View allAll Photos Tagged halftone
[ X ] **the [halftoner]**
"RULE #6: DON'T THINK (WILLIAM FIREBRACE)"
STENCIL on mdf
70x100 cm
PRESENT FOR CRISTINA
thanx monica
saluti e baci
"lo que se regala non se quita porque el diablo lo visita"
this year for halloween i dressed up as a commercial offset printer. (i'm super fun at parties)
why draw single color halftones when you can draw four color halftones?
i can only draw dots so small. but if you step away from your computer or squint your eyes, you can see past the halftone dots.
I don't typically title art works, but here are some self-help book inspired title ideas (not that i've been reading a lot of self-help books lately, though after this it probably wouldn't be a bad idea):
-4 Quick and Easy Steps to Certain Blindness
-CMYK: A Beginner's Guide to Masochism
-How to Draw Like You Have No Friends, A Love Story
-4 Habits of Highly Obsessive People
Model : Marta
This photo has been treated with Halftone Pattern filter in Photoshop
Press ''L''
© All rights reserved. Use without permission is illegal
♫ "We Can Fly" ♫
Maker: Leonard Misonne (1870-1943)
Born: Belgium
Active: Belgium
Medium: halftone
Size: 7 in x 5 5/16 in
Location:
Object No. 2023.046q
Shelf: PER-1907
Publication: Photo-Club de Paris - La Revue de Photographie, Cinquième Annee, 1907
Other Collections:
Provenance:
Notes: This beautifully illustrated and designed monthly was published from 1903 to 1908. The articles cover technical problems as well as aesthetic considerations, reviews of the salons in Europe, Capetown, Hanoi, etc. Articles by: Alfred Stieglitz, Leon Vidal, C. Puyo, R. Demachy, C. Yarnall Abbott, C. Juhl, A. Horsley-Hinton, et al. With tipped-in plates by: R. Demachy, Guido Rey, C. Puyo, L. Misonne, C. Clugny, P. Dubreuil. Th. Hofmeister, A. Keighley and many others. (source:Andrew Cahan)
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Maker: Dr Eduard Arning (1855-1936)
Born: UK
Active: UK
Medium: halftone
Size:
Location:
Object No. 2010.142ab
Shelf: PER-1904
Publication: Photo-Club de Paris - La Revue de Photographie, Deuxième Année, 1904
Other Collections:
Provenance:
Notes: Obtained a medical degree from Strassburg (1879) and specialized in dermatology with Oskar Lassa (1849-1907). Between 1884-1886 he carried out research on leprosy and microbiology at Father Damien's Molokai isolate for lepers, Hawaii. He was Physician-in-chief, Allgemeines Krankenhaus St. Georg, Hamburg (1906-1923) and Professor of dermatology, University of Hamburg (1919). He was also keen amateur photographer with his photographs included in pictorialist publications including Die Kunst in der Photographie.
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Cam / iPhone5S
app / Artstudio, Mextures, VSCO, Phonto, Deco Sketch, Afterlight, Halftone, VFX Studio, oggl, Filterstorm
Some experiments with Halftone in Photoshop.... never played much with it and decided to give it a try... What do you think?
Maker: Edward Steichen (1879-1973)
Born: Luxembourg
Active: USA
Medium: Knudsen halftone process
Size: 7 1/2 in x 9 1/2 in
Location:
Object No. 2022.384w
Shelf: J-32
Publication: Carl Sandburg, Steichen The Photographer.
New York: Harcourt, Brace, 1929
Other Collections:
Provenance: Estate of Kathryn Graham, Photographs, Doyle New York, June 21, 2022, Lot 149
Notes: From one of 925 copies signed by Sandburg and Steichen, this copy 292. Edward Steichen is one of the greatest photographers of the 20th century. Born in Luxemburg in 1879, his parents emigrated to the USA when he was three. He led several lives: in the late 19th century, he worked with Alfred Stieglitz and contributed to the establishment of photography as an art medium. In the early 1900s, he went to France and became the official photographer of sculptor Auguste Rodin; he then took some of the world's most iconic photographs (Rodin's Balzac - Rodin & Le Penseur - The Thinker). He was back in France in 1917 as the US Army head of photography. Back in the States he shot what is considered the first fashion photograph of art history and went on to become one of the leading fashion photographers of his time. From 1947 to 1962, he was the head of the photography department at the MOMA in New York. He died in 1973, aged 93
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
taken with iPhone 4
edited with iPad 2
see tags for apps used
I just had the honour of sharing a tutorial on EyeEm about some of my mobile photography/editing techniques. Check it out!
Maker: Edward Steichen (1879-1973)
Born: Luxembourg
Active: USA
Medium: Knudsen halftone process
Size: 7 1/2 in x 9 1/2 in
Location:
Object No. 2022.384k
Shelf: J-32
Publication: Carl Sandburg, Steichen The Photographer.
New York: Harcourt, Brace, 1929
Other Collections:
Provenance: Estate of Kathryn Graham, Photographs, Doyle New York, June 21, 2022, Lot 149
Notes:A self-study done for Vanity Fair magazine. From one of 925 copies signed by Sandburg and Steichen, this copy 292. Edward Steichen is one of the greatest photographers of the 20th century. Born in Luxemburg in 1879, his parents emigrated to the USA when he was three. He led several lives: in the late 19th century, he worked with Alfred Stieglitz and contributed to the establishment of photography as an art medium. In the early 1900s, he went to France and became the official photographer of sculptor Auguste Rodin; he then took some of the world's most iconic photographs (Rodin's Balzac - Rodin & Le Penseur - The Thinker). He was back in France in 1917 as the US Army head of photography. Back in the States he shot what is considered the first fashion photograph of art history and went on to become one of the leading fashion photographers of his time. From 1947 to 1962, he was the head of the photography department at the MOMA in New York. He died in 1973, aged 93
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Maker:
Born:
Active: Australia
Medium: halftone
Size: 1 5/16 in x 2 in
Location:
Object No. 2022.552
Shelf: B-32
Publication:
Other Collections:
Provenance: sonicmack
Rank: 7
Notes: Redheads is an Australian brand of matches, originally manufactured by Bryant and May in Richmond, Victoria, but now manufactured in Sweden by Swedish Match. It is Australia's top-selling match brand. Matches were first produced in Australia in 1909. Initially they were made of white phosphorus.In 1946 Bryant & May began making safety matches in Australia, using red phosphorus as the striking surface. The Redhead name refers to the red striking-heads of the matches, which were first sold in Australia in 1947.
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
[Susie King Taylor, known as the first African American Army nurse]
Boston : Published by the author, 1902 [from a photograph taken earlier]
1 photograph : halftone photomechanical print ; sheet 19 x 13 cm.
Notes:
Illus. in: Reminiscences of my life in camp with the 33d United States Colored Troops, late 1st S.C. volunteers, by Susie King Taylor, with illustrations. Boston : Published by the author, 1902, frontispiece.
Title devised by Library staff.
Photograph shows portrait of Susie King Taylor, who served more than three years as nurse with the 33rd U.S. Colored Troops Infantry Regiment during the American Civil War, although officially enrolled as a laundress. She also taught children and adults to read while serving with the regiment.
Deposit; Tom Liljenquist; 2018; (D074)
Purchased from: Chris Foard, The Foard Collection of Civil War Nursing, July 2018.
Forms part of: Liljenquist Family Collection of Civil War Photographs (Library of Congress).
Subjects:
Taylor, Susie King,--1848-1912.
United States.--Army.--Colored Infantry Regiment, 33rd (1864-1866)--People.
African Americans--Military service--1860-1870.
African Americans--Women.
Nurses.
Teachers.
United States--History--Civil War, 1861-1865--Military personnel.
Format: Book illustrations--1900-1910.
Halftone photomechanical prints--1900-1910.
Portrait photographs--1900-1910.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ppmsca.57593
Call Number: Illus. in E492.94 33d T
© Dan McCabe
Several years ago, I needed a portrait for my professional profile on LinkedIn. So I shot myself (with a camera :) ).
This is a rendition of that photo as a halftone. I did this in part to obsfucate my image, but also in an effort to create art. Just like Andy Warhol Roy Lichtenstein.
Halftone images are used in the traditional color printing process for newspapers and such. This technology has traditionally been unable to show smooth gradations of intensity. Either there is ink at a spot on the paper or there isn't.
The solution to this problem is to use a screen (a regular rectangular grid suffices) to determine how large a dot of ink gets placed on the paper. Each color component of the image is projected through the screen onto the film or etched plate that will be used to transfer the image to paper. In doing so, a larger dot is created where more color is needed and a smaller dot is created where less color is needed.
And because printing is a subtractive color process that removes reflected light as it goes from the light source to the eye, the primary colors are cyan, magenta, yellow, and black (a.k.a., CMYK). This is the opposite of what gets displayed on a computer monitor, which adds colors together and relies on the complementary colors of CMYK: red, green and blue (RGB).
Another historical note: when I was in elementary school, we were taught that the three primary colors were blue, red, and yellow. With those primary colors, you could mix them to create the secondary colors green (blue + yellow), purple (blue + red) and orange (yellow + red), in addition to mixing with white to lighten and black to darken. I now know that those primary colors are more properly called cyan, magenta, and yellow (respectively).
Maker: Edward Steichen (1879-1973)
Born: Luxembourg
Active: USA
Medium: Knudsen halftone process
Size: 7 1/2 in x 9 1/2 in
Location:
Object No. 2022.384g
Shelf: J-32
Publication: Carl Sandburg, Steichen The Photographer.
New York: Harcourt, Brace, 1929
Other Collections:
Provenance: Estate of Kathryn Graham, Photographs, Doyle New York, June 21, 2022, Lot 149
Notes: A view of a tenement wall in New York City taken from Steichen's apartment window in 1922. From one of 925 copies signed by Sandburg and Steichen, this copy 292. Edward Steichen is one of the greatest photographers of the 20th century. Born in Luxemburg in 1879, his parents emigrated to the USA when he was three. He led several lives: in the late 19th century, he worked with Alfred Stieglitz and contributed to the establishment of photography as an art medium. In the early 1900s, he went to France and became the official photographer of sculptor Auguste Rodin; he then took some of the world's most iconic photographs (Rodin's Balzac - Rodin & Le Penseur - The Thinker). He was back in France in 1917 as the US Army head of photography. Back in the States he shot what is considered the first fashion photograph of art history and went on to become one of the leading fashion photographers of his time. From 1947 to 1962, he was the head of the photography department at the MOMA in New York. He died in 1973, aged 93
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Maker: Edward Steichen (1879-1973)
Born: Luxembourg
Active: USA
Medium: Knudsen halftone process
Size: 7 1/2 in x 9 1/2 in
Location:
Object No. 2022.384e
Shelf: J-32
Publication: Carl Sandburg, Steichen The Photographer.
New York: Harcourt, Brace, 1929
Lucian Goldschmidt and Weston J. Naef, The Truthful Lens, The Grolier Club, New York, 1980, pg 74
Other Collections:
Provenance: Estate of Kathryn Graham, Photographs, Doyle New York, June 21, 2022, Lot 149
Notes: From one of 925 copies signed by Sandburg and Steichen, this copy 292. Edward Steichen is one of the greatest photographers of the 20th century. Born in Luxemburg in 1879, his parents emigrated to the USA when he was three. He led several lives: in the late 19th century, he worked with Alfred Stieglitz and contributed to the establishment of photography as an art medium. In the early 1900s, he went to France and became the official photographer of sculptor Auguste Rodin; he then took some of the world's most iconic photographs (Rodin's Balzac - Rodin & Le Penseur - The Thinker). He was back in France in 1917 as the US Army head of photography. Back in the States he shot what is considered the first fashion photograph of art history and went on to become one of the leading fashion photographers of his time. From 1947 to 1962, he was the head of the photography department at the MOMA in New York. He died in 1973, aged 93
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Maker: Edward Steichen (1879-1973)
Born: Luxembourg
Active: USA
Medium: Knudsen halftone process
Size: 7 1/2 in x 9 1/2 in
Location:
Object No. 2022.384s
Shelf: J-32
Publication: Carl Sandburg, Steichen The Photographer.
New York: Harcourt, Brace, 1929
Other Collections:
Provenance: Estate of Kathryn Graham, Photographs, Doyle New York, June 21, 2022, Lot 149
Notes: From one of 925 copies signed by Sandburg and Steichen, this copy 292. Edward Steichen is one of the greatest photographers of the 20th century. Born in Luxemburg in 1879, his parents emigrated to the USA when he was three. He led several lives: in the late 19th century, he worked with Alfred Stieglitz and contributed to the establishment of photography as an art medium. In the early 1900s, he went to France and became the official photographer of sculptor Auguste Rodin; he then took some of the world's most iconic photographs (Rodin's Balzac - Rodin & Le Penseur - The Thinker). He was back in France in 1917 as the US Army head of photography. Back in the States he shot what is considered the first fashion photograph of art history and went on to become one of the leading fashion photographers of his time. From 1947 to 1962, he was the head of the photography department at the MOMA in New York. He died in 1973, aged 93
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Maker: Edward Steichen (1879-1973)
Born: Luxembourg
Active: USA
Medium: Knudsen halftone process
Size: 7 1/2 in x 9 1/2 in
Location:
Object No. 2022.384m
Shelf: J-32
Publication: Carl Sandburg, Steichen The Photographer.
New York: Harcourt, Brace, 1929
Other Collections:
Provenance: Estate of Kathryn Graham, Photographs, Doyle New York, June 21, 2022, Lot 149
Notes: From one of 925 copies signed by Sandburg and Steichen, this copy 292. Edward Steichen is one of the greatest photographers of the 20th century. Born in Luxemburg in 1879, his parents emigrated to the USA when he was three. He led several lives: in the late 19th century, he worked with Alfred Stieglitz and contributed to the establishment of photography as an art medium. In the early 1900s, he went to France and became the official photographer of sculptor Auguste Rodin; he then took some of the world's most iconic photographs (Rodin's Balzac - Rodin & Le Penseur - The Thinker). He was back in France in 1917 as the US Army head of photography. Back in the States he shot what is considered the first fashion photograph of art history and went on to become one of the leading fashion photographers of his time. From 1947 to 1962, he was the head of the photography department at the MOMA in New York. He died in 1973, aged 93
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
A halftone rendering of car 3254 coming over the top at Milton, approaching the outbound station stop.
Maker:
Born:
Active: USA
Medium: halftone
Size: 3 1/2 in x 5 1/2 in
Location:
Object No. 2023.249a
Shelf: E-26
Publication:
Other Collections:
Provenance: Daniel/Oliver
Rank: 190
Notes: The International Exhibition of Modern Art, aka The Armory Show was an exhibition of some 1,400 works that took place from February 17 to March 15, 1913 at the 69th Regiment Armory on Lexington Avenue and 25th Street. In less than a month it changed the way Americans thought about modern art. It has been called the most important exhibition ever held in the United States. Walt Kuhn, one of the organizers of the show, had the idea to issue a collection of more than 50 postcards and give them out freely. In order to build word-of-mouth marketing, attendees could send these postcards from a conveniently placed mailbox at the exhibit’s exit.
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Here's the easiest way (for me) to explain how I do that halftone effect thing. If this isn't clear, post questions in the comments.
Between two galleries.
A cilyndrical stitch of 6 vertical images, then a little cropped. BW conversion with channel mixer and curves (per channel). Slightly halftoned again with another curves layer.
Stitch cilíndrico de 6 imágenes verticales, luego ligeramente recortado.
Maker: Alfred Stieglitz (1864-1946)
Born: USA
Active: USA
Medium: halftone
Size: 4 3/8" by 5 5/8"
Location: USA
Object No. 2016.810b
Shelf: C-4
Publication: Camera Work 48, October, 1916
Other Collections:
Notes: Through his activities as a photographer, critic, dealer, and theorist, Alfred Stieglitz had a decisive influence on the development of modern art in America during the early twentieth century. Born in 1864 in New Jersey, Stieglitz moved with his family to Manhattan in 1871 and to Germany in 1881. Enrolled in 1882 as a student of mechanical engineering in the Technische Hochschule (technical high school) in Berlin, he was first exposed to photography when he took a photochemistry course in 1883. From then on he was involved with photography, first as a technical and scientific challenge, later as an artistic one. Returning with his family to America in 1890, he became a member of and advocate for the school of pictorial photography in which photography was considered to be a legitimate form of artistic expression. In 1896 he joined the Camera Club in New York and managed and edited Camera Notes, its quarterly journal. Leaving the club six years later, Stieglitz established the Photo-Secession group in 1902 and the influential periodical Camera Work in 1903. In 1905, to provide exhibition space for the group, he founded the first of his three New York galleries, The Little Galleries of the Photo-Secession, which came to be known as Gallery 291. In 1907 he began to exhibit the work of other artists, both European and American, making the gallery a fulcrum of modernism. As a gallery director, Stieglitz provided emotional and intellectual sustenance to young modernists, both photographers and artists. His Gallery 291 became a locus for the exchange of critical opinions and theoretical and philosophical views in the arts, while his periodical Camera Work became a forum for the introduction of new aesthetic theories by American and European artists, critics, and writers. After Stieglitz closed Gallery 291 in 1917, he photographed extensively, and in 1922 he began his series of cloud photographs, which represented the culmination of his theories on modernism and photography. In 1924 Stieglitz married Georgia O'Keeffe, with whom he had shared spiritual and intellectual companionship since 1916. In December of 1925 he opened the Intimate Gallery and in 1929 opened a gallery called An American Place, which he was to operate until his death. During the thirties, Stieglitz photographed less, stopping altogether in 1937 due to failing health. He died in 1946, in New York. (source: The Phillips Collection)
To view our archive organized by themes and subjects, visitOUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE