dimensions: Image: 10 x 15 cm Overall: 23 cm diameter
George Eastman House Collection
General – information about the George Eastman House Photography Collection is available at http://www.eastmanhouse.org/inc/collections/photography.php.
For information on obtaining reproductions go to: www.eastmanhouse.org/flickr/index.php?pid=200805030009.
Format: Still image
Extent: 1 photomechanical reproduction
Technique: halftone
NLM Unique ID: 101403378
NLM Image ID: A010199
Permanent Link: resource.nlm.nih.gov/101403378
Petite déco pour un particulier.
Merci pour l'aide BC ;)
Désolé la tof a été prise avec un sale iPhone...
Maker: Charles Moss
Born:
Active: France
Medium: halftone
Size: 4 5/8 in x 5 3/4 in
Location:
Object No. 2010.142x
Shelf: PER-1904
Publication: Photo-Club de Paris - La Revue de Photographie, Deuxième Année, 1904
Other Collections:
Provenance:
Notes:
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
A friend gave me a box with a few Polaroid slide films and a Power Processor.
The processor had some rusty rollers and stuck bearings but after some cleaning and a bit of grease it works well.
The films expired in May 1991.
I shot a roll of Polagraph 400 at 50 ISO (one stop per decade) in my T90 and set developing time to 3 instead of the specified 2 minutes.
The results are better than expected. The film seems to be lower contrast and actually yields some halftones.
As with all expired instant 35mm films the black layer sticks to the positive (slide) instead of the egative and has to removed manually.
It can be trubbed off under running water but that and the squeegeeing produces some scratches in the delicate emulsion.
If anyone knows a better way to remove the black layer please let me know.
Canon T90, FD 17mm F/4
Polaroid Polagraph 35mm Black and White Slide Film. High Contrast. HC135-12 ISO400, EXP MAY 1991
Shot and processed May 6, 2023
Duotone is a halftone reproduction of an image using the superimposition of one contrasting color halftone over another color halftone. This is most often used to bring out middle tones and highlights of an image.
Maker: Francis James Mortimer (1874-1944)
Born: UK
Active: UK
Medium: halftone
Size: 7 in x 3 7/8 in
Location:
Object No. 2010.142ad
Shelf: PER-1904
Publication: Photo-Club de Paris - La Revue de Photographie, Deuxième Année, 1904
Other Collections:
Provenance:
Notes: British journalist and photographer. Early in his career he was a pictorialist and was a member of the Linked Ring Brotherhood. Editor of The Amateur Photographer and a founder member of The London Salon, Mortimer also worked closely with the London Camera Club and became President of the RPS. The sea was his favorite subject and he often risked his life, tied to a ship‘s mast, to get the most dramatic shots of crashing waves. He also resurrected the combination printing of the 1850s, producing dramatic, if impossible, images. (source: Luminous Lint)
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Accession Number: 1972:0033:0043
Maker: Unidentified
Title: Mrs. Surratt
Date: 1865
Medium: halftone, photoengraving print
Dimensions: Image: 12 x 8.6 cm, Mount: 27 x 34.5 cm
George Eastman House Collection
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