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This abstract composite design is derived from nature. A painterly rendering adds texture and dimension to the mysterious chalky, crayon-like colorful lines. I enjoy these colors which are simultaneously bright and smudgy and give the feel of rich oil pastels.

 

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Julie Weber PhotoImages | Me-FAA | Me-FB

   

161 MB upload

Thank You All fer da 3.8 Million Views

Additional image taken at the Columbus Antique Mall. Got close in to some old string art.

WTAMU Graphic Design lab and proj. crit.

(Corrected Year In Poster)

 

Monday, November 25, I am doing something a bit different instead of my regular set. I am calling it "Pink Floyd's The Wall Remixed & Reimagined"

 

Several years ago someone gave me an idea of doing something like the Pink Floyd laser shows from RL. Working from that, and with a lot of help, I came up with something that I hoped would be fun both musically and visually. I am going to do this one more time, this time to raise money for battle Alzheimer's Association. November is Alzheimer's Awareness month. I am going to do two performances to give people from different times zones a chance to attend.

 

#1 NOV 25 @ 4:30 PM SLT

#2 NOV 25 @ 7 PM SLT

 

maps.secondlife.com/secondlife/Whiskey%20SMASH/189/218/3408

Outer box and artist print for wooden toy quarterly magazine

Proposed Layouts for Dossier Magazine

 

Photography : Mia Ziervogel

 

All work © Willem Kitshoff

 

It is da dedication of its use to da pursuit of da Divine ......

.......which renders it a catalyst to worship

...............~~~~~~~~~

"Da inherent imagination and spiritual receptivity is definitely influenced by dis differential chemical endowment.".

The 1965 British Overseas Airways Corporation (better known as BOAC) bar tariff leaflet cover - anyone for a Martini Cocktail at 3s 6d? In the top corner can be seen the BOAC "Speedbird" symbol, designed for the airline's predecessor Imperial Aiways in 1932 by Theyre Lee-Elliott and that continued in use for British Airways, the sucessor company to BOAC until 1984.

Läs mer om museet och våra samlingar på www.sparvagsmuseet.sl.se

penchant \PEN-chunt\, noun:

 

Inclination; decided taste; a strong liking.

Doodle trying to emulate retro printed ephemera. #yeti #retro #graphicdesign

Book Portfolio

Bear.

Shoreditch, London.

Linotype, one of the reigning kings of type before the digital revolution that was raging like a fire storm through the printing world in the 1980's. They merged with their arch enemy Monotype and now sell the typefaces and logos that they had the rights to, and I think that they were bought out by Heidelberg Presses. Now most mass printing comes from Korea and China. The world is no longer round, it's flat.

Fun to explore, but I have already decided against this one...

This poster is available in my store:

makearea.bigcartel.com/

 

The first work from the Five Girls series became a cover for the movie Ruchiki.

en.wikipedia.org/wiki/Ruchiki

Poster designed by Phillippe Apeloig, Paris for Linotype 1999.

  

From Graphic Design for the 21st Century by Charlotte and Peter Fiell.

 

have been working on making a new graphic design blog for the GD area at Portland State University. Thinking I am going to say goodbye to www.crapdetector.com and hello to commandsave www.commandsave.com

 

still working on padding issues (which are currently driving me insane).

 

name most certainly inspired by the msu graphic design show that we had last year (File Save As Soiree) (can't totally take the mississippi out of the blog :)

   

I was always as interested in the whole typographic internal layout as doing a smart cover design. Its not really graphic design until you can control the design of the whole publication.

Cover by art director Jerry Lieberman.

From a series of posters for the Polish Circus. Artist, Wiktor Górka. From Graphis Annual 69/70. Blogged at Aqua-Velvet.

Artwork for Subkultura, Prague

Branding campaign for Ghosty Apparel

 

michael-tiong_a-4334_p2

From a series of posters for the Polish Circus. Artist Jan Mlodozeniec. From Gebrauchsgraphik No. 12, 1966. Blogged at Aqua-Velvet.

 

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