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Groupshow: FLASH
Groupshow with flash sheets made by artists and tattoo artists, from Denmark, Usa, Italy, Sweden, Netherland, Canada, France and England.
See them all at:
THIS IS THE END OF THE WORLD AS WE KNOW IT
27.11. - 19.12. 2009
at MOHS exhibit, Sdr. Boulevard 98, Copenhagen, Denmark.
www.mohs.dk / info@mohs.dk
Mike Shine (us) Heiko Müller (de) Brendan Monroe (us) Mel Kadel (us)
Dadara (nl) John Casey (us) Zach Johnsen (us) Yosuke Ueno (jp)
Other (can) Chris Silva (us) Travis Millard (us) Eduardo Reciefe (bra)
Colin Van der Sluijs (nl) Matteo Gualandris (it) Magnus Clausen (dk)
Jim Stoten (uk) Jason Graham (us) Johannes Høie (no) Saddo (rom)
Chris Russell (us) Evah Fan (us) Jesse Balmer (us) Keith Greiman (us)
Andrew Rae (uk) Molly Colleen O´Connell (us) Robbie Wilkinson (uk) Adam Flores (us)
Having a strong interest in historical narrative, as well as vernacular image, Anthony's project explores found Polaroids. As is typical in the vernacular photo trade, personal photo collections find their way to flea markets, auctions, web forums and estate sales after their owner has departed. After trade through many hands, these photographs often loose their provenance; in effect they are orphaned. Their story is tragically lost, extinct; much like the medium and the deceased. After collecting the images, Anthony reconstructed new narratives for these photographic orphans. In a sense, he brought new life to that which is extinct. More about Anthony Vizzari and his work can be found at archtographist.com and aastudioschicago.com.
Piece for Fresh Produce - Anno Domini's
8th Annual Invitational Group Exhibit and Art Sale.
Exhibit on view through January 10, 2009.
It's Davis!
I curated this group show back in January, and finally got to uploading photos.
It was on display from January 16 - 30, 2009 at Kaleid Gallery in San Jose... so if ya snoozed, ya losed, pal!
New Work by:
Jesse Balmer
Francisco Cervantes
George Chen
Vice Cooler
Mark Damrel
Ryan de la Hoz
Mike DeForge
Liam Devowski
Gabriel Dieter
Danny Espinoza
Eddie Flores
Michael Foley
Yoko Furusho
Andy Gouveia
Ben Henderson
Wei Hwu
Evan Meister
Woody Miller
Pellet
Greg Pizzoli
Matt Pugnetti
Brittany Rediger
Centa Schumacher
Matthew Seigel
Kate Stewart
Andrew St. Lawrence
Sara Taylor
Roan Victor
Amberlin Wu
OPENING RECEPTION: Friday, January 16 2009 - 7PM 'til Late
Featuring live music by Panthelion!
Kaleid Gallery
88 South Fourth Street [map]
Downtown San Jose
408-947-1785 - www.kaleidgallery.com
Gallery Hours: Tuesday - Friday 12-7pm & Saturday 12-5pm
Group show.
Valencia, 2016
Alex Marco, Enrico Della Torre, Manu Blazquez, José Luis Cremades, Luce, Nico Munuera, Antonio González, Pau Orts,
my work (centre) in the end of year group show at Peloton Gallery, Sydney, December 2009
title: digital mala
medium: 54 haiku. 54 photos, disassembled digital photoframe
duration: 18 minutes
The buddhist meditation bead string is known as a mala.
Used as a handheld device to focus mindfulness during meditation, or in moments of reflection while quietly reciting sutras or mantras, a mala comprises 108 beads.
'digital mala' consists of 108 digital beads - 54 haiku and 54 photos. The images and poems arise from everyday experiences I've had in the bush - the Australian forest. Specifically, a wild forest property I own and caretake north-west of Sydney.
Haiku is a short-form style of poetry originating in 17th century Japan, and has strong association with zen. Traditionally, a haiku is 17 syllables, contains a word denoting one of the four annual seasons (of temperate climates) and should reflect, without embellishment, a direct experience of the natural world by the author. Haiku should be spontaneous and contain two distinct elements that work dynamically in the mind of the reader, to 'awaken the mind'.
Contemporary haiku, particularly in the West, has evolved to include a broader range of subjects and is generally less strict about syllable count and structure.
However, the essential quality of haiku is directness - pointing directly to an experience, communicating a moment of meaning from within the endless stream of time and life, the great river of impermanence within which we travel in this life.
So, 'digital mala' is an experiment in the sequential combination of photography and poetry, two modalities of representation that each activate different aspects of meaning construction within the mind of the viewer/reader. The two words signify how different these modalities are - viewing, reading. The work forces an oscillation of these modalities in the mind of the visitor, to 'awaken the mind'.
Each haiku and each image is presented for 10 seconds, one after another, on a small digital photoframe that's been disassembled to reveal its electronic workings. The device has been laid bare.
The sequence takes 18 minutes to complete, and loops during exhibition hours. I don't expect any visitor to actually see/read the entire sequence.
The intention is to plant seeds of thought about experience of the bush, to (momentarily) direct the mind of the viewer toward contemplation of the (largely neglected) local natural world and its inhabitants, the indigenous animals and plants of the Sydney sandstone country.
that cracking sound and
falling casuarina pods -
black cockatoos up there
Somebito Oribito x Mayako Nakamura
Kaminari sora → Thunder and Lightening Sky
染人織人 x 中村眞弥子
カミナリ空 (夏) (2015) 着色抜染技法てぬぐい 925x360mm
Group Show “Kimono Accessories”
Gallery Sanshitsu, Tokyo
2020.03.19-29
“蚕室帯留展”
ギャラリー蚕室 西荻窪 東京
2020.03.19-29
蚕室で初めての和装小物の「帯留」をテーマにした企画展です。 多彩な素材、個性あふれる作家が10名揃いました。 ディスプレイは八王子の坂本呉服店にご協力いただき、帯締めや型染めの着物なども取扱います。
お待ちしております！
※作家によりブローチの作品もございます。専用の金具で帯留めに変更してお楽しみください。
ギャラリー蚕室ではお着物（和装）関連の小物を制作する作家さんとのご縁がオープン以来ありました。
日常に着物から離れている店主にとっては、展示や企画においでになるお客さま方の「作家の手仕事」に対する理解の高さや、色合わせや柄の楽しみ方などファッションを超えたクリエイティブさに日々驚かされております。
今回は蚕室7年目に入り様々な素材の作家さんが作る帯留めやブローチが、お着物のお客様の手に渡りどのように楽しまれるのか？！蚕室に展示頂く様々な素材や表現の作家さんがた10名に参加いただき、一堂に展示販売いたします。
また八王子の坂本呉服店さんのご協力もあり、空間づくりもまた楽しみです。
蚕室がどのような着物空間になるのかぜひお楽しみにしてください。
【参加作家】
騎西屋(彫金）、五福（清水焼上絵）、高橋協子（陶人形）、坂田あづみ（刺繍）、網なおき（漆/蒔絵）、長谷幸恵（ガラス）、田子美紀(ガラス）、伊藤彩子(ガラス）、森屋茉莉子(ガラス）、中村夏子（ビーズ）
中村眞弥子(着物/絵画）、坂本呉服店（着物ディスプレイ）
『ヨッちゃんビエンナーレ2017』
株式会社 織絵・オリエアートギャラリー
2017.03.22-31
La Biennale di Yocchan 2017
Collage/Cubism
ORIE Art Gallery
2017.03.22-31
THIS IS THE END OF THE WORLD AS WE KNOW IT
27.11. - 19.12. 2009
at MOHS exhibit, Sdr. Boulevard 98, Copenhagen, Denmark.
www.mohs.dk / info@mohs.dk
Mike Shine (us) Heiko Müller (de) Brendan Monroe (us) Mel Kadel (us)
Dadara (nl) John Casey (us) Zach Johnsen (us) Yosuke Ueno (jp)
Other (can) Chris Silva (us) Travis Millard (us) Eduardo Reciefe (bra)
Colin Van der Sluijs (nl) Matteo Gualandris (it) Magnus Clausen (dk)
Jim Stoten (uk) Jason Graham (us) Johannes Høie (no) Saddo (rom)
Chris Russell (us) Evah Fan (us) Jesse Balmer (us) Keith Greiman (us)
Andrew Rae (uk) Molly Colleen O´Connell (us) Robbie Wilkinson (uk) Adam Flores (us)
Portland Goddess art show and calendar release party.
check out the 2013 Portland Goddess Calendar - here
Jessica Vogel
Iowa
Oil on cotton skirt & found suitcase
2009
The inspiration for most of my work comes from my love of textures and the tactile abilities of various mediums. I like using the sense of touch or relating to it, to harness memories and emotions that are personal and fundamental. Memories of loss, feelings of loneliness, and pure frivolity are three of my favorite themes to work into my concepts. I find that the human condition often combines dark emotions with surprisingly light and comical ways in which to express them. For the Trunk Show, I felt that the connotations of travel and memory went well with my work dealing with found and neglected clothing. We often leave or lose possessions, like clothing, while traveling. What we wear on our travels can also absorb the memory of an event or place, the same way a song or a smell can transport you back in time. I wanted to use the suitcase (trunk) as a frame and focus of that memory.
In order to harness the human connection that clothes possess I manipulate them into hard sculptural objects that are then enhance with oil paint. By painting on these garments I transform them out of reality, they become lush cartoon-like and fantastical. The suspended movement and emptiness of the cloths, however, give a more doleful and weighted feeling. I use a lot of color and I think “colorfulness and brightness” can be more than aesthetically pleasing. Color can be disturbing and intriguing and I like exploring those possibilities.
Lars Nordby (b. 1988, Norway) currently lives in Chicago, IL. Based in Oslo and is completing his MFA at the Oslo National Academy of Fine Arts, Norway.
post@larsnordby.com
My artistic research is dedicated to subjects such as identity, labor, nationalism, antagonism and xenophobia. My artistic practice evolves around photography, video, installation art and large-scale interventions in public space. Projects are shaped by research of everyday functionality, symbolic meanings, social relations and aesthetics that forms a conceptual unit. Due to the (visual) crisis in the abstract notions of today’s postindustrial globalization, capitalism and sociopolitical identity, I tend to critically respond to sitespecific circumstances, its limitations, conflicts and complexities. In doing so I capture sociopolitical phenomena in already existing environments and create situations that explores and revises them with an obscene and a playful push.
『ヨッちゃんビエンナーレ2017』
株式会社 織絵・オリエアートギャラリー
2017.03.22-31
La Biennale di Yocchan 2017
Collage/Cubism
ORIE Art Gallery
2017.03.22-31
Here you can see us all setting up ready for the Melt Art Fair 2010. In the foreground is fellow Royal British Society of Sculptors associate, Alice Cunningham, and her suit cube sculptures.
Luckily, at the time of the show I was living in an apartment on the opposite side of the canal from the Pavilion so I hardly had to walk my sculptures any distance at all to take part in the show. And as they are both on wheels and don’t need any assembling, I had a very stress-free instal.
The two pieces that I exhibited were Fetish (the tower of human hair on wheels) and Nail Box (the wooden box on wheels that is covered in rusty nails, that I collected and inserted over a four year period).
The Art Pavilion in Mile End Park, London is a fantastic space to exhibit art in. When it’s sunny the daylight reflects off the water outside of the one long glass wall and reflects across the curved ceiling and back wall. The Melt Art Fair was one of the satellite shows that took place at the same time as Frieze 2010.
THIS IS THE END OF THE WORLD AS WE KNOW IT
27.11. - 19.12. 2009
at MOHS exhibit, Sdr. Boulevard 98, Copenhagen, Denmark.
www.mohs.dk / info@mohs.dk
Mike Shine (us) Heiko Müller (de) Brendan Monroe (us) Mel Kadel (us)
Dadara (nl) John Casey (us) Zach Johnsen (us) Yosuke Ueno (jp)
Other (can) Chris Silva (us) Travis Millard (us) Eduardo Reciefe (bra)
Colin Van der Sluijs (nl) Matteo Gualandris (it) Magnus Clausen (dk)
Jim Stoten (uk) Jason Graham (us) Johannes Høie (no) Saddo (rom)
Chris Russell (us) Evah Fan (us) Jesse Balmer (us) Keith Greiman (us)
Andrew Rae (uk) Molly Colleen O´Connell (us) Robbie Wilkinson (uk) Adam Flores (us)
13 chairs is about the reflections, ruminations, responses, and correlations from Scott Sikkema to the work of Phil Cotton and Margy Stover. How has the model, or models, of the work of Phil Cotton and Mary Stover been a model for him? How has Sikkema transmitted that model to others in his circle of practice? How has his enactment of collaboration been impacted by Phil and Margy?
It began with a chair.
Feel free to remover the lids and read the texts. Please do not remove the items from the boxes. Use the flashlight and/or magnifying glass as needed. Please put the lids back on when you are finished.
Scott Sikkema is Education Director at CAPE (Chicago Arts Partnerships in Education). At CAPE, he has oversight for all programs and partnerships, and spearheaded the development of research at the organization. In particular, he has focused on research as an aesthetic and pedagogical practice. With the superb CAPE program and research staff, he explores via inquiry site, space, time, process, and other queries, moving from the immediacy of set answers towards the generative struggle of not knowing. He has been fortunate to work for over a decade with Phil Cotton and Margy Stover, with whom he collaborated for The Practice Sessions. Prior to CAPE, he worked at the Terra Museum of American Art, and Kohl Children’s Museum.
Here's my Fetish sculpture, getting some sun whilst everyone else is busy rushing around setting up ready for the Melt Art Fair 2010. Luckily, at the time of the show I was living in an apartment on the opposite side of the canal from the Pavilion so I hardly had to walk my sculptures any distance at all to take part in the show. And as they are both on wheels and don’t need any assembling, I had a very stress-free instal.
The two pieces that I exhibited were Fetish (the tower of human hair on wheels) and Nail Box (the wooden box on wheels that is covered in rusty nails, that I collected and inserted over a four year period).
The Art Pavilion in Mile End Park, London is a fantastic space to exhibit art in. When it’s sunny the daylight reflects off the water outside of the one long glass wall and reflects across the curved ceiling and back wall. The Melt Art Fair was one of the satellite shows that took place at the same time as Frieze 2010.
”Cadeau de Noël vol.8”
WATERMARK arts & crafts Kunitachi, Tokyo
2021.12.10-25
グループ展 ノエルの贈り物 vol.8
WATERMARK arts & crafts 国立
2021.12.10-25
THIS IS THE END OF THE WORLD AS WE KNOW IT
27.11. - 19.12. 2009
at MOHS exhibit, Sdr. Boulevard 98, Copenhagen, Denmark.
www.mohs.dk / info@mohs.dk
Mike Shine (us) Heiko Müller (de) Brendan Monroe (us) Mel Kadel (us)
Dadara (nl) John Casey (us) Zach Johnsen (us) Yosuke Ueno (jp)
Other (can) Chris Silva (us) Travis Millard (us) Eduardo Reciefe (bra)
Colin Van der Sluijs (nl) Matteo Gualandris (it) Magnus Clausen (dk)
Jim Stoten (uk) Jason Graham (us) Johannes Høie (no) Saddo (rom)
Chris Russell (us) Evah Fan (us) Jesse Balmer (us) Keith Greiman (us)
Andrew Rae (uk) Molly Colleen O´Connell (us) Robbie Wilkinson (uk) Adam Flores (us)
