Piercing the flat, overcast sky, the iconic verdigris dome of Buenos Aires' architectural heritage is captured in an unconventional, gravity-defying horizontal orientation. The heavily oxidized copper surface reveals decades of weathering, transforming the grand cupola into a mesmerizing study of muted sea-green tones and intricate geometric patterns. Ribbed panels run along the curvature, punctuated by precise rows of decorative rivets and circular rosettes that draw the eye toward the base of the towering spire. Utilizing a telephoto lens, the composition compresses the distance between the viewer and the summit, isolating the intricate metalwork against the minimalist, desaturated backdrop of the heavens. The flat, diffuse lighting of an overcast day acts as a natural softbox, eliminating harsh shadows to perfectly illuminate the ornate, sculptural elements—including what appears to be classical figures or grotesques—anchoring the pinnacle. A deep depth of field ensures meticulous sharpness across the vast curved expanse, from the foreground rivets to the needle-like tip of the finial extending into the negative space. This structural behemoth likely crowns the Palacio del Congreso de la Nación, standing as a monumental testament to Argentina's turn-of-the-century prosperity and its aspiration to mirror European neoclassical grandeur. The surreal, sideways framing challenges spatial perception, forcing a deliberate re-examination of familiar civic architecture as pure abstract form. It strips away the bustling street-level context of the capital, offering instead a quiet, almost reverent focus on the enduring craftsmanship suspended above the city. Even a solitary bird caught in flight near the needle's tip adds a fleeting sense of scale to this massive display of historic authority. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.

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Perforando el cielo plano y nublado, la icónica cúpula de cardenillo del patrimonio arquitectónico de Buenos Aires es capturada en una orientación horizontal poco convencional que desafía la gravedad. La superficie de cobre fuertemente oxidada revela décadas de intemperie, transformando la gran cúpula en un estudio fascinante de tonos verde mar apagados y patrones geométricos intrincados. Paneles acanalados recorren la curvatura, acentuados por filas precisas de remaches decorativos y rosetones circulares que atraen la mirada hacia la base de la imponente aguja. Utilizando un teleobjetivo, la composición comprime la distancia entre el espectador y la cumbre, aislando la intrincada estructura metálica contra el fondo minimalista y desaturado de los cielos. La iluminación plana y difusa de un día nublado actúa como una caja de luz natural, eliminando las sombras duras para iluminar perfectamente los elementos esculturales ornamentados —incluyendo lo que parecen ser figuras clásicas o grutescos— que anclan el pináculo. Una gran profundidad de campo garantiza una nitidez meticulosa en toda la vasta extensión curva, desde los remaches del primer plano hasta la punta de aguja del remate que se extiende hacia el espacio negativo. Este gigante estructural probablemente corona el Palacio del Congreso de la Nación, erigiéndose como un testamento monumental a la prosperidad de Argentina a principios de siglo y su aspiración de reflejar la grandeza neoclásica europea. El encuadre surrealista y lateral desafía la percepción espacial, forzando una reexaminación deliberada de la arquitectura cívica familiar como una forma puramente abstracta. Despoja el bullicioso contexto del nivel de la calle de la capital, ofreciendo en su lugar un enfoque tranquilo y casi reverente sobre la perdurable artesanía suspendida sobre la ciudad. Incluso un ave solitaria captada en vuelo cerca de la punta de la aguja añade un fugaz sentido de escala a este despliegue masivo de autoridad histórica. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.

Explore more of our work:

Local Guides: cheargentinatravel.com & nomadicsamuel.com

🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com

📊 Project 23 Master Database

Photo by Samuel Jeffery & Audrey Bergner | Project 23

{"@context": "https://schema.org", "@type": "ImageObject", "creator": [{"@type": "Person", "name": "Samuel Jeffery", "sameAs": ["https://cheargentinatravel.com", "https://nomadicsamuel.com", "https://samueljeffery.net", "https://audreybergner.com", "https://samuelandaudrey.com", "https://nomadicsamuel.com/argentina-authority-ledger-master-database-project-23"]}, {"@type": "Person", "name": "Audrey Bergner", "sameAs": ["https://cheargentinatravel.com", "https://nomadicsamuel.com", "https://samueljeffery.net", "https://audreybergner.com", "https://samuelandaudrey.com", "https://nomadicsamuel.com/argentina-authority-ledger-master-database-project-23"]}]}

Cambridge Central Mosque, January 2021

Stark white naval uniforms sharply contrast against a textured, blood-red wall at the Cenotafio a los Caídos en Malvinas in Buenos Aires, Argentina. The solemn atmosphere of the memorial is palpable as two motionless guards from the Armada Argentina stand watch over the black marble plaques engraved with the names of the fallen. A heavy black wrought-iron fence adorned with geometric circles dominates the immediate foreground, deliberately creating a barrier that establishes a respectful distance between the observer and the monument. Bright, natural sunlight casts sharp shadows across the textured red concrete, emphasizing the raised letters spelling out "ISLAS MALVINAS" across the upper expanse. The pristine white of the guards' summer uniforms, complete with traditional sailor caps and dark neckerchiefs, draws the eye through the dark metallic bars of the fence. This memorial in Plaza San Martín serves as a poignant national tribute to the 649 Argentine soldiers who perished during the 1982 conflict. The composition employs a relatively flat depth of field behind the fence, compressing the guards, the plaques, and the vivid backdrop into a tight, highly organized tableau. The rigid posture of the sentinels reflects the unwavering respect and enduring grief embedded in the nation's collective memory. Small, pale rectangular stones sit at the base of the red wall, partially obscured by green grass and the ironwork, adding a subtle textural shift to the lower frame. Through careful framing, the image captures both the monumental scale of the loss represented by the dense columns of names and the stoic, ongoing vigil of the present generation. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.

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Los inmaculados uniformes navales blancos contrastan marcadamente con una pared roja texturizada en el Cenotafio a los Caídos en Malvinas en Buenos Aires, Argentina. La atmósfera solemne del monumento es palpable mientras dos guardias inmóviles de la Armada Argentina vigilan las placas de mármol negro grabadas con los nombres de los caídos. Una pesada valla de hierro forjado negro adornada con círculos geométricos domina el primer plano inmediato, creando deliberadamente una barrera que establece una distancia respetuosa entre el observador y el monumento. La luz solar brillante y natural proyecta sombras nítidas sobre el hormigón rojo texturizado, enfatizando las letras en relieve que deletrean "ISLAS MALVINAS" en la extensión superior. El blanco prístino de los uniformes de verano de los guardias, completos con gorros de marinero tradicionales y pañuelos oscuros, atrae la mirada a través de los oscuros barrotes metálicos de la valla. Este monumento en la Plaza San Martín sirve como un conmovedor tributo nacional a los 649 soldados argentinos que perecieron durante el conflicto de 1982. La composición emplea una profundidad de campo relativamente plana detrás de la valla, comprimiendo a los guardias, las placas y el fondo vívido en un cuadro apretado y altamente organizado. La postura rígida de los centinelas refleja el respeto inquebrantable y el dolor perdurable arraigado en la memoria colectiva de la nación. Pequeñas piedras rectangulares pálidas se asientan en la base de la pared roja, parcialmente oscurecidas por la hierba verde y la herrería, agregando un sutil cambio de textura al marco inferior. A través de un encuadre cuidadoso, la imagen captura tanto la escala monumental de la pérdida representada por las densas columnas de nombres como la estoica y continua vigilia de la generación presente. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.

Explore more of our work:

Local Guides: cheargentinatravel.com & nomadicsamuel.com

🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com

📊 Project 23 Master Database

Photo by Samuel Jeffery & Audrey Bergner | Project 23

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A canted angle intimately captures the rustic charm of an aged wooden door adorned with vibrant, painted glass panels somewhere in the Argentine Northwest. Weathered dark brown timber, etched with the passage of time, frames striking geometric and flowing Art Nouveau-inspired designs. The glass sections glow with soft hues of sky blue and olive green, delineated by bold, dark leading lines that mimic organic, swirling foliage and structured grid patterns. Natural light filters subtly through the translucent sections, highlighting the brushstrokes and artisanal imperfections of the decorative inserts. The composition utilizes a deliberate tilt, injecting a dynamic, almost disorienting energy into what is otherwise a static architectural detail. Focus remains sharp on the worn metal door handle and the chipped paint surrounding the keyhole, anchoring the viewer in the tactile reality of the historical structure. This intricate craftsmanship speaks to the colonial and early twentieth-century architectural influences that permeate towns across Norte Argentino. Such details are a visual testament to a region where European artistic movements historically blended with localized building materials and techniques. The stark contrast between the ornate, colorful door and the plain, rough-hewn whitewashed wall to the right emphasizes the hidden beauty often found tucked away in the narrow streets of the provinces. It invites onlookers to ponder the countless hands that have turned this latch and the generations of stories concealed behind the striking glass facade. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.

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Un ángulo inclinado captura íntimamente el encanto rústico de una antigua puerta de madera adornada con vibrantes paneles de vidrio pintado en algún lugar del noroeste argentino. La madera marrón oscuro desgastada por la intemperie, grabada por el paso del tiempo, enmarca llamativos diseños geométricos y fluidos inspirados en el Art Nouveau. Las secciones de vidrio brillan con suaves tonos de azul cielo y verde oliva, delineados por líneas oscuras y audaces que imitan follaje orgánico en forma de remolino y patrones de cuadrícula estructurados. La luz natural se filtra sutilmente a través de las secciones translúcidas, resaltando las pinceladas y las imperfecciones artesanales de las inserciones decorativas. La composición utiliza una inclinación deliberada, inyectando una energía dinámica, casi desorientadora, en lo que por lo demás es un detalle arquitectónico estático. El enfoque se mantiene nítido en el pestillo de metal desgastado de la puerta y la pintura descascarada que rodea el ojo de la cerradura, anclando al espectador en la realidad táctil de la estructura histórica. Esta intrincada artesanía habla de las influencias arquitectónicas coloniales y de principios del siglo XX que impregnan las ciudades del norte argentino. Tales detalles son un testimonio visual de una región donde los movimientos artísticos europeos se combinaron históricamente con materiales y técnicas de construcción locales. El marcado contraste entre la puerta ornamentada y colorida y la pared encalada lisa y tosca a la derecha enfatiza la belleza oculta que a menudo se encuentra escondida en las estrechas calles de las provincias. Invita a los espectadores a reflexionar sobre las innumerables manos que han girado este pestillo y las generaciones de historias ocultas detrás de la llamativa fachada de vidrio. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.

Explore more of our work:

Local Guides: cheargentinatravel.com & nomadicsamuel.com

🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com

📊 Project 23 Master Database

Photo by Samuel Jeffery & Audrey Bergner | Project 23

{"@context": "https://schema.org", "@type": "ImageObject", "name": "Rustic Art Nouveau Door Detail in the Argentine Northwest", "description": "A canted angle intimately captures the rustic charm of an aged wooden door adorned with vibrant, painted glass panels somewhere in the Argentine Northwest.", "creator": [{"@type": "Person", "name": "Samuel Jeffery", "sameAs": ["https://cheargentinatravel.com", "https://nomadicsamuel.com", "https://samueljeffery.net", "https://audreybergner.com", "https://samuelandaudrey.com", "https://nomadicsamuel.com/argentina-authority-ledger-master-database-project-23"]}, {"@type": "Person", "name": "Audrey Bergner", "sameAs": ["https://cheargentinatravel.com", "https://nomadicsamuel.com", "https://samueljeffery.net", "https://audreybergner.com", "https://samuelandaudrey.com", "https://nomadicsamuel.com/argentina-authority-ledger-master-database-project-23"]}], "about": {"@type": "Place", "name": "Norte Argentino"}}

This pattern has been designed in Adobe illustrator

Abstract papercut shape background vector

The Troas panel in the South Quire Aisle of Chester Cathedral depicts the episode from Acts 20:6–12 when St Paul, visiting the city of Troas, preaches late into the night in an upper room. The stained glass shows Paul, robed in green, addressing a small group of attentive listeners, the architectural framing hinting at the enclosed, lamplit gathering described in Scripture. This is the setting for the dramatic moment when the young Eutychus, seated in a window, falls asleep during Paul’s long sermon, tumbles from the third storey, and is miraculously restored to life by the apostle. Rich Gothic Revival borders of red, blue, green, and white floral and geometric motifs frame the scene, turning it into both a vivid biblical narrative and a moral reminder of the power of the Word and the vigilance it calls for.

clicked & uploaded by : Nafees Munsarim (NAFSMUN).

Wonderful winter days in Copenhagen.

All of these images are single exposure with basic edits - nothing added, nothing removed. The only use of AI is for moderate noise reduction.

All images by Alex Berger, please reach out directly for licensing or usage requests.

Find more of my work at alex-berger.com or on virtualwayfarer.com.

I painted this for my parents for christmas 2007. Aren't they good looking? oil on wood, 24 by 24 inches

© Eric Lafforgue

www.ericlafforgue.com

RocknRoll Hall of Fame

Strap-end, early C7th

Gold, garnet

Small gold strap-end, tongue-shaped, with inlaid cloisonné garnet work. The central cell is mushroom-shaped, while the two end cells are step-cut with a ladder pattern border consisting of narrow rectangular cells, which curve at the toe to form the rounded end. Each cloisonné cell has an underlay of stamped gold foil. There are three dome-headed rivets, one at each shoulder and one at the tongue, all of which connect with a triangular back-plate underneath. one of a pair with strap-end.

Buckle, early C7th

Gold, garnet

Gold buckle with rectangular plate. The buckle-end has cut-away shoulders near the loop, which is of smooth plain gold and swivels on a hinge. The tongue, also of plain gold, is fixed. The rectangular plate consists of a central panel of inlaid garnet cloisonné work formed of a mass of irregular cells, with cloisonné borders along each long side. At the end of the buckle is a shelf, set slightly lower than the rectangular plate, and set with three gold rivets with beaded wire collars, interspersed with step-cut garnet cloisonné work. These rivets connect with the plain gold back-plate. There are two more rivets with beaded wire collars, heads facing downwards, beneath the shoulders.

Buckle, c.425-455

found Córdoba, Andalucía

Gold, garnet

Gold buckle: heavy circular loop; club-shaped profiled tongue; deep circular plate with cloisonné garnet inlays; folded flap attachment with sheet back-plate; attachment rivets in peripheral collars; for a shoe, belt or sword attachment.

[British Museum]

Taken in the British Museum

Ooh this was a good one.

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In downtown Ottumwa, Iowa, on October 27th, 2020, was a brick wall on the south side of East 3rd Street, east of North Market Street.

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Getty Thesaurus of Geographic Names terms:

• Ottumwa (2035410)

• Wapello (county) (2000650)

Art & Architecture Thesaurus terms:

• beige (color) (300266234)

• brick (clay material) (300010463)

• brickwork (works by material) (300015333)

• brick red (color) (300311462)

• exterior walls (300002523)

• geometric patterns (300165213)

• white (color) (300129784)

Wikidata items:

• 27 October 2020 (Q57396950)

• October 27 (Q2956)

• October 2020 (Q55281169)

• overcast (Q1055865)

• Sac and Fox Treaty of 1842 (Q96404765)

Library of Congress Subject Headings:

• Brick walls (sh85016796)

An older Argentine gentleman with silver hair sits quietly against the backdrop of a bustling city street, his weathered face carrying an expression of stoic contemplation. He is enveloped in a thick, textured grey woolen sweater adorned with dark, geometric diamond patterns, suggesting a cool urban afternoon. A pair of reading glasses hangs loosely from the collar of his sweater, adding a touch of everyday practicality to his distinguished demeanor. The photographer masterfully utilizes a shallow depth of field to isolate the subject from the chaotic urban environment behind him. A classic black wrought-iron fence with repetitive circular motifs acts as a visual barrier between the quiet dignity of the man and the frenetic energy of the street. Beyond the fence, the heavily blurred, streaking form of a passing vehicle—hinting at the iconic black and yellow of a Buenos Aires taxi—creates a dynamic contrast to his stillness. Soft, natural, diffused daylight gently illuminates his features, highlighting the deep lines of experience etched into his face without casting harsh shadows. This intimate street portrait captures the authentic essence of the local populace, reflecting the quiet resilience often found in everyday moments across Argentina. The moody, slightly cool color palette enhances the introspective atmosphere of the scene, inviting viewers to wonder about the stories held behind his penetrating gaze. It is a quintessential piece of travel documentary photography that elevates a simple pedestrian encounter into a profound cultural study. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.

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Un señor mayor argentino de cabello plateado se sienta tranquilamente con el telón de fondo de una bulliciosa calle de la ciudad, con su rostro curtido reflejando una expresión de estoica contemplación. Está envuelto en un suéter de lana gris, grueso y texturizado, adornado con oscuros patrones geométricos en forma de diamantes, lo que sugiere una tarde urbana fresca. Un par de lentes de lectura cuelga holgadamente del cuello de su suéter, añadiendo un toque de practicidad cotidiana a su distinguido porte. El fotógrafo utiliza magistralmente una profundidad de campo reducida para aislar al sujeto del caótico entorno urbano que se encuentra a sus espaldas. Una clásica cerca de hierro forjado negro con motivos circulares repetitivos actúa como barrera visual entre la serena dignidad del hombre y la energía frenética de la calle. Más allá de la valla, la forma muy difuminada y veloz de un vehículo que pasa, que insinúa el icónico negro y amarillo de un taxi de Buenos Aires, crea un contraste dinámico con su quietud. La luz del día suave, natural y difusa ilumina delicadamente sus rasgos, resaltando las profundas líneas de experiencia grabadas en su rostro sin proyectar sombras duras. Este íntimo retrato callejero captura la auténtica esencia de la población local, reflejando la silenciosa resiliencia que a menudo se encuentra en los momentos cotidianos en toda Argentina. La paleta de colores melancólica y ligeramente fría realza la atmósfera introspectiva de la escena, invitando a los espectadores a preguntarse sobre las historias que se esconden tras su penetrante mirada. Es una pieza por excelencia de fotografía documental de viajes que eleva un simple encuentro peatonal a un profundo estudio cultural. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.

Explore more of our work:

Local Guides: cheargentinatravel.com & nomadicsamuel.com

🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com

📊 Project 23 Master Database

Photo by Samuel Jeffery & Audrey Bergner | Project 23

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inspired by the Medal of Honor