View allAll Photos Tagged groupportraits
Keith, John Frank, 1883-1947, photographer.
ca. 1910-1940
1 photographic print : gelatin silver; 9 x 14 cm. (3.5 x 5.5 in.)
Image provided for reference purposes. Please visit our rights and reproductions website for information about obtaining publication-quality reproductions: www.librarycompany.org/collections/rightsrepro/index.htm.
Vladimir Lukich Borovikovsky was a prominent Russian portraitist. His art may be regarded as the last phase in the XVIII century traditions of Russian portraiture. He was into the family of Ukrainian Cossacks. His father brothers were icon-painters. Borovikovsky also started as an icon-painter for local churches. In 1787 he drew two pictures for the house in which Empress Catherine II the Great was staying during her visit to Ukraine. His work was noted and he was sent to St. Petersburg to become one of the court painters.
Borovikovsky became a pupil of the Austrian painter I.-B. Lampi, who was working at the Russian court at the time. Also he was supported and greatly advised by Russian artist Dmitry Levitzky. In 1795 he was appointed an Academician. He became a very popular portrait-painter and created about 500 portraits during his lifetime. The most notable are Portrait of Catherine II, Empress of Russia (1794), Portrait of E. N. Arsenyeva (1796), Portrait of M. I. Lopukhina (1797), Portrait of F. A. Borovsky (1799), Portrait of Paul I, Emperor of Russia (1800), Portrait of Prince A. B. Kurakin (1801-1802), Portrait of Princess A. G. Gagarina and Princess V. G. Gagarina (1802).
Keith, John Frank, 1883-1947, photographer.
ca. 1910-1940
1 photographic print : gelatin silver; 14 x 9 cm. (5.5 x 3.5 in.)
Image provided for reference purposes. Please visit our rights and reproductions website for information about obtaining publication-quality reproductions: www.librarycompany.org/collections/rightsrepro/index.htm.
Local Accession Number: 11_07_003642
Title: Congressman Michael J. Harrington (left) and aide confer, Washington DC
Creator/Contributor: Grant, Spencer, 1944- (Photographer)
Genre: Slides; Group portraits
Date created: 1978
Physical description: 1 slide : color ; 35 mm.
General notes: Title from photographer caption.
Subjects: Legislators; Employees
Collection: Spencer Grant Collection
Location: Boston Public Library, Print Department
Rights: Copyright (c) Spencer Grant
Number:
178194
Date created:
1934
Extent:
1 photographic print : gelatin silver ; 7.5 x 9.5 in.
Description:
Front row, from left to right: 1) John A. Washington; 2) T. F. McNair Scott; 3) Horace L. Hodes.
Back row, from left to right: 1) Alice D. Chenoweth; 2) Manes S. Hecht; 3) Lloyd A. Hoffman; 4) Arthur H. Hurd; 5) Gwyn A. Parry; 6) F. Howell Wright.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital. Department of Pediatrics--People
Washington, John A.
Scott, T. F. McNair
Hodes, Horace
Chenoweth, Alice
Hecht, M.S.
Hoffman, Lloyd A.
Hurd, Arthur H.
Wright, F. Howell
Pediatricians
Group portraits
Portrait photographs
Notes: Photographer unknown.
File name: 08_06_037310
Title: Leslie Jones with Herald colleague, poss. Al Brust
Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)
Date created: 1935 (approximate)
Physical description: 1 negative : film, black & white ; 4 x 5 in.
Genre: Photographs; Film negatives; Portrait photographs; Group portraits
Subject: Photojournalists; Jones, Leslie, 1886-1967
Notes: Title and date from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.
Collection: Leslie Jones Collection
Location: Boston Public Library, Print Department
Rights: Copyright (c) Leslie Jones.
Preferred credit: Courtesy of the Boston Public Library, Leslie Jones Collection.
Keith, John Frank, 1883-1947, photographer.
ca. 1910-1940
1 photographic print : gelatin silver; 9 x 14 cm. (3.5 x 5.5 in.)
Image provided for reference purposes. Please visit our rights and reproductions website for information about obtaining publication-quality reproductions: www.librarycompany.org/collections/rightsrepro/index.htm.
Keith, John Frank, 1883-1947, photographer.
ca. 1910-1940
1 photographic print : gelatin silver; 14 x 9 cm. (5.5 x 3.5 in.)
Image provided for reference purposes. Please visit our rights and reproductions website for information about obtaining publication-quality reproductions: www.librarycompany.org/collections/rightsrepro/index.htm.
Waiting for the truck home.
**
There is part of a series from a whole album of photos that belonged to my Grandfather called "Stone's Cottage." What was Stone's Cottage? I don't know. The pictures are charming snapshots of life for young professionals in the early 1900s.
Most of the ladies were new schoolteachers. Most of the men were bankers and lawyers. My grandfather posed, lit , shot and developed the photographs, so he is rarely portrayed here.
It is his eye through which we see.
Women skiing at Scenic, ca. 1928
Photographer:
Pickett, Lee
Subjects (LCSH):
Skiers--Washington (State)--Scenic
Women--Washington (State)--Scenic
Portraits, Group--Washington (State)--Scenic
Digital Collection:
Lee Pickett Photographs
http://content.lib.washington.edu/pickettweb/index.html
Item Number: PIC0647
Persistent URL:
http://content.lib.washington.edu/u?/pickett,663
Visit Special Collections reproductions and rights page for information on ordering a copy.
University of Washington Libraries. Digital Collections http://content.lib.washington.edu/
Keith, John Frank, 1883-1947, photographer.
ca. 1910-1940
1 photographic print : gelatin silver; 14 x 9 cm. (5.5 x 3.5 in.)
Image provided for reference purposes. Please visit our rights and reproductions website for information about obtaining publication-quality reproductions: www.librarycompany.org/collections/rightsrepro/index.htm.
It's been a while since I've posted any found photos, so here's one for you folks.
Hard to tell where or when this was taken, but I'm going to go with Phoenix, circa 1933.
Keith, John Frank, 1883-1947, photographer.
ca. 1910-1940
1 photographic print : gelatin silver; 14 x 9 cm. (5.5 x 3.5 in.)
Image provided for reference purposes. Please visit our rights and reproductions website for information about obtaining publication-quality reproductions: www.librarycompany.org/collections/rightsrepro/index.htm.
Supt. W.D. Howell, Tillie Reed, Lena Chaffee, Mary Prutzman, Lizzie Porter, Bert Blood, Ida Houts, Lizzaie Roseman, Allie Bobb, Frank Green
recent pics i liked from a short-notice photo shoot for an old mate. Photographer and 'customers' happy with results, 50 quality shots in an hour, slick mate!
Number:
175321
Creator: Segall-Majestic (Baltimore, MD)
Date created:
1948
Extent:
1 photographic print : gelatin silver ; 11 x 13.5 in.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital School of Nursing--People
Van Atta, Corinne Anne
Wolf, Anna Dryden
Magee, Margaret J.
Yokshas, Dorothy M.
Fischer, Beulah Allman
Campbell, Carolyn E.
Stewart, Bernice
Lauder, Catherine F.
Falk, Esther Vail
Codding, Ruth
Faust, Rebecca L.
McLiverty, Marian Garvin
Hamilton, Katherine
Egenes, Dorothy Hastings
Noell, Kathlene
Whitaker, Adeline Belluccio
Thompson, Monica
Bergeron, Birdella Mickelson
Nursing students--Maryland--Baltimore--1940-1950
Nurses--Maryland--Baltimore--1940-1950
Portrait photographs
Group portraits
Local Accession Number: Ms.3898.10 box 1
Title: Arthur Lane with Teddy Gleason and Walter Sullivan.
Genre: Group portraits; Photographic prints
Date created: 1961-1993 (approximate)
Physical description: 1 photograph : print ; sheet 13 x 18 cm
General notes: Title supplied by Boston Public Library staff.; On item back: L-R: Teddy Gleason, pres. ILA, Arthur Lane, pres.BSA, Walter Sullivan, ILA sec./treasurer. 26
Acquisition notes: Donated by the Boston Shipping Association.
Collection: Lane/Mead Boston Maritime Collection
Location: Boston Public Library, Rare Books Department
Rights: Rights status not evaluated.
Local Accession Number: 11_07_003687
Title: Tufts University "Roots & Growth" students work in campus vegetable garden, Medford
Creator/Contributor: Grant, Spencer, 1944- (Photographer)
Genre: Slides; Group portraits
Date created: 1973
Physical description: 1 slide : color ; 35 mm.
General notes: Title from photographer caption.
Subjects: Students; School gardens; Gardening; Tufts University
Collection: Spencer Grant Collection
Location: Boston Public Library, Print Department
Rights: Copyright (c) Spencer Grant
Maker: William Notman (1826-1891)
Born: Scotland
Active: Canada/USA
Medium: albumen print
Size: 3 1/2" x 4 5/8"
Location: Canada
Object No. 2013.685
Shelf: C-22
Publication: Stanley G. Triggs. William Notman's Studio, The Canadian Picture, McCord Museum, Montreal, 1992, pg 22
Portrait of a Period, McGill University Press, Montreal, 1967, fig 17 (variant)
Other Collections: NPG, Royal Collection Trust
Notes: In 1860, Prince Edward undertook the first tour of North America by a Prince of Wales. He inaugurated the Victoria Bridge, Montreal, across the St Lawrence River, and laid the cornerstone of Parliament Hill, Ottawa. He watched Charles Blondin traverse Niagara Falls by highwire, and stayed for three days with President James Buchanan at the White House. Buchanan accompanied the Prince to Mount Vernon, to pay his respects at the tomb of George Washington. Vast crowds greeted him everywhere. He met Henry Wadsworth Longfellow, Ralph Waldo Emerson and Oliver Wendell Holmes, Sr. Prayers for the royal family were said in Trinity Church, New York, for the first time since 1776.. The four-month tour throughout Canada and the United States considerably boosted Edward's confidence and self-esteem, and had many diplomatic benefits for Great Britain. Group includes Sir Edmund W. Head,Governor General; Sir Christopher C. Teesdale (Master of The Ceremonies and Extra Equerry to H.R.H.); King Edward VII; Hon. Robert Bruce (brother of James Bruce, 8th Earl of Elgin, the previous Governor General); Henry P. F. Pelham-Clinton, 5th Duke of Newcastle-under-Lyne (at that time the British Secretary of State for the Colonies) standing in front of Sir John Rose's house, Sherbourne Street, Montreal.
Notman was born in Paisley, Scotland in 1826, the same year in which photography was born in France. He moved to Montreal in 1856. An amateur photographer, he quickly established a flourishing professional photography studio on Bleury Street. His first important commission was the documentation of the construction of the Victoria Bridge across the St. Lawrence River. The Bridge opened with great fanfare in 1860, attended by the Prince of Wales. The gift to the Prince of a Maple Box containing Notman's photographs of the construction of the bridge and scenes of Canada East and Canada West so pleased Queen Victoria that, according to family tradition, she named him "Photographer to the Queen." Notman's reputation and business grew over the next three decades, the first Canadian photographer with an international reputation, and he operated his business as a partnership with other noted Canadian artists, initially John Arthur Fraser and then Henry Sandham, whom he also mentored. He established branches throughout Canada and the United States, including seasonal branches at Yale and Harvard universities, to cater to the student trade. Notman was also an active member of the Montreal artistic community, opening his studio for exhibitions by local painters; the studio also provided training for aspiring photographers and painters. Notman was highly regarded by his colleagues for his innovative photography, and held patents for some of the techniques he developed to recreate winter within the studio walls. He won medals at exhibitions in Montreal, London, Paris, and Australia. William Notman was a regular contributor to the photographic journal Philadelphia Photographer and in partnership with its editor, Edward Wilson, formed the Centennial Photographic Company for the Centennial Exhibition in Philadelphia, held in honor of the 100th anniversary of the United States of America in 1876. He won the only gold medal to be awarded by the British judges and the portrait identification card required for entrance to the grounds was the ancestor of today's various photo-ID cards. (source: Wikipedia)
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Fra Angelico, born Guido di Pietro, was an Early Italian Renaissance painter.
Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole).
Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. He is listed in the Roman Martyrology[ as —"Blessed Giovanni of Fiesole, nicknamed Angelico".
The 16th century biographer Vasari says of him:
"But it is impossible to bestow too much praise on this holy father, who was so humble and modest in all that he did and said and whose pictures were painted with such facility and piety."
Friends from college. Martha, Betsy, Tracey, me, Sharon. We shared a lot of growing up together in many many ways, indeed, 'formed' one another like true sisters would.
*
"Forming a circle
is a symbolic way
of asserting that
the true teacher
is always invisible
and always
in our midst."
Alice O. Howell
*
A Friendship Blessing
May you be blessed with good friends.
May you learn to be a good friend to yourself.
May you be able to journey to that place in your soul where there is great love,
warmth, feeling, and forgiveness.
May this change you.
May it transfigure that which is negative, distant, or cold in you.
May you be brought in to the real passion, kinship. and affinity of belonging.
May you treasure your friends.
May you be good to them and may you be there for them;
May they bring you all the blessings, challenges, truth,
and light that you need for your journey.
May you never be isolated.
May you always be in the gentle nest of belonging with your anam cara.
— Anam Cara: A Book of Celtic Wisdom
by John O’Donohue
These servicemen have already been on active duties and wear the medals to prove it. Like many such photos the unanswered question is how many will be missing when the next photo is taken. A better trained eye than mine would deduce much more information from the image but the varying disposition of hands in the front row seems lacking in precision.
Another ghost photo. Lots of damage and I look stained. But I love the expressions on Bill and Tom's faces. It was characteristic. And Mom, of course, looking regal, even in her robe.
She was a real mum. She read to us and preserved to the best of her ability the norms of parenthood and childhood. She had the gift of being able to love fully with all her being.
All the while she was fending off impending mental illness. She was a powerhouse of a woman who felt that she had accomplished nothing in her life.
Her quirks and eccentricities seem quaint now.
My own son tells me that my family is very "judge-y." I think we are. I think we were. I think that is a quality that deletes people.
*
The Loneliest Job in the World
Tony Hoagland
As soon as you begin to ask the question, Who loves me?
you are completely screwed, because
the next question is How Much?
and then it is hundreds of hours later,
and you are still hunched over
your flowcharts and abacus,
trying to decide if you have gotten enough.
This is the loneliest job in the world:
to be an accountant of the heart.
It is late at night. You are by yourself,
and all around you, you can hear
the sounds of people moving
in and out of love,
pushing the turnstiles, putting
their coins in the slots,
paying the price which is asked,
which constantly changes.
No one knows why.
[via "Read A Little Poetry"]
*
oh antic God | Lucille Clifton
oh antic God
return to me
my mother in her thirties
leaned across the front porch
the huge pillow of her breasts
pressing against the rail
summoning me in for bed.
I am almost the dead woman’s age times two.
I can barely recall her song
the scent of her hands
though her wild hair scratches my dreams
at night. return to me, oh Lord of then
and now, my mother’s calling,
her young voice humming my name.
*
Keith, John Frank, 1883-1947, photographer.
ca. 1910-1940
1 photographic print : gelatin silver; 14 x 9 cm. (5.5 x 3.5 in.)
Image provided for reference purposes. Please visit our rights and reproductions website for information about obtaining publication-quality reproductions: www.librarycompany.org/collections/rightsrepro/index.htm.
Local Accession Number: Ms.3898.10 box 1
Title: Arthur Lane with Bob Calder, Teddy Gleason, Eddie Connolly, Ray Flynn, and Walter Sullivan. #16.
Creator/Contributor: Donna Paul Photograpy
Genre: Group portraits; Photographic prints
Date created: 1961-1993 (approximate)
Physical description: 1 photograph : print ; sheet 13 x 18 cm
General notes: Title supplied by Boston Public Library staff.; On item back: L-R: Bob Calder, Teddy Gleason, Arthur Lane, Eddie Connolly, Ray Flynn, Walter Sullivan. 16.
Acquisition notes: Donated by the Boston Shipping Association.
Subjects: Public speaking
Collection: Lane/Mead Boston Maritime Collection
Location: Boston Public Library, Rare Books Department
Rights: Rights status not evaluated.
Jörg Breu the Elder, a weaver's son, came from humble origins in Augsburg, though he apprenticed to a leading Augsburg painter. As a journeyman in Austria from 1500 to 1502, Breu created three complex, multi-panel altarpieces. Among the earliest works of the Danube School, they reflect an innovative interest in nature's moods and in depicting landscape for its own sake.
In 1502 Breu settled in Augsburg, where he built a large workshop. Extremely versatile, he made history paintings and frescoes along with designing woodcuts and stained glass, usually with secular themes. Italianate ornament and chiaroscuro effects became increasingly apparent in his art, indicating that he probably traveled to Italy twice, once in about 1508 and again in 1514.
During the turmoil of the Reformation, Breu's sympathy for iconoclasm did not prevent him from painting altarpieces in the 1520s. He also painted huge organ shutters depicting Christ and the Virgin's ascensions to heaven for a chapel in Augsburg's Protestant church. His late style incorporated Mannerist elements such as violent gestures, turbulent folds of clothing, and strong colors. His son headed his workshop at his death.
Group portrait of the LSU football team. Football is painted to read, "LSU 38 Tulane 0". Photographer: A. D. Lytle, Baton Rouge, LA. [a50000536]
1900
LSU Photograph Collection, 1886-1926, Louisiana State University Archives, LSU Libraries, Baton Rouge, LA.
Photograph Album Vol. I, Box 42, p. 20
Complete digitized copy of the LSU Photograph Album, Volume I:
louisianadigitallibrary.org/cdm/compoundobject/collection...
LSU University Archives: www.lib.lsu.edu/special/archives
From a box of negatives I bought at a Portland Oregon craft shop. Photographer and subjects unknown.
Local Accession Number: 11_07_003742
Title: Motorcycling dudes (note no helmets), Old Orchard Beach, ME
Creator/Contributor: Grant, Spencer, 1944- (Photographer)
Genre: Slides; Group portraits
Date created: 1978
Physical description: 1 slide : color ; 35 mm.
General notes: Title from photographer caption.
Subjects: Motorcyclists; Motorcycles
Collection: Spencer Grant Collection
Location: Boston Public Library, Print Department
Rights: Copyright (c) Spencer Grant
Keith, John Frank, 1883-1947, photographer.
ca. 1910-1940
1 photographic print : gelatin silver; 14 x 9 cm. (5.5 x 3.5 in.)
Image provided for reference purposes. Please visit our rights and reproductions website for information about obtaining publication-quality reproductions: www.librarycompany.org/collections/rightsrepro/index.htm.
We all met down in Port St. Lucie, FL for my wife's grandmother's 94th birthday. I took a quick shot of all the family while I was down.
UNLV Rebel Girls pose for calendar photos at the Bonnie Springs Ranch Sept. 18, 2012 in Red Rock Canyon. (Aaron Mayes / UNLV Photo Services)
Client: UNLV CHEER AND DANCE
Keith, John Frank, 1883-1947, photographer.
ca. 1910-1940
1 photographic print : gelatin silver; 14 x 9 cm. (5.5 x 3.5 in.)
Image provided for reference purposes. Please visit our rights and reproductions website for information about obtaining publication-quality reproductions: www.librarycompany.org/collections/rightsrepro/index.htm.
This is the group that met at Stone Mountain. I'm still in "training wheels" for completely barefoot running. :)
Number:
164392
Date created:
1928
Extent:
1 photographic print : gelatin silver ; 7.5 x 9 in.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Church Home and Hospital (Baltimore, Md.). School of Nursing
Atwell, Alma A.
Bartlett, Kathryn R.
Carl, Dorothy Mildred
Erdman, Royce La Compte
Eyster, Catherine Marie
Famme, Eleanor Esther
Haslup, Margaret Gerturde
Jones, Katherine E.
Karper, Anna Erwin
Keech, Catherine Elizabeth
Mullican, Catherine Rose
Myers, Sarah Mildred
Robinson, Nellie Catherine
Seick, Dorothy Selma
Zorn, Mary A.
Nash, Jane Evans, 1880-1955
Nursing students--Maryland--Baltimore--1920-1930
Nurses--Maryland--Baltimore--1920-1930
Graduation ceremonies--Maryland--Baltimore--1920-1930
Nursing schools--Faculty
Group portraits
Portrait photographs
Notes:
Photographer unknown.
Warsaw, March 2022
Activists, Human Rights Defenders, founders of Abortion Dream Team (ADT) ngo in Poland and Abortion Without Borders, international movement, (from left to right) Natalia Broniarczyk, Justyna Wydrzyńska, Karolina Więckiewicz, Kinga Jelińska. Right to a safe abortion in Poland is very restricted and since the ruling of Constitutional Tribunal in October 2020, when abortion on basis of fetus defect was banned, having legal abortion became almost impossible. These 4 brave women from ADT provide counseling, funding for travel abroad for abortion and reliable information in line with the World Health Organization (WHO) guidelines for safe pill abortion. In 2021, the prosecutor's office charged Justyna for helping a pregnant woman to obtain abortion pills.The portraits were made for Amnesty International campaign to support Justyna and call on the polish Attorney General to drop the charges against her.
Local Accession Number: Ms.3898.10 box 1
Title: Arthur Lane with Georgie Fitter, Bill Morton, Billy Horohoe, Scotty Rago, Edsa Dalton, and John Wylde, #22
Genre: Group portraits; Photographic prints
Date created: 1961-1993 (approximate)
Physical description: 1 photograph : print ; sheet 13 x 18 cm
General notes: Title supplied by Boston Public Library staff.; On item back: L-R: Rear: , Georgie Fitter, Bill Morton, Billy Horohoe, , Bob Calder, Jack Powell. Front: Scotty Rago, Edsa Dalton, Arthur Lane, John Wylde. 22
Acquisition notes: Donated by the Boston Shipping Association.
Collection: Lane/Mead Boston Maritime Collection
Location: Boston Public Library, Rare Books Department
Rights: Rights status not evaluated.