View allAll Photos Tagged fullspectrum
Taken on the River Wey near Papercourt Lock, Surrey. Taken with a Full Spectrum converted Lumix DMC-G1 with a 590nm IR filter on the lens. This image has been R-B swapped and is a composite of 6 images.
Angels watching over me
With smiles upon their face
'Cause I have made it through this far
In an unforgiving place
It feels sometimes this hill's too steep
For a girl like me to climb
But I must knock those thoughts right down
I'll do it in my own time
I don't care
I'm halfway there
On a road that leads me straight to who knows where
I'll tell you what
What I have found
That I'm no fool
I'm just upside down
Ain't got no cares
I ain't got no rules
I think I like ....
Living upside down ~~ Paloma Faith
I'm fine, had a great day. Charlie and I came face to face with a coyote.
Adventures galore !
This song just stuck in my head.
Happiness is Hiking.
Cementiri Vell, Cólliga.
Fotografía Infraroig (photography infrared).
Espectre Complet (fullspectrum).
Filtre IR 720nm.
Mosaic de dues preses.
I believe this is the first infrared single shot I uploaded to Flickr, meaning non-panorama (in the technical stitching kinda sense).
I feel it has a 'classic' look overall, I like how the ridge line emerges out of the clouds on both sides as well as the these light spots, on the forest, the clouds themself and the open snow covered space. Also, one can never go wrong with a black IR sky :)
And by the way, for all my fellow infrared peeps out there, I think the vintage 80-200mm AI-S is a terrific performer on the IR spectrum. I recommend it! Just make sure to do your own tests, there is no space for guesswork here (in terms of aperture and how to focus)!
Nikon D90 (APS-C, fullspectrum mod)
Zoom-NIKKOR 80-200mm f/4 AI-S
Hoya R72 (720nm infrared pass-filter)
ISO200, 80mm, f/8, 1/2sec
(thus 120mm full frame equivalent)
single shot, tripod, remote
Cólliga.
Fotografía Infraroig (photography infrared).
Espectre Complet (fullspectrum).
Filtre IR 720nm.
Panorámica de 6 preses verticals.
Nebulosa de la Laguna y Nebulosa Trífida (Messier 8, izq. y Messier 20, dcha.)
La otra noche disparé unas tomas a estas dos nebulosas.
Se encuentran a 5000 y 5200 años luz de distancia de nosotros, ahí es nada. Estas nebulosas que ha captado mi cámara emitieron su luz hace 5000 años, da que pensar...
Espero que os gusten.
EXIF: 5 tomas de 4 minutos a ISO 12800, y 20 y pico tomas de 5 minutos a ISO 800, con la A7r fullspectrum. Tubo Skywatcher Ed80, 600mm F7.5, y filtro Optolong L-Enhace, de 2 pulgadas, telescopio Bresser Exos2 PMC8 wifi, con GOTO, de ExploreScientific, usando N.I.N.A. Procesado con SIRIl y Photoshop.
Espero que os guste.
Model: Marla Singer
light & camera: me
Nikon D300 - full septrum conversion
Helios 44-2 & Meyer Optik Görlitz 35/2
Real time light painting, all done in one single exposure. No post processing, except white balance and crop.
Site archéologique (Iroquois) Boucher-de-Grosbois - infrarouge - Île Grosbois - parc national des Îles-de-Boucherville
Boucher-de-Grosbois archeological site - infrared - Grosbois Island - Îles-de-Boucherville National Park
810nm on Full Spectrum Camera Fisheye
The old Via Gellia water mill near cromford in the peak district, taken with a infrared 720nm converted canon 600d on a beautiful sunny day.
I captured this in April on a more or less IR telephoto focused hike, the conditions were "interesting" - after a snowfall, pretty cold and very windy! So much so that the wind turned out to be the primary challenge that day.
I use a generic foldable rubber hood on my 77mm IR filter, it's nice and deep but also heavy and catches the wind almost like a sail, so unfortunately at least half of the photos done out in the open were blurry due to the wind janking on my rig. I tried shielding and standing really close to it, but there is really just so much one can do.
It took a whole while, but finally, I managed to produce an image that credits the 80-200mm f/4 AI-S, showing that it is as good of a performer on the IR spectrum as it is for visible light. *big fan* I like this panorama, cause I think there is something in it that only IR can offer, or maybe IR + (Nikon) vintage glass?
Also did this cumbersome 180° switcheroo thing again here too, but that's just a technical aspect of course.
The source for this is a 9-piece pano, portrait orientation, 20935 x 4268px, ~89,4MP, but I could only use 4 cause of the strong gusty wind and the extended shutter speed (sky, rock and coniferous forest don't reflect too much), yielding just 9136 x 4193px, 38,3MP.
Nikon D90 (APS-C / DX, fullspectrum mod)
Nikon Zoom-NIKKOR 80-200mm f/4 AI-S
Hoya R72 (720nm infrared pass-filter)
ISO250, 200mm, f/8, 1sec
(thus 300mm full frame equivalent)
tripod, regular 3-way head, remote (ML-L3)
Images taken at Busridge Lakes Country House and Bird Sanctuary, near Godalming, Surrey. Taken with a full spectrum converted Lumix DMC-G1 with a 590nm IR filter on the lens. R-B swap in CS6 then processed in LR5.
Marshallberg, NC
Full Spectrum Conversion, Hoya R72 filter (Infrared)
Lunetta, a 98' L.O.A. 1928 Trumpy, sits moldering on the ways in the tiny harbor at Marshallberg, NC. Grand ambitions for her restoration put her here a decade or so ago. The framework and canvas covering her decks have long since disintegrated, and she now lays exposed to the elements, going down fast. She is one of only six Trumpy Grande Dames left.
Since the last time I saw her here, someone has taken a SawzAll to her bow section, slashing her jugular from gunwale to gunwale. I have no idea why...
This was taken along the River Wey below Bowers Lock. Shot with a Full Spectrum converted Lumix DMC-G1 with a 590nm IR filter fitted on the lens. This image is R-B swapped.
Consuegra.
Fotografia Infraroig (photography infrared).
Espectre Complet (fullspectrum).
Filtre IR 720nm.
Mosaic Panoràmica de 12 preses horitzontals.
Ciutat de Barcelona.
Fotografía Infraroig (photography infrared).
Espectre Complet (fullspectrum).
Filtre IR 720nm.
Panoràmica de 9 preses verticals.
One of the things that's different with the D3300 now is flare, but might have to do with filters. These multi-coated heliopan pieces are lovely, I can highly recommend them even though, depending on the diameter, not exactly cheap.
Another thing is the development of the dreaded infrared hotspot, or lack thereof I should say, which appears not to be a lens-only thing also. Anyway, have a nice rest weekend. 🍃
Source for this is 42 photo mercator projection, 37853 x 21302px, ~806,3MP; I don't know the original size of this crop since I (have to) downscale the panorama after stitching; ..but it's huge, ~2,7:1 ratio and 360° angle of view.
Nikon D3300 (APS-C / DX, fullspectrum mod)
Tamron 10-24mm f/3.5-4.5 Di ll VC HLD
heliopan SH-PMC deep yellow 4x (15, G) filter
ISO100, 24mm, f/8, 1/500sec
(thus 36mm full frame equivalent)
tripod, panorama head, remote (ML-L3)
La Alhambra, Granada.
Fotografia Infraroig (photography infrared).
Espectre Complet (fullspectrum).
Filtre IR 680nm.
Josep Vidal.
can't get enough of this old tree. such a gnarled & twisted shape. Shot in InfraRed 720nm on sony a7 Full Spectrum. Pentax-k 28mm 3.5.
Ciutat de Barcelona.
Fotografia Infraroig (photography infrared).
Espectre Complet (fullspectrum).
Filtre IR 720nm.
Panoràmica de 3 preses horitzontals.
Josep Vidal.
Images from along the Basingstoke Canal and adjacent lakes near Woking, in Surrey.
Taken with a full-spectrum converted Lumic DMC-G3, with a 590nm infrared filter on the lens. It was a reasonably good day for once !
Montjuïc.
Fotografía Infraroig (photography infrared).
Espectre Complet (fullspectrum).
Filtre IR 720nm.
Panoràmica de 360º
Projecció Estereogràfica.
Well, I felt like going square with this one, that doesn't happen too often. There are obviously some issues with the clouds, they were just too fast. There was no chance of getting anywhere with manual adjustments due to the trees involved, and there is too little overlap for effective masking. So that's that, I guess, can't have everything all the time and there are a few other things I'm not so keen on. ☹️
I still like it though, the clouds and the motion blurr of some of the ferns give it a dynamic aspect, and in general, it's nice to see a stream that's still natural and not build in or restricted in some way.
Close by, just over a pass, there is/was a valley with a beautiful secluded little gorge, one of my favorites, I already shared some photos from, this vintage series:
www.flickr.com/photos/197010762@N05/52616121718/in/dateta...
and this was the first IR trial there (I climbed through it another time, but blundered severly with the VR of my lens on, *grr*), one of the many waterfalls:
www.flickr.com/photos/197010762@N05/52564879131/in/dateta...
www.flickr.com/photos/197010762@N05/52564557642/in/dateta...
Unfortunately last year, a major storm and subsequent avalanges and extensive flooding literally destroyed the entire valley, incl. infrastructure, houses, etc., so it's kinda stupid to whine about the lost beauty, escpecially given the fact that people died and many more lost their home. But that's how nature works..
That's a mercator projection build from 27 images I trimmed to a square format with 12641px, ~159,8MP and the angle of view is about 180°.
Hit "L" or click to zoom in, to get some details! I feel the "more square" the format, the better Flickr's limiting "best display size" can be exploited. Slender panoramas and the like are the worst..
Nikon D90 (APS-C, fullspectrum mod)
Tamron 10-24mm f/3.5-4.5 Di ll VC HLD
Hoya R72 (720nm infrared pass-filter)
ISO200, 24mm, f/6.3, 3sec
(therefore 36mm full frame equivalent)
tripod, panorama head, remote (ML-L3)
..to enjoy the sun, gentle breeze and quietness at the lake, having some alone time? Getting a tan from the sweet infrared rays? 😋
Technically this comes from a partial pano, build from 33 individual photos, a trimmed mercator projection resulting in ~344MP, then cropped to 12266 x 5938px, ~72,8MP.
Nikon D90 (APS-C, fullspectrum mod)
Tamron 10-24mm f/3.5-4.5 Di ll VC HLD
Hoya R72 (720nm infrared pass-filter)
ISO200, 24mm, f/6.3, 0,5sec
(therefore 36mm full frame equivalent)
tripod, panorama head, remote (ML-L3)
Part 15 of the "lost gorge series". Initially I did not plan to share this, that's another huge one but with just so much stuff in it, that it had no focus whatsoever (the stream disappeared), just cluttered. But since this one had no shake, the quality is good, some days later I randomly 'surfed around' in the panorama with my old image viewer and found this somewhat nice section. Not sure why it's so hard for me to crop?
So this is the opening before the end section of the gorge starts, I already shared a b&w one from the stone I rested on. The stream actually splits here (can't see tough), and it was nice to poke around in this flatter area and perhaps find old artefacts (a.k.a. trash that's been there for 40 years) etc. What's interesting, these seasional fast growing bushes in the middle, have the stronges IR response, even though they are not greener or special in any way to other foliage on the visible spectrum. I also enjoy the quality, nice and sharp, which is not a given due to the nature of IR photography (using color filters on a digital sensor resp. a discrete color array); panorama approach for the win, even though this crop looks like it could be a 28mm single shot. Anyway..
Source for this pano is a 36 photo mercator projection, ~370,3MP, 24133 x 15343px trimmed, cropped to 44,2MP with 8:5 ratio.
Nikon D90 (APS-C, fullspectrum mod)
Tamron 10-24mm f/3.5-4.5 Di ll VC HLD
Hoya R72 (720nm infrared pass-filter)
ISO250, 24mm, f/6.3, 0,4sec
(therefore 36mm full frame equivalent)
tripod, panorama head, remote (ML-L3)
Taken with a Full Spectrum converted Lumix DMC-G1 with a 590nm IR filter on the lens. This one is R-B channel swapped.
Okay, this one was a ride (to develop), ..again. Part 7 of the "lost gorge series", in no particular order, but this is still from the 1st 1/3 of the gorge.
Felt kind of ambivalent about the whole thing. For one, I'm pleased that I could 'keep it together', and not totally blow out hightlights and / or shadows.
By the way, these panos are all one exposure in terms of settings, I'd rather spend more time doing some tests (into the bright areas, into the shadows etc. and then find a middle ground based on the histogram) and optimizing things, than mess around during the sequence, that's asking for troubles. It was necessary to do some local developments (top, middle and bottom row came out very different), which I try to avoid and only do if it is promising, cause this escalates quickly with that number of images.
I felt compelled to show it all, but the false-color development got really busy with tons of details and a bit too HDR-y for my taste, but technically it really is even though I did not do any bracketing. I aim at making it look natural though, well as natural as an IR false-color pano can be. I had to stand back for a little bit until I got the courage to crop, which ultimately made the image more digestible, less visually stimulating, highlighting the essential parts that sort of help anchor the eye also, I think.
The stream makes just a slight bend here, most of which you can see in the pano is due to the wide horizontal angle (maybe around 240°) and also due to being in the lower part of the panorama.
Can you find the small sandy batch to the right, this little island in the pool?
You can see it here in this pano to the left, displaying how different things can look, depending on the angle and technique:
www.flickr.com/photos/197010762@N05/53600737132/in/datepo...
Technically it's a 33 piece mercator projection, ~341,5MP, finished to 8:5 with 18696 x 11685px, ~218,5MP
Nikon D90 (APS-C, fullspectrum mod)
Tamron 10-24mm f/3.5-4.5 Di ll VC HLD
Hoya R72 (720nm infrared pass-filter)
ISO250, 24mm, f/6.3, 0,8sec
(therefore 36mm full frame equivalent)
tripod, panorama head, remote (ML-L3)
Okay 😋, part 17 of the "lost gorge series", the last steep one-way section. I would not want to go down there, without a rope at least. I came up in the stream essentially, under the overhanging rock with the trees on top, more to the left, and then scrambled up or through this mega pile of branches and tree trunks.
Not ideal, especially with a tripod and backpack, but I ended up in the middle of the right side. (Which doesn't make much sense of course since it's 360°, but I hope you know what I mean.)
From there it's basically boulder-hopping in the stream right up till the exit, or in this case a bit down to do a panorama. Can you see the tripod feet? The middle one was just 1cm from the edge, one slip and bye-bye camera gear, it's a good 5-6m down there, I'm kind of in the middle of this waterfall (on the side), so I was more alert than usual doing this one, since I also had to dance around the tripod a couple of times to get myself out of the way.
The opposite side is kinda solid plain rock with / without vegetation (a bit further up was a nice cave too), the side I was on is also super steep, vertical in part, but it's all loose stuff, nothing to hold on to really (scary!), why this wasn't coming down just by looking at it is a mystery. Good memories though.
Source for this pano is a 42 photo mercator projection, ~423,8MP, 27267 x 15541px.
Nikon D90 (APS-C, fullspectrum mod)
Tamron 10-24mm f/3.5-4.5 Di ll VC HLD
Hoya R72 (720nm infrared pass-filter)
ISO250, 24mm, f/6.3, 0,6sec
(therefore 36mm full frame equivalent)
tripod, panorama head, remote (ML-L3)