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Vibrant hues of woven wool and intricate Andean patterns flood the foreground, creating a sea of texture that envelops a solitary young woman in this bustling Argentine artisan market. The intense midday sun beats down on the scene, saturating the rich reds, deep greens, and golden yellows of the traditional textiles laid out for display. Utilizing an exceptionally shallow depth of field, the composition aggressively blurs both the immediate foreground and the distant background, forcing the viewer's eye directly toward the vendor. Clad in a simple purple shirt, her dark hair pulled back neatly, she sits quietly amidst her vibrant merchandise, her profile turned downward in a moment of quiet reflection or resting. The harsh, directional lighting highlights the structural weave of the fabrics, casting deep, contrasting shadows that add a three-dimensional quality to the geometric designs. These textiles, a hallmark of regional craftsmanship in northwestern Argentina, carry centuries of indigenous weaving traditions within their threads. Beyond the sharp line of focus, the blurred shapes of other market-goers and stalls suggest a lively, chaotic environment typical of rural commercial hubs. A softly focused wooden crate anchors the left side of the frame, hinting at the rustic, itinerant nature of these open-air vendor setups. The juxtaposition of the vendor's solid purple garment against the chaotic, multicolored tapestry beneath her creates a compelling visual anchor in an otherwise visually busy scene. This deliberate photographic isolation conveys a sense of serene endurance, capturing the quiet humanity often overlooked in the colorful chaos of tourist markets. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
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Tonos vibrantes de lana tejida e intrincados patrones andinos inundan el primer plano, creando un mar de texturas que envuelve a una joven solitaria en este bullicioso mercado artesanal argentino. El intenso sol del mediodía golpea la escena, saturando los rojos intensos, los verdes profundos y los amarillos dorados de los textiles tradicionales expuestos. Utilizando una profundidad de campo excepcionalmente reducida, la composición desenfoca agresivamente tanto el primer plano inmediato como el fondo distante, forzando la mirada del espectador directamente hacia la vendedora. Vestida con una sencilla camisa morada, con su cabello oscuro recogido cuidadosamente, se sienta en silencio en medio de su vibrante mercancía, con su perfil inclinado hacia abajo en un momento de tranquila reflexión o descanso. La iluminación dura y direccional resalta la estructura del tejido de las telas, proyectando sombras profundas y contrastantes que añaden una cualidad tridimensional a los diseños geométricos. Estos textiles, un sello distintivo de la artesanía regional en el noroeste de Argentina, llevan consigo siglos de tradiciones de tejido indígena dentro de sus hilos. Más allá de la aguda línea de enfoque, las formas borrosas de otros asistentes al mercado y de los puestos sugieren un entorno animado y caótico típico de los centros comerciales rurales. Una caja de madera suavemente desenfocada ancla el lado izquierdo del encuadre, insinuando la naturaleza rústica e itinerante de estas instalaciones de vendedores al aire libre. La yuxtaposición de la prenda morada sólida de la vendedora contra el tapiz caótico y multicolor que se encuentra debajo de ella crea un ancla visual convincente en una escena por lo demás visualmente saturada. Este aislamiento fotográfico deliberado transmite un sentido de serena resistencia, capturando la silenciosa humanidad que a menudo se pasa por alto en el colorido caos de los mercados turísticos. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
Photo by Samuel Jeffery & Audrey Bergner | Project 23
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In the Topanga Canyon center - many walkways of the promenade are decorated with a variety of different styles of tiles - 4/21/2011 - Photo by Robin Kanouse
Chair abstract indoors close-up of shadows and highlights on wall with strong contrast
All my photographs are copyright protected, If you wish to use my photos please contact me and we can discuss usage fees.
©Jim Corwin_All Rights Reserved 2018 Contact me at jimcorwin@live.com or visit my PhotoShelter site using the link Jim Corwin Photography on my Profile Page.
My website is jimcorwin.photoshelter.com
My E-Mail Address is jscorwin@mac.com
A close-up, low-angle shot captures a grid of textured glass blocks set in weathered metal frames, illuminated from behind by a warm, ambient light. The interplay of light and shadow highlights the diamond-patterned surface of the glass and the rustic patina of the frames, creating a moody, industrial atmosphere. A single green-tinted block and a glimpse of red brick wall add subtle color accents to the otherwise monochromatic scene.
Why doesn't Flickr recognize that I changed orientation in PhotoFiltre? Top here, should be left side. Hmmm.
A minimalist, upward-looking shot captures the geometric structure of a large outdoor umbrella, its alternating green and white panels radiating from a central hub. The clean lines of the metal ribs and the soft, diffused daylight create a calm, almost abstract composition, emphasizing symmetry and color contrast. The perspective invites the viewer to imagine standing beneath its shade on a bright day.
Vibrant hues of crimson, emerald, and saffron explode across the sun-drenched market floor, where intricately woven textiles form a sea of traditional Andean craftsmanship. Amidst this kaleidoscopic display, a young artisan with dark hair pulled back in a simple tie leans intently over her vibrant wares. She wears a deep purple top that subtly complements the rich, earthy tones of the geometric blankets spread out before her. The crisp, high-altitude sunlight of the Argentine Northwest illuminates the scene, casting stark shadows that emphasize the varied textures of the wool and cotton fabrics. A masterful use of a shallow depth of field isolates the vendor, drawing the viewer's eye directly to her focused profile while throwing the bustling background and a wooden display crate in the foreground into a soft, dreamlike blur. This optical compression creates an intimate portrait within a chaotic public space. Each blanket and shawl tells a story of generations-old weaving techniques passed down through indigenous communities of the Norte Argentino. The patterns visible in the sharp focal plane reveal traditional motifs that hold deep cultural significance in the Andean highlands. The sheer volume of textiles laid out on the ground suggests a thriving local economy driven by artisan markets, typical of villages like Iruya. Despite the surrounding blur of potential shoppers and other stalls, a profound sense of quiet dedication emanates from the woman as she tends to her vibrant tapestry. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
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Tonos vibrantes de carmesí, esmeralda y azafrán estallan sobre el suelo del mercado bañado por el sol, donde los textiles intrincadamente tejidos forman un mar de artesanía tradicional andina. En medio de esta exhibición caleidoscópica, una joven artesana con el cabello oscuro recogido con una simple coleta se inclina atentamente sobre su vibrante mercancía. Lleva una blusa de color púrpura intenso que complementa sutilmente los ricos tonos terrosos de las mantas geométricas extendidas ante ella. La luz solar nítida y de gran altitud del noroeste argentino ilumina la escena, proyectando sombras marcadas que enfatizan las variadas texturas de las telas de lana y algodón. Un uso magistral de la poca profundidad de campo aísla a la vendedora, atrayendo la mirada del espectador directamente a su perfil concentrado mientras sumerge el fondo bullicioso y una caja de exhibición de madera en el primer plano en un desenfoque suave y onírico. Esta compresión óptica crea un retrato íntimo dentro de un espacio público caótico. Cada manta y chal cuenta una historia de técnicas de tejido de generaciones pasadas, transmitidas a través de las comunidades indígenas del Norte Argentino. Los patrones visibles en el plano focal nítido revelan motivos tradicionales que tienen un profundo significado cultural en el altiplano andino. El gran volumen de textiles extendidos en el suelo sugiere una próspera economía local impulsada por los mercados de artesanos, típicos de pueblos como Iruya. A pesar del desenfoque circundante de posibles compradores y otros puestos, un profundo sentido de dedicación silenciosa emana de la mujer mientras atiende su vibrante tapiz. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para el Proyecto 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
Photo by Samuel Jeffery & Audrey Bergner | Project 23
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Sunlight illuminates the intricate weave of a traditional artisan hat, its vibrant orange and blue geometric band standing out against the bustling blur of an Argentine plaza. A local woman sits in profile on a rustic stone ledge, her posture calm amidst the surrounding kinetic energy. She wears a crisp blue and white checkered shirt that contrasts sharply with the deep black of her trousers and the leather shoulder bag resting securely at her side. In her hands, she loosely grips a fragrant bundle of dried green herbs and a simple white plastic bag, perhaps reflecting a recent purchase or goods gathered for sale. The lighting is intensely bright, characterized by the strong, direct sun typical of high-altitude Andean regions, casting deep, defined shadows that carve out the textures of the scene. A remarkably shallow depth of field isolates the woman and the child's legs dangling to her left, transforming the background crowd into a wash of soft, colorful shapes. This optical blurring conveys the vibrant, crowded atmosphere of a regional market or festival while keeping the viewer’s focus locked on the solitary tranquility of the seated subject. The woman's distinct headwear, complete with braided tassels hanging down her back, speaks volumes about the rich indigenous heritage prevalent in the northern provinces of Argentina. To the left, the denim-clad legs of a child in a red jacket frame the edge of the composition, adding a candid, slice-of-life quality to the documentary shot. The image captures a fleeting moment of everyday stillness, anchoring the fast-paced life of the community in a beautifully textured photographic study. This image is a collaborative production by Samuel Jeffery and Audrey Bergner for Project 23.
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La luz del sol ilumina el intrincado tejido de un sombrero artesanal tradicional, cuya vibrante banda geométrica naranja y azul destaca sobre el bullicioso desenfoque de una plaza argentina. Una mujer local está sentada de perfil en un saliente rústico de piedra, con una postura tranquila en medio de la energía cinética circundante. Lleva una camisa de cuadros azules y blancos que contrasta fuertemente con el negro intenso de sus pantalones y el bolso de cuero que descansa firmemente a su lado. En sus manos sostiene sin apretar un fragante manojo de hierbas verdes secas y una sencilla bolsa de plástico blanca, lo que quizás refleje una compra reciente o productos recolectados para la venta. La iluminación es intensamente brillante, caracterizada por el sol fuerte y directo típico de las regiones andinas de gran altitud, proyectando sombras profundas y definidas que esculpen las texturas de la escena. Una profundidad de campo notablemente reducida aísla a la mujer y las piernas del niño que cuelgan a su izquierda, transformando a la multitud del fondo en un lavado de formas suaves y coloridas. Este desenfoque óptico transmite la atmósfera vibrante y concurrida de un mercado o festival regional, al tiempo que mantiene el foco del espectador concentrado en la tranquilidad solitaria del sujeto sentado. El distintivo sombrero de la mujer, que se completa con borlas trenzadas que cuelgan por su espalda, dice mucho sobre la rica herencia indígena que prevalece en las provincias del norte de Argentina. A la izquierda, las piernas vestidas con vaqueros de un niño con chaqueta roja enmarcan el borde de la composición, añadiendo una cualidad cándida y de vida cotidiana a la toma documental. La imagen captura un momento fugaz de quietud cotidiana, anclando la vida acelerada de la comunidad en un estudio fotográfico de hermosas texturas. Esta imagen es una producción colaborativa de Samuel Jeffery y Audrey Bergner para Project 23.
Explore more of our work:
Local Guides: cheargentinatravel.com & nomadicsamuel.com
🌎 Personal Sites: samueljeffery.net, audreybergner.com & samuelandaudrey.com
Photo by Samuel Jeffery & Audrey Bergner | Project 23
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Chair abstract indoors close-up of shadows and highlights on wall with strong contrast
All my photographs are copyright protected, If you wish to use my photos please contact me and we can discuss usage fees.
©Jim Corwin_All Rights Reserved 2018 Contact me at jimcorwin@live.com or visit my PhotoShelter site using the link Jim Corwin Photography on my Profile Page.
My website is jimcorwin.photoshelter.com
My E-Mail Address is jscorwin@mac.com
2012 Fashion , geometric fashion , designer , designer canada , geometric patterns , 2012 designer fashion , 2012 designer shoes , designer shoes 2012 , shoes 2012 , geometric clothing , geometric designs , hot , new , 2012 , street style , toronto designer , designer shoes , geometric hoodies , style canada , deco , decor , modern geometric , 2012FASHION , CANADIAN DESIGNER , 2012 FASHION , CANADIAN FASHION , UNVERSAL FASHION , GEOMERIC SYMBOLS ,
My first visit to Japan was far too brief - just a week to explore Tokyo and Kyoto. And yet, it surpassed my expectations, demolished my preconceptions, and spoiled me with color and vibrancy.
These images do not utilize AI beyond basic de-noising and are original imagery with no items added or removed (such as errant leaves, pieces of trash, or power lines). What you see is as close to the moment as I experienced it.
All images by Alex Berger, please reach out directly for licensing or usage requests.
Find more of my work at alex-berger.com or on virtualwayfarer.com.
My first visit to Japan was far too brief - just a week to explore Tokyo and Kyoto. And yet, it surpassed my expectations, demolished my preconceptions, and spoiled me with color and vibrancy.
These images do not utilize AI beyond basic de-noising and are original imagery with no items added or removed (such as errant leaves, pieces of trash, or power lines). What you see is as close to the moment as I experienced it.
All images by Alex Berger, please reach out directly for licensing or usage requests.
Find more of my work at alex-berger.com or on virtualwayfarer.com.
A wide-angle study of David Wynne’s "Swans in Flight" sculpture, located in the ceremonial courtyard of the Newcastle Civic Centre. The composition emphasizes the contrast between the fluid, organic lines of the bronze sculpture and the rigid, repetitive grid of the modernist brick and glass facade. The still water of the pool provides a perfect mirror reflection, doubling the geometric impact of the scene under a clear Tyneside sky.
Images from three weeks discovering China, Taiwan, and Qatar. The majority of my trip was a solo food, photography, and discovery trip spent in China visiting several new places while revisiting old favorites.
All of these images are single exposure with basic edits - nothing added, nothing removed. The only use of AI is for noise reduction and dust removal.
All images by Alex Berger, please reach out directly for licensing or usage requests.
Find more of my work at alex-berger.com or on virtualwayfarer.com.
2012 Fashion , geometric fashion , designer , designer canada , geometric patterns , 2012 designer fashion , 2012 designer shoes , designer shoes 2012 , shoes 2012 , geometric clothing , geometric designs , hot , new , 2012 , street style , toronto designer , designer shoes , geometric hoodies , style canada , deco , decor , modern geometric , 2012FASHION , CANADIAN DESIGNER , 2012 FASHION , CANADIAN FASHION , UNVERSAL FASHION , GEOMERIC SYMBOLS ,
A colorful canopy of suspended umbrellas at Yeomiji Botanical Garden (여미지식물원), located in Jungmun, Seogwipo, on the southern coast of Jeju Island, South Korea.
Viewed from below, the brightly colored umbrellas create a striking geometric composition of pink, yellow, green, and blue against the light filtering through the greenhouse roof.
Yeomiji Botanical Garden, whose name means "beautiful land," is one of Jeju Island's most remarkable botanical attractions. Its extensive greenhouse houses a variety of tropical and subtropical plants, with themed gardens dedicated to flowers, aquatic plants, cacti, jungle vegetation, and tropical fruits.
The suspended umbrellas add a playful touch of color to the botanical garden, transforming an ordinary ceiling into a vibrant display of shapes and patterns.
**Location:** Yeomiji Botanical Garden (여미지식물원), Jungmun, Seogwipo, Jeju Island, South Korea.