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Joseph Müller Brockman poster for noise control. I may later find the date on this but as I remember between 1955 and 1960.
First peek at the new BS stationery. Well these are my existing business cards with an embossing shaped twist added to them.
Taken and processed with iPhone.
Copyright © 2010 Mauro Ballabeni - All rights reserved.
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[ iPhoneography | illustration | graphic design ]
…and they're pretty scrumptious. Letterpressed, to fill me with joy.
Aside from some tracking issues (I realize now I should have considerably broadened my letterspacing to accommodate the indentations—I'm a letterpress first-timer, mostly), I'm quite delighted.
220# lettra cotton paper = crazy-heavy-weight and yummy!
First peek at the new BS stationery. Well these are my existing business cards with an embossing shaped twist added to them.
American Can Company promotional booklet featuring some nice pop art puzzles. No date but I'm assuming early 70's.
See Full Post: Unique Lettering Typography Design Eduardo Morgan Gayátn
For More Information visit : Dezart Inspire | Graphic Design
Poster issued by the Vietnam Moratorium Committee. Artist Ivan Chermayeff, Agency, Chermayeff & Geismer. From Graphis Annual 71/72. Blogged at Aqua-Velvet.
From a series of posters for the Polish Circus. Artist Roman Cieslewicz. From Gebrauchsgraphik No. 12, 1966. Blogged at Aqua-Velvet.
See Full Post: Creative and Funny Photomanipulation works by Spiel Sinn
For More Information visit : Dezart Inspire | Graphic Design
Artist: Wilburn Bonnell III. Quote from James Agee. Date approx. 1971. Ad is from a series "Great Ideas of Western Man" by Container Corporation of America (1950 -1975). Image from the book "Great Ideas" published by Container Corp. in 1976. Blogged at Aqua-Velvet.
Designed by PEI-CHE CHENG
築園。拾花筆記書
en.red-dot.org/3373+M55177b5f2d8.html
www.youtube.com/watch?v=rRTRzcIk-8k
supervising professor / Chung-Yi Cheng, Wen-Yung Huang
design / Pei-Che Cheng, Taipei
art direction / Pei-Che Cheng
photography/illustration / Pei-Che Cheng
會做這本書是因為看了“粗獷與詩意─台灣戰後第一代建築展“和漢唐樂府的韓熙載夜宴圖表演來的靈感，於是就做了這本影像書。
東方捲軸概念的作品，但又不同於故宮的文人山水，是從台灣文化中虛構的現代花園。書內的影像拍攝自台灣各地，從斑斕的台灣景象中抽出純粹精神。
以書為空間；以紙為舞台，品游園之樂；樂園築之貌。
築園 ：書的封面有一扇六角窗，打開書後像是手捲一樣，一開始是一條遠而近的游廊，接著有台階、暖廊，往後走有通往內、外院落的花瓶門，再往後走穿過月洞門是住宅居住的空間。
拾花：封面上有個小圓窗透過窗口可以看見茶花，整本書留白的部份都是水面，有礁石散佈水面，水上有現代的鋼鐵橋、石柱支撐的十字橋、唐式的木橋。用東方建築的馬背山牆來比喻為山，有數種茶花散佈於庭園之間。
There was a lot of design activity other than the Swiss direction in post-war US and pictorial modernism developed into a new direction. This is a Milton Glaser poster designed before 1970.
Lella and Massimo Vignelli. Need I say more.
Picture taken from the book Vignelli: From A to Z published by Images Publishing, Victoria, Australia.
When this catalog (which I designed) was published in September of 2010 I dropped off a copy at the tiny cafe that I go to every day (I also do their design). This is what it looks like now.
From a series of posters for the Polish Circus. Artist, Waldemar Swierzy. From Graphis Posters 1973. Blogged at Aqua-Velvet.
Constantino Nivola. Quote from Lucis Annaeus Seneca. Date 1958. Ad is from a series "Great Ideas of Western Man" by Container Corporation of America (1950 -1975). Image from the book "Great Ideas" published by Container Corp. in 1976. Blogged at Aqua-Velvet.
For a circus founded by the Knie family (Switzerland). Artist Herbert Leupin. From Graphis Annual 57/58. Blogged at Aqua-Velvet.