View allAll Photos Tagged fp4plus
Ilford FP4 Plus 125 (400)
Mamiya C330 Professional F Roll 247-10-positive
Digitized with Negative Lab Pro v2.1.2
Leica III + Summaron 3.5/35 + FP4-plus - digitalisée avec Nikon DF + Micro-Nikkor 2.8/60 - 4 min. développé avec Ilfotec LC29 1+9
Ilford FP4+ in the Rolleiflex MX (f3.5 Tessar)
I don't typically use the Rolleiflex at its widest aperture because sharpness is less than ideal at f3.5
But out of curiosity I did that during a comparison test yesterday. This image was made with the aperture wide open. Depth of focus is - not surprisingly - very shallow (about 12" of reasonably sharp focus), and sharpness is just OK in the point most in focus. But the feel is very nice, with the softly rendered background.
"Soft" has its place.
Note to self: next time, use a green filter to create better separation between the Ivy foliage and the dead Maple leaves.
Nikon F2 eye finder (c1979)
Ilford FP4+ 125 ISO metered film pushed.
Ilford Microphen Dev.
Scan: 1200 DPI
photographed 2019
La Palma
Voigtländer Perkeo - Color Skopar 1:3.5 80mm
Ilford FP4plus in Xtol 1:1 (Digitized with the Sony)
Nikon FE 28mm F/2.8 AI-s lens
Ilford FP4+ film developed in ID-11 (1:1) for 9.5 minutes @ 21.5C.
V500 scan @ 600 dpi.
Saturday 8th February 2025.
Camera: Voigtländer Bessa II 6x9 Rangefinder.
Lens: Voigtländer 105mm Color-Skopar f/3.5.
Film: Ilford FP4 Plus ISO 125 120 black & white negative.
Exposure: 1/100 @ f/5.6.
Development: Kodak D-76 1+3 20C for 22 minutes.
Copyright 2025
Tasmania Film Photography
ALL RIGHTS RESERVED
Ilford FP4 Plus 125 reversed in PQ Universal and scanned with Plustek 7600i Ai.
Best enjoyed with Dark Ambient / URBEX
Zeiss Ikon ContaxⅡa
Carl Zeiss Opton Sonnar50mmT* F1.5
ILFORD FP4Plus
D-76 (Self-formulation)
1+1 22℃ 18:00
Inside the abandoned Anechoic Chamber where Radiotehnika used to test their speakers. It's a huge cube with ~1,5m long triangular low frequency absorbers placed in funny patterns and wire floor in the middle - it's a huge one! Well, was.... They'll be building a PARKING LOT here, WTF...
It was a trip just to be there, to close the massive doors on rails, and enjoy the silence.
Ilford FP4 Plus 125 reversed in PQ Universal and scanned with Plustek 7600i Ai.
Best enjoyed with Dark Ambient / URBEX
After overlooking the River Derwent for well over a century, this 19th Century manor has run out of time. It's scheduled for demolition to make way for a new bridge across the river.
EDIT:
Happily I've been advised that I was misinformed—apparently the pictured house will not be removed during the bridge works—good news.
Saturday 10th September 2022.
Camera: Leica IIIf (red dial) 35mm rangefinder (1952).
Lens: Leitz 3.5cm Elmar f/3.5 (1939, un-coated).
Film: Ilford FP4 Plus ISO 125 35mm black & white negative.
Exposure: One of several bracketed exposures from 15-90s @ f/12.
Development: ID-11 1 + 3 20C/21m.
Copyright 2022 Tasmania Film Photography
ALL RIGHTS RESERVED.
In Explore
October 5, 2022
www.flickr.com/photos/tasmania_film_photography/524039054...