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Anel lindo: Flor Encantada da Magias de Mulher. Só R$9,90 :)
Amei! Nunca tinha feito, e tava com vontade de alguma coisa diferente mas que não desse trabalho.
Peguei um esmalte azul escuro (Lia - Rivka) e coloquei em um potinho de esmalte vazio. Para cada unha, colocava mais ou menos 15 gotas do Acqua - Big Universo. Devia ter usado um pouco mais para dar mais diferença de cor entre os passos, mas gostei mesmo assim =P
Carimbada com M72 da Konad
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A partir de amanhã a Magias de Mulher vai estar com uma promoção super legal para ajudar no presente da sua mãe: 20% de desconto para compra no cartão e 30% para pagamento a vista :) Até esse anel sai mais barato! Aproveitem :)
These two signs are on the down platform at Chelmsford Railway Station in the UK. (and probably not noticed by most travellers who use the platform)
One is a gradient marker which mean that in the down direction the track rises by 1 foot in the next 152 feet of travel. The top sign means that this is bridge number 152 to which this sign is position over. What's interesting is that the top marker is very old. It still has flakes of turquoise paint which was one of the corporate colours of the the Great Eastern Railway (GER) which was amalgamated into the London and North Eastern Railway (LNER) in 1923. So there's no doubt in my mind that this sign dates from 1889 when the station was built by the GER..
Looking at the legend of the lower painted numbers in an educated guess are from the 1930s.
The fact that these are the same numbers is purely coincidental.
Experimental Color gradients generated using cosine waves for Red, Green and Blue color components.
Parameters for cosine wave Offset, Amplitude, Frequency and Phase have been animated for every RGB component.
Waverley Route gradient post between Melrose and Tweedbank stations with part of one of the wooden arms still in situ, 12th November, 2016.
The gradient post that stood beneath the Southcourt footbridge at the north end of Aylesbury station. The post and the bridge have now gone. I'm not sure of its provenance - it may be of GCR, LNER, GWR or Metropolitan origin. The gradient of 1:2200 seems insignificant but it is actually quite noticeable; approaching Aylesbury from the north you have to apply a couple of notches of power in order to maintain the 30mph line speed. 21st April 2003.
Crossview Format:
Gently converge (cross) your eyes and focus son the middle image that appears while ignoring the outside.
Betty Drinkut (fellow Yahoo Anaglyph group member), requested that I remove the background for this image she took of her granddaughter Karlie with a garter snake. "The G-daughter really liked it and wanted to show it off".
"It was the first time she had seen a snake up close and we did not know how she would respond and we did not know how the snake would respond since Steve had just found it!"
My message to Betty...
The original stereo was a little hyper which I couldn't do anything about.
First I touched up the colors through PS via the Image... "Auto Color" and "Auto Tone" controls.
One side is always sharper than the other and both L & R were a little blurry to begin with. I sharpened both sides, then used a noise filter to remove possible grain caused from sharpening and from the original photos. Afterwards I sharpened more, but was careful not to over-sharpen. This was at the original resolution which makes it harder to over-sharpen. Then I took the sharpest side and cloned the major features (eyes, nose, teeth, and snake head) from sharpest side to the blurrier side. I also removed a couple of blemishes.
I resized the image down a bit but since I didn't know what size you wanted it, I kept it rather large. Then after it was resized to smaller, I sharpened again before saving.
I used a gradient background from upper bluish to bottom green. It took hours to paint around Karlie but I think it came out well.
*Copyright © 2010 Lélia Valduga, all rights reserved.
*Reprodução proibida. © Todos os direitos reservados.
*Imagem protegida pela Lei do Direito Autoral Nº 9.610 de 19/02/1998.
Based on some of the manipulated photos I posted as abstracts, this is a completely made up image I created using Paintbrush, a free color-paint program on my Mac. I can see too many artifacts from the tool that my skill isn't up to dealing with. HOWEVER, the basic thought seems to have worked out ok. What I noticed in the manipulated images of the inside of a crab's shell is that having a gradient or progression in a limited palate going along one dimension, and then applying a second palate and shape in another direction was "interesting" to look at. So here's a spray-paint gradient in blue tones, upper left to lower right, with a poured color splater going right to left, fading from orange to bright yellow.
I love this shot. :)
This is a combination of two panoramas, shot with two different cameras from exactly the same spot and then matched in Photoshop. On the left is the view in infrared, and on the right, in visible light.
What prompted all this was P-Doug remarking how the pond looked like a mirror, without a break of wind. I suddenly remembered this was exactly the kind of shot I'd meant to take last summer at another lake, except the breeze rippled the water and limited the effect of the reflectivity. Here, as you can see, it was nearly perfect, and suddenly the light bulb went on over my head: take the shot, stupid! For good measure, I reshot the scene in visible light as well. I'm glad I took it when I did, because when we passed this spot on our way back about an hour later, there was a slight breeze that would have made this shot impossible.
Here, I've used a gradient mask to reveal one version over the other, a segue from the invisible to the typical. I think the effect is powerful, and the view is singularly beautiful in both kinds of light.