View allAll Photos Tagged groupportraits
In 1948 a fellow student and photographer for Columbia University's student paper showed Garry Winogrand the darkroom, which was open twenty-four hours in the basement of the architecture building. Two weeks later, Winogrand abandoned painting for photography and "never looked back." Described as "an undisciplined mixture of energy, ego, curiosity, ignorance, and street-smart naiveté," the Bronx native photographed incessantly, mostly on the streets, working as a freelance photographer for a picture agency and eventually publishing journalistic images in numerous magazines throughout the fifties.
Around 1960, after being shown a copy of Walker Evans's book American Photographs, Winogrand began to take a more artistic approach in his work. The first half of the decade, however, was a difficult time, including political disillusionment and the breakup of his first marriage. He persevered in his career and eventually published four books of photographs, including The Animals in 1969, images made in zoos, and Women Are Beautiful in 1975, candid shots of anonymous women on the street. Winogrand used a small-format, 35mm camera that enabled him to photograph quickly and freely, which he did to the extreme: at the time of his death in 1984, he left more than 2,500 undeveloped rolls of film.
Number:
178588
Date created:
1949
Extent:
1 photographic print : gelatin silver ; 7.5 x 9.5 in.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital. Department of Pediatrics--People
Pediatricians
Group portraits
Portrait photographs
Notes: Photographer unknown.
Local Accession Number: 06_11_002693
Title: Now marm say when
Genre: Stereographs; Photographic prints; Portrait photographs; Group portraits; Humorous pictures
Date issued: 1850-1920 (approximate)
Physical description: 1 photographic print on stereo card : stereograph ; 9 x 18 cm.
General notes: Title from item.; Image caption: Oh boy: some lift and I don't mean maybe.
Date notes: Date supplied by cataloger.
Subjects: Obesity; Carriages & coaches
Collection: Stereographs
Location: Boston Public Library, Print Department
Rights: No known copyright restrictions.
Teitl Cymraeg/Welsh title: Dau ddyn tu allan
Dyddiad/Date: [ca.1900]
Cyfrwng/Medium: Tintype
Maint/Dimensions: 152 x 115 mm, 108 x 82 mm visible image area
Cyfeiriad/Reference: fmc00277 (pg588)
Rhif cofnod / Record no.: 4452793
Ceir mwy o ffotograffau a rhagor o wybodaeth ar wefan y Llyfrgell Genedlaethol.
More images and further information can be found on the National Library of Wales' website.
Michael Ayrton was an English artist and writer, known as a painter, printmaker and sculptor, and also as a critic, broadcaster and novelist. His work is in several important collections including the Tate Gallery, London, National Portrait Gallery, London, Museum of Modern Art, New York, Fry Art Gallery, Essex.
Between 1946 and 1952 Ayrton made several visits to Italy, where he became interested in the Renaissance principles of perspective. 'The Captive Seven' is one of Ayrton's major works. The figures were inspired by the street life of a poor district of Rome, and are arranged in a geometrically structured composition. Ayrton executed the work as a dark allegory of the seven deadly sins. Alternatively the seven figures could be seen as being held captive by their poverty. In the paintings of this period Ayrton sought to 'offset unquiet implications by a completely tranquil design'.
Joseph Stella was an Italian-born, American Futurist painter best known for his depictions of industrial America. He is associated with the American Precisionism movement of the 1910s-1940s. He was born in Italy but came to New York City in 1896. He studied at the Art Students League of New York under William Merritt Chase. His first paintings are Rembrandtesque depictions of city slum life. In 1908, he was commissioned for a series on industrial Pittsburgh later published in The Pittsburgh Survey.
It was his return to Europe in 1909, and his first contact with modernism, that would truly mold his distinctive personal style. Returning to New York in 1913, he painted Battle of Lights, Mardi Gras, Coney Island, which is one of the earliest American Futurist works. He is famous for New York Interpreted, a five-paneled work patterned after a religious altarpiece, but depicting bridges and skyscrapers instead of saints. This piece reflects the belief, common at the time, that industry was displacing religion as the center of modern life.
A famous Stella quote is: "I have seen the future and it is good. We will wipe away the religions of old and start anew."
Number:
178318
Date created:
1937
Extent:
1 photographic print : gelatin silver ; 7.5 x 9.5 in.
Description:
Front row: 1) Lydia Edwards; 2) John A. Washington; 3) William C. Stifler Jr.
Second row: 1) Harry Shwachman; 2) Martin Harris; 3) Emma H. Boyle; 4) Charles Stevick.
Third row: 1) Eleanor Rector; 2) [unknown]. Back row: 1) Irving Rosenbaum; 2) Robert Shirley; 3) Ethel Walker; 4) Jacob S. Light.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital. Department of Pediatrics--People
Edwards, Lydia B.
Washington, John A.
Stifler, William C. Jr.
Shwachman, Harry
Harris, Martin J.
Boyle, Emma H.
Stevick, Charles P.
Rosenbaum, Irving Jr.
Rector, Eleanor J.
Shirley, Robert
Walker, Ethel
Light, Jacob S.
Pediatricians
Group portraits
Portrait photographs
Notes: Photographer unknown.
Number:
178309
Date created:
1913
Extent:
1 photographic print : gelatin silver ; 4.5 x 6 in.
Description:
Front row: 1) Edwards A. Park; 2) John Howland; 3) Kenneth D. Blackfan.
Back row: 1) Walters; 2) Eleanor Wolfe; 3) Roy D. McClure.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Johns Hopkins Hospital. Department of Pediatrics--People
McClure, Roy D.
Park, Edwards A.
Howland, John
Blackfan, K.D.
Pediatricians
Group portraits
Portrait photographs
Notes: Photographer unknown.
This is a Photoshop reworking of a group portrait I posted last week, to celebrate the launch of the new CD ( called 'Hold in the Sun') by Crooked Mouth, which is my friend, Ken Campbell's group.
One of the songs on the CD is called 'Two Worlds' and I thought this version fits well with that title.
The accompanying CD booklet, features some of my photographs of Italian gymnastic group Kataklo. You can also hear some of their music at the Crooked Mouth myspace website. 10% of the cover price of each CD goes to support the work of Sight Savers International.
The line-up (from left to right) is: Tony, Ali, Ken, Lynne, Mike, Leen and Eilidh
You can see the original version of this shot here:
You can see other shots from this session, at these locations:
File name: 08_06_037307
Title: Chuck, Sue and Dyan at pumpkin patch
Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)
Date created: 1953 (approximate)
Physical description: 1 negative : film, black & white ; 4 x 5 in.
Genre: Photographs; Film negatives; Portrait photographs; Group portraits
Subject: Children; Pumpkins; Siblings
Notes: Title and date from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.
Collection: Leslie Jones Collection
Location: Boston Public Library, Print Department
Rights: Copyright (c) Leslie Jones.
Preferred credit: Courtesy of the Boston Public Library, Leslie Jones Collection.
Local Accession Number: 11_07_003850
Title: Pregnant secretary and male supervisor, Boston
Creator/Contributor: Grant, Spencer, 1944- (Photographer)
Genre: Slides; Group portraits
Date created: 1977
Physical description: 1 slide : color ; 35 mm.
General notes: Title from photographer caption.
Subjects: Office workers; Supervisors
Collection: Spencer Grant Collection
Location: Boston Public Library, Print Department
Rights: Copyright (c) Spencer Grant
New version of the HDR group portrait... mixture of the 2 old ones.....
more muted colours but heavy hdr on the people themselves this time...... it definately pops..
Keith, John Frank, 1883-1947, photographer.
ca. 1910-1940
1 photographic print : gelatin silver; 14 x 9 cm. (5.5 x 3.5 in.)
Image provided for reference purposes. Please visit our rights and reproductions website for information about obtaining publication-quality reproductions: www.librarycompany.org/collections/rightsrepro/index.htm.
Around 1425-1428 Campin painted the Mérode Altarpiece, triptych (three paneled paintings) commissioned for private use. The Annunciation occupies the central panel. The Archangel Gabriel is shown approaching Mary, who sits reading. She is depicted in a well-kept middle-class Flemish home.
This is sweet. Mom and Dad and Bob and Windy. Wendy. Winnie. One of the W series boxers. Where were we? I think I took the picture. On some outing, maybe Jonathan Dickinson park.The eyes of the parents are on the child, barely walking unsupported. They eyes of the boxer are on Dad.
Local Accession Number: Ms.3898.10 box 1
Title: Longshoreman pay respects to war dead
Creator/Contributor: Photo by: Ed Pacheco. HQ Boston Army Base.
Genre: Group portraits; Photographic prints
Date created: 1963-11-08
Physical description: 1 photograph : print ; sheet 17 x 25 cm
General notes: Title supplied by Boston Public Library staff.; On item back: 19-128-349/AH-63. Boston, Mass. Long shoremen working at docks in Boston Army Base area take time out to pay respects to war dead despite heavy down pour. Long shoremen made visits during Veterans Day week end. Publication of this photograph is not authorized unless approved for release by a public information office at any army activty or installation and so noted hereon. Its use in commercial advertisement must be approved by the Public Information Division, Office of the Chief of Information. Department of the Army, the Pentagon, Washington 25, D. C., If published, please credit ""U.S. Army Photograph"".
Acquisition notes: Donated by the Boston Shipping Association?
Subjects: Longshoremen
Collection: Lane/Mead Boston Maritime Collection
Location: Boston Public Library, Rare Books Department
Rights: Rights status not evaluated.
Number:
164371
Date created:
1909
Extent:
1 photographic print : gelatin silver ; 7.25 x 9.25 in.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Church Home and Hospital (Baltimore, Md.). School of Nursing
Riffel, Elizabeth W.
Bayly, Mary E.
Bussey, Kate F.
Cochran, May
Covey, Helen E.
Daub, Elsie E.
Grady, Nellie E.
Noonan, Rosemund P.
Rouse, Henrietta C.
Smith, Lily Blanche
Wahler, Lily
Schmuck, Christina P.
Sharp, Lucy Ashby
Nursing students--Maryland--Baltimore--1900-1910
Nurses--Maryland--Baltimore--1910-1920
Graduation ceremonies--Maryland--Baltimore--1900-1910
Nursing schools--Faculty
Group portraits
Portrait photographs
Notes:
Photographer unknown.
Me and my friends, I don't know what the dressup occasion was on the ball field of Jupiter. Sue, Linda and Ellen Davies. Cool ankle sox.
* * *
"Your heart and my heart
are very, very old friends."
-Hafiz
Oil on canvas; 40.8 x 45.6 cm.
English painter. He was apprenticed to the advertising firm of Sir Joseph Causton Ltd with the intention of becoming a poster designer (1909), but he attended evening classes at St Martin’s School of Art in London, and won a London County Council scholarship in drawing to the Slade School of Art in 1910. Roberts never lost the impeccable clarity of design that his early poster-designing experience instilled in him. He thrived at the Slade winning a Slade scholarship (1912). Like his close friend David Bomberg, he was fascinated by the achievements of Post-Impressionism and Cubism, an interest fortified in 1913 when he left the Slade and traveled in France and Italy. Such paintings from this period as The Return of Ulysses show his determination to simplify his figures and to adopt an aerial viewpoint that reduced the entire picture to a flat, angular pattern.
He was closely associated with the Vorticist movement though he worked with Roger Fry at the Omega Workshops after Wyndham Lewis had left to set up the Rebel Art Centre; Roberts was called up in April 1916 and spent two years as a gunner in the Royal Field Artillery before working as a War Artist for the Canadians from the summer of 1918. A signatory to the initial Vorticist Manifesto, after the War he met T.E. Lawrence and produced illustrations for Seven Pillars of Wisdom, reflecting still the Vorticism that later in his career gave way to an idiosyncratic figurative style.
Keith, John Frank, 1883-1947, photographer.
ca. 1910-1940
1 photographic print : gelatin silver; 14 x 9 cm. (5.5 x 3.5 in.)
Image provided for reference purposes. Please visit our rights and reproductions website for information about obtaining publication-quality reproductions: www.librarycompany.org/collections/rightsrepro/index.htm.
Local Accession Number: Ms.3898.10 box 1
Title: Bob Calder speaking; Arthur Lane and Ray Flynn
Creator/Contributor: Donna Paul Photograpy
Genre: Group portraits; Photographic prints
Date created: 1961-1993 (approximate)
Physical description: 1 photograph : print ; sheet 13 x 18 cm
General notes: Title supplied by Boston Public Library staff.; On item back: L-R: Bob Calder, Arthur Lane, Eddie Connolly, Ray Flynn, Walter Sullivan. 24.
Acquisition notes: Donated by the Boston Shipping Association.
Subjects: Public speaking
Collection: Lane/Mead Boston Maritime Collection
Location: Boston Public Library, Rare Books Department
Rights: Rights status not evaluated.
Duccio di Buoninsegna was one of the most influential Italian artists of his time. Born in Siena, Tuscany, he worked mostly with pigment and egg tempera and like most of his contemporaries he painted religious subject matters. He has influenced Simone Martini and the brothers Ambrogio and Pietro Lorenzetti, among others.
Duccio was the first great Sienese painter, and he stands in relation to the Sienese School as Giotto does to the Florentine; yet without the powerful naturalism that makes the art of Giotto so revolutionary. Rather, Duccio sums up the grave and austere beauty of centuries of Byzantine tradition and infuses it with a breath of the new humanity which was being spread by the new Orders of SS. Francis and Dominic.
Tage Åsén (born 1943) is a Swedish graphic artist and painter.
He works in a technique which has been described by art critics as super-realistic or hyper-realistic. The motif in his paintings is a critical "social surrealism" that is predicated on a dark and wry humour. His paintings have been used as covers for a number of books and music albums since his first exhibition (1968).
Most notable among these is perhaps the covers for the Swedish rock group Samla Mammas Manna, ranging from "Måltid" (1972) to "Dear Mamma" (2002).
He also made the book cover paintings of "De heliga geograferna" (1973) and "Guddöttrarna" (1975), the first two books about Sunne by the Swedish writer Göran Tunström
Sandro Botticelli or Il Botticello ("The Little Barrel") was an Italian painter of the Florentine school during the Early Renaissance. Less than a hundred years later, this movement, under the patronage of Lorenzo de' Medici, was characterized by Giorgio Vasari as a "golden age". His posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting, and The Birth of Venus and Primavera rank now among the most familiar masterpieces of Florentine art.
Keith, John Frank, 1883-1947, photographer.
ca. 1910-1940
1 photographic print : gelatin silver; 14 x 9 cm. (5.5 x 3.5 in.)
Image provided for reference purposes. Please visit our rights and reproductions website for information about obtaining publication-quality reproductions: www.librarycompany.org/collections/rightsrepro/index.htm.
Number:
164389
Date created:
1925
Extent:
1 photographic print : gelatin silver ; 8 x 10 in.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Church Home and Hospital (Baltimore, Md.). School of Nursing
Badders, Brenda Katherine
Copeland, Vera G.
Copper, Mollie Calder
Crist, Susan K.
Dinsmore, Dorothy
Gilbert, Marjorie Estelle
Gottling, Mabel Ruth
Hottinger, Ivy B.
Keller, Helen
Mears, Lucille B.
Richmond, Blanche Elizabeth
Selser, Mary Jane
Sponseller, Gladys Louise
Zaiser, Ruth Edna
DeHuff, Evelyn Angeline
Nash, Jane Evans, 1880-1955
Elliott, Margaret, 1884-1966
Nursing students--Maryland--Baltimore--1920-1930
Nurses--Maryland--Baltimore--1920-1930
Graduation ceremonies--Maryland--Baltimore--1920-1930
Group portraits
Portrait photographs
Notes:
Photographer unknown.
Addison Scurlock, photographer.
Source: Scurlock Studio Records, Archives Center, National Museum of American History, Smithsonian Institution
For more on the African American experience visit Discover Black Heritage.
Keith, John Frank, 1883-1947, photographer.
ca. 1910-1940
1 photographic print : gelatin silver; 14 x 9 cm. (5.5 x 3.5 in.)
Image provided for reference purposes. Please visit our rights and reproductions website for information about obtaining publication-quality reproductions: www.librarycompany.org/collections/rightsrepro/index.htm.
Real photo postcard. Postally unused.
Bought from an eBay seller in Henrico, Virginia, United States.
Undated, but between 1904 and 1920s (when the design of the CYKO stamp box on the back was used).
Number:
164375
Creator:
Ilgenfritz (Baltimore, Md.)
Date created:
1914
Extent:
1 photographic print : gelatin silver ; 6.5 x 9 in.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Church Home and Hospital (Baltimore, Md.). School of Nursing
Blair, Beatrice A.
Davenport, Mary Adrian
Harbaugh, Margaret Hayes
Hartman, Eva Augusta
Hooper, Nina
Miller, Anna Offutt
Minnick, Elizabeth
Palagano, Nettie
Robosson, Grace
Shaffer, Ellen Elizabeth
Shull, Millie P.
Stem, Florence
Sutherland, Sara Valentine
Wedderburn, Virginia Lawrence
Clagett, Sarah A., 1893-1974
Cullen, Thomas Stephen, 1868-1953.
Nursing students--Maryland--Baltimore--1910-1920
Nurses--Maryland--Baltimore--1900-1910
Graduation ceremonies--Maryland--Baltimore--1910-1920
Nursing schools--Faculty
Group portraits
Portrait photographs
Item 10024_1_1RackandRollgroup, A08-065, Series 1247, Department of Transportation, Office of the Director, box 1, dvd 002, King County Archives.
Photographer: Ned Ahrens
Earlier this week, I did a studio photography session to celebrate the launch of the new CD (which is called 'Hold in the Sun') by Crooked Mouth, which is my friend, Ken Campbell's group. We had a lot of fun during this session, but this was one of the more "serious" moments. I believe this shot is going to be used in the press pack that will be sent out.
Oh, and the cool thing about this (from my point of view) is that the accompanying CD booklet, features some of my photographs of Italian gymnastic group Kataklo. Woo-Hoo! You can also hear some of their music at the Crooked Mouth myspace website. 10% of the cover price of each CD goes to support the work of Sight Savers International.
The line-up (from left to right) is: Tony, Ali, Ken, Lynne, Mike, Leen and Eilidh
You can see other shots of Ali (Ken's sister-in-law), who plays flute and keyboards in the group, at these locations:
Keith, John Frank, 1883-1947, photographer.
ca. 1910-1940
1 photographic print : gelatin silver; 14 x 9 cm. (5.5 x 3.5 in.)
Image provided for reference purposes. Please visit our rights and reproductions website for information about obtaining publication-quality reproductions: www.librarycompany.org/collections/rightsrepro/index.htm.
Number:
164419
Date created:
1936-04-28
Extent:
1 photographic print : gelatin silver ; 8 x 10 in.
Rights:
Photograph is subject to copyright restrictions. Contact the Alan Mason Chesney Medical Archives for reproduction permissions.
Subjects:
Church Home and Hospital (Baltimore, Md.). School of Nursing
Lizer, Julia R.
Valliant, Margaret S.
Stange, Dorothy V.
Luttrell, Georgia Mae
Morris, Gertrude
Benedict, Mary B.
Brown, Mary V.
Rutherford, G. Katherine
Brown, Charlotte Grace
Mead, Mary Tudor
Schwartz, Dorothy E.
Siaks, Hattie M.
Easter, Mary F.
Burke, Lida Mae
Lyerly, Geneva B.
Danz, Adelaide E.
Fost, Dorothy V.
Claybrook, Charlotte D.
Lang, Bess C.
Mummnert, Regina
Nash, Jane Evans, 1880-1955
Elliott, Margaret, 1884-1966
Creutzburg, Freda Lewis, 1898-1963
Nursing students--Maryland--Baltimore--1930-1940
Nurses--Maryland--Baltimore--1930-1940
Graduation ceremonies--Maryland--Baltimore--1930-1940
Nursing schools--Faculty
Group portraits
Portrait photographs
Notes:
Photographer unknown.
Packard tourist sightseeing car, n.d.
Photographer:
Unknown
Subjects (LCSH):
Packard automobile
Buses
Tourists
Portraits, Group
Digital Collection:
Transportation Collection
http://content.lib.washington.edu/transportationweb/index.html
Item Number: TRA0132
Persistent URL:
http://content.lib.washington.edu/u?/transportation,81
Visit Special Collections reproductions and rights page for information on ordering a copy.
University of Washington Libraries. Digital Collections http://content.lib.washington.edu/
Local accession number: 13_05_000649
Title: Mrs. Albert Day [back]
Statement of responsibility: Frank Rowell, No. 25 Winter Street, Boston
Genre: Photographs; Cartes de visite; Group portraits
Date created: 1859-1870 (approximate)
Physical description: 1 photograph : print on card mount ; mount 11 x 7 cm (carte de visite format)
General notes: Title from item or from accompanying material.
Date notes: Date supplied by cataloger.
Collection: Cartes de Visite Collection
Location: Boston Public Library, Print Department
Rights: No known copyright restrictions.
There is part of a series from a whole album of photos that belonged to my Grandfather called "Stone's Cottage." What was Stone's Cottage? I don't know. The pictures are charming snapshots of life for young professionals in the early 1900s.
Most of the ladies were new schoolteachers. Most of the men were bankers and lawyers. My grandfather posed, lit , shot and developed the photographs, so he is rarely portrayed here.
It is his eye through which we see.
Local Accession Number: Ms.3898.10 box 1
Title: Hugh Collins, Bob Calder, and Walter Egee
Creator/Contributor: Donna Paul Photograpy
Genre: Group portraits; Photographic prints
Date created: 1961-1993 (approximate)
Physical description: 1 photograph : print ; sheet 13 x 18 cm
General notes: Title supplied by Boston Public Library staff.; On item back: Foreground: Hugh Collins, Bob Calder, Walter Egee.
Acquisition notes: Donated by the Boston Shipping Association.
Collection: Lane/Mead Boston Maritime Collection
Location: Boston Public Library, Rare Books Department
Rights: Rights status not evaluated.
Local Accession Number: Ms.3898.10 box 1
Title: Arthur Lane and Louis DeSisto, Scotty Rago, Edsa Dalton
Creator/Contributor: Donna Paul Photograpy
Genre: Group portraits; Photographic prints
Date created: 1961-1993 (approximate)
Physical description: 1 photograph : print ; sheet 13 x 18 cm
General notes: Title supplied by Boston Public Library staff.; On item back: L-R: Rear: , Bob Groom, , ,. Front: Louis DeSisto, Scotty Rago, Edsa Dalton, Arthur Lane. 7. 15.
Acquisition notes: Donated by the Boston Shipping Association.
Collection: Lane/Mead Boston Maritime Collection
Location: Boston Public Library, Rare Books Department
Rights: Rights status not evaluated.
Love the hats. This photograph is from my Grandmother. I'm not sure if she is in the photo. Perhaps these are friends - or they are sisters. My Grandmother was a twin. She and her twin sister June were 11 and 12 of 12 children.
*
“A house that stands in my heart
My cathedral of silence
Every morning recaptured in dream
Every evening abandoned
A house covered with dawn
Open to the winds of my youth.”
— Jean Laroche, Mémoires d’été, 1954
Keith, John Frank, 1883-1947, photographer.
ca. 1910-1940
1 photographic print : gelatin silver; 14 x 9 cm. (5.5 x 3.5 in.)
Image provided for reference purposes. Please visit our rights and reproductions website for information about obtaining publication-quality reproductions: www.librarycompany.org/collections/rightsrepro/index.htm.