View allAll Photos Tagged fp4plus
The canal was built in 1941, reducing the risk of shipwrecks that were common around the Falsterbo peninsula due to shallow waters and sandbanks.
Ilford FP4Plus
F5#001 (32)
Old customs house and church in Herrnburg - Northern Germany
Ilford FP4plus in Xtol 1:1
R4 - Elmarit-R 1:2.8/35mm - Orangefilter
Here's a glimpse of how my brain works. Three similar photos taken from the same spot with the same exposure. First seemed not optimal with these strange inclusions left and right. Second was slightly better, possibly also balanced, with third I went into 'ooh, shiny!" mode and went for the glow in the backlit trees. Looking at it now, it seems like the first photo was the best: obvious 'flaws' remind it's made by human and I like the composition.
Shortly after I took the third photo, the dark cloud in the background went away and the sun came out with full force.
2017-04-29
Sur le Chemin de Compostelle, Camino Primitivo, Galice, Espagne/hasselblad 501cm 80mm Ilford FP4plus
Enlarged through a diffusion filter under the lens – a worthwhile technique for smoother dark textures!
A diffusion filter on the lens during exposure of the film makes the highlights glow, in the case of placing it under the lens during enlargement, it makes the shadows bloom. The reason for that is rather obvious once you really start thinking about it: a diffusion filter always affects bright areas. In a photo taking scenario, those are the real bright parts of the image, in a darkroom printing setting it's the shadow areas of the negative, where the negative density is low so print (positive) density will be high (i.e.: the shadows)
I feel this technique is criminally underused. As long as you don't go overboard with it, it won't even look too cliché ;)
I used an ancient ('80s?) Hama diffusion filter here.
A lot of dodging and burning made this look as dramatic as it does now. Really, it was just a nice and sunny day when I took this photo 😝
Print onto Fomatone MG Classic 131 with Rollei RPN Eco 1+9
Nikon F3 + Nikkor 20mm 1:3.5 + Ilford FP4+ in Rodinal 1+50
Print scanned on a Heidelberg/Linotype-Hell Saphir Ultra II using Vuescan.
Yashicamat 124g
Ilford FP4 in Rodinal
Lithprint on Fomatone 532
Moersch Easy Lith 25+25+950
Selenium 1 min
Spring has been really late this year, and for April 2, the forecast was heavy snowfall for the morning turning into rain around lunch time. So the alarm was set to 5.30AM and for once the forecast was spot on.As I was driving towards the chosen location to meet up with Magnus the snowfall intensified and reached its max as we parked our cars and got the gear out of the cars. Walking in to the fields I immediately recognised this gate and the surrounding fences, that I made the target of my two first shots. Getting out in this type of weather with a 5x4 camera is just foolish, like "only mad dogs and Englishmen go out in the midday sun" video.search.yahoo.com/search/video?fr=aaplw&p=only+m..., nevertheless I managed to get three decent shots that will follow over the next few days.
Today I was in Copenhagen enjoying very pleasant spring weather, will hopefully have some shots to share during next week.
Pentax Spotmatic fitted with an Isco-Göttingen ISCOTAR 2.8/50 and a yellow filter, FP4 plus dev in ID-11 (1+1)
I used the black Spotmatic on the left hand side in this picture: flic.kr/p/29nXH7a
©2022 Gary L. Quay
I finally made it to Cape Foulweather during some, well, foul weather in early December to make some picures for a project I'm working on. I got chased back into the car by a downpour shortly after this picture.
Camera: Hasselblad 500CM
Lens: 80mm Zeiss Planar
Film: Ilford FP4+ developed in 510-Pyro
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