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My friend Werner in his home office / studio

Weekly Self-Assignment: Foreground INterest

49 Palms trail, Joshua Tree N.P., California

P mode| 1/50 | F4.5 | ISO 1600 | 32mm | Exposure Comp: 0 | WB AUTO

11/04/2023 RAW + FINE

A metal bar is seen in the foreground next to a storm drainage canal where inflow from city streets keeps the river from freezing over.

 

ISO 100

Aperture f/8

Shutter 1/640

-foreground background

 

-นกตัวเล็กๆในโลกอันกว้างใหญ่

Joshua Tree, 49 Palms Oasis

I've just noticed that you can miss notable in the background when you focus too strongly on the subject under your nose

8th grader at the Ron Clark Academy

I seem to have a thing for dead weeds. Seriously. I take dozens of pictures of them each time I find any.

 

blogged about, briefly

Foreground Focus

 

Thanks to melepix for identifying this flower: datura.

Datura belongs to the classic "witches' weeds," along with deadly nightshade, henbane, and mandrake. Most parts of the plants contain toxic hallucinogens, and Datura has a long history of use for causing delirious states and death. It was well known as an essential ingredient of love potions and witches' brews.

If my best friend was still here, I'd have taken him a walk for my benefit to Fisherrow.

 

This was a lovely evening, so I pretended Alfie was with me.

With foreground element

 

Intent: My goal was to capture lines made by the multiple rocks moving in different directions. I wanted to capture the vegetation growing through the rocks. I wanted to capture the depth of the different elements.

 

Reference: Duchemin mentions where to put lines in a landscape photo and the importance of lines in a photo.

 

Outcome: There are lines created by the different rocks and a small pathway is created by the rocks. The foreground draws most of the attention.

 

Edits: I increased brightness, contrast, and saturation.

Requirement 2

 

This picture was shot at the same place like the last one, it was just on another side of the bridge. I shortened the exposure time because there were more cars passing through when I was going to shoot this picture. In that case, a exposure time like 3.2 seconds was long enough to capture plenty of motions.

 

I include this picture because it shows more about the in focus background compares to the blurred foreground. This can help demonstrate requirement 2 better.

 

In post, I turned up exposure and contrast while bringing down shadow to create a contrast between the lines and the environment.

she's been through some tough times in her life. but now it's just smooth sailing.

Off the coast of Japan

This shot satisfies requirement 2 by showing action by blurring the foreground, in this case, the wheel of the EcoCAR on a vehicle lift. For this shot a longer exposure time was used to allow for the blurring, andISO was adjusted to compensate for the low-ish lighting in the room. No post-processing was applied.

Can you see the foreground ?

 

It's forever watching you ~ !

It's a flower planted by my mom and I use small focal distance and a little warm color to show its beauty.

made with an Analog Nikon F3 Camera.

 

Arno Volkers

Van 't Hofflaan 9

4834 XD Breda

The Netherlands

 

www.studiobeeldruis.nl

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