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Oi Meninas!
A principio eu tinha esmaltado apenas com o Boreal (Big Universo - 2x), e apesar de bonitinho eu achei meio sem graça 'sozinho'. Então resolvi fazer um gradiente laranja nele, daí utilizei o Times Square Tangerine Creme (N.Y.C) e o Batom (L'apogée)...e ainda não feliz com o resultado resolvi flocar tudo com o Espectral (B.U). Amei! Pessoalmente o efeito ficou mais bonito do que nas fotos!!
Daqui a pouco visito cada uma de vocês!
Beijos,
gab!
The sunset itself wasn't that spectacular because of the distant clouds, but the gradients with the sun below the horizon were beautiful.
Maxed out contrast and saturation in camera, added a bit more in Gimp. Brought out a little definition in the stones with curves.
* Explored * - thanx, guys. Hmm - this is my second sunset in explore. I spot a pattern...
Please also visit another sunset
ignorem os cantos borradões, por favor
x)
naum tinha limpado ainda
hihi
efeito da esponjinha né
Esmaltes usados:
hip hop da ana hickman, e o roxo metálico
e um glitter rosa da big universo por cima
Pannier Tank 6430 bringing its five coach train up the gradient towards Berwyn, Llangollen Railway North Wales.
Totally taken aback by her shoe-apricot color coordination. That, and the color gradients on those fruits' skins.
These two signs are on the down platform at Chelmsford Railway Station in the UK. (and probably not noticed by most travellers who use the platform)
One is a gradient marker which mean that in the down direction the track rises by 1 foot in the next 152 feet of travel. The top sign means that this is bridge number 152 to which this sign is position over. What's interesting is that the top marker is very old. It still has flakes of turquoise paint which was one of the corporate colours of the the Great Eastern Railway (GER) which was amalgamated into the London and North Eastern Railway (LNER) in 1923. So there's no doubt in my mind that this sign dates from 1889 when the station was built by the GER..
Looking at the legend of the lower painted numbers in an educated guess are from the 1930s.
The fact that these are the same numbers is purely coincidental.
Based on some of the manipulated photos I posted as abstracts, this is a completely made up image I created using Paintbrush, a free color-paint program on my Mac. I can see too many artifacts from the tool that my skill isn't up to dealing with. HOWEVER, the basic thought seems to have worked out ok. What I noticed in the manipulated images of the inside of a crab's shell is that having a gradient or progression in a limited palate going along one dimension, and then applying a second palate and shape in another direction was "interesting" to look at. So here's a spray-paint gradient in blue tones, upper left to lower right, with a poured color splater going right to left, fading from orange to bright yellow.