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WTAMU Graphic Design lab and proj. crit.

Outer box and artist print for wooden toy quarterly magazine

Proposed Layouts for Dossier Magazine

 

Photography : Mia Ziervogel

 

All work © Willem Kitshoff

 

Linotype, one of the reigning kings of type before the digital revolution that was raging like a fire storm through the printing world in the 1980's. They merged with their arch enemy Monotype and now sell the typefaces and logos that they had the rights to, and I think that they were bought out by Heidelberg Presses. Now most mass printing comes from Korea and China. The world is no longer round, it's flat.

have been working on making a new graphic design blog for the GD area at Portland State University. Thinking I am going to say goodbye to www.crapdetector.com and hello to commandsave www.commandsave.com

 

still working on padding issues (which are currently driving me insane).

 

name most certainly inspired by the msu graphic design show that we had last year (File Save As Soiree) (can't totally take the mississippi out of the blog :)

   

I was always as interested in the whole typographic internal layout as doing a smart cover design. Its not really graphic design until you can control the design of the whole publication.

Cover by art director Jerry Lieberman.

From a series of posters for the Polish Circus. Artist, Hubert Hilscher. From Graphis Posters 1973. Blogged at Aqua-Velvet.

From a series of posters for the Polish Circus. Artist, Wiktor Górka. From Graphis Annual 69/70. Blogged at Aqua-Velvet.

Artwork for Subkultura, Prague

Branding campaign for Ghosty Apparel

 

michael-tiong_a-4334_p2

From a series of posters for the Polish Circus. Artist Jan Mlodozeniec. From Gebrauchsgraphik No. 12, 1966. Blogged at Aqua-Velvet.

 

Id for design studio

typcut.com

h34dup.com

 

An infographic created in collaboration with David Meiklejohn.

The reality of life in Germany at that time was visualized by graphic arts of a different nature. DaDa had developed out of WWI as an anti-war movement, reflecting the insanity of the times, and other German graphic artists such as George Grosz, created works that were especially bitter. Even Kathe Kollwitz lithographs were turned into poster pleas for food for German children.

 

I cannot find the artist's name for this publication cover. It's signed but I can't decipher it.

Created for the Digitalmania challenge where this week we're taking inspiration from GRAPHIC DESIGN.

 

Credits : From the public domain.

 

Thank you for looking.

Joseph Müller Brockman poster for noise control. I may later find the date on this but as I remember between 1955 and 1960.

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