View allAll Photos Tagged guy
Drawing by FED.
You're welcome to use this image as long as you follow the terms of the licence.
Licence: CC BY
Credit: FED
Link: faceseveryday.blogspot.com/2017/07/133-guy-wearing-cap.html
Guy Aroch's painterly light and use of flare imparts an ephemeral, day-dreamy vibe not usually seen in beauty photography.
The birth place of Guy Fawkes.
Note the gas lighting, pretty neat!
If you're ever in York, I recommend the food in this place.
i really need to stop photographing myself with hot guys. i end up looking terribly white, and terribly fat.
We put our own mini Guy Fawkes fireworks celebration together before the real thing.
Cuba St
Wellington, New Zealand
I swear she was just writing on my pants! Really! Could I lose my gold star for this? ;)
Credit for this photo actually goes to Chris (or at least his camera), but I just had to include a copy in my personal archives.
The guys getting ready.
You can see more photos from their amazing wedding day on our Northern Pixel Photography Blog
This lucky fully grown and banded nestling was taken out of its compartment and brought to the banding table to show the crowd that gathered what a fully grown nestling looks like. I say this nestling was lucky because it was given a nice big drink before being released to fledge before our eyes. The other fully grown nestlings weren't given an extra drink like this.
That's John Hickman,our leader on this sporting multiple drop cave. We are taking a break at the bottom of the 7th drop.
On November 16, 17, and 18, SVC The Company will be putting on a production of Guys and Dolls! The student's have been working hard as a cast to make this a production you won't want to miss! Free admission! | Photos by Cristy Marsh
Shot on location for Guy Fieri's Drive-ins Diners and Dives Food Network TV Show for the Bad Boyz of BBQ.
According to a long-lost newsletter of the North West Transport Museum Society, this Northern Counties-bodied Guy Arab IV from 1962, Lancashire United 110, operated for a time from the company's garage in Liverpool until 1974 (which is when it closed).
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Bạn xem đấy, thưa bạn, dù cho mối tình ràng buộc người nọ với người kia thế nào đi nữa, người đàn ông và người đàn bà đối với nhau vẫn xa lạ về tâm hồn và trí tuệ ; họ vẫn là hai phía tương tranh , họ vẫn thuộc những chủng loại khác biệt . Bao giờ cũng phải có một người chinh phục và một người bị khuất phục, một ông chủ và một người nô lệ ; khi thì là người này, khi thì là người kia ; họ chẳng bao giờ bình đẳng .
Guy de Maupassant
Workshop in dreamland expo .
Alice Guy Blaché (Saint-Mandé, 1 de julio de 1873 – Mahwah, de Nueva Jersey, 24 de marzo de 1968) fue la primera persona en ser realizador de una película, la fundadora del cine narrativo y de la narración cultural superando el cine de mostración de los hermanos Lumiere y sentando las bases de lo que en el futuro se ha considerado ficción. Fue pionera en los efectos especiales, la ciencia ficción fílmica, el lenguaje cinematográfico (planos, iluminación, attrezzo, montaje, caracterización...) y fundadora de lo que más tarde se ha considerado la profesión de productor o productor ejecutivo. Asimismo, fue la primera persona que logró vivir (mantenerse económicamente) a través de dicha profesión. Rodó más de 1000 películas a lo largo de su vida, fundó varias productoras en Francia y en Estados Unidos y luchó por ser reconocida internacionalmente como directora, actriz y productora. La historia del cine borró su paso por la historia y atribuyó sus películas bien a su marido, bien a anónimos, o bien nunca fueron mencionadas, lo cual no deja de ser un grave error histórico y artístico porque es imposible entender la obra de Mèliés y demás directores del cine primitivo sin su influencia. A pesar de la marginación que ha sufrido por parte de los historiadores por el hecho de ser mujer, en el contexto de la época fue muy apreciada y admirada por los demás profesionales del sector. Su primera película -y por tanto, la primera película de la historia del cine- fue "El hada de los repollos" (Le Fee aux Choux, 1896). El rescate de su figura histórica comenzó apenas hace quince años, por tanto no es difícil encontrarla apartada en los libros más antiguos del cine, sin embargo cada vez más está siendo normalizada como fundadora del cine en los conocimientos históricos producidos a partir, sobre todo, de 1995-98.