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Cover design by Paul Rand.

Various Markers on a 6"X5" (aprox.) ups slap-all freehand, original art by:

SE@MO1

Georg Almstadt Swiss sports poster 1978.

Oscar Schlemmer costume design "Der Abstrakte" for the "Triadischen Ballett" 1922. Photograph from the Staatsgaleri Stuttgart.

Sports poster designed by J.F. Calame 1976.

Click the image for a better view

 

Model from ERIEYE-STOCK in Deviant Art

Poster for an exhibition of American advertising and editorial art in Moscow, organized by the U.S. Information Agency. Artist Ivan Chermayeff, Agency, Chermayeff & Geismer. From Graphis Annual 64/65. Blogged at Aqua-Velvet.

A. M. Cassandre, the master designer of Art Deco. I think tears when I think of his sad ending after a productive lifetime producing the most innovative graphic design.

 

Cassandre took advertising into the modern age of the 1920's, especially with his use of iconographic symbols integrated with letterforms.

Book Series Format, 1963

A post-WWII design by Paul Rand, pioneer American designer.

Flyers that get posted on a bulletin board have to be simple, act as a poster and still carry the basic information when the application form is torn off. The design of this may look stark but post it on a typical bulletin board, especially in a college environment where you have big time competition for getting attention and the starkness works for it against all of the visual dazzle already on the board.

 

One of my all-time favorite cartoons was one of Sad Sack peering through layers of posted material on a military display board until he had come to the board itself where a very small posted piece of paper said "Now hear this. All troops required on the green at 6:00 am. by order of General G. Washington."

Artist: Erik Nitsche. Quote from John Calvin. Date 1954. Ad is from a series "Great Ideas of Western Man" by Container Corporation of America (1950 -1975). Image from the book "Great Ideas" published by Container Corp. in 1976. Blogged at Aqua-Velvet.

Piet Zwartz, page 2 and 3 from a catalog.

 

Poster for Circus Benneweis (Denmark). Artist, Erick Stockmarr. From Gebrauchsgraphik Nol 7, 1955. Blogged at Aqua-Velvet.

emoi

Erscheinungsbild für ein Kulterfestival in Lausanne (Schweiz) Image for a cultural festival (Switzerland) designed by Julia Hasting 1996.

 

Image from Rambow Studenten - 5 Jahre Grafik-Design an der Staatlichen Hochschule für Gestaltung Karlsruhe.

 

Rambow Students

5 Years of Graphic Design at the Staatliche Hochschule für Gestaltung Karlsruhe.

 

Published by Hatje Cantz Verlag.

 

excerpt from "Paul Rand" biography by Steven Heller

An ad by De Stijl designer Paul Schuitema.

DaDa was against war.

Designed by Grafix Holtman 1976.

Letterpress coaster series we produced for Anthem! www.anthemww.com Besides turning out beautifully (mainly due to good appropriate design work) the piece is also a good example of using 2-color printing and other letterpress learning.

This is mon petit contribution to israeli design students and type lovers worldwide. iv'e scanned (in high resolution) this vintage type specimen called "Hebrew Artistic Type" by l.p. toby, circa 1955.

it's probably one of the earliest type specimen booklet printed in israel (i may be wrong), and is a stunning artifact to find. it's the ultimate example of creation that comes out of a certain void. unlike the rich tradition of the western/eastern type, there weren't many hebrew types, and there was a great demand.

Artist: Max Bill. Quote from Immanuel Kant. Date 1952. Ad is from a series "Great Ideas of Western Man" by Container Corporation of America (1950 -1975). Image from the book "Great Ideas" published by Container Corp. in 1976. Blogged at Aqua-Velvet.

Classic example of a New Graphic Design layout using only two colors, (a two color run for a printing press is much cheaper than full color) but was an exciting visual utilizing space, tension, asymmetrical layout, and san serif letterform .

Poster for Container Corporation of America, Great Ideas Series. Image from Great Ideas book, 1976. Blogged at Aqua-Velvet.

Guggenhiem Museum. The US starts to emulate the new, contemporary work of Europe. This scanned from a collection of paper bags that I picked up in my travels. I do not think the san-serif gg's are well designed. They catch my eye like a thorny vine.

A swinging, elegant score by Johnny Williams-- Cover art is a fave, too--

When the New Graphic Design issue no.1 first came to our office in 1960, my husband studied it thoroughly to find the underlying grid that the whole publication was based on. (I still have the tissue paper system that he worked out.) He was fascinated with it since the grid is essential for organization of masses of information.

 

There is usually a grid automatically worked out in design work for letterpress (it's the nature of the process) but with the advent of offset printing, anything goes any old place you want and especially now with designing on computer.

 

Photograph from Vignelli: From A to Z, written by Massimo Vignelli, published by Images Publishing Group Pty Ltd.

 

"Establishing the most appropriate grid for a book on the Indy 500, based on 4 columns and 4 rows. This grid offers the possibility of having horizontal pictures based on the 2-to-3 ratio proportion (typical of slides) from small modules to a half page to a full spread".

Quote from Vignelli.

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Trabalho que fiz para a banda Dibigode. Atualmente faço parte da equipe fixa da banda, cuidando de toda sua comunicação visual. Esse álbum se chama "Naturais e Idênticos ao Natural de Pimenta da Jamaica e Preta". Foi lançado em 2011.

 

Para ver mais é só entrar no site - que é uma extensão do projeto. www.dibigode.com

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