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Designed by PEI-CHE CHENG
書封面和書裡的55張明信片，封面白底、目錄頁紅底，右下是全部的明信片，
這些不是那種標準的美美明信片，是為了自己寄而做的明信片。看明信片的內容可以看見我去了哪些地方，接觸了哪些東西。
印刷：永豐餘印刷，象牙卡，數量兩件，一件德國/一件台北。
Another day over and thought i would stick up my latest picture took awhile to do but think i got to what i was looking for thanks for viewing.....
Now that the big day has passed here is the photography of our wedding invitations that I designed earlier in the year. The invitation and die-cut envelope are printed on 100% recycled card and and are printed using vegetable oil based inks.
Linotype, one of the reigning kings of type before the digital revolution that was raging like a fire storm through the printing world in the 1980's. They merged with their arch enemy Monotype and now sell the typefaces and logos that they had the rights to, and I think that they were bought out by Heidelberg Presses. Now most mass printing comes from Korea and China. The world is no longer round, it's flat.
Poster designed by Phillippe Apeloig, Paris for Linotype 1999.
From Graphic Design for the 21st Century by Charlotte and Peter Fiell.
have been working on making a new graphic design blog for the GD area at Portland State University. Thinking I am going to say goodbye to www.crapdetector.com and hello to commandsave www.commandsave.com
still working on padding issues (which are currently driving me insane).
name most certainly inspired by the msu graphic design show that we had last year (File Save As Soiree) (can't totally take the mississippi out of the blog :)
From a series of posters for the Polish Circus. Artist, Hubert Hilscher. From Graphis Posters 1973. Blogged at Aqua-Velvet.
From a series of posters for the Polish Circus. Artist, Wiktor Górka. From Graphis Annual 69/70. Blogged at Aqua-Velvet.
See Full Post: Rainbow Colors-Immersive Experience of Media Agnostic Designer Ramzy Masri
For More Information visit : Dezart Inspire | Graphic Design
From a series of posters for the Polish Circus. Artist Jan Mlodozeniec. From Gebrauchsgraphik No. 12, 1966. Blogged at Aqua-Velvet.
See Full Post: Stunning Beauty Photo Retouching works and Photography Rebecca Saray
For More Information visit : Dezart Inspire | Graphic Design
The reality of life in Germany at that time was visualized by graphic arts of a different nature. DaDa had developed out of WWI as an anti-war movement, reflecting the insanity of the times, and other German graphic artists such as George Grosz, created works that were especially bitter. Even Kathe Kollwitz lithographs were turned into poster pleas for food for German children.
I cannot find the artist's name for this publication cover. It's signed but I can't decipher it.
Created for the Digitalmania challenge where this week we're taking inspiration from GRAPHIC DESIGN.
Credits : From the public domain.
Thank you for looking.
…and they're pretty scrumptious. Letterpressed, to fill me with joy.
Aside from some tracking issues (I realize now I should have considerably broadened my letterspacing to accommodate the indentations—I'm a letterpress first-timer, mostly), I'm quite delighted.
220# lettra cotton paper = crazy-heavy-weight and yummy!
American Can Company promotional booklet featuring some nice pop art puzzles. No date but I'm assuming early 70's.
One of the many wonderful posters issued byt he London Underground group over the decades since c1908 and this, from 1922, is of the city of St. Albans that wasn't on the Underground but that was served by the London General Omnibus Company that was owned by the Group. The 1920s was one of the golden decades for London Transport's posters and Verney Danvers was one of the artists that probably most captures the style of the period in terms of poster design; blocks of colour and quite stylised depiction of the scene. Although the poster in this style doesn't mention the advertiser it did, when formally issued, carry the Underground Group's then logo. This block seems to have been issued without the logo but the typeface is a giveaway as it is set in the Group's own Johnston typeface, then quite new having only been introduced a few years earlier. I have previously posted the 'artwork' and so, below, for comparison is the link. The plate notes that the repro blocks were by Vaus & Crampton and the printing inks by Shackell, Edwards & Co Ltd.
Poster issued by the Vietnam Moratorium Committee. Artist Ivan Chermayeff, Agency, Chermayeff & Geismer. From Graphis Annual 71/72. Blogged at Aqua-Velvet.