Flat Roof Sleeper Cabs
View allAll Photos Tagged flat
Spring tulips in bloom in Madison Square Park in Manhattan, with New York City's famous Flat Iron Building in the distance. Shot with the Olympus E-M1.
A rainbow seemingly sitting on top of the dam wall at the end of Loch Glascarnoch on the Inverness-Ullapool road. The buildings in front of the dam are those of the Aultguish Inn - or, as my son commented, the Anguish Inn if the dam leaks!
To my disappointment, driving on the salt flats is allowed. In the spring it is highly discouraged. If there is a wet spring, a small layer of water will cover large portions of the salt flats. Some idiots will drive over the moist salt and forever change the landscape.
I used some of those tire marks in my composition.
Hello my amazing Flickr friends !
Today is a pink or purple day at Color my World Daily and the theme at Smile on Saturday is flat lay.
And since it has been a very, very long time since we had an egg or lemon picture, so why not… I truly had a hard time to decide on an egg or a lemon, so I just combined the two in one concept. So here we go, an egg flower with a lemon center. I hope it will make you smile !
Mucho, mucho amor for you all !! And see you soon !!
Thank you so much for all your lovely comments / favs/ general support / happy thoughts!! Stay safe and well!! And see you soon on Flickr !
There is always music amongst the trees, but our hearts must be very quiet to hear it.
~ Minnie Aumonier
Some camera flinging in Maplewood Flats.
I spotted this mountain like cloud with a flat top, known as a cumulonimbus in the Beagle Channel.This type of cloud usually means a storm may be on its way.
Cumulus: A dense, white, fluffy, flat-based cloud with a multiple rounded top and a well-defined outline, usually formed by the ascent of thermally unstable air masses.
Early 50s Morgan Plus4 (flat radiator) at speed (seriously racing) at the Laguna Seca Raceway......What a rush to race flat-out on a superb track!!!
Up until Autumn 2006, Alkborough Flats was agricultural land. The flood-bank of the Humber Estuary was breached and 450 hectares of farmland were flooded. the confluence of the River Trent and River Ouse as they flow into the Humber. It was all part of a huge scheme that will restore some of the Humber Estuary's natural flood control basins, while simultaneously creating a haven for wildlife.
So dynamic, always something going on in this part of Walthamstow, yet 10 minutes walk from here and you are in forest land.
"Why you fool, it's the educated reader who CAN be gulled.
All our difficulty comes with the others. When did you meet a workman who believes the papers? He takes it for granted that they're all propaganda and skips the leading articles. He buys his paper for the football results and the little paragraphs about girls falling out of windows and corpses found in Mayfair flats. He is our problem. We have to recondition him. But the educated public, the people who read the high-brow weeklies, don't need reconditioning. They're all right already. They'll believe anything."
[C. S. Lewis]
The Isle of Wight Red Funnel ferry 'Red Osprey' in IKEA colours - not bad for a flat-pack!!
Southampton, UK.
Banyule Swamp at Banyule Flats Reserve, Viewbank (Melbourne, Australia).
Sony FE 24-105mm F4 G OSS
59mm; 1/40 sec; f/8; ISO 100
Abandoned cafe with the Guadalupe Mountains in the distance.
Just outside the community there is a dry salt pan called Salt Flat Playa or Salt Basin. It straddles the New Mexico-Texas border and is about 150 miles long, and 5 to 15 miles wide making it one of the largest gypsum playas in the United States.
flat work ...
eine Arbeit von Adrian Schiess aus den 90gern...
der spiegelnde, refelktierende fast weiße Boden des Museums hilft hier einen fast nahtlosen Übergang zwischen der schimmernden Kunst und dem Raum zu erreichen, das Spiel der Deckenleuchten faszinierte mich ...
es scheinen große lackierte, rechteckige Holzplatten oder Aludibond) zu sein, die einfach in T-Form in den Pastellfarbtönen von Orange zu Rosa, Blau- Grau- und Schwarztönen gehen, die Gruppe nennt sich Winter und lässt im Raum auf der rechten Seite kaum Platz das Kunstwerk zu umkreisen, da es direkt ans Fenster stößt und der T-Arm in der Mitte des Raum bis zur Wand geht ...
ich bekam direkt Schwierigkeiten mit der Aufsichtsperson, die mich den schmalen Restraum an der wand entlang bist zur Mitte nicht gehen lassen wollte und nur nach meinem Einwand, das ich es gewohnt bin vorsicht eng an millionenschwerer Kundt vorbei zu gehen ohne sie zu beschädigen, ließ er mich widerwillig gewähren ...
was dazu führte, dass ich mich zunächst nicht traute mich und die Kamera richtig auszurichten, zumal er fortfuhr zu remonstrieren, dass ich doch bei Gegenlicht keine Chance hätte ...
aber gerade die Überstrahlung war mein Ziel und die späteren ausgerichteten Bilder gefielen mir nicht so gut, wie dieses erkämpfte erste "provisorische" Foto mit Geschichte ... zumal ich schauen musste, dass die Aufsichtsperson nicht in meinen Kompostionsraum lief ... :-) ...
a work by Adrian Schiess from the 90s...
the mirrored, reflective almost white floor of the museum here helps to achieve an almost seamless transition between the shimmering art and the space, the play of the ceiling lights fascinated me ...
it seems to be large painted rectangular wooden panels (or Aludibond) that simply go in T-shape in the pastel shades of orange to pink, blue gray and black tones, the group is called Winter and leaves in the room on the right side hardly any space to circle the work of art, because it directly abuts the window and the T-arm in the middle of the room goes to the wall ...
I got directly into trouble with the supervisor, who would not let me walk the narrow rest of the room along the wall to the center, and only after my objection that I am accustomed to walking carefully close to millions of dollars worth of art without damaging it, he reluctantly let me ...
which led to the fact that I did not dare to align myself and the camera correctly, especially since he continued to remonstrate that I would have no chance with backlight ...
but just the overexposure was my goal and the later aligned pictures did not please me as well as this fought for first "provisional" photo with history (with a story) ... especially since I had to look that the supervisor just did not go into my composing space ...
;-) ...
_V0A0337_pa2